#the new celebrity apprentice

[callmebrycelee]

HAPPY 53RD BIRTHDAY, MATT ISEMAN!!!

[hezigler]

Opinion | The Naked ‘Survivor’ Guy Theory of U.S. Politics - The New York Times

https://www.nytimes.com/2024/09/13/opinion/donald-trump-reality-tv-survivor.html?unlocked_article_code=1.Lk4.Ju75.GWt9m1brz232&smid=nytcore-ios-share&referringSource=articleShare&login=email&auth=login-email

[mostlysignssomeportents]

It all started with a mouse

For the public domain, time stopped in 1998, when the Sonny Bono Copyright Act froze copyright expirations for 20 years. In 2019, time started again, with a massive crop of works from 1923 returning to the public domain, free for all to use and adapt:

https://web.law.duke.edu/cspd/publicdomainday/2019/

No one is better at conveying the power of the public domain than Jennifer Jenkins and James Boyle, who run the Duke Center for the Study of the Public Domain. For years leading up to 2019, the pair published an annual roundup of what we would have gotten from the public domain in a universe where the 1998 Act never passed. Since 2019, they've switched to celebrating what we're actually getting each year. Last year's was a banger:

https://pluralistic.net/2022/12/20/free-for-2023/#oy-canada

But while there's been moderate excitement at the publicdomainification of "Yes, We Have No Bananas," AA Milne's "Now We Are Six," and Sherlock Holmes, the main event that everyone's anticipated arrives on January 1, 2024, when Mickey Mouse enters the public domain.

The first appearance of Mickey Mouse was in 1928's Steamboat Willie. Disney was critical to the lobbying efforts that extended copyright in 1976 and again in 1998, so much so that the 1998 Act is sometimes called the Mickey Mouse Protection Act. Disney and its allies were so effective at securing these regulatory gifts that many people doubted that this day would ever come. Surely Disney would secure another retrospective copyright term extension before Jan 1, 2024. I had long arguments with comrades about this – people like Project Gutenberg founder Michael S Hart (RIP) were fatalistically certain the public domain would never come back.

But they were wrong. The public outrage over copyright term extensions came too late to stave off the slow-motion arson of the 1976 and 1998 Acts, but it was sufficient to keep a third extension away from the USA. Canada wasn't so lucky: Justin Trudeau let Trump bully him into taking 20 years' worth of works out of Canada's public domain in the revised NAFTA agreement, making swathes of works by living Canadian authors illegal at the stroke of a pen, in a gift to the distant descendants of long-dead foreign authors.

Now, with Mickey's liberation bare days away, there's a mounting sense of excitement and unease. Will Mickey actually be free? The answer is a resounding YES! (albeit with a few caveats). In a prelude to this year's public domain roundup, Jennifer Jenkins has published a full and delightful guide to The Mouse and IP from Jan 1 on:

https://web.law.duke.edu/cspd/mickey/

Disney loves the public domain. Its best-loved works, from The Sorcerer's Apprentice to Sleeping Beauty, Pinnocchio to The Little Mermaid, are gorgeous, thoughtful, and lively reworkings of material from the public domain. Disney loves the public domain – we just wish it would share.

Disney loves copyright's other flexibilities, too, like fair use. Walt told the papers that he took his inspiration for Steamboat Willie from Charlie Chaplin and Douglas Fairbanks, making fair use of their performances to imbue Mickey with his mischief and derring do. Disney loves fair use – we just wish it would share.

Disney loves copyright's limitations. Steamboat Willie was inspired by Buster Keaton's silent film Steamboat Bill (titles aren't copyrightable). Disney loves copyright's limitations – we just wish it would share.

As Jenkins writes, Disney's relationship to copyright is wildly contradictory. It's the poster child for the public domain's power as a source of inspiration for worthy (and profitable) new works. It's also the chief villain in the impoverishment and near-extinction of the public domain. Truly, every pirate wants to be an admiral.

Disney's reliance on – and sabotage of – the public domain is ironic. Jenkins compares it to "an oil company relying on solar power to run its rigs." Come January 1, Disney will have to share.

Now, if you've heard anything about this, you've probably been told that Mickey isn't really entering the public domain. Between trademark claims and later copyrightable elements of Mickey's design, Mickey's status will be too complex to understand. That's totally wrong.

Jenkins illustrates the relationship between these three elements in (what else) a Mickey-shaped Venn diagram. Topline: you can use all the elements of Mickey that are present in Steamboat Willie, along with some elements that were added later, provided that you make it clear that your work isn't affiliated with Disney.

Let's unpack that. The copyrightable status of a character used to be vague and complex, but several high-profile cases have brought clarity to the question. The big one is Les Klinger's case against the Arthur Conan Doyle estate over Sherlock Holmes. That case established that when a character appears in both public domain and copyrighted works, the character is in the public domain, and you are "free to copy story elements from the public domain works":

https://freesherlock.files.wordpress.com/2013/12/klinger-order-on-motion-for-summary-judgment-c.pdf

This case was appealed all the way to the Supreme Court, who declined to hear it. It's settled law.

So, which parts of Mickey aren't going into the public domain? Elements that came later: white gloves, color. But that doesn't mean you can't add different gloves, or different colorways. The idea of a eyes with pupils is not copyrightable – only the specific eyes that Disney added.

Other later elements that don't qualify for copyright: a squeaky mouse voice, being adorable, doing jaunty dances, etc. These are all generic characteristics of cartoon mice, and they're free for you to use. Jenkins is more cautious on whether you can give your Mickey red shorts. She judges that "a single, bright, primary color for an article of clothing does not meet the copyrightability threshold" but without settled law, you might wanna change the colors.

But what about trademark? For years, Disney has included a clip from Steamboat Willie at the start of each of its films. Many observers characterized this as a bid to create a de facto perpetual copyright, by making Steamboat Willie inescapably associated with products from Disney, weaving an impassable web of trademark tripwires around it.

But trademark doesn't prevent you from using Steamboat Willie. It only prevents you from misleading consumers "into thinking your work is produced or sponsored by Disney." Trademarks don't expire so long as they're in use, but uses that don't create confusion are fair game under trademark.

Copyrights and trademarks can overlap. Mickey Mouse is a copyrighted character, but he's also an indicator that a product or service is associated with Disney. While Mickey's copyright expires in a couple weeks, his trademark doesn't. What happens to an out-of-copyright work that is still a trademark?

Luckily for us, this is also a thoroughly settled case. As in, this question was resolved in a unanimous 2000 Supreme Court ruling, Dastar v. Twentieth Century Fox. A live trademark does not extend an expired copyright. As the Supremes said:

[This would] create a species of mutant copyright law that limits the public’s federal right to copy and to use expired copyrights.

This elaborates on the Ninth Circuit's 1996 Maljack Prods v Goodtimes Home Video Corp:

[Trademark][ cannot be used to circumvent copyright law. If material covered by copyright law has passed into the public domain, it cannot then be protected by the Lanham Act without rendering the Copyright Act a nullity.

Despite what you might have heard, there is no ambiguity here. Copyrights can't be extended through trademark. Period. Unanimous Supreme Court Decision. Boom. End of story. Done.

But even so, there are trademark considerations in how you use Steamboat Willie after Jan 1, but these considerations are about protecting the public, not Disney shareholders. Your uses can't be misleading. People who buy or view your Steamboat Willie media or products have to be totally clear that your work comes from you, not Disney.

Avoiding confusion will be very hard for some uses, like plush toys, or short idents at the beginning of feature films. For most uses, though, a prominent disclaimer will suffice. The copyright page for my 2003 debut novel Down and Out in the Magic Kingdom contains this disclaimer:

This novel is a work of fiction, set in an imagined future. All the characters and events portrayed in this book, including the imagined future of the Magic Kingdom, are either fictitious or are used fictitiously. The Walt Disney Company has not authorized or endorsed this novel.

https://us.macmillan.com/books/9781250196385/downandoutinthemagickingdom

Here's the Ninth Circuit again:

When a public domain work is copied, along with its title, there is little likelihood of confusion when even the most minimal steps are taken to distinguish the publisher of the original from that of the copy. The public is receiving just what it believes it is receiving—the work with which the title has become associated. The public is not only unharmed, it is unconfused.

Trademark has many exceptions. The First Amendment protects your right to use trademarks in expressive ways, for example, to recreate famous paintings with Barbie dolls:

https://www.copyright.gov/fair-use/summaries/mattel-walkingmountain-9thcir2003.pdf

And then there's "nominative use": it's not a trademark violation to use a trademark to accurately describe a trademarked thing. "We fix iPhones" is not a trademark violation. Neither is 'Works with HP printers.' This goes double for "expressive" uses of trademarks in new works of art:

https://en.wikipedia.org/wiki/Rogers_v._Grimaldi

What about "dilution"? Trademark protects a small number of superbrands from uses that "impair the distinctiveness or harm the reputation of the famous mark, even when there is no consumer confusion." Jenkins says that the Mickey silhouette and the current Mickey character designs might be entitled to protection from dilution, but Steamboat Willie doesn't make the cut.

Jenkins closes with a celebration of the public domain's ability to inspire new works, like Disney's Three Musketeers, Disney's Christmas Carol, Disney's Beauty and the Beast, Disney's Around the World in 80 Days, Disney's Alice in Wonderland, Disney's Snow White, Disney's Hunchback of Notre Dame, Disney's Sleeping Beauty, Disney's Cinderella, Disney's Little Mermaid, Disney's Pinocchio, Disney's Huck Finn, Disney's Robin Hood, and Disney's Aladdin. These are some of the best-loved films of the past century, and made Disney a leading example of what talented, creative people can do with the public domain.

As of January 1, Disney will start to be an example of what talented, creative people give back to the public domain, joining Dickens, Dumas, Carroll, Verne, de Villeneuve, the Brothers Grimm, Twain, Hugo, Perrault and Collodi.

