#(unforunately all i managed to absorb was the most superficial stylistic things)
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fictionadventurer · 6 months ago
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Beauty and the Beast for the WIP game?
My only real attempt at writing poetry before this year happened during a stretch when I tried to write a Beauty and the Beast retelling in verse. I got about two-thirds of the way through before it fizzled out and languished forever unfinished.
When it comes to my recent novel-in-verse obsession, the simplest option would be to take another look at this work and try to finish it. There's a lot of terrible poetry in there, but there are some that are somewhat better than I remember. I can't claim to be a judge of what's good poetry, but some of these are readable, so I'll share some of them here.
The first set of semi-readable poems covers the first meetings between Beauty and the Beast. (These are all numbered, and I'm leaving the numbers in place to better differentiate between separate poems. I think the speaker in most of these is fairly clear from context, but just in case, I'll put the speaker's name in the title, too.)
VI. beauty and beast
he is every nightmare i’ve ever forgotten he is thunder and darkness and death he is fear with fangs he is beastly
she is every dream i’ve never dared for she is roses and sunlight and life she is hope with jewels she is beauty
*
VIII. beauty
the chair creaks when he sits
my knees quake when he speaks
the master laughs when i ask
when i will die
my ears doubt when i hear
my mind reels when i realize
the master wonders when i began
to think he’d kill me
IX. beast
the rules are these you are mistress of this castle the servants will obey your every whim the rooms and all within are yours including me
you will dine with me at dusk we will not speak if you want silence you will look at me and try not to scream
i will not harm a hair of your head i will not cause a moment’s worry you will do whatever you wish except leave
X. beauty
his mercy shatters my world makes it bigger and at the same time smaller
how can i live in a monster’s cage
my life will be long and lonely with him my friend and at the same time jailer
how can i look at a monster’s face
the castle teems with wonders that all belong to him and at the same time me
what do i do with a monster’s love
*
The next set of poems I feel like sharing starts with Beauty finding a portrait in the castle, and then leads into her sharing a dance with Beast that makes her kind of freak out over the fact that she might be falling in love.
XXII. beast
today you found a painting in a long-forgotten room covered in cobwebs and shrouded in dust
there was a reason it was lost
the portrait showed a man with a face like the dawn and eyes like the sea you thought he looked kind
he was young and a fool
you may keep it if you wish or lock it back in darkness it matters not to me i used to see him daily
i doubt i’ll see his face again
*
XXIV. beauty (and beast)
if rooms have souls the ballroom is wise a radiant beauty long past her prime
she treasures the days when she lived and was loved she keeps them and counts them like pearls on a string
(she is not the only one, my dear)
long past midnight in moonlight and hush this sleepwalking girl can glimpse former days
a flash of a gown and a whisper of waltz what glorious balls must this room have beheld
(they were marvelous indeed, my friend)
it seems a shame she grows old alone with nothing but darkness and dust held within
i would dance for her return the spark of life if only we had music and i had a partner
(i will gladly dance with you, my love)
XXV. beast
my dear beauty don’t you know i learned dancing long ago
one step closer take my hand with a waltz you’ll understand
let the music guide your feet in a dance that’s slow and sweet
hand in hand and heart to heart it’s not love but it’s a start
XXVI. beauty
he is hulking beastly
i am small delicate
i should be stumbling crushed
but
we marvelously miraculously dance
and it feels like flying
XXVII. beauty (to the portrait)
man on the wall i may be mad but i must give voice to the storm in my heart and you are the only one near
the master puzzles me i know his home as well as my own but i know so little about him
(is he beast or man or nightmare or dream or captor or friend)
i saw his face and thought him a beast
(but he grows roses and reads poems and has never killed or even raised his voice)
i heard his voice and thought him a monster
(but he spared my life gave me his home and all he owned offered his heart and never once has been anything but gentle)
i watched him dance and thought him a man
(with grace like an angel or a prince and i think that maybe he was not always so lonely and that his heart aches for things lost)
what am i to think do say be feel about him now
and why do these questions always come at midnight
*
The final poem is one that I had completely forgotten about, so I was shocked to find it lurking in the latter sections of the document and showing signs of using some decent imagery. By polishing up the last couple of lines, I've got something that's not half bad as a standalone poem.
This one occurs during an extended period when Beauty is still trying to process her feelings toward Beast and figure out if this is really love or if her feelings are being warped by isolation and close proximity.
XXX. beauty
if this is love it is a dark and grasping love a child stumbling in the night crying for a candle flame and cherishing the smallest spark of light
if this is love it is a bleak and desolate love a skeleton tree in a barren desert windbeaten and scrubbed to bone and bursting into bloom at the first drop of rain
if this is love it is a smoke and mirrors love a sleight of hand or trick of light that takes my broken heart and fools me into thinking he can make it whole
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