#the ongoing artistic dialogue!

[septembersghost]

If Taylor can write a song about him in 2022 and ask him those questions then he very much can put gold rush in mv lol

see, you're picking up what we're putting down here from a creative point of view.

[sarcasticscribbles]

BOYCOTT EUROVISION FOR ISRAEL PARTICIPATION.

I am the Eurovision gay this time of year, I love this show. Not only is my country hosting 2024 but it's also in a city I love, but I can't watch as people sing about peace and love while Palestinians are getting killed by one of the participants.

I've complied a couple of petitions, open letters and information regarding Eurovision: Eurovision isn't the highest priority regarding Gaza, but this show is marketing & tourism for countries, Israel is using it to pink wash their politics

According to SVT, Swedish television network in charge of Eurovision 2024 in Sweden Malmö, Eurovision is apolitical, and therefore Israel qualify. They refer to any calls for boycott meaningless ( via )

SVT statement:

[ID: "SVT statement on the debate over Israel’s participation in the Eurovision Song Contest

Israel’s participation in the Eurovision Song Contest is generating debate and today a number of Swedish artists have called on the EBU to cancel Israel’s participation in the Eurovision Song Contest 2024. It is the EBU’s decision which public broadcasters may take part in the event, and as the host broadcaster, SVT follows the EBU’s decisions. The humanitarian suffering in this deeply complex conflict is devastating. Nobody can be left unmoved by the current situation in Gaza, or by the Hamas attack in Israel. We are also concerned about these developments. We understand and respect that groups of people wish to make their voices heard. As the host broadcaster, SVT has an ongoing dialogue with the EBU about the challenges of producing Europe’s largest TV-production in times of unrest. We are humbled by the task and are working to ensure the project can be carried out in the best way possible, with the vision that music unites." END ID]

Eurovision has always been political, and was created as a celebration of peace after WW2. Songs are statements, and EBU took action by banning Russia and Belarus for the invasion of Ukraine. It's a way to show sympathy and solidarity, which Gaza is in need of now.

Why Eurovision is so important to Israel is the opportunity of pink washing, and appearing liberal and LGBTQ-friendly, that the show encourages. This leads to great marketing and tourism for the country, alqueerian on twitter did a great thread about it:

[ID: Tweet from @ alqueerian on X formerly known as Twitter. Tweet: "A really quick thread on pinkwashing and why it’s wrong: pinkwashing is a term that was coined by LGBTQ Palestinians to specifically refer to the use of homophobia as a justification for israeli war crimes, ethnic cleansing, mass displacement, starvation etc." END ID]

Full thread

WHAT YOU CAN DO:

Here are a couple of petitions, open letters and links to encourage the ban of Israel in Eurovision

And if all fail: we boycott

Here are two petitions for the ban of Israel: Petition 1

Petition 2

A list of emails and contact information for broadcasters regarding Israel participation: copy, paste and send. Document

It's created by verilybitchie on YouTube who also made a great call to action video I can recommend

[ID: Screenshot of verilybitchie youtube video "Genocide at the Eurovision Song Contest". The video is showing an article by Chris Lockeyer, news reposter, titled "Israel to compete at Eurovision despite boycott threats" The article says: "The European broadcast Union said its member organisations approved Israel's participation in the competition and it remains aligned with other competition organisations on its stance." The article is from December 19th, 2023. END ID]

And for Swedes, I think it's extra important for us to speak up; here's what we can do:

Open letter via Björk & Frihet, a charity in Skåne offer letters to sign but also have pdf version to print at home!

[ID: Photo from Björk & Frihet, a swedish charity offering open letters to sign to send to the government. "Stoppa folkmordet" as the letters are ladled, means "stop the genocide" END ID]

This is also a letter regarding the contest being held in Malmö, a city with a long history fighting for Palestine! Sign here

[ID: Vote for Swedes in Malmö to sign to protest Israel's participation in Eurovision. END ID]

Meanwhile, don't forget your daily clicks to help Palestine while we wait for EBU to stand by their words and prove we are united by music!

[ID: Iceland's Hatari holds up Palestinian flags during Eurovision in Tel Aviv, May 19, 2019. END ID]

[firstfullmoon]

“When Mary Magdalene meets the resurrected Jesus, she looks right at him, but does not recognize him, “supposing him to be a gardener.” Only when he addresses her does she realize who he is. She turns toward him. John does not describe the action, only the dialogue, so it is left to us to imagine what leads Jesus to say, in the Latin that has become metonym for the scene as a whole, Noli me tangere, usually translated as “do not touch me” or “do not hold me.” The noli me tangere encounter is another one artists cannot resist. There are myriad arrangements of Jesus and Mary Magdalene: his hand stretches out in refusal, she kneels, he bends, they both stand, they look at each other, one looks away. Almost always she reaches for him. Sometimes she makes contact. The multitude of portraits reflects the ambiguity of the simple phrase, which opens a range of possible relations. Perhaps he rejects her touch because he cannot bear the shock of intimacy, divided as they are by the fact of the resurrection. Perhaps, even as he speaks, he touches her, to hold her away from him. It’s possible, the philosopher Jean-Luc Nancy argues, to translate the phrase as “do not wish to touch me.” If you do, then it becomes an exhortation to love the death too, because it is intrinsic to every life. Meanwhile, Mary’s hands hang in the air. Resurrection is Dante’s eternal rotation, “spurred on by flaming love”: it is the ongoing allegiance to keeping in sight the appearance of disappearance. It is living as if. It is a game of hands, an everlasting reaching after what escapes, what you love.”

— Elisa Gonzalez, in “Minor Resurrections: On failing to raise the dead”

[aaronsrpgs]

The Accursed Vampire: The Curse at Witch Camp by Madeline McGrane

Three young vampires go to a summer camp for magic. Only two can cast spells, so the third, Dragoslava (queer icon) bums around and gets sad. But all is not as it seems at witch camp! (Duh!) Everyone is drawn into a magical plot, and we get touching moments (for real) about what adults owe kids, what kids owe each other, and how to navigate rejection and difference.

The Seeds by Ann Nocenti & David Aja

I just love David Aja art. The flat, sickly colors, the bold shapes. And Nocenti is just a weirdo; her aggressively allegorical writing from the '80s and '90s is toned down now, and she gives the art lots of room to do the heavy lifting.

Mimosa by Archie Bongiovanni

I'm happy to see queer artists of my generation reach middle age and make stories that are about getting older in this insane world of ours. Bongiovanni creates a great cast of aging urban queers who struggle through claiming responsibility for their feelings and actions.

Shelterbelts by Jonathan Dyck

Somewhat in the tradition of the "great" male cartoonists of the Fantagraphics age (Chester Brown, Seth, etc), Dyck takes everything I liked about those comics (the meandering pacing, the clear spare linework, the simmering emotions) and separates them from everything I hated (the misogyny and queerphobia). Shelterbelts is about a growing town in Canada struggling with religious tensions, the generation gap, and everything else our towns are struggling with.

