#the only fandom that gives me notes (because its not consisted of 10 people)

[lizzybennets]

I posted 1,998 times in 2022

That's 918 more posts than 2021!

54 posts created (3%)

1,944 posts reblogged (97%)

Blogs I reblogged the most:

@robntunney

@tmsource

@rorylgilmore

@prideandprejudice

@donnaamoss

I tagged 1,939 of my posts in 2022

Only 3% of my posts had no tags

#q - 1,151 posts

#austen tag - 242 posts

#the mentalist - 187 posts

#pride and prejudice - 177 posts

#the west wing - 176 posts

#jane x lisbon - 109 posts

#taylor swift - 105 posts

#teresa lisbon - 103 posts

#patrick jane - 101 posts

#josh lyman - 88 posts

Longest Tag: 139 characters

#tho i’ve been listening to midnights a lot but it’s still too soon to tell if it’s going to be a favorite or it’s just because it’s new lol

My Top Posts in 2022:

#5

“There are few of us who are secure enough to be really in love without proper encouragement.”

PRIDE AND PREJUDICE (2005) Dir. Joe Wright

1,866 notes - Posted March 19, 2022

#4

See the full post

2,171 notes - Posted February 14, 2022

#3

See the full post

2,182 notes - Posted July 3, 2022

#2

PRACTICAL MAGIC (1998) dir. Griffin Dunne

3,574 notes - Posted October 8, 2022

My #1 post of 2022

See the full post

6,369 notes - Posted August 14, 2022

Get your Tumblr 2022 Year in Review →

[autogyne-redacted]

Let's Talk About Security Culture: Why Keeping Secrets is Cool and Sexy

It's a natural impulse -- if you love crime -- to want to talk about how great it is. And if you hate America, it's only natural to want to share your dreams for its future with the rest of tumblr dot com. It can feel brave and transgressive. And there is a drive to share your soul with the world at the heart of social media. Surely I should be posting the most concrete implications of my politics, right? This is the poster's curse.

Security Culture refers to a set of "best practices" developed over the past several decades, largely (in a US context) coming out of radical environmental groups as they faced intense state repression, infiltration and entrapment. If you're not familiar, there's some fascinating crimethinc write ups to give you a window into that world:

Much of it boils down to: don't talk about crimes, past or forthcoming with people who don't need to know about them, and be mindful of the possibility of surveillance and infiltration. And, we can support each other as a community in minimizing risks, with an eye towards enabling bold action rather than getting bogged down in fears and anxieties. The guidelines that make sense for AG-based trouble-makers are different from the guidelines that make sense for posters, but plenty of common principles apply. To speak briefly to our position here as posters:

First, it bears saying that long term anonymity is nearly impossible to maintain. Unless you've never accessed Tumblr without a vpn, and avoided connections with other ppl who can be associated with you/your location, and never shared pictures without scrubbing metadata, and a bunch of other 100% consistent steps, it's trivial for the state to know who you are.

Second, just because something isn't actively being prosecuted now doesn't mean it can't be prosecuted later. The priorities of the state change and a shift in power towards the right or a growth in radical action from the left can suddenly make it a priority to destroy anarchist networks or just find a few ppl to prosecute as examples (who probably weren't that plugged into larger networks before getting arrested). Advocating for specific anti-government crimes or declarations of intent to commit such crimes are likely prosecutable, and even if charges don't stick, they're an easy vector for legal harassment.

Third, it's worth thinking about heat as separate from prosecutability. There are modes of engagement that may not be directly criminalized but signal that you are someone worth watching. Some people choose to be public in ways that make heat unavoidable. But it's worth noting that heat isn't strictly individualized, that it persists over time but also is going to shrink over time.

It's easy on here, ime, to see yourself as a proud member of the crime fandom but not much of a content creator. And it's easy to feel like you've generated an amount of heat where you're locked into that role. But heat you generated 10 years ago is probably pretty well gone. Heat you generated 5 years ago has faded substantially. It's worth thinking about how the world might shift in the coming years and what doors you want to keep open.

The non-individualized nature of heat also means that leaning into the spiciest of anti-state positions will make it a bad idea for people who are acting out those positions end up tied to you. Loudly talking about how "more people should be doing [X/Y/Z]" unfortunately sets you up to remain distant from people who might be doing or thinking about doing such things.

Which brings me back to: keeping secrets is sexy. Not spelling everything out builds intrigue. You can lay out a theoretical position and leave working out the practical implications of that as an exercise for the reader. There's value in opacity. The poster's curse and the drive to confess are extremely convenient for the state, but we can resist them. We can hold dreams in our hearts that we refuse to offer up to the posting spectacle.

[annah-kitathryne]

Oh I have a list. I'm going to be blocked for some of this and you know feel free to debate me on this I want to have a constructive conversation on some of this. Plus there is no way that I can read every comic ever and remember everything so if mistakes are made I am human.

1. Bruce Wayne/Batman as a character works best when you have him go on a slow but consistent downward spiral where you have him start off with as good of a rich capitalistic boy can be but have him slowly get worse as he gets consumed with more paranoia and emotions he can't properly process because he was never given the proper environment or tools to do so. Have him good from a fairly decent parent and have in decline every so slowly into a worse parent.

2. Alfred Pennyworth is a very flawed character and has picked side multiple times despite claiming (sometimes) to be neutral in a conflict. He has negatively impacted the children he cares for and abandoned his own family to continue working full time with Bruce. (Pennyworth has a daughter BTW).

3. TimSteph was a messy teenage relationship that failed because of at its core very teenage things (miscommunication) but the problems were only made worse but the adults in their lives. They both had their faults and were both horrible to eachother in many ways but they were also very sweet and cared for eachother. To not acknowledge the roles they played in eachother's lives is to disregard a lot of characterization and growth as well as a lot of trauma.

4. Tim is a brilliant character but he is flawed and very annoying some of the time. He says things and does things that make him a complicated flawed but still ultimately good character. The gun Batman story is stupid and should not be revised again. We can explore Tim's flaws in other ways that doesn't bring in gun batman.

5. Jason did more for the plot by being dead than by being alive, and he haunted the narrative perfectly fine. He did not have to be brought back as a character later on. The Batfam was going strong without him and his characterization has only gotten worse throughout the years and most of the storyline he has been in recently is grossly misrepresenting both his Robin character and his later character.

6. Babs is a flawed character and makes some of the same mistakes as Bruce as to boil her down to 'girlboss' is stupid and misogynistic. Making babs Batgirl again is ablist and removes the character growth she had as a character beforehand. She was better as Oracle.

7. Dick Grayson is oversexualized and mischaracterized. It needs to stop. Make him go back to being asshole traumatized adult who only tolerated Bruce for short periods of time. Dick should be a character outside of Gotham related characters.

8. Stephanie Brown has been mistreated by the comic makers and the fandom and what the fandom has done to her character has not fixed the problem, only made it worse.

9. Cassandra is an amazing character but has been whitewashed and infantalized, and tokenalized. She is a complicated character but by many has been reduced to a one note character who is secondary to the the 'batboys'.

10. Helena Bertinelli deserves to have her characterization back and to have the traits that were stollen from her given back. Her writing as a character and vigilante anti-hero is better than Jason, and to give her characterization to Jasonbis wrong.

11. The Batfamily is not a nuclear family and they only get along and work together in smaller groups. They are all together tolerable but antagonistic coworkers but in smaller pairs or groups familial relations.

12. The Joker should be dead and some other big bad should become the focus. Joker as villian has been beaten to death and not interesting anymore. DC has plenty of other very fascinating characters that they could use.

13. Harley Quinn is a problematic character that needs to be written by other people.

14. There's something about boiling Tim down to the 'smart Robin' and headcannoning him as East Asian that feels ickey to me. Like these two together specifically. Just like there is something that feels icky about headcannoning Jason as black or Latino and boiling him down to the 'violent robin'.

15. Batman should have stayed dead. The extended Gotham vigilantes and heroes had just reached some form of normal and a new ers of comics could have come. That would have been more interesting to see than reseting everything.

16. Tim needs to grow as a character outside of Robin and Batman.

17. The Dickbabs vs DickKory ship war is stupid

18. Not all relationships need to be romantic and not all relationships are meant to last. The fandom needs to understand this.

19. Selena can do some much better than Bruce.

20. Talia deserves so much better than what she has been given and deserves a formal apology from everyone.

What's your batfam hot take that will land you like this?

[goldenspecter]

Hey everyone, this is serious talk time. 

I don’t write call-out posts, I’ve helped and added on to my fair share of them, but never have I expected to write one of my own. But here we are, in this day and age and I’m writing a callout post. Let me make clear and upfront as to why I’m writing this callout post:

My partner @dakotafinely has been bullied, harassed, and stalked by one single person, @b-tchidowhatiwant and his other previous accounts, for over a year. It has finally reached its breaking point. 

Allow me to lay out the evidence, lay the groundwork, and pave the way so you all can understand why this guy is dangerous and should not be in this fandom. Please reblog so people can know how dangerous he is.

This started in March 2021 with this ask. This ask is dated March 28, 2021. This response my partner has given him has established several things: 

This is repeated behavior. 

There is a pattern that this guy did: follower appreciation->hate ask->deletion(ignoring of ask initially)

This has been an ongoing behavior. 

Then there was this ask, a day later on March 29th:

This ask, dated March 29th, 2021, also establishes a repeated behavior we’ll be seeing crop up time and time again: Misogyny. 

Despite submitted asks there are many that were deleted or that were not posted. The following consists of a few amount of these unposted asks made by the same person. The dates of these unposted messages are November 24th, 2021, and March 3rd, 2022.

This user has also continued their harassment outside of anon hate and messages through posts on their various Tumblr accounts that have proven to be connected to the same individual. All of these had been reported and blocked repeatedly by both me and @fluidfox123. Below is a list of links where this user has been called out on for their meanspirited behavior by both myself and other people who happened across it(do note that I won't be able to put all of the links, only 10 of them thanks to Tumblr's limit, but I've selected the utmost important ones to be hyperlinked and screenshots from some of these links have been used later on down in this post):

*These qoutes that are hyperlinked are all things that he has ACTUALLY said about Dakota

"You know nobodies gonna give a shit about your story if you never write it right?"

"you're cheating on your apparent "boyfriend" now?"

"I am not obessed with Dakota. I do read other stories. Which is why she pisses me off."

"getting her riled up is fun."

"I JUST said it’s fun, plus she deserves it."

"She’s a toxic, manipulative, delusional writer. Who doesn’t deserve an audience."

"Just admit you don't love her she's impossible to love."

They confirmed that these three separate accounts (un-important-fool, chaosab0veitall, and b-tchidowhatiwant) were and are created by the same individual:

While using the Tumblr platform directly against Dakota, he has also used those close to Dakota to try and turn them against them by being "polite" and "supportive" towards them. This has mainly been aimed at Fluidfox. Ask Dates are November 25th, 2021. 

He has also turned his ‘support’ toward me. Let it be known here and know that I do not ever support this kind of behavior or display of support of my content when it actively involves bringing down another person simply because you don’t like their content. 

However, despite this blatant guilt tripping mainly towards Fox, he does so to others who call him out on his actions with the same tactics or anger and unpleasant comments. 

*Please note that there are more, but because of Tumblr's 30 image per post limit, I can not put up more than what I have now and I will gladly share these images if people ask for them. There will also be in here that will be added as well so everyone can see where they came from.

Nevertheless, despite his actions toward Fox and those who call him out, most of his aggression and negative behavior is aimed directly at me for defending Dakota and dating them. Screenshot dates are November 24th, 2021, and December 1st, 2021 as well as a few screenshots from a link below.

However, recently he's changed tactics completely by escalating to blackmailing and threats. He’s made threats to ‘out’ my partner as a current tcester, even though she is not if she would ‘comply’ with his demands to ‘never post TMNT content’ and to back out of the fandom, as seen in these screenshots: 

Even after she agreed to do that, he still decided to make the post anyway. I’m not directly linking it at all as to not give him attention, here it is. Let’s talk about it. 

There are many things that are wrong with this post, let’s count them out. 

This is not fucking true. Not at all. I know my partner better than he does, and I know that she's not a tcester, the absolute audacity to dig up shit from someone's past, something that they no longer are identify with and have made it clear they have indeed grown as a person is fucking appalling and despicable. He is intent on isolating her within this fandom by trying to use stuff from her childhood against her.

These shots are clearly edited to hell and back. None of these things match each other, the fonts aren't the right size, and god knows what else. I have the originals that she shared with me and can prove that he is lying about it. Here are the screenshots: 

3. This bastard has the audacity to act as if he doing the right thing, that he’s being self-righteous as if he’s doing the right thing by this fandom by wrongly slandering another person’s reputation and then having the audacity to ping my main account(@polyrhyme is my main Tumblr blog, this blog, @goldenspecterr is where I’m most active) and act so smug about it. These are the signs of someone who is clearly obsessed, a stalker with no good damn intentions, especially with tags such as these:

This dangerous behavior has been expanded upon by Fluidfox in this post. The most important highlights in the post are calling out this user's need to warn the TMNT fandom without support from other TMNT users, their stalker behavior, and harassment towards others.

In summary, @b-itchidowhatiwant is a dangerous individual who has spread nothing but hate in an act of a misguided attempt at 'helping save' the fandom from @dakotafinely.This user stalks manipulates and harasses those who get involved with their twisted need to tear down Dakota. It's advised to block this user, report their blog, and take their hate posts as ill will with improper sources. 

