#the masculization of luz noceda

[daystarvoyage]

Hey taking in Q&As in the inbox for my next toh video

It’s on the masculation of Luz noceda

THIS IS JUSTICE

Yes this is arts black representation at its finest

It’s going to be discussing topics on how black women are depicted in todays content. The sensitive side of the male audience, being perceived by fans and how we should do better on how to come across harmful narratives, also how it’s taking effect on media.

make sure to inbox me, I’ll put up your questions on the video Friday thanks

(with your name anonymously to answer back.)

NEW VIDEO UP below

[daystarvoyage]

This took the words outta my mouth CLAPS👏💖

Toon in tommorow on my channel where I talk about the masculization of Luz noceda

ON MY NEW VIDEO COMING UP also check on my revamp video I worked on. LIKE COMMENT ANS SUBSCRIBE.

I feel like the owl house fandom takes things way too srsly esp with ships and preferences on characters. idk I love hunter and amity's backstory and I love luz but I'm more interested in hunter and amity's backstory that doesn't make me racist their storylines are more interesting

So this probably won't be what you expected or asked for but I'm grabbing the opportunity anyway to address some of the ways I think TOH falters from a Storytelling perspective and why I think those issues (as well as how young a lot of the fans are, although when I was 11-13 in fandom I was much more chill and "live and let live" so just shows what a decade can do in terms of fan community) unintentionally perpetuate some of what you mention.

Also don't think you're racist for preferring Amity and Hunter (Hunter, Gus, and Luz are my faves) but I do think TOH has some issues with how it handles its characters of colour, so I am going to touch on that. While I'm white. this is reflected on / verbatim from conversations I've had with Black and Asian friends / fans of the show and how racial stuff can tend to play out in fandom (circa 2013 onwards from personal experience of how people have treated fave characters, like Finn from Star Wars, in the past).

That said, I do still like the show. I love the strong found family, everything surrounding Eda and her allegories for mental health are super solid and important, I'm thrilled by the queer rep (I’m queer & watched Korrasami happen live), and I don't think a show has to be perfect or to check off my personal preference to be good. But I do think the show is... an interesting mixed bag for a few key reasons I haven't seen anyone talk about, so here they are.

Under a read more bc this gets long, like, real long, even though there’s only four things on this freaking list, LMAO. For whoever reads it, have fun!

1. The Owl House writes like first impressions don't matter.

This is one of the biggest things in the show that breaks elements of setup + payoff. After all, if your setup is misleading or unaddressed by payoff later, characters and plot lines may come across as stilted. This also ties into other areas (such as screentime) that I'll touch on later.

By far the character who has broken setup the most, though, is Amity. For example, Amity is introduced as someone who has bullied Willow for years, even when no one else is around (i.e. it's not a pure performance), and even though they used to be friends when they were young. Their friendship fall out / Amity distancing herself from Willow is explained by Amity being forced to by her parents, and understandably struggling with how to deal with and explain it as a child.

I haven't seen the last few episodes of S2 (aka I got up to "Hollow Mind") and I was disappointed in S2A when it seemed like this plot element would never be addressed again. So I was very pleased to learn that there is an episode in S2B that talks about their friendship. Except... it doesn't address the bullying. Because yes, Amity tried to protect Willow by distancing herself... but Amity also didn’t need to Bully Willow, like, at all. Not within the confines of the story and not within the landscape of the character; her parents didn’t tell her to be cruel to Willow. She chose to do that. Repeatedly. And that facet of their bond... has never been adequately addressed. It could be, in the future (but I personally doubt it). 

It’s particularly strange, because Luz was 1) canonically bullied in the human realm and 2) perpetually struggled at making friends. It makes sense that she’d be extra against bullies and protective over the friends she does have, and wanting to see real change before bonding with a practical stranger (even if Amity did show a slightly nicer side at the end of “Covention,” it wasn’t an even ratio whatsoever, either of her niceness or Luz’s meanness). But we’ll circle back to this. 

We see this issue of initially bad behaviour being overruled, sometimes retconned, or ignored to the point of being rewritten a few more times in the series. 

The one that ties into Amity’s character are her siblings. In their debut episode, they have plans to share private pages of their little sister’s diary. This is mentioned in another episode as something they’re trying to make up for, but they weren’t there when shit hit the fan at the library, anyway. So we never see 1) why they were going to be so cruel to Amity in the first place (and I have siblings myself, so no, it’s not a sibling thing, or just a sibling thing), 2) what exactly made them change their mind, and 3) this type of behaviour never reappears or is addressed in the show, either. While Luz gets called a bully for it, the twins get off basically scot free. Yes, they’re obviously affected by their mother, too, but there’s never even a whiff or a hint about why they felt the need to humiliate Amity on a public scale besides thinking she was uptight. 