The Chromatic Fantasy by H.A.

A transmasc nun makes a deal with the devil to escape the nunnery. Outside, he commits crimes and falls in love. I loved the bright, flat colors that are equal parts stained glass and old anime. And I loved how the main character deals with his self-hatred, internalized by growing up in a system that demands he be anything but himself.

Adversary by Blue Delliquanti

Real gutpunch shit. What are our responsibilities in the ongoing crises of looming fascism and disease? And how do we see those responsibilities across the intersection of race and sexuality? But all this is contained in a tragic love story set in the height of the pandemic.

Grog the Frog by Alba B.G.

I never watched Adventure Time, but I gather that fans of the show got from it something similar to what I got from Grog the Frog: fresh worldbuilding, funny dialogue, and great art all layered over a surprising level of emotion.

Blessed by Baal by Tzor Edery

Beautiful art. Great porn. People struggle with sex, personal joy, and understanding the self in the wider erotic world.

[am-i-the-asshole-official]

AITA for leaving constructive criticism on a FanFic?

I know this is such a lame problem, but Ive been reading and writing fanfic for like 15+ years so I’ve left and received my fair share of comments, some of them containing very mild constructive criticism. I personally always appreciated receiving them greatly, because to me it’s a sign that a reader is genuinely invested in what you’re writing. I’m also just very used to (much, much harsher lol) frequent artistic critique, so It’s kind of second nature to me and I’m probably not as sensitive as others are to it .

Anyways, I was reading a long ongoing fic and was absolutely loving it but noticed the author frequently switched between present and past tense , which was kind of annoying because the fic contained flashbacks so sometimes it became a little muddled and difficult to follow. I left a review that I thought was pretty unremarkable, praising the aspects of the fic I did like such as the unique plot, characterization and dialogue etc but mentioned that keeping an eye on which tense they were writing in might help the fics readability. I didn’t think anything of it but they replied a few days later basically saying ‘fuck you why you think you have the right to criticize something that I write for free in my spare time etc etc.’ Which was for sure an overreaction on their part but I’m starting to wonder if there isn’t truth to that? after all, not all fic writers are trying to improve on their writing, and maybe it’s just a “happy place” for them where they don’t want to receive criticism.

I haven’t replied yet, I’m probably just going to apologize and leave it at that. But I do want to know, do you guys think leaving mild concrit -specifically the way I did- on fanfiction is a dick move?

What are these acronyms?

[genericpuff]

As someone who can't afford to go to animation school n adores your work- are there any advice or tips they taught you could share that transfer to art or comics? I know you talked about learning how to properly reference things which I admit I think I and a lot of other artists struggle with knowing how to do

Ironically enough, as much as I learned that I do NOT have the patience for animating (which is... ironic, considering all the patience that's required to make a comic LMAO) I did still learn a lot from it that I was able to take into comics. Storyboarding was one of the more obvious ones, as storyboards are basically just the "still versions" of an animation before it's been animated, with establishing shots, camera pans, dialogue shots, etc. all of which you'd find utilized in a comic.

Alongside that was learning how to draw consistently. Turnaround sheets are a shared practice in both animation and comics, they're necessary to creating an ongoing project that features the same core cast of characters. Learning how to draw the same characters the exact same way every time in a way that's both consistent and efficient is crucial.

That said, aside from those little starting tips, I do hope that some day you're able to find the means to go to school for animation or whatever it is that you're desiring to go into and learn. Yes, post-secondary schooling is expensive, and there are a lot of risks in pursuing a diploma/degree that can affect your future. That said, as someone who went to a school that literally no longer exists (like fr I don't even know if I can get my transcript anymore so for all I know, the year I spent in animation college only exists in the student loans that I'm still paying off, rip) I still learned and gained so much that I simply wouldn't have in high school or on Youtube. The biggest of which was the environment - being put into an actual dedicated space for learning art, with peers and teachers who were all unified in that space working towards the same goal, made so much more of a difference in my learning than I initially anticipated. I got so much feedback and guidance thanks to my instructors, and it really put me into a space where I was forced to try new things, I couldn't keep relying on the same tricks and comfort zones anymore. If it weren't for my instructors pushing me to step outside of that comfort zone, I never would have learned how to draw from life or use other mediums that subsequently became the foundations of the stuff I make today.

And while a lot of the things they taught I could have learned on Youtube or CTRL+Paint or Draw-a-Box, being in an actual classroom with grades and a schedule to abide by actually kept me moving in a forward direction and gave me so much more help on a personal level than some guy on Youtube could have given me reading from a script or, in this case, some rando on Tumblr responding to anonymous asks LMAO

Obviously, I'm never gonna recommend that anyone put themselves into financial ruin for post-secondary schooling, ESPECIALLY right now with the economy being what it is, but I do hope that if you genuinely want to go to school that you can find the means to do so, whether it's opting for community classes or applying for scholarships/bursaries/grants/etc or even just signing up for a local art class. Do your research on what's available and feasible to you - even art clubs can be super helpful in getting you out there and talking to people! As much as we may all be slaving away over our desks creating our next big piece, art is still a form of community and interpersonal communication - whether it's between you and an audience, or a peer with whom you exchange new ideas and feedback, or a mentor whose skills you hope to inherit and pass on to the next generation.

Until then though, keep creating and keep getting inspired. If you've never drawn from life before, set up a bowl of fruit and draw it as closely as you can to the real thing, or go to the food court and see how quickly you can sketch the people walking by before they're gone. If you've never tried storyboarding before, grab a piece of paper, find a scene from a live action movie you like, and storyboard it as if you were making an animated film. Try things! Fail at it! Try it again! See what happens!

[goodomenscalendar]

What is this? | Submit your own event! or tag us! | Be sure to click through to the original post for the latest updates! Last edited: May 20th.

