#the most recent live action film james has done!!!! and yet

[jimmyspades]

"Now kindly be out the door and take that wagon away from here. And godspeed to you." THE HOMESMAN (2014)

[inevitably-johnlocked]

Hello Steph 😊 Do you have any BAMF Molly or just some good fics that feature Molly? I need some Molly love at the moment because I just read a fic where she "turns to the drak side" so to speak, and my heart 😭😭😭

Hey Nonny!

Ah I did a few comm. recs lists recently with Molly, but here are what I can offer you from memory, LOL. PLEASE add your fave Molly fics, guys! PLEASE NOTE these are fics I’ve read, and please check the sub-headings for a TONNE of stuff I haven’t read!! Big title so I can find it later LOL.

MOLLY PLAYS A ROLE

See also:

COMM RECS: Coming Out To Molly

COMM RECS: Molly with Women

COMM RECS: Molly and Greg Push John and Sherlock Together

COMM RECS: Molly as a Villain

Santa Knows by Itsallfine (T, 1,719 w., 1 Ch. || Christmas Party, Love Confessions, First Kiss, Fluff, Matchmaking, POV Sherlock, Pining Sherlock) – Sherlock and John both get exactly what they want from the Yard's secret Santa exchange. Pure holiday fluff.

What John Doesn't Know (Won't Hurt Him) by blueink3 (NR [T], 4,392 w., 1 Ch, || S3 Fix It, Pining Sherlock, Snippets of Life, Hurt/Comfort, Scars, Fluff and Angst, Five and One, Hopeful Ending, POV Sherlock) – Five people who see Sherlock's scars before John Watson. But Sherlock's secrets were never something he could keep from his blogger for long.

Thirty Three Hours Without John Watson by Bookaholic, mybrotherharry (M, 6,232 w. || First Kiss / Time, Pining Idiots, BG Mystrade, Crackish) – Sherlock can SO TOTALLY survive without John Watson. It should be a piece of cake. AKA the time when Sherlock braved grocery store lines for milk, purchased and gave away a box of tampons and figured out what the X-Factor is. Greg and Mycroft didn’t sign up for this shit. Next time, they are going to the Bahamas.

Wonderful, Etcetera. by VictoryCandescence (T, 16,955 w., 3 Ch. || Wonderful Life AU || Alternate Timelines, Brotherhood, Homophobia, Suicidal Ideations, Mentions of Drug Use, Friendship, Different TRF, Sherlock’s Past, Victor Trevor is Past Boyfriend, Depression, Hallucination, Love Confessions, Christmas, First Kiss) – Sherlock thinks everyone would be better off if he had never existed, including and especially himself. When he finds himself in a world in which his wish has been granted, he begins to think perhaps even he could be wrong – but it takes an unlikely chaperone to make him not only observe, but understand.

Insanity in the Middle by DotyTakeThisDown (E, 28,010 w., 8 Ch. || Equestrian Sports AU || Alternate First Meeting, POV John, Pining John, Bottomlock, Clueless Sherlock, First Kiss/Time, Passionate Kisses, Hand Holding, Caught Making Out, Bed Sharing, Spooning, Blow Job) – John is a world-class eventing rider with a gold medal and several four-star wins to his credit, but he's never won at Rolex. Sherlock is an up-and-coming rider taking the sport by storm.

Love or What You Will by miss_frankenstein (T, 31,987 w., 11 Ch. || College/Uni AU || Professor John, Ph.D Student Sherlock, Pining John, Poetry, Falling in Love / Slow Burn, Light Angst, Happy Ending) – John is an English professor who specializes in War and Post-War Literature and Sherlock is the brilliant yet impossible Ph.D. student assigned to be his TA because no one in the Chemistry Department is willing to put up with him. And - somewhere between Waugh and Plath, e-mails and takeaway, novels and villanelles - they fall in love.

The Wrong Wagon by DancingGrimm (E, 35,663 w., 20 Ch. || Alternating POV, Molly/  John [Molly pines for John], Public Sex, Casual Sex, Obliviousness, BAMF!John, Awkwardness, Angst & Humour, First Time, Virgin Sherlock, Jealous Sherlock) – Molly sees John in a new light and realises that she may have hitched her horse to the wrong wagon...or something like that. John pines for Sherlock and worries what he will think if he ever finds out. And Sherlock doesn't know what Molly's up to...but he knows he doesn't like it.

The Pieces That Fall to Earth by Itsallfine (M, 49,513 w., 84 Ch. || S4 Fix-It, Epistolary, Love Confessions, Slow Burn, Parentlock, Past Abuse, Coming Out, Internalized Homophobia, Questioning Sexuality, Mental Health Issues / Therapy, Angst, Happy Ending) – John and Sherlock have hit rock bottom, but with all their armor stripped away, they can finally speak honestly, seek healing, and find the truths that matter most. An epistolary post-s4 fix-it fic. Now complete. (This fic is rated T except for one very clearly marked and easily skippable chapter, which is rated M.) Part 1 of The Pieces that Fall to Earth

floating through a dark blue sky by Lediona (M, 58,966 w., 15 Ch. || Notting Hill AU || POV John, Celebrity Sherlock, First Date / Time / Kiss, Past Drug Addiction, Angst with a Happy Ending) – Of course, I’d seen his films and always thought he was, well, brilliant -- but, you know, a million miles from the world I live in. Or, when John is the owner of a travel book shop and the famous Sherlock Holmes stops in one day.

This Thing All Things Devours by cypress_tree (E, 63,844 w., 15 Ch. || In Time AU || Science Fiction, Dystopian Universe, First Meetings, Action / Adventure, Romance) – In 2169, time is money—literally. Humans are genetically engineered to stop aging at 25, when the numbers on their arm start counting down from one year. When that time is up, they die. The only way to get more time is to earn it, borrow it, or steal it.John Watson lives day-to-day in the crowded slums of Zone 13. He never imagined living any differently—until he meets the practically-immortal Sherlock, and helps him on a case to track a local time-thief...

Northwest Passage by Kryptaria (E, 95,157 w., 27 Ch. || PODFIC AVAILABLE || Canadian AU ||  BAMF!John, Canadian John, PTSD, Anal / Oral Sex, Rimming, Emotional Hurt / Comfort, Drug Rehab, Falling in Love, Pining Sherlock, Love Confessions, Sherlock’s Violin, Panic Attacks, Switching, Anxious / Protective Sherlock, Hugs for Comfort, Suicide Mentions, Healing Each Other) – Seven years ago, Captain John Watson of the Canadian Forces Medical Service withdrew from society, seeking a simple, isolated life in the distant northern wilderness of Canada. Though he survives from one day to the next, he doesn't truly live until someone from his dark past calls in a favor and turns his world upside-down with the introduction of Sherlock Holmes." Part 1 of Tales from the Northwest

The Stars Move Still by BeautifulFiction (E, 96,022 w., 5 Ch. || Magical Realism, Demons, Slash to Pre-Slash, AU, Happy Ending, Souls) – "What could I want so desperately that would make me sell my soul? What could possibly compel me to surrender the part of myself that makes me who I am: the source of my magic, my self-control, everything?”

Definitions by siennna (T, 101,528 w., 12 of ? Ch. || Dev. Rel., Pining, Fluff and Romance, First Kiss, Love Confessions, Fluff, Cuddles, Girl’s Night, Texting, Virgin Sherlock, Drunk Sherlock, Background Mollstrade, Hair Petting, Laying on Lap) – Sherlock’s journey in defining his flat mate and stumbling through the muddled world of emotion. {{This feels complete; the chapter count is listed as ? but I feel like it is done}}

between each beat are words unsaid by darcylindbergh, hudders-and-hiddles (T, 107,998 w., 215 Ch. || Epistolary, Slow Burn, Friends to Lovers, Angst, Happy Ending) – On their wedding night, John and Sherlock gift each other with the things they each said when the other could not hear, the things they each put down where the other could not see: a collection of writings that illustrate the way their love for one another has grown over the years. Part 1 of between each beat

The Burning Heart by May_Shepard (M, 119,150 w., 21 Ch. || Canon Divergence, Post-TRF, John’s Sexuality, S3 Rewrite, Pining, Angst with a Happy Ending, POV John Watson, John’s Gay) – When Sherlock dies, John Watson feels like his life is over too. He’s completely shut down, until Mark Morstan, a new nurse at John’s medical clinic, catches his attention, and helps him uncover the long buried truth of his attraction to men. Although he’s certain he’ll never get over Sherlock, John plans to move on, and build a new life with Mark, unaware that Sherlock is not quite as dead as he appears, and that Mark is hiding secrets of his own.

A Further Sea by i_ship_an_armada & ShinySherlock (E, 125,492 w., 23 Ch. || Historical Pirates AU || Enemies to Friends to Lovers, Doctor John / Pirate Captain Sherlock, Sailing, UST / RST, Masturbation, Action / Adventure, Mild Angst & Peril, Romance, Shaving, Molly/Janine, Bottomlock, Hand / Blow Jobs, Past Drug Use, Slow Burn, Mild Violence, Facial Shaving, Happy Ending) – Here be a tale of adventure for both body and soul, but beware if ye be not of stout heart, for this be piratelock, ya savvy? Luckless ship's surgeon John Watson takes a chance, and finds himself eye to eye with The Ghost, the scourge of the seven seas and a definite thorn in the side of the blaggard, James Moriarty. But when John finds there's more to this most cunning pirate than be meetin' the eye, he has to choose... is it a pirate's life for him?

The Horse and his Doctor by khorazir (T, 129,003 w., 13 Ch. || Horse / Vet AU || Magical Realism, Horses, Vet John, Horse Sherlock, Implied Alcoholism) – Invalided after a run in with a poacher in Siberia, veterinary surgeon John Watson finds it difficult to acclimatise to the mundanity of London life. Things change when a friend invites him along to a local animal shelter and he meets their latest acquisition, a trouble-making Frisian with the strangest eyes and even stranger quirks John has ever encountered in a horse.

Performance In a Leading Role by Mad_Lori (E, 156,714 w., 21 Ch. || PODFIC AVAILABLE || Hollywood / Actor AU, Secret Relationship, Falling in Love, Slow Burn, Romance, Coming Out, Fluff and Angst, Pining) – Sherlock Holmes is an Oscar winner in the midst of a career slump. John Watson is an Everyman actor trapped in the rom-com ghetto. When they are cast as a gay couple in a new independent drama, will they surprise each other? Will their on-screen romance make its way into the real world? Part 1 of Performance in a Leading Role

Mise en Place by azriona (M, 161,004 w., 28 Ch. || Restaurant (Kitchen Nightmares) AU || Sherlock is Gordon Ramsay / Celebrity Sherlock, Restauranteur John, Harry Plays Prominent Role, Alternating POV, Mutual Pining, Cranky Sherlock, Bed Sharing, Slow Burn) – John Watson had no intentions of taking over the family business, but when he returns from Afghanistan, battered and bruised, and discovers that his sister Harry has run their restaurant into the ground, he doesn't have much choice. There's only one thing that can save the Empire from closing for good – the celebrity star of the BBC series Restaurant Reconstructed, Chef Sherlock Holmes. Part 1 of Mise en Place

[simplyclary]

Ewan McGregor: My Serotonin Booster

[P.S: Upon the time of writing, I have yet to watch most of his films including The Island, Beginners, Salmon Fishing in the Yemen, Trainspotting along with some of his series/documentaries including Fargo, Long Way Round and Long Way Up]

I have known many celebrities who has given me happiness these past few years, but it was during quarantine when I needed someone the most. Don’t get me wrong though, many of the people whom I discovered during the start of quarantine still provides me happiness until now, the only difference being that there is a specific someone who really provides me the dose of serotonin that I really hunt and yearn for, that specific someone being Scottish actor Ewan McGregor.

Before I get to the cheesy part (I guess), let me narrate the timeline on how I found my happiness in him.

I first saw him as the debonair bronze candelabra Lumiere who sang the iconic song “Be Our Guest” in 2017’s live-action Beauty and the Beast. I instantly found Lumiere charming and cute in that film and him being head over heels in love for Plumette (played by the gorgeous Gugu Mbatha-Raw) is so cute and adorable, not gonna lie. Also, a moving candelabra singing and dancing in the middle of your dinner table is such a cute visualization, don’t you think?

A year later, Ewan then brought me back to childhood nostalgia through the lens of Christopher Robin, where he played the titular character. Seeing that film for the first time and watching him interact with Pooh, Piglet, Tigger and the other characters in the Hundred-Acre Wood has awakened the child in me. I honestly melt everytime I hear Pooh’s voice (voiced by Jim Cummings) since that voice was what made Pooh one of the cutest bears in the world of cartoons. Also if you observe in the film, there was a scene where he (Christopher) twirled his umbrella like a lightsaber when trying to "kill" a “Heffalump”. That scene kinda made me giggle and also made me think if it was just Ewan’s muscle memory or not.

Fast forward 3 years later to the current year of 2021, I have made a galactic discovery through Star Wars (yes, I know, I’m so late to the rave but hey, better late than never, right?) and through this galactic discovery, I met the sassiest, kindest, strongest and iconic Jedi warrior Obi-Wan Kenobi. I honestly applaud both Ewan and Sir Alec Guinness for their portrayals of the live-action versions of Obi-Wan as well as James Arnold Taylor and Stephen Stanton who voiced Obi-Wan in the animated series The Clone Wars and Rebels.

Now, believe me when I say that I fell in love with the animated Obi-Wan first because of The Clone Wars. Falling in love with the animated version then made me fall for the live-action version which Ewan portrayed flawlessly. It was really obvious in Ewan’s performance as Obi-Wan how much he paid homage to the Obi-Wan of Sir Alec Guinness and I really admired that. Plus, the iconic (and meme-worthy) lines are utterly unforgettable and it made me so happy to hear that he’s coming back as Obi-Wan in his own series on 2022. It was honestly through the character of Obi-Wan where I really started to love Ewan and because of this, I started to dig and binge some of his past and recent work.

Now armed with the yearning to look for and watch more of his movies, I scoured the internet and I found Birds of Prey among the list of his movies. First of all, I was utterly surprised when I found out he was involved in an all-female movie, but I was even more surprised when I found out that he was playing Roman Sionis, a.k.a Black Mask, who is the main villain in the movie. Truth be told, I have a history of loving villainous characters and he was no different. I honestly found him convincing as a villain, egotistical at best and was kind of saddened when he *spoiler alert* died at the end. I was hoping he would come back in a somewhat miraculous way, but I could accept if that’s how his story ends.

After watching Birds of Prey and witnessing him play a villain, I delved into the world of fashion design through the lens of Halston which is a Netflix series about Roy Halston, a famous fashion designer back in the 70s. Ewan played Halston flawlessly, and while some scenes made me cover my eyes because of explicit content, I still enjoyed the show overall not only because of Ewan but because I got to understand what Halston was really like behind the curtain, if you’d like.

Now, I am not the biggest horror movie fan but I faced my fear when I met Doctor Sleep himself, Danny Torrance. Considering that this is the sequel to “The Shining” which is deemed the scariest horror film ever made, I braced myself for it to be horrifying and I would be jumping out of my skin while watching it, and I did in several scenes. I applaud Ewan for playing the grown-up version of Danny and making me understand his story through this film.

After that horror experience, I decided to watch something that speaks to my heart and that is a movie with music, and Moulin Rouge was the perfect one. Now, this movie is highly recommended for every Ewan McGregor fan, because he showcases both his acting chops and his powerful vocals in this movie. I instantly fell in love with the penniless writer Christian, his sweet smile, kind spirit and utter obsession with the idea of love. Also, those songs he sang with Satine (played by the angelic soul that is Nicole Kidman) are automatic auditions to my playlist. Also, that drama at the end when Satine died and Christian was grieving, it made me tear up indeed.

