#the one who's doomed to like side-characters

[amberinn]

something between

yess she's so insane and fucked up (having specific one of my friends in mind for this too, tysm for supporting me and accepting me lowkey it's good to have ground you believe to be semi-stable) (attachment issues are real and a bitch)

deemed problematic

ignoring me, because I get in the way of a ship

minor coded (which i will at some point grow out of. I mean I swear a lot, that must mean people would find me at least somewhat scary and mature---- wait, fuck, tommyinnit. oh im doomed.)

get hc'd as something and reduced to the hc

?? people in media usually strive for positive autism representation, right

knowing that I'm on my own journey of actually growing out of being albeist (which I only ever was in the first place, because I was scared of myself)

and somewhere in between where I accept who I am, and sometimes still flaunt stereotypes around trying to half heartedly con (lie/convince) people into believing I deserve some sort of .... I don't know? things? benefits?

and sometimes I double lie, because I actually DO need to (get out of the meeting, because it's getting to me, but I don't want other people to think I'm this weak, so if lie about pretending to lie)

and there will be sides to me, but people WILL at some point think I represent something with me being me

and they'll be displeased it's most likely bad.

I have flaws, like.

lots of them.

I'm like the least kinneable character in existance tbh ;

it's so crazy how that was my first thought when people can p much also reduce me to

pathetic wet cat

angry bitch

child

or something worse, yikes.

"shes so pathetic and bbg i want to torture them" (pls dont im already tortured enough.... ok finneeeeee.... for enrichment)

[lol-jackles]

I was pursuing your “Destiel” tag (thank you for posting it for that anon, btw, and bringing it back to my attention), and came across this statement from you:

“As a result, douchy Jensen + going off script = other actors trying to cope. My favorite was 2016 because that was when my girlfriend leaned close to the screen and said, "Jared, blink twice if you're being held against your will". Since then Jared had figured out how to handle these ~unscripted~ moments, but Misha hasn't.”

What was the moment in particular at 2016 JIB that made your girlfriend say that? Or what was Jensen going at that one? Wasn’t Gen at that one, too?

Also, what would you say Jared’s strategy has been in dealing with Jensen (when drunk) on stage at JIB? And why does Jensen seem “meaner” to Jared at JIB than at CE or AHBL cons? Which is closer to thier actual dynamic, do you think?

And I just have to add, it was pretty amusing seeing Misha momentarily (sadly not longer) regret his life choices at, was it 2019 JIB, where he pointed out the Destiel shirt and Jensen yelled about “where is it real?” Do you think Jensen was actually annoyed in this panel? I say yes, but my brother says no.

Jensen seems to keep it together more at JIBs post pandemic, but I was at JIB 13, and he gave off a huge air of just being over the whole thing by his solo Sunday panel. And he and Rich were essentially running out the clock by being loud idiots (my ears still hurt from being near a speaker).

They all claim to love JIB, but they also all seem pretty over it come Sunday.

Sorry that got long. Would love to see your response to any parts.

This was the first time I briefly talked about the infamous Jib con. Back in 2016 I used to think their co/dependent friendship was doomed at the 10-year mark because when one isn’t adjusting to the changing time, then the idolatries friendship can’t last more than 10 years at best.  I listed a few examples (X) from a feminist blog about women ending their female friendships, a woman ending her friendship with a male friend (X) Oliver Broudy’s story of ending his 10-year friendship with a college friend (X).  These friendships ended because one of them was stuck and making more and more demands on the unstuck friend.  We know happened after season 10 wrapped up (X) (X).

Anyways, what got my girlfriend's attention was Jared looking like a tug of war rope between Gen and Jensen and the boys. Regular corporate SPN cons in the U.S are already a male-dominated atmosphere bordering on frat boy shenanigans. At least there are corporate handlers and security to help keep the actors in line, plus alcohol are banned for actors. Jib cons are fan-run with no handlers and alcohol are allowed, and usually there are no actresses because the cost of the extra Jensen/Misha and Jared/Misha panels means some actors are going to get cut out and it’s usually the actresses. Without female colleagues around, the men really rile each other up at Jib cons, it’s part of their bonding and one-upmanship rituals. I think why Gen rarely participated in SPN cons is because she didn't want to be around all that dude energy. But 2016 was different because I think she blamed herself for leaving the 2015 British con early and is still traumatize that she nearly lost Jared few days later, so Gen agreed to let Jared drag bring her to Jib con. Men don’t like wives/girlfriends homing in on their bro times and Jensen was noticeable irritated that Jared’s wife was there and during the closing ceremony Jensen used air quotations marks while talking about Gen’s marriage to Jared who had his arms wrapped around her. He looked peeved at Jensen and then then laughed it off because what else could he do on stage?

(Side note: it’s not easy for men to find male friends and keeping them.  I hated the movie I love you, man because it was too familiar, and Paterson made me uneasy because Adam Driver's character has no male friends and he's more than okay with that because he has a wife.)

Jensen seems "meaner" not just to Jared but to every actor there, especially Misha. At these fan-run conventions, there are no "scripts" (guidelines actually) to follow. Most actors were still going by the guidelines from corporate-run conventions when they're on stage, but not Jensen because it's part of his upmanship as a way to both bond and dominate others. It's a Ryan Seacrest and Brian Dunkleman type situation. Maybe Jensen learned this trick from Ryan who used to be his roommate. Misha is not a natural improviser, his guest appearance on Whose Line Is it Anyways shows that, so he's the least apt at handling Jensen's off script moments. Half the time Jensen wasn't actually drunk but acts like it to avoid the inevitable asinine Destiel-loaded questions from the hellers in the audience.

Jared's strategy was about the same at pre-2016 JIB cons and CE cons because he's pretty apt at smoothing things over between Jensen and the fans. At the infamous 2013 New Jersey con a self-claiming bisexual girl tried to ask Jensen a loaded Destiel question and he snapped at her with, “don’t ruin it for everybody” and Jared immediately calmed Jensen down and salvaged the rest of the experience for sane fans.

Stuff like this is closer to their real life dynamic as the Giver and the Taker. If you read the "codependency tag", Jared the Giver cleans up the messes the Taker make. Givers think they're helping but they're actually enabling and don't improve things. Jensen's reputation took a slight hit, and it took a few years for the New Jersey con to be memory-holed. Apparently Jensen didn't learn from this and 3 years later mocked a girl wearing a "Destiel is real" shirt at the 2019 JIB. Misha told Jensen to not “fight with fans” and Jared was gesturing to a fan in the front row as if saying don’t look at me look at him. That may answer your question, Jared stopped trying to calm Jensen down and instead focus on heading off fans who gets too snippy at Jensen, like at a DC con few years back where a girl was trying to look cool but came off sounding hostile towards Jensen, so Jared left the stage and hugged the stuffings out of the girl, deflating her hostile-sounding voice.

I don't think I've seen Jensen's solo panel at JIB13, but he's usually looks like he's watching the clock during his Jared-less panels so that's nothing new. It's been the case for many years and a common complaint by fans, it's why CE stopped having solo J panels early on because Jensen needs a scene partner. It goes back to why Jensen works better as a scene-stealing supporting actor instead of a leading man. How Jensen made Dean Winchester have memorable moments was by putting his focus on the other person.  By using this method, Jensen can stop worrying about how he’s going to say his lines and speak intuitively, this helps make Dean appear truthful to the audience.  It may be why Jensen doesn’t read scripts ahead of time.   Jensen doesn’t go into a scene looking to do a scene, instead he goes in looking to be open and give over to how the other person (in this case, Jared playing Sam) makes him feel.  This method worked great for Jensen when his character has Sam to focus on, and Jensen has Jared to react to.  It’s why Dean’s dying moments with Sam in the barn works so well in the series’ finale.

.

You probably heard of the saying, “acting is reacting”.

A demon’s acting philosophy in The Good Place: “Demons have to learn that Acting Is Reacting.  And Reacting Is Pre-acting. But Pre-acting? Well, that’s just being.”  

While “acting is reacting” gets mocked in the acting community because it’s a trap alot of actors fall into by adjusting their truthful inner life to their assumptions about the text.  Good acting is adjusting the text to your authentic emotion which is the result of the other person.  This where Jensen’s good acting comes from and it’s become his comfort zone and made him a multimillionaire by his mid 30s.  He’s in what my acting coach calls “the truthful contact”, it’s where actors are taught the first stage of authentic acting.  The next stage is “crafting”.  When you’re working solo without a screen partner, your skill at crafting becomes vital.  Crafting means anywhere from ability to endow meaning to objects so they have emotional meaning is important, or effectively get across justifications and point of views.  

[linkcharacter]

Oh I have so many thoughts on aroace Curly, I think it brings so much on the table when analyzing the game's story.

Amanormativity ties in with the reoccurring mentions of the nuclear family, from Wrong Organ making 1950s mock advert posters, to Swansea talking about how getting a wife and kids didn't bring him any fulfillment in life.

In the cake cutting nightmare sequence, where Jimmy talks with Dream Curly about the mediocre cake, Dream Curly begins to talk about how sometimes you can only get the subpar stuff in live. Sometimes he'll get promoted, buy a house, fall in love. But other times he'll just have some awful fucking cake with his friend.

I think there is that subtle implication that Jimmy does buy into Amanormativity, with him projecting his beliefs on Dream Curly that a platonic relationship is lesser then a romantic one. But we never see Curly suggesting that he wants such a thing in the pre-crash.

With Jimmy thinking that Curly has everything in life, except for the desire (although I think Jimmy would view it as Curly not having the skills for it) to get a romantic partner, he would heavily lean into getting the one thing that Curly couldn't get in life to one up him.

THATS EXACTLY WHAT IM THINKING!!! AMATONORMATIVITY BE DAMNED!!!!

Looking at Mouthwashing through an aroace lens is interesting

"Jimmy thinking that Curly has everything in life, except for the desire", well said, well said! And references to the nuclear family fit in very cleanly thematically for Mouthwashing.

Jimmy leaning into amatonormativity is a smart observation. Jim internalizes all the social norms and standards on what you have to do to have a normal and desirable life, who sees everything Curly has and what Jimmy wishes he had, and is offended that Curly isn't satisfied, that he has the "audacity" to be unhappy. Curly meanwhile only wishes for his life to be something he doesn't have to run from, because by all means, he has already reached a point where he should feel accomplished, but isn't. Curly doesn't want to be a freighter captain his whole life, he doesn't want to settle with his sustainable position, he just wants to be happy. Like Swansea who has reached the "ideal" outcome of his life, having a wife, kids and a good career, it will never feel as good as embracing all what society deems undesirable yet right for you.

Jimmy does imply to seeing himself as lesser as a friend, "fall in love" being a goal and a "cake with a friend" being something he "has to settle for", it's all in the subtleties with underlying themes of "what you're "supposed to want" by society's expectations" against "what feels right for you". Jimmy is frustrated that Curly is going to "leave the dirt behind him", when in actuality, letting the crew and him go is the last thing Curly wants. Curly wants to be with his friends, he deeply cares about his crew, and about his close friend.