We see this one more time with Darius, which was the most baffling and completely jarred me the first time I watched it. Darius was being cruel and dismissive to Hunter, but warms up when he realizes the kid does have a spine and will stand up for what he believes this. This is not the heart warming moment or message the show seems to think it is. All I heard and saw was an adult going “Oh, this kid is too indoctrinated and abused to be worthwhile until he proves otherwise, I’ll treat him like trash and ignore that I’m exacerbating his symptoms of abuse until then.” And no matter what comes latter, this is a downright weird set up, emotionally. 

I’m not saying that none of these characters can be set up this way, but the introduction and how different they are in all other preceding episodes — or even when information is given to re-contextualize certain things — feels like whiplash. So the setup is a little weird, making pay off either non existent or unnecessary. This stumbling block makes the emotional continuity feel disjointed too, in some aspects. The way this affects emotional continuity can best be seen in Gus, Willow, and Luz’s friendship — but again, more that later.

As for set up and pay off, it can lead to missed opportunities, namely: why the hell was Amity Lilith’s protege in Convention? Again, not saying the show is bad or this is a bad writing choice, but it’s a weird one. I remember watching that episode, seeing Amity be introduced as Lilith’s pseudo apprentice, and being excited. It meant Lilith-Eda, Luz-Amity, and possibly the two menor-mentee relationships could all be developed simultaneously! It’d be interesting to see the parallels and differences.

At the very least, it would give a personal stake to Amity and Luz’s possible developing bond, with Lilith at the very least going to disapprove, and give Amity and Luz a chance to compete against each other and to see that progression.

Then it was never addressed again. And it wasn’t set up as a “one day thing” either. It seems that Lilith possibly tutored Amity for months, maybe even years, for Amity to be considered her “strongest protege” (exact line). So we miss out on that possible, episodic but still connected plot line (especially because after Convention, we never see Amity caring a whole lot about actual school, even though that as her whole thing in her intro and second episode). Then, even when Amity and Lilith are back on the same side (imagine how interesting exploring that fracturing could’ve been!) they... never interact, never mention, and never act like they know each other.

They’re two characters with the same theme and similar arcs split down the middle, have an interesting setup, and it goes.... Nowhere.

Because first impressions don’t matter in the show, which is particularly weird, as typically 1) what you set up in the very beginning of the show is what you want the audience to be invested in, and 2) the audience is going to / has to pay more attention in the beginning of a show because they’re actively trying to learn the rules of the world and character dynamics / personalities. 

And it’s not the only time TOH does this, so let’s talk about

2. Screentime, Race, and Chosen Diaspora

Specifically that Gus and Willow barely get any, and how this ties into race. So I’ve touched on this before in an article I wrote on Vocal where I share meta-adjacent stuff that doesn’t fit my tumblr vibe, so if for some reason this is your thing, they may be other stuff you enjoy on there, whatever. I’m not gonna repeat myself too much here, but basically: 

The majority of the Owl House cast is white, particularly when it comes to who matters in the plot. Eda, Lilith, and their family are all white. Hooty and King exist in what we’re going to call an aracial space, as they don’t have race and aren’t coded as any particular thing, either; just tried and true demons. Hunter is white; Belos is white. Gus and Willow are regulated to background characters and most of the time when Willow is being developed as a character (“Understanding Willow,” “Any Sport in a Storm”) it’s typically also used to further a white character’s growth of... learning to treat her better? Gus fares a bit better, but gets less screentime. 

So not only is Luz the only primary character of colour, she’s largely cut off in forming meaningful relationships with other characters of colour, and having those bonds highlighted and given strong screen time (as thus far in S2, every time Gus and Willow have gotten significant screentime, it’s been largely removed from Luz, with her often doing something else with Amity). Remember when “Star Wars: Rogue One” came out, and there were discussions being had of “a lone woman only having meaningful relationships with men and no other women”? 

[ Side note: as for the first point, I’m not going to say things I love, like TDP, don’t fall into the “woman surrounded by men” trope for its two main female leads, as Rayla is friends with the boys and was raised by her dads, and Claudia’s primary relationships are also with other men. However, I believe this is mitigated with plot lines like Ellis and Lujanne in S1, as well as Janai-Amaya-Khessa in S2 and particularly in S3, and I think this will only continue to grow moving forward into S4 and beyond ] 

At the same time as Rogue One, there were conversations regarding the films status of “people of colour purely as the supporting cast but never as the primary lead”? TOH meets in as a weird hybrid in the middle, with a person of colour as the main lead, but largely surrounded by white people — and this is the case for most characters in the show.

