#the other two could learn a thing or two

[whatsloveanyway]

If I had a nickel for every time I watched a movie where I want the heroine to forget her lesson and date the imaginary friend, I'd have two nickels, which isn't a lot but it's weird that it happened twice.

Honorable mention to Alice 2009 for making wonderland real instead of waking her up to a world without hatter.

Cuz honestly, if I woke up and got told I hit my head and it was all a dream, I'd go right back to sleep and try to stay that way. I mean, LOOK AT HIM!!

[ryssbelle]

Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎

[uncanny-tranny]

I recently had to do a project in one of my psych classes, and man, I knew that CBT was used for every little thing, but seeing over and over, "do CBT! CBT is the best for every mental illness!" was so jarring. I'm absolutely biased because of my own experiences, but I just don't think it's as universal a treatment model as it's touted.

If you didn't benefit from CBT, it's not because you're lazy or didn't try hard enough or lacked intelligence or foresight into your own needs. Frankly, it's a therapy model that (I think) shouldn't be the only readily-accessible model and among the only therapy models covered by insurance. Some of us should not be treated in a CBT model and that's okay. It's not a sign of poor character or unreasonable demands, and if you don't think it's a model that works for you, then it's your right to express that!

[front-facing-pokemon]

[hanafubukki]

I’m surprised that malleus’ age is still debated/argued about?? 🤔

He’s a 178 years old fae 😂 and that’s that?? Why try to put him on a timescale of humans when…he’s not??

He’s a fae at the end of the day. Equating him to human ages/developments seems rather strange to me.

Especially when time moves different to a fae, everything related to faes/types of fae are not human in anyway so why equate it to humans??

I don’t know?? Is it just me?? Lol

Maybe I’m just too used to reading/watching/etc stuff about elves/faes/other long living creatures that it never made sense to do that to me.

Honestly I’ve only ever seen this “debate” in twst. 😆😂

[purplecatghostposts]

Enemies AU with Chat Noir and Argos except while Ladybug and Chat Noir are having a complicated Enemies-To-Tentative-Allies-To-Friends(?)-To-Genuine-Trust-To-Lovers Arc with Argos suffering just watching the whole charade of dancing around each other, the moment Ryuko comes into play, they speedrun that arc in record time and suddenly the tables have turned with Chat Noir third wheeling Feligami’s (Ryargos’?) flirt-fighting while he and Ladybug are still stuck in between the Friends(?) and Genuine Trust stage.

Ladybug would lecture Ryuko to stop making out with the enemy… If it weren’t surprisingly useful at keeping Argos at bay. (Should she start making out with Chat Noir? For tactical reasons, of course. She definitely doesn’t think about making out with Chat Noir for any other reasons, uh-uh.)

Also the tables have turned further because usually Chat Noir is giving Argos heart attacks with how reckless and self-sacrificial he is but now Chat Noir has to try and shake some sense into him because, “Félix, Félix, she can TAKE your brooch if she’s that close to you— she almost did!” And Argos, having recently made out with Ryuko, is still very dazed and in Loverboy Mode so he’s there like, “It’s… Fine. I can keep it safe.” Very unconvincingly and Chat Noir is like, “Do you think she’ll stop trying to take it??” And Argos smiles softly and says, “No.” and Chat Noir just. Stops trying to convince him not to kiss her and just tells him to be careful.

[nozomijoestar]

i really like the dichotomy of everyone respecting Nana as their friend off stage (and the darker feeling she has that they All take from her in one way or another except Karen) but inside the stage duels as performers with her as their ultimate test, they're all still prideful enough to treat it as every man's glory for themselves, making it so they can't hold a grudge against Nana outside the Revues because to everyone the Revues are Just Business and a space for words that don't belong outside it- which plays into the repression that's hurting all their relationships, they really thought of everything making this series

[alongtidesoflight]

i swear my stepdad is so illogical AND stubborn it hurts

[bitchfitch]

idk maybe it's because I see all art as various fields of craft work, ie skills composed of a series of linear steps that can be taken to produce certain results, but it irks me when people lose their shit over really basic pieces simply because the end result was able to produce a realistic image. like. especially since I've noticed it shows up a Lot more often in reference to categories of art dominated by women.

like, it's great y'all are gaining a respect for quilting and fiber work, but maybe loudly declaring that you either don't see or don't care about the immense display of skill in pieces unless they conform to what's mildly difficult in the one(1) genre of art you have deemed respectable isn't like. cool.