Mouthwashing as a whole reads to me as platonic through and through. Swansea and Daisuke having such a meaningful familial bond, Curly and Anya being sweet, playful and caring without romance, Anya and Daisuke having something of a siblings dynamic are dear to me. Also it's really rare to get to see representations of "toxic friendship" in media. Its always toxic romance this, toxic yaoi that, toxic family there, however in reality, friendships aren't excluded from being as rotten and abusive as the others, yet they're often overlooked. Jim and Curly are especially unique in this way. It's very impressive how they managed to showcase Jimmy's mistreatment of Curly in such a platonic way (at least that how I read it). Jim too, like Curly, in general avoids hints at romance and attraction explicitly related to him during his gameplay, not with Curly, nor with Anya (dear god thanks for that at least). It's all spite, annoyance and parasitizing off of these two. (That man's dry and lowkey hates everyone and everything) No attraction attached, no desires except hoping it hurts.

Curly to me is very much aroace, or at least on the spectrum. Like, the trivia fact that one of Curly's fondest memories is that of his friends putting in effort to make a shitty awful cake, tells us all we need to know on how dear his friends are to him. Platonic relationships mean so much to Curly, even when it's Jimmy fucking Mouthwashing, the worst friend ever imaginable.

[aplacefordreaming24]

WAAAAA HELLO HELLO HELLO

I have so many f/o's but I'll always happily take the chance to gush about my main. His name is Ted, and he's just- sigh. He's so perfect to me. I love him so much. He's the light of my life and I always feel better just thinking about him hehehe

My irl bf was the one who introduced me to him actually ;0 and it took *years* irl for me to really think about him the way I do now!!! Because originally I watched a playthrough of the game he comes from, and,,, ngl the light he's shown in that is kinda awful? Not the worst, but certainly not the best. But then, years later, I finally got around to reading the original story he comes from (It was a short story first called "I Have No Mouth and I Must Scream," and then it got turned into a game). And just. God. Idk. Something about him, just- clicked!

And like, you wouldn't think it would, because ngl he's kinda, worse in the story? But it was more just- why he is the way he is that clicked. The reasons behind how he behaves that you don't learn in the game. And so much of himself, his core character, was changed in the game. (Same with everyone, besides like, the villain). And for the first time, I saw someone who was very similar to me. I felt seen and understood by his true character, and it made me grow really sympathetic for him.

After the initial shock wore down, it all just kinda came crashing into "Omg I love him so much I just wanna make him so happy" ykyk?? The way his story ends is so tragic but I wanna believe that it isn't the end. That he'll end up happy, eventually, no matter how long it takes. And I wanna be the one waiting for him with open arms to bring him that happiness and support and love that he deserves and never got.

It's silly. It's dumb. A lot of the fandom is split on his character; some really love him like me, and others kinda hate the hell out of him. And it always kinda gets me down but yk, he's still my love. My prince. My one and only. I just try to think about comforting him and block people who hate him cause like. I get it. I get why you would. But that doesn't mean I have to, feel the same? At least I think so.

He has a lot of paranoia about people hating him. I do too, but I'm always there to remind him it's not true. I'll never hate him. He has my heart, and even if he chose someone else, I'd still love him. His happiness means more to me than some silly conditional thing.

Maybe that's a little unhealthy to say. But yk, I feel this way for all my relationships, friendships, etc. I'd rather you be happy without me than miserable around me. No point in sticking around; it does neither of us any good.

Idk. I could go on and on about my s/i and his relationship (If you've ever heard of Orpheus and Eurydice, they're very much like that, including the doomed aspect). How they're two sides of the same coin and such. But like- man. If I sit here and talk all day about him I'm not gonna get anything I need to do today done.

Sorry if this is long fnjdfjk really if you don't wanna respond you don't have to!! But ty for giving me a place to gush about him ;0

AND PLEASE FEEL FREE TO GUSH ABOUT YOU AND VERGIL TO ME TOO I'D LOVE TO HEAR IT!!! I LOVE LISTENING TO PEOPLE TALK ABOUT THEIR LOVES!!!

GUSH ABOUT YOUR F/O IN THE REBLOGS TO ME AND I WILL ACTUALLY LISTEN AND RESPOND TO THEM ACCORDINGLY BECAUSE YOU 🫵 DEAR READER DESERVE TO HAVE YOUR INTERESTS TREATED WITH RESPECT AND NOT JUST GET A "wow that's neat"

doubles and proshippers dni! Doubles you also deserve respect I'm just not very good at sharing I'm so sorry!

[daggery]

if i had a nickel for every time a chinese american wrote a chinese fantasy book with messy doomed romance where the love interest named nezha stabs the main character i’d have two nickels

[quaranmine]

sorry if this isn't the right place to ask but what Jimmy poll were you talking about? also what is the discourse about?

Ah, here's the poll:

It was a bracket for characters who were "doomed by the narrative" and Jimmy (nominated for traffic series) was paired against a character from Trigun. The discourse is, apparently.....that Jimmy is horrible and racist and everybody voting for him is horrible and racist because he's a MCYT. Like, to be clear, there is zero evidence for this stance--Jimmy is not in any trouble or being accused of anything real, all of these people just jumped in and started attacking mcyt fans by the mere association that Jimmy was a minecraft youtuber. None of these people have any idea who he is, his reputation, how nice he is, etc they're just jumping at "mcyt = racist bad person." It was intensely baffling to me to watch this go down.

OP has since deleted the post, so I linked my copy. They canceled this round because they were getting so much harassment/negativity in the notes. Neither character will move on (it gives me a little joy however that Jimmy apparently won anyway.)

[zaahvi]

and here's the full ref!

ren started as a random "what if i made an ancient elf oc to ship with felassan?" thought and a few weeks later here i am, sitting on several pages of backstory, character relationships and an entire romance plot.... i'm deep in this already i fear

loredump: (mostly summarised because it's long and headcanon heavy)

renan was a spirit of devotion who (willingly) made a body to join their mentor, dirthamen. they're now one of his chosen, and arguably the closest person to him as he's kind of reclusive by that point (far post-titan war).

anyway, my hc goes that dirthamen struck a truce with solas & the rebellion after one of his followers came across the rebels' plans against him. the trade was that any of dirthamen's subjects could freely join the rebellion if they wished, and in return dirth would get any information collected on the other evanuris. he assigned renan to the rebellion as his sole agent. solas, of course, didn't trust either of them, and so told felassan to basically keep an eye on renan in case they did something suspicious.

well... that's how solas learned that exposing two people with the same brand of unhinged to each other is a terrible idea, because they ended up hitting it off and over time started developing feelings for each other. though it was very much a slow burn because... well mostly renan was panicking because the two of them are technically still on opposite sides and what if things suddenly go to shit and they lose each other? but in the end they get together because they figure that even if something bad happens, they'll just regret the lost time if they don't.

anyway, of course something bad happens. the other evanuris find dirthamen's involvement in the rebellion, give him a second chance so he has to choose between the two. of course he chooses the evanuris out of self preservation, and his betrayal is pretty much how they're able to get their hands on the lyrium dagger and kill mythal.

and renan... goes with him. they're a spirit of devotion devoted to him and fighting against him could twist them against their purpose... felassan agrees with them too because he doesn't want that to happen to them like it did to solas. so.. they had to part :/

after solas imprisoned the evanuris and disappeared, renan & felassan both felt kind of lost, they still loved each other but were officially on opposing sides. they both entered uthenera and would meet in the waking dreams, trying to ignore that their relationship was essentially doomed if either of their gods woke up/broke free.

ok there's more after but i've already written enough and that's just a summary lmao. some tidbits

the pattern on ren's cloak is their original spirit form

they can shapeshift, they mostly use raven form :]

while dirthamen & renan start off as mentor and student, it's less formal, and over time (mostly near the end) becomes more like a father/child bond.

i mentioned ren mimicked some of his personality traits and mannerisms, they also based some of their appearance off of his. i posted bust concepts of the twins here if you wanna see how i imagine dirthamen :)

solas thinks renan is weird as hell even though they're actually pretty normal... at least compared to the rest of dirthamen's followers lmao

dirthamen also thinks felassan is weird but in a way that he thinks it's funny

mostly been working on wips for the past few weeks, but i wanted to post something before the end of the year soo allow me to introduce my ancient elf oc!

this is renan ("voice" in elven), former spirit of devotion turned elf, now an agent tasked with gathering intel about the other evanuris for the rebellion as well as for their own god, dirthamen :)

[unproduciblesmackdown]

fr both taylor's quants as mirrors to themself. rian Seen as so meritous and deserving and talked to and tasked with and advised and considered but apparently rian's whole thing is going "huh. wha" and having wendy's level of self-reflection (none). winston who is begrudgingly allowed to sit in his corner and ignored b/c he's undeserving so he can't really be meritous and nobody would look in that mirror b/c it's gonna be So not their reflection. while he just won't stop cassandraing and having all these insights and perception and observations nobody even asked or told him to have and is peak taylor understander and just like taylor: isn't guided by a paper-thin ego but also will take criticism / blame / mistreatment Too Much for his own good

[allyouneediskilly]

One-Punch Man by Yusuke Murata

Chapter 99 - Zombieman

[winepresswrath]

After spending NiF listening to my girlfriend explain how Lin Shu should die, she is now spending Mr. Sunshine listening to me explain how Lady Ae-shin is femmephobic because she will not marry Hui-seong and have threesomes and/or a protracted emotional affair with Eugene.

[angeldrawsstuffs]

Oh people hate on Wu as well and, personally, it’s just as obnoxious. If you think critically about most of the things Wu’s “caused”, it really boils down to one of three scenarios:

1. It would’ve happened in some form regardless and Wu’s involvement had little to no actual affect on the outcome.

2. Wu was in the general vicinity of whatever occurred and had no involvement in the actual incident.

Or

3. He was a literal child when it happened of course he was being stupid and irrational, that’s what kids do.

To make this point, I’ll go through all the main show villains with ties to Wu (or that I’ve just seen generally pinned on him for one reason or another) and how they fall into one of these categories:

Garmadon - Wu was a child and had no reasonable way to know the Great Devourer was outside the Monastery, nor did he even ask Garmadon to go get the sword, Garmadon chose to do that on his own. Even if Wu somehow “caused” it or knew there was a risk, it wasn’t intentional and he spent the next millennium or so blaming himself and trying to help his brother by whatever means necessary (this really shows in the canon Spinjitzu Brothers books where we actually get to have Wu’s POV shown to us).

The Serpentine - The whole alliance was being manipulated, and so were the serpentine themselves. I won’t absolve Wu of blame entirely but like if he’s at fault so is Garmadon, Ray, Maya, Mystake, etc.. But overall it was Master Chen’s fault any of it happened at all because the Serpentine War wouldn’t have happened if he didn’t trick both sides into fighting.

The Overlord - This guy is older than Wu by a LONGSHOT, I do not think I need to say more on this.