Raine’s main relationship is with Eda. Darius is in the rebellion with them, but his only meaningful relationship on screen in any way is really with Hunter and the past golden guards. Gus and Willow are mostly side characters. We basically never see their families/parents (and know far more about the Blights / Edric and Emira in every way. Gus and Willow ultimately don’t get the time with Luz for me to call their relationship meaningful. This is especially strange, given that often times kids who are bullied (like all three of them are) cling harder to the friends they do have, and that while S1 was better about making Gus and Willow be extremely important to Luz as her First Friends Ever, S2 has dropped the ball even more so. 

Luz is like an island, ironically on the Isles and cut off from her cultural community and from other characters of colour even when they do exist in her new community.  So that’s talk about that in full. 

Now, there is Luz, who is the primary protagonist (honestly, you could argue Eda is her co-protagonist) and she’s lovely and I love her. However, more than once, Luz’s plot line for an episode is a B plot or less plot relevant compared to other characters (particularly Eda). I touched on this in my Vocal article, but Luz is living in diaspora in the Boiling Isles. Yes, the demon realm suits her much better than Earth largely did, but I would still love to see elements of her culture in ways other than her / her family’s name and her occasionally speaking Spanish. What about holidays, what about missing her mother’s cooking and the cultural connotations it holds? 

The show does engage with aspects of the Isekkai genre that are sometimes overlooked, namely Luz being torn between two worlds (and given that she’s mixed, it’s not like the allegory isn’t already there), but it only goes halfway. It only shows Luz wanting to be in the Boiling Isles with none of the possibilities about cultural shock, assimilation, and other aspects that can play into immigrating countries — or realms. I’m not saying the the show not engaging with Luz’s diaspora is a bad thing, but it does feel like a missed opportunity (as most of this is) particularly since they do try to engage with her on a cultural level with her speaking Spanish and writing her as purposefully Afro-Latina and from the Dominican Republic. 

But honestly, basically everything I’ve talked about already — occasionally misleading set up w/ a lack of follow through, screentime (both considering and not considering its racial elements) — are all compounded into my biggest issue with the show, however, which are its 

3. Disengaged stakes

So while I love Luz, I mostly love her for her personality and sweet hearted nature. I don’t actually love her that much for how she drives the plot forward — even though she does, and even though she’s the protagonist. And this is largely because Luz — and many of the characters — exist in a limbo of what I’m going to call Disengaged Stakes. Basically, they have stakes, but due to a lack of set up, or pay off in regards to emotional continuity (never mind a lack of consistency, i.e. sometimes Eda needs to hide, sometimes she can be flashy in public with zero consequences, sometimes getting caught by guards matters when the story decides it needs a conflict, and sometimes it doesn’t etc) it’s hard to actually be invested in those stakes. At least for me. 

For most of S2, this meant I wasn’t really invested in Luz’s efforts to get a portal to see her mom (although this improved when we actually got a singular episode with Camila). It’s clear Luz isn’t going to live full time, if at all, in going back to the human realm. I also wasn’t worried for Camila, as she hasn’t been fearing for Luz this whole time, instead believing things are perfectly fine if not better than they were before. 

Let me give you an example, and this was actually pointed out in a youtube review of the S2 finale that helped me put my finger on why it... felt weird as a finale (again, even though I haven’t fully watched it yet, but I have watched the bulk of it). 

The four kids are stranded in the human realm, but what does that actually mean, for most of them? For Luz, this carries a lot of weight. She’s spent all season trying to find a way home to see her mother, but is now there under awful circumstances with no way back to the place she actually wants to be. It will also offer Camilla the perfect opportunity to see why the Boiling Isles and her family there is so important to Luz.

But what does this mean for the other three kids? Shockingly little. Like I’ve touched on before, we know nothing about Gus and Willow’s families. Yes, I’m sad they’re separated from them, but I’m sad because generally, kids being separated from their parents is sad. I’m not invested in their specific relationship (same issue I had with Rogue One and Jyn’s relationship with her father, as well). All Luz actually wants, in her core, is to stay in the Boiling Isles. Amity’s relationship with her father is on the mend and her siblings are there for her, but Luz is still clearly the most important person in the world to her, and they’re not separated. Hunter has absolutely nothing back for him in the Boiling Isles, largely, and he’s actually as safe as he can be from Belos’ machinations in the human realm. 

So you have four kids tossed into the human realm, and it only really matters for one of them. 

This is amplified in their relationships. Willow and Gus rarely have anything beyond interpersonal stakes; Amity had her mother, but now her father has turned over a new leaf, there are no interpersonal stakes any longer for her family (and she radically stood up to her mother very early on in S2 as well). She and Luz have had no problems in their relationship besides very brief miscommunication and Amity’s mother. Amity has hardly any stakes outside of Luz. The characters who are dealing with very high stakes, such as Raine, are largely shuttered away outside of the story — or Hunter. 

