#the mixed colors are actually just a pattern of two colors

[serpentface]

I'm sure you've covered the bug situation at some point, but just because I'm curious and to ask more specific questions: what are the biggest insects one could ostensibly find? Are any insects kept like bees (are there just bees)? Any sort of cultural significance involved with insects?

The bug situation is pretty much earthlike, you aren't going to be able to find any insects bigger than can be found in the cenozoic.

There ARE indeed just bees, they haven't been mentioned a lot since most of my posting is based around Whitecalf's setting and beekeeping isn't heavily practiced in Imperial Wardin (the Hill Tribes are the only people in the region that beekeep as a core cultural practice, and their migrant progenitors May have brought the region's first domesticated honeybees with them) but beekeeping is very widespread. Silkworms are also canon.

The kermes insect and cochineal is canon, and species of both can be found in Imperial Wardin (the cochineal here is closest to the armenian cochineal specifically). Both produce a high quality red dye, though smaller quantities of cochineal are required to make the same amount of dye. A cochineal more akin to the Central American species (feeds on cacti) is found west and south across the seaway, (including parts of Bur), and is the most valued of all (has the highest dye output).

Some of the purely invented kept insects include:

Caviar ants, which are a type of domesticated leafcutter that has been selected for multi-queen colonies and massive egg production. Their eggs and larvae are a STAPLE food in a lot of qilik societies- qilik are primarily carnivorous (specifically insectivorous) and can digest a limited range of plant matter- this is a form of mass agriculture that most readily and cheaply feeds large populations. Caelin and delkhin societies also utilize them (though tend to depend more heavily on large animal agriculture), and some human/elowey societies have adopted them (though virtually never as a staple food).

Silk-orchard spiders, which are a species of colonial spider that can be reared for mass silk production with a stable enough food source. This silk is much costlier to produce than that of silkworms, but MUCH stronger, and is used to make ultra-lightweight armor (it's not going to stop a direct stab of a blade in of itself, but can be highly viable when padded and reinforced).

King locusts, which are domesticated grasshoppers selected to be big (about the length of a human hand), fat, slow, and flightless, and reared as tiny livestock (mostly by qilik).

Two decorative arthropods that are used in the Cynozepal/Ch'Chen regions primarily, which are brooch beetles (a mix of selectively bred and wild-caught beetles worn live as jewelry) and jewel ticks (colorful ticks that rarely transmit diseases to non-mammalian hosts, intentionally allowed to latch as temporary decoration).

(This old post goes into most of these in further detail ft actual illustrations here [x])

---

I don't have Many specific culturally significant insects established but here's what I've got so far:

-One deity in the Burri pantheon is the god of beekeeping (as well as a minor agricultural deity).

-Insects are VERY significant to the Chit-Sut-Susit qilik culture. Most in this group have converted to the Cynozepali Cosmic Dualist religion and do not worship their original gods (the chief of which was strongly associated with butterflies) but retain practices of ancestor worship. One facet of this is believing that each person has two souls, one that remains earthbound after death to guide the living, and one that moves on to the afterlife. Earthbound souls of ancestors take the forms of moths and butterflies, and these animals have a protected and sacred status. Butterflies in particular are associated with masculine beauty (which is primarily being delicate and colorful) and the garb of Chit-Sut-Susit drakes often mimics butterfly patterns.

-The periodical cicada is a symbol of esoteric knowledge and enlightenment in the (pretty major) Eterhimhamdli religion, which is the dominant religious practice east of the Blackmane mountains across many cultural groups (and is a religious minority in Imperial Wardin, mostly brought by Yuroma migrants). This religion's core doctrine recognizes no deities and no individual soul (rather believes that personal experience is a facet of a collective consciousness/oversoul) and the primary goal of its priesthood is accessing hidden knowledge obtained by freeing the mind from the body (through meditation, trance, psychoactive drugs, and trepanation) to tap into the oversoul, and achieving enlightenment through completely freeing oneself of the body's illusions and attaining full experience of the oversoul. The cicada's cycle of 'sleeping' beneath the earth for years, then emerging as one in unison is used as an analogue for enlightenment and the return to the collective. (The Scholarly Order of the Root is a sect of this religion)

-Horseflies are admired by the Tho-Tykoso people (north of the Viper seaway, adjacently north of the central Royal Dain kingdoms). They are noted for being small yet difficult to kill due to their agility, and capable of inflicting great pain and wearing down much larger beasts. Their warrior culture is based mostly around mounted archery using small, nimble khait, and they seek to emulate these qualities. Horsefly symbols are common on khait tack and the clothing of warriors.

[space-batzz]

Art Fright 2024

smoke and mirrors prompt + foggy forest color palette with (an aged up version of) Carrie Krueger from tawog

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[beemovieerotica]

struggling with how to word this, but putting it out there anyway:

i can fully understand the posts on here from a lot of americans being tired of "vote blue no matter who" posts when the #1 thing that people are constantly (and sometimes only?) addressing is how the republican party is going treat trans/queer people if elected.

it's part of an unfortunate pattern of prioritizing the effects on a demographic that includes white + upper class people, when people of color and those in the global south are actively and currently being killed or relegated to circumstances in which their survival is very unlikely

it is genuinely exhausting to witness this, and i was also on the fence about even participating in voting because i a) felt like it didn't matter and b) every time i voiced being frustrated with the current state of the country, white queer people would immediately step in with "but what about trans people!" -> (i am mixed race trans man)

and i say this with unending patience toward people who do this, because i know that it's not something they actively think about. but everyone already knows how the republican party is going to treat queer people. you are probably talking to another queer person when you bring up project 2025. the issue is that, for those of us who aren't white, or for those of us who are but who are conscious of ongoing struggles for people of color worldwide, the safety of people around the world feels more urgent than our own. that is the calculation that's being made.

you're not going to win votes for the democratic party by dismissing or minimizing these realities and by continually centering (white) queer people.

very few people on here and twitter are actually talking about issues beyond queer rights that concern people of color, or how the two administrations differ on these issues instead of constantly circling back to single-issue politics. this isn't an exhaustive list. but these are the issues that have actually altered my perspective and motivated me to the point of committing to casting a vote

the biden administration has been engaged in a years-long fight to allow new applicants to DACA (Deferred Action for Childhood Arrivals, the program that allows undocumented individuals who arrived as children to remain in the country) after the Trump administration attempted to terminate it. the program is in limbo currently because of the actions of Trump-backed judges, with those who applied before the ruling being allowed to stay, but no new applications are being processed. Trump has repeatedly toyed with the idea of just deporting the 1.8 million people, but he continues to change his mind depending on whatever the fuck goes on in his head. he cannot be relied on to be sympathetic toward people of hispanic descent or to guarantee that DREAMers will be allowed stay in the country. biden + a democratic controlled congress will allow legal challenges to the DACA moratorium to gain ground.

the biden administration is open to returning and protecting portions of culturally important indigenous land in a way that the trump administration absolutely does not give a fuck. as of may 2024, they have established seven national monuments with plans to expand the San Gabriel Monument where the Gabrielino, Kizh / Tongva, the Chumash, Kitanemuk, Serrano, and Tataviam reside. the Berryessa Snow Mountain is also on the list, as a sacred region to the Patwin.

i'm recognizing that the US's plans for clean energy have often come into conflict with tribal sovereignty, and the biden administration could absolutely do better in navigating this. but the unfortunate dichotomy is that there would be zero commitment or investment in clean energy under a trump-led government, which poses an astounding existential threat and destabilizing force to the global south beyond any human-to-human conflict. climate change has caused and will continue to cause resource shortages, greater natural disasters, and near-lethal living conditions for those in the tropics - and the actions of the highest energy consumers (US) are to blame. biden has funneled billions of dollars into climate change mitigation and clean energy generation - trump does not believe that any of it matters.

i may circle back to this and add more as it comes up, but i'm hoping that those who are skeptical / discouraged / tired of the white queer-centric discourse on tumblr and twitter can at least process some of this. please feel free to add more articles + points but i'm asking for the sake of this post to please focus on issues that affect people of color.

[clockwayswrites]

Birds and wings and hope Part 13

Masterpost

Danny had thought hat if he finished with Frostbite early that he would spend a few days in the zone to catch up with some of the other ghosts. He hadn’t wanted to with the wings. It wasn’t that Danny was ashamed of the wings, not from the fact of having different features, but Frostbite had seemed certain that Danny was in a heavily mutable state right then. The more people that knew Phantom with wings, the more likely they were to stick as they cemented in consciousness and identity.