Morro - I love Morro as much as the next guy, but I think this fandom is long overdue for a conversation about how Morro had a big hand in his own fall. Yes, Wu had and has blame for building up the Green Ninja idea in Morro’s head, but Morro himself I firmly believe would’ve become a villain regardless if he met Wu or not. The flashbacks show us Morro had little to no empathy for other people or how his actions affected them. He deliberately went too hard on his fellow students to show how he was “strong”, and, this one I cannot stress enough, actively refused all of Wu’s attempts to help him grow as a person and diverge from his path. Morro’s famous final line in Possession, “you can only save those who want to be saved” is the perfect summarization of his character. Morro did not want to be saved, he refused to be saved when he was alive, and continued to do so in death. Wu did not tell him to go look for the tomb, nor did he know Morro was looking for it. Morro is a cautionary tale of how, if you don’t introspect and try to grow as a person, if you don’t accept they you are flawed and other people aren’t the sole source of your issues, you’ll only doom yourself in the end. Nothing was black and white with Morro and Wu, they were both flawed people. They were both at fault in their own ways, but Morro’s path and eventual fate was ultimately determined by him and his choices to not change alone.

Time Twins - WOO, after that character analysis, time (ha!) for a simple one. They were evil on their own, Wu had no hand in that.

Aspheera - Wu. Was. A. Child. Being. Manipulated. By. A. Grown. Person. Like, this one actually pisses me off because trying to say Aspheera was Wu’s fault is victim blaming at its finest. Wu did something stupid by sneaking into Mambo’s kingdom, yes, but he was a child! Kids do stupid stuff like that because you don’t understand consequences! Aspheera tricked him into thinking she was his friend and, when you think about it, Wu doesn’t seem to have had any other friends outside of his brother. We don’t even know if he had any long term connections or relationships outside of his father and brother. He was a lonely kid who just wanted a friend, can you really blame him for that?

Alrighty, before I end this this post, I’ll lightning round address the “why didn’t Wu tell the ninja?” thing.

Garmadon - He did, that’s the plot of the pilots and the first two seasons.

The Serpentine - He had every reason to assume they were a non-issue and were already dead or sealed away for good. How was he supposed to know Lloyd would go from petty harassment to trying to assemble a snake army??

The Overlord - Some combination of Wu again thinking he was a non-issue (at least for the time being) (also like- Wu didn’t realize The Overlord could have a role in the prophecy until Misako said so), and, based on the way Wu talks about him and what we know of him, it was probably a “names have power” situation. By speaking of him and spreading knowledge of his existence, people can become afraid of him, and we know The Overlord feeds of darkness and fear, so it’s not out of left field to extrapolate that not talking about him and letting the memory die out of the public consciousness is a legit strategy to keep him at bay.

Morro - Hadn’t talked to him or heard anything about his whereabouts in 20-40 years. Wu’s of a similar age to the Serpentine War during the Morro flashbacks, so we can guess the general timeframe of how long ago they were (also we know it’s before Garmadon’s banishment because he has the Golden Weapons). Wu had absolutely no idea Morro went looking for the FSM’s tomb, much less that he died doing so and became a cursed ghost out for revenge- again, I pose the question: how was he supposed to know?? Nobody in their right mind would come to that conclusion on absolutely zero information.

Time Twins - This is the ONE instance I will say Wu should’ve told them because he DID know they were coming back. But also Wu gets crap for “dragging his students into his personal battles” so it’s a little hypocritical when those same people go back and say he should’ve let the ninja help. The one time he did know an old enemy would return, he wanted to settle that score without burdening his students, which I personally find commendable (not like he could’ve predicted the fight going south- or that Krux had returned much earlier and been scheming for DECADES to foil Wu and reunite with Acronix for their plans).

Aspheera - Same deal as the other serpentine, as far was Wu was aware, she was a done deal. Aspheera was sealed away for over a millennium before S11, either she was long since dead or not going to be an issue ever again.

OK NOW I’M DONE FOR REALISES- Wu obviously isn’t a perfect person, but I’ll be damned if I let his name be tainted by misconceptions that keep being perpetrated in this fandom! /lh /nm

(I could go on for so long about Wu and his trauma and the cycle of abuse in his family and-)

/gen /nm

I'm kind of new to the Ninjago fandom, and I've noticed ppl complain that like... Misako is overhated, and people can't understand a morally gray character (Which I can believe, but I have only seen it once), and I'm wondering if the same thing has happened to wu.

He caused, like... Half of the shit in the show, and has done probably worse things than Misako has. So I'm wondering if people treat him the same, or is it just Misako?

[arunoy]

I hate them so much

[baeshijima]

thoughts on being engaged to duke!sunday, the head of the oak family, an incredibly influential figurehead within society, the close subordinate of emperor gopher wood who brought him and his sister in and raised him like his own, and the villain who faces a tragic ending in a novel you recently finished — the very same one you just so happen to find yourself transmigrated into. he is as cunning as he is blinded, a trait which brought ruin to many in the empire, and one which ultimately brought ruin to himself at the hands of the protagonists.

as luck would have it, you became a barely mentioned side character from a marquis family, whose role was to be the villain's wife stuck in a one-sided love who, too, would get caught up in the tragedy alongside him. however, now that it's you who is stuck in this position, you're determined to try any means necessary to deter him from going down that path, all in an effort to escape your predestined doomed fate!

of course, you didn't expect it to be easy. the day of your arrival in this world was already the night before your wedding, so you had little time to prepare yourself for the nonchalance of your supposed family, how they viewed you as but a means — a tool — to boost their influence and prosperity, the dismissive mannerisms of the household servants, and the absolute beauty of a man you will be married to.

(seriously. the novel descriptions did not do him justice. he was like... like... like he was handcrafted by god himself! and not to mention his sister, robin, was the very epitome of an angel! perhaps you're destined to perish by the god-tier visuals instead...)

to say the least, the wedding ceremony went by quickly. safe to say you didn't spend the night; he was cordial and gentlemanly upon letting you know that he won't do anything until you're ready, that you can take this relationship slow, but somehow you ended up feeling a tad insulted. like, who leaves their newly wedded alone in a big cold bed as they walk out on their own? a sick bastard that's who!

well, whatever. it's not like you need nor want to consummate with him! besides, you have bigger things to worry about — things such as your impending death. and, of course, the only way to stop sunday that you can imagine working is by chipping away at his resolve bit by bit, and opening his eyes to reality.

he is a tragic character, one who cares more about the well-being of penacony and its people than anyone else, but was manipulated into getting his hands dirty in the emperor's stead. you knew this. you sobbed over his story, cursed out the protagonists, and even fought internet randos on novel forums about sunday's motivation and how,

no, he is not just a stupid villain. he is a complex character with flaws and humanity and was cruelly taken advantage of by someone he considered family. he was deceived through the suffering the emperor wanted him to see to make him easily manipulated, creating a rift between him and robin to have that prominent separation. you know what? maybe you're just a !%#@ who can't even #@?"% read properly!

and yet you still find yourself at a loss when faced with the walls he has in place. your initial efforts went as well as it possibly could have; you trying to earnestly help him, while he "kindly" dismisses your offers! well, "kindly" being more condescending since you could read between the lines of his mannerisms and amiable demeanour, but that's fine! you expected this! that just means you have to double down on your sincerity, get through to his heart (somehow), and help him realise humanity isn't as weak as he's led to believe!

you have three years until the novel's plot officially starts, and another year after that until your demise. that's plenty of time to get him to warm up to you!

it was easier said than done, but after your valiant effort and abundance of time put into this relationship, which admittedly you could do with some of that lost time back, you could give yourself a pat on the back with the progress you made! while you definitely could have done without a lot of the headaches, it's safe to say sunday has significantly warmed up to you in comparison to your wedding day. he now willingly eats all his meals with you with some real conversation, takes garden strolls with you in the early evenings, invites you out for dinner at a restaurant at least four times a week, hell he's even joked and laughed with you more frequently! but most importantly, he has begun asking for your opinion before finalising any decisions he is required to make. and he actually listens and considers your side! now, that certainly is the best outcome you could hope for after all this time, and it most definitely will help in your endeavour to save you both from the protagonists!

however, you've noticed he's been more... affectionate? well, at the very least he now willingly holds your hand when in private (not just in moments when you're in the public eye and he has to make sure the family's reputation is spotless), sometimes he will hug you out of the blue ("i just need to... recharge. you have a way of calming me down. i hope you don't mind." ...how could you say no to his supreme god-tier face card? that's just a losing battle you won't even bother fighting against.), oftentimes he opts to just gaze wordlessly at you (robin had mentioned over one of your tea times how it almost appears as though there is no one but you in the world when sunday gazes at you with, in her words, "the eyes of a man so deeply in love!" ...whatever that's supposed to mean...), but a more recent development has been his sudden interest in kissing you; well, more specifically giving you a kiss to the back of your hand or on your forehead — certainly not anywhere near the lips! (besides, he's probably just gotten comfortable with you, enough where he can freely act without judgement. nothing more, nothing less.)

well, either way, development is development! soon enough, the time for the main plot to start has arrived. it of course follows what you remember, from the organised balls to the protagonists meeting to the political aspects of it all. the only difference is sunday's less active involvement in all the schemes and the emperor's ploy. rather, he seems more focused on you and the future of your marriage and even displayed a sudden interest in your practically non-existent relationship with one of the foreign diplomats, aventurine— wait...

"[name]," he calls your name out so sweetly you nearly disregarded it as someone else he was talking to. well, perhaps you would have done had he not suddenly appeared before you, a tight-lipped smile tugging the corners of his lips as he steadily approaches you.

oh. he doesn't seem very happy, if his tense figure is anything to go by. you wonder if one of the nobles grated his nerves a little too much this time?

sunday comes to a halt a step away from you. "i don't like that... gambler being so close to you. it... it brings me a rather unpleasant feeling." there's a slight, trembling pause. not a moment later does he close the gap between you, one knee on the ground as he matches your seated height on the fountain rim, your hands gently enclosed in both of his.

you idly wonder if this is what robin meant by the so-called "eyes of a man so deeply in love" she constantly gushed about, for the way in which he gazes up at you is enough to render you breathless.

"tell me, [name]," he begins once more. there is an underlying desperation woven within his tone, one which has your head spinning and heart thumping wildly as his trembling gaze holds you in place. "tell me, what am i to do with this fervent love and overwhelming adoration i hold for you?"

oh.

...oh.

perhaps your impending doom should be the least of your concerns when you now find yourself in the arms of a clingy husband...

(though, it's safe to say you did, in fact, manage to prevent him from succumbing to his tragic fate! you just gained a loving, yet slight slightly emotionally challenged husband along the way.

well, you can help him work through it; you have the rest of your lives now to figure it out, after all.)

[a-little-ray-of-fantasy]

An analysis on how Sir Pentious' character design represents his personality and development perfectly (beware of Hazbin Hotel spoilers)

Let's get this out of the way: Sir Pentious is a snake, an animal mostly known for generally believed negative traits such as poison, deceit and betrayal. We don't know WHY he's in Hell, maybe he was a "snake oil salesman" considering he comes from the Victorian times and he's into hyping up what he does, or maybe he was into war. Thing is, he's a Sinner whose design just scream "Evil".

(BTW, a snake could also represent "fertility": looking at you, Egg Boiz!)

He always had eyes all around him not just because of a stylistic choice.

Sir Pentious always felt like he was watched, and had to watch out for any danger.

"Everyone here is too nice: obviously it must be a lie! I can sense they are planning to kill me, but when?! HOW?! I must be PREPARED!"