Public domain day is 17 days away. Creators of all kinds: start your engines!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey

Image: Doo Lee (modified) https://web.law.duke.edu/sites/default/files/images/centers/cspd/pdd2024/mickey/Steamboat-WIllie-Enters-Public-Domain.jpeg

CC BY 4.0 https://creativecommons.org/licenses/by/4.0/deed.en

[blackjackkent]

Down the parsed dialogue rabbit hole again, this time looking at Ethel's Vicious Mockery lines for all the characters, and goddamn, they are brutal.

ASTARION You're one thirsty night away from betraying everyone. Deep down, you like being leashed, don't you? Is there still rat stuck in your teeth, slave?

GALE I can smell what's under those bandages, wizard. You're all rot and ruin. Come to greet death early? You'll be a lovely spectacle. Who would be jealous of you, apprentice?

KARLACH Let's pull your strings, infernal puppet. Happy to sell everyone's soul but your own, aren't you? When I'm done, even the Hells won't want you.

LAE'ZEL Your people will never take you back - illithid scum. Do you miss kissing Vlaakith's feet, gith? A toad with a tadpole! How fitting.

MINSC How quaint! The hamster has a pet. Only evil here is what's inside you, ranger. Go rub your rat, soft-skull.

SHADOWHEART You're so far up Shar's cake you can't see straight. Pathetic. Why would Shar love you when no one else does? You're no complex puzzle. Just a sad little girl.

WYLL Do you think losing that eye made you a hero? Oh, look! It's daddy's regret. Fraud of the Frontiers!

DRAGONBORN Aww, where's your clan? Bet they'd exile you for that brainworm in a blink. Bet that honour of yours shatters easy as your scales. You foul-breathed little lizard!

DWARF No flabby dwarf's a threat to me. More beard than brains, the lot of you. Bet you'd trade your friends for a trinket or two, gold-eater!

DWARF (DUERGAR) Bow your head, slave. You remember how, don't you? Grey and useless as a stone comb. I'll squeeze that stone heart until it bleeds, dwarf. Need a new master, illithid lover?

ELF Fancy yourself immortal? We'll see how long that lasts. I'll show you what a true fey does, dearie. Elves are so pretty. Pretty worthless!

ELF (DROW - FEMALE) Filthy underscum! Just another of Lolth's pretty harlots. Slaver. Sadist. How dare you judge me?

ELF (DROW - MALE) Bare your throat, spider-bait. Kneel, boy. Just like the matriarchs taught you to. Bow to your betters, boy.

GNOME Disgusting burrow rat. Bet your clan's happy you're gone! Try laughing after I rip your throat out, gnome.

HALF-ELF I wonder which parent regrets you more, half-breed. How revolting. Another thin-blooded mongrel. Half-elf. Half-human. All useless.

HALF-ELF (DROW) Even the Underdark doesn't want you, half-breed. A half-drow? How grotesque. Surprised you show yourself in public, abomination.

HALF-ORC Come now, tusks-for-brains! Doesn't this make you angry? All that bloodlust. A little tap, and I bet you won't know friend from foe! Lumbering half-orc. Twice as ugly as your parents combined!

HALFLING Come closer, little softie. You'll be tender. A tiny, sweet morsel. Just for me.

HUMAN Another human rat infesting Faerûn. A human! So desperate to be special. Pity. That tadpole actually made you interesting.

TIEFLING I'll burn you alive and everyone will celebrate. You're everyone's punching bag and no one's favourite. I see the Hells spit out another tragic little tiefling.

[thelov3lybookworm]

Replaced

Summary: Rhysand thinks Azriel has become oldand deserves rest. And while Azriel loves his friend a lot, who the hell does he think he is telling Azriel what to do? The apprentice Rhysand has ordered Azriel to train isn't lessening his frustration either.

•○●⛦●○•

Word count: 1697

Warnings: azzie being a thirsty teenager, reader being sassy, azzie deciding he wants to be a flirty lil hoe lol

A/n: JDVNJDMSNCSDMCN OMGGG I LOVE YALL SOO MUCH I CANT TELL YOU HOW HAPPY I AM RN 😭😭😭 as a thank you gift for you all being so nice and supportive of me for over a year now, i present to youuuu my first fir for the celebration week hehe hope you all enjoyyy 🤭

p.s: I WOULD LIKE TO SAY THIS HERE AS WELL EVEN THO I THINK IVE SAID THIS BEFORE IN PRIVATE TO MY WIFEY POO. @berryzxx THANK YOU MY LOVE MY LIFE FOR LISTENING TO ME RANT ABOUT ALL THE FICS I EVER WRITE BUT ALSO ESPECIALLY THE CELEBRATION FICS AND HELPING ME COME UP WITH IDEAS🥹

p.p.s: based on an indian song i used to listen t nonstop which me and berry concluded i should not have been listening to lmaooo like what even was that 😭

°•°•°•○🌑○•°•°•°

"Any questions?"

Y/n shook her head, eyes fixed on the neat scribbles on the pristine white paper in her hands, going through the schedule handed to her for the tenth time.

"Perfect then," the high lord muttered, leaning forward, his elbows resting on the mahogany wood of the table in his office. "Be on time for your training, starting tomorrow. You know, my spymaster is a rule follower and hates tardiness."

Y/n dipped her head, finally meeting the glittering violet of her new employer, essentially.

She stood, knowing she was dismissed, and fell into a deep bow. "Thank you for this opportunity again, my lord. I might not be a shadowsinger, but I will prove to be an amazing spy."

"Looking forward to working with you, Y/n. Hope you will live up to your reputation."

As Y/n now stood in the training ring, sweat rolling down her body in rivulets, she wished she had asked Rhysand more questions about his spymaster. For starters, she should have asked if the male was a grown adult or a terrifying toddler.

Because by the way the high lord had sung praises in the illyrian’s name, talking about how patient, composed and kind he was, Y/n would have assumed he would be a pleasure to work with.

The overgrown manchild she had been training with was anything but.

As she stared into his hazel eyes, trying not to snap his pretty neck, Y/n wondered if he had serious personality disorder or he was going through some sort of mood swing. Because the male glaring down at her panting form was not the sweet, caring and soft spoken male Y/n had envisioned.

"You still have three laps left, and then hand to hand combat. Or are you as forgetful as you are untrained?"

Y/n straightened her back, her mouth shut tight as she released a frustrated breath through her nose. "I know how many laps are left, thank you very much. I am not old enough to forget things, especially not old enough to be replaced by someone better and younger."

His eyes flashed, his shadows thickening. The side of Y/n’s lips kicked up in satisfaction. Her remarks had found their mark. Without waiting for whatever words he was going to throw at her next, Y/n turned away, sprinting her way through the barely visible dirt path around the training ring.

He looked murderous the next time her eyes met his, but at least he wasn't yelling at her to speed up or your posture is shit.

Even though he put her through hell for the rest of the afternoon, it all passed in a blur, because the moment he turned away from her, his hands flicking in a dismissive gesture, she stalked over to the water station and gulped down two glasses of water.

In that moment, only she existed, the glass attached to her mouth and her parched throat weeping with joy.

Mother, thank you for giving us mere peasants water.

When she was done, she moved to retrieve her jacket discarded near the exit, only to find Azriel still present, now conversing in furious whispers with the Warlord.

Y/n had no interest in engaging with them, and by the way the general glanced at her, worry written all over his face, she knew he would try to corner her.

Swiftly, she picked up her jacket, slung it over her shoulders and began retreating towards where the two illyrians stood, hoping to sneak out of the space they weren’t blocking off when she heard their low voices.

"Still, you’re being too harsh Azriel-"

"If she wanted to be a spy for Rhys, she has to go through this training-"

"She’s already trained to be a spy, Az. quit being an asshole."

"If this is too hard for her and if she is going to go cry about it, then she doesn’t deserve this position."

Y/n stopped and turned to look at the bastard, who had the audacity to stare back with his eyebrows raised.

"Yes?" He grumbled, impatience rolling off him in waves, as if he couldn’t wait to be out of her presence.

She let her eyes wander as she studied the illyrian with the red siphons, then back to Azriel. "Same time tomorrow?"

"Rhys has already discussed the time with you, has he not?"

"Aww, no need to get snappy, princess. I’m just making sure you are not backing out." she pouted, fluttering her lashes before turning away, grinning in triumph at the way his face turned red in anger.

Oh, was she going to have pleasant dreams tonight.

°•°•°•°•°•°

Azriel’s pov.

It had been a week since the fae female started training under Az, and he was beginning to lose hope.

He had put her through as much turmoil as he could, both mentally and physically. Still, she seemed determined to work for Rhys.

Maybe she only cared to prove Az wrong and stay, maybe she just wanted to annoy the fuck out of him.

Whatever the reason, she was resilient.

He put her through hours upon hours of gruelling work in the afternoon heat, yelled at her every chance he got, tried to get under her skin when he knew she would be most tired and likely to snap, put her through every torturous and unnecessary task under the sun. But still, she did not snap once.

Not once did Azriel think she was going to leave, not once did she threaten to leave, not once did she go to Rhys to ask him whether her training was supposed to be this gruelling when she was already trained from Prythian’s best spy training institution.

He was not going to pretend it did not make him respect her. Day by day, his curiosity increased, he wanted to know why she was still training under him, even though he did everything he could to bully her away.

And he was not going to pretend like it did not make him want to get to know her, maybe get closer, because he could not remember the last time a female had piqued his interest to this level.

He could feel it.

Feel himself falling, but of course, like the thick skulled bastard he was, he refused to accept the fact that his respect for her resilience was more than just that.

Sure, she made him wish for a taste, but he was not going to admit that.

He could already hear her soft pants as he got closer to the training area, his lips lifting on the corners unconsciously.