Ending Events

DIWS: Silver Screen Bang | Writer Sign-ups close May 3; Artist Sign-ups close May 20

The Good Omens Silver Screen Bang brings writers and artists together to retell a movie through a Good Omens lens! AUs and fusions welcome! Both SFW and NSFW content allowed. - @do-it-with-style-events - Twitter -

Good Omens Minisode Minibang | 16+ | Sign-ups close May 4

A reverse bang revolving around the theme of Good Omens historical minisodes. Both SFW and SFW content allowed. - @go-minisode-minibang -

Twin Passions: A Bildad Zine | Fundraising ends May 7

Charity digital zine focused on Bildad era Crowley, fundraising period to benefit RAINN and Safeline! There are 2 editions available for instant download, plus digital extras: SFW (shoemaking) and NSFW (obstetrics)! - @bildadzine - Twitter - Instagram - Bluesky - Download on itch.io -

It Began in a Garden Zine | Pre-orders close May 12

A fanzine celebrating Aziraphale and Crowley's retirement to a peaceful cottage in the South Downs. - @itbeganinagardenzine - Twitter -

Good Omens for Palestine | Fundraising ends May 13

Good Omens for Palestine: A Charity Fanzine is a project dedicated to raising money for Palestinian aid. All proceeds will be donated to the United Nations Relief and Works Agency for Palestine Refugees (UNRWA). - @goodomensforpalestine - Twitter - Instagram

Ineffable Romans Contest | Entries close May 15

Write, draw, cosplay or more the Ineffable Romans and tag @angellilou-art to be included in the digital version of the Ineffable Romans illustrated book! Three lucky pieces will be chosen to be featured in the printed version! Both SFW and NSFW content allowed. - Tumblr - Kickstarter -

GOAD: Spring Fling Kink Sling | 18+ | Posting ends May 19

It’s time to dust off the suspiciously nondescript box under your bed, crack it open and see what’s inside! There's one more "Heat" sprint event remaining before the end of the event, so hop over to Reddit to see the details of how those are run! - @goodomensafterdark - Reddit - AO3 Collection -

WIP Big Bang | Sign-ups close May 21

This is a Big Bang with one goal in mind: to clean out your fanfic drafts folder. These are stories that were unfinished for whatever reason, that authors returned to and completed, and the art that goes with them! - @wipbigbang - Twitter - Dreamwidth - AO3 Collection -

High Pollen Count! | 18+ | Posting ends ~May 22

A rules-loose Good Omens event centering around sex pollen. Featuring both NSFW and SFW works! - AO3 Collection -

Good Omens Big Bang | Sign-ups close May 31

A classic big bang, all about Good Omens! Both SFW and NSFW content allowed. - @goodomensbig-smallbang -

Red Tape: An Ineffable Bureaucracy Zine | Pre-orders close May 31

An 18+ Good Omens zine dedicated to Gabriel and Beelzebub! Featuring SFW and NSFW content. - @red-tape-zine - Twitter - BigCartel -

Ongoing Events

Ineffable May | Prompts for every day of May

You hear that? Ineffable May is nigh! That’s right— this month-long daily prompt event dedicated to Good Omens… is back. Participate using art, writing, cosplay, or any other craft at your disposal. - Prompt List - AO3 Collection -

Mayngst | Prompts for every day of May

This prompt list is multi-fandom, with dialogue style prompts - one for every day of May!! If you’re interested in participating and sharing, please use the tag #mangst2024! - Prompt List - AO3 Collection -

Good Omens Fairy Tale Bang | Artist Sign-ups open now!

This is a Good Omens Mini Bang themed entirely around Fairy Tales! Writing your own or adapting a favorite! All versions of all Fairy Tales and Mythology are welcome! Both SFW and NSFW content allowed. - @fairytalegobang -

Good Omens Spooky Bang | Sign-ups open now!

A spooky Good Omens bang to kick off the autumn season! Whether it's Aziraphale pumpkin-picking, a pumpkin spice latte coffee shop AU, or Hell hosting a Halloween bash, you're invited to the Spooky Bang! Both SFW and NSFW content allowed. - @spooky-bang-good-omens -

Monster Bangers Bang | 18+ | Interest Check open now!

Calling all monster-fuckers! A Good Omens bang devoted to monster banging. - @gomonsterbangersbang -

Upcoming Events

Good Omens Ineffable Bang | Posting begins May 7

A bang centered around your favorite Ineffable Husbands. Featuring SFW and NSFW content! - @goineffablebang - Twitter - AO3 Collection -

Ace Omens Zine: Volume 2 | Pre-orders open May 15

A Good Omens zine focused on ace representation. Featuring SFW content! - @aceomenszine - BigCartel -

Above, Below, and the Common Ground | Fundraising starts May 19

A SFW digital charity zine that celebrates the varied and wonderful cast of Good Omens––human, demon, angel, and anything in between! Free to download or with a donation to National Network to End Domestic Violence. Featuring SFW content. - @abczine - Twitter - Instagram - Bluesky - GumRoad -

In Love With My Car Zine: Volume 2 | Fundraising starts May 20

A zine dedicated to the vehicles in Good Omens. The zine will be free to download with the option of donating to the Mercury Phoenix Trust. Featuring SFW and NSFW content! - @in-love-with-my-car-zine -

[blubberquark]

Looking for Group

Somebody posted on Discord

Does anybody want to collaborate on a [game] project?

but nobody answered.

Nobody said yes. Nobody said no. Nobody even asked follow-up questions. And yet, people in that server really do want to collaborate on games and projects. What happened?

Obviously nothing happened because the asker did not specify anything. What kind of project? With who? For how long? What should I bring to the table if we collaborate? I don't know. I was busy anyway. Maybe I can set up the asker with other people, who weren't busy. But this is not an isolated incident. Every day, thousands of people ask in chat rooms, forums, and mailing lists "Does anybody want to collaborate?"

Answering with yes is a risky move. Imagine being on the other side, and somebody asks an open-ended question... Imagine being on the other side of "I am having a software problem, can anybody DM me?"

Nobody wants to be on the hook to be somebody's personal tech support without at least knowing the kind of problem, and nobody wants to commit, even tentatively, to a creative project. It's kind of a red flag. What can you do to allow others to message you, to just tentatively get you to agree, to just agree to ask you for more details of your project? What should you do so people who say yes don't feel like they are wasting their own time, and yours?

1. Scope

The most important thing to communicate is scope. It's less important what kind of creative project it is, but how big. Is it an ongoing side project? A weekend? A couple of hours a week for a couple of months?

There is a world of difference between "Does anybody want to collaborate on a weekend project?" and "Does anybody want to collaborate on an epic story with 20 characters, multiple storylines, lore, 50 hours of side quests, and 800 pieces of unique loot?"

2. Stakes and Commitments

The next most important thing is commitments. This is doubly important if you are working with friends. Sometimes you want to collaborate on Ludum Dare, and if your partner is busy on that weekend, you'd rather know now. Sometimes you want to submit a demo of your game to some kind of competition or showcase, and it has to be ready at a certain point.

Sometimes you are really putting your heart and souls into a project, and your friend is just in it "for fun" and thinks you are ruining his fun by taking the project seriously. Your "One Story You Had Inside Yourself" can be your friend's "Learn C++ in 21 Days". Your "ticket into the glamorous games industry" can be your friend's "goof off with blender for a couple of hours and then try a different hobby".

It's important to talk out stakes and commitments with your friends, because you might be able to rope in a friend into a project without doing this. You could rope a friend into your project and he starts resenting you a bit because you are gung-ho about art, and your friend just wants to spend time with you, and you are exacting and controlling and ask him to revise the dialogue/animations/3D models he contributed.

If you are talking to strangers, you can't rope them in. They just won't agree to work with you without details.