Sadly, he's been constantly berated by other demons, far more effective in destruction, status, cruelty and charisma. Alastor won't ever bother to remember him, Cherri always ones up him, and the Vs, the ones he admires to most, won't care less about him.

To the point that Vox sent him as a spy without the intention to save him if things were going to fail. Heck, he even openly tells him to die while calling him a failure.

So of course he's got reasons to have trust issues, or taking everything so seriously, being constantly reminded of what he can't accomplish. So he puts an air of grandure that may be very flamboyant, but is VERY frail.

But, if we have to be frank here, his biggest source of insecurities... is himself.

He has eyes on his tail (his softer, more vulnerable side, which is ironically made even MORE lieable to getting hurt because of how sensitive those organs are), and inside his hood, so he could look out better for danger when on alert mode.

Heck, even the mark on his hood kinda resembles one eye.

Problem is, when you see his hood folded, when he's at ease, neutral or sad, those are not looking at outside sources.

They're looking at him, at his back. A constant stare that happens everytime he lets his guard down and shows how vulnerable he is. A gaze that can sense all of his weakness, his struggles, his insecurities.

And it's all him.

Pentious constantly believes that his inferiority complex will fade away once he'll accomplish something grand that will make others accept him. But he is his biggest critic, his worst enemy: HE is the one who believes he's a failure, that he'll never gain approval from others.

This show takes place in Hell, but this is Sir Pentious' personal Hell: insecurity born out of self hatred. Doomed to feel everyone's gaze upon him, including his own. Believing the danger to his self esteem is from others, when it's really from him.

But then he's accepted at the Hazbin Hotel: Charlie forgives him, he bonds with Angel, Husk and Niffty who don't care a bit about what he's accomplished or not, or what he's done in the past.

He feels more comfortable in showing his vulnerable side, and no one judges him for how easy it is for him to get emotional.

Of course he's still very insecure, considering how he struggles to confess to Cherri, but notice how he stops building machines or planning to attack others as soon as he starts bonding with the others: he doesn't have a reason to destroy or attack, now that he knows he's loved.

And his final design, when he goes to Heaven, shows how much he's changed, yet stayed the same. He may have died a hero, but he's still the same awkward snake we've come to love.

Speaking of love, let's talk about that!

No more eyes on his tail, now it's just on his chest (showing he's opened his heart), his glasses are now heart shaped, and even the markings inside his hood resemble kiss marks more than anything else.

And look: the mark on his hood is now heart shaped!

Why all these hearts? Why did all the eyes disappeared from his body? Even his eyes that were looking at his back?

Simple: love. Love defeated his insecurities and self hatred. He died for love.

He died protecting his friends, his new family, his new home.

He confessed and kissed Cherri knowing full well he wouldn't have made it, and yet he went anyway.

The usually cowardly and timid Pentious actually faced a great danger with courage and determination: he acted selflessly by putting himself in harm's way, he didn't steal (naturally) and by going against Adam he did indeed "stick it to the man"!

He used his weaponry knowhow and battle experience not to conquer, but to save his loved ones.

His only thought up until his demise was: "I'll go down protecting them".

And he's been rewarded not only by becoming an angel, but also being spawned directly in front of Emily and Sera, two Seraphim, the highest rank for an angel to have, who have also been depicted as snakes of fire throughout history! Sir Pentious, the lowly demon considered a failure by everyone, actually has been noticed by the Seraphim! He's come so far!

He's now come to represent the REAL symbolism of a snake: the duality of death and rebirth, transformation and immortality (ironically a reference to the fact he's been around since 1888 without ever dying from any Extermination or blessed weapons).

And isn't so poetic that a snake, the "source of the original evil", was the first sinner to ascend to Heaven? Or that this episode was released on February 1st, or National Serpent Day?

And of course, as the Bible itself says:

"Greater love has no one than this: to lay down one’s life for one’s friends."

(John 15:13)

And knowing him, I'm confident in saying he'll keep helping his friends even in his new position, like the soft hearted noodle he's always been, but was to afraid to show it up until now.

[avelera]

Jayvik & Timebomb Parallels, AKA, why isn't anyone talking how Viktor and Ekko mirror each other in Arcane??

I'm surprised I haven't seen more comparisons between Ekko and Viktor, not to mention how those parallels between the characters also create parallels between the Ekko/Jinx and Viktor/Jayce relationships, which I'm gonna argue here are both romantic relationships.

1 ) Both Viktor and Ekko see it as a personal cause to make life better for people in the undercity, to the point of both becoming a local leaders focused on creating a place of peace where Zaunites can retreat to in times of peril.

Indeed, from a narrative perspective, I would argue that one Doylist reason Ekko needed to go into the Anomaly in Act 2-3 is to make space on the scene in Zaun for the rise of Cult Leader Viktor.

If Ekko had been around, he would have either served as a roadblock to Viktor's rise out of a general sense of distrust, I imagine, or he might have easily become a supporter, or maybe even a cult follower of Viktor's if he admired and believed in the vision, which would of course doom the world.

(This further illustrating just how narrowly Jayce, Wizard Viktor, and Ekkko had to thread the needle on defeating the Machine Herald in the final act, since I would argue Ekko like Jayce remaining in the canon universe for the months of Cult Leader Viktor's rise would also have led to Ekko and Jayce's defeat or assimilation before the final act had either stayed.)

2 ) Both Viktor and Ekko are, of course, genius undercity scientists who are able to grasp quickly concepts like wild runes and the Anomaly. But it's their partner's actions that bring Hexgems into their life. Powder by causing the explosion where he gets the shards from, Jayce of course by creating Hexgems in the first place.

3 ) Both are Heimerdinger's close assistant and pupil before they meet their true scientific partner in Jinx/Powder and Jayce.

4 ) Aaand, this is where it gets gut-wrenching, because both Ekko and Viktor have to say goodbye to the alternate universe version of the person they love and this is where it gets wild because they make the same face while doing so. And their loved one, Jayce and Powder, make the same face back of startling when they realize they're looking at an alternate version of the person they love.

(Source here if you want to watch the full videos side by side because it's NUTS how similar the faces Viktor/Ekko and Jayce/Powder make to their alternate universe loves: https://x.com/yearnerjayce/status/1863132466346656031)

In the blocking of the scene, they've even both got a version of one half of that universe's part of the relationship lying between the two of them (Powder holding her version of Ekko, while the Hexcorized version of Jayce lies between Wizard Viktor and canon Jayce), so the blocking is visually very similar too in a clear romantic parallel that is mind-boggling.

By the way, these moments are also technically happening in the same episode as far as romantic parallels go, we just don't learn about this parallel on Viktor/Jayce's side until the final episode with the full reveal.

And of course, both future Viktor and canon universe Ekko must make the ultimate sacrifice of losing access to an alternate version of the person they love who is happy and healthy (instead of, well, Jinx, and/or dead in the case of Hexcorized Jayce), in order to save the world.

By the way, there is a parallel that stretches throughout the whole 2.07 alternate universe episode, with the heavy implication that Ekko and Powder are this world's Viktor and Jayce. They're even doing an Innovators Competition. In both universes, Hextech is explored through the loving partnership of a pair of young scientists.

5 ) Finally, both Viktor and Ekko stop their loved one from committing suicide. Interestingly, both Jayce and Jinx attempt to do so in a way that's related to Hextech, with Jinx using Hexgems in her grenade, and Jayce getting cut off from Hextech being the reason he's seeking to end his own life. They also, coincidentally or not so coincidentally, attempt to do so in a way that's related to falling from a height.

Both are interrupted by someone they're not too happy to see at first, but who goes on to be their partner. Even Jinx/Ekko get one last partnership in the final Act, which is an interesting mirror to Jayce/Viktor, whose suicide attempt -> partnership helps launch the action of the whole series in the first Act of the first season, making these two couples in a way, mirrors bookending the series.

[solxamber]

Trash Novel Chronicles: I Want to Retire - Idia Shroud x reader

You write a novel that reads like a dumpster fire and while trying to delete the draft, you accidentally get isekai’d into it. Now, as the villainess you have to get Idia Shroud on your side as well as survive high society. You have your work cut out for you.

Series Masterlist

You’ve lived a life. A noble life, full of honor, glory, and caffeine-fueled late-night writing sessions.

You're an aspiring author.

An aspiring author who, unfortunately, just created the most stupid novel plot of all time.

At least, that’s how it feels. You sit back, staring at your screen, utterly defeated as your latest creation flickers mockingly before you.

You’ve named it: "The Battle for Genius Prince Idia’s Hand" (working title, don’t judge). And wow, it’s a mess.

Here’s the breakdown of your disaster:

You’ve got your heroine—a girl so sweet she’s practically made of sugar, like one of those cookies that look good but crumble the second you bite into them. Naturally, she’s fighting for the affection of your male lead, Prince Idia, who is a socially awkward, genius mechanic prince (because you thought it’d be fun to make him hot and bad with people).

Then there’s the villainess. Ah, the villainess. She’s smart, sharp-tongued, and has enough sass to level a small city. Her entire personality? Sabotage. And she’s also after Idia—because apparently, that’s the only thing women in this story care about. (You regret this immensely.)

But oh no! Plot twist! Idia gets kidnapped by some unnamed evil force (you’ll figure it out later). The heroine? Well, instead of rescuing him, she falls for some Bland Prince. You don’t even know why. You think his name might be Greg. Or Gerald. Honestly, he’s that unremarkable.

Meanwhile, the villainess doesn’t even care anymore about Idia. Instead, she’s full-on dedicated to ruining the heroine’s new, bland romance because… well, that’s her whole schtick.

It’s… awful.

You sit back, hands in your hair, groaning aloud. “What is this? Who would even read this?”

You glance at your notes. They’re a chaotic mess of random scribbles: “Idia = genius, but hates people,” “Villainess needs more fire,” and “Heroine? Too boring. Spice her up. Maybe dragons?”

Yeah. This isn’t working.

You slump in your chair, utterly defeated. The characters are good, great even! But the plot? Oh, the plot is a dumpster fire. No, worse. It’s a flaming dumpster floating down a river of bad decisions. You can’t believe you spent hours writing this.

That’s it. You’re scrapping the entire thing. You’ll keep the characters, sure. But the story? Gone. Deleted. No one needs to suffer through this mess.

Determined, you crack your knuckles and reach for the keyboard, ready to hit the big red “DELETE” button on your disasterpiece.

“Say goodbye to this trash heap,” you mutter, “and hello to some actual good writing.”

But, alas, the universe has other plans.

Just as your finger hovers over the delete key, the worst possible thing happens. Your elbow, as if possessed by the forces of chaos itself, nudges the precariously balanced coffee cup on your desk. The liquid inside, which you had so carefully placed right next to your laptop like a ticking time bomb, tips. In slow motion, you watch the dark, caffeinated doom spill over the edge and land directly onto your keyboard.

“No, no, no, no, NO!” you shout, lunging forward, but it’s too late.

The coffee floods your keys like a tidal wave of misfortune. Your laptop makes a sickening little noise, a soft bzzt, and the screen flickers ominously. You sit there, frozen in horror, watching your computer sizzle as if it’s been cursed by the gods of terrible life choices.

And then—just when you think it couldn’t get worse—it gets worse.