She was standing opposite one of the training dummies, honed in on the battered thing. It seemed like everything else had ceased to exist, like she couldn’t care less about anything going around her as she swung her sword at the dummy, again and again.

Her focus, the determination with which she trained even though her trainer wasn’t present…

It was hot.

She was hot.

She would probably have a sassy remark on her tongue if she knew the thoughts in his head, but she looked like she did not even realise he had arrived-

"Stop looking at my ass. And You’re late."

He glanced up, his eyes travelling slowly over her form as she turned to face him, her hands wrapped around the sword he had made her practice with yesterday. Her chest heaved, her shoulders moving along, the few strands of hair that had escaped her ponytail, that smug smile on her lips…

And her eyes. They shone with delight at having caught him being tardy.

Deep down, it warmed him, but on the surface, his lips shifted into a sneer.

"I think this is enough training-"

She let out a laugh. "What?"

He stared at her, unamused.

"Sorry, it’s just… Do you have a fever?"

He sighed as she stepped forward, slapping away the hand she reached out to touch his forehead.

"If you want to continue, I have no problems. Get started, twenty laps."

She smirked. "That’s more like it."

He stared at her, bewildered as she cackled, then stepped closer.

"I think it’s slipping, spymaster."

He blinked. "What’s slipping?"

She rolled to her tiptoes, her mouth dangerously close to his ear. It made shivers run down his spine as his eyes focused on the training dummy on the far end of the ring covered in long slashes, the filling spilling out in a few spaces.

"Your facade." She whispered, her hand coming to rest on the back of his neck.

He stiffened. "I don’t know what you mean-"

"Oh cut the crap spymaster, I see right through you."

Az turned his head to meet her gaze. "And what do you see?"

"I can see you, starting to like what you see."

It was like a cold breeze passed through the room, turning his body cold before his heat regulating system turned on again, making him feel hot all over.

"And what do I see?"

Azriel knew his game was over, knowing she knew he was beginning to like her, but he was not going to give in to her easily.

"Me. You see me, Azriel, and you like it." She stepped back, letting her hair loose as she manoeuvred around him. "Pity, you are not getting any of this. Not now, not anytime soon."

He turned on his spot, watching as she stalked away, and he knew damn well she was swaying her hips more than she usually does just to add salt to the wound.

Being a spymaster, he took note of the minute details, of course.

Before she vanished down the stairs, though, she turned to look at him. Her eyes roved leisurely over his figure, and when her eyes met his, she smirked, puckered her lips, blew him a kiss, and then sauntered off.

A challenge.

Azriel wasn’t known to be the most competitive person in the inner circle for no reason.

She had just challenged him, and Azriel would be damned if he lost.

He was going to win this one, and oh was he going to win spectacularly.

°•°•°•○🌑○•°•°•°

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[mrs-stans]

Sebastian Stan Tells All: Becoming Donald Trump, Gaining 15 Pounds and Starring in 2024’s Most Controversial Movie

By Daniel D'Addario

Sebastian Stan Variety Cover Story

It started with the most famous voice on the planet, the one that just won’t shut up.

Sebastian Stan, in real life, sounds very little like Donald Trump, whom he’s playing in the new film “The Apprentice.” Sure, they share a tristate accent — Stan has lived in the city for years and attended Rutgers University before launching his career — but he speaks with none of Trump’s emphasis on his own greatness. Trump dwells, Stan skitters. Trump attempts to draw topics together over lengthy stem-winders (what he recently called “the weave”), while Stan has a certain unwillingness to be pinned down, a desire to keep moving. It takes some coaxing to bring Stan, a man with the upright bearing and square jaw of a matinee idol, to speak about his own process — how hard he worked to conjure a sense Trump, and how he sought to bring out new insights about America’s most scrutinized politician.

“I think he’s a lot smarter than people want to say about him,” Stan says, “because he repeats things consistently, and he’s given you a brand.” Stan would know: He watched videos of Trump on a loop while preparing for “The Apprentice.” In the film, out on Oct. 11, Stan plays Trump as he moves from insecure, aspiring real estate developer to still insecure but established member of the New York celebrity firmament.

We’re sitting over coffee in Manhattan. Stan is dressed down in a black chore coat and black tee, yet he’s anything but a casual conversation partner. He rarely breaks eye contact, doing so only on the occasions when he has something he wants to show me on his iPhone (cracked screen, no case). In this instance, it’s folders of photos and videos labeled “DT” and “DT PHYSICALITY.”

“I had 130 videos on his physicality on my phone,” Stan says. “And 562 videos that I had pulled with pictures from different time periods — from the ’70s all the way to today — so I could pull out his speech patterns and try to improvise like him.” Stan, deep in character, would ad-lib entire scenes at director Ali Abbasi’s urging, drawing on the details he’d learned from watching Trump and reading interviews to understand precisely how to react in each moment.

“Ali could come in on the second take and say, ‘Why don’t you talk a little bit about the taxes and how you don’t want to pay?’ So I had to know what charities they were going to in 1983. Every night I would go home and try not only to prepare for the day that was coming, but also to prepare for where Ali was going to take this.”

Looking at Stan’s phone, among the endless pictures of Trump, I glimpse thumbnails of Stan’s own face perched in a Trumpian pout and videos of the actor’s preparation just aching to be clicked — or to be stored in the Trump Presidential Library when this is all over in a few months, or in 2029, or beyond.

“I started to realize that I needed to start speaking with my lips in a different way,” Stan says. “A lot of that came from the consonants. If I’m talking, I’m moving forward.” On film, Stan shapes his mouth like he can’t wait to get the plosives out, puckering without quite tipping into parody. “The consonants naturally forced your lips forward.”

“If he did 10% more of what he did, it would become ‘Saturday Night Live,’” Abbasi says. “If he did 10% less, then he’s not conjuring that person. But here’s the thing about Sebastian: He’s very inspired by reality, by research. And that’s also the way I work; if you want to go to strange places, you need to get your baseline reality covered very well.”

A little later, Stan passes me the phone again to show me a selfie of him posing shirtless and revealing two sagging pecs and a bit of a gut. He’s pouting into a mirror. If his expression looks exaggerated, consider that he was in Marvel-movie shape before stepping into the role of the former president; the body transformation happened rapidly and jarringly. Trump’s size is a part of the film’s plot — as Trump’s sense of self inflates, so does he. In a rush to meet the shooting deadline for “The Apprentice,” Abbasi asked Stan, “How much weight can you gain?”

“You’d be surprised,” Stan tells me. “You can gain a lot of weight in two months.” (Fifteen pounds, to be exact.)

Now he’s back in fighting form, but the character has stayed with him. After years of playing second-fiddle agents of chaos — goofball husbands to Margot Robbie’s and Lily James’ characters in “I, Tonya” and Hulu’s “Pam & Tommy,” surly frenemy to Chris Evans’ Captain America in the Marvel franchise — Stan plunged into the id of the man whose appetites have reshaped our world. He had to have a polished enough sense of Trump that he could improvise in character, and enough respect for him to play him as a human being, not a monster.

It’s one of two transformations this year for Stan — and one that might give a talented actor that most elusive thing: a brand of his own. He’s long been adjacent enough to star power that he could feel its glow, but he hasn’t been the marquee performer. While his co-stars have found themselves defined by the projects he’s been in — from “Captain America” and “I, Tonya” back to his start on “Gossip Girl” — he’s spent more than a decade in the public eye while evading being defined at all.

This fall promises to be the season that changes all that: Stan is pulling double duty with “The Apprentice” and “A Different Man” (in theaters Sept. 20), in which he plays a man afflicted with a disfiguring tumor disorder who — even when presented with a fantastical treatment that makes him look like, well, Sebastian Stan — can’t be cured of ailments of the soul. For “A Different Man,” Stan won the top acting prize at the Berlin Film Festival; for “The Apprentice,” the sky’s the limit, if it can manage to get seen. (More on that later.)

One reason Stan has largely evaded being defined is that he’s never the same twice, often willing to get loopy or go dark in pursuit of his characters’ truths. That’s all the more true this year: In “The Apprentice,” he’s under the carapace of Trumpiness; in “A Different Man,” his face is hidden behind extensive prosthetics.

“In my book, if you’re the good-looking, sensitive guy 20 movies in a row, that’s not a star for me,” says Abbasi, who compares Stan to Marlon Brando — an actor eager to play against his looks. “You’re just one of the many in the factory of the Ken dolls.”

This fall represents Stan’s chance to break out of the toy store once and for all. His Winter Soldier brought a jolt of evil into Captain America’s world, and his Jeff Gillooly was the devil sitting on Tonya Harding’s shoulder. Now Stan is at the center of the frame, playing one of the most divisive characters imaginable. So he’s showing us where he can go. The spotlight is his, and so is the risk that comes with it.

Why take such a risk?

The script for “The Apprentice,” which Stan first received in 2019, but which took years to come together, made him consider the American dream, the one that Trump achieved and is redefining.

Stan emigrated with his mother, a pianist, from communist Romania as a child. “I was raised always aware of the American dream: America being the land of opportunity, where dreams come true, where you can make something of yourself.” He pushes the wings of his hair back to frame his face, a gold signet ring glinting in the late-summer sunlight, and, briefly, I can hear a hint of Trump’s directness of approach. “You can become whoever you want, if you just have a good idea.” Stan’s good idea has been to play the lead in movies while dodging the formulaic identity of a leading man, and this year will prove just how far he can take it.

“The Apprentice” seemed like it would never come together before suddenly it did. This time last year, Stan was sure it was dead in the water, and he was OK with that. “If this movie is not happening, it’s because it’s not meant to happen,” he recalls thinking. “It will not be because I’m too scared and walk away.”