This user accused me of making the ‘threat’ to out them out as a stalker, and I decided to follow through with it. So I’ll say to y'all what I said to him: 

Fandom’s a privilege, as well as being a part of fandom spaces, those are privileges. If you do shit like this, you do not ever deserve to have those privileges at all. You act like this, stalk, harass, and bully people in fandom, you lose the privilege to be in fandom spaces, and that's final. 

I’ve been through hell and back in this damn fandom. I’ve fought bullies, tyrants, groomers, and god knows who else and fucking came out on the other side a goddamn winner, and I’ll do the same here. I will make sure that you never know peace for the rest of your time that you are on this damn platform if you @b-tchidowhatiwant continue to harass and stalk my partner, and knowing my history of who I’ve gone toe to fucking toe with, that’s not a goddamn threat, it’s a fucking promise. One I’m filling with glee. 

Batter up motherfucker, I’m fucking swinging, and I’m making a homeFUCKINGrun. 

[tomatoart]

hey !!! ik uve probably already gotten thiz question before but do u have any tips for getting traction on ur artwork? specifically on tumblr

Hi!! it’s okay I don’t mind, but to completely honest with you I can’t give much advice :[ but I’ll tell u what I know !

The only traction tactics I use are very loose: post every week consistently at a set time range (for me I choose when it’s around lunch my time just for ease on the weekend because thats usually when my dash pops), I draw for specific fandoms in bulk which also helps bring in people grouped, and when I switch to drawing for a different fandom it’s usually so similar in fanbase it will bleed into a community (though this is just coincidence) and to have a brand (like tomatos for me) it’s just for when ur supporters see u around a different media they’ll go “omg is that ___?!” but its not necessary

I have to say that the traction I have comes totally from tags on my big notes posts, which is completely up to tumblr in how they receive it. I think only about 100 notes come from my followers straight just from their dash, and the rest of them find it thru tags! a tip for that i have is that if someone follows a tag, tumblr only advertises the first 5 of your tags on that post to ppls dashes who follow the whichever specific tag. (all tags on the post register when u search them tho dont worry!) so i use my first 5 tags on my posts to put the important tagging system stuff like the media, characters, shipnames, ect.

And another thing to keep in mind is sometimes it’s never a steady inflow! for instance the second largest batch of notes I’ve gotten is deltarune Art (22k) on a single post. But the first largest batch of notes I’ve gotten in a general tag was for persona 5 (I stopped counting so 22k+). I only have about 4 deltarune arts drawn, and 2 of them are very very old with little notes. Meanwhile my persona art doesn’t have nearly as much as my current deltarune art on a single post, but my general p5 tag collectively has more notes than a single one (1) of my deltarune posts notes, because there are so many. That’s just because I’ve drawn for p5 for about 5years, so it shows how traction and notes and follows can be sort of an over time thing!

my first year of trying to seriously be an art presence wasnt immediate in getting a substantial following, my art only got maybe 10 notes and it was frustrating, but continuing to just post and post and post paid off! 

I think my number one rule is to always draw what you are super passionate about, things that people will watch and go “I like the passion that guy has” I think having a genuine inspiration and love for ur art and art blog really drives wonderful people to support your love! your art is very nice too btw! i love how u draw hair its so silky and ur style is so fun, i wish you the best of luck even if i cant help much w advice @_@ <3 

[jumpscaregoose]

okok I started thinking about this (as one does) because I have spent way too many hours of my life thinking about whether or not certain adaptation divergences are good or bad (I'm in the bsd fandom sometimes they LOOOOOOVE to get mad about it there. spoiler alert most of those changes are fine)

new paralive episode? making me pretty nervous over here. don't think it's doing what it's going for well

if they wanted to make the whole thing about bae and allen's insecurities they could have just? done that? like from the beginning? so it could be done well? because you can give your source material a big fuck you from the beginning and do your own thing and have it work

case in point: big whoop it's 2001 shaman king

context because this is a paralive discussion and nobody knows wtf I'm talking about: this was the first anime adaptation of the shaman king manga, which when the show came out had only been serialized for about a third of it's total length. this caused some Issues when the anime adaptation was serialized all in one go

and what happened? an absolute shitshow by adaptation loyalty standards and also what a lot of people consider to be the Objectively Better Adaptation compared to a later one that followed the manga's plot (I am engaging these people in scholarly debate behind a denny's but I will admit they have a point)

this thing ditches the manga's canon within like 10 episodes and follows a cliffs notes version for the other 54. it has a really different vibe from the later manga chapters and is in no way the same story, but it's consistent and does its own artistic thing and a lot of people liked that

paralive is not doing that (uh oh)

from my understanding, the paralive anime had been doing a Pretty Ok Job at adapting the voice dramas (I have not listened to all the voice dramas but I can guess this from what other people have said). and then they seem to have. stopped doing that

which is where the problems begin. because I really don't thing they can swing back on the voice drama plot in the remaining episodes in any sort of competent way. and I also don't think they can make whatever changes they're going for work in the remaining episodes in any competent way. this is bad. you can't have it both ways

I really wish they would have committed to making changes from the start if they planned on making them basically. even as someone who hasn't listened to the live drama cd I can tell that came out of nowhere

and it could have been ok! if they'd set it up previously! competently! ok a lot of people would be really pissed but it could have been good!

paralive moment

THIS.

i'm all for adaptation differences when it's just something added to canon like the filler episode or a little change. but changing the WHOLE fucking plot was such a shitty move i'm so sad they decided to ruin it all right at the end.

you as an adapter have no right to make the character ooc in such an important context. you can do that in the filler episode, it was even fun but not here... allen especially wasn't acting like himself at all like What the fuck was that mental breakdown on the phone even? and cozmez having this half-assed victory?? i'm so glad kanata got super fucking mad but i wonder if it will change anything lol

essentially: this episode was a big fuck you to the live drama cd. if they're still gonna adapt it i'm curious to see how it's gonna work out cause my expectations are really low at the moment

[quicksandblock]

MCYT Demographic Survey Part 2 RESULTS

IT’S TIME!!!

Once again, thank you so much to everyone who participated! 1,654 people total responded to this - about four and a half times as many respondents as the first survey. It’s honestly incredible. I’m so happy the rest of you are as interested as I am in this stuff :D

The increased turnout is also why these results are being posted two days later than I’d intended. I want to give a HUGE thank you to my friend @quincepastey​ and my sibling @orestes-swimming​ for helping me out, and by helping I do mean they did basically all of the technical stuff for me, because my knowledge of spreadsheets was not up to the task. So thank you to Cupid for organizing all the data from questions 3 and 4 into something comprehensible for me, and thank you to Kal for making the charts! They are absolutely the MVPs and everyone reading this should go check them out. Thank you guys so much <3

Reblogs of this post are very appreciated. It would be awesome if the info about the results could reach everyone who submitted a response, so if you reblogged my first post about this survey, please consider reblogging this one as well!

For your convenience, here’s a link to the results of the first survey I did six months ago. Now - on to the results!

Question 1: What is your age range?

Compared to the results of the first survey, we can see that things have changed a bit! Specifically, the fandom has shifted just a little bit older. The solid majority of the fandom is still in the 15-17 year old range, but it’s gone down from almost half to closer to 40%. Almost a third of the fandom are ages 18-20, up from close to a fifth six months ago. 21-25 year olds have increased from about 10% to about 14%. And the youngest segment, 13-14 year olds, have gone from almost 20% of the fandom down to 12% - the sharpest change of all.

Finally, nearest and dearest to my own heart, there are now 26 whole people in the fandom aged 26-30 and 9 people aged 30+. Old Squad is growing, folks. We are... the 2% 😎 Special shoutout to the person who said their 15 year old kid got them into the fandom. I hope you know just how cool you are.

These results are interesting, but it’s also impossible to say how accurate the data is. This survey and the previous one were only posted on my blog, and they only reached a wider audience through the reblogs of my followers. So do these changes reflect actual changes in the demographics of the fandom as a whole, or is it just that my followers (and the people who follow them) have shifted older? To try to avoid this bias in the future, I may reach out to some well-known younger bloggers and ask them to reblog the next survey I do so that I can reach a more even audience.

Question 2: What is your gender?

Apologies for the small text, but there were so many unique write-in answers that I wanted to include them all. You may want to open the image in a separate tab for better quality.

In contrast to the age question, the gender spread of the fandom has remained pretty much the same. About half the fandom is still female, the nonbinary crowd has increased from 20% to 25%, 7% of us are male, almost 7% are genderfluid, and about 5% are agender. Just like last time, most of the write-in responses fell into the vague categories of either genderqueer or questioning.

No surprises on this one! The fandom continues to be overwhelmingly female and queer. Next time I think I’ll include genderqueer and questioning as options to try to catch some of those people into a formal category. All y’all are so valid, especially the person who wrote in their gender as “soup” <3

The results for questions 3 and 4 will be under a cut, because I don’t want to completely destroy people’s dashes.

Before I get into the last two questions, a couple notes. First, I want to explain how I came up with the list of creators, since a lot of people were either excited or disappointed by the fact that a few different people were on there.

On the last survey, this question was a write-in, and I had to transcribe and collate all the answers by hand to come up with the actual number of people who followed each creator. For this survey, I simply took the list that came out of the previous one and pasted it in! I also added a few people who no one wrote in six months ago but who are much more prominent now (Ranboo being the biggest example). So if you were excited to see your favorite small creator listed as an option, they were there because someone wrote them in last time! And if you wrote in your favorite small creator here, they’ll be an option on the next survey. The list is entirely crowdsourced and it will expand with each survey.

That said, the same also applies for more controversial creators. Specifically, I’m talking about CallMeCarson. Several people questioned my decision to keep him on the list - and to be honest, I considered taking him out. But in the end I decided to leave him in as an option for the sake of completeness and consistency with the previous survey. I want to emphasize that this is not me condoning his actions. But for the sake of the data, I felt that it was best to leave him in.

That said, let’s move on to questions 3 and 4!

Question 3: What creator(s) do you primarily follow?

So, it’s harder to compare with the previous survey on this one, and that’s purely because on the previous survey I didn’t have the help I did here. The chart I was able to make for the results back in October was frankly trash. Also, the fact that I split “followed creators” into two questions - primarily and casually followed - definitely throws things off. However, we can still do a certain amount of comparison!

The most obvious change is Ranboo. He straight up was not on the previous survey at all - I think he’d been streaming for less than a month at the time. Now, about 55% of respondents listed him as someone they primarily follow. The Dream SMP itself has also jumped dramatically. Previously, about 5% of people wrote in Dream SMP. That has increased to over half. Quackity has gone from less than 2% to about 30%. Karl has gone from 4% to 30%. Phil has gone from about 8% to a little under 50%. The SBI have jumped from 11% to over 40%.

Techno has gone from about 50% to over 60%. Tommy has gone from 45% to over 55%. Wilbur has jumped from 43% to 55%. Tubbo has remained steady at about 38%.

Dream has apparently dropped some of his following percentage-wise, falling from 50% to about 35%. However, George, Sapnap, and the Dream Team itself have all jumped from 10-12% to almost 30%.

I’m not going to go over the rest of the list, because that would just get way too long. However, I will drop a link to the spreadsheets of data for this survey and the previous one, so anyone who wants to can do some comparison of their own!

Question 4: What creators do you casually follow?

I won’t do as detailed of a comparison on this question, because there’s nothing to compare it to - this question wasn’t on the previous survey. However, it’s interesting to see how many more people follow Fundy, Nihachu, BadBoyHalo, Captain Puffy, Eret, Awesamdude, and Jack Manifold casually rather than as a primary favorite. Out of the top twelve, Karl, Quackity, Phil, and Tubbo are the only ones who don’t have a major discrepancy between the amount of people who follow them casually versus primarily.

I would be curious to hear people’s thoughts on why that’s the case! Personally, I would guess it’s a combination of each of their approaches to lore on the Dream SMP, the frequency and times of day that they stream, and the people they tend to make content with and be associated with by the fandom. I may go into that more later, but this post is already very long, so I’ll hold off for now. Here’s a link to this question’s spreadsheet for anyone who wants to take a closer look!

...And that’s a wrap! Good grief, this got long. Kudos to anyone who actually read the whole thing because I know my attention span would be challenged. I’m already thinking about the next survey - a couple people suggested that I add in questions about orientation and nationality, and while I want to keep the survey pretty tight in its scope, I am considering it. It would be even more data to process but it would be interesting to know!

I would love to hear people’s thoughts on these results! I’m only one person, so I know there’s interesting stuff I must have missed. Please, please feel free to reblog with your thoughts and observations! A lot of work went into this (both from me and from Cupid and Kal! Thank you guys again!), so I’m really hoping to hear what people think about it :D

I plan to reblog this and reply to some of the things people wrote in at the end, so stay tuned for that. And once again: thank you all for your interest in this project of mine <3 See you with another one in six months!

[fireemblems24]

Ao3 Ship Thoughts

To sate my desire to read Three Houses fan fiction and jump in on the shipping comments that have upticked recently, I decided to see what ships were the most popular on Ao3.

Some of it's exactly what I expected, and one in particular is just . . . what, why?

Ao3 is probably the closest you'll get to truly determining which ships are the most popular, or at least have the highest number of passionate fans. So I was curious to see who the top ships were. Here's the ones listed, in order:

Sylvain/Felix

Dimitri/Byleth

Edelgard/Byleth

Ferdinand/Hubert

Claude/Byleth

Dimitri/Felix

Dimitri/Claude

Felix/Annette

Caspar/Linhardt

Hilda/Marrianne

If I exclude the Byleth ships, Dimitri/Dedue, Byleth/Seteth, and Ingrid/Sylvain take up the three missing spots.