3. Skills

If you are asking for collaborators in a programming discord, chances are you will get replies from other programmers. Chances are, wherever you ask, your post will be seen by many people who are good at the things you yourself are already good at. Are you a programmer looking for programmers, or a programmer looking for level designers and artists?

There are many reasons for three programmers or three pixel artists to work together, but by and large, you need people who complement your skill set, but fit into your work flow. If you are working with Unity3D, you probably want to work with 3D artists who have rudimentary knowledge of git and C#, even if they aren't supposed to code, and you need rudimentary knowledge of their modelling software and workflows.

So when looking for people to work with, you need to tell them what you can do, what you can't do, what you want them to do, and how you want to work together.

4. Topic/Idea/Design/Genre

This is point #4. This is deliberate.

You could probably take the previous 3 points and cobble together a "looking for group" post. People rarely do that. They usually have an idea they want to realise. Ideas are a dime a dozen though, and you can still pivot later, after you have found your group members.

It can't hurt to include this. What kind of project do you have in mind?

5. Management and Art Direction

There is one more big thing to consider: If you already have a project in mind, you are taking control of the project. You are the boss, you decide that you are looking for four people to collaborate on a science-based dragon breeding MMORPG, any four people who sign up know what they are getting into. It makes sense that the topic is not open for discussion. It also makes sense that you are the project manager, because you made a list of skills and work that needs to be done, and you have worked all this out already.

We are looping back to point #2 here. Why should people commit to your project if you are holding the reins? What do they get out of it?

You should communicate as early as possible what the creative freedoms are, what kind of tone you want to pursue, and how free your fellow artists are to express themselves.

In a commercial project, you can have control because you pay people. If you are doing a game jam project, or just any unpaid hobby collaboration, you should consider giving the others some creative freedom.

In a game jam, you could just decide that somebody else gets the creative control when you pivot to a different idea. In a large, commercial project, it makes sense to delineate how much creative freedom an individual artist has. In an open-source project, the maintainer can just review a patch and decide not to use it.

Ideally, you should communicate early on how weird or wacky you want the result to be, whether you want something with broad commercial appeal, with a sombre and serious tone, or if anything goes. That would be a bit much for the initial post, so just give a hint whether this would be a good project for somebody who really wants to put pigs and frogs in every game, or a good project who wants to make a character based on her ex boyfriend that the player can shoot in the groin. Sometimes people have the most specific ideas...

If on the other hand you have no idea what kind of creative direction you want to go, maybe you shouldn't go this route at all. If you want to give creative control to a yet to be determined team member, why not join another team instead? If you don't know where the project is going, you can't really plan who and what skills you need anyway.

Examples:

A good request for a collaoration reads a bit like a dating profile or a job ad. It covers the five points mentioned above.

Hey, I am Robert, art director and senior gameplay programmer at Blubberquark Software. I am fluent (among other languages) in Python, C#, Lua, and Haxe. I would like to join a team working with Unity3D, libGDX, löve or Flixel for the upcoming Ludum Dare game jam, in the Hamburg area. I like to use Blender, Gimp, Wings3D, ASEPrite, TrenchBroom, LDtk, Tiled, Ogmo, or Crocotile 3D. I also learned some 3DS Max and Cinema4D in university, but I don't have a license for those.

Here's a fictionalised version of myself, looking for a game jam team. To be clear, I am not looking for a team, but if I was, I'd make sure I don't need to learn a new set of tools for a weekend game jam. I'd try to make sure we all know how to use the engine, and we all know how to use the same source control, and we can all build and run a project before the jam starts. I wouldn't want to do a Ludum Dare remotely, so all this goes in there.

Since this is about Ludum Dare, scope and stakes are clear, and the skills I would use are in there. Skills that are irrelevant to Ludum Dare are not mentioned. Topic and creative control will depend on the jam theme, which is TBD.

Hello, we are Jim (programming) and Julius (level design, turn-based games expert). We are working on a fantasy JRPG called "animecha generica" that we hope to sell on Steam. We already have a gameplay prototype with placeholder characters and pixel art, but we would like to work with a skilled artist to create more interesting character designs and expressive/emotive portraits for the conversation system. If you join us, you would create characters, character portraits, quest lines, and dialogue, and we would split the revenue thee ways. We are also looking for a musician (work for hire basis).

This sounds like an early-stage commercial project. There is an engine and a prototype, but the design seems to depend on the content, and the developers are looking for somebody who can contribute the content. The scope sounds rather large (probably at least 5 hours of gameplay, maybe more) and the time commitment would be full-time until release. The artist they are looking for would do a little bit of everything, from art direction and narrative design down to art assets, and there would probably be a lot of overlap between the roles of two developers and the artist. Everybody wears multiple hats.

This sounds really risky, and the success of the project would depend on none of the three developers screwing it up.

Hi, I am Takeshi Kovacs, and I am making a new game engine based on Vulkan rendering, with its on scripting language, but optionally scripted in Python or C#. If this sounds interesting to you, I would like to work with you on a small game project of your choice, and help you realise your game design to test the viability of my Vladimir-and-Estragon Engine. Pick any weekend game jam of your choice. Pacific Time Zone only.

This seems low-pressure, and of limited scope. It could be a good after hours project, but it's probably not necessarily a good fit for a beginning programmer. You'd learn a new and unproven engine and scripting language. Apart from wasted time, it can't hurt that much to try. If you are a beginner, you could try to implement Pong or Tetris with Takeshi's help.

If you take up this offer, you would enjoy significant creative control, but the main objective would not be to produce a game for people to enjoy, but example code, or a game mechanics as a proof of concept for the engine.

We are making an open source shmup written in libGDX. We are always looking for new contributors. We have 100 stars on GitHub, and 50 players, according to our analytics. For the next release, we would like to add new levels, new power-ups, more ships, more content. Play our game [here] or build it from source by [following] [these] [instructions] [(Outdated Wiki Page For Ubuntu 20.04)]. If you have experience with Steam Workshop, talk to us on [our Discord].

This project has a medium scope, semi-mature code base, and low time commitment. You could probably contribute some content, or a patch to the engine, and nobody would really rely in you to stick around. On the other hand, you have little influence on the overall game design. You could certainly try: You could make a pull request that completely re-vamps the gameplay, but at that point, you might as well start a hostile fork.

We at secret studio are making otome dating simulator. Want to have demo ready for PAX Moonbase. We are looking for multiple character artists who can draw our characters on-model on a work-for-hire basis, and two additional writers for our writing team. We are looking for candidates who have experience with authoring systems like twine, ink, Ren'Py, Visual Novel Maker, or RPG Maker. Experience with YarnSpinner is a plus, but not required. You have the opportunity to design your own otome love interests and story lines. You will be expected to work under our creative director.

