#the only thing that bothers me is

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[that-tall-queer-bassist]

hey, just as a btw, a fic or a series not uploading for a year doesn't mean its abandoned.

Sometimes the authors have shit going on, other wips, or! it just needs to sit and marinate for a bit. Collecting all the flavor and details it wouldn't have otherwise.

it's okay for updates to take a while.

And if you're impatient? Why not leave a nice comment telling us (the author(s)) what you love about the fic or series? say that you love it, and are "waiting eagerly for the next chapter" and/or that you "would love to see x or y happen because it would mean-"

This could be a new fandom vibe because of all the "i have to drop this while people are still interested" energy, but its not universal, and i don't believe its good for the fandom ecosystem.

Have patience, and have compassion. Remember that authors are human and these fics? (or comics, animatics, whatever) This is our art. We care about it just as much, if not more than you.

[xxplastic-cubexx]

Marvel's Squirrel Girl: The Unbeatable Radio Show! | All of Erik Lehnsherr's Call-In's

Episodes featured: The Fate of My Universe The Sinister Six Are No More Who Would Win In A Fight? Unbeatable

Full Podcast Playlist (Spotify)

Credits below:

Written by: Ryan North

Directed by: Giovanna Sardelli

Voice Cast: Milana Vayntrub - Squirrel Girl/Doreen Green Crystal Lucas Perry - Nancy Whitehead Leo Sheng - Koi Boi/Ken Shiga Davied Morales - Chipmunk Hunk/Tomas Lara-Perez Erica Schroeder - Tippy T. Squirrel Rob Nagle - Erik Lehnsherr

Key Art: "Squirrel Girl Infinity Comic (2022)" by Derek Charm - Doreen, Nancy, Ken, Tomas, Tippy "Magneto (2023)" by Todd Nauck - Erik

[cubbihue]

When you said that the unluckiest person is most hopeful, it reminded me of Nagito Komaeda. If the universe were combined, do you think he would fair well having Anti Cosmo as his anti fairy?

Funnily enough, I feel like it would be Hajime who would have an anti-fairy companion. I mean, he’s surrounded by extremely skilled people! That would attract bad luck in some way for him. Nagito wouldn’t be good food for anti-fairies. Or Fairies. Or Pixies.

...Honestly, Fairies aren’t quite sure what food he produces. It’s like a weird amalgamation of luck, desire, greed, and all sorts of emotions they can’t disentangle. Like a crockpot gone horribly horribly wrong. Eating any bit of that would make any fairy sick.

Eugh. The hell is wrong with that one.

Bitties Series: [Start] > [Previous] > [Next]

[scribz-ag24]

one of these villains is not like the others

also one last gengar being a bastard

[odeu-m]

tf:one came out and made tf popular again so im outing myself as a ss fan

[gruvu]

While you were

Waiting, waiting, waiting

So the song Underworld between 2:37 and 3:37 is this part and I was having emotions about Teshin and Drifter cause damn. That's our dad and we just got there a bit too late and GUHghn. Anyway wanted to draw some warframe and thus.. This.

I do TERRIBLY wish we could replay the Duviri paradox cause I WOULD like to feel things. And also take more screenshots.

[randomalistic]

Wait you guys are actually buying Disney products I thought it was a joke

(READ TAGS FOR FULL CONTEXT Sorry it’s long dies

[balkanradfem]

I've managed to curate my small misogyny-free space both online and in real life, and now I'm no longer used to misogyny, it's no longer normal to me. So when I accidentally glimpse it, I'm not desensitized to it, I'm always shocked and unbelieving.

If I notice a m*n talking about a woman like she's 'just some ***' I'm immediately aware that this is in fact a demonic creature who needs to be burned. If I see anyone using a slur against women or pretending women are at fault for any of the world's issues, the hair on my neck stands up at the unbelievable amount of hatred.

Anyone implying that women should be in any way controlled, punished, forced to do anything against their will or dedicate their lives to anyone but themselves, is preposterous and villainous to me, I'm at loss that someone could even think that way about a half of the human population who are creators and administrators of life.

I know I am in a bubble, but it feels different knowing deeply in your heart that all of this is not normal, that casual or normalized hatred against women is absolutely insane, that it's sharp and painful and dehumanizing at every turn. It's insane to realize that women just have to live like this, believing all of that is normal, that I once lived like this, wondering what was wrong with me and why I couldn't just be what everyone was expecting me to.

I think still, if I can make a small space without this hate present in it, without anyone or anything implying we should be anything but free, anything but full complete human beings with absolute control over our lives, then we can strengthen and grow these spaces, and get more women in, have more women experience what life is like when hatred is removed. There is hope for women.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[ravene]

Part 1 Chapter 2 be like

[xxplastic-cubexx]

charles doddles

below the cut is notes for myself on how i draw him cause im SICK of being inconsistent !!!!!!!

[mumblesplash]

heartbreaking: this viral post is saying things you completely agree with in the most irritating way possible

[readerconfused]

The Hermes cabin looks so cozy, if it weren't for the overcrowding i wouldn't mind staying there

(photo of Rick Riordan via Threads)

To be honest, i never understood why they didn't make it bigger

P.S. someone told me why they didn't reform. Zeus when i catch you, when i catch you

[avenin7]

I’ve realized why I hate most fanon interpretations of Revali now. I can’t stand when people make him lie about or brag about things he can’t actually do. I’ve always seen Revali’s character as truthful and honest to a fault. (will insult you to your face if it’s accurate levels of truth) He’s egotistical yes. Because he can actually back up what he says. I find it so annoying irl when someone says they can do something when they can’t or lies about knowing what you’re talking about when they very obviously don’t. And I’ve noticed a lot of fanon takes his character that way because of the common headcanon that he’s insecure. But I find that trait so unbearably annoying and have never headcanoned Revali’s character that way. I’ve always seen him as humble when you know, he actually doesn’t know what he’s talking about. Or being able to acknowledge when someone else has skill higher than him. (the whole POINT with his beef with Link is because he was under the impression Link thought he was better than him. He just wanted a chance to either be proven right or wrong. His dialogue in the dlc implies that even if he lost, he would have been content to just know). That doesn’t sound like someone who can’t acknowledge when they’re wrong.

So when people are out here writing Revali in extreme denial and making him act like a complete asshat who thinks he’s hot shit when he’s very obviously NOT; it rubs me the wrong way. Feels like it does a disservice to his character a lot. and makes him extremely immature & annoying