There’s a small, but very real, spark. You flinch back, because nothing good ever comes from sparks. The screen flickers violently, the keys start to buzz, and then—before you can even process what’s happening—you feel it.

ZAP!

Electricity courses through your body. Your vision flashes white, your muscles seize, and in one horrifyingly comedic moment, you realize you’re being electrocuted by your own laptop.

You’d scream if you could, but all you manage is a high-pitched whimper before everything goes black.

Dead. You’re dead. Killed by your own coffee and a poorly thought-out novel. Fantastic.

You blink your eyes open, your head pounding like you’ve been hit with a ton of bricks—or, more likely, an electrical charge. Slowly, your vision clears, and you find yourself… staring at an unfamiliar, ornately decorated ceiling.

Where the hell are you?

You sit up with a groan, and that’s when it hits you: the bed. It’s massive, plush, and absurdly luxurious—definitely not your usual ratty mattress. Panic sets in, and you scramble out of bed, only to catch your reflection in a nearby mirror.

It’s not your reflection.

Oh.

Oh, Shit.

Staring back at you is her. The villainess. The sharp-tongued, drama-fueled antagonist of your novel. The one with a penchant for ruining lives and stealing the spotlight. The one you made up.

You gasp, gripping the sides of the mirror. “No. NO.” You stare at the dark hair cascading over your shoulders, the perfectly arched brows, and the terrifyingly intense smirk that seems to have a life of its own. “Why am I her? Why this of all characters?”

You step back from the mirror and slap your cheeks, half hoping that’ll wake you up from this fever dream. It doesn’t. You’re still stuck in the body of the villainess, and with each passing second, reality—or whatever twisted version of it this is—sinks in deeper.

“Of course,” you mutter, throwing your hands up in frustration. “Of course this is my life now. I write the dumbest novel in existence, and this is what I get.” You pace in front of the mirror, ranting to no one in particular. “Who even thinks it’s a good idea to make me the villainess? Me?! I didn’t sign up for this!”

After a few minutes of thoroughly berating yourself—and by extension, the cosmic forces that brought you here—you finally stop, resting your hands on your hips.

“Okay. Fine. FINE. I’ll play your stupid game, universe.” You throw one last glare at your reflection. “But I’m not tormenting the heroine. Nope. She can have her stupid one-sided rivalry for all I care. I want nothing to do with this mess.”

The decision made, you shake your head and take a deep breath. “Alright, what’s next?” You glance around the villainess’s extravagant room, trying to figure out your next move. And then, a lightbulb goes off in your head.

Prince Idia.

In your novel, he’s socially awkward, reclusive, and definitely doesn’t deserve to get caught up in this disaster. He’s just collateral damage in your sorry excuse for a plot, and honestly? You feel kinda bad about it.

You snap your fingers. “That’s it. I’ll find Prince Idia. Save him or something. Maybe I can even get a reward for rescuing a royal!” You’re feeling pretty good about this plan—much better than sticking around and causing drama with the heroine, at least.

With a dramatic flourish (you are still the villainess, after all), you head for the door, ready to track down Idia and redeem yourself in whatever twisted way you can manage. Who knows, maybe this whole situation won’t be as bad as you thought.

Or… maybe it’ll be even worse. But you’ll cross that bridge when you get to it.

After what feels like hours of arguing with your stubborn, uptight butler—who is absolutely convinced that your decision to head straight for the abandoned palace at the edge of town is the worst idea you’ve ever had—you finally break free.

“If anyone was kidnapped, that’s where they’d be!” you shout over your shoulder as you march toward your carriage, ignoring his protests about "safety" and "reckless behavior."

Butler or not, you’re on a mission. And after a bumpy ride to the palace, here you are, standing at the entrance, waiting for the traps or menacing guards to pounce.

...Nothing.

It’s strangely anticlimactic, actually. You push open the door, expecting maybe a cackle or some ominous fog. But no, just dust and an eerie silence. You frown, stepping cautiously inside.

“What kind of royal abduction is this? Budget cuts?”

Just as you’re about to chalk this whole thing up to a monumental waste of time, you hear it—a low curse, followed by the distinct sound of tinkering. You freeze, listening closer.

Definitely someone messing with something.

Your hand instinctively reaches for your trusty gun (bless past-you for deciding guns belonged in this novel), and with practiced ease, you pull it out and slam open the nearest door.

"Hands up!" you yell, pointing the barrel directly at—

A very, very scared Prince Idia, crouching beside what looks like a half-assembled mechanical gadget. His wide, shocked eyes meet yours, and he lets out a startled yelp, nearly knocking over the tools scattered around him.

"Wh-What the hell?!" you blurt, lowering the gun slightly. This was not the daring rescue scene you imagined.

Idia flinches, awkwardly raising his hands. “I—uh, I don’t know who you are, but how did you even find me?!” he stammers, looking at you like you just kicked his favorite gaming console.

"How did I—? Are you kidding me?" You gesture dramatically with the gun, still in shock. "I’m one of the people you were supposed to choose from! Remember? The whole ‘Battle for the Hand of Prince Idia’ thing?”

He blinks at you, deadpan. “Oh… Oh, no,” he mutters, more to himself than you. “Absolutely not. I’m not going back. I staged this whole thing for a reason.” He crosses his arms, stubborn. “I’ll just stay here with my gadgets. You can go back to… whatever you do.”

You stare at him, flabbergasted. “What do you mean you staged this?” You glance around the dusty, decrepit palace. “This is your brilliant escape plan? Hiding out in the palace equivalent of a haunted IKEA?”

He sighs, running a hand through his hair. “Look, it’s quiet, it’s out of the way, and no one bothers me here. I didn’t get kidnapped, okay? I just—didn’t want to deal with all the royal court nonsense.” He shrugs, as if staging a fake kidnapping is the most logical thing in the world.

“You do realize that Ortho is still at the palace, right? Your little brother? Alone? Without you?” You raise an eyebrow, watching the slow dawning horror creep across Idia’s face.

“Yeah, so?” He huffs. “He’s the Crown Prince now. I’m sure he’s fine—"

“Bro,” you interrupt, “have you seen high society? Ortho’s gonna get eaten alive. Not to mention the other princes aren’t just gonna let him waltz around with a crown on his head without making his life miserable.”

Idia’s eyes go wide, his brain clearly working overtime as the realization hits him like a ton of bricks. “Oh… Oh no. I didn’t think of that.”

You nod sagely. “Yeah. Big oops.”

He stares at the ground, looking like he’s physically shrinking under the weight of his own bad decisions. And then—something unthinkable happens.

“Help me,” he says, his voice desperate. He looks up at you with pleading eyes. “Please. I’ll—I’ll make you anything you want, build you gadgets, whatever you need! Just help me navigate high society while I… hide in the shadows or whatever.”

You stare at him in disbelief. “Are you… Are you asking me to pose as your fake fiancée?”

Idia flushes crimson, his hands flailing. “N-No! Well, maybe? Yes. I mean, yeah, but it’s not like I want to—" He groans, burying his face in his hands. “Just… ugh. Yes. Please.”

You cross your arms, tapping your chin. “Hmm. Fake engagement, huh? Alright, but only if you give me a beach house when this farce is over and Ortho officially takes the crown.”

Idia looks up at you, blinking in surprise. “A beach house? That’s your condition?”

You smirk. “Hey, I know what I want. So, do we have a deal?”

He hesitates for a moment, but then sighs, defeated. “Fine. You get the beach house. Just… make sure no one talks to me. Or atleast, you have to handle almost all the talking.”

With a satisfied nod, you extend your hand. “Deal.”

Idia, still red-faced and awkward, shakes your hand. You can’t help but wonder what sort of chaos you’ve just agreed to—but at least you’re getting a beach house out of it.

Sneaking Idia back to your manor wasn’t the most glamorous affair. He insisted on wearing a cloak, “for dramatic effect,” even though the streets were practically empty.

"You know, for a guy who's supposed to be a genius, you're real bad at blending in," you deadpan as he stumbles over his own cloak.

"It’s supposed to make me inconspicuous," Idia mutters, pulling the hood down further. "People see a cloak, they assume you’re some weirdo and leave you alone. It’s basic stealth mechanics."

“Uh-huh. And tripping on it helps too?”

“Shut up.”

Once inside the manor, you sit him down to discuss the details of how you’re going to spin this whole ‘rescue’ thing. Idia, now a little more at ease, starts fiddling with some gadget he pulled from one of his cloak’s hidden pockets. You can't tell if he's actually paying attention, but you figure you’d better get started.

"Okay," you say, leaning in like you’re about to hatch the greatest scheme of your life. "We need a story. Something grand. Heroic. Full of intrigue, mystery—"

“Or we could just say I, uh, got lost?” Idia offers halfheartedly. “And you happened to find me by accident. That sounds more plausible.”

You shoot him a look. "Idia, this is high society. No one ‘just gets lost for 3 months.’ We need something more exciting. Like, I fought off a band of rogue kidnappers—"

“Did you now?”

“And there was this epic battle—"

“With what? Your sense of direction?”

You glare. “Focus. We need an alibi."

Idia sighs. “Fine, whatever. Make it sound cool, but not too cool. If it’s too impressive, people will start thinking I owe you something.”

“Oh, don’t worry. I already have an idea of what you owe me,” you say, smirking.

His eyes narrow in suspicion, but you move on.

"Alright, so I 'bravely' tracked you down to the abandoned palace—"

"Because obviously that's where I'd be hiding," Idia interrupts sarcastically, rolling his eyes.

"—and I singlehandedly defeated a gang of ruthless kidnappers, saving you from a life of captivity. You, overwhelmed by my gallantry, are forever in my debt—"

Idia snorts. "Forever in your debt? Yeah, right. You're more likely to find me dead than in your debt."

“Just go with it. It’s a good story.”

Eventually, you both settle on a suitably ridiculous tale where you, after days of tireless investigation, heroically rescued him from an evil plot to overthrow the royal family. It's unnecessarily elaborate, full of conveniently absent witnesses and a dramatic escape from a non-existent dungeon. The whole thing’s so ridiculous, you almost feel bad for making anyone listen to it.

“Right,” you say, standing up. “Now we just need to sell this at court.”

When you arrive at the palace, Idia hangs back while you step forward, playing your part as the "heroic rescuer." Ortho’s the first one to spot you, and when his eyes land on Idia, they widen with shock and excitement.

“Brother!” Ortho shouts, practically flying over to tackle Idia in a hug. “I knew you’d come back!”

Idia, not really one for public displays of affection, awkwardly pats Ortho’s head. “Yeah, yeah, don’t make a big deal out of it,” he grumbles, though you can see the tiny smile tugging at his lips. “I was, uh, working on some top-secret stuff. Y’know, important genius-level projects.”

Ortho beams. “That sounds just like you!”

You have to hold back a snicker. Yeah, real “top-secret.” Like avoiding social interaction at all costs.

Soon, you’re ushered into the royal court. The king—who clearly knows something is up—doesn't look remotely surprised by the "revelation" that Idia was never actually kidnapped. But, because royal politics are weird, he plays along.

“So, Prince Idia,” the king says, raising an eyebrow, “I suppose you’ll want the Crown Prince title back now that you’ve returned?”

