#the new record is so good! :')

[necrotic-nephilim]

as much as I love the common "Tim worships/stalks Jason" trope in TimJay fanfiction because it's Good and making Tim a weird little freak is Fun, I think the underutilized dynamic is where Jason is the one weirdly obsessed with Tim and makes it Tim's problem.

Like, the moment Jason is confronted with the information that a third Robin exists, the first thing he does is cover his wall with pictures of Tim so he can just obsess and torture himself over it. That is the behavior of a man who is Unwell over Tim's existence and I love it.

red hood: lost days #4

And as much as a shitshow as The Titans Tower Incident™ is characterization-wise (though I think it has far more merit in depicting Jason's character than people give it credit for but I digress-) there's something very fun about the fact that even after kicking his ass, Jason respects Tim and is impressed by him.

teen titans (2003) #29

And on top of that, Jason can't seem to stop trying to ask Jason to Tim to work with him in some capacity.

robin (1993) #177

batman: battle for the cowl #2

While Battle for the Cowl is an exceptionally bad comic, especially for its characterization of Jason and the "be my Robin" bit is taken deeply out of context, I do think it's interesting how obsessed Jason is with believing that Tim is extremely competent, only held back by being "brainwashed by Bruce". (hence him leaving Tim for dead later on in the comic.) Jason seeing a darker side of Tim and wanting to bring that out of Tim, wanting to see what Tim could be if he let go of his loyalty to Bruce is so fun to me, tbh.

And in Robin #177, Jason seems genuinely upset Tim doesn't want to work with him. Jason sees such a raw potential in Tim and is obsessed with it, constantly wanting Tim to work for him and see Tim be the type of person Jason is. And despite Tim rejecting him, Jason doesn't shoot to kill Tim. I just cannot get over the fanfic potential of Jason obsessing over Tim, tracking him and seeing what he's capable of and what he could be capable of. Wanting to make Tim see things the way he does. To Tim it's corruption, to Jason it's freedom. Tim trying to 'save' Jason is fun and all, but Jason trying to corrupt Tim? That's even more fun to me. Watching that power struggle between them, Tim unable to get Jason off his heels as Jason gets more and more possessive and bold with each attempt.

And when Jason sees Tim successfully get Gotham back under control after a gang war, he's impressed. He praises Tim, even. And then Tim just. Breaks him out of prison.

robin (1993) #182

The way they're constantly trying to see something in the other that isn't there, hoping the other will come around? That is the most fucked up hate/love dynamic ever. Jason keeps coming back to Tim, keeps trying to find ways to get Tim onto his side. They're always chasing each other. And I think Jason would be the one to confess love first, the one to do anything to make Tim his. And when you consider after all of this, Tim has his Red Robin arc and is at his lowest, getting the closest he ever gets to considering murder? I think it'd be so fun to see Jason take advantage of that and worm his way back into Tim's life and finally push Tim over the edge.

[izzystizzys]

There is a scratch mark on the floor of the Council chambers that Mace has never noticed before. Not a deep one, mind, quite shallow. This matters because it’s making the white-hot pulse of agony stabbing through his eyeballs ebb momentarily. Then, he chances a glance upwards at the fidgeting Knight in front of them, and it returns in full force.

Huh, he’s never seen Oppo Rancisis’ face turn that colour before.

“Hmm”, Master Yoda hums, deep and scratchy. His expression is unreadable even to Mace beyond a baseline gremlinness, and the force with which he grips the edges of his seat is making his bones creak. Master of the Order you should become, they said. Follow the calling of the Force, you should. A fulfilling purpose, it will be. Mace is going to hunt the little goblin for sport when this is all over, and he’s going to laugh the whole time.

“Show us the livestream again, could you, Knight Parvo?” Yoda asks. Mace bursts a capillary, he’s pretty sure, and so does poor Knight Parvo, whose orange Mon Cala skin tips all the way into blood red with stress. “Most unusual, this is.”

“Absolutely not!”, Ki Adi intervenes before Mace has to, thank the Force for little mercies. Plo Koon’s tusks tremble slightly with either suppressed laughter or abject horror, maybe both, and Stass Allie has her head in her hands. “The holo stills should be enough”, Ki Adi proceeds to add, and Mace has to reconsider all feelings of grace he just felt towards his fellow Councillor.

He never wants to watch Yoda zoom in on someone’s abs again. Or Depa raise her eyebrows at the curve of thighs bent over the dripping front of a speeder.