Dear lord, Hunter. Which, now that we’ve gotten here, let’s talk about what I think could have aided in remedying a lot of these issues

4. Merging

Now I know TOH had to jump through a lot of executive hoops (including the existence and plot relevance of Hexside particularly in S1) so I don’t know what sort of orders came down, or mandates they have to follow but:

TOH has too many characters, and plenty of them could have been condensed as pairs into half as many characters.

I know this, because I went through a similar process of originally having a central group of thirteen characters, and cleaved that shit down to seven. So what are my proposed mergings?

The twins become one character. They more or less are now, fulfil the same purposes and character points as one another (flesh out Amity’s family, tease her and be a listening ear, show their mother’s control, operate as illusionists, etc). Whether it’s brother or sister doesn’t really matter.

Gus and Willow become one character. I would say keep more of Willow’s backstory (w/ Amity), dads, and plant magic alight, as the merged-twin character could substitute as the group illusionist whenever need be. It means that instead of only having splintered individual episodes with Luz or for their development, the small collection would be bolstered and improved marginally. It still wouldn’t fix where screentime or set up fails them, but it would be a significant start. I adore Gus, he’s one of my favourites in the whole show — but he’s less plot relevant than Willow, who is already largely not plot relevant (at least, not outside Hunter’s arc in S2) and we gotta be economical somewhere.

Economical storytelling is when a character, scene, or plot beat is doing at least three things at once, largely — and right now Gus is doing the least, as much as I love my boy, with Willow right next to him. Thus, there we go.

Now for the big, perhaps flat out unpopular one:

Hunter and Amity should’ve been one character. Like the twins, and even Amity and Lilith, they’re largely one theme split down the middle. The show draws intentional parallels between their world views, callousness, and need to be the best due to their abusive families, their strong relationships / connections to Luz, who works to friendship and who are changed by her kindness. There are also less thematic but still overt parallels, like their artificial wands, opposing palismans (bird vs cat), travelling into mindscapes where they uncover secrets. Hell, they both even have a reformed father figure who works with the Abominable coven with a shittier parent who believes in their own superiority at any cost. 

Say Golden Guard Amity is enrolled in Hexside — she has to be trained somewhere — and throughout the season we hear her refer to her uncle, who raised her. He just wants the best for her, and for her to be a worthy member of the Emperor’s coven! It’s only at the end of S1 we learn that Amity’s uncle is Belos, and that her growing bond with Luz may be tested in the future. Then, in S2, she has to make a choice between her familial loyalty, ideological defection, and Luz and her friends (who will have more time to be friends, because there are less characters running around). You can even keep the condensed twin as a surrogate sibling mentor — perhaps one of Belos’ more successful grimwalkers, or flat out not a clone at all.

This merger gives Luz and Amity real stakes in their relationship, a higher sense of drama amid the sweet fluffiness, gives more characters more screentime... And amplifies everything that already exists in Amity’s arc. Yes, seeing a quieter form of child abuse from Odalia is worthwhile, particularly for abused children — but as of S2 she’s basically gone full bad guy and has already done so before in early S2, as her abomaton nearly kills Luz in “Escaping Expulsion” so... moot point? Sorta? Is what I’m saying. 

It would also, for the love of god, give Amity a solidified reason to dye her hair after she finds out she’s a grimwalker. She wants to reassert her own identity, she wants to be different than her successors while also honouring their good nature, etc etc. Imagine “Hollow Mind” but with Amity in Hunter’s place, and all the weight that would hold for each of them, and for Hunter’s character, now condensed into Amity’s. Also stronger parallels of Belos’ clones becoming less like his brother (because Amity is a girl) over time and with parallels of the implied plot line, of Belos killing his brother because Caleb fell in love with a witch, and it’s happening again, this time just with Luz and Amity, directly.

Basically the only things that would have to change would be a little of S1′s pacing, some of S2′s Blight parent related episodes (so largely two until the finale, which again, Darius or the condensed twin could easily substitute)oOr, to come full circle, you could have Lilith also play a factor, the way she did in Amity’s arc in the beginning. This would provide a greater sense that characters actually had lives and connections and little ship passing in the night moments before Luz showed up, and they would all feel more like!! REAL PEOPLE!!

The only thing that would possibly, likely have to go is Willow’s history with Amity.But given that the show has never really addressed the bullying, perhaps that backstory element would be better left dropped, in general. Amity can be a jerky bully without specifically bullying Luz’s friend for like, 4-6 years beforehand, y’know.

Anyway I will never not believe in the validity of what I call TOH Merger and how it would strengthen basically almost every single aspect of the show, take it or leave it. 

Conclusion / Nitpicks

Other notes before we wrap up.