Called in on short notice and filming from November 2023 to January of this year (ahead of a May premiere in Cannes), Stan lent heft and attitude to a character arc that takes Trump from local real estate developer in the 1970s to national celebrity in the 1980s. He learns the rough-and-tumble game of power from the ruthless and hedonistic political fixer Roy Cohn (Jeremy Strong), eventually cutting the closeted Cohn loose as he dies of AIDS and alienating his wife Ivana (Maria Bakalova) in the process. (In a shocking scene, Donald sexually assaults Ivana in their Trump Tower apartment.) For all its edginess, the film is about Trump’s personality — and the way it calcified into a persona — rather than his present-day politics. (Despite its title, it’s set well before the 2004 launch of the reality show that finally made Trump the superstar he longed to be.)

And despite the fact that Trump has kept America rapt since he announced his run for president in 2015, Hollywood has been terrified of “The Apprentice.” The film didn’t sell for months after Cannes, an unusual result for a major English-language competition film, partly because Trump’s legal team sent a cease-and-desist letter attempting to block the film’s release in the U.S. while the fest was still ongoing. When it finally sold, it was to Briarcliff Entertainment, a distributor so small that the production has launched a Kickstarter campaign to raise money so that it will be able to stay in theaters.

Yes, Hollywood may vote blue, but it’s not the same town that released “Fahrenheit 9/11” or even “W.,” let alone a film that depicts the once (and possibly future) president raping his wife. (The filmmakers stand behind that story. “The script is 100% backed by my own interviews and historical research,” says Gabriel Sherman, the screenwriter and a journalist who covers Trump and the American conservative movement. “And it’s important to note that it is not a documentary. It’s a work of fiction that’s inspired by history.”) Entertainment corporations from Netflix to Disney would be severely inconvenienced if the next president came into office with a grudge against them.

“I am quite shocked, to be honest,” Abbasi says. “This is not a political piece. It’s not a hit piece; it’s not a hatchet job; it’s not propaganda. The fact that it’s been so challenging is shocking.” Abbasi, born in Iran, was condemned by his government over his last film, “Holy Spider,” and cannot safely return. He sees a parallel in the response to “The Apprentice.” “OK, that’s Iran — that is unfortunately expected. But I wasn’t expecting this.”

“Everything with this film has been one day at a time,” Stan says. The actor chalks up the film’s divisiveness to a siloed online environment. “There are a lot of people who love reading the [film’s] Wikipedia page and throwing out their opinions,” he says, an edge entering his voice. “But they don’t actually know what they’re talking about. That’s a popular sport now online, apparently.”

Unprompted, Stan brings up the idea that Trump is so widely known that some might think a biographical film about him serves no purpose. “When someone says, ‘Why do we need this movie? We know all this,’ I’ll say, ‘Maybe you do, but you haven’t experienced it. The experience of those two hours is visceral. It’s something you can hopefully feel — if you still have feelings.’”

After graduating from Rutgers in 2005, Stan found his first substantial role on “Gossip Girl,” playing troubled rich kid Carter Baizen. Like teen soaps since time immemorial, “Gossip Girl” was a star-making machine. “It was the first time I was in serious love with somebody,” he says. (He dated the series’ star, Leighton Meester, from 2008 to 2010.) He feels nostalgic for that moment: “Walking around the city, seeing these same buildings and streets — life seemed simpler.”

Stan followed his “Gossip Girl” gig with roles on the 2009 NBC drama “Kings,” playing a devious gay prince in an alternate-reality modern world governed by a monarchy, and the 2012 USA miniseries “Political Animals,” playing a black-sheep prince (and once again a gay man) of a different sort — the son of a philandering former president and an ambitious former first lady.

When I ask him what lane he envisioned himself in as a young actor, he shrugs off the question. “I grew up with a single mom, and I didn’t have a lot of male role models. I was always trying to figure out what I wanted to be. And at some point, I was like, I could just be a bunch of things.”

Which might seem challenging when one is booked to play the same character, Bucky Barnes, in Marvel movie after Marvel movie. Bucky’s adventures have been wide-ranging — he’s been brainwashed and turned evil and then brought back to the home team again, all since his debut in 2011’s “Captain America: The First Avenger.” Next year, he’ll anchor the summer movie “Thunderbolts,” as the leader of a squad of quirky heroes played by, among others, Julia Louis-Dreyfus and Florence Pugh. It’s easy to wonder if this has come to feel like a cage of sorts.

Not so, says Stan. His new Marvel film “was kind of like ‘One Flew Over the Cuckoo’s Nest’ — a guy coming into this group that was chaotic and degenerate, and somehow finding a way to unite them.”

Lately, knives have been out for Marvel movies as some have disappointed at the box office, and “Thunderbolts,” which endured strike delays and last-minute cast changes, has been under scrutiny.

“It’s become really convenient to pick on [Marvel films],” Stan says. “And that’s fine. Everyone’s got an opinion. But they’re a big part of what contributes to this business and allows us to have smaller movies as well. This is an artery traveling through the system of this entire machinery that’s Hollywood. It feeds in so many more ways than people acknowledge.” He adds, “Sometimes I get protective of it because the intention is really fucking good. It’s just fucking hard to make a good movie over and over again.”

Which may account for an eagerness to try something new. “In the last couple of years,” he says, “I’ve gotten much more aggressive about pursuing things that I want, and I’m constantly looking for different ways of challenging myself.”

The challenge continued throughout the shoot of “The Apprentice,” as Stan pushed the material. “One of the most creatively rewarding parts of the process was how open Sebastian was to giving notes on the script but also wanting to go beyond the script,” says Sherman, the screenwriter. “If he was interested in a certain aspect of a scene, he was like, Can you find me a quote?” he recalls.

Building a dynamic through improvised scenes, Stan and Strong stayed in character throughout the “Apprentice” shoot. “I was doing an Ibsen play on Broadway,” says Strong, who won a Tony in June for his performance in “An Enemy of the People,” “and he came backstage afterwards. And it was like — I’d never really met Sebastian, and I don’t think he’d ever met me. So it was nice to meet him.”

Before the pair began acting together, they didn’t rehearse much — “I’m not a fan of rehearsals,” Strong says. “I think actors are best left in their cocoon, doing their work, and then trusted to walk on set and be ready.” The two didn’t touch the script together until cameras went up — though they spent a preproduction day, Strong says, playing games in character as Donald and Roy.

After filming, both have kept memories of the hold their characters had on them. They shared a flight back from Telluride — a famously bumpy trip out of the mountains. “He’s a nervous flyer, and I’m a nervous flyer,” Stan says. Both marveled at the fact that they’d contained their nerves on the first day of shooting “The Apprentice,” when their characters traveled together via helicopter. “We both go, ‘Yeah — but there was a camera.’”

Stan’s aggressive approach to research came in handy on “A Different Man,” which shot before “The Apprentice.” His character’s disorder, neurofibromatosis, is caused by a genetic mutation and presents as benign tumors growing in the nervous system. After being healed, he feels a growing envy for a fellow sufferer who seems unbothered by his disability.

Stan’s co-star, Adam Pearson, was diagnosed with neurofibromatosis in early childhood. Stan found the experience challenging to render faithfully. “I said many times, I can do all the research in the world, but am I ever going to come close to this?” Stan says. “How am I going to ever do this justice?”

Plus, he had precious little time to prepare: “He was fully on board, and the film was being made weeks later,” director Aaron Schimberg says. “Zero to 60 in a matter of weeks.”

The actor grappled for something to hold on to, and Pearson sug gested he refer to his own experience of fame. “Adam said to me, ‘You know what it’s like to be public property,’” Stan says.

Pearson recalls describing the experience to Stan this way: “While you don’t understand the invasiveness and the staring and the pointing that I’ve grown up with, you do know what it’s like to have the world think you owe them something.”

That sense of alienation becomes universal through the film’s storytelling: “A Different Man” takes its premise as the jumping-off point for a deep and often mordant investigation of who we all are underneath the skin.

The film was shot in 22 days in a New York City heat wave, and there was, Schimberg says, “no room for error. I would get four or five takes, however many I could squeeze out, but there’s no coverage.”

Through it all, Stan’s performance is utterly poised — Schimberg and Stan discussed Buster Keaton as a reference for his ability to be “completely stone-faced” amid chaos, the director says. And the days were particularly long because Oscar-nominated prosthetics artist Michael Marino was only able to apply Stan’s makeup in the early morning, before going to his job on the set of “The Marvelous Mrs. Maisel.”

“Even though I wasn’t shooting until 11 a.m., I would go at like 5 in the morning to his studio, or his apartment,” Stan recalls. The hidden advantage was that Stan had hours to kill while made up like his character, the kind of person the world looks past. “I wanted to walk around the city and see what happened,” Stan says. “On Broadway, one of the busiest streets in New York, no one’s looking at me. It’s as if I’m not even there.” The other reaction was worse: “Somebody would immediately stop and very blatantly hit their friend, point, take a picture.”

It was a study in empathy that flowed into the character. Stan had spoken to Pearson’s mother, who watched her son develop neurofibromatosis before growing into a disability advocate and, eventually, an actor. “She said to me, ‘All I ever wanted was for someone to walk in his shoes for a day,’” Stan recalls. “And I guess that was the closest I had ever come.”

“The Apprentice” forced Stan, and forces the viewer, to do the same with a figure that some 50% of the electorate would sooner forget entirely. And that lends the film its controversy. Those on the right, presupposing that the movie is an anti-Trump document, have railed against it. In a statement provided to Variety, a Trump campaign spokesman said, “This ‘film’ is pure malicious defamation, should never see the light of day and doesn’t even deserve a place in the straight-to-DVD section of a bargain bin at a soon-to-be-closed discount movie store, it belongs in a dumpster fire.” The campaign threatened a lawsuit, though none has materialized.