Byleth's Ships

I'm shocked. Really, truly shocked that Byleth/Lord is popular. Never wouldn't guessed. I am, of course, being sarcastic. If someone asked me to list who I think would show up in the top 10 most popular ships, the first three I'd list would be Byleth/Lord.

What I find more interesting is that Byleth/Seteth is the fourth option for Byleth. AO3 writers, I officially bow to your taste. It pleases me quite a bit that, if you're not going with one of the main lords, you all want Seteth. This I can agree with.

As for the Byleth/Lord ships, I feel kind of mixed on them. Every lord interacts with characters who have more depth than Byleth, but I still get the appeal. I'm going to deep dive into all of the lords relationships with Byleth later, but here's a quick summary.

Edelgard/Byleth is shoved down your throat so hard it's nearly impossible to ship Edelgard with someone else and even shortchanges her potential to have deep, non-romantic relationships because Edelgard puts Byleth on a pedestal that no one else can reach by her own dialogue.

Byleth's character arc works well alongside Dimitri's. While the relationship is pushed and fanservice-y scenes exist, the game leaves enough breathing room to see Byleth as a mentor/therapist/teacher figure, and Dimitri has no shortage of deep, meaningful relationships with others should you not want to do the whole self-insert thing. It's a good balance.

Claude and Byleth are the opposite of Edelgard and Byleth. They read almost more like friends than lovers. It's a breath of fresh air, honestly. Claude/Byleth seems like the healthiest possible romance for Byleth/lord because the lord in question here doesn't seem as dependent. That said, it lacks lacks romance and shipping fuel. I may complain about fanservice, but the Byleth/Claude dynamic does show why scenes of holding hands in the rain and teasing about badly drawn images might actually come in handy.

Edelgard's Ships

I'm not surprised, at all, that Edelgard has no popular ships outside of Byleth. Dialogue consistently shortchanges Edelgard's relationships with others by having her verbally, repeatedly put Byleth into a special "other" that no one else can reach for her.

Though, I guess I'm a bit surprised at the extreme lack of Edelgard/Hubert. I feel these two have a lot of shipping fuel and their supports left things unresolved. I've come across the sentiment in fandom many times that ship where things are tied off nicely with a bow leave less to explore and aren't as interesting, so I am bummed out no one seems interested in fleshing out Hubert/Edelgard more.

The outlook for Edelgard fanfic and me seems pretty limited. I don't like Edelgard/Byleth for various reasons beyond this scope of this post. I was kind of hoping there were some Edelgard/Hubert or Edelgard/Dorothea character study stuff that could help me get past how much Byleth gets in the way of Edelgard's character growth, but it seems fanfic writers only want to write about her and Byleth, which is a bummer.

On that note, I'm also surprised but also glad that Dimitri/Edelgard isn't a big thing. I thought it might be because tragedy of childhood friends turned enemies by events out of their control is popular. These two seem wildly incompatible though, so I'm glad people seem to agree.

Claude's Ships

Ok. Claude/Byleth. Expected. I'm feel positively towards the ship since they seem mostly good for each other even if it's not getting my heart all fluttering.

I'm surprised there's no Claude/Petra or Claude/Hilda. Those two are my personal favorites for him. I would've given Claude/Petra the edge given how they can uniquely relate to each other, but Hilda's scene in CF really gave Petra a run for her money. Even more so that Petra and Claude have obligations to two different nations and Hilda has no such complication.

But whattttt???? Claude/Dimitri? It's in the top 10?? More people ship Dimitri with Claude than Dedue?? I thought lord/lord might be popular, but I honestly thought Dimitri/Edelgard would take it, not Claude/Dimitri. They never really talk. So I'm a bit confused about this one. Though, intrigued by the idea.

Can I take a wild guess this partly stems from Claude having no real other viable M/M ships outside of M!Byleth and fics that plays up the chapter I'm about to play in AM (Dimitri saving Claude) or "what ifs" VW routes where Dimitri doesn't . . . you know.

I am really curious about this dynamic though. Because I like Claude - a lot. He's a character I want to get attached to. From experience, the fastest way for me to like a character is to give them a significant relationship I enjoy with a character I already love and the new character gets absorbed by proxy. So, fans, please, tell me more about this Dimitri/Claude. I am curious.

Dimitri's Ships

I am as unsurprised by Dimitri's being one of the biggest repeat offenders on here as I am by Edelgard being Byleth or bust. If Edelgard is written to fanservice the player by making the self-insert her one and only, Dimitri is fanservicing the player by being a shipping magnet. The writers knew what they were doing and who they were trying to appeal to with these two characters.

Dimitri/Byleth is a given. The game plays up the romance angle, but it's not at the expense of Dimitri's other relationships.

What I'm more interested in, though, is Felix/Dimitri. Between angsty CF stories, post-AM slow-burns, or fleshing out missing scenes from their shared childhood, there's just a lot to work with and a rich context to use their relationship - spun romantically - to explore each character. Felix and Dimitri's relationship is layered, complicated, heart breaking, and potentially healing. The fact they're two incredibly attractive guys doesn't hurt its popularity either, I'm sure. I'm not surprised it ranked that highly.

Claude/Dimitri surprises me. If two lords were going to get on this list together, I would've put bets on Edelgard/Dimitri. Since Claude and Dimitri's relationship is fairly unexplored, I'm really interested to see more about what exactly this is about. Don't get me wrong. I figured people would pair two main characters who are that good looking together, I just didn't think it would rank that high.

I am, slightly sad, that Dimitri/Dedue isn't a bit higher, but happy it seems to have some steam. I get it though. Dedue's not as flashy as some of the others on the shipping list and their relationship is so full of fluff by their A support it lacks the angst Felix/Dimitri and Dimitri/Byleth can draw out nor is as much of a play around with "what ifs" as Claude/Dimitri is.

Non-Lords/Main Characters Ships:

This list, more than anything else, shows AO3's penchant for writing M/M and F/F works for better or worse. Whether this phenomena stems from lack of representation, fetishizing by the fanbase, deeply ingrained gender roles making fictional M/F ships either less appealing to many fanfic writers, or M/F romances often getting assumed leading to less substantial writing compared to friendships - I don't know. Probably all of it.

There are a few surprises here for me. Felix/Sylvain is that popular? I figured they'd make the top 10, but #1 is surprising. Though, looking through the first page of the tag, it's true Felix/Sylvain have fics just for them, but it also seems like a common pairing in Dimitri/Byleth and Dimitri/Claude fics. It's the same story with Caspar/Linhardt, who I honestly didn't expect to see. They had a fair number of their own fics, but it seems many CF fics put them together rather than focus solely on them. Felix/Annette also balances being the main focus and an adjunct pairing. Marianne/Hilda seemed to have less fics where they took center stage and more they were one of many ships listed.

Ferdinand/Hubert having a lot of fics isn't surprising. I don't really care too much for it personally, but I can see the appeal of it.

I'm surprised Catherin/Shamir is nowhere in sight. Likewise, Rhea is absolutely nowhere. Kind of sad by the lack of adult characters in general. Especially Rhea. I think it's a pretty big sign of how the writing's treated her that such an important character is totally absent in this list.

Not surprised at all to see Felix also get so many ships. He, like Dimitri, seems designed on purpose to ship with many characters. I do really wish Dorothea and Seteth would get more attention though.

What do you guys think? Anything that surprised you? How do you feel about any of these ships and there popularity or lack thereof? Are there characters/pairings you wish got more attention? Any popular ships you despise (spill that tea)?

[makeste]

BnHA Chapter 287: Family Reunion

Previously on BnHA: The Tomura For One VS Deku And Pals clusterfuck reached new levels of clustfuckery as AFO possessed Tomura’s body and stabbed Kacchan and Endeavor. Shouto was all “good thing I leveled up offscreen so as to be able to fly around whilst carrying 400lbs worth of people”, and did just that and it was like, damn, son. Meanwhile Deku’s rage went Mach 100, and he kicked Tomura’s ass for almost two whole seconds, but in the process he apparently forgot that IF TOMURA TOUCHES HIM THAT IS VERY BAD, and so he stupidly let Tomura touch him and Tomura was all “GAME, SET.” Fortunately for Deku, his quirk plays by its own rules, and so the chapter ended with us cutting to the METAPHYSICAL OFA/AFO PARANORMAL DREAMSCAPE OF MYSTICAL BULLSHIT, where AFO!Vestige was all “lol Tomura y u mad”, and Nana!Vestige was all “SUP DEKU, YOU’RE JUST IN TIME, LOOKS LIKE IT’S ASSKICKING O’CLOCK.” I’m paraphrasing a bit, but that’s more or less the gist of it.

Today on BnHA: AFO is all “well if it isn’t Tomura’s grandmother who I murdered that one time”, and Deku is all “?”, and AFO is all “fucking vestiges, man, wild”, and Deku is all “??”, and AFO is all “ANYWAYS GETTIM TOMURA”, and OFA is all “NOT SO FAST”, and Deku is all “???”, and really, same. AFO then goes off on some wild tangent about how Deku is unworthy because he couldn’t protect everyone and needed help from OFA and got mad about his friends being stabbed, which is such a cold take it gave me hypothermia, but it ends up not mattering since Deku and Tomura both wake up seconds later with OFA still in the possession of its rightful owner, HOW ABOUT THAT. The chapter ends with the LoV approaching on Gigantomachia’s back with Dabi practically salivating at the mouth, and Toga trying to reignite an old fandom blood feud. Toga why would you do this to me. Toga.

YESSSSSSSSSSSSS

[CROWD LOSING THEIR MINDS] FINALLY THE NANA HAS COME BACK TO BNHA!! IF YA SMELLLLL WHAT THE NANA IS COOKIN!!!!! [RINGSIDE BELL CHIMING WILDLY] [LOUD AIRHORN NOISES]

“chapter 287: mistake” omg. yeah I’ll say you made a mistake, AFO. I HOPE YOU ENJOY THESE FLEETING LAST MOMENTS OF YOUR SHITTY EVIL LIFE

(ETA: so in all seriousness this must be referring to AFO’s belief that All Might/OFA made a mistake in choosing Deku, right? “I can’t believe you went and chose this shounen manga protagonist as your champion, what were you thinking.” I’ll just put this out there: however many comic books AFO read as a child, it clearly was not enough.)

wow Deku how slow are you

yes you’re inside OFA you dimbulb, did you think your clothes suddenly vanished out of the blue and the ghost of Nana just randomly appeared in the real world by some freak coincidence?? can you believe this kid. breaks his arms a measly 10-15 times in a row and all of a sudden he can’t think straight, get it together Deku

but also brb having a moment at the fact that his thoughts immediately run back to Kacchan, even with all of this nonsense going on and Nana about to lay the beatdown on AFO’s potato-lookin’ ass. forget that noise, all he wants to know is whether or not Kacchan is all right. fuckin’ geez. AM I OVERREACTING HERE A BIT. probably

(ETA: ALSO!! the way he just trails off!! “Kacchan is...” and then he can’t bring himself to complete the thought. oh my god my heart.)

HOLY SHIT

okay,

damn but this man sure knows how to ruffle my feathers. as eminently detestable as ever!!

could it be any clearer here that AFO is not on Tomura’s side?? for a moment I thought he had actually grabbed him by the back of the head in order to get him to look. but nope, he’s just resting his pointing hand on top of his head instead while he’s all “HEY TOMURA LOL IT’S THE GHOST OF YOUR DEAD PATHETIC GRANDMA”

for those keeping track at home, this would be the first time that Deku has heard this information -- that Tomura is Nana’s grandson -- and possibly the first time Vestige!Nana has heard it as well. Nana died when Kotarou was still a child, so for all we know the Vestige!Nana didn’t even know she had a grandson, lol. TODAY ON “MAKESTE RANTS AT LENGTH ABOUT THINGS THAT WILL PROBABLY BE ADDRESSED WITHIN THE NEXT THREE PANELS”, anyway moving on

lmao for the record I fucking LOLed at this giant question mark immediately bubbling up over Deku’s head

no idea what AFO is about to ramble on about now, haven’t read that far yet. but let the record show that Deku’s immediate reaction to hearing “BTW NANA IS YOUR ARCHNEMESIS’S GRANDMA LULZ” is everything I could have hoped for

(ETA: fandom nailed the shit out of this one with the confused Mr. Krabs meme lmao.)

okay so now AFO is monologuing at length about how he would sometimes have “riveting dreams” about the previous owners of all the quirks he stole. but once he gave the quirks away they stopped bothering him?? holy moly let me just take all the notes

okay so he’s saying that Vestiges are created whenever someone has their quirk stolen by AFO. but if they then disappear when he gives the quirks away, does that also mean that whoever receives the quirks also gets the original owner’s Vestige bundled in every time?? that would be wild okay hold up let me read the rest of this

so he’s saying that the Vestiges are actually the “consciousnesses” of the original quirk owners, which have become embedded in their dna or something. SOUNDS INCREDIBLY DUBIOUS TO ME LOL but on the other hand this is a world where children can be born with airplane heads, so my disbelief can hardly afford to pick and choose what it’s gonna be suspended at! anyways though, how does he know he’s the only one who was able to converse with them? did you conduct detailed six-month follow-up interviews with everyone you gave quirks to or what

and if it really is the case that this ability was formerly exclusive to him, isn’t that more evidence than ever that OFA and AFO are actually THE EXACT SAME QUIRK oh whoops am I getting ahead of myself again, sorry

MEANWHILE TOMURA IS ALL, “GRANDMA?”