“Speeder Wash For Our Troops”, his former padawan reads out loud from a still of what has to be hundreds of the things gathered in the public senate parking lot. “Fund Our Boys And Get A Wet Seeing-To!” The series of images features dozens of Coruscant Guard troopers in various stages of unkitted, gleaming and shining with soap suds and water. The fact that the whole thing is also massive shatterpoint after massive shatterpoint is, quite frankly, insulting.

“Well hello- oh dear”, Obi-Wan’s blue form crackles to life in his chair, followed by several sounds of choking that are definitely not him. Good, Mace thinks acidly. If he has to deal with this, then so does kriffing Skywalker. “I’m sorry, why am I looking at Commander Thorn using a washrag like a lasso on top of a speeder?”

“Oh, the Guard’s little fundraising project”, Bail Organa says, as he steps into the Council chambers. Normally, Mace likes the man well enough. Now, he just smiles and adds on, “I’ve already donated, in mine and Breha’s name. Remotely, of course.”

“The Guard’s fundraising speeder wash?”, Obi-Wan repeats, edges of his holo form flickering with what Mace suspects is Skywalker very unsubtly trying to edge in. Force, but the man really is horrible at any and all stealth, like kissing his secret wife in an open arena in front of his Master. “And they are fundraising for…?”

“GAR budget allocations have to come from somewhere”, Organa shrugs. “And with the tide of public opinion turning, they’ve been tending towards cuts. The Guard feels them more keenly than any other sector - they’ve been reduced from half to quarter rations, and medical supplies have not made more than a token appearance in the last draft. The Chancellor has cancelled three consecutive meetings on the matter, and thus it was agreed that a more hands-on approach was needed. Any surplus will go into the Army fund.”

“Surely it can’t be that dire”, Oppo protests, a slightly less concerning shade of purple now. Senator Organa shrugs again, jostling the smattering of cracks slowly building around his person in a way that makes Mace wince quietly. “It’s all publicly available data, Masters.”

It really can be that dire, as it turns out. And quarter rations is only scratching the surface of how dire, considering the Guard has apparently never had access to bacta in all their posting, and also includes requisitioning forms available to the Senate for reconditionings and decommissionings, two words Mace has only heard Ponds whispers amidst shuddering in the early days of the war before Shaak Ti went off and just about tore some throats out over it.

“Alright”, he concedes, rubbing at his temples. “Fair enough, we have failed to tackle a massive blind spot in the Guard’s well being. There is no Jedi assigned to Coruscant, and that’s an oversight on our behalf. But how in the everloving kriff did this get past the Chancellor and Commander Fox?!”

Who have both signed, black on white. Bail Organa smiles cryptically. “Well, if you scroll a bit past that one image, up to the industrial speeder in the back - Commander Fox is currently having credits stuffed into his codpiece in the back, I believe.”

“HE’S WHAT IN THE WHAT NOW”, Commander Cody screeches through the speaker of Obi-Wan’s holo image, and Mace has to summon every bit of Jedi-serenity he possesses in his body to keep from dropkicking a cackling Yoda through the chamber windows.

[archivebottles]

been messing around with my drawing process so i decided to do a bunch of cephalopod group shots to get a bit more confident with it

[IMG ID: Image 1 is a group drawing of Shiver, Big Man, Frye, Callie, and Marie from Splatoon. The first four are posing for a photo with Marie in the back. They are in Alterna with the buildings and the hole in the sky visible in the back.

Image 2 is a group drawing of Agents 3, 4, and 8 in casual wear in an apartment all posing for a selfie. Various objects are littered in the background with a backpack, skateboard, and part of a switch being present by 8.

Image 3 is a a drawing of Pearl and Marina dressed in casual wear taking a selfie at night. /END ID]

[feroluce]

Love thinking about Sampo's possible early days after just infiltrating Belobog. Like imagine Sampo hiding out, spying on the captain of the guards, trying to learn all the important people's names and faces on this weird new planet if he's gonna make this whole thing work.

He likes watching the blonde one, he apparently has a thing for blondes now. There's also two idiots down there though, privates by the looks of them, and even from all the way up here, Sampo can tell just from watching their movements that they're talking while the captain is giving orders. Amateurs-

And then he hears that blonde captain guy yell for them to drop and give him 20 in his harsh voice and his military discipline tone and Sampo just. Freezes. Goes completely stock still. Slowly turns red and drops his face into his hands where he'd dropped almost face-first into the snow because ohhhhhh holy shit.