Asked about the assault scene, Stan notes that Ivana had made the claim in a deposition, but later walked it back. “Is it closer to the truth, what she had said directly in the deposition or something that she retracted?” he asks. “They went with the first part.”

The movie depicts, too, Ivana’s carrying on with her marriage after the violation, which may be still more devastating. “How do you overcome something like this?” asks Bakalova. “Do you have to put on a mask that everything is fine? In the next scene, she’s going to play the game and pretend that we’re the glamorous, perfect couple.” The Trumps, in “The Apprentice,” live in a world of paper-thin images, one that grows so encompassing that Donald no longer feels anything for the people to whom he was once loyal. They’re props in his stage show.

“The Apprentice” will drop in the midst of the most chaotic presidential election of our lifetime. “The way it lands in this extremely polarized situation, for me as an artist, is exciting. I won’t lie to you,” says Abbasi.

When asked if he was concerned about blowback from a Trump 47 presidency, Stan says, “You can’t do this movie and not be thinking about all those things, but I really have no idea. I’m still in shock from going from an assassination attempt to the next weekend having a president step down [from a reelection bid].”

Stan’s job, as he sees it, was to synthesize everything he’d absorbed — all those videos on his phone — into a person who made sense. This Trump had to be part of a coherent story, not just the flurry of news updates to which we’ve become accustomed.

“You can take a Bach or a Beethoven, and everyone’s going to play that differently on the piano, right?” Stan says. (His pianist mother named him for Johann Sebastian Bach.) “So this is my take on what I’ve learned. I have to strip myself of expectations of being applauded for this, if people are going to like it or people are going to hate it. People are going to say whatever they want. Hopefully they should think at least before they say it.”

It’s a reality that Stan is now used to — the work is the work, and the way people interpret him is none of his business. Perhaps that’s why he has run away from ever being the same thing twice. “I could sit with you today and tell you passionately what my truth is, but it doesn’t matter,” he says. “Because people are more interested in a version of you that they want to see, rather than who you are.”

“The Apprentice” has been the subject of extreme difference of opinion by many who have yet to see it. It’s been read — and will continue to be after its release — as anti-Trump agitprop. The truth is chewier and more complicated, and, perhaps, unsuited for these times.

“Are we going to live in a world where anyone knows what the truth is anymore? Or is it just a world that everyone wants to create for themselves?” Stan asks.

His voice — the one that shares a slight accent with Trump but that is, finally, Stan’s own — is calm and clear. “People create their own truth right now,” he says. “That’s the only thing that I’ve made peace with; I don’t need to twist your arm if that’s what you want to believe. But the way to deal with something is to actually confront it.”

[avocado-writing]

Astarion x Reader

Astarion x Mage Apprentice!Reader* & Pt2*

Mistaken Identity

heart, home*

chilly

Astarion x Rogue!Tav Headcanons

Astarion’s Pre-Cazador Love

Virgin!Reader Feeding*

Gentle Cuddles

Pampered

Scotophobia

Anchor

Fangless

Training*

Where He’d Take You In The City

although I was burning, you’re the only light*

Gale x Reader

Good Boy* & pt2

Karlach x Reader

Burn Heals*

Halsin x Reader

Sneaking Off*

Bred*

Wyll x Reader

Giving In & Part 2

Teasing*

Misc

Kiddo (Gortash & Reader, platonic)

Lists

Supportive Headcanons

Shy Reader Kisses

Reader Often Ignored

Short Reader

Ascended Fiend Raphael HCs*

Dirty Headcanons*

Socially Anxious Reader

Companions help Reader in Pain

Pregnancy & Parenthood Headcanons

Reader Waiting for Rejection

Reader Worried Nobody Would Want Them

Reader Wearing His Clothes

Roadtrip AU

Comforting Headcanons

Trouble Sleeping

Reader Who Hides Their Face & Female Companions

Reader Who Says They’re Glad They Met Him

Reader With Skin Condition

Reactions to Calling Companions Mummy/Daddy*

Reactions to Companions Calling You Mummy/Daddy*

Reactions to You Hiding an Injury

Reader Sad About Being Ignored

BG3 Men Reactions When You Tease Them*

Companions Realising They’re In Love With You Mid-Battle & Reverse

Companion Reactions to a Reader Who Can Change Sex

Modern AU Picnic in the Park

Bard!Reader Serenading Them

Reactions When You’re Self-Conscious About Your Laugh

Halsin & Astarion Realising You’re Strong

Reactions When They See You Self-Destructing

Birthday Celebrations*

When You Think Your Love Is Unrequited

Reactions When You Say Their Love Will Pass

Reactions To You Drinking The Elixir of the Colossus*

How Female Companions Go Down*

Reactions When You’re a Selkie

Reactions When You Become Dominant*

Companions Help You Get Fit

Rainy Day Cuddles

Reactions to a Reader Who Loves to Cook

BG3 Ladies & Breast Play*

Reactions to You Coming Out as Ace

BG3 Ladies’ Reaction to a New Facial Scar

Pregnancy Cravings

How the BG3 Ladies Cuddle

Companions Falling For You Mid-Performance

How the BG3 Ladies Talk in Bed

BG3 Men & Reader Who Can't Read

Reactions to Awkward Comforting

Saying You Love Them Mid-Argument

[sister-lucifer]

Taken To Another World 

⊹₊⟡⋆A Multifandom Fantasy AU Themed 5K Celebration Writing Challenge⊹₊⟡⋆

Special thanks to @ghostboneswrites2 for inspiring this! 

Interested? Keep reading! 

There will be two prompts for each genre; a pair for fluff, a pair for smut, a pair for angst, and a pair for horror. Each prompt comes with its own criteria, so read carefully! 

How To Participate: 

Reblog this post (for reach! thanks!) 

Pick a prompt (or multiple) 

Write your fic 

Post it and tag me (feel free to send it to me directly if I don’t see it!) 

Use the tag #lucifer’s 5k fantasy challenge 

The fandoms this challenge is open to are as follows: 

Obey Me!, Creepypasta, Marble Hornets, Batman (and all related media), Jojo’s Bizarre Adventure (all parts), and any original characters/universes.

Don’t see your fandom? You’re still free to use these prompts (and please tag me if you do so I can see it,) but it unfortunately will not count as an entry for this challenge!

Rules: 

Feel free to pick multiple prompts, but you cannot enter more than one fic per prompt! 

The fics can be part of your own ongoing series, but they must be able to stand alone as their own piece without the additional context of the series 

Please state which prompt you chose somewhere on your post 

Feel free to cross post your work to another site such as Ao3, but please, do mention that it was part of my challenge 

Anyone can participate in this challenge, however I ask that minors stay away from the NSFW prompts 

You are free to bend the prompts as you wish, there is no mandatory time period or setting 

My inbox and messages are always open if you need to ask questions, consult me, or just want to discuss ideas!

The fics can be Character x Reader, Character x OC, or Character x Character; relationships can be platonic or romantic as you wish

Some prompts are written with pairs in mind; feel free to modify this to fit in as many characters as you’d like. Poly relationships included!

Absolutely NO incest OR pedophilia under any circumstances 

NO AI, NO using other people’s writing, and NO using a piece you’ve already written

Pay attention to the criteria! Prompt 1 will have a required quote, and Prompt 2 will have a required plot point/action

The Deadline is currently undecided. This will be updated soon 

Winners: 

I will choose up to 3 finalists for each prompt.  The finalists will be presented in a poll, and the readers will choose the winner. 

The winner of each prompt will get their own shoutout/promo post including an analysis of what I liked about their fic, & at least 3 fics I recommend from them and why. 

Does all that sound like fun? Good! Here’s your prompts:

Over The River, Through The Woods…

Fluff + Faeries

Prompt 1:  In a fit of rebellion, a naive royal flees from the castle and into the woods. They stumble upon a faerie who, against all they’ve ever been taught, seems rather…kind. 

Necessary Criteria: “Anyone can do a good thing if they try.” / “Well…how often do you try?”

Prompt 2: Fae don’t often leave their villages, except to gather. Unfortunately, one foolish faerie has found themself entangled in a trap left behind by a human hunter. Even worse, the human has returned to see what they’ve caught; although, they seem far more curious than hostile. 

Necessary Criteria: One of the characters teaches the other a new word in their native tongue. 

Magic Begins In Superstition, And Ends In Science…

Angst + Alchemy 

Prompt 1: The job of an alchemist’s apprentice is rarely an easy one. Magic is a fickle mistress, after all. When the apprentice’s companion tries to pull them away from their work, the argument gets heated, until the pressure becomes too much and causes an intense explosion…literally. 

Necessary Criteria: “You’re not even smart enough to understand what I do, and you think you get to tell me when to stop working?!”

Prompt 2: The alchemist’s work is starting to consume them. Blinded by their pursuit of knowledge, they recklessly decide to slip a bit of their newest experimental concoction into their companion’s meal without their knowledge. The alchemist convinces themselves this is all for the greater good, and surely nothing all that bad could happen, but soon comes to regret it. 

Necessary Criteria: A horrible transformation. 

The Tongue May Be Twice As Sharp And Thrice As Lethal As The Blade…

Smut + Swords 

Prompt 1: A rivalry between two swordsman gets a bit out of hand when the pair decide to make a salacious bet over a duel: whoever loses must play submissive to the other, starting from the moment they drop their sword. 

Necessary Criteria: “Don’t think I’ll surrender that easily.” / “Mm, I didn’t think you would…I like it so much more when you’re fiery.”

Prompt 2: A courageous knight rescues a royal from the clutches of peril, and their majesty simply can’t let their hero leave without thoroughly rewarding them for such bravery. 

Necessary Criteria: The pair narrowly avoid being caught in the act. 

