#the musical verse

[soosoosoup]

Funk branch au

Au and branch design by @bbc-trolls

[hollenka99]

"Odysseus when you come home, I'll be waiting. Even if you're the last thing I see, I'll be waiting."

"I'm right here, Mom. Can't you see I'm waiting? ...I took too long."

Jay, come here a second. I would like to have a word about why I'm silently bawling my eyes out at 1am because of Anticlea saying she will always love her son whom she died waiting for.

[i-ate-the-rats]

just think about it.

[aueua]

love these guys. the musical chairs

[vintake-ss]

"Boy. When's your tramp of a mother gonna pick a new husband"

"Oowaooo"

Why is it giving High Schoolers going "ooooooh" after someone drops a yo mama joke 💀

Like

[willthespy]

rare traditional nico doodle (see also: tumblr user catching some vitamin d)

shout out to the crickets that watched me post this

[cosmicquill]

I'm always like "Oh yeah the Nightmare Times are some of my favourite content Starkid has ever put out, but they're fun additional stories and not necessarily essential for people to watch if they're into the Hatchetfield musicals." And then I think about CCRP's future or Homeless Man or Pete's brother or Miss Holloway and I'm like OH MY GOD THEY DON'T KNOW. THEY DON'T KNOW. THEY LACK CRITICAL INFORMATION. THEY DON'T--

[paintbrushnebula]

"Gwen crashed in Hobie's dimension sometimes"

What Miles thought Gwen and Hobie were doing:

What Gwen and Hobie were actually doing:

[gorebonk]

Ricky carriers around little printouts of comic sound effects and holds them up whenever something violent happens

[anniebass]

EGO

[10yrsyart]

(alternate music only video)

i struggle recreating the beauty the Holy Spirit shows me musically, with the limitations of my art. He always surprises me though, and i'm humbled at how lovely it turns out, despite me. but even so, nothing can compare.. nothing can convey the beauty of the Lord.

the most beautiful Being in the universe, our Creator, came down to be one of us and shed His blood for us. He knew we couldn't pay our sin debt ourselves, and He loved us so much He became the payment in our place. but death couldn't defeat Him and He rose on the third day.

it's only through faith in Jesus Christ and His blood that we're set free. He promises eternal life to all who believe in Him, and He's coming very soon to take us home. He is the only one worthy of praise; the only one Just and Loving and True enough to trust your life with. He will never betray you or abandon you. He has loved you unto the ends of the earth. don't wait to accept Him, time is almost up! ✝🕊

"And this is the way to have eternal life- to know You, the only true God, and Jesus Christ, the one You sent to earth. I brought glory to You here on earth by completing the work You gave Me to do. Now, Father, bring Me into the glory We shared before the world began." (John 17:3-5)

transcript:

Holy, Holy, Holy God Almighty

Holy, Holy, Holy God Almighty

Praise the Exalted Holy God

Maker of all the earth and the sky

Holy, Holy, King of Glory

Worship the Son of God Jesus Christ

Glory to the Holy Spirit will rise

You deserve all the honor

You're the One we call the True Almighty God

You're the One we call the True Almighty God

You're the One we call the True Almighty God

You're the One we call the True Almighty God

Praise the Exalted Holy God

Maker of all the earth and the sky

Holy, Holy, King of Glory

Worship the Son of God Jesus Christ

Glory to the Holy Spirit will rise

You deserve all the honor

You're the One we call the True Almighty God

You're the One we call the True Almighty God

You're the One we call the True Almighty God

You're the One we call the True Almighty God

Holy, Holy, Holy, Holy, Holy

Holy, Holy, Holy, God Almighty

Holy, Holy, Holy, God Almighty

You're the One we call the True Almighty God

“I Am the Alpha and the Omega- the beginning and the end,” says the Lord God. “I Am the One Who is, Who was, and Who is still to come- the Almighty One.” -Revelation 1:8

[valtsv]

silt verses theological arts and crafts corner

[leenfiend]

sometimes good things take a while

(two slow dancers - mitski)

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[concealdontfeeldude]

Gwen's signature musical theme/motif is a sped up version of the "Spider-Man, Spider-Man" song (yes, the one you just sang in your head). Same notes, just faster.

[ex-libris-craux]

HELLOOOOOOO MY DARLING FELLOW ADORERS OF SPOOKY AUDIOFICTION

Hello hi it's me I'm back on my bullshit! Remember a while back I talked a lot about how fantastic the podcast Shadows at the Door is? They're still amazing, they're in the middle of producing season 3, and they are working on a WHOLE-ASS MUSICAL.

As in, multiple songs, a fantastic cast, amazingly talented people writing and producing it, it's going to be phenomenal.

Fan of shows like Re: Dracula? David Ault (Re Drac's very own Friend Arthur!) voices the protagonist, beloved fan favourite Doctor Geoffrey Troughton.

Professor Elemental (Fighting Trousers, anyone?) is writing several songs and voicing the production's deeply creepy antagonist.

Did you like The Silt Verses or The Secret of St Kilda? Shadows has got Erika Sanderson and Michelle Kelly on the cast, as well as a slew of other phenomenally talented voice actors.

Please check out the production's kickstarter page for more details about this beastie, and if you're interested and can spare a few bucks to help get it off the ground, please consider doing so! Shadows is well-made queer media created by hugely talented queer people and will more than meet expectations if they can meet their funding goals.

THANK YOU I LOVE YOU MUAH