Or something like that.

Danny had a whole stack of reading tucked away in his chest to go through later.

Just wanting time alone, Danny had given himself somewhere between an hour and a day (time was hard to tell in the zone) to sulk among the sparks and dust that were long dead stars before forced himself to get a grip and go home. He was an adult for, well, him sake he guessed. He could deal with this.

The reading set on the left side of the coffee table with a fresh notebook next to it. It wouldn’t do to mix up this work with his actual work, so Danny was sure to pick out one with a green cover from the stash that he kept on hand of his favorite dot patterned paper notebooks. He’d draw a blob ghost or something on it later. A few color pens and a highlighter joined the little pile, set in a battered and chipped Amity Park tourist trap mug.

Sam had gotten it for Danny as a present due to the so hideous it was funny caricature of Phantom on it.

On the right side of the coffee table went a box of protein bars, electrolyte drinks, suck’em candies, and Danny’s well stocked pill container. He moved the coffee table a little closer to the couch, turned the TV on to a playlist of Mythbuster episodes, and made sure he had his favorite blanket in hand before he transformed back.

And fuck that hurt. Pain shot up Danny’s back, radiating up through his shoulders, and shooting along his Lichtenberg scars so intensely that they burned. Danny collapsed inelegantly onto the couch with a defeated whimper.

Maybe it was the wings? Did having a different set of limbs as a ghost cause transfered muscle aches to his human form? He didn’t even have muscles as a ghost, not really, but the mind was a very powerful thing and not even Frostbite was entirely sure of how exactly the two parts of a halfa effected each other.

After the worst of the pain had dulled slightly, Danny managed to toss back his medication (missing doses while Phantom never did him any good) and pulled the candies close enough that he could use them as a distraction for his senses. Slowly the muscle relaxant worked its magic and Danny became a boneless lump. The episodes of Mythbusters idly distracted him as he just let his thoughts drift over what Frostbite had said.

Frostbite was sure that there had to be a reason— or several— that Danny’s form had shifted into a bird and after retained the wings still. Frostbite felt the first step to this all, if Danny was determined to either control or to get an understanding of where this all was going, was to understand the subconscious or symbolic particulars of the change.

The why Frostbite felt was clear: Danny had been without a haunt for too long now. Yes, he accepted, the pollen may have certain accelerated matters (hence the full bird then and only the wings now), but Frostbite was admit that the change wouldn’t have been occurring at this stage if Phantom had still been the protector of Amity Park.

Phantom had a purpose in Amity Park. Phantom was a protector and guardian. That guardianship extended to a very limited range. Now that Amity Park was many, many years behind him and Danny was living in a place already full of its own protectors, the Phantom part of Danny was left adrift which allowed for this new stage of ghosthood.

Why couldn’t his ghost half just be happy with a nice long nap?

“Fuck you, Phantom,” Danny grumbled as he watched a car be vaporized upon impact on the screen. Idly Danny wondered if he could get an object up to that speed if he flew fast enough.

Several hours and several protein bars later, Danny was managing to sit up enough to start going through some of the reading Frostbite had sent and make notes. Two more episodes and delivered Indian food later, Danny scrawled on the top of a fresh page ‘The Subconscious & Symbolic Particulars of Wings’.

Why on earth and beyond did he have wings?

‘Flying’, Danny wrote first and then as many reasons he could think of why he loved flying from the freedom of it to space to the way that it felt to move through a cloud. ‘Freedom’ branched off into movement and escape and getting to become his own person without the weight of Amity. ‘Gravity’ and ‘Identity’ sprawled into transformation and his death and the million of ways that it had changed everything about his life.

It was hard to think about.

Danny turned the page.

‘Wings’. Wings and feathers. Birds. Pigeons and crows and ducks and robins. And Robins. Biblically accurate angels who created the cosmos. Hope. And always hope.

“‘Hope’ is the thing with feathers — ”

Hope and Robins and Bats.

And always hope.

Was Gotham his haunt?

Was he the thing with feathers?

---

AN: shhhhh I've been writing as my wind down before sleep. Also special prize for @stoiczee. I promise we'll see more batfam next part. Danny just needed some time to react!

[libingan]

IM BACKKKKKKKK

i was rewatching b99 and theres this one scene w captain holt that gave me the inspiration to write LMAO

something about reader being able to read simon like an open book is just so amusing to me

the base is buzzing with its usual sounds—radios crackling, distant chatter, boots hitting the floor in rhythmic patterns. you’re used to it all by now, the routines and rhythms, the way everyone moves around each other like parts of a well-oiled machine. today, though, there's an odd tension in the air, a stiffness lingering on the faces of the others.

you spot johnny and gaz huddled together, throwing glances at ghost, who stands near the far wall, still as a statue. he’s in full gear, mask in place, eyes dark and unreadable beneath the skull pattern. his shoulders are squared, his stance firm, his gaze fixed somewhere distant. there’s a quiet intensity to him that feels like it could crack concrete if he willed it. with his arms crossed over his chest, the black fabric of his sleeves stretching over his muscles, he looks every bit the silent, unapproachable specter he’s known to be.

johnny tilts his head in ghost’s direction, muttering something to gaz, who nods back, looking genuinely concerned. you drift closer, catching pieces of their conversation as johnny’s low, accented voice reaches you. “tell me that doesn’t look like a man on the edge,” he says, eyeing ghost. “i don’t remember the last time i saw him lookin’ this grim.”

“maybe he got some bad news,” gaz adds, brows furrowed. “you think he’s about to lose it?”

you glance over at ghost again, taking in the hard line of his jaw beneath the mask, the set of his shoulders, the way he seems to radiate an intensity that could send most people scurrying. but to you? nothing feels particularly unusual. you’ve seen ghost like this enough times to know when he’s actually having a rough day—and this isn’t it. so you shrug, looking back at johnny and gaz with a small smirk.

“bad day?” you say, trying not to laugh. “he’s in a good mood.”

the two of them whip their heads to stare at you, disbelief clear on their faces. “a good mood?” johnny echoes, brows shooting up. “that—ye’re tellin’ me that right there’s him happy?”

“yep.” you give a simple nod. “trust me. i can tell.”

johnny and gaz share a bewildered look, glancing back at ghost with renewed confusion. “so… that’s his version of cheery?” gaz says, more to himself than anyone else.

before they can keep speculating, ghost’s gaze shifts over, locking onto the three of you. there’s no warmth in it, but there’s a strange steadiness, a weight, that makes it clear he’s noticed your conversation. he starts toward you, his steps slow, measured, each one landing with the faintest thud on the concrete floor. when he reaches you, he stops just a few feet away, gaze flicking to johnny.

johnny clears his throat, glancing nervously at gaz before finally blurting out, “l.t., we were just wonderin’... somethin’ wrong today?”

ghost’s eyes narrow slightly, and his head tilts just a fraction. “wrong?” he repeats, sounding almost amused. “no. i’m havin’ a good day, actually. got an extra hour of sleep this morning.”

you can feel the stunned silence coming off johnny and gaz, both of them frozen as they process the idea that ghost—a man they’re used to seeing as an impenetrable wall of silence and scowls—has just announced he’s in a good mood. you can’t help the grin that creeps onto your face as you turn to them.

“told you so,” you say, crossing your arms.

johnny looks from you to ghost, and back again, a mix of disbelief and exasperation coloring his expression. “bloody hell,” he mutters, shaking his head. “how… how d’ye know that?”

you just shrug, catching ghost’s gaze for a brief second. there’s no clear expression there, but you swear there’s the slightest glint in his eyes, a hint of something only you seem to recognize. you don’t need words or explanations—you just know.

[kedreeva]

Okay, I haven't wanted to talk much about the peafowl lately, been just kinda dealing with Stan's passing, but! I have news I don't want to keep quiet, so here we go with a little announcement.

I've been helping a friend of mine with a bunch of peafowl genetics work lately, as he's trying to prove out a really neat phenotype of speckled and white peafowl that showed up in his breeding stock, and he just spent tens of thousands of dollars importing two new morphs from Europe: European violet (aka, my dream morph) and Ultramarine (pretty and only otherwise being produced by TWO breeders in the WORLD). When Bill heard about Stan, he asked if I was going to go to a large farm auction that's a few hours from my house. I don't, normally, since it's a few hours from my house and the auctions usually make me kinda sad when it comes to peafowl (they stress out SO MUCH) even though it's cool to see how much they're going for at a wider audience auction.