Cursed Is The Man Who Dies, But The Evil Done By Him Survives…

Horror + Hexes

Prompt 1: Foolish explorers accidentally wander into a witch’s garden. One of them can’t resist plucking a berry from a bush, not giving it a second thought as they swallow it down, only for the horrific consequences of a curse to start taking form the next day. 

Necessary Criteria: “Please…you have to tell me you know how to make this stop.” 

Prompt 2: While treasure hoarding is generally frowned upon among honorable bounty hunters, some simply can’t kick the habit. This quickly proves to be a terrible mistake, though, as a cursed trinket starts to warp its owner’s mind and plunge them into a darkness that turns them on the one they love most. 

Necessary Criteria: Creative use of an everyday object as a weapon. 

Final Reminders:

Most importantly: Have Fun! 

Make sure to read the rules carefully! 

You’re always free to ask questions! 

Tag me in your entry + use the tag #lucifer’s 5k fantasy challenge! 

Happy Writing, everyone!

(even if you don’t plan to participate, please reblog and share this post so others will see it!)

[phaedrinthefaire]

I saw a post recently about what could’ve happened to Arabella post-game, but what I need to know is what happened to Yenna.

tldr Larian tell me what happened to my girl wait nvm ik what’s canon to me

Did she stay safe in the Elfsong during the Netherbrain’s attack? How did she feel when all of her heroes left the inn one last time? Whose care did they leave her in?

And then once the dust settles and the fractured remains of the party come back to celebrate, what then?

Maybe after weeks of her helping in the kitchen, the Elfsong’s chef finally begrudgingly admits he’s impressed and takes her on as an apprentice, and she becomes Baldur’s Gate’s finest. She grows up as the gate grows back.

Maybe Rion meets her in the midst of celebration and sees a companion for Fig in her, and asks if she wants a quieter place to sleep. Elerrathin’s Home finds a new balance as she settles in. Slowly, she has a family again. A home.

The companions might have something in mind for her. In awe of Tav’s magic, she could admit she wants to learn, and Gale enrolls her in the finest wizarding classes in Waterdeep. Shadowheart decides a little extra help on the farm wouldn’t hurt. (Dad)Astarion, longing for rest, suggests quietly that she can come with him, just for a while. If she wants! That on the road they might find a little peace, if not a little adventure too. (In my hc he’d only be brave enough to suggest it if he’s with Tav but I digress.)

Maybe her path only crosses with the companions again once she’s a little older. Minsc meets her in the city and recruits her good heart in his quest to change the Guild. Wyll and Karlach or Lae’zel return to the gate and find she’s become a young adventurer, a Baldurian through and through.

My favorite of her potential fates ironically is what’s most likely to be canon—Halsin sees her after their celebrations. She’s so tired. Their fellowship is breaking, and so is her something of a family. He knows the exhaustion hovering over fear in her eyes all too well. He wants to see light in them again.

So he takes her with him. Back in nature, she learns how to be a child again.

Brb going to go cry over Yenna. I love that little girl.

(I know we’re not getting a BG4 from Larian at least, but imagine a little sequel where you play as Yenna a few years later. Or any of the kids—Mol, Arabella, Fig. That would be so special.)

[wood-white-writer]

"Didn't mean to make your heart Blue" || [3/...]

- OPLA!Buggy x F!Reader

"And I am the idiot with the painted face, in the corner taking up space. But when he walks in, I am loved."

— Mitski, "Me and My Husband"

Pairing: Buggy the Clown (Live action) x F!Reader

Part 1 | Part 2 | Part 4 | Part 5 | Part 6

Summary: You were an apprentice of Gol D. Roger’s crew in your youth, long before his eventual demise. Along with the Red-Haired Shanks and Buggy, you were a formidable trio; the embodiment of a new generation of pirates yet to come. But times changed, and so did you and your friends. Years have passed since you last saw Buggy following the dispute that you thought ended your friendship. When you finally reunite with the blue-haired menace you once considered your closest friend, it’s under less than “friendly” circumstances.

Warnings: Canon typical violence, LA!Verse, Buggy is a lonely asshole, flashbacks, semi-canon divergence, Reader is strong AF,

A/N: I forgot to mention this before, but I guess this technically does hold some spoilers from the manga/anime. Keep in mind, I've not seen/read either piece, so it's merely used to give their stories some background.

Taglist: @kurinhimenezu, @carpinchootaku (If you want to be tagged for this story, just send me a message or comment :))

Fuck, fuck, fuck, where the fuck are you?

After some time of searching, Buggy finds you sitting by the docks, your feet gently swaying with the waves, almost free of any earthbound weight. He’d join you if he could, but he’s not brave enough to get too close to the waters yet.

However, he’s content enough to just watch you from a safe distance. The sky is free of clouds and the moon is full, which illuminates your shape like a bright lantern in the night.

Beautiful, that's what he thinks you are. In fact, that's what he's been thinking for a while now, not that he's ever told you that to your face. He wonders when he stopped looking at you like something more than a friend. 

Maybe it was when he caught you smiling at him after you'd successfully managed to steal a bottle of fine rum from the local bar, and you both ended up getting blackout drunk on the ship deck?

Maybe it was when he saw you win a round of arm-wrestling against one of your other crewmates, despite being significantly younger than the opponent.

Maybe it was when you beat a guy black and blue for making fun of his nose in public, with both him and Shanks cheering you on from a safe distance? 

It doesn’t matter when it was. What matters is that, for a while, he has found it difficult to take his eyes off you. Even if it’s just a peek, it usually takes him a while to force his attention on something else.

The rest of the crew are on the Oro Jackson, celebrating their recent endeavors, yet here you are, celebrating on your own. He finds it odd; you’re usually happy to participate in any celebrations with the crew, but you’ve decided to be here instead. It was your absence on deck that prompted Buggy to go looking for you.

The wind picks up and he can feel goosebumps spread across his skin like wildfire. He shivers and tugs his jacket tighter around himself, and that’s when he notices that you’re not wearing any additional clothing to stave off the cold in the night.

He finally calls out to you, a little throaty for reasons he refuses to disclose aloud. “You’re gonna get a cold like that, dumbass! You wanna get pneumonia and die or something?”

You subsequently turn around to face him, and his breath gets caught in his throat. Your sharp eyes, when caught in the moonlight, sparkle like a thousand treasures — compiled of gold, diamonds, and millions and millions of berries — holed up in two caves.

Smiling in the way that makes his pulse quicken, you proceed to wave your feet in the water. A few drops land on your arms, sparkling in the air before landing on the skin of your arms. “I don’t think so? If we get to the South Pole, maybe there’s a higher risk?”

He frowns and crosses his arms over his chest. “The North Pole is colder!”

“Ah, well,” you snicker. “In that case, then I’m not likely to get pneumonia unless we’re there.”

“You can still get cold! What are you, a moron?” 

For someone who can’t keep his eyes off you for extended periods, that doesn’t keep him from being rather crass in terms of vocabulary with you. That’s alright. You’ve never been one to appreciate honeyed words if your frequent bickering with both him and Shanks says something.

With another swing of your legs, you reestablish contact with with wooden platform and make your way over to him. That’s when he finally realises that you haven’t brought your shoes with you, but you don’t seem bothered by it. “By the way, what’re you doing here, Buggy?“

He considers telling you a simple lie that won’t clash with what he knows to be the truth. He was coincidentally going for a walk, he needed some air, he was purposefully looking for you…

“Noticed you weren’t on the ship,” he finally settles on with a hmph. “Had to make sure you hadn’t accidentally up and drowned or something. You’re a shitty swimmer,”

“Not as shitty as you,” you counter and blow him a raspberry. 

He’s about to tell you to fuck off or something when, again, he finds himself pausing. 

You’re smiling at him, so softly, and it feels so warm that the wind no longer has any effect on him. He can feel his cheeks scorch up and his heart is pounding so hard that it feels on the verge of breaking his ribs.

He hastily looks away and coughs a couple of times, trying to maintain what little dignity he has left.

“Are you alright?” You ask with faux concern. “Did you just catch pneumonia or something?”

“S-Screw you!”

You laugh, and it’s like music to his ears. Your laughs are usually raspy and hardly appropriate, but he finds that it’s the prettiest sound in the world. Your smile, your laugh, they are so warm that he hopes that you’ll never stop making them.

Out of the blue, you wrap an arm around his shoulder and begin tugging him on the path to the ship. “Come on, before they leave us behind.”

“Y-Yeah, let’s.” He doesn’t move to tug your arm away, and no power on this earth will make him.

------

Now that he's closer to the kid, Buggy realizes the stupidity of asking if he was yours. The two of you are nothing alike, but the truly defining factor lies in your eyes. Rubber Boy's eyes are too bright, too round. Whereas yours are knives ready to strike, his' are simple spoons.

He begrudgingly has to hand it to the kid; he's a fearless one. Even stretching his limbs beyond human capabilities does not diminish his spirit. Buggy doesn't know whether to applaud or reject the determination the boy has.

"I want you to think of this, like an artistic exercise," he explains. "Because pain leads to art, and art reveals truth."

He can't hear any commotion from the backrooms where he keeps you contained. Truth be told, he never expected it to keep you for long, only detain you for a limited amount of time. If he wants to both get the map and keep his life in one go, he is going to have to try and get it without necessarily ruining the kid too much.

Still, it doesn't keep him from testing the lines. He tries to pry the answers out with a needle, but no matter what he does, the kid remains infuriatingly mute. 

So, he decides to dig a little deeper.

"Now, what makes a boy want to grow up to be King of the Pirates? Who are you trying to impress?" He tilts his head with inquisitiveness. "A lost love?"

On cue, he can vaguely make out a gnarling sound coming from the back rooms. The sound of chains rattling, which he perceives as you probably moving in the enclosure. He thinks about sending someone to check on you and find out what you're up to, but he does not want the number of supporting casts to reduce.

"An absent parent?" He continues, ignoring the noises as he closes in on the boy. "Or was it someone that you worshipped? A false idol."