I got bored with just how many episodes relied on the “Character A doesn’t want to fess up to something bc they’re insecure, scared, or trying to look Cool, but inevitably lie and make things ten times worse, and then learn it’s important to be honest” in S1 (hi King, Luz, Willow, and Gus eps respectively). 

Amity’s laser character focus on Luz stifles her relationships with both Willow and Gus (as it is more or less non existent outside of a few lines or group scenes); all of Amity’s character growth is largely because of her relationship with Luz, but the same cannot be said for Luz, leaving their relationship lopsided. This is particularly true for me (and is a total personal Aro-spec induced nitpick) and is all the more glaringly obvious considering they barely had one episode where the two were on friendly / friend-ish terms before crush feelings on Amity’s side came in. This makes me feel less invested in their relationship as a whole, as while it’s exceedingly cute, it feels like it’s based on nothing but Crush™ Feelings and that will also be less compelling to me than a strong Foundational Friendship that develops into a crush. I don’t mind that development happening fast, but this was a little too fast in my book. 

Final disclaimer: Still like the show, still think it’s good, these are just some of the reasons I don’t think it’s Great. The lack of a Merger will haunt me. Thank you goodnight

[daystarvoyage]

Hey hoping y’all get the chance to see my video essay on luz noceda May be my last one if I feel like fighting toxicity and reading the show to filth.

The masculization of luz noceda it’s a reference to this the lauryn hill album

ANWAY NEW THUMBNAIL

TIMESTAMPS

INTRO & CULTURE REP 2:50 MASCULINIZATION of BLACK WOMEN 8:41 Fashion features feminism 17:48

VIDEO GAMEs how it sees women Geek incel how poc & CONCLUSION 27:06

[daystarvoyage]

Hi! I read somewhere about someone not liking Luz's ending since she "didn't grow as a person" at the end of the owl house. They said that she only became more depressed or traumatized but she's still the same cheerful and helpful girl like in the first episode of season 1. Do you agree?

Hello Hope you have a great day from the brown sugar queen, I know it’s late by the time you get this so ima clear a lot,

time for the tea.

Now i have all the love and heart for my girl Luz Noceda but lemme me tell you her personality made me look at how she was handled gave me a SIDE-EYE besides that,

Yes, i agree on this, definitely,

I felt That the crew wanted to do so much with the show but felt they had no idea writing Luz, however they too had there drawbacks, Yes I LOVE LUZS CHARACTER AND SHE IS SELFLESS A GOOD FRIEND (even if it’s the wrong person) Loyal, and cheerful. How we get moments that

Luz's character can be bastardized!

i feel fans try to view her as this bubbly girl boss, we know and love, however we overlook her flaws cause of discourse. she’s this impressionable, unruly, explosive girl with self imaging issues & unresolved grief, that effected her lifestyle.

I truly do depict her as a girl failure which ill get to a list of reasons, I’ll be getting into

EDITED its Masculization

heres a term masculinization comes to her character writing, style-wise, cause this word has been used throughout the animation to the point it’s a trope.

Now let’s get down to reasons why, she gets to the way she is.

Luz wants to do so much for others, that she hasn't practiced learning about self-love and acceptance, it all backtracks in her past of her deceased father & trying to relate to earth kids with opposite interests that can be harmful.

I felt they truly had fun time to an extent how they can push her in a negative direction, (this goes for hunter which I’ll do a post/video soon.)

how they wanted her to be more of an edge lord along the series run, (and the proper writing of the show didn’t help.)

Heck to the point in season 3, she never interacted with anyone on earth in her school, which is concerning, cause that can lead to self-harm or failed relationships, also known people as kikimora or talking to her other friends in season 3 coulda gave her a wake up call.

ALSO CAN WE BRING UP LYING TO HER LOVE ONES OUT OF NO WHERE! Season 1

DRAGGING THEM THROUGH MORTAL PERIL IN SEASON 2!

AND NO NEURODIVERAGENCE DOESNT EXCUSE BAD BEHAVIOR OR BLACK FEATURES BEING MINIMIZED.

2.They should've let a POC (person of color) write Luz cause of how she turned out Personality-wise throughout the series, which I rewatched, along critic videos and yes even in season 3 they decided to make her some shonen wannabe edge lord,(A wannabe Pokemon Goh But more emo.)

Luz's is flawed, as a character & written wise, felt the show didn’t know how to write for POC, cause fans who are another ethnicity might view this, and say oh, where portrayed as this etc, but without our black features or even how where portrayed in society in social norms.

Yes I did a post on her fashion & wardrobe and how it affects a character, boy they got my girl looking a hobo at times. ( and the good so called hair symbolism could’ve made Luz even better.)