Like the JRPG example above, this is a commercial project with a large scope and fixed design, but these people are looking to hire more people who wear fewer hats each to create content quickly. This looks like a job ad for a paid position. It should be! You would have some creative freedom, but since this is a commercial project, you will have to stick with the marketing demographics and write romance storylines for girls who like boys, and any ideas you want to convey have to fit into that framework. It looks like they are using YarnSpinner and an undisclosed game engine, and they are willing to teach you how to use their tools on the job, but they seems to expect a writing background, and some prior experience in the tools/workflow/production side of visual novels specifically.

Hi. My name is Jeff. I work in theatre and I produce radio plays. I have podcasting and sound recording equipment at work. I play the guitar, badly, and I can borrow an old Moog synthesiser. I want to collaborate on a game project, by producing foley sound effects, or recording short stings and jingles. I know some QBasic from back in the day, but I haven't programmed much since then. I have licenses for Ableton, Photoshop, and Autodesk Maya.

Jeff is looking for a group. Jeff is not looking for a big commitment. He is willing to help a project out. Jeff has listed some skills and things he could contribute to a project. He is not looking for a new full-time job, but maybe a paid side gig.

Hi. I am Raven Siege Tank Banshee Medivac, a sophomore student majoring in computer science and underwater basket weaving at New England University, Arkham. I can use Blender, Photoshop, and and Logic Pro. I would like to help out with an open-source game project. I would also consider doing a puzzle platformer together. I know some PyGame.

There is almost but not quite enough to go on in this one. In what capacity would Raven work in a collaboration? What kind of scope is right, here? Maybe Raven would like to work on that shmup written in Java, but as far as the puzzle platformer is concerned, we don't know why Raven can't just make it solo with PyGame and Photoshop.

TL;DR

If you want to find people to work together with, you must communicate scope, commitments, and skills you need and skills you bring to the table. Explaining what kind of idea you want realised is also important, as is creative direction, but not as important as the first three. Your post should look like a job ad. Read your post and think if you would join that project or ask that person to join yours.

[becauseimanicequeen]

WHAT I’M CURRENTLY WATCHING

ONGOING:

TO BE CONTINUED (Thailand): I’m having the time of my life with this one due to the main characters’ lack of communication, fear of fessing up to their feelings toward each other, the drama of the past, and Poppy (I always love Poppy!).

LOVE IS BETTER THE SECOND TIME AROUND (Japan): I love mature QLs (mature as in adult characters that are complex, flawed, and feel real, and that deal with real-life problems). This is no exception. I also love stories with the possibility of getting a second chance (because everyone makes mistakes).

1000 YEARS OLD (Thailand): This one is way too cute for me (I have a hard time vibing with too much cuteness). You would think this is a series about vampires and aliens, but it’s actually about soup and umbrellas. The only reason I’m still watching this is because of said umbrellas. The umbrellas got me hooked! (Welcome to the real struggles of a visual artist.)

CLOSE FRIEND SEASON 3: SOJU BOMB! (Thailand): There are too few episodes for me to say something substantial about this one. The neon lights in the first episode got me good, though (and I’m a slut for neon lights). Also, I love drunken shenanigans (in fiction, btw) and it’s delivering on that front.

TWO WORLDS (Thailand): This is another series with too few episodes for me to say something substantial. I like the vibe so far, though. Also, I always have a sweet spot for artists so Khram has a special place in my heart.

DEEP NIGHT (Thailand): I love the club setting (again, neon lights are my thing) and the chemistry between the characters (especially between Seiji and Pan). There’s also the possibility of a poly relationship (which I and so many others are hoping for).

(I hope I don’t get as clowned about this poly relationship as I got clowned about Non showing up alive in DFF.) (Either way, I’m staying in this clown car because I need poly! Hope is said to be the last thing leaving a person...)

CITY OF STARS (Thailand): This is really sweet. The characters are sincere and have great communication skills. Fueang and Krom maturely solve every issue that shows up. It’s nice to see a great relationship like this for a change (even though I do love watching miscommunicating characters as well).

ANTI RESET (Taiwan): I’ve recently started watching this and easily got into it since I could binge several episodes. It has an interesting story (falling in love with a robot that seems very real and human). The chemistry between the main characters is great and the visuals are gorgeous (Yi Ping’s house is beautiful, even though the front door never seems to be properly closed, like, ever).

A SECRETLY LOVE (Thailand): Right now, the only reasons I’m watching this is because of Kimmon (the actor who plays Pluem), Kut (who plays Khonprot, since I haven’t moved on from his role as Din in Chains of Heart), the sapphic side-couple (even though it’s a fake relationship right now) with rhyming names (Soi and Froi), and the neon lights. Mostly because of the neon lights! (I’m such a slut for neon lights!)

UNKNOWN (Taiwan): When I say that I’m obsessed with this series, it’s because I am. These characters live in my mind rent-free 24/7. The chemistry, the palpable yearning, the dialogue, the emotions expressed through the acting when there is no dialogue, etc., etc., etc. It’s just soooo great.

(Unknown does cover a topic that’s generally seen as taboo (“adoptive” brothers falling in love), so, be aware of that. I don’t have any issues watching series with taboo topics because there’s very little stuff I get uncomfortable with when it comes to fiction. So, I’m in love with this series with my whole stone-cold heart.)

[echoeternally]

Echo’s Newer Bowsario Fanfics!

Lol, I was gonna use "latest" for the title, but "newer" got a giggle out of me, so, there we go.

Anyway! Hello to my selective few Bowsario (aka Bowser/Mario) shipping fans. I know there aren't very many of us out there, lol, but hey, we exist! And we have what fun we can.

It's been a few years since I made this kind of post, but I collected the fanfics that I've written in the past (found on this link and then also on this one too) for the pairing.

The content is easy enough to organize elsewhere, but I thought it'd be nice to put it in a convenient spot here too. And maybe some new readers will be delighted by the finds?

So, I figured I'd add a new one, since I've added a bit of new stories since the last post. And I'll share the old stories like I did before as well, because why not?

Presenting the list of the lesser-viewed Enemies-to-Lovers greats!

~~~~~

Amid the Roses - Set in an alternate universe where Mario and Bowser are removed from the Mushroom Kingdom conflicts, this stars the pair as a flower shop owner and tattoo parlor artist respectively. They end up meeting and bonding in a new way here!

Constellation Quelling - A much more traditional fare for the couple, this story has Bowser interrupt Mario while he's alone and relaxing. They bicker at first, but soon open up to one another in a way neither really expected, and the stars above certainly set a mood...

Distant Dawn - Based on a fanfic prompt from years ago on Tumblr, this is a short story to show some early morning musings from Bowser, who considers how his new relationship with Mario can develop, while a secretly not-slumbering Mario listens.

~~~~~

Along with those latest stories listed above, there were a couple of updates to my ongoing Bowsario fanfic, which started a decade ago.