“WHY AM I HERE, WELL LET ME TELL YOU A STORY, GRANDSON. YOU SEE THAT MAN GROWING OUT OF YOUR RIBCAGE THERE? WELL IT’S JUST THE FUNNIEST THING, ACTUALLY”

WAIT SO IS HE SAYING THEY’RE SOULS OR NOT??

this makes it sound like they won’t ever get to rest, which sure sounds like a soul thing to me. well whatever, soul, consciousness, I guess it’s just semantics at the end of the day

anyways though, so this asshole is finally done talking (I’m sure that won’t last), so now we can finally have the heartwarming reunion we’ve all been waiting for

sigh

-- actually, no, not “sigh”!! you know what!! because Tomura says “whatever the reason”, but that’s only because he doesn’t actually have a fucking clue about the reason. like, I don’t know if the knowledge that AFO killed Nana would be enough to give him pause, but if he knew the whole story and knew that AFO was behind not only Nana’s death, but the rest of his family’s deaths as well... now that would be a whole different thing

anyway. but at least it’s becoming clearer now why AFO spent all that time raising Tomura up as his heir and brainwashing him even though he seems to have been planning this body takeover the whole time. it’s all because he loves making people miserable! yaaaaay

btw HAS NANA HAD THE EXACT SAME MOLE ON HER CHIN AS TOMURA THIS ENTIRE TIME WTF. am I just the least observant person who ever lived lmao

lol wtf

ground: [randomly starts exploding]

Deku: “ONE FOR ALL IS BEING ERODED!!!” LOL IS THAT WHAT’S HAPPENING HERE, OKAY THEN. I’ll take your word for it

y’all I cannot fucking get over this “AFO growing out of Tomura’s hip socket like a fucked-up ventriloquist dummy” shit though

you do realize that absolutely no one can take you seriously right now, right?? it’s important to me that you know this

WHAT’S THIS NOW

seems like SOMEONE has had it up to here with a certain SOMEONE ELSE’S bullshit lmaooo bye Felicia

I SAID GOOD DAY!!

you guys why is he not dying!!

-- OH DAMN

love how Deku is just lying there like “YOU KNOW THOSE DAYS WHERE YOU’RE LIKE, THIS MIGHT AS WELL HAPPEN.” poor Deku

(ETA: where in god’s name is OFA Prime standing. why are my thoughts fully consumed by this lmao.)

are Nana and OFA Prime even doing anything?? why are they sticking their arms out like that. wait hold up is this all a big metaphor for the back-and-forth going on between Tomura trying to steal OFA and OFA being all “actually no you can’t, please enter your password and click on all the boxes with bicycles in them to prove you’re a human first”?

OH SNAP OFA PRIME SAID NO THANKS

“SORRY BRO WE’VE ALREADY MADE OURSELVES AT HOME HERE”

I have only just noticed that metaphysical!Deku has the same scars as actual!Deku. and yet his arms are not currently broken! that doesn’t really seem consistent to me but whatever!! maybe he saved right before the boss battle, that would be smart of him

anyway, that’s great and all that OFA Prime is here helping out, but I really wanted to see Nana fight AFO in a one on one though so I’m a bit disappointed. also why is it only the two of them?? where are Banjou and the others. of all the times to be sleeping on the job

FOR FUCK’S SAKE, THIS MAN

WOULD YOU STOP. WOULD YOU JUST QUIT IT ALREADY

oh shit hold up

doesn’t this confirm that the reason he wanted to transfer his power to Tomura is because he believed it would make him strong enough to finally take OFA because of Quirk Singularity? jesus christ. and here he was so sure of himself. but it turns out he doesn’t actually know shit! you can’t just fucking take OFA like that ya dingdong that’s not how it works

(ETA: SO, A THOUGHT -- is there any sort of subtle hinting here in the way that he words this? “if your strength is combined with mine”, as opposed to “if my strength is combined with yours”? no idea if the admittedly-so-small-as-to-be-almost-inconsequential distinction between those two sentences exists in the original Japanese or not, but I find it very interesting that the English wording implies that he’s the one adding Tomura’s strength to his own, rather than vice versa.)

now he’s insulting Deku!!

excuse me sir WHO ASKED YOU anyway. and never mind that being consumed by an, AND I QUOTE, “unquenchable” rage is your protege’s whole THING, and that he also needed your help to avoid being burned to a crisp a short while ago. where do you get off I swear

(ETA: also just want to point out that in the panel before this one he says that he’s been “watching through Tomura”, which pretty much confirms that his consciousness or whatever is alive inside of him all the time. Tomura is definitely not getting rid of this guy any time soon.)

WOW

first he calls Kacchan useless, then he calls Deku a simpleton, and don’t even get me started with Nana. just, you guys. this man is just... a very, very rude man

NOW OFA IS ALL “THAT’S EXACTLY WHAT MAKES HIM SUCH A GOOD PROTAGNIST YOU BUTTMUNCH” AND OMG PREACH

“DESPITE HIS COMMON SENSE” sdfkllk my man he already has one brother roasting him, take it easy guy

AHH WHAT

IS THIS BACK IN THE REAL WORLD

YEP

hahaha nice try Tomura

so Deku’s all “I didn’t lose my power! BUT” and I assume the “but” is the part where his arms are still broken and shit, and meanwhile Tomura’s body is almost healed up now finally

they’re both wiped out and now AFO is again petitioning Tomura to let him take over goddammit

“you won’t lose your mind” yep, he sure won’t! scout’s honor!! pinky swear!!

meanwhile Deku is getting fucking desperate flkjl;k my baby. and Machia is going to show up any second now too, probably. what else can fucking go wrong at this point

oh shit I shouldn’t have asked

get ready to rrrrrrrrrrrrrrrrruuuumble, probably

OH MY GOD

WELL AT LEAST SOMEONE HERE IS HAVING A GOOD TIME. jesus

so as soon as he heard Endeavor was there he got all, “TIME FOR THE BIG REVEAL”, is that right? WELL JOKE’S ON YOU TOUYA, YOUR DAD DOESN’T SEEM ALL THAT CONSCIOUS AT THE MOMENT, SO THAT’S GOING TO DRAIN A LOT OF THE TENSION FROM THE SCENE WHEN YOU GO ALL REVERSE DARTH VADER ON HIM AND HE’S ALL “ZZZZZZZZ”

meanwhile Toga is having unsettlingly quiet angst

jesus christ Toga this is all we need right now

“WAS JIN-KUN NOT A PERSON” sdkfjlk Horikoshi I swear. please have mercy on this fandom. this is the debate that refuses to die!!

but seriously ffs, the issue isn’t that Jin deserved to die, it’s that the countless people whom Jin would have either directly or indirectly killed didn’t deserve to die either. people don’t only become people when you attach names and faces to them! we all loved Jin because we’d gotten to know him, but that doesn’t mean his life was inherently worth more than the lives of all the people he would have killed. sometimes there’s just no good answer

like, it’s just crazy to me that because the heroes are all “we want to protect everyone!” but then aren’t always able to do so because that’s literally impossible, whereas the villains are all “we don’t care about anyone other than the select few people that we actually like!”, the villains somehow wind up getting the better PR. it just so happens that it’s infinitely easier to be loyal to the interests of a few people as opposed to ALL THE PEOPLE. like, no shit, it’s easier to stick to your moral code when you barely have a moral code. and so the villains can kill thousands and no one bats an eye, but if a hero fails to save even one person they’re hypocritical moral failures. like what the hell

BUT ANYWAY, sorry to go off on a tangent there lol, it’s not really a big deal. I’m just preemptively trying to stave off more discourse about it lol but who am I even kidding

anyways lol, but of course they won’t kill you unless they have no choice, Toga. but when it comes to catch-22 situations, it’s a bit much to infer that the heroes don’t consider the villains people just because they opt for the choice that spares more innocent lives. I sure as hell don’t want my babies out here killing people, but to say that they can’t no matter what or else they’re no different from the villains is just...

anyway so the chapter has now just ENDED, just like that!! on a shot of Ochako’s face!

I SENSE ANOTHER THROWDOWN COMING. and it had better not be a total letdown like the last one! NANA BARELY DID ANYTHING HORIKOSHI, WHAT THE FUCK. I started out with such high hopes lol

but I will settle for Toga VS Ochako, and Deku VS Tomura: The Sequel: Shouto’s Revenge! SPEAKING OF HEROES WHO HAVE NO QUALMS ABOUT MURDERING PEOPLE lmao

[katherinewilliams221b]

Thaank youu! I haven't been feeling much of a writer lately but let's see

How many works do you have on ao3?

10. It's not much but it's honest work

What's your ao3 total word count?

117,926

What fandoms do you write for?

Harry Potter

What are your top 5 fics by kudos?

1. For a Greater Good, longest and most elaborated, first long-ish shot

2. Of friends and fights, this was a surprise. This was the first fic with no pairing. Only the set up fot my tangled mess of missions for the Order.

3. The World Cup, 1st fic ever for the fandom, honestly a classic.

4. Together, follow up of the world cup, ye old hurt comfort

5. A very walsh christmas, wholesome and bittersweet, a nice holidays fic

Do you respond to comments? Why or why not?

Always. I don't like seeing comments unanswered. Its easier for me to miss them on tumblr more than ao3 but i always check that i have answered. I just know how much courage it takes as a reader to leave one i just want to let them know that i'm grateful for them.

What is the fic you wrote with the angtiest ending?

Ol' Saint Nicholas. For. Sure. That one flopped because the harry potter world is very subtle, no charlie, no other major characters other than the mention of Moody. But man, that fic is The Horrors tm.

What's the fic tou wrote with the happiest ending?

My current wip. Im far from finishing it but the ending is happy. Not sad with a dash of hope, no bittersweet, just happy.

Do you get hate on fics?

Not for the moment. I'm glad the usual readers know what they got into and that those that hop off did so quietly.

What's your all time favourite ship?

Morticia and Gomez are goals ngl. But just for the nostalgia I'm going to say Remington Steele and Laura Holt. It had its issues ngl but they'll be forever in my heart.

Whats a wip you want to finish but doubt you ever will?

Honestly Datura stramonium series. I want to si bad to go back to it but I just keep getting ideas for different timelines

What are your writing strengths?

-Outlining plots, i think i have a good balance of planning and let the story take me where it needs to. I'm good at adapting to my characters.

- Dialogues come more naturally for me, I tend to imagine way more clearly a scene of people talking and writing a scene where it looks real.

- I like to keep track of little details. I want to think I am consistent in my writing and the fics are interwined with each other nicely.

What are your writing weaknesses?

-Descriptions of environments and feelings are hard for me, not emotionally, just technically. I always feel like those scenes are out of place. Maybe I'm lacking vocabulary.

-begginings of chapters??? Endings are fine but writing the first sentence of a fic or chapter is challenging.

- slowing the pace. Tightly related to being bad a writing big chunks of text, i tend to give all the info and go home, when some times stories require a little bit more to create a nice atmosphere.

Thoughts on writing dialogue in another language in fics?

I've come to respect it if done well after watching 1899 (honestly go watch it bc is a storytelling masterpiece). I understand it as one more tool to tell the story if it's in good measure. I've read some 1899 fics that are a lick to the brain really. Some character speaks a sentence or a word in german and you just know what he's saying, and then you go translate it to check and OR COURSE he said that. Too much can be tiring, even if the translations are in the authors notes. It's also a good strategy to keep readers in the dark just as the characters, like Al said.

First fandom you wrote for?

The Mentalist, I want to say 2014.

Favourite fic you've written?

For a Greater Good and A very Walsh christmas

Tagging @velvethopewrites and maybe @toads-in-my-pockets if...she feels with enough energy? 👉👈

Fic Writer’s 20 Questions!

Thank you so much @whatwouldvalerydo for tagging me in this game - the original post was getting very long so I thought I would post separately.

How many works do you have on A03?

18!

What’s your total A03 word count?

789,856

What fandoms do you write for?

Harry Potter, including spin offs

What are your top 5 fics by kudos?

The first five Hexley Saga stories, though not in order. In descending order it goes: Mystery, Portrait, Figures, Forest, Staircase.

Do you respond to comments? Why or why not?

I do, because I appreciate every comment I receive. I am slow to respond, because I don’t always see them when it’s convenient to reply, and then I forget what I have or haven’t replied to. I’m very disorganised.

What is the fic you wrote with the angstiest ending?

I’m not sure if any have truly angsty endings, I tend to like my angst mixed with happiness and humour for something bittersweet. In that vein, maybe Into the Light of the Dark Black Night. However, The Wilderness Years ends on an open and not overly optimistic note.

What’s the fic you wrote with the happiest ending?

Again, not many have a wholly happy ending… Probably the Hexley Saga, though there is a touch of sadness even to that.

Do you get hate on fics?

I haven’t done, no. I’ve had readers (understandably) drop out after one specific character death, but no actual hate for it. I guess there’s a first time for everything.

Do you write smut? If so, what kind?

I have done, once or twice. I’m not good at it. As for what type… Bad smut? Awkward smut? Idk, I’m just too British for this.

Do you write crossovers? What’s the craziest one you’ve written?

… I’m not even 100% sure what this is so I’m going to say no.

Have you ever had a fic stolen?