After drama comes more drama, I went into a real-life story and that is The Impossible where he played Henry who is the husband to Maria (played by Naomi Watts) and father to 3 kids, one of them being my favorite Spiderman Tom Holland. Believe me when I say that the movie pulled at my heartstrings, especially after the tsunami hit and the family got separated as well as the scene where Henry (Ewan) was at this one camp and he was speaking on the phone while crying. I really felt the “dad” emotions there, knowing that he is a dad in real-life. This movie, even though you are a fan of Ewan and Tom, is not for the faint of heart.

The latest addition to my list is the knight-in-shining armor that is Elmont from Jack the Giant Slayer. He is a feisty one, let me tell you that. He does not give up easily and boy, does he look hot with that crossbow. Anyways, him as Elmont was a fantastic casting, showcasing the selfless persona of a knight who was willing to protect his kingdom above all else. The mini swordfights in between serve as bonuses.

Please do know that I will be watching more of his work as the days progress, but while writing this, this is all that I have seen.

Finally, I’m done with that lengthy timeline narration and now, onto the chessy-ish part, because it depends on perception if you are willing to think of my love for him as obsession or just dedication.

For the most part, I can’t really describe how happy he makes me. It’s as simple as me hearing him talk in interviews with that lovely Scottish accent of his, hearing him sing covers of songs and seeing his pictures on Pinterest (I have about a hundred of him on a board on the app, along with a few Star Wars characters) and the internet in general or it’s as bizarre as me smiling when I see a photo of him with a silver hoop piercing on his left ear or as scenic (I don’t even know if that’s the right word) as when I see a clip/GIF of him running his hand through his hair. I don’t really know and therefore can’t describe what is this feeling I feel when I see him.

Recently, I’ve been binge-watching his interviews on Graham Norton, Jimmy Fallon, Jimmy Kimmel and other outlets and I can’t help but smile amidst him repeating stories and saying the same spiels and all, there’s just something about his presence that makes me feel happy. I’ve also been listening to his covers of songs and him playing the guitar and I melt. I mean, even with his mundane fashion sense, his charisma just stands out for me. Also, his point of views on career and why he chooses the projects that he does is inspirational. I just love, adore and admire him, amidst all the controversy (which I’m not gonna go deep into because that’s all in the past) that happened.

At the end of the day, all I can takeaway from all of these, is that Ewan really makes me happy. With his expressive blue eyes, charming smile, melodic voice, and sweet personality, he can easily lift up my spirits as high as the galaxies can reach. If only I could tell him all of these, but I would just faint and stutter if I were to see him face-to-face. But seriously, given the chance to speak with him, I would tell him how much he means to me and how much brighter the world is because of him.

I’ll just end this lengthy narration with a line from “Your Song”, which is originally sang by Elton John and Ewan sang it beautifully in Moulin Rouge and is now one of my favorite songs.

“How wonderful life is, now you’re in the world”

[aion-rsa]

In Defense of Spectre: Daniel Craig’s Last James Bond Is Better Than You Remember

https://ift.tt/3a60miY

It’s hard to believe that it’s been six years since the release of the last James Bond movie. The gap even ties the near fatal six-year distance between Licence to Kill and GoldenEye. But it’s true, Spectre came out in 2015. And as we stand on the cusp of its follow-up, No Time to Die, finally arriving in theaters after a delay of 18 months, it’s strange to think back to the arrival of Spectre, and the polarizing response it received.

The last James Bond movie to star Daniel Craig still sits with a 63 percent rating on Rotten Tomatoes, right in that vague netherworld between “fresh” and “rotten.” And while it was an enormous financial success ($881 million at the worldwide box office), it was considered something of a step back since its predecessor, 2012’s Skyfall, which grossed more than $1 billion. It might have been unrealistic to think Bond could hit that mark again, so in relative terms Spectre did quite well on its own terms and as part of the overall franchise.

There are, let’s face it, only a handful of truly great 007 adventures: Casino Royale, Goldfinger, On Her Majesty’s Secret Service, and The Spy Who Loved Me come to mind. But there are likewise several that are almost all universally despised: Die Another Day, A View to a Kill, Diamonds Are Forever, and a couple of others tend to fall into that sorry category. The rest tend to exist in a mushy middle: fun to watch on a lazy Sunday afternoon but instantly forgettable until the next time you turn it on while doing laundry.

And yet a pall hangs over Spectre, and it seems as if the fans and critics who found it disappointing are really down on the film. Yet I’d place it solidly in that middle category, and if anything closer to the top. With the exception of its third act (more on that later), it’s a solid Bond outing for the Daniel Craig era, with its star more terse than ever (watching it again, one is struck by how little dialogue Craig actually has), while its action and plot points are mostly in line with the “gritty” feel of Craig’s previous three outings.

It also stretches the Craig template a little, allowing for a few more gadgets, some homages to past films, and a little more humor. In other words, it lets Craig come as close as he ever previously had to the fully formed Bond played by the previous five actors. No, he’s not winking and letting his eyebrows do all the acting the way Roger Moore did toward the end of his run, and he’s not quite the cruel misogynist popularized in the beginning by Sean Connery. But this is Craig’s version of that man.

Some of the Bonds that fall lower in the standings tend to have overly complicated plots, like The World is Not Enough or Octopussy. The plot of Spectre is pretty simple and straightforward: following the death of M (Judi Dench) in Skyfall, Bond goes on one last mission at her request (via a message recorded before she died) and without official authorization from the new M (Ralph Fiennes).

He learns that the man he was sent to kill, an Italian terrorist named Sciarra, has taken his marching orders from an ultra-secret criminal organization—the same entity that was apparently behind the actions of Le Chiffre (Casino Royale), Dominic Greene (Quantum of Solace), Raoul Silva (Skyfall) and Mr. White (the first two). Bond also learns that he and the head of this organization, which is named SPECTRE, have a personal connection going back decades.

Although he’s officially suspended from duty, Bond goes in pursuit of SPECTRE and its chief, Franz Oberhauser (Christoph Waltz), while also making a promise to the dying Mr. White to protect his daughter, Madeline Swann (Léa Seydoux). To make matters worse, there’s also a mole in MI6 who plans to surreptitiously turn the entire surveillance apparatus of British intelligence over to (you guessed it) SPECTRE and Oberhauser.

The story has a linear, straight line: Bond must find and stop Oberhauser while bringing down SPECTRE. There’s plenty of action along the way, including a vertigo-inducing opening battle in a helicopter, a chase in which Bond steers a plane down a snowy mountain slope, and a brutal fight aboard a train between 007 and SPECTRE’s top assassin, the monstrous Mr. Hinx (Dave Bautista), which deliberately channels the classic train clash between Connery and Robert Shaw in From Russia With Love.

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Hinx and Bond also have a traditional car chase of their own through the winding streets of Rome, in which Bond utilizes some of the  enhanced features of his Aston Martin, such as a rear-facing flamethrower and an ejector seat (sadly the machine guns are not loaded, much to Bond’s amusing chagrin). Speaking of gadgets, Bond also gets to deploy an exploding watch, just one film removed from Q (Ben Whishaw) asking him in Skyfall, “Were you expecting an exploding pen? We don’t really go in for that anymore.”

It’s all in good fun, and most of the first two hours of this lengthy adventure breezes along with a bit less of the solemnity of Skyfall and a touch more (but not too much) of the old Moore and Pierce Brosnan swagger. We also thoroughly enjoy seeing Ralph Fiennes’ M, Ben Whishaw’s Q, Naomie Harris’ Moneypenny, and Rory Kinnear’s Tanner work as a team and even get their hands dirty in the field.

But then that last half hour hits and it kind of all goes to hell.

We’re not here to yet again relitigate the ending of Spectre and the big reveal of just who Oberhauser is. We’ve done that in our original review and in another recent feature right here. But just to quickly recap: Bond and Madeline are captured by Oberhauser and brought to his lair in a giant crater in the Sahara desert (a crater that looks suspiciously like SPECTRE’s extinct volcano hideout in You Only Live Twice). There we learn that Bond was adopted by Oberhauser’s father after Bond’s parents were killed, and a jealous Franz killed his father, staged his own death, and launched SPECTRE while renaming himself Ernst Stavro Blofeld—all for the sole purpose of seeking vengeance on Bond.

The idea of SPECTRE and Blofeld being behind all the other villains Daniel Craig’s Bond has faced is a sound one—it was, after all, the basis of the first few Connery films—but the notion that Bond’s estranged foster brother started this deadliest of all criminal organizations just because his daddy made him feel sad is ludicrous. By all means, have SPECTRE target Bond, especially after he defeats some of Blofeld’s most fearsome lieutenants, but does it have to be a retconned family squabble?

On top of that, after Bond foils Blofeld’s plan to destroy MI6 and take over its intelligence operation, he leaves Blofeld on the street for M to arrest and walks off into the night with Madeline, woman with whom he has no appreciable chemistry. Their romance isn’t nearly as well-developed as that of Bond and Vesper Lynd (Eva Green) in Casino Royale. When Bond almost resigned from the service for Vesper, you believed it. His actions at the end of Spectre are a little more ambiguous. We don’t know if he’s leaving for good or just taking a holiday, and it’s hard to imagine that this Bond, at the height of his skills, would chuck it all away for a woman he barely knows. Which as we’ve since from No Time to Die is definitely what was supposed to happen.

If you take those two plot points out of the equation, Spectre is a good film and even an above-average 007 outing. Sam Mendes directs with flair, even if a few sequences are too long and the movie overall could be a little tighter. Meanwhile cinematographer Hoyte van Hoytema shoots the hell out of it, and Thomas Newman’s score is propulsive and exciting. The cast is uniformly good, especially the MI6 crew, Waltz, and Craig himself, even as we wish the long-awaited return of Blofeld could have been… different.

But as Madeline Swann says to Bond, “I’m not going to ask you to change… you are who are you are.” Spectre is what it is. And we’re okay with that.

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[dweemeister]

Fanchon, the Cricket (1915)

Fanchon the Cricket* was a family affair for silent film actress Mary Pickford. When she passed away in 1979, she died thinking that the film – the only one to star herself and her two other siblings, Lottie and Jack – as lost to history. The survivability statistics on silent films is grim reading. In a 2013 study, the Library of Congress estimated that around seventy-five percent of all silent films are lost films. One wonders how overjoyed the folks at the Mary Pickford Foundation, which assists with film preservation efforts and has archived various Pickford-related materials for research purposes, must have felt when they learned in 2012 that the Cinémathèque Française unearthed a print of Fanchon the Cricket. In a six-year, cross-Atlantic collaboration, the Pickford Foundation, Cinémathèque Française, the British Film Institute (BFI; which possessed an incomplete and quickly degrading nitrate print), and L'Immagine Ritrovata (Bologna) restored the print and scanned it in 4K. The restoration is stunning, even if Fanchon the Cricket, as a film, is rough in its craft.

Directed by James Kirkwood (primarily an actor) and co-written by Kirkwood and Frances Marion (1930’s The Big House, 1931’s The Champ) and distributed by Famous Players Film Company (in 1916, this studio would merge with the Lasky Company to become the studio now known as Paramount), Fanchon the Cricket is based on George Sand’s novel La Petite Fadette. Mary Pickford is Fanchon, an uninhibited waif (yet another one of Pickford’s numerous young waif characters) that cares not for the judgments and trappings of society. She lives in the woods with her grandmother (Gertrude Norman), whom the townspeople rumor to be a witch (her appearance, attire, and behavior are only inflaming the rumors). During a May Day picnic, Fanchon saves a young man named Landry Barbeau (Jack Standing), the son of a prosperous local businessman (Russell Bassett), from drowning. In the aftermath, the two find themselves smitten over each other. Landry offers marriage, despite his parents’ preference for the straitlaced Madelon (Lottie Pickford), but Fanchon declines. Realizing the familial strife that might occur in such an arrangement, Fanchon will not marry Landry unless his father approves and asks her to.

Without much soft lighting to brighten up one of the most luminous faces of silent film (there are mostly shots outdoors in this movie), Mary Pickford’s physical acting draws in the viewer in every frame she occupies. Pickford’s movements through the forests and thick grass resemble a being at home in nature – why be concerned over mud and pesky insects? Compared to the weighty, measured movements of her town-dwelling co-stars, she flits and skips without much regard for anyone else she encounters. Her mannerisms, as Fanchon, also reflect a complete lack of socialization. When witnessing the silliness of other people, she never hides how she feels, whether that is amusement or annoyance. Only after Fanchon’s brief courtship with Landry do we see that remarkable nuanced dramatic acting Pickford was capable of. In those moments where Fanchon steps out of her childhood for the first time, we see the inklings of her self-realization of the responsibility and affection for others. Fanchon never stops being the wild girl of the woods but, for precious moments in this film, she becomes a young woman who allows herself to love. The transformation, partial though it may be, is convincing, and that is all thanks to Mary Pickford’s brilliant performance.

Shot on location in Delaware Gap, Pennsylvania in an era before the relocation of all major American movie studios to Hollywood (and when a significant amount of major studio filmmaking was still taking place on the Atlantic coast of the U.S.), the environs surrounding the characters features dense foliage and placid creeks and rivers. Fanchon the Cricket, set in either late 18th or early 19th century America, inhabits a space where the young nation was still mostly undeveloped nature. Cinematographer Edward Wynard (the personal cinematographer of actress Norma Talmadge) photographs the action lushly, and the natural outdoors lighting almost makes the sprawling meadows and rippling waterways a dreamscape. Even if the production design might seem too artificial, the natural surroundings make Fanchon’s deep forest shack and small town-yet-posh backwoods America a believable, specific place in time.

At a period of film history when filmmakers were still experimenting in narrative form and how to interweave themes throughout a film, Fanchon the Cricket has too many subplots that never satisfactorily resolve or are too tangentially related to the central plot. Kirkwood and Marion’s scenario, despite showering attention on some of the supporting characters, never lend enough depth to anyone outside of Fanchon and Landry to make them anything but caricatures. The unnecessary bloat makes the films one-and-a-quarter-hour runtime (this is based on the speed of the Pickford Foundation/ Cinémathèque Française/BFI/ L'Immagine Ritrovata restoration; Fanchon the Cricket is a 5-reeler) seem longer than it should be.

The recent restoration of Fanchon the Cricket comes with a modern soundtrack by Julian Ducatenzeiler and Andy Gladbach that is based in twenty-first century folk rock. This mixture – of early American setting and modern music – is disruptive and jarring. As much as Ducanteziler and Gladbach attempt to mirror the film’s sylvan scenery through their orchestration and modern melodic progressions, the disconnect between the film and their score also extends to the emotional journey that Fanchon takes on-screen. Personally, I prefer a simple piano, organ, or small ensemble score for silent film re-releases (most silent films, when they were first released, were accompanied by these instruments). I am no opponent of using anachronistic musical instruments and melodic and harmonic phrasing for re-released silent films (sci-fi and fantasy silent films might benefit from these most). But composers for such projects should heed what the filmmakers were trying to create – including the setting and the emotional textures of their film. Ducanteziler and Gladbach, in this restoration of Fanchon the Cricket, have not done their due musical diligence.  