Then he told me he would be going, and that if I wanted to come down the day before the auction, he'd bring me another male, to replace Stan. I had already made plans to hang onto Bismuth, at least for a few years, and to pick up babies from Indie x Arcana/Eclipse this november, including a male, so I didn't really need another male, and don't have the cash for one anyway. He said no, he meant one of the split EUV males from last year's first-USA breeding. For free. As a thank you for helping him.

To put this into perspective, importing the birds is a ~$10k affair, per bird. I had fully resigned myself to never even SEEING one of these birds in person, much less ever owning one. Even if someone else got them imported, they would remain thousands of dollars for the first few years, and quickly become mixed with other stuff, potentially even be lost by people breeding to purple. He went in on a group import with another breeder and they have both just started selling the full-color birds for over $2k apiece (alongside Ultramarine, which before their import was bred by TWO people in the WORLD, and babies from that are going for almost $7k each, but EUV is more widely spread). Splits (like the one I will be getting) are being let go for $750. This is also the color I have desperately wanted since I first saw them 8-10 years ago (though I believe they've been around slightly longer), but that I had resigned myself to never actually having.

To put it mildly, I'm probably going to burst into tears when I see Bill and this bird. It's going to be super embarrassing. And then I'm going to have to build more pens. And then I'm going to have to get as plain-blue, pure-indian blue hens as I can find, and become one of the most serious curators of plain pure EUV in the US, because I know the other two who have them currently will be outcrossing to other patterns/colors immediately and the people buying them will likely be doing the same, and everyone will be clamoring to make them into high Spaldings ASAP, or won't know not to cross them to purples and wreck the color.

Here's the sire cock, the one imported:

You will notice that this bird is purple in full sun, from the sunny side. That's the main difference between European violet and US purple- a US purple looks blue until you get the right angle on the sun vs the bird vs the camera, and you have to get the bird between you and the sun, so the purple is often in the shadow side- visible to the eye but not the camera. EUV is just purple. Even from the sunny side!!

And the Ultramarine, in case you were wondering about their color:

(pics reposted w/ permission from Bill)

The breeder is Spring Creek Peafowl, and in case anyone is secretly a peafowl breeder or knows other peafowl breeders with too much money that want in on a new color morph, he DOES have UM pairs and EUV hens (and more split males) for sale currently, for less than the only other person in the US that has them. They're still pricey, but cheaper. I WISH I had the extra to have my friend add on an EUV hen, but alas, I will have to wait to make my own in a few years. Even just the opportunity to do so is something I never expected to have!

[hollowed-theory-hall]

So, Wizarding Robes

I saw this post by @iamnmbr3 and @kittenjammer talking about wizarding fashion and I wanted to talk about this for a while, so I'm going to give my own two cents on it based on fashion history. I love history in general, but fashion history and historical architecture are two I’m incredibly passionate about. So, here we go (post with a lot of pictures ahead):

When I read the books and they mentioned unisex “robes” which function like dresses in a way (as you don’t have to be wearing trousers beneath them:

James whirled about; a second flash of light later, Snape was hanging upside down in the air, his robes falling over his head to reveal skinny, pallid legs and a pair of graying underpants.

(OotP, 647)

And described as being very colorful and billowing, often accompanied by a pointed wizard hat, it was clear to me JKR was trying to invoke the image of the classic fantasy wizard robe:

Especially when it comes to Dumbledore.

The thing is, this style is based on a real historical period and historical styles of the medieval period in Europe.

Medieval Europian Robes

When I'm thinking about the "classic fantasy wizard look" the first historical period that comes to my mind is the 15th century and I'll illustrate why.

Spesificly, the 14th and 15th centuries houppelande. It was a long over garment that looked kinda like a dress with wide, flaring sleeves available for both men and women in various shapes, cuts, and even patterns. Here are examples of some houppelandes:

(As you can also see, early 15th-century fashion comes built-in with silly hats! Just like wizards)

In the 15th century you also have a wide array of cuts of cloaks (and even more silly hats!):

Along with surcoats, that contrary to their name, weren't just for knights to signify on their armor the house they serve:

These 15th-century garments are exactly like wizard fashion is described in the books: billowing robes, colorful and eye-catching, and accompanied by silly hats.

The thing is, all these garments are from the high medieval period and as wizards broke away from muggles only when the Statute of Secrecy was enacted, I'd expect their fashion to follow the muggle trend up to that point and then start diverging. Even the most pure-blooded wizarding families of the modern day, like the Malfoys, integrated with muggle circles up until the Statue of Secrecy, something that would've forced them to dress like the muggles at the time to blend in better.

As the Status of Secrecy was first enacted in 1692, it's time to talk about:

Late 17th Century Fashion

Now, while the high middle ages in Europe had everyone wearing essentially wizard robes and silly hats on the regular, the Statue of Secrecy was enacted much later. Fashion in the 17th century was drastically different from the earlier one mentioned above.

In the late 17th century, this is the kind of dress I'd expect from women in England:

And this is what I'd expect from men:

Which is very different from what is described but would've been the historical basis the wizards would work from.

So what do I think wizarding fashion is actually like?

Well, since the books are in the 1990s and wizards don't really live in a vacuum we know some later influences in fashion did make it in. So, I think wizarding fashion is an odd mix of 15th-century and late 17th-century fashions updated to the time period the wizard grew up in, hence distinct fashion changes between generations like we see in the muggle world.

We see these distinct generational fashion changes with characters like Agusta Longbottom who wears a Vulture hat. These sorts of hats with real birds on them were a thing historically. They were quite fashionable in the late Victorian era, which is when Agusta would've been a child if she's around Dumbledore's age:

Fudge is described as wearing a Bowler Hat, a kind of hat that started catching on in the late 19th century but was still a staple in menswear into the early 20th century, hence indicating Fudge's age.

Ron's yule ball dress robes are described as old-fashioned, again indicating fashions in the wizarding world change at a similar rate to the muggle one. Note that since the 17th century, fashion has been changing quite rapidly and by the 18th century fast fashion where you need to buy new garments each "season" has already started becoming a thing. With all that, I think wizard fashion indeed changes just as rapidly as the muggle one.

Now, that's great, and all, but, what would that odd mish-mash fashion even look like?

Well, I made a few very quick sketches as concept examples for what casual wizarding fashion in the UK might look like if we're working off historical references:

(not my best pieces, it's just to get the concept across)

Note that Wizengamot robes and other formal professional wear would probably be older in style and closer to 17th-century fashions.

[bones4thecats]

You can make MK, Mei, Wukong and Macaque knowing Bai he's ancestor who was a dragon reader 💗

Their Dragon! S/O is Bai He's Ancestor

Characters: Monkie Kid, Mei Dragon, Sun Wukong, and Macaque Requester: 💗Anon A/N: In this, Wukong and Macaque are both in a relationship with the Reader, they're not dating one another, and they're trying to rebuild their friendship. ⚠️ Spoilers/Trigger Warnings for: Nothing ⚠️

Disclaimer: Platonic (MK & Mei) - Romantic (Wukong & Macaque)

╔══════════════════════════════════════════╗

╚═════ Monkie Kid ═════════════════════════════╝

🙉 You smiled as the others messed around, Wukong floating above Pigsy while he annoyed him. MK held his bandana in his hand as he wrapped himself in his large hoodie, sitting beside you

🙉 Unlike other dragons' human forms, you had a large amount of scales on you, going from your fingers to your neck and your waist to upper feet. You allowed MK to messed with tail you had out, much to his amusement. You were a fascinating creature, that's for sure!

🙉 As he twirled the little tuft of fluff at the end of the tail, you allowed your long hair to flow in the wind, making it look as if your hair joined the sky in a galaxy-pattern

🙉 MK looked at you and down at the others, seeing the little girl, or Bai He as they nicknamed her, and back at you. You guys looked familiar somehow, but why?

🙉 Bai He's creme-colored jacket mixed well with your white-and-purple hanfu, the long sleeves slightly blowing like your hair. She also seemed to have a bandage on her cheek where you had a marking from a demon fight long ago

🙉 MK blinked and cleared his throat, asking you if you knew Bai He before they met the girl. You just chuckled and lifted your hand, putting it on the male's shoulder and answered honestly, no care if it would shock him or not

"Bai He is actually my descendant."