A touchy subject. No, I haven’t, but I have had and occasionally continue to have issues with aspects of my stories being taken and put into others’ works in ways that have made it obvious that it isn’t a coincidence, but not in ways that I have felt justified in reporting plagiarism on any publishing sites. I have, however, learnt how the Tumblr block button can come in handy.

Have you ever had a fic translated?

No. When in France this spring I considered translating the Hexley Saga into French to help me get my language skills back up but I quickly realised how much work this would be and decided against it.

Have you ever co-written a fic before?

Yes - When Stars Ignite was (and still is) a collaboration between me and @lifeofkaze. It was (and still is) an amazing experience and massive learning curve.

What’s your all time favorite ship?

Forever Gomez and Morticia Addams.

What’s a WIP you want to finish but doubt you ever will?

Whichever one I’m currently writing - I get to the point in every long form story that I think I’ll never finish it. So far, I’ve proved myself wrong.

What are your writing strengths?

Generally: I’m dedicated and very deliberate in my approach. For every single choice I make in my writing, I have a rationality behind it. There is a lot of method in my madness. Also, when I get the wind in my sails, I’m speedy.

Technically: characterisation, humour, emotionality, dialogue.

What are your writing weaknesses?

Generally: good old impostor syndrome and being an incredibly disorganised person.

Technically: action scenes, angst, smut.

Thoughts on writing dialogue in another language in fic?

Ahh, this is awkward. I actually… am not a massive fan of this. Before you call me a hypocrite (which is a fair criticism here), I think foreign language dialogue is great when it works, but when it’s not done right, it’s completely alienating for a reader and can ruin the story. And it’s hard to get right. So, although I do use it, I don’t enjoy using it, because involves so much work and causes so much anxiety.

My rule when I do use it is that it has to add an extra layer of meaning and enjoyment for people who do understand it or want to look up the translation without taking away from the meaning and enjoyment of people who don’t. I have broken this rule once, because sometimes it’s fun to break the rules, and because I wanted to alienate my readers. I’m actually really proud of the effect it created, so here is a link to this rule-breaking.

First fandom you wrote for?

Jill Murphy’s The Worst Witch, circa 2001.

Favorite fic you’ve written?

That’s a mean question. The answer is probably On This Wild Night, but that one isn’t published yet, so I’m going to choose a few. Figures in the Shadows, because it was the first one where I first felt like my style came naturally to me, Eggshells because it was the first one created in a moment of inspiration, When Stars Ignite because of the friendship that was strengthened in the writing process, Learning to Fly because Charlie Weasley, and Return to the Riddles, because finishing the Hexley Saga was such an achievement and the culmination of two years of hard work that I really hope paid off.

Tagging: @katherinewilliams221b @liiilyevans @turanga4

[flufffysocks]

let's talk about andi mack's worldbuilding

sorry this took forever to make! i've been pretty busy with school stuff and i kind of lost my inspiration for a bit, but i ultimately really enjoyed writing it! i wish i could've included more pics (tumblr has a max of 10 per post), and it kinda turned from less of a mini analysis to more of an extremely long rant... but i hope it's still a fun read!

i've been rewatching the show over the past few weeks (thanks again to @disneymack for the link!), and i’ve been noticing a lot that i never did the first time around. this is really the first time i’ve watched the show from start to finish since it aired, and it honestly feels so different this time - probably a combination of the fact that i’m not as focused on plot and can appreciate the show as a whole, and also that the fandom is much, much smaller now, so there’s a lot less noise. so the way i’m consuming this show feels super different than it did the first time, but the show itself doesn’t - it’s just as warm and comforting to me as it was the first time around, if not more so.

i think a lot of that can be attributed to andi mack’s “worldbuilding”. i’m not quite sure that this is the right word in this context, to be honest, because i mostly see it used in reference to fantasy and sci-fi universes, but it just sort of feels right to me for andi mack, because you can really tell how much love and care went into constructing this universe. for clarity, worldbuilding is “the process of creating an imaginary world” in its simplest sense. there’s two main types: hard worldbuilding, which involves inventing entire universes, languages, people, cultures, places, foods, etc. from scratch (think “lord of the rings” or “dune”), and soft worldbuilding, in which the creators don’t explicitly state or explain much about the fictional universe, but rather let it’s nature reveal itself as the story progresses (think studio ghibli films). andi mack to me falls in the soft worldbuilding category. even though it takes place in a realistic fiction universe, there’s a lot of aspects to it that are inexplicably novel in really subtle ways.

so watching the show now, i’ve noticed that the worldbuilding comes primarily from two things - setting and props, and oftentimes the both of them in tandem (because a big part of setting in filmmaking does depend on the props placed in it!).

one of the most obvious examples is the spoon. it really is a sort of quintessential, tropic setting in that it's the main gang's "spot", which automatically gives it a warm and homey feel to it. and its set design only amplifies this:

the choice to make it a very traditional 50s-style diner creates a very nostalgic, retro feel to it, which is something that's really consistent throughout the show, as you'll see. from the round stools at the bar, to the booths, to the staff uniforms, this is very obvious. the thing that i found especially interesting about it though is the choice of color. the typical 50s diner is outfitted with metallic surfaces and red accented furnishings, but the spoon is very distinctly not this.

instead, it's dressed in vibrant teal and orange, giving it a very fresh and modern take on a classic look. so it still maintains that feeling of being funky and retro, but that doesn't retract from the fact that the show is set distinctly in modern times.

of course, this could just be a one-off quirky set piece, but this idea of modernizing and novelizing "retro" things is a really common motif throughout the show. take red rooster records. i mean, it's a record shop - need i say more? it's obviously a very prominent store in shadyside, at least for the main characters, but there's no apparent reason why it is (until season 2 when bowie starts working there, and jonah starts performing there). a lot of the time, though, it functions solely as a record shop. vinyl obviously isn't the most practical or convenient way of listening to music, but it's had its resurgence in pop culture even in the real world, mostly due to its aesthetic value, so it's safe to say that it serves the same purpose in the andi mack universe.

the fringe seems to be nostalgic of a different era, specifically the Y2K/early 2000s period (because it's meant to be bex's territory and symbolic of who she used to be, and its later transformation into cloud 10 is representative of her character arc, but that's beside the point). to be honest, exactly what this store was supposed to be always confused me. it was kind of a combination party store/clothing store/makeup store/beauty parlor? i think that's sort of the point of it though, it's supposed to feel very grunge-y and chaotic (within the confines of a relatively mellow-toned show, of course), and it's supposed to act as a sort of treasure chest of little curios that both make the place interesting and allow the characters to interact with it.

and, of course, there's andi shack. this is really the cherry on top of all of andi mack's sets, just because it's so distinctly andi. it serves such amazing narrative purpose for her (ex. the storyline where cece and ham were going to move - i really loved this because it highlights its place in the andi mack universe so well, and i'm a sucker for the paper cranes shot + i'm still salty that sadie's cranes didn't make it into the finale) and it's the perfect reflection of andi's character development because of how dynamic it is (the crafts and art supplies can get moved around or switched out, and there's always new creations visible).

going back to the nostalgia motif though, the "shack" aspect of it always struck me as very treehouse-like. personally, whenever i think of treehouses, there's this very golden sheen of childhood about it, if that makes sense. i've always seen treehouses in media as a sort of shelter for characters' youthful innocence and idealistic memories. for example, the episode "up a tree" from good luck charlie, the episode "treehouse" from modern family, and "to all the boys 2" all use a treehouse setting as a device to explore the character's desire to hold onto their perfect image of their childhood (side note: this exact theme is actually explored in andi mack in the episode "perfect day 2.0"!). andi shack is no exception to this, but it harnesses this childhood idealism in the same way that it captures the nostalgia of the 50s in the spoon, or the early 2000s in the fringe. it's not some image of a distant past being reflected through that setting; it's very present, and very alive, because it reflects andi as she is in the given moment.

some honorable mentions of more one-off settings include the ferris wheel (from "the snorpion"), the alley art gallery (from "a walker to remember"), SAVA, the color factory (from "it's a dilemna"), and my personal favorite, the cake shop (from "that syncing feeling").

[every time i watch this episode i want to eat those cakes so bad]

these settings have less of a distinctly nostalgic feel (especially the color factory, which is a very late 2010s, instagram era setting), but they all definitely have an aura of perfection about them. andi mack is all about bright, colorful visuals, and these settings really play to that, making the andi mack universe seem really fun and inviting, and frankly very instagrammable (literally so, when it comes to the color factory!).

props, on the other hand, are probably a much less obvious tool of worldbuilding. they definitely take up less space in the frame and are generally not as noticeable (i'm sure i'll have missed a bunch that will be great examples, but i'm kind of coming up with all of this off the top of my head), but they really tie everything together.

for example, bex's box, bex's polaroid, and the old tv at the mack apartment (the tv is usually only visible in the periphery of some shots, so you might not catch it at first glance) all complement that very retro aesthetic established through the settings (especially the polaroid and the tv, because there's really no good reason that the characters would otherwise be using these).

besides this, andi's artistic nature provides the perfect excuse for plenty of colorful, crafty props to amplify the visuals and the tone. obviously, as i discussed before, andi shack is the best example of this because it's filled with interesting props. but you also see bits of andi's (and other people's) crafts popping up throughout the show (ex. the tape on the fridge in the mack apartment, andi's and libby's headbands in "the new girls", walker's shoes, andi's phone case, and of course, the bracelet). not only does doing this really solidify this talent as an essential tenet of andi's character, but it also just makes the entirety of shadyside feel like an extension of andi shack. the whole town is a canvas for her crafts (or art, depending on how you want to look at it. i say it's both), and it immensely adds to shadyside's idealism. because who wouldn't want to live in a world made of andi mack's creations?

and, while it's not exactly a prop, the characters' wardrobe is undoubtedly a major influence on the show's worldbuilding. true to it's nature as a disney channel show, all of the characters are always dressed in exceptionally curated outfits of whatever the current trends are, making the show that much more visually appealing. i won't elaborate too much on this, because i could honestly write a whole other analysis on andi mack's fashion (my favorites are andi's and bex's outfits! and kudos to the costume designer(s) for creating such wonderful and in-character wardrobes!). but, i think it's a really really important aspect of how the show's universe is perceived, so it had to be touched upon.

[^ some of my favorite outfits from the show! i am so obsessed with andi's jacket in the finale, and i aspire to be at bex's level of being a leather jacket bisexual]

and lastly, phones. this is a bit of an interesting case (pun intended), because the way they're used fluctuates a bit throughout the show, but i definitely noticed that at least in the first season terri minsky tried to avoid using them altogether. these efforts at distancing from modern tech really grounds the show in it's idealist, nostalgia-heavy roots, so even when the characters start using their phones more later in the show, they don't alter the viewer's impression of the andi mack universe very much.

so, what does all of this have to do with worldbuilding? in andi mack's case, because it's set in a realistic universe and not a fantasy one, a lot of what sets it apart from the real world comes down to tone. because, as much as this world is based on our own, it really does feel separate from it, like an alternate reality that's just slightly more perfect than ours, which makes all the difference. it's the idealism in color and composition in andi mack's settings that makes it so unmistakably andi mack. even the weather is always sunny and perfect (which is incredibly ironic because the town is called shadyside - yes, i am very proud of that observation).

the andi mack universe resides somewhere in this perfect medium that makes it feel like a small town in the middle of nowhere (almost like hill valley in 1955 from "back to the future"), but at the same time like an enclave within a big city (because of its proximity to so many modern, unique, and honestly very classy looking establishments). it is, essentially, an unattainable dream land that tricks you into believing it is attainable because it's just real enough.

all this to say, andi mack does an amazing job of creating of polished, perfect world for its characters. this is pretty common among disney channel and nickelodeon shows, but because most other shows tend to be filmed in a studio with three-wall sets, andi mack is really set apart from them in that it automatically feels more real and tangible. it has its quintessential recurring locations, but it has far more of them (most disney/nick shows usually only have 3-4 recurring settings), and it has a lot more one-off locations. it's also a lot more considerate when it comes to its props, so rather than the show just looking garish and aggressively trendy, it has a distinctive style that's actually appropriate to the characters and the story. overall this creates the effect of expanding the universe, making shadyside feel like it really is a part of a wider world, rather than an artificial bubble. it's idealism is, first and foremost, grounded in reality, and that provides a basis for its brilliant, creative, and relatable storytelling.

tl;dr: andi mack's sets and props give it a very retro and nostalgic tone which makes its whole universe seem super perfect and i want to live there so bad!!

[oh-boy-me]

Obey Me! Card Planning Tips

Hello!  This game causes us all a lot of pain and suffering, but I’m MANAGING (?), so I thought I’d give what I’d consider some tips to maybe make things feel slightly more possible for you :)

I’ll split it into three parts and put it all under a read more.

Team Strength Calculation

Team Preparation

General Tips for Resources and Daily DP

Part 1: Team Strength Calculation

Each stage has 2 sins tied to it, as you’ve probably noticed.  In chapters 1-20, the stats of these two sins are boosted for ALL cards (character and support) by 15%.*

In chapters 1-20, your team’s strength is calculated with the following formula:

Strength = 1.15(AttributeSin1Total) + 1.15(AS2Total) + Other5SinsTotal

For example, let’s look at Lesson 10-20, which is a Gluttony/Lust battle.  My team is composed of Pandas Mean Profit (Greed), A Special Ceremony (Lust), and Colorful Panic (Pride).  And I’m using zero support cards just so I only have to add up 3 numbers.