Lottie and Jack Pickford led markedly different lives than their sister – who would go on to co-found United Artists (UA) with Charlie Chaplin, Douglas Fairbanks, and D.W. Griffith and a founding member of the Academy of Motion Picture Arts and Sciences (AMPAS). As the least known of the trio, Lottie’s acting career was already on the downswing (by choice) upon Fanchon the Cricket’s theatrical release. Lottie was a socialite, whose passion was to party, experiencing joie de vivre to a maximalist extent. Slightly more established as an actor than Lottie but not as much as Mary, Jack Pickford was a primary figure in a scandal where rich young men drafted by the military would dole out bribes to avoid military service in World War I. Like Lottie, he too was consumed by a socialite’s lifestyle, leading to a life of alcoholism and drug addiction for both.

Moviegoers in the mid-1910s adored Pickford in her most common roles as children and waifs. The year after Fanchon the Cricket, Pickford signed a lucrative deal with Famous Players’ Adolph Zukor that gave her the foremost authority on the films she worked for. In early Hollywood, so strongly associated with movie moguls like Zukor, Mack Sennett (Keystone Studios), Carl Laemmle (Universal), and others, Pickford’s deal was an outlier. The authority she assumed on her productions was a refreshing development for Pickford in an industry filled with stories of interference from the top studio executives. These experiences making films on this new contract helped inspire the formation of United Artists three years later. UA’s creation was a clear statement of Pickford’s desire to foster the talents of herself and others as filmmakers – something that she would continue to champion for decades to come.

The Pickford Foundation/Cinémathèque Française/BFI/L'Immagine Ritrovata restoration is wonderful to behold. The tinting in the restoration was based off the notes found with the BFI nitrate print – making this cross-Atlantic restoration the closest lucky modern viewers might ever get to watching Fanchon the Cricket the way James Kirkwood originally intended. For silent film fans and especially those who want to see the works of one of the most important actresses of all time, this restoration of a complete Fanchon the Cricket is a fortuitous gift.

My rating: 7/10

^ Based on my personal imdb rating. Half-points are always rounded down. My interpretation of that ratings system can be found in the “Ratings system” page on my blog (as of July 1, 2020, tumblr is not permitting certain posts with links to appear on tag pages, so I cannot provide the URL).

For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.

* Promotional materials for the film include and exclude a comma between “Fanchon” and “the”. I use the comma in the title of the review but, to save extra typing, I’ve omitted the comma in the body of the review.

[rubykgrant]

If you love high-fantasy, or are just kinda getting into it, and are looking for something to watch while you have extra time, I’d suggest the animated Ranking-Bass trio of the Hobbit (1977) as well as the sequel the Return of the King (1980), the Last Unicorn (1982), and the Flight of Dragons (1982).

I feel like the most well known is the Last unicorn, and a decent number of people are aware of the the Hobbit (but not so much the Return of the King), while the Flight of Dragons is somewhat forgotten. These animated Rankin-Bass movies were actually my first introduction to the Hobbit and anything Tolkein related, and I saw them a long time before I could even read (family friends had the VHS tape, and I’d watch it whenever my parents took me there to visit, starting when I was about 2 years old). This caused something kinda funny when I was in elementary school; I was taking a reading comprehension test, and we were allowed to go as far as we could with the test packet, which took me to high school level books. Because I’d seen the Hobbit (and other shows like Wishbone or Jim Henson’s the Storyteller), I could answer questions about the story, and my teachers thought I must have cheated somehow.

About these movies; the Hobbit/Return of the King are obviously based on the books by JRR Tolkein. Rankin-Bass had already done many animated and sto-motion movies (pretty much all the Christmas classics are them), and they wanted to get into stories with more depth in different styles, so they started making high-fantasy movies. For the Hobbit, the art style was partially inspired by the art of Arthur Rackham, who did the concept art for them. The scenery and backgrounds very beautiful with many details in the tree roots and rocks, creating lush watercolor world. Animation for it was done by Topcraft, which later became Studio Ghibli (the same studio and crew also worked on Return of the King). Many of the poems Tolkeing wrote in the book were used and made into songs, sometimes the characters singing/speaking the lines, but there was also mood-music and singing done by Glenn  Yarbrough (including an original song just for the Hobbit). The voice cast for both movies included many talented people, but some that might be known for their other work; Hans Conreid plays Thorin (who was also Captain Hook in Disney’s Peter Pan), and Casey Kasem as Merry (who was the original Shaggy from Scooby-Doo). Both of these movies include very important scenes from the source material, and they really do them justice (Smaug’s boastful introduction, Thorin’s good-bye, Eowyn taking her stand, ect). Another animated movie, the Lord of the Rings (1978), combines The Fellowship/Two Towers, and was directed by Ralph Bakshi. It has completely different animation, and unique mood for itself, but is still rightfully impressive and worth watching as well (the live-action Lord of the Rings films were heavily influenced by Bakshi’s work)

The Last Unicorn is based on the book by Peter S Beagle, and he also worked on the screenplay for the film. Topcrfaft again worked on the animation, and while it is visually similar to the Hobbit in certain areas, it has an entirely different style and feeling, the backgrounds/scenery resembling classic tapestries. There is an especially lovely way hair and eyes are depicted in the Last Unicorn, something we can see in various anime shows/movies; the eyes are deep with shine-sparkles, and the hair flowls either elegantly or wildly. There is again a very amazing cast for this film, each person doing an amazing job. A few people that are known in other animated roles; Jeff Bridges plays Prince Lir (who has been in more recent animated movies like Surf’s Up as Zeke), and Angela Lansbury voicing Mommy Fortuna (who was Mrs Potts in Disney’s Beauty and the Beast). Like many books-turned-movies, certain things were cut for time, but what remains are still very important parts of the story. The movie also has a beautiful collection of original songs, performed by the group America. The over-all vibe of the the Last Unicorn is a combination of bright beauty, dark themes with sad undertones, and little bits of combedy scattered through it all

The Flight of Dragons is interesting, because it actually combines two different books into one animated movie; the Flight of Dragons by Pter Dickenson was where the author explored various myths and legends about dragons, and worked out how it related to real life. In some cases, what existing things people might have mistaken for dragons, but also if it was possible for dragons to have truly existed. Another book, the Dragon and the George by Gordon R Dickson (part of the Dragon Knight series), told the fictional story of a modern day man who works as an assistant to a history professor going on a strange journey to rescue his fiance. He winds up in another world where fantasy creatures are real, and dragons refer to all humans as “George”. While in this world, the man winds up inhabiting the body of a dragon, and a quest involving a knight/a magician/evil dragons/and much more. For the animated film, elements from both stories were used, creating a new one about “Peter Dickenson” being the modern day man who winds up in the body of dragon, which he is very excited about since he can learn more about his favorite subject this way. Yet again, the voice cast was incredible, and two that are known in other media; John Ritter as Peter Dickenson (who was also in Three’s Company and the Problem Child), and James Earl Jones as the evil wizard Ommadon (known for lending his voice to Mufasa in Disney’s the Lion King and Darth Vader from Star Wars). The film follows a similar plot to the Dragon and the George, but still includes the science the works out how dragons coult hypothetically existed, explaining the fire-breath and the flight. Themes in the movie also include science VS magic, how modern ideas often seem to harm forms of fantasy, the dangers of both forms when humans take no consideration with what they create, but ultimately it is using science as a force for good that saves the magical realm. Illustrations for the book Flight of Dragons were done by Wayne Anderson, who created very stylized drawings that was also heavily detailed, many of the dragons have pebbled scales/large eyes/and powerful claws. This art was used as the inspiration for animated dragons, bringing the illustrations to life

OK, enough from me; if you can track these down and feel like it, enjoy some fantasy films~

[artificialqueens]

What’s going on with you two? (Vahli) Chapter 1 - Delia555

So, I wrote this because I rewatched Dragula s2 for the billionth time, and my brain refused to let me ignore how Victoria and Dahli had such a cute connection on the show, so this this was something totally different for me to write. Please tell me if you like it, and I’ll gladly continue with this story. ღ ღ

Trigger warnings include: Mentions of death, very mild mention of a suicidal mentality ((not really worth saying, but I’d rather ensure you’re all aware! ღ ))  

A/N: This is set during Dragula and to clear up any confusion you could have later, on a whim I decided that the exterminations were legitimate and the contestants sign up for the show, taking the risk of possibly dying. It’s dark! But the next drag Supermonster surely has to be able to risk it all for the crown?

****I’m fairly certain I’ll be only providing Dragula content, and am always up for any requests****

——

The floor show had ended a few hours ago, and it was announced that 6 of the contestants were officially up for extermination. They’d have to face off in a paintball battle, where two girls at a time would have a one vs one fight to the death. The girl with the most hits, or ones in the more critical of places, would therefore lose and risk extermination. 

This week, Victoria and her Fortune-telling character has scored her, her very first win so far. She was ecstatic, and calmed at the knowledge of Dahli and Abhora being safe from extermination alongside herself. The three girls got a perfect view of all the action to come, a decent distance away but close enough to feel entirely engaged. 

For the final face off, Biqtch Puddin and Monikkie Shame has been paired up against each other; a splendid yet typical gag thanks to their recent arguments. Biqtch had waited for Monikkie to run out of shots before she even fired her first, and managed to shoot her in the mouth while the splats on herself remained exclusively on her back and in no particularly critical spots. 

Abhora began to laugh maniacally at the drama unfolding before her very eyes. Victoria and Dahli could barely contain themselves at the sight of everyone, it was hilarious. Abhora seemed to be losing her shit, and Monikkie seemed to just be…losing. Victoria grabbed onto Dahli’s arm for support during her own uncontrollable fit of laughter, and she felt Dahli half-heartedly ease her back with her hand through giggles; resulting in an overwhelming chill rushing all the way down her back at a rapid rate. 

The sensation distracted her from whatever had been so funny to her before, and she simply brought her head up to look into Dahli’s eyes that were now disguised by white contacts. Dahli paused the movements with her hand on Victoria’s back, to see the girl beneath her stiffen at the loss of contact, and doubt flooding her mind. 

All Dahli responded with was another one of her smirks of pride, and she took Victoria’s hand, guiding Victoria’s body back up from its awkward position where she’d been half-bent over. Victoria felt her heart thumping aggressively against her chest, and she struggled to maintain self-control despite the cameras surrounding them and knowing better. 

——

When the cameras cut and filming had been declared wrapped up, Victoria and Dahli hadn’t exchanged many words, neither of them quite certain whether to mention earlier. 

Today had genuinely been great, Victoria had achieved her first win, laughed more than she had in months, and seen a different side to Dahli than previously. Victoria found Dahli easiest to relate to out of all the other contestants, she always maintained her chill and today proved she could somehow manage to keep Victoria on her toes - regardless of how much of a control freak Victoria was. 

Victoria couldn’t tell you what she was doing when she accepted Dahli’s invitation to crash in her hotel room that night. It was no big fuss, and it didn’t need to become one. Victoria had a budding friendship with Dahli and she assured herself she had no justifiable reason to turn down the casual offer. 

The time had just passed 10 pm, and it’d been dark out for hours at this point. Sometimes Victoria got lost in the night’s sky, it sounded cliche and poetic but it proved true from since she was only a young girl. Street lamps and occasional store-lights were the only thing illuminating the space surrounding the two as they stepped out from the Uber. Dahli tipped the driver and walked round the car over to Victoria, acknowledging how at ease she seemed in comparison to earlier. Dimmed orange lights bounced off her soft bare skin, and her grey curls were now distressed as they hang loosely after being securely hidden for the majority of the day. She took in the beautiful sight of Victoria, leaning back against the street lamp and pressing another cigarette to her lips, wasting no time in lighting it. 

“That didn’t take as long as earlier.” Victoria pointed out, giving a pressing look and taking a few steps closer to Dahli. 

“What are you trying to say?” She hummed, tilting her head back and exhaling the smoke from her cigarette into the chilled air, watching briefly as it slowly rose above her head, diffusing into the nights sky. 

“I’m trying to sayyy…” Victoria drawled, her eyes following the smoke momentarily, before returning back to Dahli and tilting her head in favour to one side. “Maybe you just wanted your mouth close to mine.” Her voice was now merely a whisper. 

Dahli’s face broke into one of uncertainty, and for the shortest moment her guard threatened to drop. 

“Shut up, you’re so full of shit.” Dahli teased, prodding at Victoria’s stomach playfully with her fingers. 

Time appeared to have frozen, and earlier seemed to repeat itself when Dahli had suddenly stopped her movements again, Victoria’s mind involuntarily wandering to places like before. One thing was different though, and that was that Victoria didn’t have a single camera to worry about. She’d made it known that she had a boyfriend before, and Dahli had made a harmless joke about how she could be added, however it didn’t come across so harmless when she looked into Dahli’s contact-less eyes. 

They were lit up, sparkling almost, and Victoria swore to herself this shit only happened in movies. This was dumb, and would undoubtedly provide Vic with a tonne of problems to deal with later on. 

Victoria pushed Dahli’s hand off her stomach, and moved in even closer to Dahli, pressing her head into her torso at the harsh reality of all the feelings she was experiencing. It took a while for a response from Dahli, and Victoria questioned if she’d been too inappropriate, ready to step back and somehow magically erase her actions. 

That was until, she felt two slender arms wrapping round her back and holding a firm grip against the exposed skin at the cutout of her dress. She audibly sighed of relief, and cuddled in closer to Dahli’s chest, taking in some of her smoke as she breathed, relaxed for what felt like the first time today. 

They stayed there in silence for a few minutes, Dahli eventually loosening her grip to put her cigarette out, deciding to grab onto Victoria’s hand and lead her into the hotel lobby to finally escape the cold. 

The place was nothing of luxury, it was simplistic and minimal; the walls were burgundy and there were a couple benches dotted around the room for visitors to sit nearby rows of fake plants or small coffee tables. If you looked close enough, you could pick out how the seats were worn and old, and the wooden coffee tables had splinters in their edges. 

Victoria trailed behind Dahli as they headed for the elevator. There was a blatant lack of space even from the outside, and it caused the rest of the lobby to appear truly stunning in comparison. Regardless, today had been beyond tiring and there was no possible way that either girl would make the conscious decision to climb the stairs over this option. Dahli pushed the button for the elevator, and thankfully there was nobody else occupying it nor wishing to. She gladly pulled Victoria in after her, and pressed the button for her floor. The walls felt even more confined from the inside, and Dahli stared down at her feet for a brief moment. 

Victoria was done with this shit, though. If she was really honest with herself, she’d known she was a goner since Dahli had came over to admire her preparation for the floor show earlier. 

Her grip on Dahli’s hand consciously tightened, and without taking any further time to plan out her actions, she backed Dahli into the hard elevator walls, their fingers now interlocking with one another while she slammed their hands against the space beside Dahli’s head. Their lips smacked against each other’s in a lustful and heated kiss, Dahli closing her eyes in response to the desperately awaited taste of Victoria’s soft lips. She bit down on Victoria’s bottom lip, sucking at it unforgivingly before grazing her tongue over the same spot. 

“Mhmmn.” Victoria groaned at the sensation, clearly accepting of Dahli’s intentions. Dahli was about to slip her tongue between Victoria’s parted lips, but found herself being cut off by the sound of the elevator doors opening a few floors too soon. 

The both of them instinctively broke apart, fearful of whoever may see them together - and thank God they did. Before they even had the opportunity to step out of the elevator and run for their lives, they were met with a smug James Majesty. 

“Hey ghouls.” She grinned with a cheeky wink, flipping her teal hair behind her shoulder and stepping into the elevator to join the stunned girls. 

James blatantly looked Dahli up and down, caring not enough to try and disguise her look of disgust. “Where’s the shirt from, my grandma’s closet?” She audibly laughed to herself, barely even getting the sentence out before doing so. 

Dahli rolled her eyes in response to the usual snarky comment, bringing her finger up to her own neck and pretending to slice her throat. 

