#the muses sing together

[spineless-lobster]

I think my favourite headcanon that I have is that zag loves I’m gonna claw out your eyes (and drown you to death) and mel loves hymn to zagreus, and sometimes they annoy each other by trying to sing their respective songs louder than the other

[shortnotsweet]

In a Week by Hozier ft. Karen Cowley

“The raven is death, obviously. When I die, I want a good tombstone—something right spooky. LT’s got something against the underground, though you’d think that would be just his kind of place. That’s alright. He needs to, he can cremate me. It’s not exactly Catholic, and Mam would turn in her grave, but God is a unicorn and no one is pure anymore, so. What’s all that got to do with me?”

Johnny “Soap” McTavish has a journal. Had. It is his no longer.

Simon “Ghost” Riley had dreams—awful ones, the kind that sank claws into his lungs, dragged him into sleep, and then sent him careening out of it. He still has dreams, but they’re different, now. Better. Johnny’s pages have folded themselves under his eyes and gotten into his head, brighter and more infectious than anything else has ever been. It’s more than the past, that rotting carcass behind him, and more than now. Now is nothing. Now is ash. It’s like, it’s like—blinding, is what it is. He’s a blind man.

It is biblical now. Ghost has read it backward and forward and sideways and inside out. When he runs out of things to read, he reads them again, and when that is not enough, he reads between the lines.

[sosagely]

kara has a gorgeous singing voice, but is so reticent about singing around people that no one really knows. she also hates any kind of spotlight so its not something so flaunts.

[monmuses]

(sung together) ♫ "The time is right, your perfume fills my head; The stars get red and oh, the night's so blue!" ♫

♫ "And then I go and spoil it all by saying Something stupid like, 'I love you~'" ♫

♫ "I love you..." ♫

[bmpmp3]

one thing thats fun about vocal synthesizers for the love-live-fan-minded fantasy-subunit-loving person is that i can make any combination of any of these cartoon characters i want. TO any song i want............ i am unstoppable

[prettyinpunk]

cute moment of the boys from my show!! <3

oakland, 4.14.23

[gloriousmonsters]

yknow i dislike so much of totk's story and framing and zelda's inclusion in the past and etc but... the very basic storyline of 'Ganondorf had an incarnation at the start of Hyrule who refused to acknowledge their authority, had a bit of war with them, then tried to fuck them up via murdering someone for magic about it'? just feels SO right if you just end it with him getting killed, not sealed away. both from 'this would play great w/get corrupted into part of the narrative of the Gerudo not heeding the gods and refusing to humble themselves to partake in divine gifts etc' perspective and as something that could inform koume and kotake and ganondorf from OoT.

(obv you'd have to make either hyrule's history way shorter or koume and kotake's lives way longer (or change the time to not the founding of hyrule, but some sort of re-formulation/new royal line establishing?)

but the idea that koume and kotake saw their king die trying to defy Hyrule, while SOME PEOPLE (the sage of lightning) pathetically grovelled for their lives (tried to do desperate damage control) explains like, so much about them, and OoT Ganondorf's plan scans perfectly as 'I'm going to make up for that defeat by doing it better'. He's willing to play a longer game with fake fealty, be more crafty. He'll use any tools at his disposal--except the Gerudo, who he'll keep at arms' length (no endangering them on the battlefield like old days, he's such a good king, ignore all the other ways he's endangering them). And despite the kingdom's weakened state, he's not going to go half-assed about the magic he grabs, no, he is going for the TRIFORCE. hyrule won't have a chance to take him down because he'll have won from the moment he touches it. suck it, ganondorf the first

[fatestouch]

I don't mean to tip your scale but You will fail at Placing any spells on me. I just ate a flower, One that claims your power,

So you better cower before me.

You must be a liar. Mortals can't acquire Moly without dire consequence.

Then I must be a god like you, Cause I got this root from the ground with my bare hands--

"Hermes gave it to you, didn't he?"

"Okay, fine, yes, but regardless--"

You and I are now evenly matched. Our fates are intertwined, they're attached.

I've got people to protect, friends I can't neglect So now there is no turning back. You've made your one wrong move, now you're done for, I will be the one to prove that you're done for. Not even a spell saves you, cause you're done for. Oh, you better run or soon you will be done for.