"WHAT?!"

╔══════════════════════════════════════════╗

╚═════ Mei Dragon ════════════════════════════╝

🐉 Mei and the others looked away from the argument after hearing MK's yell of shock. They were confused, you guys were just sitting there quietly, so what shocked him so much?

"What's going on?" Pigsy asked.

"Y/N's- Y/N's an ancestor!"

"Yeah? Has been for a while." Wukong said as if it was obvious.

🐉 Everyone else looked at you in surprise, they knew that you were as old as Macaque and Wukong, but they had no idea that at some point you had a child and that bloodline was still existing at their current time

🐉 You smiled and stood up as Macaque and Wukong just watched with bored expressions, knowing something was going to get good soon

"Bai He, please step up to me."

🐉 The young girl looked at you in confusion and carried her cat to you, keeping the feline in her grasp securely as you kneeled down, adjusting your qun skirt as you secured your position

"Young girl, everyone else here is either the age of an ancestor, or one themselves. You are no exception."

🐉 Bai He's eyes widened as stars sparkled in them, her hair bouncing as she anxiously shifted around, her pet meowing in her arms as she moved

"Are you my ancestor?" She asked.

"Correct, Bai He."

🐉 Mei smiled and picked Bai He up from behind, twirling her around before hugging her close to her chest, chanting the same thing over and over as you watched with a content smile

"Dragon-Descendant Twins!"

╔══════════════════════════════════════════╗

╚═════ Sun Wukong and Six-Eared Macaque ════════════╝

☀️ Sun Wukong laughed as Mei twirled the young girl around happily, knowing she wasn't the only one with a draconian ancestry coursing through her veins

💜 Macaque just observed with a neutral expression as the two messed around, Bai He asking questions on what she could do as a descendant like Mei

☀️💜 You walked up to the two monkey-men, wrapping your arms around one of their arms each, gifting them both kisses on their opposite cheeks, much to their joy

☀️ Wukong gave a cocky look and hugged you, wrapping his arms around your shoulders and placing his head on the top of your own, attempting to rub his scent onto you

💜 Macaque rolled his eyes and shoved Wukong off you by his head, making you chuckle. The dark-haired man was happy he had beyond-amazing hearing so he could hear the near-mute sound easily

"What was that for?!"

"Don't hog them, remember the agreement, Wukong."

"Fifty-Fifty? Ugh, I knew I'd regret that at some point..."

"Are either of you guys my ancestor too?"

"HUH?!"

[strnsvt]

Can I request #9 and Vernon? Thank you!!!

vernon chwe — under the fireworks where blushes bloom.

the rooftop was buzzing with excitement as your friend group gathered to watch the fireworks. you leaned against the railing, your eyes fixed on the sky, while vernon stood beside you, his usual quiet presence a comforting constant.

“vernon, look!” you pointed up, your face illuminated by the dazzling display of colors. the sky was awash in brilliant hues, fireworks bursting in rhythmic patterns.

the sight was breathtaking, but your attention was also on the friends gathered around you, chatting and enjoying the night.

absentmindedly, you reached out and took vernon’s hand, your fingers intertwining with his. you didn’t realize you’d done it at first, too engrossed in the fireworks to notice how vernon’s hand stiffened.

his eyes went wide, and a deep blush crept up his neck, quickly spreading to his cheeks. he glanced down at your joined hands, then back up at the sky, his heart racing as he tried to process the unexpected touch.

vernon’s thoughts became a jumble, and he could barely focus on the fireworks. the simple act of holding hands with you, someone who never allowed any form of physical affection, sent a wave of confusion and exhilaration through him. he slowly began to relax, savoring the warmth of your hand in his, but his face remained warm, the blush only deepening.

minutes passed, and your fingers remained entwined. the fireworks continued to light up the sky, but vernon was only aware of the closeness between you. his mind whirled with thoughts of how this simple gesture was a massive step in your friendship. he glanced at you out of the corner of his eye, hoping you wouldn’t notice how flustered he was.

as the fireworks show came to an end, the crowd around you started to disperse, heading back inside. you remained on the rooftop, still holding vernon’s hand. the sudden silence and cool breeze brought you back to reality, and you looked over at him.

“did you enjoy the show?” you asked, trying to sound casual but unable to hide the smile on your face.

vernon nodded, though his eyes remained focused on your hand, his blush still present. “yeah, it was amazing. but, um, you’re still holding my hand.”

you blinked, looking down at your hand still clasped around his. realization dawned on you, and you quickly pulled your hand away, a blush creeping up your cheeks. “oh, i’m sorry, i didn’t even realize...”

“no, it’s okay,” vernon interrupted, his voice gentle, but his face was as red as a firework. “i...i didn’t mind.”

you turned to face him, catching the sincerity in his eyes. “really? i thought you might be uncomfortable.”

vernon shook his head, smiling shyly, his cheeks still a soft pink. “not at all. it’s actually...nice. i’ve always wanted...well, i didn’t think you’d ever be okay with this.”

you had always pushed people away, maintaining strict boundaries. but with vernon, things felt different. maybe it was the fireworks, or the way he looked at you now, but you felt a shift in your emotions.

“you’re the only person i trust enough to let in,” you admitted quietly, looking away. “i guess, tonight, i just didn’t think about it.”

vernon’s smile widened, and he took a step closer, his face lighting up even more. “i’m really glad, then. you mean a lot to me.”

you met his gaze, feeling a mix of relief and vulnerability. for once, you allowed yourself to embrace the affection that had always been there, but that you had kept at arm’s length.

as the night grew colder, vernon, still blushing, offered you his jacket, and you accepted it gratefully. the two of you stood side by side, the warmth of the jacket and the lingering touch of his hand making you feel more connected than ever before.

“thanks for being here,” you said softly. “for everything.”

vernon looked down at you, his eyes filled with warmth and his blush deepening. “anytime. i’ll always be here.”

the rooftop, now quiet and empty, felt like a new beginning. the fireworks were gone, but the spark of something new had ignited between you and vernon, making the night unforgettable.

[simstationdance]

HAPPY BIRTHIVERSARY part 2 - Crop Tops & Punk Skirts

FUN FACT: The Sims 2 (2004) was released 3 days before the date upon which I was released from my mother's womb, therefore making me younger than The Sims 2 by 3 days as of September 14th 2024, but objectively older by 6 years as of September 17th 2024. As of this post, it is now my birthday. I can feel the hands of time slowly pulling me into the earth. Let's celebrate!

Today's Very Special Birthiversary post includes a set of stylish, vaguely Scene-inspired clothes for ladies: 24 recolors of the Urban Primitive skirt, separated from the Maxis outfit by Skell, and 5 Goth themed patterned recolors and 5 bright solid recolors of the 4t2 Bow Crop Top by MDPthatsme, with black tank top undershirts attached using textures by DeeDee. The clothes are for AF and TF, with Standalone and Repositoried options for TF, and they come with all morphs.

All meshes are included and special characters that would make the game load slower (specifically hyphens) have been removed from the filenames. Since the skirt is from the ever popular Maxis Match Repository Project, you probably have the mesh for the skirt lying around in your Downloads somewhere, so make sure you don't have duplicates.

For the skirts, there are two versions with tights - one of which is a mashup of fishnets by Io (colored red and black) and the Maxis black and white stockings, and the other is the Maxis shorts+fishnets texture because I liked it - and one version with bare legs, which can be used with @themeasureofasim's stockings accessory boxes. (actually only a handful work, see under the cut)

The crop tops and the skirts are 'meant' to be paired together but, being separates, you can mix and match with any other top or bottom you want.

CROP TOPS SWATCH | PUNK SKIRTS SWATCH

See under the cut for more (not very important) information.

DOWNLOAD (sfs)

Mesh credits: @mdpthatsme, Yuichen, @deedee-sims, Skell Texture and alpha credits: DeeDee, Ghanima Atreides, Creesims, Io, and Maxis Pattern credits: andrea_lauren, nerd-and-vine, ophelia_payne (@ Spoonflower), Blue Moth Fabrics, and VictoriaBat.

I have done my best to credit everyone who's resources I used. If I have misattributed or missed anybody, or if I have broken a rule in someone's TOU somewhere, please let me know.