ALSO (I may be ranting but hope ya listen)

Hated how they tried to Mary Sue her at certain episodes when she's faced with problems or issues that can affect everyone in dire times, for example,

her willingness to learn magic, which she can be impressionable and wanting Praise for the wrong reasons, but To be loved I Understand.

She is a person wanting acceptance and tolerance ( which that whole wanting to be understood season 3 dialogue could've been for season 1), just to be liked by a new world, would have fleshed out her character more, and given the viewers and her friends reasoning why she does staggering things.

also when she wanted to get to learn magic from her sensei, Knowing Eda knew how unpredictable & reckless at times luz can be, but Eda has her issues. throughout 4 episodes I think its been dragged out she has done stupid things to put others in harm's way even OWLBERT.

3.she can act nonchalant & ambivalent in dire situations, (to the point her friends should've Gotten angry with her actions, GUS AND WILLOW PERIOD) But don't worry all that's being glazed with the Mary Sue trope, discourse, & her being submissive to amity,

which she can take many stabbings and hits for a cause you know all is well with a Good ship. INSERT SARCASM

tragically i do feel she ended up a girl failure, But they Try hard at girl bossing her up, cause she was put in situations where she didn't have dire punishments and consequences. plus excepting a power she had no choice accepting at the season finale,

Comment below for more, about how Luz should be improved or the fact the series could've written her better.

Hopes this answers all your questions, have a great starlight day. glad we can unlock the topic with a key, & sip some tea.

A VIDEO I DID DOWN BELOW FOR MORE ON LUZ.

[daystarvoyage]

no lies detected down with toxicity in fandoms

How to overcome your racism in the Owl House Fandom

How to overcome your racism in the Owl House Fandom

How to overcome your racism in the Owl House Fandom

Hi! I’m white–I mean, I’m Pyro, and today we’re going to be going over your unrealized racism in the Owl House fandom! This post is for those of you who have seen the other posts about racism and rejected them. I’m here to use my privilege and explain, as a white person, how you can become less racist while still having fun in the fandom!

If you haven’t seen the previous posts about racism, I urge you to look at this. This is very well-worded with a shit ton of good evidence and the author is a fucking genius. 

However, I understand that some of you aren’t emotionally ready to hear from a POC, so I’m going to go into the psychology of how you ended up doing racist things, how you can overcome that, and why it’s better for you to overcome it! 

As you read, keep in mind: if you have any questions that you’re afraid to ask, or you know that asking a POC would traumatize them, use this comment section! I’ll answer all your questions with as little sarcasm as I can muster up.

With that being said, let’s get started!

Main characters

Ok, bear with me, because I promise I have a point here.

Meet my OC, Jessica Wright! She’s this complete nerd. Like, she writes fanfic, makes fan art, and is full of bad puns. I’m planning on starting the story where Jessica is at this complete shithole of a school, where everyone’s mean to her and makes fun of people who write fanfic. You know, your average American school. Jessica also lives with her parents, who are morally grey. It’s cool because they’re not abusive, but they’re not saints either, and there’s a lot to explore. Anyways, Jessica goes to this boarding school, where people are a lot nicer to her. She actually meets two people who support her no matter what, and this one girl who has the same hyperfixation as her. Did I mention she’s ADHD? Also she talks like she’s from Tumblr.

How many of those traits did you relate to?

Be honest. How many of those can you dig into? How many of you have morally grey parents, where you know they love you, but can’t entirely figure out how? How many of you talk like you’re on Tumblr? How many of you make fan art or fanfics? How many of you went to a shitty high school? How many of you have ADHD?

Now what if I were to tell you that that’s Luz?

Yep. Jessica Wright has the exact same character traits as Luz. Only difference is, I gave her a white name.

So if you relate to so much of Luz, then why did you kin Amity?

Wait, no, I actually have an answer for this. Look, I know you’re not overtly racist. And you’re confused why people are saying you are, when you aren’t.

So I ask you this. When you saw Luz, was this your thought process?

Wow! Luz is Afro-Latina? Black and Latina and bisexual? That’s such a good step for the Black and Latine communities! I hope they enjoy their character. Now, I gotta find a white character to relate to, because Luz isn’t mine.

I can see where you would get that thought process from. Hell, I’ve thought that. But imagine how much more freeing it would be to think this:

Luz is Afro-Latina and bisexual and adhd? AND she acts just like me? AND she gets to fight capitalist dictators and learn magic and have witch girls crush on her and live with a super cool witch and demon and palisman and furby tapeworm? That is so cool! Maybe I can make art about doing cool stuff like that, too!

The thing is, you have a bit of protagonist bias working against you. You can’t relate to Luz, because you’re not cool like Luz! You haven’t fought dictators or learned magic–

And in that, you miss the point. Luz is meant to be like you. Luz is meant to prove that you can do cool things like that, too! You might not take down a dictator or live out a found family trope. But you sure as hell can make fan art about it!