Victoria felt the danger in this whole scenario build up in her mind, the close call putting things truly into perspective and allowing her to realise how she really felt alright in still going through with them - in spite of all the reasons not to. 

Everything got too overwhelming, and she pushed another button for the elevator, hurrying out and abandoning James and Dahli. 

For a split second, Dahli considered chasing after her, but it didn’t feel right in front of James…maybe part of Victoria wished she would’ve. 

[darksaiyangoku]

My Hope for a Live-action Dragon Ball Franchise

10 years ago, on the 10th of April, the Dragon Ball fandom was cursed with the abomination of Dragonball: Evolution.

Yeah, I hate to bring back painful memories too. Aside from just being a god awful movie, it’s a god awful adaptation of one of the most influential Shonen manga of all time. Nothing from the original series carried over into this thing aside from the Dragon Balls, and even then they fucked it up!

But........ we have had great success with Dragon Ball since then, including 2 fantastic movies, another sequel anime in the form of Dragon Ball Super and arguably their best move, Dragon Ball Super: Broly!

(Seriously if you haven’t seen this movie yet, do it!)

But now that 10 years have passed and with anime becoming more mainstream than ever, I think it’s time that we gave Dragon Ball in live action another try.

Now I know what you’re all thinking:

“There is absolutely no way in hell a live action Dragon Ball movie can work.”

Honestly, I don’t blame you guys for thinking like that. DBE has really tainted, not only Dragon Ball, but live action adaptations for anime in general. Every time a new one is made, everyone refers back to DBE as the leading example of how it can, and does fail. Not only that, but many people think that doing a live action Dragon Ball would be impossible, given how crazy the series is.

I disagree with that notion. While it wouldn’t be an easy feat to accomplish, I don’t think it’s truly impossible. I believe a live action Dragon Ball movie CAN be made, if they do some of the following:

1. Get a director with proven talent who can also capture the spirit of the source material

This one is essential as hell and I have some directors in mind who would be very good choices for a project like this.

1. James Gunn

James Gunn did the impossible when he directed Guardians of the Galaxy. Not many people outside the comics community has even heard of the team and they went from Z-list characters to top tier characters and one of Marvel’s most popular teams. Not only that, but he also has a knack for striking a perfect balance between serious and comedic, which is perfect for Dragon Ball. Speaking of comedy, his strange sense of humour is very similar to Toriyama’s, along with capturing the weird and wacky world of aliens, space magic and epic battles. James Gunn would be my top choice for a live action Dragon Ball film.

2. Taika Waititi

Thor: Raganarok was a huge hit, not just for the MCU as a whole, but for the Thor series. It gave the character and his world new life and it’s honestly the closest thing I’ve seen to a live Dragon Ball Z. Every staple of DBZ exists in this movie; strange worlds, epic fights, crude and absurd humour, crazy-ass powers and transformations. Seriously, it’s like Taikia Waititi was tailor made to direct Dragon Ball.

3. David F. Sandberg

David F Sandberg’s work on Shazam was nothing short of fantastic! A seriously heartfelt movie, it managed to portray the character seamlessly from the comics and is one of my favourite comic book movies of all time. With some funny moments and some really dark, twisted scenes, I’m sure David can bring something truly amazing to the table if he was in charge of directing Dragon Ball.

2. Do NOT adapt Dragon Ball Z first.

Dragon Ball Z may be one the most popular and iconic anime of all time, but it was the second part of an overall larger story. The first part started with Dragon Ball.

This is the series true beginning and to skip out on it would be a huge disservice. Everything that makes the franchise so beloved was built off of this and it deserves to be represented more. As for the storyline they should start with? Well they could either start with Emperor Pilaf arc or the Red Ribbon arc. I know this may might sound hypocritical given that DBE was not at all faithful to the source material, but there are some liberties that do need to be taken here. That’s just the nature of adaptations. All that said, though, if most of the source material is adapted well in the film, I wouldn’t mind a few liberties taken here and there, provided they’re done RIGHT and with RESPECT!

3. Get a good mix of unknown actors and actors with proven talent

For something like Dragon Ball, I believe the route of unknown actors is the right way to go and when it comes to casting the characters, I’d recommend that primarily Asian actors are used. The world of Dragon Ball is very diverse, filled to the brim with different kinds of species and creatures, but it also has heavy roots in Asian Mythology. For me, here’s how I would see the casting pan out:

Saiyans- Primarily Asian actors.

Humans- Mix of different actors. Characters like Roshi, Tien, Yamcha, Krillin and ChiChi would need to be Asian, while Bulma, 17 and 18 can be cast as anyone.

Aliens and other strange species- Mix of different actors. You can get anyone for these roles.

4. Get the right studio

With a project like Dragon Ball, you would expect a lot of money to be involved here. For me, I have the perfect studio in mind for this:

Before anyone yells at me, let me make it clear that I understand everyone’s grievances with Disney, especially recently.

Regardless, they have had successful hits at he box office and have made some of the best film franchises of the modern day. Their success with the MCU is pretty much why I chose them in the first place. They accomplished a very difficult task of an overarching story spanning 23 movies and revitalising comic book movies. If they can replicate that with Dragon Ball, I think we’d have, not just a good live action Dragon Ball movie, but a truly great film franchise!

Though that’s just wishful thinking. 😅

Thus concludes my reasons for wanting another live action Dragon Ball film. What do you guys think? Do you agree or disagree? Do you think it’s impossible and I’m just wishing or do you think it can happen? What are your ideas for a live action Dragon Ball and which studio do you think should take it if Disney isn’t the right choice? Let me know by commenting and reblogging.

Have a good night guys! ✌️

[creativity-is-rebellion]

More Top 20 Must-See Horror Movies

 Especially now we are in isolation, who doesn’t crave a good horror movie to watch? To that purpose, I have created yet another top 20 must-see horror movies, along with why you should be watching them. So get into your comfy clothes and blanket, grab some popcorn, and settle in to watch these horror gems (WARNING: May contain spoilers).

1) Ginger Snaps (2000)

I first saw this movie when I was fifteen years old, and, watching it recently, I was still impressed how it handles the perils of transitioning from teenhood to womanhood. Ginger Snaps follows the story of two outcast sisters, Ginger (Katharine Isabelle) and Brigitte (Emily Perkins), in the mindless suburban town of Bailey Downs. On the night of Ginger's first period, she is savagely attacked by a wild creature. Ginger Snaps is a terrifying movie with good character development, acting is convincing and it has a fast-paced story line. If you're into well-done horror movies Ginger Snaps is the movie for you. It is one of the best modern werewolf movies I have seen.

2) Annihilation (2018)

Drawing on mythology and body horror, Annihilation is an intelligent film that asks big questions and refuses to provide easy answers. It is Sci-fi horror at its best, boasting a very intriguing and unique idea whilst entertaining the viewer throughout the film. Definitely a must-watch.

3) Green Room (2015)

A punk rock band becomes trapped in a secluded venue after finding a scene of violence. For what they saw, the band themselves become targets of violence from a gang of white power skinheads who want to eliminate all evidence of the crime. Influenced by exploitation movies of the 1970s (and punk music of the 1980s), this horror-thriller is rooted in a gripping, grisly kind of realism without resorting to lazy coincidence or stupidity. This is again a fresh take on horror and worth a view.

4) 1922 (2017)

I learned from a great film critic many years back that your own best judgement of a movie is best discovered when you realise that you are still thinking of it many days later. This Stephen King film stays true to the iconic master with all the tell-tale signs of a Kings classic: A haunting grimness that lingers throughout the movie, a tragedy and of course, outstanding performances. The mother that returns from the dead leaves you in a crazy suspense of whether it is simply a dream, a man’s demented insanity, or an actual reality. Thomas Jane’s performance was stellar and totally believable as a farmer in rural America in 1922. He actually takes you through the movie as if you were part of him and what is going on. The message that Stephen King leaves you with is dreadfully powerful of how greed can destroy all. Definitely worth the watch, especially for Stephen King fans.

5) Evil Dead (1981; remake 2013)

Both versions of this movie are great, but I have a special fondness for the original, which was Sam Raimi’s directorial debut. The camerawork is amazing for a low-budget film, and the creepy atmosphere is eerily accurate. We feel Ash’s pain when his friend, sister and girlfriend are one-by-one changed into Deadites, and the ending keeps you guessing, and wanting, a sequel. I am quite a fan of the Evil Dead franchise actually, and have just finished watching the TV adaptation Ash vs. Evil Dead. I’m savouring the last episodes, and am sad that it got cancelled. I look forward to more from this franchise, hopefully in the not-to-distant future.

6) Get Out (2017)

This film is unique, telling the tale of young black man who meets his white girlfriend’s parents for the first time. Jordan Peele’s film delivers a chilling satire of liberal racism in the US. More than just a standard-issue thriller, this brutal, smart movie is impeccably made, as well as surprising, shocking, and funny, while also offering a compassionate, thoughtful look at race. Expect only the very best a film has to offer, with a nasty twist at the end that you won’t see coming. 

7) Hell Night (1981)

One of the best things about this movie which follows fraternity and sorority pledges who spend the night in a mansion haunted by victims of a family massacre is that it stars legendary Scream Queen of The Exorcist fame, Linda Blair. Other than that, prepare for a fun, wild ride, the way every good slasher movie should be.

8) Insidious Part 2 (2013)

I actually enjoyed this sequel more than the first movie, as it was less plodding and more action-packed, with an intriguing antagonist in the form of the mysterious “Bride in Black,” who turns out to be the evil spirit of serial killer Parker Crane, who, as we know from the previous movie (SPOILER ALERT) has taken over the body of Josh Lambert, and is fighting for control of his soul. I enjoyed seeing the return of Elise Rainier, who was (SPOILER ALERT AGAIN) killed off in the previous movie. James Wan directed this second helping even more masterfully than the first. A must-watch.

9) Sleepaway Camp (1983)

This is a campy slasher gem, where they cast real teenagers, which elevated the drama of the plot somewhat. Sleepaway Camp tells the story of a young girl named Angela who goes to Camp Arawak with her cousin Ricky. Once the two arrive at camp, a series of events/killings leads the campers to discover that there is a killer on the loose. Sleepaway Camp is not in any way intense or fast paced. However, even though many initially might look at as a “rip off” slasher film, the movie does get creative when it comes to the brutal killings and certain aspects to the film that no one saw coming. Including the jaw-dropping twist at the end. I’m not giving it away. You just have to watch it.

10) Cold Prey (Fritt Vilt) (2006)

This movie takes full advantage of its snowy, secluded set-pieces, using Norway’s harsh winter landscape to masterfully build tension and heighten the sense of isolation. As horror movies go, Cold Prey is a slow-starter, committing the first third of its running time to investigating the signs of violence scattered throughout the hotel, allowing the characters to theorise about what pernicious acts may have taken place before the hotel’s abandonment. It begins at the intriguing yet deliberate pace of a psychological horror film as the sequestered friends, initially inebriated and giggly, explore the hotel and sharing secrets, but the movie’s party-hard atmosphere bursts open at the 40-minute mark to reveal a black horror centre. Slick and stylish, Cold Prey is a genuine pleasure to watch.

11) The Hills Have Eyes (1977; remake 2006)

Even if it echoes a better film (namely, The Texas Chainsaw Massacre), the original movie is still an important one to view for lovers of the horror genre.  This is a sometimes ghastly  - and occasionally absurd - shocker that really gets under one's skin. Though many critics initially despised the original outing, it has since been called one of the best horror movies of the 1970s. Scary-movie specialist Wes Craven made this viscerally-violent feature on a low budget, and some horror connoisseurs call it his best. Ultimately the "normal" people strike back with a ferocious blood-lust they didn't know they had, and the question is how much a "civilised" person can be pushed before one becomes a savage. Are the Carters really all that much "better" than Jupiter and his spawn? That is a question that you, as the audience member, are required to ponder.

12) The Dawn of the Dead (2004)

This remake of George A. Romero's 1978 sequel to Night of the Living Dead soups up the zombies, cranks up the gross factor to 11, and has a lot of cheeky in-jokes about its predecessor. In comparison with the original, out are the shrieking blondes and rampaging looters, in are smart, controlled Ana (Sarah Polley as a believable nurse not afraid to wield a fire poker) and Kenneth (Ving Rhames), who is exactly the kind of cop you want walking beside you if you are facing scores of the undead.

The zombies are a bit spryer in this film, and the pregnancy of one of the main characters is not the life-giving promise it was in the first movie. But the ending is what differs most from the original. If you're a fan of the horror genre, then this flick is a welcome, if derivative, fright-fest in the school of Romero's classics.

13) The Cabin in The Woods (2011)

What starts out as another five-band teen getaway to a cabin in the woods ends up becoming a fresh take on the trope, with puppeteers behind what is taking place, in a twisted game of Choose Your Adventure. The ending is fittingly grim, but you won’t be disappointed. Definitely worth one hour and thirty-five minutes of your time.

14) The Babadook (2014)

The feature debut of writer-director Jennifer Kent is not just genuinely, deeply scary, but also a beautifully told tale of a mother and son, enriched with layers of contradiction and ambiguity. It presents grief as a demon, questions reality, and creeps out the viewer by making psychopathology seem like something that could happen to anybody. The style of the film is not teasing exactly - it's too sad and lonely - but there is certainly a hair-pulling mixture of glum laughter and vast apprehension. Is the demon real? Does it matter? That’s for you to judge. Either way, if it’s in a word, or if it’s with a look, you can’t get rid of the Babadook.

15) Suspiria (Original and the Remake - 1977 and 2019 respectively)

Suspiria is a baroque piece of esoteric expressionism that you enter - and exit - without understanding so much as feeling. It's always fascinating to watch; the thrills and spills are so classy and fast that the movie becomes in effect what horror movies seemed like when you were too young to get in to see them. Director Dario Agento works so hard for his effects -- throwing around shock cuts, coloured lights, and peculiar camera angles -that it would be impolite not to be a little frightened. This entry stands out as it is a visually beautiful horror movie, a bright fantasy that lives off its aesthetic. If you are a horror fan and haven’t seen this movie yet, then you’re not living right. The remake is also worth a watch, something that is oftentimes unique in the horror genre.

16) A Quiet Place (2018)

This gripping, clever monster movie is one of those rare genre treats that seizes on a simple, unique idea and executes it so perfectly and concisely that it elicits satisfying squeals of delight. It's directed and co-written by Krasinski, who's best known for his work in comedy but translates his experience in that genre to the expert building and releasing of tension here. A Quiet Place is, in many ways, like an extended classic horror movie sequence, such as famous ones in The Birds or Aliens, wherein the heroes must try not to disturb packs of resting monsters.

At the same time, Krasinski uses his quiet moments like music, ranging from moments of restful beauty -- including a father-son trip to a waterfall, where it's noisy enough that they can talk and even shout -- to moments of pause. A loud noise can cause a jump, but it's immediately followed by tension and dread: Will the creatures come this time? The real beauty is the movie's primal quality, based on the most basic elements of life, such as survival and protection of the species. No explanation is given for the monsters' existence; they, like us, are just here. Images of water, sand, bare feet, crops, and plant life serve to underline the theme of life itself. A few overly familiar horror movie clichés keep it from being perfect, but otherwise A Quiet Place is so good that it will leave viewers speechless.

17) The Exorcist (1973)

Once famously dubbed ‘the most terrifying movie ever made,” this movie is steeped in urban legend, especially concerning the unfortunate happenings that occurred when it was being made. 

If you think your teen is ready for this shocking film, keep in mind that some audience members in the '70s reportedly fainted after seeing Dick Smith's grisly makeup effects on Blair. In some extreme cases, viewers even required psychiatric care. Also, the moans, snarls, and profane utterances from Regan (most are actually the dubbed-in voice of a well-known older actress, Mercedes McCambridge) amount to some of the most chilling audio ever done for film.