Idia freezes, panic flashing in his eyes. "Uh, absolutely not. Hard pass. Nope. Ortho’s got it handled, right? He can keep the whole… crown… thing.”

Ortho nods eagerly from behind him. “I’ve got it covered!”

The king sighs but nods. “Very well. And what about you?” He turns to you. “Surely, a brave soul such as yourself deserves a reward.”

Here it comes. You’ve rehearsed this with Idia, but now that you’re on the spot, you can’t help the dramatic flair in your voice as you clasp your hands together and say, “All I ask… is for Prince Idia’s hand.”

The king looks thoroughly amused, while Idia, beside you, is turning a very interesting shade of red.

“What?” Idia hisses under his breath. “That was not the line.”

You grin, leaning closer. “Yeah, but you have to admit, it’s funnier this way.”

To his credit, Idia doesn’t collapse on the spot, though he does look like he’s reconsidering his life choices.

Meanwhile, from across the room, you catch the third prince—your so-called "male lead"—glaring daggers at you. He looks like he's about to burst a blood vessel, while the heroine next to him is scandalized beyond belief.

“B-but Idia’s hand was supposed to be won!” she protests, clearly flustered.

You tilt your head innocently. “Oh? Not satisfied with the third Prince?” you ask, batting your lashes at her.

Her face goes red, and the Bland Prince—whoever he is—looks equally scandalized.

Next to you, Idia quietly high-fives you behind his back.

“Nice one,” he whispers.

As you both walk away from the court, Idia glances over at you, his usual sarcasm softened by relief. “You know, I really thought I’d end up hating this whole scheme, but you’re not bad at playing the part.”

You chuckle, nudging him. “Told you it’d be fun. And now I get a beach house, so it’s a win-win.”

Idia sighs but can’t hide the smile tugging at his lips. “Yeah, yeah. Just don’t make me go to any more parties, okay?”

“Deal.”

You’re sitting across from Idia in the study, supposedly "spending time together" to prove to the world how deeply smitten you both are. In reality, though, you’re plotting out your beach house retirement plan, while Idia is hunched over his latest gadget, muttering like a mad scientist.

"Okay, so if I tweak this—boom, self-repairing AI drone. Easy. The idiots at court would never get it," he whispers to himself, eyes glued to the wires and gears he's fiddling with.

You’re busy doodling floor plans of your dream beach house, adding an extra pool for fun. “Yeah, totally, sweetheart,” you mumble, pretending to listen. This fake relationship thing is going swimmingly.

That’s when the door flies open, and in waltzes the male lead—of course he doesn't knock. The guy practically drips entitlement as he saunters in, admiring himself in the reflection of a spoon he’s for some reason carrying.

Without missing a beat, you and Idia scramble to look like actual lovers. You slide closer to him, casually tossing an arm over his shoulders, and he—already flustered—just stiffens like he’s been caught in a trap.

“I see you two are enjoying each other’s company,” the male lead says, not even looking up from his spoon reflection. “I came to invite you to the tea party. You know, with all the nobles. The whole ‘Idia’s too traumatized to socialize’ excuse isn’t gonna fly anymore. It’s been three months.”

Idia’s eyes widen, and you can practically hear his soul leave his body. You give him a reassuring nudge.

“Don’t worry,” you whisper. “I’ll do all the talking. You just have to sit there, sip tea, maybe nibble on a pastry, and nod at Ortho. I’ve got the rest covered.”

Idia doesn’t look convinced, but he nods anyway. “Sure, sure, as long as I don’t have to, like, interact.”

The two of you arrive at the tea party, and the moment you step into the garden, you realize you're absolutely screwed. It’s not a tea party at all—it’s some weird medieval Olympics with archery targets set up, and a bunch of nobles are taking turns shooting arrows while their wives cheer them on.

“What… is this?” you whisper, horrified. “Why are there archery targets at a tea party? Is this... a misogyny power trip?”

Idia looks like he wants the ground to swallow him whole. He’s already backing away slowly, trying to make his great escape, but you grab him by the back of his cloak before he can bolt.

He shoots you a look like you’ve just committed the ultimate betrayal. “This... is not a tea party. You said tea and pastries. Where are the pastries?!”

“I didn’t know!” you hiss back. “I thought we’d just sip tea and gossip about whose cousin married whose horse!”

Before either of you can make another move, the heroine spots you and immediately latches onto your arm, dragging you to the tea table. At the same time, the male lead grabs Idia and hauls him over to the archery side.

"Wait—no—uh—" Idia stammers, but he’s already been thrown into the testosterone-fueled chaos of nobles trying to outdo each other.

Thinking fast, you impulsively declare, “I’ll be the one doing the archery! For my fiancé, of course. You know, because those thugs that kidnapped him? They had bows too!”

Idia, catching on, immediately puts on his best terrified expression. “Y-Yeah! Bows! I’m… I’m still traumatized! Please don’t make me relive it.”

The crowd collectively gasps, and you inwardly pat yourself on the back. Nailed it.

Somehow, despite knowing absolutely nothing about archery, you end up winning the whole thing. Turns out, none of the nobles have actually seen a bow before. You didn’t even hit the bullseye—you just got the arrow near the target, which was apparently enough to impress them.

The prize? A complex-looking mechanical device, something straight out of Idia’s dream workshop. You look at it, completely clueless, before handing it over to him.

“Uh, here. I have no idea what to do with this.”

Idia stares at the device, his eyes wide in disbelief. “You’re… giving it to me?” He looks touched but also suspicious. “You’re not gonna ask for some crazy favor in return?”

You shake your head. “Nah. It’s all yours. Consider it a thank-you for not leaving me to deal with this disaster alone.”

He blinks, clearly not used to receiving gifts without strings attached. “Well… uh, thanks. And… good job on the archery. You, uh, really sold the ‘traumatized fiancé’ bit.”

Before you can respond, the rest of the nobles start talking about "true love," and you can practically feel the heroine’s eyes boring holes into you. She’s fuming, glaring at the male lead—who, by the way, didn’t win—and looks like she’s about five seconds away from tearing out her hair.

You shoot her a smug grin, thoroughly enjoying her frustration. Idia, who’s been watching the whole thing with mild amusement, lightly bumps you with his elbow.

“Thanks for… you know, saving me from whatever that was. And for giving me this… thing,” he says, holding up the device.

“No problem,” you reply, smirking. “I think we’re pulling off this whole ‘smitten lovers’ thing pretty well.”

Idia snorts, trying to suppress a smile. “Yeah, well, if you keep dragging me to ‘tea parties’ like this, we’re gonna need to come up with a better plan. Preferably one where I don’t have to socialize with archery-obsessed nobles.”

“Deal,” you laugh. "Next time, I'll find a real tea party."

"Please don't."

You’re lounging on a comfy chair, lazily chatting with Ortho, who’s happily explaining some new contraption he and Idia worked on. You’re half-listening, more focused on sipping tea and enjoying the rare moment of peace in this chaotic castle.

That is, until Idia suddenly appears in front of you, looking unusually determined. He stands there, awkwardly shifting his weight, before thrusting his hand out in front of you.

Without thinking, you blink up at him and, in your confusion, place your chin on his outstretched palm. You give him a questioning look, waiting for further instruction.

Idia’s face immediately flushes a deep red. “W-What are you doing?! That’s not—I didn’t—gah!”

Ortho’s trying not to laugh, but it’s clear he’s barely holding it together.

“What?” you ask innocently. “You held out your hand, so I thought…”

Idia runs a hand through his hair, clearly flustered, before spluttering, “I—no, I was asking for your gun!”

“Oh. Right.” Without hesitation, you hand him the trusty weapon you always keep on hand, because at this point, you’ve learned to never question what Idia needs. It’s always better that way.

“Thanks,” he mutters, grabbing it like he’s on a mission and rushing off to whatever secret lair he retreats to.

You glance at Ortho, who’s giggling to himself. “Do you think I should be worried about that?”

“Nah,” Ortho says with a cheerful shrug. “He’s probably just making modifications. He’ll be fine!”

The next day, your luck runs out. Just when you were hoping for another peaceful afternoon, the heroine arrives for a surprise visit, dragging along her little posse of noble followers. You’re seated in a stiff parlor chair, forced to endure the barrage of small talk and fake smiles, feeling as if the universe is punishing you for all the nonsense you wrote in that novel.

One of the heroine’s cronies leans in with a sickeningly sweet voice, “Oh my, Lady Heroine, I just love your new gown. You look positively radiant. Unlike some people who seem to… dress for comfort, I suppose.”

You shoot her a withering glare, but it’s hard to focus when the heroine herself joins in, adding with a falsely sympathetic tone, “It must be so difficult for you, pretending to fit into high society. I can’t imagine how exhausting it must be, keeping up appearances.”

You’re just about to snap back when, suddenly, the door bursts open. In comes Idia, holding your gun, looking both determined and completely out of his element. For a brief, terrifying moment, you wonder what kind of chaos he’s about to unleash.

Before you can ask, he walks straight over to you and hands it to you, his expression serious. “Here. I finished the modifications.”

Your jaw drops as Idia starts rattling off a list of improvements. “So, I increased the firepower by 30%, added a cooling mechanism so it doesn’t overheat, and now it’s got an auto-targeting system that can scan multiple threats at once. Oh, and I swapped the trigger to be more responsive, so you won’t have any lag—”

You can’t help but notice how animated he looks. His usual deadpan expression is replaced by a lively spark in his eyes as he talks about all the intricate details. He’s completely in his element, and you find yourself enchanted by the way he speaks. It’s rare to see him so passionate, so alive.

The moment is shattered when he finally notices the others in the room. His face drains of color, and he gives a forced smile that screams I don't want to be here. Without another word, he turns on his heel and flees the room. But you notice something strange—he had been holding your hand the entire time. His grip, tight and warm, leaves a lingering sensation even after he’s gone.

You’re left holding your newly modified gun, your face heating up as you process what just happened. The heroine's entourage are all staring at you with wide eyes, as if they’ve just witnessed the most romantic moment of the century. Even the butler, who’s usually the epitome of professionalism, is grinning like he’s just uncovered the secret to eternal happiness. The maids nearby are giggling behind their hands, clearly entertained.

You glance down at the gun, then back to where Idia disappeared. Great, you think to yourself. How am I supposed to survive this?

As if reading your mind, the heroine gives you a smug smile. “It seems your fiancé is quite… attached. How charming.”

You roll your eyes, trying to ignore the sudden rush of blood to your cheeks. “Yeah, he’s a real romantic,” you mutter sarcastically.

But even as you try to brush it off, your thoughts keep returning to that sparkle in Idia’s eyes, the way he had held your hand, and the way his enthusiasm had made your heart skip a beat. Maybe this royal con is going to be more complicated than you expected… but also, maybe not as bad as you feared.

Dragging Idia to get fitted for the imperial ball is like trying to drag a cat into a bathtub. He’s actively resisting, feet planted as you haul him toward the tailor with all the enthusiasm of a man being led to the gallows.

“Why do you keep doing this to me?” he groans, leaning back so far you think he might just throw himself on the floor in protest. “An angel loses its wings every time you make me do this. Do you want heaven to be wingless? Is that what you want? To singlehandedly destroy heaven?”

“I’m aiming to open a black market for wings, yes,” you say, deadpan, yanking him forward. “The profits will be incredible.”