Sampo, looking up at the sky, face STILL red: You're doing this on purpose. You must be. You think this is fucking funny, don't you. Aha: 🔔🔔🔔🔔

[thebookworm0001]

i can't quite put words together about it but it is very funny and telling that when solas talks to you on your balcony, it is wildly obvious in retrospect how he's trying to figure out if you're more like the spirits he considers people than the rest of thedas

"your mind, your morals, your [insert massive pause and look off into the distance] spirit"

like, i wonder which one of those things matters most to you in this moment. you'd never be able to tell

[herewegobebe]

Mr Sunshine 🌞💕 ["O-NEW-NOTE" Behind #1 | Concert Practice]

[reasonsforhope]

"A Ghanaian-English entrepreneur has designed an electric bike from the ground up that’s transforming short-range transportation in her home country, proving that problem-solving in Africa can be done in Africa, by Africans.

[Valerie Labi's] company, Wahu!, assembles each bike by hand, and they can travel up to 80 miles [128 kilometers] on a single charge. This means that a delivery rider for Glovo or Bolt can comfortably cover a whole day’s work without refueling.

Anyone who’s visited Accra, Ghana, in the dry season will remember the incredibly poor air quality. Poor roads mean that cars are stuck in second and third gears, and old cars traveling in second and third gears mean plenty of extra car exhaust.

Poor roads also mean exposed dirt, and exposed dirt means fine-grained dust. Combined with a lack of rain, the smog, dust, and car exhaust make the air in parts of the capital unfit for human health.

Wahu! bikes help alleviate all three of these problems, and despite her English nativity [Note: Super weird and unclear way to phrase it?] and education, the bikes were designed and manufactured in Spintex, Accra.

“By introducing electric bikes into Ghana’s transportation ecosystem, we’re not only providing a greener alternative but also offering speed and convenience,” Labi told The Mirror. “Our bikes are a testament to how service delivery can be seamlessly merged with environmental conservation.”

Valerie Labi is a true inspiration, and besides her transportation company, she got her start in the Ghanaian economy in sanitation. She holds a chieftaincy title as Gundugu Sabtanaa, given to her by the previous Chief of the Dagbon traditional area in the Northern Region of Ghana. She has three children, holds a double major in Economics and Sustainability from two separate universities, and has visited 59 countries.

Getting her start in Northern Ghana, she founded the social enterprise Sama Sama, a mobile toilet and sanitation company that now boasts 300,000 clients.

During her travels around the small, densely populated country, she also recognized that transportation was not only a problem, but offered real potential for eco-friendly solutions.

“It took us two years to effectively design a bike that we thought was fit for the African road, then we connected with Jumia and other delivery companies to get started,” she told The Mirror. “Currently, I have over 100 bikes in circulation and we give the bikes on a ‘work and pay’ basis directly to delivery riders.”

According to Labi, each driver pays about 300 Ghana cedis, or about $24.00, per week to use the bike, which can travel 24 miles per hour, and hold over 300 pounds of weight. The fat tires are supported by double-crown front/double-spring rear suspension.

The bikes are also guaranteed by the company’s proprietary anti-theft system of trackers. Only a single bike has been stolen, and it was quickly located and returned to the owner."

-via Good News Network, January 24, 2024

[birdricks]

sleepyhead lol….

[lynxbabey]

eepy girls (WIP)

[wordfather]

its so funny to have that type of autism where you hyperfixate on a certain food so much that literally nothing else matters. its life or death. if i dont get to have my nuts and raisins everyday i will explode the world with my mind

[rgco413]

The Ineffable Husbands in Fairy Village were both in the bedroom today!

That doesn't happen often so I thought I'd post about it ^^

Crowley was having a wee nap (on a proper bed!) and Aziraphale was writing something on the desk. (I like to think he's drawing him 💙)

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[amatres]

why did balerion take her to valyria, why. did he want to show her something. why did he bring her back, did she tell him to, or was it bc of what was happening there and he was trying to save? her? what happened

[bnuuys]

something quick

[peppermint-moss]

“I ask god to send a swordsman / And god says look at your hands" - Problem Areas by Melissa Broder

_____

Candle Light my beloved!!!!! I did soo much work for this piece and I'm so happy with how it turned out AUGH!!! design/planning notes under the cut!!

commission info || ko-fi (tip jar)

heres some planning n design work i did!! for the rapier/shirt (+an initial traditional sketch and some doodles n other nonsense lol)

[mildmayfoxe]

another fucking great day to be a beautiful genius. bitch