That feels weird to post! But, with some new updates from earlier in the year and more since the last posts, I'll add that below here.

Eternally Never Yours - An ongoing fanfic that details a full affair between Bowser and Mario, as they try to make their seemingly impossible relationship a reality, while struggling to deal with the Mushroom Kingdom at large.

~~~~~

As for the rest, I'll be copying and pasting those below here, so that they can be included too. Makes it a little easier to find it all in one place, I think, right?

Mario’s Defender - A fanfic for Mar10 Day, it tells the story of Mario overhearing some unkind comments about himself, and then a certain someone (Bowser) going back against them. 

Time for Tea - Peach has a small tea party gathering between herself and her friends, the Mario Bros. She wanted the brothers to invite their partners, but didn’t realize who Mario would bring until it was too late. Daisy, however, wants to hear the story of how they got together! 

Red and Blue - In a slight change to the usual storytelling, this is a story that doesn’t use any dialogue to describe tender moments between Bowser and Mario while they explore a relationship together, going over their thoughts. 

Bowser’s Beard - For Bowser Day, a story where Mario and friends go to find out where Peach has been taken, but then find Bowser’s Castle mostly empty when they get there…save for one hairy Koopa King.

Quiet Life - In a “what if…?“ styled story, Bowser is essentially exiled in exchange for the Koopas finally being at peace with the Mushroom Kingdom. Mario is the one that brings comfort to him. 

Inn’s Covers - While going to an inn before a golf tournament, Mario ends up paired in a room with Bowser. They slowly learn to get along, and then some. 

Upon A Dream - After taking a mystical pendant, Bowser ends up in a dream where he’s married to Mario, and grows to not hate it. 

Heart of the Ancient Kingdom - Mario and Bowser are sent on a quest back to the oldest parts of the Mushroom Kingdom to retrieve a rare jewel. They go back to World 1-1 of their earliest adventures, and grow closer too. 

A Spirited Story - Based on Super Smash Bros., the spirits of Wolf and Fox get into a chase sequence of sorts. Mario and Bowser are among the couples they visit. Not quite from this year, but I’ve included it too. 

Wild Cards - A tennis story that focuses on Wario and Waluigi, but has a good deal of shipping support for Mario and Bowser. Also, Bowser wears his tennis outfit and Mario approves. 

Jolly Season - A Christmas special that features not only Bowser and Mario as a couple, but some fluff for Peach and Pauline as one too!

~~~~~

Actually, you know what? Speaking of Peach/Pauline, I may as well include those fanfics here too. What the heck, you know?

This group is a series of stories that I started, um...also a decade ago! But, I've only stirred up the latest fanfic recently, so, gotta get to work on that one again.

Nevertheless, if you're a fan of Mario and Bowser being gay, then I hope you might enjoy Peach and Pauline doing so too!

Toying With Her - The first in the series, where Pauline finds a new object of her affections in the famous princess of the Mushroom Kingdom. Set prior to Pauline's return as mayor in Mario Odyssey! (This story was from years before that even existed.)

Toying With Them - Sequel to the first, Pauline finds herself invited back to Peach's Castle, and finds several more lovely ladies to inspire her toys. Though she's only musing her crushes, that might not be the case forever...if one happens to read between the lines...