[tvintedspvrkmoving]

listen the emma / lydia / stiles triangle is a very complicated story that i've yet to write out completely but !! emma canonically ends up with him in the end . . . but at some point mans tries some DUMB shit with her and this is the angel that is lydia martin's response and that's why she deserves the world and everything in it in this essay i will -

[unproduciblesmackdown]

also more odds & ends orville info & more not Not orville/phil info as well:

"In Steinkellner’s version of Summer Stock, Jane Falbury (Danielle Wade) and “Pop,” her father (Stephen Lee Anderson), are struggling to hang on to the family farm. Their farm is one of the few in the Connecticut River Valley that hasn’t been absorbed by the Wingates, whose holdings completely surround theirs.

The widow Margaret Wingate (Veanne Cox), whom son Orville (Will Roland) aptly describes as having eyes “as cold as death itself,” plans to absorb the Falbury farm by the simple expedient of having Orville marry Jane. After all the two kids had decided they were engaged in first grade!

Enter the prodigal younger sister Gloria (Arianna Rosario) who has been seduced by the lure of the Great White Way. She returns to the farm bringing along Joe Ross (Corbin Bleu in the Gene Kelly role), the director of the show that will make her a star, its composer Phil Filmore (Gilbert L. Bailey II), and the entire company. She has generously offered the company, which can’t afford rehearsal space in New York, the use of the family farm’s barn. Sister Jane reluctantly agrees to the intrusion with the proviso that the thespians will double as farm hands.

As rehearsals progress, Phil discovers that Orville, a bit of a doormat who has been raised with the understanding that he will never have to work, is a musical wunderkind. He is enlisted to work his magic on the show’s score and begins to blossom.

Widow Wingate takes umbrage with all this and vows to shut the enterprise down. Fortunately, the cold embers in her soul are stirred to renewed life by her encounter with Montgomery Leach (J. Anthony Crane), the has-been ham enlisted to give Ross’s show some cachet, so all might not be lost.

[...]

They make this Summer Stock a veritable feast of nostalgia. I was especially taken by the amusing way Steinkellner used Jackie Gleason’s theme song “Always” to further widow Wingate’s plot to get Jane and Orville hitched.

[...]

Orville, who has found personal liberation in show biz, is accorded a moment that reminded me of a similar scene in the musical version of The Producers. In a triumphant declaration of his emergence from under his mother’s thumb he exults, “I’m in the theatre! And I love it!” The audience loved it, too.

[...]

As director, Feore has elicited some wonderful performances, especially from subsidiary characters. Veanne Cox is splendid as Margaret Wingate as is J. Anthony Crane as Montgomery Leach, the faded matinee idol. Will Roland (Orville) and Gilbert L. Bailey II (Phil) both have wonderful moments and their intense professional friendship is one of the show’s highlights."

INTENSE PROFESSIONAL FRIENDSHIP you say....and also ofc everything about orville and wanting to be a musician and being in the theatre and he loves it sounds so good. i love it

[kingsbride-moved]

Can't decide if I wanna write something or if i wanna draw...

[kerstrel]

How hard is it to cover your mouth when you cough

[cxrnelius]

( @niickvs , @ftoliver & @denvcrs )

Crossroads (2002), dir. Tamra Davis

[enjoytheglow]

This is the scene I was talking about in my previous post

[bellamyroselia]

Was going through some old songs both for inspiration and to put on playlists, and I think I found a great Lucinigo song

Granted, it's not in English but that's not really a problem for me

[quillheel]

@fantomevoleur // sc.

He's staring. Has been, actually, for a while now. Makoto was accustomed to moving around a lot throughout the years ever since what happened ━ happened. Maybe, in the far off haze of autopilot spanning years, long before Akira had taken the attic above as his own, he'd visited Leblanc; when he was young & quiet & dead-eyed, and quite frankly he still was still all of those things, but it was different now. Knowing what he knew. Going through what, he was finding, was a very common occurrence for people like him ( the fools, one might say. )

Yuki takes a sip of his soda from a silly straw he may or may not have brought from home as the work to close up at the end of the day buzzes around him behind the counter, Sojiro willfully turning a blind eye to the two wildcards in his Cafe in turn for that higher priority. It's a good opportunity. Makoto takes it.

━ " So. Where's the gun? "