[turtleblogatlast]

[ cw: technical child endangerment / ]

Y’know every time I see the turtle tots playing with their original weapons I’m always flabbergasted that Splinter let Leo have a literal sword as a small child.

And then left him unsupervised with it.

Like, at least the others had blunt weapons (though still dangerous in their own right, especially Raph’s blunt tipped sais) but Leo’s katana are so easily lethal that it’s a miracle he seemed to be a natural with them. Because, if he wasn’t a natural then…oof.

It’s at least a good thing he only got one sword at first and not his usual two. Splinter would’ve needed to count his lucky days because OOF.

[lastoneout]

this is my entire stance on the "american food is bad" discourse summed up

[fisheito]

UNLOCKED SCORCHING SUN (sunburst fever) DANTE ! (Spoilers? Here is a short summary of my reactions):

-eiden i live for the cheesy things you say when you wanna bone someone. ehehehehe when the corny roleplay actually works too well🎶🎵

-oh um 😳 eiden getting himself off bygrinding against Dante's leg ahaha💦💦 ok uhhh 💦💦💦💦💦💦💦💦

- THE CONFUSED SPUTTERING WHEN EIDEN GETS SUDDENLY BLUE BALLED🤣🤣

-oh shir dante lore drop

-oh SGIT DAnte is working even harder than i thought just to make an equal society like,, dude,, that is sO MUCH to take on YOU ARE ONLY A BABY. BUT YOU TRY TO FIX CENTURIES OF INJUSTICE 😭

-aawwww...... gentle.....🥹

-DAMMIT EIDEN STOP BRATTING FOR 60SECONDS AAHHHHHAJAJAhaha oihh ahhhh

-dante is like the Grinch he doesn't know what the dokidoki in his chest is (.it's his heart) but. He'll get it one day

- they're cute 😭 and funny 😭😭 and eiden's "why do *i* have to go" is so... PETULANT i love them they're bickering idiots 🥳

ah, correction*: why "THE HELL HAVE" i gotta go. to be fair, that is a mild reaction to dante suddenly cockblocking him from himself(?). yeah. selfish lover moment deserves at MINIMUM that amount of sass 🤣

[lock-my-feelings-in-a-jar]

Russ Ballard producing Daltrey's album

1975 Interview

Russ Ballard has something special. Call it professionalism, the sure touch, luck, talent, a mixture of the lot if you like, but everything he's involved in seems to turn out pretty good, even when it's something completely new to him, like record producing.

When he was fourteen, he wrote his first song and sold it to The Shadows after having had the sense to demo it after their style. Having mastered the guitar and scored quite a bit of acclaim for his playing, he turned to keyboards and now nobody hearing him play would think he hadn't been brought up on them. Argent reached the height of their success when he was with them, he gave Colin Blunstone a monster hit with I Don't Believe In Miracles and now Ride A Rock Horse is enjoying considerable favour. Its producer? Russ Ballard! The man, wearing his customary shades, exudes an air of quiet confidence. He can afford to. He's well respected as a musician and as a writer and he's now in a position many people could envy. After all, a singer of Daltrey's calibre doesn't call up just anybody and say "How about producing my album?"! What is really surprising is that Roger should ignore all the established record producers in favour of Russ, who has only ever produced one album before in his life and that was the solo one he made after leaving Argent.