Thanks in part to Linda Blair's wrenching, Oscar-nominated performance, The Exorcist was a huge hit, earning back 10 times its $10 million budget (a then-lavish sum, outrageous for a "mere" horror flick). Movie historians cite it (along with The Texas Chainsaw Massacre) as the conclusive end of old-school spook shows featuring Dracula and Frankenstein and bobbing rubber bats. If you haven’t watched it yet, you may have your horror movie fan card revoked.

18) The Final Destination Franchise (2000 - 2011)

If I had to list all of the movies in the Final Destination franchise in order of quality, I would say 5, 1, 2, 3, and 4. Fourth instalment withstanding, the series is a formidable addition to the horror genre, as the invisible killer, Death Itself, stalks its victims and kills them off in creatively gruesome ways after they initially cheat death. The fifth addition contains an awesome twist at the end which in hindsight you should have seen coming throughout the entire movie. Pay close attention. The only downside is (SPOILER ALERT) that none of the characters throughout the series really survive.

19) Let the Right One In (Lat den Ratte Komma In) (2008)

Please watch the Swedish version, and power through the subtitles. This is a horror movie that is tragic on multiple levels, as it deals with a lonely and bullied boy who so happens to live next door to a pubescent vampire. When her benefactor dies, we see how the main character’s life will also unfold, and what lies in his future. A must-see film that is more than just your average horror movie.

20) Terrifier (2017)

This movie definitely gets back to basics by paying homage to the original slasher classics. Art the Clown, who we are originally introduced to in the 2013 movie All Hallow’s Eve (also worth a watch), is a vicious horror movie villain who kills just for kicks. He also subverts the horror movie trope by using a weapon which was previously considered off-limits to horror movie villains, especially those with supernatural abilites (mostly, anyway). This movie also contains one of the bloodiest deaths in recent horror movie history. I like the use of practical effects over the often-overdone CGI. What is Art the Clown? Deranged killer? Demonic entity? Who cares? Its all good fun. Watch it now on Netflix.

I’ll probably be back again some time in the future with a further 20 horror movies that are worth a watch, because there are so many of them. To everyone, take care during these uncertain times.

[madscientistutm]

As a challenge, and a little fun, I’ve ranked the best versions of the TMNT characters upon request. This is technically a Top 4 although it can also be a Top 5 if an Honorable Mention qualifies. The rankings depend on how the character was portrayed from a creative standpoint as well as the performance of the voice actors. For each character/topic, there have to be at least six versions of a character available so Karai (1987 series’ Lotus Blossom doesn’t count), Baxter Stockman (“Rise...”’s Stockboy doesn’t count), Krang, and B&R don’t qualify. Now it’s time to lawyer up and present my cases for each character beginning with Part 1:

Donatello: (5*)I like Corey Feldman as an actor and a person, I really do but the best I can do for him is an Honorable Mention. It has less to do with being in the 1993 live action movie which, let’s be honest is one of the worst movies of all time, and more to do with not only does he provide a voice similar to that of a chain smoker (although you could say the same about 2003′s Raph) but he was also basically just a Mikey clone. (4)Then you have Rob Paulsen who fits Don better than he does Raph and started out excellent in the first season with all the responsibility he shoulders, his reserved feelings about his existence as a mutant, and his balance of being a bit charming at times and snapping during his more vulnerable moments. He’d be higher though if “Apriltello” was handled a lot better and he wasn’t featured in such bad episodes down the 2012 series’ stretch: “A Chinatown Ghost Story”, “The Fourfold Trap”, “Revenge of the Triceratons”, “The Power Inside Her”, and “Heart of Evil” most notably. (3)To me, Adam Carl did a better job as the voice of the live action Don in TMNT II as he had a better voice (very close to the 2003 series’) and an interesting existential crisis about the meaning of his existence with regards to the mystery surrounding the ooze plot device. (2) It is a bit surprising Sam’s this high when you consider he doesn’t have much range as 2003′s Don but, like Mike and Greg who share that same issue, he fits the character like a glove. Some say his voice is sexy but I think it’s the perfect voice for a pacifist like him. He doesn’t feature much in the series but he is so well portrayed as a character that I have to give him the second spot. (1) However, I have to give the top spot to 1987′s Barry Gordon. He had good lines as Don, provided a nasally but very genius-like voice, and was involved in some of the series’ best and even most fun episodes. He also flexed his voice range a bit in episodes like “Donatello’s Duplicate” and “Night of the Dark Turtle”. And despite him not being Don in every episode (hence the asterisk), he stuck around to the end and he deserves some (more) credit for that.

Leonardo: (5)It was so close between Eric Bauza and James Arnold Taylor it was as though a pinch of salt separated them from the HM. For each positive, there was a negative. When no way to distinguish them individually came about, the tiebreaker had to come down to who was in a better movie and although “Batman vs. the TMNT” wasn’t as good a Batman movie, it certainly was from a TMNT perspective and was overall a better movie than the 2007 one. Eric has built a reputation for being one of the best VAs of this generation, as well as one of the friendliest even in this day of big egos in the entertainment world. He does have his shortcomings such as the Scarecrow scene which showed us nothing we didn’t already know about him (nor did it answer the question of why Leo takes his brothers into battle so much if he worries about their safety) and, compared to JAT, it really is splitting hairs between them but ultimately Eric gets the nod. (4)I knew Cam was going to make this list even if JAT or Eric didn’t which is why he’s #4. Cam’s take on Leo is a lot lighter than any of these others, but he does get better as the series goes along and that’s why I have no problem giving him this spot. (3)I used to think Brian Tochi was the best Leo even though he was less prominent as the original trilogy rolled along. His voice fit Leo perfectly and he was around for the whole thing but there’s a lot more character to the next two. (2)Some are going to say I’m crazy for not putting the 2012 Leo at #1 due to his development and growth in the series and they have a point. I however thought Jason was miscast as Leo, in large part due to his real world behavioral problems. Then he leaves to commit full time to “Orange is the New Black” and Dominic, as far as I’m concerned did a better job. He should’ve stayed full time and not Seth. He does have some compelling moments such as his relationship with Splinter and Karai, as well as being her knight in shining armor in “Vengeance is Mine”--unfortunately it takes until “Requiem” for him to get it back. He also suffers a lot of physical and emotional torment from Shredder until he gets to (temporarily, unfortunately) defeat him in “Owari.” He ultimately becomes his enemy in the true finale “Carmageddon!”, which was a nice poetic touch, until he snaps out of it and finds paradise both figuratively and literally with his family. (1)Ultimately though, I’m giving it to Mike. He didn’t have a lot of range and we could’ve done without his PTSD storyline (at least for how long it lasted) in Season 4, but he fit the character like a glove. He exemplified everything the character is supposed to be and it also helps that he and Sam also weren’t affected as much by the spinoff seasons!

Michelangelo: (4)The closest to an HM is Greg Cipes but I can’t do that. Despite some great stuff such as him reaching and befriending Leatherhead, he was so over the top starting from the beginning and he mostly relied on his Beast Boy schtick. No, I have to start with the big surprise of “Batman vs. the TMNT” and that is Kyle Mooney’s take on the character. He had a really good delivery and some pretty good comedic lines while still not coming off as too OTT and getting in the way like Noel Fisher did in the recent live action movies (yuck!) (3)It’s hard not putting Wayne Grayson any higher. He had this Bugs Bunny vibe with his imitations, voice range, disguises that were mostly cross dressing, energy, and lines that really weren’t bad at all. However, it was the spinoff seasons, mainly FF, that did him in as he became far too one dimensional. And in a competition this thick, that’s all it can take sometimes. (2)It’s splitting hairs between Townsend Coleman and Robbie Rist for the top spot but I ultimately have to give it to TC here. He does deserve credit though for sticking around to the end and never missing an episode (like Cam). (1)Robbie may not live down being the often despised Cousin Oliver, but hopefully he can take solace knowing that he’s #1 as Mikey in the hearts of many (most likely) including this guy. Like Townsend, he stuck around for the whole series when most of the cast didn’t. He was also quite energetic without getting in the way. Ultimately, live action movies also have to be given a bit more of a nod than animated TV shows, and with the 1990 live action movie perhaps being the best TMNT screen adaptation out there, Robbie gets the benefit of the doubt in this situation.

Raphael: (5)Rob’s 1987 series version of Raph may not be the true version of the character, but he had a lot of very good lines and had such a charm behind his voice that you can’t help but like him. He faced some stiff competition from the likes of Alan Ritchison, Omar Miller, and Sean Astin but there’s a saying of mine which is totally fair: “When in doubt go with the original”. And, with the 1987 series being the first TMNT screen adaptation out there, Rob gets the nod. (4)It’s funny that they brought back Josh Pais in the suit for TMNT II, yet they hired Laurie Faso to voice him anyway. I don’t understand it myself but Laurie did a heck of a job filling in for Josh’s voice. He still had that tough, New York sounding attitude who would act on his emotions just as much as he acted on what he thought was the right thing to do. (3)Nolan North is a heck of a voice actor. He was a good pick to portray Raphael in the 2007 animated film and it’d be a shame if he never portrays the character again. The reason he’s not higher is both the competition and the fact that he (and to an extend JAT’s Leonardo) hogged the spotlight from the rest of the characters. (2)Usually I’d think Greg’s version of Raph in 2003 would be #1, at least I did for a time. Anyone who would, I have no problem with. Some would say that him not getting the spotlight so much in the series would keep him out of that spot. That’s not me though. What keeps him out is his lack of range (even though that wasn’t much of a problem for Mike as Leo) and his more one-dimensional nature in the spinoff seasons (mainly FF). I don’t mean that as a knock though since he’s still clearly the best animated version of the character. (1)Ultimately, Josh is #1 here. He can over act at times which would make you cringe a bit, and while his and Greg’s versions of Raph are about the same character-wise, I thought Josh had more range, depth, and story to work with and that’s why he’s ultimately #1.

Part 2 coming soon...

[televisor-reviews]

Everything Of Note I Have To Say About “Star Vs. The Forces Of Evil” Season 4!

As I’m sure you’re aware, the great animated series Star Vs. The Forces Of Evil has recently concluded and I have a ton to say about it... So I made a list!

1. Spoilers...

2. Duh...

3. Before anything, I absolutely loved it! This was the finale this great show really deserved.

4. Let’s start from the beginning: I’ve been watching Star Vs. for a few years now when a good friend of mine recommended it to me. At first I was resistant because the advertising for it at the time was god awful, but luckily I was convinced otherwise and been loving it ever since.

5. The show premiered when I was a teenager, going through all the cliche teen shit. So seeing a show that portrayed the overly dramatic life of a teenager without being one of those stock teen dramas was a good change of pace.

6. In particular, I remember being amazed that it could be so relatable while still being able to have it’s upbeat and fast-paced fantasy/sci-fi action sequences and world while also having a good mixture of mature and juvenile humor. I mean, all of that would seem to work against each other and yet this show made it work in spades.

7. Actually, the way Star Vs. uses it’s fictitious setting to complement its down-to-earth characters while juggling great humor reminds me a lot of a different Disney property: Guardians Of The Galaxy. GOTG, I think, is the perfect film to study if you want to ever write for sci-fi or fantasy because director James Gunn understood that you can have as wild and crazy of a world as you want but you still need to write your characters as genuine as possible. If you don’t, you’ll get something like Avatar (the movie); a film that everyone remembers liking because of the incredible world and even better effects, but no one can name a single character or plot-point. The universe still needs to be grounded by the characters or else it’ll become forgettable and un-relatable. Star Vs., thankfully, does not have this problem. I love the characters, their trials, their tribulations, all because they feel real despite the world in which it takes place.

8. That isn’t to say there isn’t a reason to set a story in a fantastical world or that there isn’t an issue with being too relatable. If anything, the world of the show helps to make it more entertaining, less monotonous, and more unique. Without it, Star Vs. would be another Pretty Little Liars or Zoey 101 or Dawson’s Creek or any other boring teen drama out there. They’re practically identical because they start off too similarly! They all follow around relatively normal teenagers in a relatively normal world with their relatively normal life and god do none of them stand out. So Star Vs. separates itself by still keeping its characters pretty wacky and the universe as crazy as Daron Nefcy’s imagination!

9. Even by a storytelling perspective, this makes more sense because there is objectively more that can be done! By the end of Zoey 101, Zoey and her lame crew basically did everything they could do without jumping the shark too much. In comparison, there are countless adventures Marco and Star could go on even past the series finale.

10. And because the number of future adventures are countless, part of the tragedy of the show ending is that we (the audience) don’t get to experience them alongside these characters we’ve learned to love so much. Keeping that door open leaves a much longer lasting impression on the audience, as apposed to the ending of Zoey 101 in which... wait, what happened again? I don’t remember. Anyways!

11. I love the comedy in this show! From the very beginning, the humor was very lighthearted and yet mature because it had to be. It had to have a tinge of maturity to it because the target audience isn’t little kids like it would be for a show like My Little Pony or SpongeBob. Star Vs., with it’s doomsday atmosphere and constant teen drama, was definitely geared more towards older children/preteens. The ones more likely to watch a show like Gravity Falls or Rick And Morty and this audience will not tolerate childish humor. They can appreciate it sprinkled in here and there but if used too much, they’re taste will sour. This is because as they are maturing to to start maturing into adulthood, there is the natural need to separate from childish things with the added childishness of wanting to totally separate from it. That’s why on The Loud House, a punchline could literally be poop and why that is not something you’d see very often on Star Vs.

12. With that said, the show still needed the humor to be incredibly lighthearted because otherwise this show would be so depressing! The worlds in which these characters live in and know are constantly changing, evolving, and almost blowing up. For Christ sake, many important characters die in this finale! The only one who died in Gravity Falls was the villain and in this, the villain isn’t even one of them! Seeing Marco and Star still be able to crack jokes to one another and making each other laugh keeps spirits high. God knows Hekapoo can’t do that now!

13. Speaking of Marco and Star, I have been a hardcore Starco defender from the very beginning despite the show constantly trying to convince me otherwise! There are so many perfect pairings in this cast that any one of them could’ve worked if Nefcy were top change her mind. If it ended with Star x Tom or Marco x Janna or Star x Janna or Marco x Hekapoo or Marco x Tom or Marco x Kelly it would’ve worked perfectly well.

14. But lets not kid ourselves, it was always going to end with Marco x Star. Their relationship and chemistry is unmatched, they might be the only couple in existence to say a joint line like “With or without magic, we were always meant to be together,” work and come off as not only sincere but true. I don’t even believe in the whole “soul mate” mumbo-jumbo, but I’d be damned if they are not that!

15. I audibly squealed in delight when they finally got together. It was like the build-up of four season culminated in one scene.

16. Though it wouldn’t really surprise me if I was alone in this assessment because I am a sucker for a good romantic movie. I saw La La Land in theaters, I cried at Love, Simon, I actually really love Love Actually. And though I do think Star Vs. pulled off relationships better than most, take my opinion with a grain of salt because the build-up itself was a little grating.

17. I have a huge issue with “will-they, won’t-they” stories! It’s the same issue I had with The Office and Friends and The Big Bang Theory and Sailor Moon and That ‘70s Show and every other show that has this dumb trope! Of course they’ll get together because otherwise I wasted several hours of my life wondering about it! Star Vs. isn’t as bad about this as most others but it’s still there and it’s still annoying.

18. It does this better than most because of three main components: it’s relatively short, we get plenty of Star and Marco being all lovey-dovey with each other once they do get together, and they do have genuine chemistry together. They have so much chemistry that Star’s ex literally told Marco that they were clearly into each other. If only they could’ve avoided the trope.