Strength = 1.15(24338) + 1.15(34921) + 122736 = 190884**

Keep in mind that the buffs only apply to the attribute sin scores.  If the battle is Gluttony/Lust, the Pride scores will stay at their base values.  This is the case for all lessons up through chapter 20, both normal and hard mode.

However, from Lesson 21 onwards, there are two changes.  One, there is a primary sin and a secondary sin for each battle, marked by which icon is bigger in the preparation screen.  (There always has been, but now it matters which is which.)  In boss battles, both are primary.  Second, the buffs have changed drastically.

Every card has its main sin, obviously, and its strength in that sin is the strongest.  However, they still have strength in the other 6 sins as well.  There are two non-main sins that a card is very strong in, two that it is average in, and two that it is terrible in.

The percent increase is now dependent on how good a card is in the battle's two attribute sins.  (Remember that these buffs still only affect that sin, not the card’s total strength.)

If a card is the same sin as the battle’s primary sin, that sin gets a 160% buff

If a card is the same sin as the battle’s secondary sin, that sin gets a 90% buff

If a card’s second or third best sin is the battle’s primary sin, that sin gets a 30% buff

If a card’s second or third best sin is the battle’s secondary sin, that sin gets a 10% buff

Any sins lower than third best no longer get a buff

I’m not going to make a formula this time because it’s too long and situational.  But let’s look at that same 3-card team again, this time with Lesson 21-5, a Lust/Gluttony stage in that order.

Pandas Mean Profit has an average Lust score, so it gets no bonus.  Its Gluttony is its 3rd best sin, so that gets a 10% buff (10752 > 11827)

A Special Ceremony is a Lust card, so its Lust gets a 160% buff (17308 > 45000).  Its Gluttony sucks, though, so that doesn’t get a bonus.

Colorful Panic has Lust as its second best sin, so it gets a 30% buff (10423 > 13549).  Gluttony is its third best, so that gets a 10% buff too (9866 > 10852).

With the new system, the team’s Lust score has skyrocketed from 40158 to 65739.  However, its Gluttony score dropped from 27987 to 26399.

This means that the sins of your cards suddenly matter more in battle.  (And honestly I don’t think that’s a bad thing.  I know people complain that it makes it harder, but.  If my Comedy team in A3! is made entirely of Action/Drama cards with poor Comedy, I shouldn’t expect that team to do well.  Idk why people think that shouldn’t apply to Obey Me.)  Which brings us to part 2.

By the way, colored glow sticks raise the card’s total strength by 10%, and rainbow glow sticks raise it by 30%.

* It’s actually like 14.99% but it’s effectively the same.  The “slightly under but so close that I’m just rounding for significant figures” thing will be consistent for all of these buffs.

** The actual in-game strength is 190881, 3 points off due to the .99% thing.

Part 2: Team Preparation

I’m so sorry.  But someone has to say it.  Are you listening?  Great.

URs aren’t automatically better than SSRs.  Honestly, they never were.  They ESPECIALLY aren’t now.  You’re not losing the battle because you’re using SSRs.  You’re losing the battle because you’re throwing Wrath cards at a Sloth opponent.

Morning Voice is an Envy SSR card.  My copy of the card is only level 10, and in a Lesson 21+ Envy battle, its Envy score is 6866.

What is my Level 90 UR Colorful Panic’s Envy score in the same battle?

3489.

Colorful Panic is a higher rarity and 80 levels higher.  It has worse Envy.  Why?  Because Envy is its worst sin.

Obviously you aren’t going to be using a level 10 card in a battle, so for a more realistic standpoint, my copy of Resentment Runs Deep (SSR Envy) has 46108 Envy in the same battle.  That’s 13x better than the UR.

I’ll repeat it one more time before I move on.  The sin scores of a card are far more important than the rarity of the card.  A random SR card of the right sin is better than a UR with no sin bonus.  The most impressive thing about a UR is how hard it is to get one.

Anyway, what does this mean?  Is it hopeless?

Well, if you wanted to binge all three seasons within the first month of playing, yes.  But let’s assume that’s not the case.  (Side note, but the feeling that our cards are never good enough is definitely exacerbated by the aggressive speed at which they release new lessons combined with the fandom’s apparent allergy to spoiler warnings, but that’s a point for another post maybe.)

Remember that having URs isn’t actually all that important.  Now remember the sheer amount of SSRs they release since they also aggressively release events.  Also remember that with every 10-pull, you’ll get at least one SSR+.  (Also remember to never do single pulls; they're not worth it at all.)  If you’re really struggling with a lot of battles, here’s how you can improve your scores while focusing on as few cards as possible.

Open an Excel document or Google Sheets page and make a chart that looks something like this:

[Image Description: An 8x8 Excel sheet.  The columns are labelled with each of the seven deadly sins, and the rows are labelled Cards 1 through 3 and Support 1 through 3, with a blank row in between.  The rest of the sheet is blank.]

Now choose a card you want to use.  Doesn’t matter why you want to use it, maybe you like how it looks, maybe you worked really hard to get it, maybe you like its ability, maybe it’s just your current strongest card.  I don’t care.  For my chart I’m gonna use Pandas Mean Profit because it’s really pretty and I got it from the 100-pull pity reward.

Look at your card’s top 3 sins and put them into the chart.  For the character cards, note who the card is, because you can’t double up.  For reference later, also note whether it’s 1st, 2nd or 3rd best.  (Be sure to do this through Contacts and not a battle so there are no buffs skewing the scores.)

Once that’s in, choose another card you like for a different sin and input that card’s top 3 sins.  Envy is still completely empty, so I’ll put Resentment Runs Deep in next.  It’s an SSR, but I really love the Refresh Team ability.  Do this for one character card and one support card of each sin at first, if you can.  It doesn’t matter what level they are right now.  Then fill in whatever blanks you have with cards that specialize in that sin.

If a sin comes up more than 3 times, keep whichever ones are strongest in that sin without overlapping characters.  Play around with it until you get something that works for you.  Keep note of the sins you’re lacking cards for.

[Image Description: The same Excel Sheet as before, except filled in with various Obey Me card names.  The cells in rows 2 through 4 are color coded to match the character of the card.  Each cell marks in parentheses how strong the card is in the sin of the column it’s in from 1 to 3.]

Mine looks like this.  This chart isn’t perfect (if you look, none of my cards had Envy as a good non-main sin, and Pandas and Bunny have too much overlap for the same character), but it works as a rushed example.  I used the cell colors to mark the characters.

Are these the teams you should be using for each battle?  No, obviously not.  First off there’s no single-sin battle, and second off the game will still build the teams for you.

BUT, this greatly lowers the amount of cards you need to pour resources into.  Instead of 42 cards, with this chart I only have to focus on 18 cards in order to be guaranteed that all my cards get at least a SLIGHT boost in each battle.  The best-case scenario would drop it down to 14 cards.

Later on, once you’ve managed the cards on your chart, the next thing to do would be to find main sin cards to replace those that are only third best in their sin.  On mine I’d definitely focus on a Gluttony character card next, but in general Sloth is the one you want to be the most proactive about.

That should help you get through at least Season 2.  Season 3 is admittedly where the difficulty actually IS ridiculous, but Season 2 really isn’t as hard as we’ve been saying.  It just requires more planning than “the first three URs I ever got.”

I do still apologize for the resources and Grimm it’ll take, though :’)

Part 3: General Tips for Resources and Daily DP

This section is just some extra tidbits to help you have the resources to get cards and upgrade them.

[Image Description: The “hard to swallow pills” meme.  The pills read “You don’t need every single card and unless you’re a whale eventually you’re going to have to prioritize some events and ignore others or you’ll never have the resources to improve the cards you already have.”]

However, events ARE good for farming Grimm, so it’s not the end of the world if you want every SSR.  The only issue will come up when you need hard mode items and never have any AP, but it’s manageable.

If you’re going to log in more than once throughout the day, you can do the 2-1 job distribution.  If not, do three jobs with one character each so you get the daily task done

To save money for leveling up your good cards, complete the devil tree daily mission with N-rank cards.

Use vouchers over DP whenever you can (and use Raven to get vouchers).  The 99 DP level-up sale IS worth it if you can afford it, because that’s like 50% off a 10-pull once you do two.

I’m not certain, but I THINK skill level also influences how often an ability activates?  I feel like my Lv 10 SSR cards activate often but my Lv 1 URs never do.  So if you’re relying on an ability, the permanent SSRs might be worth looking at over limited time cards.

Anyway, I hope this helps at all in our mutual suffering.

[inked-out-trees]

⭐ for The Keep Going Song? Thanks! :)

(anh i would die for you)

Thank you for asking! I am going to be talking about the whole thing because it's fun, and because there's not really many ~secrets~ within the text to ramble about, just little fun snippets!

I'll do it under a cut because I will definitely ramble. Woohoo!

I came across The Keep Going Song (the song) after my Lookout 3 Companion Playlist (& my spotify discovery) introduced me to the Bengsons. The effect was almost instantaneous - it's the kind of warmth I try to encompass in everything I do, and for the next few days I had it on repeat as I worked. This was around the time I was finishing my Lookout script, and I had been toying with the idea of writing a Cornleyverse fic after absolutely devouring all 10 fics in the tag. What I knew was that I wanted it to be sweet, I wanted it to pull them all together, and I wanted it to be a progression. Despite only having seen the Goes Wrong Show, jumping into the fandom made me want to dimensionalize these characters and give them a story beyond everything that had already occured.

I also watched Christmas Carol before / during the writing process, but to date I have not watched Peter Pan or the full-length TPTGW. My prior knowledge comes from Wikipedia, the delightul amateur TPTGW production on YouTube, a friend's excellent transcription of the Haversham Manor script, and tumblr meta analysis. I think I did a reasonable enough job pretending I knew what I was doing.

Let's get going!

I knew off the top that it was going to be vignettes - they would give me room to spread the story over the long period of time it takes for a group of people to grow into something resembling a family. Like I said in the original author's note, there was supposed to be more of the early, snippy days - but I got so focused on making them kinder that I found I couldn't properly write a fight. In hindsight, it probably would have been easier if I tried writing that first, but, well. Once I realized that it was too late. The alphabet idea came later, once I had them all finished: I wanted to organize them somehow, but numbers felt too open, too infinite - closing the story on an organizational endpoint was just really satisfying.

a - Every good story needs a good beginning.

c - Starting with the end of Peter Pan is my sneaky way of slipping past the fact that I haven't seen the earlier shows! The Max and Sandra storyline is just so sweet, and I wanted to let it exist a little bit in between our jump from Peter Pan to Christmas Carol. This vignette came so easily when I wrote it and I love love love the feelings and the tentativity about the whole thing.

f - This was actually the last vignette I wrote. I realized I needed some front-end padding because otherwise my angst plot came rather abruptly, and what better way? At this point, too, I was trying to bring in POVs from each one of our characters, and when deciding on Trevor's POV I thought the exasperation-excitement combination would be an excellent choice. It turns out Trevor is my favourite to write, mostly because I can find his voice a lot easier than some of the others - and probably also because I hold a lot of fondness and nostalgia for stage crew work. Also, I wrote most of this one on a long evening walk in the notes app on my phone. Fun fact.

h - I did my original idea slam in a draft tumblr post, and this one just says "birthday party but one without all the drama of christmas carol". And what do you know, that's exactly what it is! I definitely took the birthday party (in CCGW as well as in this fic) as a kind of proof that they really do like each other, if they're doing things like this and if they want to do things like this - and that theme of okay, they want to be here formed the basis for this part. I think it's exceptionally sweet that Dennis came looking for friends and ended up finding, well, something. And I popped in a little MMNI reference with "one of the Janines" - Backwards Janine? Frontwards Janine? Original Janine? Who knows! It's one of them!

l - The thing about this plot is that it's actually one of the first ideas I had when dreaming up this fic, and I couldn't quite let it go. The point was, what if I somehow split them up? How can they get on when half the society is out of commission? And the most reasonable way I could find to actually get half of them out of commission was the car accident. To be honest, this one is mostly filler - it's also the second vignette I wrote, and it found its birth in the email drafts of my work laptop.

m - Trying to map out this little plotline without overdoing it might have been the most difficult part of this fic, and I'm still not 100% sure I succeeded. This is our explanation for the unease from the vignette above, and it took me 3 rewrites before I finally found something that settled in my brain. "Dennis gets chased by a goose" might be one of my favourite lines in the fic though.