Secondly, this is my first time 'retexturing' clothing instead of just recoloring it, as well as the first time I've done anything clothes-related in a very long time, so please be gentle to me with your criticisms and let me know if anything needs fixing <3

I wanted to recreate this outfit using only textures, because I know nothing about meshing and Milkshape scares me. As you can probably tell, I got a little carried away from the original goal.

I mashed a bunch of patterns, textures, and colors together on top of the crop top and skirt in an effort to learn 'advanced' recoloring of clothes in GIMP, as the most I've ever done before was just recoloring using pre-made PSDs. it was a bit of a disorganized disaster and there was quite a bit of blood, sweat, and tears. But the end results look... mostly nice, I think.

The arm warmers and fishnet gloves shown in the preview are a pair of accessories created by katsurinssims that I used to try to 'complete' the look, and are not included in this download.

Edit: im very sorry, I only tested a handful of the accessory stockings on the bare legs skirts, because I was very tired and there are A Lot of them, and assumed they would all work. But after a bit more testing, some of them have small gaps or poke through the boots, and the ones that are supposed to go over the crotch area end up looking like over the knee socks. Other than that, most of the knee high socks and tights work, but only on AF. I don't consider this a huge problem though, because a good amount of the tights work and the ones with gaps are barely noticeable.

There's a shoe swap that makes all of the boxes work with these skirts and I'll make another versIon of them with that mesh later.

[mochinomnoms]

I am eating up shirmpy chronicles content

I was thinking of the mix of genes that maybe there are some shirmpkids that have sharp pointy teeth like eels and eelkids that have a bit more blunt teeth like yuu what if we add Azul to the mix? Either in octopolycule or in uncle Azul either way he just wouldn't tolerate if the kids get bullied by "not fitting their species standards"

Also i fully agree with the ideas of mixes of shirmps and eels for the kids learning how a hybrid would work looks interesting but tiring I do think little eels and shirmps in case of octopolycule with purple-ish colors and spots would be so cute but as far as hybrid goes maybe MAYBE one of the elvers get born with shirmp antennas AND THAT'S WHERE I DRAW THE LINE and and more Azul and merkids Azul's mother teaching the kids how to do simple cooking stuff and while preparing the ingredients there is an elver next to her playing trashcan so when there is something that isn't of use from the ingredients the elver just goes :O and eats it

-Vaquita

Hell yeah! I have a few ideas for hybrid shrimpkids, I'll separate them via Tweels and Octopolycule:

Shrimpy Chronicles: Explanation of Hybrid Children

For reference: Fries can refer to both baby shrimp and octopi, so the shrimps will be called berries (cause the eggs look like berries lol) and octopi as hatchlings. Elvers are still baby eels! I'll refer to all the babies as fries in general to make it easier to read.

General:

All the kids, regardless of their fathers, are half-human. While the transformation potion permanently alters Yuu's appearance, it doesn't change their DNA. As such, the kids are a bit more mammalian than aquatic. This means that technically speaking, if Yuu is able to, the fries could be breastfed, but this depends on how human the fries are born as.

The most common variation in the hybrids is more varied colors/patterns. However, certain aspects of one species can pass over, such as the twin's teeth, pharyngeal jaws, and claws. Azul's dumbbell-shaped eyes, rectangular pupils, ink, and chromatophores can also be passed down. Shrimp Yuu's antennas, legs, “cleaning” behaviors, and patterning can be passed down, as well as some more human traits. Namely, the ones mentioned before, but they also have the potential to transform from merform to human without the aid of a transformation potion.

Because the fries are half-human, they are not suited well for the deep sea, unlike their father(s). Neither is Shrimp Yuu, even their type of merfolk is suited for corals reefs and bays. There is a chance that at least one or two of the fry will develop closer to their father(s), however.

The more gluttonous fries are actually a tie between the berries or the elvers. So the fry going :O to be a trashcan can be either shrimp or eel.

All the fries are prone to hiding. Eels, octopi, and shrimp all tend to hide in corals, crevices, etc. This makes them excellent at both hide n seek and giving their parents heart attacks.

Their diets are extremely varied due to their parentage, and while technically the berries and hatchlings can eat shrimp and octopus, it's more of the principle of the thing.

Moray/Shrimp Children

The most common result in hybridization for the twin's and Yuu'd children is higher variation in their colors and patterns. Teal and red at best makes a muted purple-brown, at worst is just a plain brown. Their kids are more likely to come out as either teal, red, or a more mosaic coloring (think of mantis shrimp's colors and patterns).

The elvers can develop antennas on their heads, like their berry siblings. Alternatively, they may not have pharyngeal jaws or sharp teeth, or claws. These elvers require more protection/supervision. Likewise, berries can develop all those traits as well.

Whether or not the elvers or berries are bioluminescent is random, but the ones with more eel traits are more likely to develop the trait

Sharp teeth are a dominant trait, so more likely than not most of the fries will have sharp teeth. Not all of them will develop the pharyngeal jaws though, and is more likely to show in the elvers than the berries.

Behavior-wise, the fries that take on more eel traits (regardless if elver or berry) will be prone to more predator behavior and instincts. You can find one of the berries barring their teeth at one of the elvers if they both take after their father(s) in this case. The opposite is true for the fries that take on more shrimp traits.

All the fries, regardless of which parent they take after more, will have the need to tend and clean each other and their family. This is because I just think the idea of Jade/Floyd being covered in fries is funny.

Octopus/Shrimp Children

Various patterns and coloring are also a common result for Azul and Yuu's children. Purple/lavender and red are adjacent colors (I think that's the word) so they mix much better. These kids will find themselves in a variety of shades of magenta, cool pinks, purple, lavender, red, or a patterned mosaic of those colors. They will have patterns similar to freckles on their skin, rings, but due to their ability to easily change their colors, they will copy their parents' patterns out of comfort.

The hatchlings can develop antennas like the berries, but the berries won't develop tentacles. They will, however, have more arm strength similar to their hatchling siblings.

Similar to the elvers, the hatchlings and berries with more octopi traits or behaviors are more likely to be bioluminescent

Berries may be able to produce ink from their mouths, while not all the hatchlings are able to do the same. Because of this, they are more prone to hiding to avoid danger and conflict.

Behavior-wise, both hatchlings and berries are prone to hiding. They are much shyer than their elver siblings, and you can find them using baskets, large shells, pots, etc as hiding spots. Often, if you find one, you will find many in that same spot. Sometimes, the hatchlings will develop the same cleaning tendencies as the berries.

These kids will also find themselves prone to cleaning their siblings and parents, but they are also collectors. The hatchlings and berries will get into groups and compete on who can find the coolest items. Their elver siblings are judges.

Moray/Octopus Children

Various patterns and coloring are once again the most common result for any of Azul and the twins' fry. Purple/lavender and teal produce a muted blue. But the fry will find themselves in a variety of shades of muted blues, purple, lavender, teal, or a patterned mosaic of those colors. They will have patterns similar to freckles on their skin, or the stripes seen on the twins' skin. They can also easily change their skin colors.

Hatchlings can develop Jade/Floyd's pharyngeal jaws and sharp teeth, as well as their claws. On the opposite end, the elvers may not develop those traits.

Regardless if they take more moray or octopus traits, they are all bioluminescent.

The elvers may produce a more ink-like mucus on their skin, while the hatchlings may not produce any ink at all. They may however produce the same mucus on their skin as the elvers.

Behavior-wise, technically speaking both morays and octopi are a type of predator, morays just more so. But you can find eels and octopi fighting in the wild. So, you can actually find the elvers and hatchlings play fighting against each other. They make it a game (whoever loses has to take over the other's chores).

The hatchlings and elvers are more protective of their berry siblings, and you can often find them in pairs or trios, with at least one elver/hatchling with one or more berries.

And that's all I got today folks! Womp womp, I love the Shrimpy Chronicles, they're so fun to write!!! As me for more, I have many thoughts and names for the potential children, hehee.

[respectthepetty]

Petty, I respect you.

I do.

However.

DONT BE QUITE ABOUT THE COLOURS IN ON1Y 1 BECAUSE I WILL READ A FULL THESIS ON IT, 20 PAGES!!!! 50 PAGES!!!!

PLEASEEEE Give

It

To

Meeeeeeeee 🥹

Anon,

You've opened a floodgate.