How did his new role come about? "Well, I worked with Daltrey on his first album, played a little drums and piano on it, but I didn't produce that one, just put in some ideas. He must have liked them because when he was planning his second, he just asked me if I wanted to do it." Russ explained. In an issue of Beat dated April 1966, Daltrey himself described his voice in pretty disparaging terms. "I don't have a good voice, no-one needs to tell me that. I'm a screamer with a group and I'm happy. I'm not worried about my voice, though, it is developing and I can notice the change." He also added "I'd get a real kick if I could have a proper girl vocal group backing." It's taken nine years, but now he's achieved what he hoped for, a voice which no-one can deny is pretty exceptional, and backing singers led by Marsha Hunt, care of Russ Ballard! "I was involved with everything." said Russ. "Going through songs with him, deciding what musicians should be used, who would be good for this and who for that." For a reluctant producer, who admits that "I'm not really into production, even though it's a creative thing, I'd rather be an artist." Russ had some pretty definite ideas as to his treatment of the album. "I deliberately kept his voice well up because in so many recordings I've heard of Roger, he's been immersed in sound. He's got such a powerful and such a good voice which contains many aspects that people haven't heard before. What I set out to do on the album was to expose all those voices for the first time. I don't think it is a good thing for a producer to put his own standpoint on an album, the most important thing is to project the artist." Russ thinks that Daltrey's film work has given a lot more confidence and he also found getting to know him has radically changed the concept he had of The Who. "Many people would imagine Daltrey as an ego tripper, but he's not in the slightest. Before I got to know him well, I was under the impression that The Who were Pete Townshend's baby. But speaking to Roger, listening to his ideas, I think that a hell of a lot of his ideas must have always gone into The Who, a lot more than people think."

It was originally Roger's idea to record an album of his early influences. Then he changed rock horses in mid-stream. "By then we'd already recorded Walking The Dog and that Beachboys sounding song, so we were lumbered with them." The second idea was to project the different sides of Daltrey's voice in a collection of mixed rockers and ballads, including three songs of Russ's, Come And Get Your Love, Proud and Near To Surrender. "We didn't actually discuss the point but I felt he wanted to make a heavier album than the one we'd originally planned. Yet not totally heavy, but a record which would compliment the heavier stuff with lighter stuff. Right from the very first session when he sang the first song I could see his voice was so much better, I feel it's improved tremendously since the early Who days even though I think he had a good voice in 1964."

The next thing to decide on was the overall sound and the arrangements. Ex-Shadows drummer Tony Meehan was the man who worked on these. "I decided to make the sound quite sparse,-" explained Russ, "- rather than over-producing it. Some people just don't know where to stop. I decided that if a song called for piano and nothing else, that's what I was going to do." (Hence Phillip Goodhand Tait's beautiful slow rocker Oceans Away with the composer on piano.) "The most important thing in an arrangement is the song. If it's a good one you should be able to sing it with no backing at all and it should still sound great. If it's not, no matter how many extras you add it won't work." Russ reckons that having been in bands himself definitely helped him as a producer, enabling him to put himself in the artist's shoes. Yet he doesn't think he'd like to produce his own next album entirely alone. "When I was in Argent I found being produced by somebody else was very frustrating because I could tell people were veering away from the original ideas I'd had for my songs. That's why I decided to produce my first solo album, which turned out a bit of a mixture because I had a backlog of work to get out of my system. My next album will be slightly deeper, not so light-hearted. I hope to be co-producing it with Muff Winwood, whom I really admire because he's got such a good ear and can really make a musical point."

At the moment, Russ is doing very well with songs of his which are being covered by other artists. One called Heartbreak, has recently been recorded by Olivia Newton-John and yet another is currently being recorded in L.A. by Stevie Wonder's band. Russ has got a new band together consisting of the ex-drummer from Curly, Alan Wickett, bass player Tony Lester and guitarist Alan Skates- "He really does!" joked Russ. He's got three weeks booked in E.M.I. Studios to get the album done. As for his producing career, it looks like Ride A Rock Horse may be his swansong. What if Roger asks him to produce his third album? "Well… if I want to do what I want to do, that is, sing, play, write and record, I just won't have time to produce anybody." said Russ. There's nothing like getting out when you're on top!

[feline-evil]

Dick or no dick confirmation Pickles was always going to be trans to me anyways; if he's swingin' somethin that's phallo babes, if he's not then his t-dick fat. What's not to get.

[my-thoughts-and-junk]

hate when i see a youtube video that's like 'analyzing why [thing] is bad!' and you watch the video and they just say nothing for twenty minutes

[scoriarose]

Laminated.

Where's my sister?! Also it's food day. Feed me.

Sakura has mastered the art of subtlety.

I've also mastered the art of eating things without chewing while I do my impression of a conveyor belt. So please grant my wishes and give me da fishes!