“You’re a menace,” he mutters, shuffling along behind you, still resisting like a particularly stubborn mule. “Just put me in a broom closet with a bag of chips and leave me there. I don’t need to go to this ball. No one wants to see me.”

“I do,” you quip. “I’m dragging you into society, one unwilling step at a time.”

By the time you actually manage to get him dressed, you feel like you’ve aged five years. But when you take a step back to admire the result, it’s worth it. Idia looks stunning, even if he’s fidgeting like his clothes are secretly made of fire ants. He’s basically the human version of a rare collectible: usually hidden away, but absolutely jaw-dropping when you finally get to see him.

“Alright, Prince Drama,” you say, exhaling, “I’m going to get dressed. Try not to set anything on fire while I’m gone.”

When you return, you immediately notice something’s up. Ortho’s whispering something to Idia, and whatever it is, it’s causing a nuclear-level blush to spread across his face. He’s stiff as a board, and when he turns around and sees you in your ball attire, he goes straight from “mildly panicked” to “catastrophic system error.”

Without warning, he chucks a flower at you. Just full-on throws it like it’s a projectile weapon.

“Here,” he croaks out, his voice cracking halfway through.

You blink, catching the flower mid-air with one hand. “Uh, thanks? Were you... trying to plant this on me?”

Idia’s face somehow manages to get even redder. “No—I mean yes—I mean—” He looks around for help, but Ortho just gives him an unhelpful thumbs up from the corner.

You grin, deciding to help the poor guy out. “Why don’t you pin it in my hair instead?”

His hands shake as he fumbles with the pin, and you’re pretty sure he’s using every ounce of self-control not to stab you in the scalp. You bite your lip, trying not to laugh, but the whole situation is just too funny. Especially when Ortho gives you a conspiratorial wink from behind Idia’s back like he’s this close to winning a bet.

The ball itself is, as expected, a social hellscape. You and Idia survive by sticking together like conjoined twins, fending off the waves of nosy nobles and fake smiles. You can practically see the stress radiating off of Idia, his expression one of pure misery.

And then, the king makes his grand address, signaling the start of the first dance. You feel Idia stiffen beside you.

“Oh no,” he mutters, “Oh no. This is where it all goes downhill. I’ll trip, I’ll break my leg, and then they’ll throw me in the royal dungeon for embarrassing the family.”

“Relax,” you say, squeezing his hand. “It’s just one dance. I’ll lead, you follow. Easy.”

“I hate this,” he mumbles as you drag him onto the floor. “I hate everything about this. I should have just set myself on fire and gotten out of it that way.”

But despite his protests, you manage to lead him through the first few steps of the waltz. To your surprise, he’s not completely hopeless. He stumbles a little at first, but with you guiding him, he starts to get the hang of it.

“You’re doing great,” you say encouragingly.

“Stop lying,” he grumbles. “I’m one misstep away from taking us both out like a bowling ball hitting pins.”

The music continues, and with every turn and spin, you notice the room around you fading into the background. For a moment, it’s just you and Idia, navigating the intricate steps of the dance together. He’s still anxious, but he’s keeping up, and more importantly, you can tell he’s starting to trust you. He’s letting you take the lead, and for someone like Idia, that’s huge.

From Idia’s perspective, this entire ball is a waking nightmare. He’s completely out of his element, surrounded by people he’d normally go to great lengths to avoid. But then there’s you. You’re handling everything with this... ease, this grace that he can’t even begin to comprehend. You’re not just dancing with him, you’re actively navigating the minefield of court politics like it’s no big deal.

And you don’t need to do this. This isn’t your problem—it’s Ortho’s succession, not yours. But you’re here, by his side, going all out to make sure Ortho’s future is secure. Idia’s heart twists in his chest. He doesn’t get it. You’re way too cool for this. Too cool for him. You wink at him mid-spin, and he feels like his brain’s short-circuiting.

"Oh no. I like them. Like, really like them. And soon, they’ll be gone. This whole engagement is just for show. After Ortho’s investiture, we’ll go back to our separate lives, right?"

He swallows hard, trying not to freak out, but it’s too late. He’s in way too deep.

After the dance, you lead him off the floor and start mingling with the other nobles, making alliances and doing your whole “political mastermind” thing. Idia stands awkwardly to the side, trying to blend into the wallpaper, but his eyes keep following you. You don’t have to do all this for Ortho, but you are. And that’s... that’s really cool. He admires you, he can’t help it.

And then—oh no. The lower nobles. They spot him and beeline toward him like sharks smelling blood. Before he can make a break for it, they swarm around him, throwing party invitations at him like confetti.

“Prince Idia, you simply must attend our garden soirée next week,” one of them gushes, eyes sparkling.

“And our evening gala!” another pipes up. “You’ll be the guest of honor, of course!”

Idia’s face goes pale, and he shoots you a look that screams, HELP ME.

You swoop in like a knight in shining armor. “Ah, yes, well, unfortunately, Idia can’t attend. He’s... uh... allergic to sunlight.”

The nobles stare at you, blinking in confusion. Idia stares at you too, his expression a mix of disbelief and amusement.

“Allergic to... sunlight?” one noble repeats, frowning.

You facepalm. Smooth. “I mean... it’s a joke! Ha! Obviously! What I meant to say is... uh...” You scramble for an excuse. “I need a nap.”

There’s a beat of silence.

“I—uh—can’t sleep without him,” you blurt out. “It’s, uh, a couple thing.”

The nobles blink at you again, thoroughly bewildered.

You grab Idia’s arm, muttering, “We’re leaving,” and make a quick exit, practically dragging him behind you.

As soon as you’re out of earshot, you let out a groan. “Oh my god, I can’t believe I said that. ‘Allergic to sunlight’? Really?”

Idia is doubled over laughing, completely losing it. “You what?!” he howls. “You need a nap? And you can’t sleep without me?!”

“Shut up!” you say, cheeks burning. “I was trying to save you!”

“You saved me? More like doomed me!” He wheezes between laughs, clutching his stomach. “Oh man, you are terrible at this. You make me look good, and that’s saying something.”

You glare at him, but his laughter is so infectious that you can’t stay mad. And honestly? He looks free. Unbridled, even. It’s the first time you’ve seen him laugh so openly, so without reservation, that it almost makes you forget how embarrassing the situation was.

Almost.

It's finally time for Ortho's investiture, and to say you feel unprepared would be an understatement. Not for any political reason—you've long since mastered the art of navigating court intrigue. No, the issue is far more personal, far more heart-wrenching. After today, once Ortho is declared Crown Prince, Idia will no longer have any excuse to stay in the spotlight. He'll retreat, back into the shadows, probably even fake his own kidnapping to get out of any future public events. And you?

You'll finally get that peaceful beach house you’ve been dreaming about.

But the thought doesn’t feel like a reward. It feels bitter. You don’t want that beach house—not if it means losing Idia. The man who’s wormed his way into your heart with his sarcasm, awkwardness, and hidden kindness.

But you know he’s not someone you can tie down. Idia doesn’t do well with permanence. And as much as your heart begged to hold on to him, you also know he’d likely slip through your fingers if you tried.

So you do what any self-respecting person would in this situation: put on a brave face, slip into your formal attire, and prepare to smile your way through heartbreak.

When you walk out to greet Idia, he’s already dressed in his formal robes, looking every bit the reluctant royal. His eyes widen slightly when he sees you, but he says nothing, fidgeting with the hem of his sleeve.

You muster up the strength to smile and reach for his hand. “Ready?”

He nods, but neither of you can meet the other’s eyes.

From Idia’s perspective, today should feel like a victory. He’s been planning for Ortho’s investiture for months, and now that the day is finally here, he should be feeling nothing but relief. But no—he’s filled with an overwhelming sense of dread. It’s not about Ortho. His little brother is brilliant, and Idia knows the kingdom is in good hands.

No, what he’s not ready for is letting you go.

If someone had told him a year ago that he would care about someone—want someone—so desperately, he would’ve locked them up in a mental facility. But here he is, standing on the precipice of his worst nightmare.

You, who shine in every public setting, who effortlessly charm everyone around you, are going to move on. He knows he can’t tie you down with his reclusive lifestyle, his constant desire to escape from the world. How could he? You’re everything he’s not—bright, resplendent, beloved. He can’t ask you to give up your life for him.

But when you come out and take his hand, his heart skips a beat. Neither of you are able to look each other in the eye, but the gesture says more than any words could.

The investiture itself goes off without a hitch. Ortho’s speech is flawless, full of the hope and wisdom of a ruler who will no doubt lead the kingdom into a golden age. You’re so proud of him—of the boy who’s become like a little brother to you.

But even as you smile and clap with the rest of the court, you feel a heaviness in your chest that has nothing to do with the political spectacle unfolding before you.

A few tears slip down your cheeks, and you don’t even know if they’re from the overwhelming pride you feel for Ortho or the quiet heartbreak you’ve been trying to suppress all day.

Before you can wipe them away, Idia silently hands you his handkerchief. He doesn’t say anything, doesn’t even look at you, and that just makes the ache in your heart a little worse.

You take it with a quiet, “Thanks,” dabbing at your eyes, and you both stand there in tense silence, watching as the formalities continue around you.

Once the investiture concludes and the guests filter out, you and Idia retreat to a balcony to catch your breath. The sky is darkening, and the cool evening breeze does little to soothe the heaviness you feel in the pit of your stomach.

Idia breaks the silence first. "I've, uh... already arranged the beach house. It’s in your name now."

You blink, looking over at him. His voice cracks slightly, and when you finally turn to face him fully, you realize that he looks like the very picture of heartbreak. He’s not meeting your eyes, staring out into the distance as if it’ll keep him from falling apart.

You swallow hard, trying to keep your voice steady. “Idia... do you want me to leave?”

He freezes, still not looking at you. "I... I want you to be happy. I mean, that's the whole point, right? The beach house, everything—you’ve been wanting that for ages."

“I didn’t ask if you wanted me to be happy,” you say quietly. “I asked if you want me to stay or go.”

The silence between you stretches, heavy and suffocating. You hold your breath, waiting for him to answer. When he finally speaks, his voice is barely above a whisper.

“I... I don’t know what I’m gonna do if you’re not here anymore.”

That’s all the confirmation you need. Before he can say anything else, you step forward, cupping his face and pulling him into a kiss. For a split second, he stiffens, shocked, but then he melts into it, his arms wrapping around you like he’s afraid you might disappear if he lets go.

It’s everything you needed and more—sweet, desperate, and filled with all the words neither of you have been able to say. When you finally pull away, you rest your forehead against his, both of you breathing heavily.

“Come with me,” you whisper. “To the beach house. We can... we can figure everything out from there.”

Idia lets out a watery laugh, one that’s half-disbelief, half-relief. “You really want a shut-in like me hanging around your dream house? You’re gonna get sick of me in a week.”

You smile, brushing a strand of hair away from his face. “I don’t think I could ever get sick of you. So... what do you say?”

He hesitates for a moment, then gives a small nod, his eyes shining with unshed tears. “Yeah... okay. I’ll come with you.”

And just like that, the weight that’s been pressing down on your chest all day lifts. It’s not the end—it’s a new beginning. One where you and Idia don’t have to part ways, where you can move forward together.