Toying With Peril - Finally set after Pauline's return in Odyssey, Miss Mayor comes back to the Mushroom Kingdom...only to find Peach kidnapped and Mario totally unavailable for the rescuing! Guess who gets to step up to the plate this time? Ongoing for now, but do you think Peach will finally learn of and return Pauline's feelings...?

~~~~~

Ha, I haven't done this for a few years. It's nice to see them all together again. Last time was in 2021, and now we've got this in 2024; I didn't think I'd have enough for another round.

Anyway, I know there are fewer fans of them, but for anyone that might be curious to try fanfics featuring Mario and Bowser as a couple, here's my current listing for them.

Meanwhile, if you want stories from other lovely authors, be sure to explore the tag link which I’ll be adding in right here for Bowser/Mario on AO3! It's grown a lot more since I last posted. There are even new regular posters for the pairing besides me!

Though I'm less practiced on Peach/Pauline (they're called Peachline, if I'm not mistaken), they've grown a bit more from my one-off notion of the ladies in love. (Started that back in 2014!) Find some authors that explore the pairing in better detail here. Hope you enjoy!

Part of me likes the idea of writing some more one-shots for Bowsario fanfics at least, and of course finishing that Peachline story in the future. ENY still has some ways to go, but it's moving towards its later stages finally. I wonder what this will look like next time...

Ah, neither here nor there.

For new readers, welcome, and if you've made it this far, thank you for reading and stroking your curiosity! Hope you enjoy.

For older readers, welcome back! If you find something new or want to revisit an older story, I hope you do so and enjoy too.

To everyone, thank you for reading this, and spending a little while with me! If you read any of the stories, please enjoy! Hope you all take care and have a wonderful day.

[visit-new-york]

Chrysler Building. A World of Art

Global Recognition: The Chrysler Building's fame extends well beyond New York City, earning it recognition and admiration on a global scale.

Architectural Dialogue: Architects and designers worldwide engage in a continuous dialogue with the Chrysler Building's design, drawing inspiration from its aesthetic richness.

Symbolic Birds: The majestic eagle gargoyles perched high on the Chrysler Building's crown, with wings outstretched, represent freedom and aspiration, a symbolic presence in the New York City skyline.

Futuristic Elements: The Art Deco design elements incorporated into the Chrysler Building were seen as futuristic during their time, reflecting the optimism and progress of the early 20th century.

Architectural Innovation: The Chrysler Building's setbacks and terraced crown represent a departure from traditional skyscraper design, embodying the spirit of innovation that defined the era.

Chrysler Building. Literary Legacy

Novel Inspirations: The Chrysler Building has often served as a backdrop in novels, becoming an integral part of the narratives and symbolizing the essence of New York City.

Film Fame: Its distinctive appearance has made the Chrysler Building a sought-after location for film and television productions, solidifying its role as an icon of popular culture.

Influential Design: The influence of the Chrysler Building's Art Deco style can be seen in the design of numerous buildings worldwide, showing its enduring impact on architecture.

Fashion Statements: Art Deco, epitomized by the Chrysler Building, has left an indelible mark on fashion, with its geometric patterns and sleek lines inspiring clothing and accessories.

Cultural Beacon: Beyond its architectural marvel, the Chrysler Building is a beacon of innovation, aspiration, and creativity that embodies the spirit of New York City's enduring cultural significance.

Chrysler Building. Preserving History

Ongoing Care: Diligent preservationists continue to protect the Chrysler Building's exquisite details and structural integrity, ensuring its heritage remains intact.

Art Deco Resurgence: The resurgence of interest in Art Deco design has brought renewed attention to the Chrysler Building's architectural significance, prompting preservation efforts.

Sustainability Commitment: Modernization initiatives have also included sustainability efforts, enhancing the building's energy efficiency and environmental impact.

Accessible Beauty: While primarily a commercial office building, the Chrysler Building's lobby remains accessible to the public, offering a glimpse into its Art Deco grandeur.

A Living Heritage: The Chrysler Building's legacy is not static but continues to evolve, adapting to changing needs while preserving the timeless essence of its design.

Chrysler Building. A Guiding Light

Beacon of Hope: The illuminated crown of the Chrysler Building stands as a symbol of hope and unity, often bathed in special colors to commemorate significant events or causes.

Cultural Connection: Its presence in the New York City skyline creates a cultural connection, a shared symbol that binds residents and visitors in a collective appreciation.

Historical Resilience: The Chrysler Building has weathered the tests of time, remaining steadfast through historical events and shifts in cultural preferences.

Artistic Expression: Countless artists have paid homage to the Chrysler Building in various forms of art, capturing its beauty and significance across generations.

Promise of Tomorrow: As the sun sets behind the Chrysler Building, its illuminated crown serves as a guiding light, reminding us that even in challenging times, a brighter future awaits on the horizon.

The Chrysler Building, with its enduring elegance and architectural marvel, continues to ignite the imagination and inspire. Its legacy transcends its steel and concrete structure, serving as a testament to human creativity, determination, and the indomitable spirit of New York City. In its gleaming spire and Art Deco opulence, we discover not just a building but a symbol of aspiration, a beacon of possibility, and a tribute to the heights that can be achieved through visionary ambition and unwavering dedication.

Previous page Chrysler Building Next page

[uwmspeccoll]

It’s Fine Press Friday!  

Today we’re taking a closer look at some of Indianapolis-based artist Carl Pope’s (b. 1961 ) work—a portfolio of broadsides produced for the installation series The Bad Air Smelled of Roses. The edition in our collection consists of 71 letterpress prints of varying dimensions (all around 56 x 36 cm) produced with wood type at York Show Prints in York, Alabama (formerly run by Amos Paul Kennedy, whose works are also represented in our collection) and Tribune Showprint in Earl Park, Indiana (“the oldest continuously operating letterpress shop in the country”) on poster and chip board between 2004-2005, nearly all of which are signed by the artist.  

Pope characterizes the work, which has grown since its original iteration to include 108 posters, as “an ongoing essay about the presence and function of Blackness in society” and an exploration of the "various psychological and emotional states like forgetfulness, insanity, alienation" associated with "the poetics of Blackness." He chose to present a selection of texts drawn from a variety of sources including “modern Black literature, René Descartes, jazz and rap music, Sigmund Freud, Malcolm X, Dolly Parton, movie dialogue from Casablanca and The Matrix...” in letterpress print form because of the medium’s historical associations with marketing and political activism.   

When installed in the rarified context of an art gallery or museum, as this series has now been exhibited on numerous occasions, the commercial qualities of Pope’s posters incite a productive slippage in our assumptions around high and low culture. As he puts it in a 2018 interview with Hyperallergic, “I don’t see culture as the production of beautiful paintings and works of art, you know, although culture includes that. For me the production of progressive culture is the collaborative practice with myself and other people in the world of ideals, to create and to advance human evolution... I’m not interested in using art as a tool for cultural imperialism.”     

View more Fine Press Friday posts.  

View Amos Paul Kennedy posts. 

View more letterpress posts.

View more wood type posts.

– Ana, Special Collections Graduate Fieldworker 

[samueldelany]

"Black Bodies and Transhuman Realities: Scientifically Modifying the Black Body in Posthuman Literature and Culture"  (2021) makes a series of valuable contributions to ongoing dialogues surrounding posthuman blackness and Afro-transhumanism. The collection explores the Black body (self) in the context of transhuman realities from a variety of literary and artistic perspectives.

These points of view convey the cultural, political, social, and historical implications that frame the space of Black embodiment, functioning as sites of potentiality and pointing toward the possibility of a transcendental Black subjectivity. In this book, many questions concerning the transformation of the Black body are presented as parallels to philosophical and religious inquiries that have traditionally been addressed from a hegemonic viewpoint.

[trashexplorer]

BLCD Review: Tsunaida Koi no Kanaekata

Title: Tsunaida Koi no Kanaekata (繋いだ恋の叶え方)

Release Date: 2021/08/25

Shop: CD + Manga

Author/Artist: Yoshio Akira

Cast:

Shingaki Tarusuke x Eguchi Takuya

Nakajima Yoshiki

Oi Marie

Synopsis: The bane of my existence. Adaptation of the second installment of the same name.

Review Proper

When I was dying of an ear infection back in December, I had the most vivid dream of Morpheus from The Sandman sitting at the foot of my bed telling me that my life was one of his tools that he needed back. In exchange for my life, Morpheus promised me he would go back in time to stop me from making a mistake that I wished I hadn't done.

