#the more you do reply

[not-poignant]

Hi, Pia! I am thinking of going the same route as you - free chapters on AO3, then Patreon - for my historical m/m romance projects. Could you share a little about your journey, and how did you manage to gain visibility within the originals section of AO3 (I know it's not easy)?

Hi hi!

We've talked a little over at Subscriptions for Authors I think! *waves* :D

Okay firstly, i don't know if any of this is going to be very helpful, because to tl;dr it - I didn't set out to be a professional author when I started this, and I wasn't even trying to be a professional when I started my Patreon (though I did approach it seriously, like I wanted to treat my readers well). I didn't believe I could be one, my impostor syndrome was so epic I literally started an entirely new AO3 account and kept it secret from my main account because I believed all the people being nice to me about my writing were somehow just lying to me because they felt sorry for me.

That's...

That's a whole lot of impostor syndrome insanity. But I've always been pretty honest about having mental illness so....

Re: my journey...

I started out in fanfiction. I started writing Rise of the Guardians fanfiction (a two part serial called From the Darkness We Rise & Into Shadows We Fall) and it went viral (I did not expect this) and I put in several original characters to flesh out the world, because I added a Seelie/Unseelie Court element that wasn't in the original movie or the books.

Two of those original characters had roles as semi-significant ensemble characters. One was a terrible villain who is defeated by the other, who is the Seelie King (also defeated by the main characters of the fic but *coughs* anyway).

I started getting people asking me what was going to happen to those two characters, especially once people found out they had a relationship history together prior to the events in the fanfic. I mostly put those people off - I fully intended to keep just writing fanfiction - until finally I decided to write some fic of those two characters. It was like...revenge hatefucking, lmao. I wrote three chapters of that, and then more, and then finally realised I couldn't give them the tragic ending I'd planned to, and that I'd have to actually figure out how the hell to save them from their own machinated doom.

And that became the first book in my original Fae Tales series - Game Theory.

It was my amazing readers who asked me to make this Tumblr, my amazing readers who asked me to write that original story, and they were the ones who asked me to make a Patreon (and then a Ko-Fi), and so in a way, they were the ones who let me know when I was ready to try making this work in a (slightly) more official capacity. They were the ones who believed in me enough to keep me doing this, and they still are. *waves to you all*

They were the ones who gave me visibility, I don't know that I did anything specific to make that happen, except writing the stories, turning up, and listening to them.

It's a very weird way of doing it and I don't know that anyone else has ever done it quite that way like this. I feel like a massive outlier in that sense. I don't relate to anyone who is starting out in professional subscription with no readers because I could never do that, my lack of confidence wouldn't let me. But there's aspects I think any author can replicate: I reply to all my commenters (except the trolls), because they're great and I want to support connection, community, and conversation. I embrace fandom and love all transformative works, and also, like 99% of my writing is free on AO3. (You don't have to make everything free, but it certainly doesn't hurt on AO3).

I mostly finish my serials and folks can trust my happy/hopeful endings and they can trust my hurt/comfort. And I'm pretty communicative! As you can tell by how much I'm rambling right now x.x I intentionally provide a safe space for queer people and neurodivergent people as much as possible, and write a lot of representation for us. I set out to make a space I would personally feel comfortable in. That might not work for everyone, but it works for those who stay.

From there though, I'd say a lot of visibility came from word of mouth, writing chapter by chapter over time (serials naturally pick up readers simply because they're often at or near the top of a tag or fandom category on AO3 - there is NO algorithm there), sometimes sorting by kudos, and me just posting about random stuff on Tumblr with good tags.

I still write fanfiction on another account (my impostor syndrome account) that has also had some people trying my original fiction. There's quite a few people who came directly from fanfiction to the original fiction because the themes were the same!

I didn't have the confidence to intentionally try and be a professional writer. When I started writing that fanfic I was writing it because I was depressed, sad, and I'd quit an unsatisfying job as a professional artist (I loved the art and my clients, I could never make the income part work). I didn't want to be a professional writer. I was writing as hooky, as escape from my real life, and as 'oh god I just need some hurt/comfort and I can't find what I want so I'll write it.'

To this day, I still write fanfiction as an escape, it's partly why it's now on a separate account to my original stuff (but even plenty of my original fic is indulgent and self-escapist in nature, which is maybe why other people find it escapist and cathartic as well).

In writing, financially, it makes more sense to publish books, or do serials-into-books, and develop a backlist of novels alongside the serials. I don't do that. I should, I plan on starting soon. I can point out a lot of the things that I either did wrong, or that I can see a way of doing better, because I didn't set out to be a professional writer, and I still put 'keeping it fun' and 'the readers' ahead of 'making money.' I'm not very mercenary and I make financially not great decisions in favour of 'but I enjoy it more this way.'

(That's partly because I am really very ill, and I can't afford to make myself sick through my work, and not enjoying it is the fastest way to do that).

What I do know is how to help create a community, though. And how to encourage and try and care for that community of people. How to respond to what they want and sometimes don't want, alongside what I want and don't want. How to have boundaries in that space. Well, I'm still figuring it out but I think I'm more comfortable with it than I used to be!

I also don't want to make it sound like I didn't know about writing before this. Long before doing serials for 10 years, I did creative writing and scriptwriting (among other things) at university. I wrote very technically correct short stories with sad little tragic endings that won awards and sometimes decent cash prizes. I hated it, and it put me off writing for years afterwards. I felt trapped in trying to write the 'correct' way. I am entirely unsurprised that to this day I reject standard formulas for novel lengths, and that in order to write, I kind of have to break a lot of the rules I was taught.