19. Okay, this next point is a little personal but it did effect my feelings towards this show’s finale so I think it’s kind of important that I mention it. Around the time the Star Vs. was ending, I was just entering my first real relationship and around the time I watched this finale, we lasted long enough that we could start taking the relationship a little bit more seriously. Now before anyone says anything: everything’s going great (she actually made me my header) and I am absolutely still in a honeymoon phase with her. But I think you could imagine how a lovesick teen just entering a serious relationship would be effected by this show that ended with lovesick teens so in love that they’d happily sacrifice themselves for the other.

20. I may or may not have also been high while watching this and that may or may not have effected my viewing experience. Don’t be a narc!

21. I love what this last season did with Ludo. Push away the fact that they somehow keep talking Alan Tudyk into these rolls he clearly does need to do and yet still does a great job at it (did you know he was King Candy in Wreck-It Ralph? Why? Why did he do that? Why is he so good in it? This guy’s casting decisions are so weird). The character of Ludo was a generic comic relief villain (see Doofenshmirtz) but was usually fine if only because he made for a good contrast and was way more interesting compared to Toffee (played by Michael C. Hall, another actor who does not need this job). But season four made Ludo a million times more interesting by showing his obsession with the wand exactly what it is: and unhealthy obsession that he needs to get over. And I like where he’s left by the end, clearly still not doing too great but is making strides to get better. As someone who has known many addicts in my life, this hit home a little.

22. Actually, I think a large part of season four was specifically meant to fix the first two mediocre seasons. Just look at my new favorite episode of the series: Britta’s Tacos. In this episode, Star and Marco find themselves back on Earth after a year of being on Mewni and catching up with all of their friends and seeing what’s changed. Watching this episode, I was reminded that as good as the first couple of seasons were, the latter half of the series was a ton better! The characters, character arcs, stories, everything, everything was better once they went up to Mewni. So seeing them go back to Earth and challenging the writers with rewriting their past characters to be more interesting showed just how much the series has improved. Could you imagine characters as uninteresting as those nerds I don’t even remember the names of being introduced in the much more interesting latter seasons? I couldn’t! So I appreciate that they went back and made sure every character in this show was interesting... except for Toffee, he still sucks.

23. And of course, the character that improved the most, hands down was absolutely Jackie Lynn Thomas! She was as bland and boring as a love interest got and that bothered me from the very beginning. How is it that in a show this imaginative and unique they still felt it necessary to use this tired cliche. So bringing her back, the writers had to do something to make her more interesting and it was apparently really easy. All they had to do was keep the character herself basically the same but now she’s a lesbian. And somehow, just adding that one extra layer made her feel so different, so interesting, so complete. I think that’s what it was, she just felt like an incomplete plot point and giving her a girlfriend completely separates herself from being important to the plot and adds that extra layer to make her seem more finished as a character.

24. I’m actually really surprised by this recent trend of LGBTQ+ characters in kids cartoons. You’d think that of all mediums, kids cartoons would be the last to fully integrate a controversial minority but they’ve been some of the first. Steven Universe really started this trend but I feel like The Loud House was the first to show and say it outright. Star Vs. doesn’t do it that well (and I’m willing to bet that was because of higher-ups over at Disney) but I appreciate the sentiment anyways. They never call Jackie and her girlfriend a couple or show them kissing, the most they do is have them hold hands and though I guess that’s enough, I wish they were able to go further. Whatever, I already wrote about why this representation in kids media is important, go read that.

25. For a while, Star was my favorite character in this show. I just have a real soft-spot for upbeat female badasses (and I am very happy this has become more of a trope recently), I think Janna might’ve taken the throne. It’s not that Star stopped being interesting or anything like that, I just really love Janna and her “Jannanigans”. Plus, I do really like the “cute girl who’s into weird shit” trope too. She’s not my favorite version of this trope (see Raven from 2003′s Teen Titans), but she was always a delight whenever she was on screen.

26. Tom is probably the most obvious example of “boring character was made interesting” that the show has. In the beginning, he was the standard bad boy archetype but, over time, was given more personality and started working off the other characters much better. Sure, he and Star worked great with each other as to be expected, but I think the real standout relationship he had was with Marco. I have never seen bromance as strong as what those two have. Their little musical number at Queen Moon’s cornonation turned talent contest might have been the greatest piece of animation ever made (change my mind). And this I know people agree with me, I cannot exaggerate just how much literally everyone I have ever spoken to loves Marco and Tom. It just works so strangely, it has to come off as genuine.

27. I think the series was supposed to go on for another season. I say this because Kelly was too good of a character to waste like they did! She was a great character with tons of personality and amazing chemistry with Marco that was seemingly building up to something... only to drop the ball at the end. She isn’t given much to do, she doesn’t have a final scene with Marco, she isn’t even given a good ending. The most we got was Ponyhead theorizing what her life would be like just to cheer up Star. If that was all they were going to do with Kelly, that’s just a waste of perfectly good build-up.

28. It’s very strange how on the nose these metaphors in the show got at times while still seeming perfect. I guess it had to be on the nose so that the younger audience could catch on to them but I’m not sure what the’ll do with the knowledge that magic=nuclear power. Also, the monsters kind of changed metaphors, originally they were clearly meant to be Native American stand-ins but later on they kind of changed into African American stand-ins. Not that they’re histories (in America) are all that different but it was a noticeable switch. It’s not like Zootopia where any given animal could represent any number of races depending on the scene in question, this was definitely what Star Vs. was going for and I’m not sure if it totally worked. It didn’t NOT work, I guess.

29. I actually don’t like the whole “blowing up the magic” thing. It was something Star made up in a temper tantrum and goes totally against the theme. The whole time, the show was going on about how important integration is and how “separate but equal” doesn’t work and whatnot. So destroying the only way they know how to travel through different dimensions seems contrary to that point. I get that drastic times need drastic measures but I get the feeling that in a theoretical season five, Star and Marco would work to bring back the magic. Or maybe find a more scientific way to travel through dimensions... like some kind of portal gun. We already know this takes place in the same multiverse as Rick And Morty, it’s not that crazy an idea.

30. Another reason I think there was originally going to be another season is because the whole “Mewmans are humans” thing that came right out of nowhere! I mean, it makes total sense and I’m totally down with this plot point but it seems like that would be a much bigger deal than the characters make it out to be. My god, they don’t even let Marco finish explaining this. How the hell did that cave painting get to Earth if they didn’t run into Glossaryck until they got to Mewni! Explanation please!

31. I wish destroying the magic didn’t also mean killing off Glossaryck and Hekapoo. I don’t really care about any of the other characters literally made out of magic, but those two are just so likable and such fan favorites, it’s just a shame to see them go. Though I do really like that they’re reaction to the whole thing seems to just be a mild shrug. I get the idea that since they’ve lived for millennia which would make them more okay with dying. It’s easier to live a full life if you can’t die.

32. I like how Mina’s story ends: defeated and yet still refusing it. Her whole speech about having good ideas really says something, like these issues will never be fully defeated because everyone thinks that they’re right. It’s a bit more of a bittersweet moral than “bad always loses because they’re bad” but is an important lesson that I think kids need to learn. Especially in this political climate. Good god, just end me!

33. Holy shit, I’m up to 33! My Wakfu one only made it up to 25 and I am nowhere close to done yet!

34. A psychotic part of me really wishes the finale had Star and Marco die in each other’s arms in the Magic Dimension. It’d be the ultimate show of love as they’re sacrificing each other for one another and be the ultimate ending. I mean, what more is there to care about after the main two characters are dead? It’d be very bittersweet and much more emotionally taxing on the audience but it’d also be more classic. Like Romeo and Juliet or Bonnie and Clyde, they’re love was just too strong for this world.

35. With that said, that part of me is absolutely wrong! Having their dimensions merge was clearly what the series was building up to with it’s hopeful tone, the power of love being a big theme, the message of integration, and (of course) the promise they made to Meteora and Hispanic Meteora. It seems so obvious in hindsight and yet I still didn’t see it coming, I guess that’s a sign of a really good plot twist.

36. My god, everyone is such a dick to Queen Moon. Like let her be in love you jackasses. I had such a hard time liking anyone who worked against her (which is why I really like that Hekapoo had reservations on both sides the whole time) and this includes Ex-Queen Moon. I really can’t grasp my mind as to why she thought this was a good idea, it clearly wasn’t from the very beginning. Maybe if the show gave her time to explain herself I’d be singing a different tune but she never really does and I have a hard time forgiving her even after her apology.

37. This is just a reminder that Starco is best ship. Repeat, Starco is still best ship.

38. The ending reminds me of Titanic. I mean, two young lovebirds meeting each other, growing closer, and falling in love all the while a looming threat of destruction and death is above them. The epic scale of their problem being brought down to earth by the almost normal love story happening in the midst of it all. Their ever ready willingness to sacrifice everything for each other. Their world forcing them to cling to each other for protection. The grand scale of everything around them making their love seem grander than it would be without it. Yeah, there are more and probably better examples I could turn to for comparison (Romeo And Juliet, Les Miserables, Spartacus) but Titanic was the first one to come to mind and I’m sure my subconsciousness has a good reason for that.

39. I continue to have problems with this finale but I get the sense that I’m nitpicking because this was still an amazing end to a great show. When I think about this ending, the first word that comes to mind is deserves. This is the ending that the story deserves, that the characters (minus Kelly) deserves, that the show itself deserves. It really is a fantastic finale and I’m so grateful that I got to experience it.

40.

[thisguyatthemovies]

The space within

Title: “Ad Astra”

Release date: Sept. 20, 2019

Starring: Brad Pitt, Tommy Lee Jones, Ruth Negga, Liv Tyler, Donald Sutherland, Loren Dean, John Ortiz, Greg Bryk, Kimberly Elise, Anne McDaniels, LisaGay Hamilton, Kimmy Shields, Ravi Kapoor

Directed by: James Gray

Run time: 2 hours, 4 minutes

Rated: PG-13

What it’s about: An astronaut travels deep into space to find his missing astronaut father and try to save Earth from deadly power surges.

How I saw it: “Ad Astra” is a movie that takes its protagonist into deep space, but the heart of the story takes place within the heart, soul and psyche of that protagonist. It explores the Milky Way, but more importantly it explores how we connect with others on this planet. It explores what it means to be human. It explores what it means to be a man, a father, a son. It explores our search for higher meaning, for legacy. “Ad Astra” is a great film, one that is visually arresting (I am wishing I had seen it in IMAX, and I might yet) but one that is, more importantly, one of incredible thought and depth.

“Ad Astra” is the story of Roy McBride (Brad Pitt, who co-produced and had worked on this project several years), a middle-aged astronaut who, like so many men, has followed in the footsteps of his father, H. Clifford McBride (Tommy Lee Jones). When we meet Roy, he is working on a satellite tower that goes into space. (“Ad Astra” is set in an unspecified year in the “near future.”) The tower is hit by power surges, and Roy McBride is asked to help find out what is causing the deadly problem.

Complicating matters: His father, who went to Neptune some two decades prior as part of a space program to look for other life forms and never returned, is believed to be still alive and possibly causing the surges. Roy McBride’s higher-ups want to use him to send a message to his father, with the ultimate objective being to go to Neptune to either capture or rescue H.C. McBride.

So far, we have the makings for a straight-up, action-filled science fiction thriller, and “Ad Astra” has its moments of intensity and even gore. But director James Gray (who co-wrote with Ethan Gross) is aiming for much more here. And he hits the target time and time again, thanks mostly to Pitt’s Oscar-worthy performance.

Pitt’s Roy McBride narrates throughout, and we are privy to his thoughts and feelings. McBride is a man’s man. He is renowned for his ability to perform under pressure. He prides himself on keeping his heart rate in check even during times of distress. He has a unique ability to focus on the task at hand and bury his feelings. He is, in effect, a machine, which is exactly what the space program wants him to be. And exactly what society’s traditional definition of masculinity has demanded.

But McBride’s buried emotions are hurting him in his relationships, especially with his love interest, Eve (Liv Tyler). McBride has closed himself off from others, and as the story of “Ad Astra” unfolds, we learn much of this is because of his troubled relationship with his father. Roy McBride was a young adult when his father left, and that has shaped who Roy McBride is. When he learns his father might be alive (and might not be the heroic space explorer he thought he was), he is forced to confront his feelings. And that might make him a liability in the space program. Roy McBride is subjected to frequent checks of his mental fitness for the job, and, not surprisingly, he starts failing those tests about the time his repressed emotions begin surfacing.

“Ad Astra” provides great commentary on traditional masculinity without resorting to an overall condemnation of it as “toxic.” It also has much to say about how we relate to our fathers, especially fathers of previous generations who saw their role strictly as someone who provides and gets things done but does not openly show love. H.C. McBride even tells his son he does not love him or his mother and that he had much more interest in finding wonders beyond the Milky Way than he did being a part of their lives. The elder McBride, as his son explains late in the movie, was so caught up trying to see what is beyond this universe that he could not see what was important right in front of him.

That this kind of exploration of the humanity takes place among beautiful, vast expanses of space is a bonus. Recent space movies – among them, “Gravity,” “Interstellar,” “The Martian” – have proved that outer space (at least the movie studio version of it) is an interesting palette to work with visually. Cinematographer Hoyte van Hoytema (who earned many honors for his work on the Christopher Nolan films “Interstellar” and “Dunkirk”) here produces one beautiful image after another and has helped Gray achieve what was a stated goal of the film – to make it “the most realistic depiction of space travel that’s been put in a movie.” Score composers Max Richter and Lorne Balfe help set the tone and emotion with mostly ambient electronic music that never interferes and goes silent when need be.

But “Ad Astra” is driven by Pitt and the transformation of his character. Early on, Roy McBride, during a test of his mental state, describes how he can focus on the “essential” without being distracted. He uses the same terminology at the end of the movie, but by then what he defines as “essential” has changed. It is that transformation, that learned ability to see the big picture and open himself up to others and his own emotions, that is at the heart of “Ad Astra.” And that is what makes it a special movie.

My score: 96 out of 100

Should you see it? Yes, if you like a great movie that will make you think. If you go to the movies to escape reality, oddly enough, this science fiction film might not be for you.

[dangerscully]

Yesterday I was asked to elaborate on my thoughts on All About Eve, having been lucky enough to see it on Wednesday evening - the first night after the press night.

First off - I haven’t seen the film yet. I’ve heard that it keeps a lot of the script and ideas the same, but as of yet I can’t comment on those similarities or differences. 

This turned itself into a long post and I accept no responsibility for that.

Spoilers below the cut. (If the cut doesn’t work on mobile and you want to avoid spoilers, now’s the time to scroll quickly down).

I’m gonna go all in here and start with a seriously unpopular opinion.

I didn’t particularly enjoy Gillian Anderson’s Streetcar performance. I found it largely cringeworthy.

I acknowledge that it was good. But it was so melodramatic - and yes I know that’s what the role demands! - that it made me uncomfortable because I was constantly aware that I watching Gillian with a capital G perform it, something that she’s an expert in making the audience forget, usually.

And a large part of my discomfort could well be thanks to the fact that I watched it via NTLive, rather than in person. I had a similar experience watching David Tennant in a televised performance of a stage production of Macbeth, and yet I found him incredible on stage in Don Juan in an equally hammy role.

But anyway, I digress. I went in with lowered, slightly nervous expectations, due to this.

Gillian Anderson. The main reason I attended the play, let’s be totally honest here. And boy did she deliver. A masterclass in acting, from subtleties to quiet melodrama.

