#the lore is insane and I love it
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doctor-peggy · 11 months ago
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I almost forgot!!! Happy marmot day to everyone except this poor guy who does not seem to be enjoying himself. America, your gods are strange and interesting.
Also last year I wrote a poem about him while I was in a depressive haze and it ended up submitting it to a magazine so I did not post it. But! This year I will. Because it’s very silly and I’m proud of it for this reason. Not that I have an audience but I mean you know that’s not the point of tumblr anyhow.
Marmot; A short love letter to Phil
I wonder what he’s thinking when
They lift him up so high
You worship him, your god of spring
He’s just a little guy
He truly is just. A little guy. Thank you to my friend for reminding me that today is Groundhog Day.
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lokimobius · 16 days ago
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LOKI S01E02 “The Variant”
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caiabresebun · 1 year ago
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miles morales, spiderman 🌻
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emiruu-u · 6 months ago
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Posting my art for @nanadeyo 's DTIYS on here as well cause I'm really proud of it
LOVE IT WHEN MY FAVORITE GREEN MAN ASCENDS TO GODHOOD
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cas-theghostking · 3 months ago
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Bug wife and programing husband
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egophiliac · 1 year ago
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"IT WAS SUPPOSED TO BE A JOKE" As someone who's been playing TWST since march and stopped going out of my way to be spoilerfree after I got stuck at Overblott!Jamil? That's honestly been one of my favorite things about it - seeing something in fanart or a comment you think is just fans joking, only for it to be canon. "The economy!", "May I also throw a tantrum?", Malleus' gargoyle thing, and... everything about Rook being my top examples.
there's a whole bit in Trey's platinum birthday card where he goes on about how he became increasingly obsessed with mustard for like a week straight until the other students held an intervention. how are you supposed to talk about this. how can you bring up something like Trey's descent into mustard obsession to the point that the other characters are worried for him without it sounding like the most obvious lolrandom "he mentioned it once and now fandom acts like he puts mustard in everything" joke. also, how can I slip this into every Twst post from now on, because I need everyone in the world to know that this is a real canon fact about Trey "I'm just an average normal guy (who sticks my hands into people's mouths and owns 20 toothbrushes and used to eat flowers off the side of the road)" Clover.
for bonus points, 1) the punchline is that he still doesn't even like mustard that much, 2) he's saying all of this to Leona, and 3) Leona is actually kind of invested in Trey's mustard story for some reason, which is the most unbelievable part of all of this to be honest. (then Trey gets distracted by a painting of the Cheshire Cat and Leona takes the opportunity to powerwalk away to freedom before they can start talking about dijon versus spicy brown or whatever and extend this bit even longer)
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gothicwill · 11 months ago
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Do you ever think about how the guy who crawls out of the horse before that infamous hannigram scene is the voice of Mickey Mouse
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rui-drawsbox · 3 months ago
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my muse
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blueskittlesart · 4 months ago
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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juaneloriginal · 9 months ago
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This is the story of a woman named Mariella
TW: BLOOD AND MISSING ARMS
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aaaand a couple doodls
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ignorance is bliss
@blackkatdraws
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br1ghtestlight · 1 month ago
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“A charming name that children would give. A for Alliteration. Big smiles, little life experience. Don’t quite know what a frown looks like. Or a tree. Or, well… grass. Dreams of magic portals. Haunted mansions. Pranks that’ll knock you clear to another planet! Smart kids. Real smart kids. Some shameful mistakes along the way, though. Immature, tasteless errors. [...] But they’ve been getting better and better…”
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dustykneed · 9 months ago
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Picture this; Bones holding Joanna, rocking her to sleep and the part in Beautiful Boy where it’s like “The monster's gone, He's on the run, And your daddy's here” is playing. :,)
Fatherhood gives you certain... skills. Coincidentally, this is also how Jim finds out that Bones sings.
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:'))
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skyblueartt · 8 months ago
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Random aaa Afton doodles cuz I like drawing this weird family (featuring my take on Will before he went craaazayyyy AND two weirdly encouraging doodles of the guy I did for ppl. I DONT CONDONE HIS CRINGEFAIL ACTIONS)
Will probs color the first two pics :) ignore the random pen scribble on the first one oops lol
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toastyyjams · 2 years ago
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buddies
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alfreedomm · 4 months ago
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Wriothesley's lore and his relationship to Neuvillette and justice is so interesting to me because let's be real: the justice system failed him. He was brought up in a foster home where he was intended to be sold in the black market. And when he ran away, why was his solution to return and kill them? Why not inform the police? One can argue he was afraid but usually you'd try every other option before resorting to murder, yes?
And when he succeeds in killing them. He's sentenced to prison, where he is forced to spend the rest of his teen years (so, a child), and the start of his adulthood. And when his sentence is over, he doesn't even leave but take over the title of warden. He literally takes over the title of warden the day his sentence is over. That is severely fucked, like so severely fucked.
So it makes me wonder where was Neuvillette and Furina in all of this? Furina left the room in the middle of Wriothesley's trial for unspecified reasons (Wriothesley interpreted it as she found his case uninteresting, though headcanons say otherwise) and despite everyone in the room finding Wriothesley innocent, Neuvillette still finds him guilty. And you can't argue that it's cause Wriothesley wanted to be found guilty, like objectively let's look at this: he was a victim of abuse killing his abusers in self-defense. Is Neuvillette that obtuse?
I wanna know what Wriothesley thought of Neuvillette in that moment. I really feel like it needs to be addressed that Neuvillette failed Wriothesley and others like him. He is the second highest authority in Fontaine, yet the only thing he could do for Wriothesley when he was homeless as a child was allow a melusine to offer him soup? That's it? Did knowing that there's starving, homeless kids on the street spark no other interest? No implications of Fontaine's society and their quality of life?
I refuse to believe that Neuvillette let the melusine give him soup because it was Wriothesley, because that would mean he was aware of his background and did nothing. He did nothing until it was too late and Wriothesley had to take matters into his own hands. I personally see it as, he lets melusines offer help to those in need, which isn't better, but is better than him actively knowing that Wriothesley was homeless, starving, and running away from an abusive home and did nothing but allowed him one meal one night. Nevermind any other nights Wriothesley could've been starving. Nevermind what he had to endure on the streets as a child, scouring for money and safety. He couldn't offer him anywhere to stay or a job or something that can better Wriothesley's quality of life in the longterm -- he is the Iudex. He has the power to do so.
I still think that Neuvillette cares. But I also think he's extremely ignorant. And I don't fault Wriothesley for believing that Neuvillette wasn't concerned about him -- I think he has every right to think so cause Neuvillette failed him when he needed him most and has not shown him a reason to think otherwise. Every instance of Neuvillette's care is never directly shown to Wriothesley but to everyone else around him.
Anyways, I just find it really sad to think about, and I think Wriothesley deserved better for his own story and I wish the narrative didn't gloss over it like "oh but Neuvillette does care" because does he? Emotionally, maybe, but did Neuvillette make any real positive difference to Wriothesley's life?
…So that's why I think the headcanon that Neuvillette personally made the soup that the melusine gave to Wriothesley isn't as sweet as you think it is.
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drinkabletoxicdishsoap · 15 days ago
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who is this DIVA 💜
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