I chose working on this fucking thing.

Don't get me wrong, Tsunaida had the best plot out of the series and all of Yoshio Akira's works. I'd even go as far as saying it's one of the best releases of its time—it was nominated for Best Series in the 2021 chilchil awards for a reason (it was robbed, I tell you). It's just my life has gone downhill since I picked this up. HAHAHAHAHA Not to mention, older Chesk was bad and cringe. I'm sorry for arguing with you over this series, Kimmy. It wasn't worth it.

This series is still ongoing, only god knows why. I got so sick of it to the point that I started hating Yoshio Akira and forgetting all about the plot, so I didn't expect myself to cry during the climax HAHAHAHAHAHA FUCK WHY WAS THIS STILL SO GOOD???? I'M ANNOYED I still hate it tho

I forgot just how painful this was. I'm at this point in my life where if that would happen to me, I would just LEAVE.

Anyway, onto the topic of the BLCD...

I didn't think it was going to be possible, but Shingaki really changed his Hara-san tone!!! Thank god! This is it! This was exactly the tone I envisioned his Hara-san would be in! I'm not sure if it's 'cause everyone from the producers (except the director) and the sound team was changed, but Tsunaida and Kanawanu are worlds apart. I usually dislike inconsistencies in series with multiple installments, but I'll let this slide. Let's all just pretend that Kanawanu doesn't exist.😌

Egu also went a pitch higher in this. It's still far from what I wanted for Kaoru, but he was able to make the role his own. I'm not sure if it's because of the change in the mixing, but Egu finally sounds like he was recording with everyone here. I said in my review for Kanawanu that he wasn't syncing with his own brother, Kakeru, and it turns out that Egu actually was voicing Kakeru too lmao. How can you not sync with yourself, man? But that just means that the mixing for Kanawanu was that bad. I haven't listened to Tabete mo Oishikuarimasen yet, but I feel like Egu and Shingaki should've been nominated for Tsunaida. I mean, Shingaki is a queen as Yashiro and his nomination is deserved, but let's all put those older series to rest now. 😂

I also missed Nakajiki as Keiji-san!!! He promised to bring Hiro along next time, so if I'm not hearing Saitou Souma in Musunda, I will riot! No, I didn't check the cast list.

The BLCD is pretty accurate to the manga, save for that extra bathroom sex in Track 2. It's quite long, but there isn't any complex dialogue, so I suggest just closing your eyes and absorbing the bathroom bambo. 😌 I actually wished it was longer toward the ending chapter because I felt that it was rushed in the manga, but alas. I've read Renta's license, and it's accurate as well. In conclusion, get this if you like the series. 100% recommend!

[chlorine-and-daisies]

good omens fics i enjoyed this week!

for further discussion, see Crowley & Fell (2024) (T) by @twosoulsinonehome- Aziraphale teaches English Literature at Cambridge and Crowley teaches History of Religions at NYU. This was so fluffy and funny and their voices shone through, especially in the emails. Keep the work skin on- the author made perfect use of the format, with funny subjects, signatures, and everything. It's not just the main couple- Muriel, Maggie, and Nina are great in this one too. I loved seeing the progression of Aziraphale and Crowley's relationship over time, from drunk emails to vows. As I'm in a long distance relationship with my own precious demon partner I had a particular soft spot for this one :)

Artist's Rendition (T) by @bingothedingo666- After Armageddon't, Adam restores Aziraphale's shop with a few extra books...including a children's Bible with an interesting drawing of the Serpent of Eden. This is silly and sweet, with great footnotes. The drawing itself made me laugh and I thank the author for writing this and sharing it with me. I loved the dialogue and jokes and Aziraphale's sheer fondness for any depiction of Crowley and his soft side, but also the subtle hints that Crowley's not fully comfortable or familiar with religion being portrayed in an innocent/childish way (Smiting builds character). One can only speculate as to why that is (the Fall, the Flood, Job...)

and finally Every Part of Me (T) by @foolishlovers from this past February! This one's probably the most unique fic I've recommended yet- it's a Hannah Montana AU! I thought it was super interesting how the author used the popstar alter ego as a way to explore Crowley's genderfluidity, and Aziraphale was funny in this one. I do love clothes so of course I enjoyed the outfit descriptions. While I was one of those kids with strict parents who was never allowed to watch the Disney channel, I still liked this a lot, and if you grew up with the show you'll appreciate the song references.

Yes, there are fewer recs this week- partially because some of the stories I've been following this week are ongoing and I'm planning to recommend them later when they're finished, and partially because I was busy working on my own post s2 Crowley character study, sleight of hand (T) (ohoho, you thought I would give the self promotion a rest?) I'd love it if you added more recs in the comments/reblogs, including your own self-promotion.

Hope you're enjoying these weekly posts- this fandom can be so huge and intimidating sometimes so I really want to showcase new work :) All three of this week's picks had really unique premises and I'd encourage everyone to take them as inspiration to write your own special fics. Best of luck to all you authors- keep on sharing all those stories only you can tell!

[daitranscripts]

Frequently Asked Questions

Update: 8/29/2024

I would like to remind everyone that I am just another fan, and this is a fan project. I have no control over character dialogue.

Remember to be kind in my ask box and notes. I cannot explain why some character lines were chosen to be cut from the game, nor is this the place to start character discourse. I am also not a machine - I am a person with feelings and other hobbies. I love to take dialogue requests, but asks that demand certain quests or are rude will be swiftly deleted. Repeat offenders, or especially rude anons, will be blocked.

Please be courteous! This is something I enjoy doing, and I ask that you keep the experience enjoyable for myself and your fellow fans.

What is this project?

DAI Transcripts is my endeavor to document and format all of the dialogue in Dragon Age: Inquisition (I hope that's obvious, otherwise I might be doing a pretty bad job). I started this project in 2019 as a spiritual successor to the discontinued @dragonagetranscripts. ㅤㅤ ㅤ ㅤ

Why are you doing this?

Because god has punished me for my hubris and my work is never done. 

jk it’s actually because I was sick of watching bad let’s plays while trying to work on my longfic so I took matters into my own hands.  ㅤㅤ ㅤ ㅤ

How do you know you're using accurate dialogue? Where are you finding the deleted lines?

I type the transcripts by hand side-by-side with the game files, a plot flag editor, numerous youtube playthroughs, and my own game open. I also keep a number of handwritten notes on plot flag strings. I have played DA:I over 30 times, and crowd-source from the communities I'm in.

I do occasionally miss things or can't figure out exactly how a piece of dialogue fits, but I always note this within the transcripts. ㅤㅤ ㅤ

Where did you learn to read the files?

I used to create my own mods for DA:I - There are a tutorials online that cover dialogue file editing you can find on the nexus. ㅤㅤ ㅤ

Can you share the audio files?

Unfortunately, this isn't something I'm willing to take on right now. Each line must be extracted one at a time and renamed as you go, or every line within a dialogue file will try to export with the same name (some files have hundreds of lines). They are not logically named and it is a lot of trial and error. ㅤㅤ ㅤ

Why do you use "PC" instead of "Inquisitor" or "Herald"?

The game files use "Hero," and to save myself the trouble of trying to differentiate between conversations that can happen before or after reaching Skyhold I decided to use the neutral "Player Character," or "PC". ㅤㅤ ㅤ

You typo'd/did a thing wrong/you’re missing race/class specific dialogue!

Please let me know in an ask - I hope to have a very accurate account of all the dialogue, so don’t be afraid to let me know if I’m missing something or have any egregious typos.

Please note: since this project has been ongoing for nearly 5 years, I bridged over the change in text editors. Additionally, I only started referring to the text files around 2022.

Posts made before April 2022 (around the middle of In Your Heart Shall Burn) may be missing dialogue.

Posts made before March 2023 (around the beginning of Wicked Eyes and Wicked Hearts) may have formatting errors due to the change from old to new text editor. ㅤㅤ ㅤ

Will you do -insert quest-?

Short answer: Hopefully, yes!

Long Answer: I intend on working through the game from start to finish, first main quests, then secondary/companion quests, and then romances. DLC, location, and side-quest dialogue are on the list as well.

If you want to see something specific, just drop me an ask! I don't mind it at all, and sometimes it's a refreshing little break. ㅤㅤ ㅤ

Who are you anyway?

I'm Plisuu in disguise :) I am a high school teacher, artist, and writer. You can find me on all social media under the same name, though I'm only really active on tumblr these days. ㅤㅤ ㅤ

Please take my money! How can I support you?

I have a Ko-fi, but honestly, the kind messages and tags I get on my posts are more than enough! The best way to support me is by sharing this resource :)

Feel free to share your fics with me as well, I love seeing how different folks use the dialogue given to us and spin such unique and varied stories.

Remember, my ask box and messages are always open!