Try as he might, the boy fails to feign any indifference to him. A master of performance himself, Buggy knows when he's hit his target "That's it."

He yanks the dumb straw hat off his head, and the boy's protests against it further dig a nail into the coffin. "Give me back my hat!"

"I used to know a pirate that wore a hat just like this." Buggy's grip on the feeble thing drastically tightens as memories of the past resurface. "Red-Haired Shanks."

"You knew Shanks?"

"Ginger? Three scars, left eye?" Of course, how could he not know of the bastard? "We served together on a pirate crew when we were about your age. In fact," he glances at the boy from over his shoulder. "Your friend, Cross-Hairs over there, was with us at the time."

The kid blinks in confusion, clearly not aware of this little piece of information. "I knew she served with Shanks, but she never mentioned you."

In all honesty, it doesn't surprise him, yet he still perceives this as a slight against him from your side. The underlying hypocriticism in that doesn't evade his notice, but he elects not to address it. 

Buggy can feel the straws under his digits lightly crack beneath the pressure of his grip. "She did, but before then, it was the three of us. For a time, I even thought we were friends." His nail pierces a hole through the inside of the hat. "Until they betrayed me, like all the others. He wanted to keep me out of the spotlight! He wanted to keep my star from shining too brightly!"

"They wouldn't do that," Rubber Boy is quick to protest, rather vehemently too as if Buggy just insulted his entire lineage. "You don't know her, and you don't know Shanks. Don't talk about them that way."

"I bet I know her far better than you do, Rubber Boy." He smirks and raises a knowing eyebrow at the kid. "Does she still snatch specifically red apples off vendors when you're in town? Does she still tend to store her knives in her boots when she thinks no one's looking?"

The kid doesn't have to answer. His silence is all the confirmation he needs, and it makes him feel victorious in some sense. 

"Let me ask you something else, then. How'd the famous Captain of the Cross-Haired Pirates get stuck with a simple-minded nobody like you? What did you do that was so special that she decided to stick around until now?" 

The damn brat doesn't answer.

He presses on. "Apparently, she made a promise to someone, and though I have a sneaking suspicion as to whom, I don't want to jump the gun." He grasps harshly at the kid's face, no longer smiling. "You know, and if you tell me, I might be convinced to lessen the restraints."

The damn brat still doesn't fucking answer, and it vexes him greatly. Even so, if there's one thing he's learned, it's that the kid's silence can be substituted for an answer.

So, he finally asks the billion-berry question: 

"Was it Shanks?"

Rubber Boy does not answer. He doesn't fucking answer, and Buggy's patience snaps like a twig.

You would be willing to go through all of this trouble, to keep the kid safe and help him achieve his dream, just because you made a silly promise to what was once your mutual friend. You would give up your career as one of the most successful pirates in the modern age, just for that?

Just for him?

Deep down, he feels something carve at him. Carve at the boyish version of him he left behind the same day he left you. Would you have been just as loyal to him as you were to Shanks, if only he stayed?

He does not voice these thoughts aloud. Instead, he can't help but beam, because everything he's theorized up until this point has just been verified. It aches, and it hurts, and it cuts, but even so, he can only smile down at the boy.

"Stretch him until he breaks." 

------

Although you hear a commotion coming from the stage room, and despite the urge you have to just break out and be done with this all, you deliberately remain in your cage. One leg pulled up to your chin whereas the other one rests uncomfortably on the stale ground boards, you do nothing more than let your temper simmer down.

Honestly, what a mess.

You made one thing perfectly clear to Shanks the day you agreed to disband your crew and keep watch on the boy. It had not even been a week after he returned to the docks of Fooshia Village, one arm short and the boy by his side.

------

"I am not his parent. I will not be held responsible for the mistakes he makes when he decided to leave land. I will only keep him alive until I decide he can do that himself; after he's earned his first bounty. After that, I'm off."

"And what will you do after?" he had asked, genuinely curious.

You didn't answer, because you didn't know.

"Look after the lad for me, will you? Help him achieve his dream." He had taken your shoulder under his warm remaining hand and said:

"Maybe one day, you'll find your own."

------

If you'd known that Luffy's dream would one day lead you back to him, you would've been more reluctant to make that promise. At the time, you had little interest in picking up the shattered pieces of your childhood dream, yet it seems that now it has decided to search you out instead.

Or rather, he has.

Your head hurts.

This is not the time for heartfelt reunions if there ever was one. Buggy has only one goal in mind, and that is to get his hands on that damn map. Harming Luffy will serve as a means to an end in achieving that, which happens to clash with your goal. You're not Luffy's parent, you tell yourself, but you're willing to extend the promise to Shanks just this once.

And so, after some careful deliberation, you make your escape. 

You hit the metal once, and it bends significantly. Then twice, and on the third strikes, they bend and crack, finally granting you access to direct contact with the ground. It's never felt so relieving to be earthbound, and you even go as far as to tap your feet a few times to enrich that feeling.

Having most likely heard the noise, two troupe members march through the curtains to see what's going on. The first one barely has the time to register your escape before you lunge. 

You're quick to subdue them, knocking the first one out with an easy choke-hold whereas the other mysteriously ends up with half his body stuck in what remains of your previous confinement. His ass hangs out in a rather humiliating position, but the point is, he's out of the way. 

The adrenaline is the one part of piracy you've missed. The surge of energy that flows through your veins, feeling the air brush your face as you make your move, the warmth in your heart that substitutes any pain or hurt you've ever felt if only for a moment.

You relish it.

You happen to find your weapons in the room, hidden in some crates. Your knives and your pistol, are both unscathed and fully functional, but you know that you'll end up relying on your hands for this. After all, it's personal, and personal matters are handled in a personal way. 

When you're certain the two troupe members are of no concern to you, you exit the back rooms and find yourself in the opening between the audience rows shortly after. The lights have been killed and there's an ominous silence stretching in the atmosphere.

You look up at the terrified audience, and though you're almost in clear view of them, none dares stray away from the view up ahead. 

Said view in question being of Luffy halfway submerged by seawater in a tank, already struggling to keep himself afloat. 

Fuck this. Fuck him.

You don't even stop to coordinate your next move as, as you would've done under ordinary circumstances. No, the moment you spot Buggy standing there, trying to reason with the kid with the promise of belonging and having a place on his crew, you lunge for the kill.

------

All Buggy sees just as you make your move is a flash of sharp eyes that seem to glow in the dim room. There's no word upon your entrance, no sound, not a single warning at all. A shriek resonates through the air, shattering the silence that had unknowingly settled over them, and it's his own. 

The air gets knocked out of his lungs as you shove your fist straight into his stomach. Ordinarily, that specific portion of his would've just straight up dislodged itself from his body, but it doesn't this time. He remains intact, a contradiction to what you had threatened to do, and he falls back several good feet on his back like a kicked dog.

A raspy groan is all the noise he manages to get out, heaving his chest in search of the air that was stolen from him. He throws one arm to the ground and gets his upper body up. 

When he finally manages to somewhat stabilize his line of sight, all he sees as the world remains blurred around him is you standing over him with a dangerous glimmer in your eyes. One he's already familiar with.

This is not his old friend or his old flame crew member. This is Cross-Hairs, the feared captain of the vicious Cross-Haired Pirates. The Beast of the East. The one whose aim never misses, and if it does, she'll hunt her target down to the ends of the earth.

And now, he's officially become your target. No longer a passive one at that, but the only one your eyes are set on. He doesn't know if he's content or unnerved by this.

There are no palpable emotions on your face, but he can read your eyes well enough to know that you're angry. No, angry doesn't even begin to cover it; you're absolutely, positively, completely pissed. 

"What?" He forces out, still aching from the punch to his abdomen. "Going to make good on your promise? Going to finally kill me after all this time? If so, then just get on with it!"

You don't answer, and he hates it even more than he would've had you responded. A part of him wants you to kill him; wants you to show that you care enough about him to just fucking do it.

No, instead, all you give him is a glare. That same glare that's never left your face since he first laid his eyes on you. You turn your full attention to the tank and, with one simple hit, you break the glass to try and free Rubber Boy. You free him, without even a moment to hesitate, and it feels so much more painful than if you’d just ended him on the spot.

He wants to scream. Buggy wants to scream until his lungs give in. Scream at your inability to fully look at him. Scream at your apparent concern for a boy who is no more a pirate than he is a banker. 

Scream, because even after all this time, you still refuse to choose him.

Never him.

[goodbye432]

I think it would be really interesting to see the mentor relationships, especially seeing Iroh and Zuko and what their exile would look like in a smaller world like warrior cats. I think the idea of it being Ayla at the same time works too bc there are star clan prophecies and it wouldn’t be too much of a stretch to make aang the center of one after shadowclan tries to start expanding too far and fighting

@goodbye432 Idea and I was wondering what you'd think.

What if I turned this au into an art series? We could take a look at the relationships between the Gaang and their clan mentors or if we switch it up to where it's warrior cats , but ATLA and I can show what the main cast of that would be.

[childotkw]

I’d love to read a dark Harry fic (but like a good one). Would you ever consider writing a dark Harry? Like riddle persuades Harry to join his dark side? Maybe they went to school together or something… or just any other hp/tr fics tbh I love your work sm xx

I might pinch the beginning of Dig Two Graves for this one, but I was thinking -

Harry and Tom attended Hogwarts together, and their rivalry was the stuff of legends. They pushed each other to new heights, nipping at the other’s heels in each class, and the teachers despaired as much as they celebrated the wonders it did for the boys’ grades.

Both mistreated orphans, both from old, respected families (though it takes time for Tom to find his), both powerful halfbloods.

Their differences only just outshone their similarities.

Everyone agreed - quietly, of course, because heaven forbid one of them hears - that if fate had been kinder, Harry Potter and Tom Riddle would have been the best of friends.