And now that part has been said, the main reason that most of you will have clicked through(!), lets go a little deeper into the show.

***

All About Eve is a hybrid between a theatre production and a cinematic one. It is done through the very clever use of camerawork that is projected live onto the lifted back wall of the stage, allowing action to happen off-stage while still enabling the audience to experience it live. 

Over time, actors have found themselves having less of a restriction about into which box they categorise themselves. Film? Theatre? TV? Choose one - you can’t have more than one field! Luckily that is less so now, and Ivo Van Hove’s production is a way of celebrating that.

The live camerawork and editing is done so impressively and seamlessly that it’s almost unbelievable at times that you’re watching a live, single take of these scenes. It also allows for new ways for each performance to be slightly different each night. And it melds the intimacy of watching a live performance on stage, with the different kind of intimacy allowed by close-up, slow shots.

It’s also a great nod to the voyeurism and a lack of privacy that is a key theme in the show, thanks to fan culture. Scenes behind literal closed doors are still shown in detail to the audience.

And that live camerawork begins in the very first scene. Addison takes the stage, to introduce you to the story. And after a brief monologue, he walks off stage, with the camera following him. He is projected onto the empty stage, while he walks around “backstage”, introducing you to many of the characters and setting the scene. 

I found that so innovative. And immediately impressive as a single take one-shot. (It had a very Birdman vibe to it!) The audience is told from the very first scene that cameras are going to be an important part of the play. This scene was the last minute addition that was not in any of the previews, and I’m so glad that they put it in. Hopefully it will be kept!

Coming to the play from a fandom perspective - although I’ve taken a fairly healthy step back in recent months - felt hilariously meta. So much of the obsessive, embarrassing behaviour exhibited by Eve towards Margo was recognisable in more extreme areas of this fandom! We didn’t queue up for the signing on Wednesday (the jury’s out on whether or not we will do the second time we see it) but we did feel - probably unfairly - a sense of irony as we walked back to the tube station past the long queue of fans waiting to meet the cast of a play that is essentially about the dangers of obsessive fan behaviour!

My favourite scene was, perhaps (lol) unsurprisingly, one of Gillian’s. And she’s not even the focal point of the scene. She is off-stage, in the bathroom which is totally shielded from the audience. And while a scene plays out on stage, a projection of Gillian in a very Blanche-esque moment - despite having no dialogue - absolutely steals the scene via a single-camera projection that ends in a graphic display of vomiting.

Another particularly memorable scene happened again in the bathroom. This time, a two-camera set-up was used, increasing the feel of watching a film or tv show even more, as it cuts between Karen and Eve’s faces as they have a crucial confrontation in the bathroom. 

Karen. Karen Karen Karen. Monica Dolan, wow. Really, honestly incredible. No real words beyond that. This feels a particularly ineloquent reaction but she blew me away.

I’m gonna go back to the camerawork now; yes I keep focusing on it but it’s such an integral part of the overall production. After several live action projections from the same angle, we are greeted with a projection of Margo looking into the mirror, facing fears about her age and how it is affecting her career. Slowly, the projection shows her ageing. And it almost tricks the audience’s eye in that it takes a while to even realise that this projection isn’t actually a live one!

A similar CGI projection is used later in the show, to show Eve’s face transforming into Margo’s as she slowly takes over her life. It’s a simple concept, used over and over again in film and TV, but bringing it to a theatre stage was a new and exciting use for it.

I’m a big fan of PJ Harvey’s music. The music for this show was more like an atmospheric film score than a theatre score for a lot of it, again blurring the lines between a stage and screen production.

A lot of hype has been built up for Gillian and Lily’s moments of singing. Gillian was surprisingly good! You can tell she’s not a trained singer, but given that she is highly intoxicated at the point she takes the metaphorical mic, that doesn’t matter at all, and she still hits all of the notes in an authentic way. 

Lily James, of course, has more of a musical background, but her performance was still to me, more lacking overall. I did listen to a podcast that said that PJ Harvey heard that Lily is able to play the piano, so planned her song around that. Lily is then asked about it on the podcast, and laughs that she’s not played since school and it must have been something she told a white lie about to embellish her acting CV! And fair play to her, she pulls it off very well if that’s the case!

I don’t want to write a totally unbiased review, so I’ll touch on the aspects I was less impressed with. My main criticism of the first half in particular, was the number of jumps, in both time and location, without any real indication given to the audience. The set remained the same, and the time jump could apparently happen mid-dialogue. It’ll be interesting to see if it’s easier to keep track of this next time I see the show.

It would have also been cool to see a more modern take on obsessive fan culture. There’s plenty of research material for that around these days! Social media creates armies of fans, obsessing over minor details about a celebrity’s life in ways that weren’t as widely possible when the script was originally written. 

Lots of the reviews have criticised the fact that Ivo was trying to be “too clever” while putting this show together. And it could easily be argued that they have a point. Personally, I think it works, and as such the idea of it being “too” clever is voided. But it’s understandable that people may agree with the critics on this.

***

I think that’s most of what I have to say about the show! Given the number of changes that happened during the preview run (which, please remember, is essentially just a series of rehearsals to an audience), it will be interesting to see if the show develops any further. I will be seeing it again in April, over two months away, and I’m looking forward to comparing the two!

[recentanimenews]

Meet the Fathers: Eleven Classic Anime Dads and Where to Find Them

  Fatherhood is a tricky business, and the responsibilities of raising a child are even thornier when the child in question has superhuman strength, magical abilities, or the need to pilot a giant robot for the sake of all humanity. Come rain or shine, these papas persevere, and we here at Crunchyroll think it's time to recognize that fact with a look at how a handful of fathers approach their duties (or shirk them) in various old-school anime.

  Some of these dads are rad. Some of these dads are mad. Some of these dads are bad and dangerous to know. But all of them are indubitably dads, and on this Father's Day, we celebrate the trials and tribulations of parenthood with a brief look at eleven classic anime dads in their natural habitats.

  In no particular order, meet the fathers:

    Ataru's Dad

Origin: Urusei Yatsura

Threat Level: Salaryman

Profile: A humble, middle-management working adult who just happens to be the father of one of the most accursed teenagers in the universe, Ataru's Dad merely wants to read his newspaper, pay the mortgage on time, and maybe watch the occasional pro-wrestling match. With aliens constantly blowing up the house, though, this is easier said than done.

Where You Can Find Him: AnimEigo's DVDs are out-of-print, but you can catch Ataru's Dad in the Viz Signature editions of the Urusei Yatsura manga.

    Mr. Invader

Origin: Urusei Yatsura

Threat Level: Oni

Profile: An intergalactic conqueror by trade and the father of perennial anime "best girl" Lum, Mr. Invader is a rough, gruff, simple sort of fellow with a large appetite for life. A straight shooter who tells it like it is, Mr. Invader fears no man...although he does fear his wife, who is a terror with an electrically-charged broom.

Where You Can Find Him: (See Ataru's Dad.)

  Maximillian Jenius

Origin: Super Dimension Fortress Macross

Threat Level: Valkyrie

Profile: You may think you're smooth, but are you smooth enough to get your mortal enemy to marry you immediately after you a.) clobber them at the video arcade and b.) they try to stab you? I didn't think so. Max is the quintessential MacDaddy, although his parenting skills need some polish and his marital troubles inform the plot of Macross 7. It's probably a good thing that his eldest daughter, Komilia, has a strong skeleton.

Where You Can Find Him: The previous DVD releases of Super Dimension Fortress Macross by ADV and AnimEigo are out-of-print, but you can catch the entire original series streaming on Amazon Prime Video.

  Senbei Norimaki

Origin: Dr. Slump

Threat Level: Mad Scientist

Profile: The only thing that prevents Senbei Norimaki from being crushed beneath the weight of his own ineptitude—or pulverized by the tiny metal fists of his robot daughter, Arale—is the fact that he's the father-figure in a gag manga, and thus he has “plot armor” that is seventeen inches thick. Senbei is ultimately able to marry Midori Yamabuki, the woman of his dreams, so he must be doing something right...

Where You Can Find Him: Although the Dr. Slump TV anime have never been officially released in the United States, Discotek Media has a DVD set featuring five Dr. Slump films, and the entire run of the original Dr. Slump manga is available in English from Viz Media, and you can check out Senbei's misadventures there.

    Daisuke Ido

Origin: Battle Angel Alita

Threat Level: Hunter-Warrior

Profile: When he's not out bounty-hunting for spine-stealing freaks, Daisuke Ido runs a cyber-surgery practice and acts as a surrogate father for his adopted daughter, the Martian cyborg super-soldier, Alita, who happens to be hundreds of years older than him. Parenthood is strange.

Where You Can Find Him: ADV's DVD release of the Battle Angel anime OAVs is out-of-print, but the Battle Angel Alita manga and its sequels and spin-offs are available in English from Kodansha Comics. You can also catch Christoph Waltz as Ido in the live-action Alita: Battle Angel film.

    Hikaru Daitokuji

Origin: Project A-ko 2: Plot of the Daitokuji Financial Group

Threat Level: Billionaire Playboy

Profile: The head of the mega-corporate Daitokuji Financial Group and the father of genius inventor B-ko Daitokuji, Hikaru spends most of his time stealing his daughter's mecha designs and passing them off as his own for fun and profit. He's also not above borrowing B-ko's personal set of form-fitting powered armor if the situation calls for it, although later films in the Project A-ko series show Hikaru taking a more civic-minded approach.

Where You Can Find Him: All four of the Project A-ko films are currently available on DVD from Discotek Media, and Hikaru Daitokuji makes an appearance in at least three of them.

    Prince Philionel El Di Seyruun

Origin: Slayers

Threat Level: PACIFIST CRUSH!

Profile: Heavy is the head that wears the crown, especially when your wife is deceased and both of your daughters spend most of their time adventuring rather than helping to run the kingdom. Despite his rough and tumble appearance, Prince Philionel El Di Seyruun (“Phil” to his friends) is a benevolent ruler with a gentle heart who believes in pacifism, kindness to all creatures, and the occasional spinning lariat delivered with just the right amount of loving violence.

Where You Can Find Him: Funimation releases the Slayers TV anime on home video in the United States. The Slayers movies and OAVs were at one time published by ADV, but Phil isn't in those releases, which are also out-of-print.

    Chiyo's Dad

Origin: Azumanga Daioh

Threat Level: Norio Wakamoto

Profile: A creature of myth and enigma, Chiyo's Dad is not actually a cat. He can fly at Mach 100 and deflect bullets. He's paid by the government. He may or may not be Santa Claus. Nothing is true. Everything is permitted. Eat your tomatoes.

Where You Can Find Him: In dreams, Chiyo's Dad is everywhere. In real life, the ADV and Sentai Filmworks DVD releases of Azumanga Daioh are now out-of-print, but the original Azumanga Daioh manga is available in English from Yen Press.

    Genma Saotome

Origin: Ranma 1/2

Threat Level: Panda

  Profile: It's possible that deep down, Genma Saotome cares about the well-being of his son, Ranma, more than he cares about martial arts or training. If this is the case, then Genma has a really poor way of showing it. Genma's ceaseless training regime has afflicted both father and son with shape-changing curses, and Genma's poor planning has inflicted traumatizing ailurophobia on Ranma, and that's not even counting the dire consequences that Genma's promises to Ranma's mother entail...

Where You Can Find Him: When not playing with a tire or chewing on bamboo, Genma Saotome can be found in the Ranma 1/2 manga and anime, which are both released in the United States by Viz Media.

    Taki Renzaburo

Origin: Wicked City

Threat Level: FALCON PUNCH!

  Profile: A member of the Black Guard that protects the boundaries between the human world and the Demon Realm, Taki Renzaburo is pretty new to this whole fatherhood thing, since his first child isn't born yet when the Wicked City film concludes. With a James Bond libido, a pistol that can shoot through walls, and a right hook that can crush faces, Taki is more of the “who's your daddy?” type.

  Where You Can Find Him: Wicked City is available on DVD from Eastern Star, but we warned, even though this is Father's Day, this film is not kids' stuff.

    Yujiro Hanma

Origin: Grappler Baki

Threat Level: Ogre

Profile: Some would say that Gendo Ikari of Neon Genesis Evangelion is the worst dad in anime, but I'd argue that even Gendo levels of shitty parenthood pale in comparison to the walking natural disaster that is Yujiro Hanma, the father of underground fighters Baki and Jack Hanma. Yujiro's bloodlust is all encompassing, and Baki's friends and family often pay for it with their lives. Yujiro's bad dad deeds are too numerous to count and must be seen to be believed.

Where You Can Find Him: Funimation's DVD release of the 2001 Grappler Baki TV anime is out-of-print, but the most recent Baki anime is currently streaming on Netflix, and Akita Shoten Comics publishes the New Grappler Baki manga on Comixology.

    And that's our look at some classic anime daddies, but this sampling is by no means meant to be an exhaustive list. Anime has a long and rich history, the full spectrum of fatherhood in all its beautiful and messy permutations would take a lifetime to explore. Who are your favorite classic anime dads? Which honorable (or dishonorable) mentions do you think should make the list?

  And from everyone here at Crunchyroll, we wish you a very happy Father's Day!

    -----

Paul Chapman is the host of The Greatest Movie EVER! Podcast and GME! Anime Fun Time.

Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

By: news+feed@crunchyroll.com

[douxreviews]

The Terminator (1984) Review

[Big honking spoilers below! If you've never seen this movie, go watch it first!]

Kyle: "Come with me if you want to live."

I love science fiction, time travel stories, and strong female characters. And I'm a romantic. So you can imagine how I've always felt about this movie.

The whole freaking story is a paradox. How could John Connor even exist in the first place if John himself had to send his father back in time to rescue and impregnate his mother? And yet, it's the circular time travel elements that I love most. Like the photograph of Sarah that Kyle carried with him in the future. He always wondered what Sarah was thinking when it was taken, and of course, she was thinking of him. I always wondered why James Cameron didn't give us the biggest paradox of all: the name of the factory in that final action sequence, Cyberdyne Systems.

I've never liked Arnold Schwarzenegger. I particularly dislike him in his most recent role as governator. But I will grudgingly admit that he was pretty much perfect casting as a killer cyborg, and this movie launched his career. His best work as an actor was always physical, and this was a very physical role. And his expressionless and memorable delivery of the line, "I'll be back," has become part of our culture.

Anyway, Arnold, smarnold. I've always felt that this was Michael Biehn's movie. Kyle Reese was a tragic, memorable character. A refugee from an unspeakable future, he made a quixotic, heroic journey through time because he fell in love with a photograph, and sacrificed his life after only one night of love. His death was painful; we didn't want him to die, and it hurt when he did. No wonder Sarah threw herself at him. I'd do it.

Linda Hamilton's Sarah Connor was also very good, although the sequel was where her character really shone. Sarah started out as an aimless young waitress, helpless and completely out of her depth. She weathered the deaths of her best friend, her mother and her lover, along with the complete rearrangement of her entire universe, and she became exactly what Kyle believed she was in the first place. She was the one who had the strength to kill the Terminator in the end, after all. I've always loved the way Linda Hamilton delivered the line, "You're terminated, fucker."

This movie was James Cameron's first original work, and it was pre-CGI and made on the cheap since Arnold wasn't a big name yet. Nearly all of it holds up, though, because the story and the acting were the center of the movie, not the effects. The stop-motion metal skeleton in the final action sequence looked a bit jerky, but when we saw it in close-up, it looked really scary. (And it even looked like it could be Arnold.) The only scenes that looked fake to me were the ones with the cyborg head. It just doesn't look real, and I can't imagine that it did when the movie first came out, either. I think Cameron should have made do with just the actor, the X-acto knife, and the eyeball plopping into the sink. It would have worked.