Because I always notice the colors, but just because I see colors doesn't mean I know why they are significant. Even if I see there is a pattern, it doesn't mean I understand its importance. And I don't think y'all should be subject to me screaming about Jiang Tian's paper bookmarks being yellow and pink in a book of (love?) poems where he has highlighted that "a girl's shyness is like a tender cherry under the sunlight" and "16- and 17-year-olds are like fruits in the morning sun, sparkling."

Sheng Wang asks who this is about, but we know who this is about. The colors mean things.

And more importantly, I actually didn't write weekly or episodic posts about shows until 2022. I used to wait until a show was over to write about the colors or background noise, and, mostly, I only did it when people would ask me about it. Big Dragon was the first show that I felt compelled to write weekly about the colors and background noise because it was so amazing, so 2024 is still an odd space for me to be in sometimes because as much as I love colors, I'm ALWAYS surprised how much y'all want to know about them . . . weekly . . . per episode . . . for all the shows.

I write for myself, but sometimes I think y'all don't need to witness me losing my shit every week for sixteen weeks over obviously color-coded characters in The Loyal Pin.

And sometimes I think y'all don't want to witness me losing my shit over colors that I can't completely understand like the grays in 4 Minutes.

And then other times I think y'all shouldn't have to witness me losing my shit over colors that I'm not sure are colors until I've watched enough episodes to feel sure that the colors are, in fact, coloring; then, the series, The Trainee, actually tells me the colors were coloring the entire time like I thought.

And that's why I try to be quiet about shows because I'm figuring them out in my head, or I'm waiting for enough information to feel confident about them, and I don't want to hog up the tag with my ramblings. I need to sit in it a bit to figure out what the colors mean.

Kiseki: Dear to Me was the perfect example. I didn't mention anything about colors until prompted by others because it took me until the third episode to feel certain that Chen Yi and Ai Di matched colors, then it took me close to the end of the series to realize all the cameo couples ALSO matched colors.

It took me until the end of My Love Mix-Up to realize Aoki's color had evolved.

It took me two seasons (and a movie) to feel secure that Kiyoi was a Heavenly Human in My Beautiful Man.

And it took me until midway through Semantic Error to figure out why the red disappeared.

That's how The On1y One is for me. I knew yellow/orange and blue would play some part in the story based on the posters, but I wasn't sure how until I started seeing more visuals appear.

Because even though I saw a yellow container of food for Sheng Wang in the first episode,

I didn't realize he mostly ate color-coded food until episode four.

It's such a tiny detail, so I could have easily missed it, but because I know that he is a picky eater, I feel like it's not simply a coincidence, and I quickly noticed it in the eighth episode.

But I needed to collect more images before I could state that. I needed to let the story develop before I realized it. I needed to settle into it. And that's why I wrote my halfway point post after a few people asked if I noticed.

Because I know I seem like a magician who shouts a lot, but I'm not. Sometimes, I have to be patient and let the colors sneak up on me while I'm simply enjoying the moment, like Sheng Wang's orange alarm clock nestled into the corner of his bed while he falls asleep on his light yellow pillow in his light yellow shirt.

I know not all visuals can be a literal bright yellow sign hanging from the color-coded boy's room, ya know?

I'm not Jenny who cannot grasp that she keeps taking food and drinks meant for Benny even when he realized if she could figure out the mug was about gay rights without realizing he was gay then someone smarter will along and piece the dots together . . .

Because like, girl, he's gay.

But it does take me time to collect images and get my thoughts in order, so until then, I'm going to be quiet.

Or as quiet as a loud ass like me can be.

[highlynerdy]

"Aithusa has seen her father's mate in his memories and smelled him on her father's skin when he comes to visit, but this is the first time she gets to meet him for herself."

Nepenthe and Lavender by @0hheytherebigbadwolf

My latest fanARTifact is an entirely handlettered, handbound, and illustrated book of this beautifully fluffy fic (and it has actually been in various states of progress since March 1, 2021.) More below the cut!

So as I said above, I actually started planning this fic over two years ago. Which, yeah, I don't really want to talk about because adhd is a hell of a thing. I love love love this fic (and this entire series) and I was inspired by The Black Hours and other gorgeous manuscripts with metallic on black paper.

I ordered some black paper from Canson for the text block, used Arabic gold finetec paint mixed with water and gum arabic as my ink (I used three pans of the gold paint...), and a Nikko G nib with a straight pen holder for the calligraphy. I really wanted to use one of my broad tip nibs, but I just couldn't my Uncial letters small enough with it. I used Uncial since that was technically the alphabet/font they used in the Arthurian time period.

The paper was cut down and folded into signatures of three and then I drew out light pencil lines for the text and for the margins. Every single letter was done sooooo slooowwllly because if I messed up on one page there was no way to erase it, which meant I would have to do basically four pages worth of lettering again since they were all connected.

And I did mess up.

More than once.

I think the most heartbreaking mistake was at the very end when I was trying to erase my pencil lines and I just ripped a page completely in half. The tears were real, folks.

Once I finished lettering - which took hours and hours and hours over many weeks - it was time to assemble the text block and sew it. I used gold silk thread I had leftover from Arthur's scarf (which is also used as the backdrop for the photo shoot) to sew the block together and I love how it gives just another little peek of gold to the book.

I painted the end papers in a vaguely floral pattern with the same gold and also some silver finetec paint, glued them all together and put them in my book press and then promptly didn't work on it again from October 2022 to July 2023. Sigh.

But once I committed to getting it done, I asked @swanfloatieknight to help be my accountabilibuddy and make sure I finished it this week. I tested out so many different cover designs, from fabric and thread, to paper, to finally settling on this all over design done by my cricut. Historically accurate?? Nah. I'm about as historically accurate as BBC Merlin.

I tried my hand at gold foiling and that was a disaster so I just used a gold silk ribbon to give the color a little bit more color. Once it was bound, I painted in a triskelion and Aithusa on a double page spread I left intentionally blank.

And it was finally done!

All in all, I'm pleased with how it turned out. Was it an exercise in patience? Yes. Did I learn a lot? Also yes. Mostly that handlettering an entire fic is madness and also this is far too small to case bind, but I'm a stubborn ass and it was happening regardless.

All total, I probably worked on this for about 50+ hours. It was most definitely a labor of love and I'm so happy that it's finally done.

Thank you for inspiring me to take on such a project by writing such wonderful fics, @0hheytherebigbadwolf! And thank you for everyone who reads these long fanARTifact posts. 💛

[five-hxrgreeves]

Two Positives Equal a Negative (Or Something Like That)

PAIRING: adam warlock & fem! quill’s sister!reader

WC: 2.8k (again, a long one. I just can’t seem to write anything short!) 

SUMMARY: you’ve always had trouble sleeping thanks your numerous (unfortunate) life experiences. While he hasn’t lived as long as you have, Adam has a similar problem. Fortunately, a Terran phrase that your brother taught you might have the solution that you seek.

WARNINGS: slight gotg three spoilers, fluff, angst if you squint.

AUTHOR’S NOTE: okay, so I accidentally lied and I realized that my last one-shot wasn’t my first official one; I wrote a Natasha x reader several years ago. I just don’t post on here that often so I forgot about it, lol. Anyway, Adam Warlock currently has a chokehold on me so here’s another one-shot for him- the sequel that I mentioned on the last one. I’m tempted to write a Gally one/two-shot, but I’m not familiar with the TMR universe so I’m worried that I’d mess it up.

Also, I know that the phrase is actually ‘two negatives equal a positive,’ but I was drawing on the fact that non-Terrans wouldn’t really remember/understand Peter’s references, and since ‘you’ had only been to Earth during Endgame, you it mixed up.

Part 0 , Part 1

You’d always had trouble sleeping, especially on your father’s planet. There had just been a sense of. . . wrongness that you didn’t need Mantis’ empath powers to feel. It had made you on edge most of the time, alert for the unseen danger that you felt. While this might’ve just been your role as Ego’s protector speaking, you knew that your sister felt similarly. Mantis had once offered to put you to sleep using her powers, which you’d agreed to. Although it had worked, you hadn’t liked the feeling of your emotions being messed with, or the vulnerability that came with sleep. Even though you trusted that your sister wouldn’t hurt you, Ego was a different story entirely.