Look, I know you don’t mean to be racist. This is an implicit bias. It’s one you don’t even realize you have. But lemme tell you, seeing stuff from Luz’s point of view is so freeing. Trust me.

Wait, but I’m white. Am I even allowed to relate to a POC?

Let’s flip it. POC relate to white people all the time. For most of television history, that was all they saw. Even now, you have POC relating to Amity’s struggles, Eda’s sarcasm, Lilith’s fear of her past…. so how come you can’t relate to what POC do?

Look, that’s half of the point of representation. Part of what representation does is validate minorities’ feelings that they can be a cool protagonist, too. But another part of it is to prove to white people that POC can be just like them. While TV shouldn’t have to prove that…it’s trying to do that, and you’re resisting. I’m telling you right now that you don’t have to do that. 

Also, that’s kinda one of the lessons of the series. If you’re watching this and you’re not in awe of what POC like Luz can do, then what are you even doing?

But wait? If I appreciate Luz, does that mean lose Amity?

Hell no! Take it from me, one of the Analysis Blogs of the fandom: Luz and Amity are so incredibly similar. They have the same motives. Their personalities are set up so that one is meant to heal the other.

So appreciating Luz will not make you appreciate Amity less. It’ll actually make you appreciate her more! Because now you’ll get to see how Luz and Amity tie together. Not only that, but you can see how Luz and Eda interact, how Luz and King interact, how their interactions tie together with others! 

The amazing thing about the human mind is that it can entertain a vast amount of characters. You can love Luz and Amity and Eda and King and everyone else! You’re capable of it, I promise.

Wait, but I draw Luz all the time, in my Lumity fan art!

A noble endeavor, I’m sure. But whose point of view are you in?

Let me explain. I had fan art planned for a fanfic where Amity kisses Luz and Luz fades away (If you know what that’s from, may I offer you a tissue?). Then I tried to switch my POV so I was thinking from Luz’s mind. What I found? I was using Luz as a placeholder, a reactionary character to Amity.

Which is actually really common in beginning storytelling. Let’s say you want Luz and Amity to kiss, and you want to show that Luz is starting to show signs of a crush. If you’re new to writing, you might have Amity be super flirty one moment, a nervous mess the next. Meanwhile, Luz reacts to all of those, either how her character would react, or how you would react (those can be hard to separate when you’re new to writing). 

The problem is the astronomical amount of fanfics and fan artists who set Amity as the main character, Luz as the reaction character.

Look, I understood the initial appeal of writing Amity. Amity is written like she’s the main character of a much more common archetype, and we only see snapshots of it. It makes sense to want to explore that.

But the fandom has gone a bit too far. It’s incredibly rare to see fan art from Luz’s point of view. Same goes for fanfics. People enter the fandom thinking Amity is the main character, in increasing amounts, because content creators paint her as such.

Fortunately, it’s not too late to change that! All you have to do is think, what would Luz do? How would Luz react to situations like this?

Now, I’m not saying all your art has to be Luz-centric. But it’s so much cooler to try to make more of it. Trust me, I know. 

Okay so I get the whole Luz thing, like Luz is the main character. But what about my main hoe, Boscha? Do I really have to unstan her for Willow?

I think the first question to ask is, why is Boscha your main hoe?

I mean, let’s look at this. Boscha is a bully. She is the type of person to cause long-term emotional damage to people. She has no redeeming qualities. She has had no more than 8 minutes of screen time throughout the series. She has spent the time tormenting the POC main characters.

First off, if you want to stan a bully, look no further than Amity! She was a bully until she was given redemption. She is white, if that’s what you’re looking for. She even has a ship with the main character. 

Second, why do you find yourself drawn to the person whose sole purpose is to torment the POC main characters? Why do you draw her in a relationship with one such POC? 

I’ll let that sink in for a moment.

Now, before you reject that with a “no way! I’m not racist!”–it’s not entirely your fault. The thing with living on a planet with racism is that you have this shit drilled into your brain when you’re younger. You have to work long and hard to stop thinking this way. 

So yeah, you might’ve been driven to the person who bullied POC because you’ve seen that so many times before. You probably didn’t realize that beforehand. But that’s fine, because you’re realizing it now. 

Now, is Boscha still an interesting character? Of course. But like, she’s not that interesting that she should be a main character in every other fan art. 

So we get it, Boscha’s mean. But what about the pure angst of Lilith? You can’t possibly expect me to give her up!