And the funny thing? They actually were.

In between their sniping and duels and mean smiles, these two boys succumbed to the draw they felt to each other. Orbiting, never quite colliding but still basking in the presence of the only other one in the world that seemed to see them.

They kept it hidden. Something special, private. A friendship they treasured but were unwilling to share with the world because it was theirs.

Late nights studying in the library turned to idle plans of their future. The places they would travel to, the magics they would learn.

Harry doodled maps and routes they would follow on the backs of his parchment. Tom daydreamed of the power he would wield and the Harry-shaped shadow that was forever at his side.

But they were young, and stupid, and good things never lasted for people like them.

Myrtle Warren died in an accident, and Tom panicked.

He then made a mistake that would haunt him for the rest of his life.

Harry was sent to Azkaban for murder, and Tom was the one who put him there.

Across the channel, Gellert Grindelwald awakened from the most vivid prophetic dream he had ever experienced. He’d laid there gasping, still blinking away the spots in his vision from the duel with Albus that he lost -

And filled with the bone-deep certainty that he needed to find a boy called Harry Potter.

With the future still ringing in his ears, with the whispers and warnings from Death - not the concept, not the idea, but the being itself - coiling through his mind, Gellert accepted what he must do.

At the very least, he mused, dropping back into his bed and waiting for the pounding of his heart to settle, Albus would never anticipate this.

-

Three months later, Harry Potter vanished from his cell in Azkaban.

Two years later, Gellert Grindelwald was defeated in battle, clutching his first, original wand.

Ten years later, Tom Riddle returned to Britain, ready to seize the power he had always dreamed of.

And two days after that, the remnants of Grindelwald’s Acolytes, long thought to be disbanded and destroyed, launched an attack on the British Ministry of Magic.

Led by Grindelwald’s apprentice.

And he had waited over a decade to submit his complaint to the Wizengamot.

[jamscandraw]

A Heart At Arm's Length is an Alternate Timeline/Royalty x Knight style AU where Murph replaces Darius as Coven Head after he mysteriously disappears. Steve is assigned as their personal bodyguard when they move to the castle and they start a secret relationship 🤫 More lore under the cut!

In an alternate timeline, MURPH is headhunted as a promising Abomination witch at a very young age and receives special training and mentorship from Darius. They officially become his apprentice at 16; they still attend school but are seen as a minor celebrity and incredibly isolated from their peers.

When Darius vanishes from the Boiling Isles with no trace, rumours swirl about his disappearance and Murph must take his place. Appointed at 25, they are the youngest Coven Head in history. Darius taught them a lot about power and political influence, and they maintain a careful act to gain the respect of the public and fellow coven heads, while also getting what they want. The power of appearances is very important and they permanently have a concealment stone active that makes them look flawless and glamorous no matter what. They appear calculating, sharp and a little detached when at court, but behind closed doors they are very lonely and wish for an easier, more "normal" life.

STEVE got his childhood dream - accepted into the Emperor's Coven at 18. But it hasn't been quite what he wanted up until now - lots of prison duty, late-night patrols and guarding empty corridors. So he jumps at the chance to be an escort for an important public figure - he might get to go somewhere interesting! - but is taken aback when he is assigned to Head Witch Hearthstone, who after several years in power has finally agreed to move into the castle permanently. They were never close friends, but he knew them in school, and now they're one of the most famous people on the island. He decides to remain professional and keep his identity a secret from them, but up close they're nothing like what the news says about them, and he can't help but be drawn towards them. Still, they're acting very suspiciously and Steve is worried they might be up to something other than their coven head duties. He vows to keep a close eye on them and try to learn more - you know, as part of his job...

Over time, the two gain each other's trust and their relationship grows into something more than what would be considered appropriate between a noble and their loyal bodyguard. A public romance between a coven head and a lowly scout would surely cause a scandal, and maybe even punishment for the both of them. Desperate to stay close to each other but not get caught, and afraid to reveal their true feelings too soon in an unbalanced power dynamic, they promise to keep their meetings a secret.

Both of them have to navigate political intrigue, corruption, social decorum and deceit in order to keep their affections undetected. But with the Day of Unity fast approaching and talk of treason running through the castle, can they even trust each other, and will they choose love or loyalty in the final moment?

[gwhiz-138]

Black Parade Mask 

* Handmade Papier Mache Mask sourced from Mexico by Colleen Atwood and worn in the filming of My Chemical Romance’s “Welcome to the Black Parade” music video

Gerard Quote: “I got to keep some of the masks used in Sam Bayer’s music video for ‘Welcome To The Black Parade’, which was awesome. One of the things Sam was able to do was introduce me to Colleen Atwood, one of the most celebrated costume designers in Hollywood, after I expressed a great interest in working with her on the band’s Black Parade uniforms, which I had been making doodles of for a couple months. The first thing to know about Colleen is that she’s not only insanely talented, she is one of the kindest, sweetest human beings I have met in my life, and I am very grateful we became friends through working together. I also learned a ton from her, and after the shoot and the working experience, I desperately wanted to become an apprentice of hers– just to hang out and make stuff and keep learning. A little background on Colleen is that she has been working on films for many years. She has received several Academy Awards for costume design, and she is the woman responsible for dressing the characters in everything from Memoirs of A Geisha to Edward Scissorhands, creating his iconic look for the film, along with the rest of the cast and many others. Colleen had discovered a group of mask-makers in Mexico that she loved, of which she asked to make her hundreds of masks for the shoot. I remember her explaining all the reasons she was drawn to their work, what she thought was special about them in their simplicity. I thought they were great, and it was truly a sight to see the scores of extras wearing them during the shoot, making up the bulk of the ‘black parade’. Over the years I have given one or two of these away, and I brought the remaining masks to the video shoot, ‘A Summoning’ as props or set-dressing easter-eggs. The Summoning video was used to accompany the announcement for MCR’s 2020 Reunion Tour, which would have been a very different experience had it occurred. After this finds a new home, I believe I will have three left.” - G (x)

[submissiveebrat]

When you're a star, they let you do it. You can do anything." He adds seconds later: "Grab them by the pussy. You can do anything." — Trump in a previously unreleased recording made by "Access Hollywood" in 2005, published Friday by The Washington Post and NBC News

"If Hillary Clinton can't satisfy her husband what makes her think she can satisfy America #MakeAmericaGreatAgain." — Trump tweeted in April 2015. He later deleted the post.

"It must be a pretty picture, you dropping to your knees." — Trump to a female contestant in 2013 on an episode of "Celebrity Apprentice."

"Did Crooked Hillary help disgusting (check out sex tape and past) Alicia M become a U.S. citizen so she could use her in the debate?" — Trump tweeted in September 2016. He was referring to former Miss Universe winner Alicia Machado, whom he publicly shamed for gaining weight when he owned the contest

"It's certainly not groundbreaking news that the early victories by the women on 'The Apprentice' were, to a very large extent, dependent on their sex appeal." — Trump wrote in his 2004 book, "How To Get Rich."

"All of the women on 'The Apprentice' flirted with me — consciously or unconsciously. That's to be expected. A sexual dynamic is always present between people, unless you are asexual." — Trump, also from "How To Get Rich."

"You could see there was blood coming out of her eyes. Blood coming out of her wherever." — Trump in an interview with CNN in August 2015, referring to Fox News Channel anchor Megyn Kelly.

"Look at that face! Would anyone vote for that? Can you imagine that, the face of our next president? I mean, she's a woman, and I'm not s'posedta say bad things, but really, folks, come on. Are we serious?" — Trump in a September 2015 interview with Rolling Stone, speaking about then-primary rival Carly Fiorina.

"It doesn't really matter what (the media) write as long as you've got a young and beautiful piece of ass." — Trump in an interview with Esquire Magazine in 1991.

"A person who's flat-chested is very hard to be a 10, OK?" — Trump in an interview with shock jock Howard Stern in September 2005.

"I saw a woman who was totally beautiful. She was angry that so many men were calling her. 'How dare they call me! It's terrible! They're all looking at my breasts.' So she had a major breast reduction. The good news: Nobody calls her anymore — nobody even looks — and not only that, it was a terrible job." — Trump to Stern in 2008.

Congratulations America, this is who is now president AGAIN. A misogynist, sexist, vile pig. Good Job. 👏👏

[raven-at-the-writing-desk]

OH MY GOOOOD THE STAFF SHOW UP IN THIS YEAR'S ANNI STORY, STAFF IN GRIM GROOVY IS REAL

WE DID IT, FELLAS... ..... ......... . ................... ... ...... . ... ... . .... .. . WE WON WITH THE CONFIRMED STAFF IN GRIM GROOVY 🎊 Between the Crowley SSR, the new event type (where we can wailed on Crowley), and now this... STAFF STANS EATING WELL IN 2024!!

Apprentice Chef Grim's groovy is currently time gated and locked, but... we are for SURE getting staff members (as many fans have predicted!) in that groovy!! This is because the short event story associated with the 4th year anniversary has all 5 known members of NRC staff attending a celebration at Ramshackle dorm. In previous years, we had students join us to party by grade level (first years, second years, then third years). These same groups were then featured posing with Grim while holding up fingers indicating the number of years TWST has been around for (so for first years 1 finger, second years 2 fingers, and third years 3 fingers):

***Spoilers for previous anniversary groovies under the cut!***

Following that pattern, it means staff with be with Grim, and they will be holding up 4 fingers each. The lightning and coloring will probably also be similar to the groovies pictured above, and there will probably be those bubbles too.

... You know what else this means? STAFF IN THE 4TH ANNIVERSARY RHYTHMIC/TWISTUNE!!!! We'll get to see their cute little sprites fooling around with each other and eating food with Grimmy 🥺 Aaaaaaaah, I'm so excited for that!!!