So, that meant that you were up most of the time with only catnaps and snatches of sleep when absolutely necessary. (Luckily your enhanced stamina helped in this case so it wasn’t terribly detrimental to your wellbeing.) It was hard to hide your unusual sleep patterns on the Milano with your new friends since there wasn’t space to walk around like there had been on Ego’s planet. But the Guardians all had various traumas of their own, so they understood the difficulty of getting peaceful rest. Some nights had even been better than others as Peter would teach you how to play Terran card games, which would then include the rest of the Guardians once you’d learned.

You also liked to sit in the pilot’s chair late at night and watch the darkness of space light up around you. It was funny, really; everyone expected space to be a dark, black vacuum of nothing when it was actually just the opposite. Sure, there was no physical form of life, but space was alive in its own way. As the Milano sailed aimlessly through the stars, you’d pass the orange-red clouds of dust and gas— nebulas. Or the brilliant white-blue of a dying star, or the different hues of blue-black that surrounded you. Space was truly beautiful, which was something that you never tried to take for granted.

But now you were stuck on Knowhere. There were no brilliant colors of space to distract you or friends to play card games with. Mantis was gone— your only source of comfort on those long nights when you’d served your father. You were alone, with nothing but a Zune to distract you as you sat, bored, in the kitchen late into the night. You’d decided on some calmer tunes and were currently listening to the Frank Sinatra playlist you’d curated. A warm mug of tea— which Peter had also introduced you to— sat between your hands as your eyes glazed over, getting lost in your music.

--

As it turned out, Adam wasn’t that great of a sleeper, either. It always felt like there was too much energy running through him to be properly restful— not to mention that, whenever he closed his eyes, he saw his mother waiting for him as he flew desperately towards her. And then the explosion would come, jolting him out of sleep as a reminder of his failure.

With a sigh, he pushed back his covers and stood. Since he was already dressed (his mother had always told him to be ready for anything), he made his way to the kitchen where he’d baked cookies with you. It hadn’t been that long ago, but he already missed the comfortable, homey feeling he’d gotten as he formed the batter into spheres with you standing at his side. You had yet to talk to Rocket about how his comments made you feel, but he knew it was because you respected your teammate and didn’t like making a big deal out of things. Thinking about you now, he sort of hoped that he would see you in the kitchen when he got there— but that was a crazy thought; it was the middle of the night! Any normal person would be in a deep sleep by now.

So, it was definitely a pleasant surprise when he came upon you, sitting at the head of the table. Your earbuds were in your ears, as usual, and you seemed to be deep in thought as you absentmindedly traced the rim of your mug with your finger. He was comfortable enough with you to approach you without hesitation, so he took the chair next to yours and nudged you gently to get your attention.

You jumped, startled by the unexpected presence of someone else in the room. At first you had a wild thought that it might be Peter, who came to keep you company as he often had. You were only mildly disappointed to see that it was Adam instead (and this was just because you missed your brother; you were actually quite happy to see the golden boy.) You took out your earbuds and paused your music. “You’re up late. Or early.”

His golden eyes met yours— something you noticed that he did often; it seemed that eye contact was his way of showing that he was listening to you, which always made your stomach flutter pleasantly. “So are you,” he replied. “Can’t sleep?”

“Nah,” you said with a shrug. “You?”

“Me either,” he agreed.

You sat in a comfortable silence together, one so long that you were almost tempted to  put your earbuds back in. Maybe this was a one-off thing; you’d never seen him before on your sleepless nights. Maybe he wasn’t used to being up at this hour and just wasn’t as talkative as he normally was with you. But you were also curious; what could a supposedly perfect being be troubled with at night? So, you sighed, and against your better judgement (as you hated to talk about your feelings), you asked, “wanna talk about it?”

But Adam also knew how you were, and he shook his head. “No, it’s okay. I don’t mind just sitting here.” He got to enjoy your company, after all, so he considered tonight to be better than most.

You let out another sigh. As much as you hated getting touchy-feely, the night was already very boring; sitting and not talking would only make it worse. “I don’t mind, actually. I’m used to being around other people when I’m up like this. Talking would make the time pass faster.” You studied his expression for a moment, which was unusually unreadable; it always seemed like he had a kind smile or glance to send your way. “We can start off easy, if you want. Are you up like this every night?”

His expression softened at your willingness to go outside your comfort zone, so he answered honestly. (He had nothing that he wanted to hide from you, anyway.) “Most nights, yeah. What about you?”

“Same,” you agreed. You played with the rubber protective tip on your earbud. “Can’t get to sleep or bad dreams?”

“Both,” Adam admitted. “Although it’s usually the first one.”

You nodded. “Same, again, but for me it’s mostly the latter. You remember when I said that you weren’t the first person to try and kill me?” At his confirmation (because how could he have forgotten that?), you continued, “yeah. It’s mostly that. My father was a great parent,” you finished sarcastically.

When you’d first become friends, you’d shared stories about the Guardians’ adventures— even the ones that had happened before you’d joined the team— although they’d mostly been lighthearted in tone. You’d acted like they hadn’t really affected you and had laughed at the fact that your father’s planet had tried to swallow you whole. Adam sort of wished that your father was still alive so he could fight him for you. While his mother had had her moments of parenting issues, he’d never doubted that she did love him; it was clear that this wasn’t the case with your father.

“I’m sorry,” he said, not really sure what else he could say. Despite everything that had happened to you, you were still a good person; you hadn’t fought the Guardians on your first meeting like he had, which already made you better than him. He wished that there was something he could do (such as getting revenge for you) to help ease whatever burden you were feeling as you often had for him, but there didn’t seem like there was anything that he could do.

“Don’t worry about it,” you replied in a blasé tone, already moving on from your heavy things. “Want to talk about your stuff?”

He shifted in his seat, a little uncomfortable to admit his failure to you. He wanted to prove that he was just as capable as you were, and this was one of his worst moments. “I. . . keep thinking about my mother.” His gaze dropped to where his hands were folded on the table, unable to watch your reaction in case you thought worse of him. “How I. . . wasn’t able to save her. I was so close, too. If only I’d been faster—”

You reached out a hand to put it on top of both of his, cutting him off. Yours was much smaller in comparison, barely covering even one of his hands. He looked up at you with surprise, feeling his face heat up at the contact. Your usually jovial expression was uncharacteristically serious as you chided him gently, “stop. Thinking like that never helps, you know. You’ll drive yourself mad if you keep wondering ‘what if.’ I should know.”

While he was relieved that his fears about your reaction were unfounded, he frowned at your last words. “What do you mean?”

You pretended not to notice that your hands were still holding his as you answered, “remember what I told you about the Snap?” At his nod, you continued, “Peter and I were the only ones who weren’t trying to subdue Thanos. My powers are mostly defensive, so they would only anger him, which was the opposite of what we were trying to do. Peter got— understandably— distraught at the news of Gamora’s death and he was practically solely responsible for the Snap.” You sighed heavily, dropping your gaze from him. “As the only other person not doing anything on that planet, I could’ve stopped him, but he was my brother; I couldn’t hurt him. But if I had. . . everything could’ve been so much different. In a way, I was responsible for the Snap, too.”

While he understood your reasoning, he didn’t completely agree with it. You’d filled him in with great detail about the Infinity War, which you’d only learned the missing parts after you’d been brought back. So, he insisted quietly, “Thor could’ve also gone for Thanos’ head, but he didn’t.”

“But Thanos wouldn’t have even gotten to the Terran planet if we’d stopped him on Titan. You see what I mean? These what-ifs really messed with my head— still do. You eventually just have to accept the fact that the situation can’t be changed and learn from your mistakes.” In a lighter tone you added, “I promised myself that the next time I needed to sock it to Peter, I wouldn’t hesitate. Maybe a good hit to the head would knock some common sense back into him.”

Adam chuckled at this, his serious expression lifting. Sensing that you didn’t want to talk about such emotional topics anymore, he changed the subject slightly. “So you’re up every night because of these thoughts? Don’t you need sleep?”

“Yeah, but I’ve got enhanced stamina, so not as much as a regular person,” you said, relieved that he picked up on your hint. “What about you? You’re practically a god yourself.”

He felt his face flush with (pleased) embarrassment at your indirect compliment, even if it was truthful. “That’s part of the problem, I think,” he explained. “All this power. . . it gives me too much energy and. . . I can’t sleep.”