But I was taught how to write 'correctly' by Australian standards back in the early 00s (very spare, evocative prose). These days I follow a lot of scriptwriting / television drama beats in serials and have always really enjoyed doing it that way. :D

I'm meant to be talking about some of this in the Subscriptions for Authors podcast tomorrow and it's going to be a mess, as you can tell, lmao.

(There's something to be said about the lightning-in-a-bottle moment where I just wrote a fanfic I thought everyone would hate in a popular fandom and people were just ready for that story and it took off. I had no idea how to deal with it and it was very overwhelming and I had a bit of a breakdown a year and a half later over it. It's no coincidence that a year into the Patreon I paused it for 1.5 years and walked away because I couldn't handle it. But then I did some growing up and came back and figured it out.

But yeah I didn't do any of this the right way, or in a super intentional way. The only part I know I did well was supporting a community, and communicating with the people who turned up. And I did that for very selfish reasons - I wanted to be in a community, and I enjoyed meeting people who had things in common with me. I sometimes feel a little like a gremlin who just stumbled into a community and was like 'oh, um, I'm here, I guess.'

It's really everyone else who made it magical, but it did help that I think I am (in retrospect) pretty good at writing a hooky, addictive serial for the right kinds of readers. I cannot understate this enough -> learning how to write serials and exploring episodic television drama can be very helpful).

[cozylittleartblog]

"content creator" is a corporate word.

we are artists.

[titanofthedepths]

Yes you’re not fatphobic but are you capable of talking about fat people in a positive manner without saying somft/round/rotund/squishy/tumby/chumby/any other variation of the sort. Are you capable of talking about us in a positive manner without it being about beauty or attractiveness. Are you able to talk about fat people in general without being dehumanizing or infantilizing. Can you treat fat people with respect.

[chloesimaginationthings]

Why is your springtrap design face blocky?

It’s easier to draw + IT’S FUN,,,

[stealingyourbones]

I desperately need more mentor uncle figures and mentor brother figures in DPxDC to fill the interesting relationship dynamic gap that father figures stories can't always fill are u picking up what I'm putting down. Hell, just a regular friendship relationship with absolutely 0 familial dynamic.

[laddertek]

etho said actually you _don't_ understand the intricacies of how tango is my boyfriend and bdubs is my ex

(and how tango and bdubs kiss too)

Scar: We went on that little adventure, you know! Etho: Yeah, yeah, we had our adventure, that's true, that's true. Scar: You disparaged your teammates. That's it, all right, no more spoilers. Etho: (laughs) Our team has -- our team has some weird dynamics this -- this season. Cleo: (overlapping) Really, Etho? Is there trouble in paradise? (pause) Who's third-wheeling with you, again? I can't remember. Etho: (laughs) Uhh. The -- Cleo: Genuinely can't remember. I know it's you and Bdubs. And...Tango? Tango. Tango. Etho: (loudly) Why -- Why is Tango the third wheel? Why -- why isn't Bdubs the third wheel? Cleo: Because it's you and Bdubs. I'm sorry. I understand how that relationship goes. Etho: (dissatisfied) Hmm.

[solarpunkani]

sometimes spite is a powerful motivator and today its motivating me to crochet

long story short I saw a cool bag on pinterest while I was looking for crochet patterns but there was no fucking pattern but one of my friends found a pattern for a similar but not quite bag so I watched an hour long video, transcribed it into text, and am now gonna make a wholeass backpack just because Sunflower Vibe

Wish me luck I guess

Also this is the bag

[bigfatbreak]

Question about your changling AU, where did you learn about the ins and outs of Fae and Changling myths? I'm interested in learning too but not sure where to start lol

some of the lore I have for the AU I crafted myself, otherwise I read a lot of old faerie tales growing up and my mom, for some reason, knows an awful lot about shit like that, so some of it is just innate from her. otherwise i just read a lotttttt of books around the concepts of these things when I was younger because I was fascinated with jim henson's worlds

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[clueless1995]

what they don't tell you is that joy is real and it's stored in the tv shows

[orallech]

Halsin 1/?

[crimeronan]

it's sometimes so silly to look in the notes of a polyamory art/post and see people like "is this cheating art....?" when the characters in canon are all extremely close friends. i know it's not malicious because most people think of monogamy as the default and anything outside that Must be cheating, but truly i'm always like. guys. guys Please.

please think about this for like 2 seconds.

under what circumstances do we think this non-canon couple might hold hands directly in front of their canon partners. and under what circumstances do we think the canon partners might be okay with this. do we Truly think this is a secret relationship. do we Truly think these guys would sneak around behind their canon partners' backs when all of them are extremely close friends with a high level of trust and commitment to each other.

would assuming that these extremely close friends have actually communicated with one another Exactly The Same Way They Do In The Canon Source Material perhaps cause less despair.....

[buglaur]

🔖 pictures from the family photo album

[bixels]

While I do think anon was rude, I do think it's pretty shitty to set up all this stuff you were going to add the au and then just drop it. It's disappointing. Definitely unfollowing.

Bye.

[chloesimaginationthings]

HBEBEBEBEBEB UR WILLIAM DESIGN IS SO SILLYYYYY THAT SKRUNKLY OLD MAN IS GETTING THE CHAIR <3333

The worst man ever 💜

[evelyn-and-art]

TORSO STUDIES (extras): Kotoha, Shizuka, Tsubakino and Endo

Art Studies with Eve #2

The studio welcomes three lovely queens 🫶

...and a snake 😕

And that completes the torso studies! Thank you for the positive feedback on the first part and for waiting for this one 🫶.

Part 1