Also, putting these letters right next to each other made me feel really clever for no reason.

n - My Jonathan perspective also took a few stutter-steps in its beginning, but this one ultimately came from the promo video's reveal that Robert and Dennis live together, and me playing with the continual idea of the remaining cast members being rather unmoored in their injured castmates' absence. Robert in particular because I love his character and I love making him Feel Things(TM) (fun hint: this will also be a small theme in the new cpds fic I have in the works!) and I want to see so much from this odd relationship between him and Dennis. Obviously they have to tolerate each other if they are willingly roommates - how far can I go with that? I love how this one turned out.

o - All I have to say about this one is that I still really love the sweetness between these two, and they deserve the world. Also, at some point during writing this I was really caught up with how striking Dave's face silhouette is (don't ask) so that ended up making it in somehow.

q - Girls' Night is SO important to me. After all the work they've done to make these gals friends I needed to capture it, and a pleasant night in just made a lot of sense. This one is the home of a few of my headcanons - Annie has a chef roommate and Max does a lot of the cooking, thus the "neither of us are the usual household cooks" comments, and I also think they're at the point where they can joke about their previous failures (especially with these three together) so the nod to A Trial To Watch (my favourite gws episode) was so fun. Also, Waking Ned really is a silly pick-me-up of a movie - would recommend. Special thanks to CBC for giving us Canadians quality British TV alongside our occasionally questionable homegrown programming.

r - It wouldn't be a fic about progress and growth with this crew without a disheartening moment turned into gold. I wrote this one while barbecuing, another fun fact, and no joke the hardest part was figuring out what to name the play they were doing. I kept pace with the whole "Jonathan can't get onscreen" gag, which was personally hilarious and made me cackle as I wrote it, and the rest of it just felt good. I will always have a soft spot for comfort and reassurance in a story and getting to write it has just been an absolute delight.

t - This was one of my other unplanned vignettes. It was originally to fill out Robert's POV, but also to express a bit of how things have changed in Chris's attitude towards his cast - if there's one thing I would change from Mischief's characerisation thus far, it's this brand of almost-kindness that I consistently need to write him with. It takes the aftermath of the car accident and uses it to kind of make him understand - this is a valuable group of people and I don't want to lose it. But of course he's not the type of person to actually express that in any way, so I thought the frenetic hovering was a good way to get the point across. As well, the kind-of-bonding between Chris and Robert - the two of them are such powerhouses of insistent personality that conflict so easily but they've also got a more secret kind of friendship that deserves to be explored a little more. I really like this vignette and how it ended up portraying how they are around each other, how they really do know each other, especially when they're not fighting. Makes me soft.

w - This is the first vignette I wrote! I honestly didn't realize until writing this just how much I identify with Annie - best of both worlds re. crew and cast, a bit of tenacity regarding getting through things, overall personality - I just love her so so much. She also seems like the most sensible of the cast, so the collective "why are we really here?" moment with Trevor really spoke to me. I love their friendship, I love the kind of quiet vibe this vignette gives off - this is one of the ones I can feel most strongly, the one I can step into and exist inside. I also spent most of my old drama rehearsals and classes without shoes, so that had to make it in just by virtue of the sock brigade (me).

z - One thing I knew for sure since the inception of the fic was that it needed to end on a victory. I took the images I had of this victorious adrenaline, everyone together having a good time, kind of getting smashed, and karaoke (I really wanted the karaoke, for some reason) and went the obvious route: the wedding. Ending on Chris POV also felt so right - possibly because he's the one with the most growth in this fic - and getting to finally feel this triumph with him after all these other trials and tribulations was an absolute joy. The wedding hall, in my head, looks like the one my cousin used (it was at a zoo... my sister and I went on a night walk and heard a lot of screaming peacocks) and I definitely threw all my wistfulness, all my love for the characters I'd developed, and all my love for this fantastic fandom into this part. The incorrect lyrics that Annie sings are exactly what I think every time I hear that song, because I've never looked up the lyrics before and my brain likes to play Mad Libs with my super-questionable auditory processing. And the image of the ballroom staff getting really exasperated with them and shutting all the lights off came to me at night and is hastily scribbled on a sticky note (it's a wonder it's legible) but I still strongly believe that it's the perfect, perfect way to end. I still get the warm feelings when I reread this part, even now, after so many reads.

And, finally - our end quote is exactly what started this whole thing. What is this drama society if not a rough beginning? But the concept that we'll make it through, that we can just take a step and then another and it'll be okay because we're together... it's hard to describe just how much it means to me, to my place in the world, to the world itself. I think one of my rather consistent aims in writing, no matter what it is, is to be able to have this collective - characters that become family, people that are important to each other, this constellation to lean on - because it's all I can say for the human experience. It's probably quite a bit of wishful thinking (as I said to another friend, "I am apparently letting loose on all my repressed social feelings of the past year and shoving them into fics") and a sort of subconscious confirmation that if I write it, I can be it. So this force of understanding and kindness and ultimately good people helping each other through the world is something I can't help but include, something that means the absolute world to me.

I'm so glad to have been able to share this fic with everyone, and extra glad that it's been able to touch some people along the way. I've found such an incredible community in Mischief and coincidentally I think The Keep Going Song represents that warmth, too - the community I've been so lucky to exist inside, how we're helping each other along, step by step. What a beautiful thing to be a part of! Thank you for reading and allowing me to give you a bit of my heart. 💖💖

[cherry-toxic]

Fic writer questions!

I was tagged by @introvertia - thank you so much :) Your answers were really interesting!

How many works do you have on AO3?

Only 8

What's your total AO3 wordcount?

141754

How many fandoms have you written for and what are they?

Four: Beyblade (gen fics mostly), Shizaya (Durarara), Grimmichi (Bleach), and Harringrove (Stranger Things).

I usually sit in a fandom for a quite a while before I actually start writing anything. I'm amazed by those people who can get stuck in right away (how do you do it!?!)

What are your top 5 fics by kudos?

1. end the fight; before the fight ends you

2. Bound to Happen

3. Year of You

4. Broken Boys and Butterflies

5. So come take a drink (And drown your sorrows)

All Harringrove aside from 'Bound to Happen' - which I'm rather surprised came in second because the Grimmichi fandom is waaaaay smaller than the Harringrove fandom.

'end the fight...' is also the only wip here. The rest are completed one-shots.

Do you respond to comments, why or why not?

Yes and no. It depends. I want to respond because comments really do mean a lot to me and I love rambling with people, but I have issues with online communication. Like, sometimes I write out a response and when I read it back to myself my brain just goes 'no that's terrible you sound like an idiot delete it now' and then I go 'yessir you're completely right how silly of me.'

When it comes to wips, I tend to reply to every comment when I'm getting ready to post the next chapter, that way it's like a little heads-up - new stuff incoming soon!

What's the fic you've written with the angstiest ending?

Y'know as much as I love angst I actually prefer to have my fics end on a relatively positive note (angst with a happy ending is my shit).

But I suppose 'So come take a drink (And drown your sorrows)' is overall pretty angsty and I left the ending open so if I ever felt like continuing it I could do so easily.

Do you write crossovers? If so what is the craziest one you've ever written?

Big nah. Kind of like AU fics, they just don't interest me that much.

Have you ever received hate on a fic?

Yes, but it came from someone who was just making the rounds on a bunch of Harringrove fics and they were highly suspected to be an anti so it didn't really bother me that much because I knew they were trolling.

I've had a few like, vague comments/back-handed compliments that got under my skin a bit though.

Do you write smut? If so what kind?

Yes, occasionally I do. Generally I'd say I'm pretty vanilla, but I am currently writing an a/b/o fic, though I think it might go under non-traditional a/b/o because, again, vanilla lol

My smut usually comes with a lot of introspection, like they'll be doing the deed and one of them will be internally streaming a 5000+ word monologue (I do this with Grimmjow sometimes because he's a big virgin who views sex as silly human nonsense).

Have you ever had a fic stolen?

Parts of a fic, yes. I came across this fic that was clearly plagiarizing from several different authors (they forgot to change the characters names and everything) and I found entire paragraphs that were copy/pasted straight from one of my fics.

The thing is, this was over 10 years ago, something I wrote when I was... seventeen, maybe? So... I don't get why they copied it because it was pretty bad to be honest...

Have you ever had a fic translated?

Yes, an old one called '10 Miles in Your Shoes' (beyblade) although it was never completed because well, firstly, I never completed the original, and secondly, when the translator asked me how long I was planning on it being I said around 20-30k and uhhh... lets just say I overshot that by a mile!

Have you ever co-written a fic before?

No. While I think it would be interesting to try I honestly don't know if I could give up control like that!

What’s your all time favorite ship?

Hard to say because I tend to go for characters over ships. Like, I got into Grimmichi because of Grimmjow and Harringrove because of Billy.

But since Grimmjow is my all-time favourite character then, I guess Grimmichi, but Harringrove is definitely a close second because the fandom has spoiled me rotten with all their amazing fics (in terms of reading material, Harringrove is my fav).

What’s a WIP that you want to finish but don’t think you ever will?

'10 Miles in Your Shoes' - the bodyswap fic.

It's been a long time since I engaged with anything related to beyblade but I have a lot of fondness for this fic because it was the second I ever started writing and it was the fic that allowed me to truly grow as a writer. There's a huge improvement from the first to the most recent chapter (most recent being 5 years ago...) to the point where it looks like it could have been written by two different people, and I received so much positive feedback and encouragement throughout those years. I wish I had it in me to go back and finish it off but I struggle enough while writing for my current obsessions so it's looking more and more unlikely...

At the very least, I think I might transfer it to AO3 since ff.net seems to be slowly going under. Even if I never complete it, I don't want it lost forever.

What are your writing strengths?

This might sound ridiculous but I don't know? I always feel like I'm winging everything!!

I guess. One thing I've been complimented on a lot is my ability to portray messy (for lack of a better word) situations in a realistic way. I've been asked a few times if I've ever studied psychology and -

Nope

Just winging it!

What are your writing weakness?

EDITING!!!

I really should get a beta because I miss so many stupid little mistakes, like - okay - I always used to write in past tense, it was never something I even thought about, past tense was just the default. And then suddenly, around 2017/18, I began transitioning to present tense completely unconsciously and now every time I re-read 'Bound to Happen' I get angry because I bounced between tenses all the way through that fic and I didn't even notice until a year after I posted it.

Also. Incredibly slow. Lack of consistency. Perfectionist until I get stuck and then I feel like you can spot exactly where I lost momentum. Utterly hopeless when it comes to descriptions of setting/scenery. I don't think I'm very good at building atmosphere either. Dialogue, although I am improving at that.

What are your thoughts on writing dialogue in other languages in a fic?

I can't say I really have any thoughts on this? I don't do it much myself.

What was the first fandom you ever wrote for?

Beeeeyblaaade! I was fifteen when I wrote my very first fic (now deleted because it was awful!)

What’s your favorite fic you’ve written?

Oh god, this is hard!

If we're talking completed fics only, then probably 'Year of You'. That was my I-Do-Not-Accept-Billy's-Death fic but I WILL take all of the angst material from S3 and ride it hard.

If we're including wips, then both 'end the fight...' and 'metamorphosis' are probably my favourites right now.

'End the fight...' is my BIG Billy redemption fic which I started plotting out not long after S2 and there's so many scenes I'm looking forward to writing (yeah I know its been a while since i last updated but the past year has been rough okay)

'Metamorphosis' is the a/b/o fic which I was kind of nervous about at first because its not a trope that i read a lot of but i'm enjoying how its turning out so far!

Whew! That was a lot!

I'm tagging: firstly, whoever wants to do it because I like reading about peoples writing experiences (make sure to tag me!) And then: @shadowthorne @bentnotbroken1fanfiction @callieb @backwardshirt @memes-saved-me @murderlight @magniloquent-raven @aeon-of-neon @louhetar

[emilyblame]

so, i talked about album openers, and if you have me, i’d love to talk album closers now. because, there’s nothing better than a album closer that makes you feel like you absolutely have to press repeat. here’s my favorite 10 in alphabetical order by band.

THE END. - AS IT IS / THE GREAT DEPRESSION.

what a good way to start this list, and what a perfect ending to this album. The Great Depression in its whole is incredible-- dare i say a masterpiece-- but this song stands out to me because it manages to be angry and defeated and almost uncomfortable. i mean, that bridge? come on! i can’t wait to listen to new music from As It Is, such a talented group of people i’ll miss Ben and Foley tho :(

GOODBYE - BILLIE EILISH / WHEN WE ALL FALL ASLEEP WHERE DO WE GO?

what can i say? i’m a sucker for a good reprise. one of my favorite things about this album is that it’s a very cohesive piece of artwork even though all the tracks seemed to be stand-alone singles. this last track is the perfect example of that as it is the sum up of the greatest hits of each song. i just love it. i think it’s a pretty clever way to finish an album.

THE LITTLE THINGS GIVE YOU AWAY - LINKIN PARK / MINUTES TO MIDNIGHT

i mean, this song ends so epically, please. and i only put this one because it’s my favorite one, but “Powerless” and “Sharp Edges” are also strong album closers. i mean, i still can’t listen to “Sharp Edges” without breaking down in tears. i miss you, Chester :(

PLAY THIS WHEN I’M GONE - MACHINE GUN KELLY / TICKETS TO MY DOWNFALL

ah, this fucking song. he went and wrote a suicide letter to his kid. i mean, are you trying to break my heart into a million little pieces or you just happened to do it by chance? this song is so brutally honest, if you’re not in tears by the end of it, are you even capable of crying anymore?

FAMOUS LAST WORDS - MY CHEMICAL ROMANCE / THE BLACK PARADE

i mean, no shit, right? this is one of my ultimate most favorite MCR songs. i still get goosebumps whenever i listen to it (it’s been 15 years for fucks sake). hell, i cried my eyes out when i listened to it live. i just love this band so damn much.

THE BETRAYAL (ACT I) - NICKELBACK / FEED THE MACHINE

say whatever you fucking want about Nickelback, but it’s a good band. and this song is so fucking good. Ryan Peake, i fucking love you. Incredible guitar player.

DYING IN L.A. - PANIC! AT THE DISCO / PRAY FOR THE WICKED

so, to be honest this is one of my favorite things Brendon’s ever written. the pauses, the belting, the melody, the fact that’s just piano and strings-- ugh! i can’t even... still, much like Linkin Park, let us not forget about “Build God, Then We’ll Talk” and “Nearly Witches (Ever Since We Met)”, because those two are incredible album closers. fuck, i miss Ryan Ross, just take him back, Brendon!