No. And I don’t expect you to give her up. But as I’ve said before, you can add to your appreciations of characters. Yeah, Lilith is an interesting villain at the very beginning of her redemption arc, and some of your art is really touching. But you know what else is touching? Stuff with Luz and Eda. Seeing Luz’s reactions to that. Luz has a whole lot of trauma caused by Lilith’s actions, and you guys are really digging into Lilith’s hurt only. 

Ok, so Boscha and Lilith can be toned back a little. But what about my Karen and Chad, Odalia and Alador?

Hey! Question. Why are you so attached to the fandom’s abusers?

This one is actually disgusting. I’ve seen you painting Alador as a victim to Odalia’s iron fist. I’ve seen you thirsting over Alador. I’ve seen you drawing their backstory like it’s something beautiful. I’ve seen you thirsting over them. Drawing them into family portraits with Amity.

Now, the exploration of Amity’s abuse is good sometimes. It’s heartbreaking, in the best way. 

But this whole thing where you love the abusers? Okay first off, Alador is an enabler at best, an abuser at worst. He is not a good person, so stop thirsting over him. That’s just fucked up.

Second, why did you see these white, abusive parents, and think hey, I’m going to love these characters and draw the hell out of them!

Why are you drawing them more than Camilia? More than Eda, for that matter? Why are you so obsessed with the white parents of three white children?

Two things. Either you’re an abuse victim and you want to create something familiar to you. Or, you’re unintentionally racist!

Let’s put it this way. There are people painting Camilia as abusive. Camilia, possibly the first parent of a protagonist to be morally grey! Most animation has parents that are either all good or all bad. But Camilia and Luz are both creating this conflict together, and have to work hard to end it. It’s rare, it’s amazing, and it should be familiar to a whole lot of you.

So why are you saying Camilia’s abusive?! She’s not! She sent her kid to a camp because she had the same exact motive as Luz: to make Luz happy. She just didn’t have the best methods.

Alador and Odalia, on the other hand: their motive is to hurt their kids. They’re villains. The fact that you’re willing to excuse them but condemn Camilia? That’s the gross type of racism. I hope you distance yourself from that as soon as possible, because I would be embarrassed to still be thinking that after seeing this post.

But the white characters are more interesting!

Hoo boy, I’ve seen this one a lot. There are two main reasons why you end up thinking this.

First: Amity and Eda are much more fleshed out than the other characters. They have so much screen time, so we have a lot more to base them off of.

Second: Lilith, Boscha, Edric, Emira, Viney, Jerbo, Alador, and Odalia are much less fleshed out than the other characters. They have so little screen time, so we have more flexibility and can modify their personalities more.

A lot of people think those at the same time. Can you spot the problem?

Those are actually contradictory. Either they have more screen time and you have stuff to base them off of, or they have less screen time and you treat them as OCs. Which is fine…except you can do the same thing for the other characters!

If you’re looking for a lot of development: Luz is the main character. If you’re looking for stuff to do with her, just watch literally any episode. She’s in every one. Because, you know, she’s the main character.

Beyond that, Willow is fighting a nasty battle against depression. All you depressed people, let’s see some of that projection! Furthermore, Gus has that whole age-discrimination thing, which anyone who has ever been a freshman in high school can relate to. Not to mention that Gus and Willow are part of a revolution, and Gus’s dad is the press for the regime that Gus and Willow and Luz are fighting against. 

Okay, but what if you want background characters to project on? Well, you have Mattholomule, who’s just like Boscha except he’s easier to overthrow (and hey, you could ship Matt and Boscha instead of Willow and Boscha, ending the whole abuser X victim trope). You have Camilia, with all of her complexity. If you’re looking for a bully that you can project on, Skara has like no development. And hell, you guys ship Emira and Viney, who never met. For POC romance, you guys can go crazy.

Wait a minute! That list of characters has way more white people than POC.

Yeah, that’s true. If you check out this analysis, though, you’ll find statistics that are not proportional to the characters. And don’t forget that the main character is POC. If anything, POC should be disproportionately overrepresented, since they’re about half of the main human/witch cast.

Finally, please don’t let this white person’s post overshadow the POC posts that I’ve been snagging information from! I wrote this as a response to some shitty comments on this post, and I’m pretty sure there’s stuff like this on Tumblr, too.

And don’t forget: you have been poisoned by racism. It’s what happens when you live in a racist society. But you can work towards healing.

If you have any questions, stupid or not, then drop a comment asking me! I’ll try my very best to be polite about it, and understand that you guys have probably never had any POC friends or whatever.

If you read this and you’re POC: don’t check the comments. I’m prompting for people’s dumb questions and you guys do not deserve more trauma. I’ll answer the dumb questions so you don’t have to be spokespeople for this. Furthermore, a lot of my wording was much more racist than my actual opinions. I did that solely to appeal to white people who are still racist in spite of seeing all these other posts.