This is a fast, exciting, memorable movie. It's also bleak and dark, with a fatalistic, negative view of a future where technology has destroyed our humanity. In the end, Sarah, like a pre-apocalyptic Madonna, is waiting for the world to end in order for her son to play his part. John Connor is the holy child, the twenty-first century Jesus who will come to save us all.

Bits and pieces:

-- The action takes place in May and November, 1984. The future sequences were set in 2029, although they were mostly Kyle's dreams, all of which ended with his death. As the movie did.

-- I've always loved the skilfully filmed scenes in TechNoir ("black technology," exactly what the Terminator was). There were other interesting, negative images of technology throughout the movie, too, like the answering machine that "needed love, too." My favorite was the children staring into a fire burning inside the shell of a television set.

-- The scenes of the future showed wreckage twisted in on itself, like the story. When the metal skeleton of the Terminator rose from the fire (the scariest moment in the movie), the wreckage behind it was twisted in much the same way.

-- The opening scene with Arnold and the three punks was shot at one of my favorite places in Los Angeles, the Griffith Observatory. One of the punks was future star Bill Paxton; another was Brian Thompson, who played multiple monsters on Buffy.

-- Paul Winfield and Lance Henriksen were just marvelous as the two cops, bouncing lines off each other like the pros they are. Henriksen was originally Cameron's choice to play the Terminator, but the concept of the movie changed.

-- We got a very romantic, poignant and sexy love scene. You don't usually get those in sci-fi movies. I've always loved it. Why can't sci-fi movies be romantic?

-- In an early scene, Sarah was wearing a tee shirt with the Jetsons on it.

-- I just have to say that most single women don't put their entire name in the phone book. If this had been done realistically, the Terminator would have had to work his way through every S. Connor in the listings.

-- The music Ginger was listening to when she was killed was "It's a Mistake." One of the songs in TechNoir was, "You've Got Me Burning," which was what happened to the Terminator.

-- Sarah called her mother. What was she thinking? Yes, it was the only way to start the action again, but come on. She called her mother?

Quotes:

Waitress: "Look at it this way. In a hundred years, who's gonna care?"

Traxler: "A one day pattern killer." Vukovich: "I hate the weird ones."

Vukovich: "That coffee's two hours cold." Traxler: "Um hum." Vukovich: "And I put a cigarette out in it."

Kyle: "That terminator is out there. It can't be bargained with. It can't be reasoned with. It doesn't feel pity, or remorse, or fear. And it absolutely will not stop, ever, until you are dead."

Silberman: "And this computer thinks it can win by killing the mother of its enemy. Killing him, in effect, before he's even conceived. A sort of retroactive abortion?"

Kyle: "He'll find her. It's what he does. It's all he does." This has always been one of my favorite quotes, especially the last two sentences and the way Biehn said them. Dan and I say it all the time about a lot of things. Mostly about my cat Spike.

Sarah: "So Reese is crazy?" Silberman: "In technical terminology? He's a loon."

Kyle: "I'd die for John Connor." Sarah: "At least now I know what to name him. I don't suppose you know who the father is, so I won't tell him to get lost when I meet him?"

Sarah: "You're talking about things I haven't done yet in the past tense. It's driving me crazy. Are you sure you have the right person?" Kyle: "I'm sure." Sarah: "Come on. Do I look like the mother of the future? Am I tough, organized? I can't even balance my checkbook."

Sarah: "What have we got? Mothballs, corn syrup, ammonia. What's for dinner?"

This movie is classic, excellent science fiction, and I love it. Four out of four paradoxes.

Billie Doux loves good television and spends way too much time writing about it.

[brokehorrorfan]

Event Report: Rhode Island Comic Con 2018

Rhode Island Comic Con takes place in the smallest state, but the show gets bigger every year. Its seventh incarnation took place November 2-4 at the Rhode Island Convention Center, the Dunkin Donuts Center, and the Omni Hotel in Providence, RI. While the congestion of people between buildings during peak hours is seemingly unavoidable, this year's updated layout across the three locations (all connected to one another) proved to be the best use of space yet.

When not browsing the massive vendor room full of cool geek memorabilia, I spent a good chunk of the weekend in the two panel rooms at the Omni, listening to various celebrity guests discuss their storied careers. Between the gregarious speakers, the considerate fan questions, the enthusiastic hosts (some of whom were celebrities themselves), and the overall energy of the convention, every one one of the eight panels I saw over the course of the three days was supremely entertaining. The first one I attended was with Tim Curry, who received a standing ovation from the adoring crowd, moderated by voice actor Charlie Adler (who worked with Curry as the voice director on The Wild Thornberrys). Curry proudly remarked that it has been almost exactly 50 years since he started his acting career as part of the original London cast of Hair in 1968.

Although a 2012 stroke left the beloved actor in a wheelchair, Curry is still quite sharp on the microphone. The audience went wild when he briefly broke into his sinister Pennywise voice from It as well as his smashing accent from The Wild Thornberrys. When asked about his thoughts on the new It, Curry defiantly responded, "I didn't like it very much." He shared anecdotes about many of his beloved roles, including The Rocky Horror Picture Show (his favorite scene is the floor show, "Because it was all about me. It was very sexy!"), Clue, Legend (for which the makeup took 10 hours to apply the first time), Muppet Treasure Island, and even The Worst Witch (he admitted to getting so drunk on an actress's homemade gin that he later had to re-shoot his big song). He also revealed a few fun facts, such as how he was almost in Alien as John Hurt's chest-bursting character, Kane, which is what eventually led to him being cast in Legend. "I just thought Ridley Scott was the most amazing director," he remarked. He also loved the script for The Silence of the Lambs and was interested in the role of Hannibal Lecter.

Four members of the Loser's Club from It (2017) - Jack Dylan Grazer (Eddie), Chosen Jacobs (Mike), Wyatt Oleff (Stanley), and Jeremy Ray Taylor (Ben) - reunited for a panel that evening as well. The young actors noted that they had immediate chemistry upon meeting before filming and that they are very similar to their characters, which was apparent during the Q&A as well. The camaraderie is palpable when the friends interact with one another with youthful exuberance. Everything except Taylor watched the original It before filming, although he's now coming around to horror movies. Although they were unable to speak much about It: Chapter 2, which just wrapped production, they noted how surreal it was to meet their older counterparts. Friday evening concluded with a rousing screening of the Rocky Horror Picture Show featuring a shadow-cast by local favorites RKO Army.

I anticipated kicking off Saturday with an Elvira panel featuring the Mistress of the Dark herself, but Cassandra Peterson was unfortunately feeling under the weather and was forced to cancel. Thankfully, the session's guest host, Brian O'Halloran (Clerks), was willing to become the subject of the panel instead. He discussed working with Kevin Smith at length. They are mere weeks away from shooting the new Jay and Silent Bob movie, which he promises will be fun and cameo-heavy. Not unlike his character from Clerks, an audience question about Star Wars sent him on a humorous tirade about the franchise. His personal top three Star Wars movies may surprise you: The Empire Strikes Back, Rogue One, Solo.

It was fun to see Danny Trejo - known for playing tough guys in the likes of Machete, The Devil's Rejects, Desperado, Heat, Con Air, and Sons of Anarchy - cracking jokes and being so jovial during his panel. "I play a badass, but I’m not," he remarked as he recounted some of his surprising upcoming projects: the live-action adaptation of Dora the Explorer, a comedy titled Grand-Daddy Day Care, and an AMC sitcom, Food & Familia. He shared stories about the conception of Machete, which dates back to Desperado and then Spy Kids, the time he autographed a living tortoise in tribute to his Breaking Bad role, and his recent branching out into the food (with his Trejos Tacos restaurants) and music (with his newly-launched label, Trejo Music) industries. Perhaps the most interesting moment, however, was when he shared the story behind his signature chest tattoo, which involved being worked on by the same artist in three different prisons after being arrested for armed robbery at 14. It's truly inspiring to see how he turned his life around.

The Office reunion panel with Kate Flannery (Meredith) and Creed Bratton (Creed) was among the most highly-attended of the weekend. It took place in the smaller of the two panel halls, causing a long line of fans to be turned away. Those who were lucky enough to make it into the at-capacity room were treated to a lively conversation that was as funny as watching the show. Flannery was vivacious, while Bratton, true to his character, was dry and straight-faced. In addition to recounting their favorite moments in the series' nine-season run, they expressed their willingness to return for a Christmas special or other such revival if the writers can find a way to make it work and the rest of the ensemble cast is on board.

The Rocky Horror Picture Show panel was an unexpected highlight. Barry Bostwick (Brad) and Meat Loaf (Eddie) needed no moderator; they were old friends having an open conversation with one another. The first 20 minutes were essentially a comedy routine, with Meat spinning a fictitious story about the origins of his stage name while Bostwick occasionally interjected with a question or a dry quip. There was nary a mention of Rocky Horror until they opened up to the crowd for questions. When asked about screenings during which the audience talks back to the movie, Meat was brutally honest: "I wouldn't go to that to save my life." He went on to say that he loved seeing fans dress up, but he found it disrespectful to the movie and those who worked on it to speak out during screenings. Bostwick was quick to add that he believed such screenings are why the film has had such longevity. Meat also relished the opportunity to roast the audience. The actors' remarkable rapport caused the panel to go long, but, since it was the last of the evening, no one seemed to mind.

Rhode Island Comic Con put together a worthwhile after-party on Saturday night. After 90 minutes of DJ Darth Fader spinning music, dancing, cocktails, and mingling with some of the celebrities in attendance - including James Murray (Impractical Jokers), Joey Fatone (Nsync), Bam Margera (Jackass), Bai Ling (The Crow), and Spencer Wilding (Rogue One: A Star Wars Story) - it was time for Epic Rap Battles of History. The creators of the viral YouTube channel, Peter "Nice Peter" Shukoff and Lloyd "EpicLloyd" Ahlquist - took the stage to perform many of their fan-favorite rap battles live, full of energy and the occasional prop. They performed such favorites as Goku vs. Superman, Rick Grimes vs. Walter White, Terminator vs. Robocop, and Zeus vs. Thor, in addition to medleys with verses from various battles. They occasionally invited fans on stage to perform verses, and in the middle of the set they made their way into the crowd to perform a few songs, including a freestyle created on the spot by audience suggestion: Spider-Man vs. Christina Aguilera. Although they haven't released a new video in nearly two years, Shukoff and Ahlquist clearly haven't missed a beat. They concluded their hour-long set by revealing that they have a new video featuring Elon Musk coming in December.

Sunday kicked off for me with a panel featuring Impractical Jokers' James "Murr" Murray and Nsync's Joey Fatone. While no one was entirely sure what to expect, it was a standard - but highly entertaining - question-and-answer session, with Fatone essentially serving as moderator and occasionally offering his input. Fatone first bonded with the Jokers over their mutual love of Superman. He quickly befriended the gang, then appeared on the show before becoming the host of the Impractical Jokers after-show, After Party. Murr teased the upcoming Impractical Jokers movie, which is due in theaters next year. He said that it's a road movie, with a scripted beginning and ending, but the rest of the film features the guys pranking one another around the country. While Fatone revealed he makes a cameo in the film, Murr told the crowd that it features "the most embarrassing moment of my life," which left him in tears. He also shared plenty of fun stories from the show, including showing off his driver's license photo with no eyebrows.

Later in the day, the Stranger Things panel with David Harbor (Hopper) and Noah Schnapp (Will), and moderated by Clare Kramer (Buffy the Vampire Slayer), capped off the weekend on a high note. They have one week left of shooting the hit Netflix series' third season. They were unable to speak much about it, but Harbor called it "the most Spielbergian thing we’ve ever done," while Schnapp remarked, "It's even bigger than season two." Harbor revealed that we'll see more of Hopper's backstory as a Vietnam veteran and a New York City police officer, while Schnapp hinted that there may be a love story between Will and Eleven. Hopper also discussed his titular role in the upcoming Hellboy reboot. Filming in Bulgaria proved to be difficult, and the three hours of make-up each day wasn't a lot of fun, but he promised lots of practical effects and a storyline that would be closer to the comic on which its based. He also shared a funny story about a run-in with a wild bull during shooting.

In addition to the numerous celebrities mentioned above, Rhode Island Comic Con's exceptional guest list included Hayden Christensen (Star Wars), Gwendoline Christie (Star Wars), Kiefer Sutherland (The Lost Boys), Jason Patric (The Lost Boys), Lance Henriksen (Aliens), Tom Felton (Harry Potter), Natalia Tena (Harry Potter), Zachary Levi (Shazam), Tom Welling (Smallville), Michael Rosenbaum (Smallville), Alan Tudyk (Firefly), Finn Jones (Game of Thrones), Billy Boyd (Lord of the Rings), Tony Danza (Who’s the Boss?), Levar Burton (Star Trek: The Next Generation), Michelle Trachtenberg (Buffy the Vampire Slayer), Dylan McDermott (American Horror Story), Michael Rooker (The Walking Dead), Sarah Wayne Callies (The Walking Dead), Laurie Holden (The Walking Dead), Jenna Elfman (Fear the Walking Dead), Zach Galligan (Gremlins), Morena Baccarin (Deadpool), Ice-T (Law & Order: Special Victims Unit), Billy Zane (Titanic), Dee Snider (Twisted Sister), Jason David Frank (Power Rangers), and many more.

Although all comic conventions have slowly become more of pop culture expos and celebrity autograph shows over the years, Rhode Island Comic Con stays true to its roots by inviting many comic writers and artists. This year included Deadpool co-creator Rob Liefeld and Teenage Mutant Ninja Turtles co-creator Kevin Eastman, among others. I had the pleasure of meeting Eastman, who graciously signed one item - complete with a quick sketch of a Ninja Turtle - for free for everyone throughout the weekend. He was very personable, striking up a brief conversation with each fan who waited in line. In addition to dozens of comic creators, aspiring artists were invited to have their portfolios reviewed.

While the headlining guests were the main attraction at the Dunkin Donuts Center, I was very excited to see an It (1990) display, curated by John Campopiano, writer-producer of the upcoming Pennywise: The Story of It documentary. The crown jewel of the collection was one of Tim Curry's actual, screen-used Pennywise costumes, of which fans were allowed to take photos, but he also had many editions of the film and Stephen King's novel from around the world, among other memorabilia. I was disheartened to hear, however, that two props were stolen from the booth during the event, and as a result the collection will no longer be displayed at conventions. I hope the missing items surface, because the display was a real treat for Stephen King fans.

Impressive costumes - from movies, TV, comics, anime, cartoons, video games, wrestlers, pop culture figures, and mash-ups - could be found walking around the showroom floor throughout the weekend, but many of the best cosplayers competed in a costume contest on Sunday evening. Everyone's efforts were extremely impressive, but the cosplay celebrity judges ultimately awarded the winners in three categories. Eleven from Stranger Things (complete with a Demodog) won for beginners, a group dressed up as Mighty Morphin Power Rangers villains shared the prize for intermediate, and a female Pennywise from It (2017) was selected for the master class. But it was a couple dressed as The Sorceress and Battle Cat from Masters of the Universe who were awarded Best in Show. It was a fun way to end the weekend.

In addition to the celebrity guests signing autographs and taking pictures, celebrity panels, cosplaying, and hundreds of vendors with anything a pop culture nerd could ever want, Rhode Island Comic Con includes exclusive merchandise, fan panels, film screenings, geek speed dating, kids activities, live tattooing, and more. It's impossible to experience it all in one day, so I recommend springing for the weekend pass when next year's event rolls around on November 1-3, 2019.

Click here to see all of my Rhode Island Comic Con 2018 photos.