UNDERWARE - SUGARCULT / START STATIC

ok, technically a hidden track BUT it’s still the song that closes the album. and if you don’t like it then we can totally talk about “I Changed My Name” because it’s my favorite fucking song in the whole world, so-- 

TWENTY ØNE PILØTS

bare with me here, because all-- and i mean every single fucking one of them-- of  twenty øne piløts’ album closers are fire. quiet fire, but fire nonetheless. from “Isle Of Flightless Birds” to “Leave The City”, look me in the eye and tell me none of them have you in tears by the end. i love how Tyler excels at ending an album on a bittersweet and sad yet hopeful tone consistently. ahh, i love this band so fucking much, so much talent.

I FELT YOUNGER WHEN WE MET - WATERPARKS / FANDOM

and we’re back at closing the post with a Waterparks song. and from the same album, no less! such a strong song to end Fandom with, for fucks sake! the abrupt ending, the looping back to “Cherry Red”... boi, yas. love it. i think the fact that this song loops back to the very beginning of the album is one of the most clever things Awsten has ever done (yet).

HONORABLE MENTIONS!

“Men Are All The Same” by The Used from their album Artwork. speaking of reprises... aahh... so good. this album is so fucking flawless through and through, man... i love the whole thing so much. i feel like The Used is such a huge band but we still not talk about them enough.

“exist” by Bleak Soul (aka: Ben Langford-Biss, ex-As It Is) from album existential meditation. is it an EP? technically? idk, no one cares. speaking of me crying to a song. my favorite thing about this song being the closing track is that at first listen it seems to be very happy and makes you think, ‘oh, great! so the album isn’t that depressing after all!’ and then you pay attention to the lyrics and you realize it’s probably the most depressing song on the album, EP, whatever. i fucking love it.

speaking of EPs... “Burned Out” by dodie, Human EP. listen, i’m serious about this girl. she’s so fucking talented. she deserves more attention!!! ugh, can’t wait for her debut album to drop in March. but back to the song, it’s the perfect contrast to “Arms Unfolding”, that starts all hopeful and bright; “Burned Out” ends out on a very sour note. but the lyrics are something that needed to be said, not only for dodie’s own personal story but also to portray a view from the artist’s perspective of what meet&greets and just what being a public figure in general feels like.

“Starting Over” by Evan Taubenfeld from unreleased album Just Sign Here... i mean. this man just gets me, but aside from that. stunning album closer.

“Born For This”, Paramore, Riot! talk about getting hyped by the end of an album, amirite? love that they used to open shows with this track. and speaking of Paramore: “Tell Me How“ from After Laughter. again, perfect contrast to the beginning of the album. love that.

and last but not least... “How Did I Fall In Love With You?” by Backstreet Boys from album Black & Blue. Howie D. belting, need i say more? didn’t think so. but given i’m here... the harmonies, the fact that it’s just piano and strings (my weakness in case you haven’t noticed). also, the song is about falling in love with your best friend and i’m a fucking sucker for a good love story.

[sole-cuore-amore-e-droga]

Belgium brings their ex-vocalist back to Rotterdam 2021

Here we chop chop boys like we chop chop wood

This review space would’ve been reserved for Belarus. Unfortunately, their broadcaster was not ready to make nice, and ultimately refused to serve EBU with anything but not-even-so-thinly-veiled propaganda, so much so that EBU, after all they’ve given the time for them for to snap out of it, finally had to be like “bye bitch” (- Lizzo) with enough push from the fandom, and informed everyone that Belarus will miss this year’s contest <3

Which means that I don’t have to deal with 41, but with 39 writeups to do overall, if my timing permits! The Roop could’ve always used a little less competition, anyway /j

Speaking of The Roop’s competition, time to aim at another one of their semifinal folk with a review. Come forth, Belgium!

ARTIST & ENTRY INFO

Hooverphonic, eventhough they’re not as big of a name as Flo Rida, is the biggest act to compete in this year’s Eurovision, and even had lasted longer as a thing than Flo Rida. He barely even got his proper famous kickstart around in the 2000s. Hoover have been around at least for 5 years more than him, if “Years active” section on Wikipedia is anything to go by. And back then they were just known as Hoover, correct. Their lineup of singers has changed for quite some time, but otherwise the band since its inception is rooted in basically two men: Alex Callier and Raymond Geerts. They used to have a keyboardist too but was he a part of their glory years in 2000? No? Thought so, he’s irrelevant then. In fact, their first vocalist wasn’t even present on their first album, so they went to have another one, who did just one album with them before 2000 and left. Now I’m only constantly and consistently bringing up 2000 because that’s when they had their break out moment in relevancy - after they changed their singer once more before they found someone called Geike Arnaert - the woman you’re seeing on the MV’s thumbnail right now, and not someone certain for whom there was a public outcry for she is the only Hooverphonic component that’s not coming back from 2020 to 2021. But more on that later. I’m here to present you the break-out hit, for those who just don’t know:

I used to like to think of Hoovers as trip-hop sensations, well not in the style of Massive Attack because they have their trip-hop sound with actual hip hop thrown in, Hooverphonic’s style is that but with a tinge of symphonic.

Well, “Mad About You” wasn’t really the only hit they had, before that they got a bunch of minor and domestic hits, and their music was used for soundtracks. So it’s a little bit cheating still to think of “Mad About You” as their breakout hit, but that’s still the biggest song of the band. If I were to recommend you stuff from them that aren’t necessarily the biggest hits but still, “The Night Before” with yet another one of their vocalists is pretty good.

So when I tell you that Hooverphonic is a band of a very long career. Well some bands do survive a lot without having their lineup change for 10+ years, but Hooverphonic vocalistes come and go sometimes, and for 2020 forray, when they were first announced, they came in to that talk show studio where they were guests in with a promising little starlet Alex Callier found at The Voice Belgium (for the Flanders region) and was her mentor there, Luka Cruysberghs, as their current vocalist.

Is it just me or her and Stefania Liberakakis look like they could be cousins?

All went smooth and dandy, until Alex started spouting stuff about Eurovision the fans found not amusing, such as calling Eurovision a circus or something, later begging and pleading to medias that his statement was “lost in translation” - now I would say it happens to the best of us, like for Tornike, but deep inside I think I know Alex meant what he meant, inside or outside context. Because everything just went even more sour when everyone found out Hooverphonic were missing from the common song “Love Shine a Light” for the 2020 consolation programme in place of Eurovision, and when they were forced to explain, Alex just straight up said he didn’t like the song, so he decided to not do it. Fuck, I myself don’t adore the 1997 winning song, but I like it, and would’ve still done a piece of that song out of respect. Take it or leave it, god damn. Also they were noted to be the only people plugging in their other material in the time when Eurovision 2020 artists on the consolation programme were either saying inspirational stuff or “hope to see you soon!” or a combo of both, once again, courtesy of mostly Alex. Now I’m not saying his ego is bigger than Kirkorov’s... of fucking course not, no one has an ego bigger than Kirkorov’s. The only thing that can beat him in that regard is if someone booked Kanye West for Eurovision last minute.

Following 2021, they were very excited to jump on the “leave 2020 songs behind” train, while a few artists like VICTORIA and The Roop rallied for to keep their entries in tact if they were allowed to. And with that, in late 2020, they went ahead and celebrated the 20 years of “Mad About You” by getting rid of Luka as a vocalist and bringing back the aforementioned Geike to reprise her part. Seems pretty reasonable, but for the Eurofandom it was simply seen as a dick move, and mostly for the reason that all 2020 artists deserve a 2021 chance, even if they’re band members. What felt more dickish is that Luka was straight up told “byeeee u’re no longer our bandmate xo” on a Zoom call between band members. Like, it’s fine to be told you’re fired in person, even if still humiliating, because what’s the other better way? What’s equally worse is to be told this via email, but the email you were sent was sent like a few months ago and you only read it NOW. At least I guess that proves we know what the “sad and losing game” was that Luka asked to be released from now, heh.

Not to worry Luka-stans, as Alex will still have her, just as not the part of the band anymore. But instead give her a solo career. Yeah well we’ll see how long that lasts.

With the 2000 glory heydays lineup of Hooverphonic we have their entry be “The Wrong Place”, as the completely quite different song they promised (or didn’t) when saying that they will certainly and absolutely get rid of their old one for the 2021 if they had a choice. What they didn’t get rid of is the theme of the worse part of relationships - “Release Me” is about probably wanting to be let go of and released rather than kept by the side when it’s probably not working out. “The Wrong Place” is one of those episodes that probably happened during then - they had a house conflict, she chose to have a smoke to forget about it, the man’s after her Johnny Cash T-Shirt. Not much else to say about the song’s technicality fortunately than I’ve already said so much about the band, so how does it fare in the Hoover-lore, for me?

REVIEW

See, I would like to root for Luka ever having her chance to get to experience Eurovision if she wishes, but maybe it’s lowkey for her own benefit she wasn’t the chosen vocalist for the song, as Geike could do “Release Me”, but Luka wouldn’t be able to do “The Wrong Place”.

“The Wrong Place” is well-suited to the first vocaliste’s melancholic blend-in timbre, and a singer like Luka would sound a little too light on this with her soft-spoken sound of her voice. Besides, I don’t think she could be old enough to relate to the lyrical subject’s domestic struggle issue. Not to say 20 year olds don’t smoke and drink, it’s just that “The Wrong Place” feels a little bit too much mature enough.

Although I think that both of them could absolutely rock the music video visuals.

The song itself is very Hooverphonic. They used to do this kind of standout triphoppy sound back in the days, but as of lately they kind of grew out of the label to do more of the music that kinda sounds like movie soundtrack music. Idek the exact label I could give it to their music so move soundtrack music it is I guess. It has a decently paced structure (could’ve done without the overly repetitive ending where they repeat “you’re in the wrong place” over and over, like ffs I know where I am!!), and interesting lyrical choices. Such as “organic cup of... tea”, as in, WOW! HOOVERPHONIC HAS ENOUGH WITH THE TEABAGS FULL OF GROUND AND GRINDED TEA! THEY WILL ONLY MAKE TEA FROM PURE HERBS AND FLOWERS, AS IT WAS USED TO BE DONE! and acting like her Johnny Cash T-Shirt is the kind of prized possession her man is not allowed to wear to rub it in her face. Imagine if it was something more mundane. “Don’t you ever dare to wear my... pink polka-dot T-shirt”? Damn right it doesn’t seem to suit the mood lol.

It’s not what I exactly wanted from Hooverphonic, but probably what I subconsciously needed from them anyway, ever since they were announced for 2020. I only got into “Release Me” sometime AFTER the contest, “The Wrong Place” is a bit more instant to stand behind. So well done to them to commit to their craft.

Approval factor: I guess I do have to stamp this with my stamp of approval. It’s nice and all. Follow-up factor: “The Wrong Place” follows up as a more of a Hooverphonic discography track after the fairly average and overlookable “Release Me” (eventhough the latter has the tinge of theirs as well because it’s a more symphonic ballad, and they do have symphonic stuff on their discog afterall). As a Eurovision entry, it comes across as even better somewhat, and even slightly more standout, but that might not necessarily work in their favour. Qualification factor: And that’s because they’re absolutely stranded in the semi with too many qualification choices to name. Belgium gets to be a bit quasi-obvious, but they’ve failed with a Hooverphonic-penned song before, plus, the pop girlies of this semi are more likely to eat out a band like this alive, but I wouldn’t exactly say Belgium is doomed to fail either, because I am positive Hooverphonic will think of something. I’m just saying that shocking things can happen every now and then.

INTERNAL CORNER

Well, considering Alex Callier is not running his mouth this time as much as he did so last year’s season, I think it’s safe to say that Hooverphonic have had nothing to write home about.

No, wait...

Well I did mention that Luka got replaced as one of the events that happened to Hooverphonic’s lifetime, but thank God that Alex promised her a solo career, right? Right?

Well, apparently, we’re getting towards it.

And the first lyrics of her first solo forray post-Hooverphonic-vocalist-duties features the lyrics about possibly her making someone “regret it”. Lol now watch this song to be a karma kick into Hooverphonic’s ass if Belgium happens to not qualify this year. Luka forewarned y’all with sharp precision.

Annnnnd that’s pretty much it, besides the band jumping on the trend of turning their entries into a Festivali i Këngës 59 acoustic night European version by presenting their own acoustic version of this track. I did not have the kind of courage to link to the Azerbaijan’s “slow version” on their review in fear of overruning my post even longer than they would usually be for these reviews, but at least it moves people to a certain degree

Well, my question of the days is, does “The Wrong Place” in acoustic make you sad twerk?

ANY LAST WORDS?

Belgium’s big weakness is when it comes to stage their entries, notably for the last two years where the Eurovision actually happened. Sennek was awkwardly put in the middle and succumbed to the curse of Lucie Jones of grimmacing too much and therefore ruining her score in the process, possibly. Eliot was just simply upstaged by the decision to include big drums on stage. Alex Callier acknowledges all that sort of thing, so if anything goes absolutely right and Hooverphonic manage to make it to Rotterdam (which I think they can do because Belgium and Netherlands are neighbours lol? unless their lockdown rules get super strict in May), he should get on to mending all the flaws that Belgium had in the past for staging, and have a spectacular vision. Because it’d be sadly hilariously ironic if Hoovers miss out on the final due to the staging again. Can’t just constantly blame the vocalist - Geike would be flawless live, if Hooverphonic trusted in her for so many years. Can’t blame the song - it’s not too bad. So staging, I guess.

Good luck Hooverphonic, you’ll certainly need it. Also can RTBF consider that they could send anything else from the Wallonian music scene other than The Voice Belgique acts~