As you both stand there on the balcony, holding each other close, the world feels a little less daunting, and the future a little brighter.

The grand hall is slowly emptying out, nobles drifting away after offering their congratulations to Ortho. You and Idia maneuver through the lingering crowd, dodging overly-friendly dukes and avoiding eye contact with barons hoping to extend the festivities.

Idia clings to your arm like a cat being dragged to the vet, mumbling, “Please tell me we’re not about to be emotionally ambushed again.”

You smirk. “Relax. It’s just Ortho.”

“Yeah, that’s what you always say before things get sentimental and I have to deal with ‘feelings.’”

You spot Ortho standing near the dais, still wearing the ceremonial robes from his investiture. Despite the long night, he looks bright-eyed, waving cheerfully at some departing courtiers. When he catches sight of you two, his face breaks into the biggest grin, and he hurries over like an eager puppy.

“There you are!” Ortho beams, practically glowing with excitement. “I was worried you left without saying goodbye.”

“Us? Leave without saying goodbye?” you tease. “What kind of villains do you think we are?”

“Exactly the kind who would sneak away in the middle of a banquet,” Idia mutters under his breath. “And you know what? That plan still sounds great.”

Ortho rolls his eyes fondly. “You’re impossible, brother.”

“Only when I’m awake.”

“Anyway,” you cut in, shooting Idia a playful glare before turning back to Ortho, “we wanted to talk to you before we go.”

Ortho’s smile falters, just a bit. “You’re leaving already?”

You nod, squeezing Idia’s arm. “Yeah. We’re heading to the beach house.”

Ortho tilts his head, curious but not upset. “You’re moving there?”

“For a while, yeah,” you explain gently. “Idia and I need a break from all the court politics. But don’t worry. We’ll visit you. Often.”

Idia shifts beside you, scratching the back of his neck. “Yeah, uh... It’s not like I’m leaving forever or anything. Just... you know, temporarily escaping society.”

Ortho laughs, but there’s a softness in his gaze now. “I get it. I don’t blame you for wanting to leave all this behind for a bit.”

You take a step closer, voice lowering. “And hey... I know you’ve got a lot on your plate now. But we’re still family. If you need anything—anything—we’ll be here for you.”

Ortho’s grin returns, full force. “I know. I’m really glad you two have each other. Honestly, I was worried for a long time that Idia might never find someone willing to put up with him.”

“Gee, thanks,” Idia deadpans. “Glad my personal development arc has been so inspiring for you.”

“But seriously,” Ortho says, his expression softening again. “Thank you. You’ve done more for us than you had to. I know you could have just... gone back to your world or left things as they were. But you stayed. And you helped him.”

Oh no. Not this again. That suspicious prickle starts in your eyes, and you blink rapidly to fend off the tears. Not now. Not in public.

“You’re not... making me cry,” you insist, even as your voice wobbles. “This is just... allergy season.”

“Oh no, it’s happening,” Idia groans dramatically, pinching the bridge of his nose. “Please don’t cry. If you cry, Ortho’s gonna cry, and if Ortho cries, the nobles will definitely blame me.”

“Shut up, you big baby,” you sniffle, swatting his arm before pulling Ortho into a hug. “Come here, you. Group hug, now.”

Ortho barely has time to react before you’ve wrapped him up in your arms. He laughs, squeezing you back. You reach out blindly and grab Idia’s sleeve, yanking him into the fray.

“Wait—wait, what—!” Idia stumbles forward, sandwiched awkwardly between you and Ortho. “This is... I don’t...”

“Shhh,” you whisper, patting his back. “Feel the love.”

“This is emotional ambush!” Idia protests, voice muffled against your shoulder. “I want it on record that I was forced into this.”

“Noted,” Ortho says with a laugh, hugging both of you tighter. “But you’re not getting out of it.”

For a moment, the three of you just stand there, huddled together in a ridiculous knot of limbs, nobles glancing your way but tactfully avoiding comment.

Idia mutters into your ear, “This... this is basically treason against introverts.”

You grin. “Consider it penance for being emotionally stunted.”

“You’re both the worst,” he grumbles, but his arms stay wrapped around you.

Eventually, you pull back, wiping your eyes with the heel of your hand. “We’ll be back soon, Ortho. I promise.”

“I know.” Ortho smiles warmly, giving you one last squeeze. “And when you do, I’ll make sure you never have to attend another dull court event again.”

Idia perks up at that. “Oh. Now that’s what I call incentive.”

With one last shared laugh, the three of you break apart. Ortho steps back, standing tall and proud in his new role, though his smile still holds all the warmth of a little brother seeing his family off.

“Take care of him,” Ortho says quietly, glancing meaningfully at you.

“I plan to,” you reply, meeting his gaze with a small, reassuring smile.

“And you,” Ortho adds, looking at Idia. “Don’t screw this up.”

Idia gapes, indignant. “I—why does everyone assume I’m the one who’s going to screw it up?!”

You and Ortho exchange amused glances before both of you answer in perfect unison:

“Because you will.”

Idia groans. “Yeah, okay. Fair.”

With that, you bid Ortho one final goodbye, tugging Idia along before anyone else can rope you into small talk. As you leave the grand hall and step out into the cool night air, the weight on your shoulders feels a little lighter.

Idia sighs in relief. “Well, that’s over. Time to hibernate for the next decade.”

You chuckle, lacing your fingers through his. “Hibernation in the beach house?”

“Hell yeah.”

And with that, the two of you set off into the night, leaving the court behind—for now.

Oh, what happened to the heroine and the male lead, you ask? Let’s rewind a few months before Ortho’s investiture—back when they were still blissfully unaware of the elaborate downfall that awaited them.

You knew that the heroine and the male lead would try to make a spectacle of themselves during Ortho’s rise to power. The way they pranced around, flaunting their superficial charm and good looks like they owned the place—it was insufferable. And, of course, they were always scheming in the background, hoping to secure power and glory for themselves. You couldn’t stand it.

So, you set up the perfect trap.

It began at a lavish gala, one of those unnecessarily extravagant events where nobles gathered to network, gossip, and throw subtle insults at each other. You arrived fashionably late, as any proper duchess would, with Idia reluctantly in tow, mumbling under his breath about how every social event felt like “one of those long quests with zero rewards.”

“The rewards are emotional, Idia,” you whisper, linking arms with him.

“Yeah, emotional damage,” he mutters.

You suppress a smile, but your mind is elsewhere. Tonight is the night. You had planted the seeds weeks ago, a few well-placed rumors, some whispered insinuations, and a letter you’d accidentally left behind in a well-trafficked corridor. It was all coming together like a beautifully chaotic symphony, and now, the climax.

You spot the heroine first, her radiant smile masking the venom beneath. She’s making a grand entrance, arm-in-arm with the male lead, who, as always, looks like he’s stepped straight out of a romance novel. His hair is perfect, his jawline sharp enough to cut through glass. But you know better. They’re both so predictable.

“They’ve arrived,” you murmur to Idia.

He gives you a blank stare. “Yeah, cool, I’m just here to not die of social exhaustion. Whatever you’re planning... don’t tell me. I don’t wanna be involved.”

“Suit yourself,” you reply with a grin.

You watch them mingle, waiting for the right moment. And there it is—the heroine, attempting to cozy up to the king, laughing a little too loudly at one of his mediocre jokes. You slip through the crowd, making your way to where a certain nosy noblewoman is holding court. A noblewoman known for her love of gossip and her even greater love of ruining people’s lives with it.

Perfect.

You lean in, feigning concern. “Oh, My Lady... I probably shouldn’t say this, but I heard the strangest thing about the heroine. You won’t believe it.”

Her eyes gleam with curiosity. “Do tell, my dear.”

“Well,” you drop your voice to a whisper, “there’s talk that the heroine and the male lead are involved in some... unsavory business dealings. Something about embezzling funds from the royal coffers for their own gain? I don’t know how true it is, of course... but it would explain some things, wouldn’t it?”

You leave the rest unsaid, letting her imagination do the rest. The best part? It’s all technically true. You had orchestrated it so well, the heroine and the male lead had no idea that their “private” meetings and “innocent” financial maneuvers were anything but secret.

She gasps, her fan snapping shut. “I knew there was something off about them! Oh, the gall! I must inform the king immediately!”

And just like that, the gossip spreads like wildfire. Within minutes, the entire room is buzzing with scandalous whispers. The heroine and the male lead notice the shift, the way people start looking at them, and for the first time, they’re on the back foot. They try to smile, but their unease is palpable.

You sit back, watching the chaos unfold, sipping your wine as nobles begin to distance themselves from the pair, shooting them suspicious glances.

Idia sidles up next to you, looking around at the suddenly tense atmosphere. “What... what did you do?”

“Who, me?” You bat your eyelashes innocently. “I have no idea what you’re talking about.”

He gives you a side-eye. “You’re terrifying.”

“You knew that when you asked me to be your fake fiancée.”

The next day, official inquiries are launched into the heroine and the male lead’s finances, and though they try to clear their names, it’s no use. The damage is done. Their reputations are ruined beyond repair, and they’re forced to withdraw from court life entirely. A fitting end for their ambitions.

Which brings you to the present...

It’s a peaceful morning in your beach house, and you’re sitting on the veranda, enjoying your coffee while the sun rises over the horizon. The sound of waves crashing against the shore is your only company, and for once, there’s no looming political intrigue or royal drama to worry about.

That is, until Idia stumbles out of the bedroom, his hair a messy blue cloud, his eyes half-closed with sleep. He groans as he sees you, one hand on the wall to steady himself. “Why are you up so early? It’s like... the middle of the night.”

“It’s 10 AM,” you reply with a laugh.

“Exactly,” he grumbles, shuffling over to you. Without another word, he flops down beside you, his head immediately finding its way to your neck. He nuzzles into you, muttering something unintelligible, and you chuckle softly, patting him on the cheek.

“You’re such a big baby in the morning,” you tease, pressing a soft kiss to his forehead.

Despite being married for the past two years, Idia’s face turns tomato-red every time you do something affectionate. He blushes furiously now, burying his face in the crook of your neck to hide it.

“Y-You’re unfair,” he mumbles, voice muffled. “Saying stuff like that... it’s embarrassing.”

You grin. “But you’re so cute.”

“I’m not cute. I’m a grown man. And you’re a villain for making me get up before noon.”

You laugh, running your fingers through his messy hair. “Maybe, but I’m your villain. So deal with it.”

Idia groans dramatically but makes no effort to move away, too comfortable where he is. You continue sipping your coffee, enjoying the moment of peace, when he finally speaks again, a little softer this time.

“Y’know... you really did a number on the heroine and the male lead. They’re still laying low, huh?”

“Maybe the rumor I spread was truly a masterpiece,” you say with a smirk, remembering how perfectly everything had gone according to plan.

Idia snorts. “A masterpiece of destruction, maybe.”

You chuckle, pressing another kiss to his forehead. He sighs contentedly, the two of you basking in the quiet comfort of your shared life. It’s moments like this that remind you just how far you’ve come together, from court intrigue and scandal to peaceful mornings at your beach house.

And honestly? You wouldn’t have it any other way.

Series Masterlist ; Masterlist

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