You frowned thoughtfully at your similar predicaments, an idea (admittedly, a stupid enough one that Peter could’ve come up with it) forming in your mind. “Y’know,” you began slowly, “Peter taught me a Terran phrase awhile back. I can’t exactly remember how it goes— it’s like two positives equal a negative, or something like that— and it means that when there’s two good things, it cancels out the bad one. We could try and apply it here.”

He gave you a curious look. “Really? How?”

“Well, since we both can’t sleep— that’s the negative— maybe. . . maybe if we slept. . .” You felt your face burning at your suggestion. “If we slept. . . tog— well, not together-together, I mean— with each— does that sound worse? I—” you struggled to find the right wording that wouldn’t come off as suggestive. “You don’t have to if you don’t want to,” you added hastily, misunderstanding his bemused expression.

“Little Quill,” he teased you lightly, “you haven’t even gotten the question out.”

Oh. You only felt even more embarrassed. “Do you want to sleep in my room?” you finally managed to blurt out, burying your face in your hands, unable to look at the boy across from you.

Instead of taking offense or making fun of you as you’d expected, Adam seemed to actually consider your offer. “Do you think it would work?”

At his question, you dropped your hands to your lap and shrugged, though your face was still very red. He seemed remarkably unflustered, not that you could tell if he was (damn his beautiful golden skin— wait, what?) “I don’t know,” you mumbled, still refusing to look at him. “I can only sleep if I feel safe, and there’s only one person I ever felt that way with— Mantis. But. . . now I think that includes you, too.”

Adam couldn’t help the bright smile that formed on his face at your words, the thought that you felt safe with him (especially after everything that he’d done to you and your friends) meant more than he could say. The thought that you would willingly be vulnerable in his presence made his stomach feel enjoyably— and inexplicably— nauseous. “I feel safe around you too,” he replied without hesitation. “And. . . I wouldn’t mind trying it.”

--

Not long after, the two of you returned to the room you were renting in the dorm-style building. Since neither you nor Adam had family to speak of (and were also short on funds), you’d both found rooms in a tenant building that had lots of other people, many of whom had lost their homes during the Guardians’ most recent adventures. Luckily you’d gotten a room to yourself, though you had to share basic facilities with everyone else.

“You can sleep in the bed since this was my idea,” you offered. You were still in what you considered your pajamas, so you just had to gather some spare blankets and pillows.

Adam shook his head, against the thought of you making accommodations for him. “I can sleep on the floor. You shouldn’t have to give up your bed.”

“It’s not like I use it much anyway,” you joke, pulling the covers back. “But if you’re seriously against me sleeping on the floor, I guess we could. . . share?”

He seemed not to mind your proposal as he agreed readily, and after taking off his shoes, he made to get in when you spoke again with a confused look on your face. “You. . . sleep in your clothes? No wonder why you can’t get comfortable!”

Adam seemed to not understand your comment. “You sleep in your clothes.”

You laughed a little at his observation. “These are sleep clothes, not everyday clothes. At least take off your jacket,” you reasoned.

But as he did so, you realized why he hadn’t gotten more comfortable: there was nothing except chiseled chest under his clothes. You blushed and tried (but failed) not to stare as he got into bed next to you, admiring the way his muscles flexed with his movement. Luckily he seemed to not notice your attention as he settled next to you. There was a sizeable gap between you two despite the bed not being very big, one that you wished you had the guts to close. (Wait— again, what?)

You wondered how you’d ever get to sleep with all that muscle right behind you (okay, this one you could admit freely), but somehow, in the quiet stillness of your dark room, the safe, peaceful feeling lulled you into the first restful slumber that you’d had since your siblings had left months ago.

--

And if you woke up the next morning, curled up against Adam’s chest with his arm wrapped around you protectively, neither of you bothered to say anything about it.

[stluciabuns]

The Historical Accuracy of Kirsten's Dirndl

Despite its adorableness, I have seen many people complain about Kirsten's Swedish Dirndl outfit.

I would kill a man to have bought this for $22.

She wears this outfit for most of Meet Kirsten, being that she is an impoverished immigrant child who does not own any other clothes, and also for continuity reasons.

Frequently, I have seen it claimed that this outfit is not historically accurate and should not have been included as part of her collection. Conversely, I have also seen many German folk costumes marketed as being made for Kirsten. Both of these pain me a great deal (actually they just annoy me).

Nonetheless, I have decided to further procrastinate doing actual, meaningful work and instead set out on a new mission: figure out what the fuck is up with Kirsten's Dirndl.

In this post, I will lay out the research I have done, the evidence supporting the historical accuracy of this outfit, the challenges to its existence, and ultimately aim to answer the question of whether this outfit is one Kirsten plausibly could have worn on her journey from Sweden to America in 1854.

Let's begin.

First, the name. Pleasant Company/American Girl referred to this outfit as "Kirsten's Swedish Dirndl and Kerchief."

Unfortunately, there is no such thing as a Swedish dirndl. "Dirndl" is a German term, and refers to folk costumes worn by people in German-speaking areas of Europe (the Alps, Bavaria, Austria, and so on).

Kirsten is Swedish, and before Meet Kirsten has never left Sweden before. It is very unlikely she would have acquired, and regularly worn, a German dirndl. See this gorgeous example of a dirndl c. 1840:

Outfit, c. 1840. Munich, Bavaria, Germany. Münchner Stadtmuseum.

This ensemble is beautiful, but tragically, it is not what Kirsten is wearing.

What, then, is Kirsten wearing? What kind of traditional dress does Swedish culture have?

As it turns out, the proper term for what she is wearing is a folkdräkt. This is a Swedish term meaning "folk costume." Here is an illustration depicting multiple examples of Swedish folk costumes. In proper terms, these would be called "Svenska folkdräkter."

Nordisk familjebok (1908), vol. 8, Folkdräkt. Retrieved from runeberg.org.

These outfits are not quite identical to anything we see in Kirsten's collection, but you can observe various elements that have carried over -- the vertical stripes, black woolen skirts with ornate trim, and white dresses and red sashes (hello St. Lucia)!

Let us dive deeper. What do extant Svenska folkdräkter, specially those made c. 1850, look like? Is there anything like Kirsten's outfit among surviving examples?

Johan Sodermark, "Kvinna i dräkt."

In my few hours of research, this example image is the closest thing I have found to Kirsten's dirndl.

This lovely portrait is a watercolor from 1850 painted by Johan Sodermark. It is very creatively titled "Kvinna i dräkt" -- literally, "Woman in costume." The pattern of this woman's apron is incredibly similar to that of the skirt of the Kirsten doll's outfit -- a dark red base with blue and yellow stripes woven throughout.

Here is a closeup from the American Swedish Institute.

Although it is not shown in the doll-sized version of the outfit, the illustrations in Meet Kirsten by Renée Graef show us she also wears a light-colored, striped apron, which is almost surely the one that comes with her meet outfit.

Illustrations from Meet Kirsten, drawn by Renée Graef.

Notice the fabric of the bodice in the third illustration, though: Kirsten's top is made of red plaid fabric, while Sodermark's girl has an outfit full of stripes. Kirsten, bless her heart, spends an entire book outfit-repeating a potential pattern-mixing fail: plaid and two kinds of stripes and a floral scarf. Did Pleasant Rowland just hate her? Is Kirsten on another, elevated fashion plane far beyond my comprehension? Is there a historical basis for this combination of patterns?

I have no answer to the first two questions, but thankfully can speak on the third.

Komplett Vilskedräkt, Västergötlands museum. Some pieces c. 1865.

The top is plaid and laces up, which is not necessarily the most common way of fastening (in most examples, the bodice pins up), but it is a sensible choice considering both Kirsten's age (9) and the fact that Pleasant Company was making toys for little hands.

The model for the outer shell (the lace up top) belonged to Karl Edberg from Hällestad; it is not dated, but at least one piece of this set (the bag, which is not shown) is c. 1865. Additionally, the blouse here is very similar to the one that comes with Kirsten's winter outfit -- look at that keyhole neckline!

So, Kirsten's Dirndl outfit is actually very accurate as far as the clothing itself goes...the name remains the trouble.

I have no idea why they called it a dirndl. Folkdräkt is definitely challenging to pronounce, but why wouldn't PC just translate it as "folk dress" or "Swedish outfit" and call it a day? Why the insistence on referencing a culture that isn't relevant to the doll or her dress at all?

Perhaps this is a mystery to tackle for another day...