#the knight and the emperor

[bogkeep]

ok so i think that my favourite fantasy subgenre is The Inherent Tragedy Of Being Born Into Royalty. which mostly means that i like to read about gay princes but with some nuance

[banj0possum]

OK HEAR ME OUT HEAR ME O-

Yandere knight thats all stoic and stuff but is very open about loving royal!reader

Like this bitch will scold you for leaving his side for 5 minutes, you need to stay near him! Not wander around carelessly!

Hes brutal and ruthless but you bring out that spark of kindness in him

Yan CEO is back on the table, either secretary darling who he denies all feelings for even though he shows a l o t of favoritism towards them or rival ceo darling who he wants to hate but THEYRE SOooOO hOt!!!

Yan emperor and concubine reader? Idk whether i should make him utterly bratty an whiny or zesty✨ like its either “please please please marry me i promise ill give you anything you want plea-“ or the embodiment of the word tease

Yan villain OH MY GOD HES SO SKBDWBJDSNJSB BUT LIKE idk if i want the reader to be a villain as well or a superhero

OHMYGOD ALSO yandere gang x reader where darling finds themself somehow saving a gang of thugs and they instantly fall for them and want to make them their boss, they are on their hands and knees to serve you! You can rule half of the city with them!! Theyre kinda dumb but theyre very very sweet

Also thinking of making a multi yan fic with a neko reader just because <3

[erisv7]

— The Female Lead In a Yandere Harem Game

The Imperial Chronicle

Issue 157 | Year of the Tiger, 12th Moon Cycle

SCANDAL IN THE PALACE: THE EMPEROR BRINGS DISGRACE WITH A CONCUBINE

The lady glanced over the scandalous news once more. Her lips curling into a wry smile. Despite the insult of her husband's betrayal, she maintained indifferent. She carried herself with dignity, as if the scandal is unworthy of her concern.

"So, you're the concubine he picked."

The empress's voice was smooth, almost sweet. As she lounged back in her seat. With deliberate ease, she pressed the heel of her jeweled slipper onto the concubine's shoulder. A mockery of affection that carried the weight of her disdain.

[Name] knelt frozen, her mind racing. How had it come to this? She had never sought the Emperor's attention, nor wished to be dragged into the chaos of court life. Yet here she was, the plaything of power, caught in a game she had no hand in starting.

The empress tilted her head, a cruel smile playing on her lips. "I suppose even a pawn can be amusing." She mused, pressing down slightly harder. [Name] remained silent, her shame swallowed by a quiet resignation. It wasn’t defiance. Only the hollow understanding that her fate had never truly been her own.

"Do you know why he took you as a concubine?" The empress drawled, her voice dripping with mockery. She leaned closer, her piercing gaze slicing through [Name]'s composure. "It wasn’t for your charm, your wit, or even your beauty. No, it was for me."

[Name]’s breath caught, her confusion plain. The empress’s lips curled into a cruel smile as she continued.

"He chose you because I instructed him to. A quiet girl from an unremarkable family. I have no taste for men. Their arrogance, their fumbling desires. I find it all... distasteful. Women, though," She said, her fingers lightly brushing [Name]’s cheek. "Women are art. And you, my dear, are here because I wanted you."

[Name]’s mind reeled. She hadn’t chosen this life, hadn’t asked for any of it. Now she realized she wasn’t even the Emperor’s plaything. She was the empress’s pawn.

The empress reached out, tracing a cold finger along [Name]’s jaw. "How does it feel, knowing your purpose was never yours to decide?" She whispered, her tone held cruelty and amusement. [Name] lowered her eyes, swallowing her bitterness. What could she say? This, too, was out of her hands.

"Prove your worth," the empress commanded, her voice low and smooth. Yet laced with a threat. She turned on her heel, not waiting for an answer. "To my bedchamber."

[Name] followed in silence, her footsteps heavy with resignation. The gilded doors closed behind them, sealing her fate yet again.

Later, the empress stepped out into the cool night. The air fragrant with blooming jasmine. She walked slowly through the palace gardens, her demeanor serene. Yet her mind sharp with satisfaction. The night was hers, her control absolute.

Meanwhile, [Name] lay on the silken sheets. Staring blankly at the ornate ceiling. Her thoughts spiraled into absurdity as she tried to make sense of her life.

She was the protagonist of a game. The female lead, ensnared in a world where everyone’s desires revolved around her. Pulling her into their obsessions.

She stared at her reflection in the polished bronze mirror. Searching for the girl she used to be. Instead, she saw the character they had cast her as. An object of obsession in a game she never chose to play.

[Name]’s mind wandered through the faces of those who seemed hopelessly drawn to her. Their obsessions suffocating and relentless. Each one brought with them a peculiar brand of madness that tightened the web around her.

The Emperor

Beneath his regal demeanor was a possessive man who saw [Name] as the perfect jewel in his collection. His love was stifling, expressed through gilded cages and lavish displays. He watched her every move, ordering his spies to report on her daily activities. If she so much as smiled at another man, that person would vanish. His existence erased by the Emperor’s silent wrath.

The Empress

Her obsession was colder, sharper, like the edge of a blade. The empress viewed [Name] as her personal possession. A treasure she refused to share. She would isolate her, ensuring no one else could bask in her light. The empress's punishments were subtle but devastating: restricting [Name]’s movements, destroying her friendships, and whispering poison into her ears to make her doubt herself.

The Knight

The palace knight. Stoic and loyal, was consumed by a feral devotion. He would cut down anyone he perceived as a threat, his blade swift and merciless. His obsession bordered on worship, and he viewed himself as her eternal protector. Yet his protection came at a cost, her freedom. He would lock her away if it meant keeping her safe, even if she begged for release.

The Wizard

The court wizard was a man of intellect. But his love for [Name] turned his brilliance into something terrifying. He would weave enchantments to bind her to him. Spells that made her dreams twist with his image. His obsession was suffocating. His love an experiment. If she resisted, he would create illusions to isolate her from reality, ensuring she saw no one but him.

The Maid

The sweet, doting maid hid a darkness behind her kind smile. She adored [Name] with a devotion that bordered on madness. She sabotaged any attempt [Name] made to grow close to others. Spilling secrets and spreading rumors. Her yandere tendencies were quiet but insidious: poisoned tea for rivals, missing letters, and stolen moments where she would cling to [Name] as if her life depended on it.

Each of them was a piece of a puzzle [Name] had never asked to solve. Their affections weren’t love. They were chains, binding her tighter with every gesture, every whispered promise, and every desperate act. She was the center of their twisted universe, and there was no escape.

~~

INTRODUCTION : WIZARD

[transcriptasareversa]

[unhelpfultarot]

The Emperor and Knight of Wands

Unfortunately, this e-mail has found you.

[toffee32]

Emperor of Mankind fixing Verticorda's Ares Lictor upon his arrival on Mars, miniature icon on cogitator chip.

[justarandomart]

bonus:

they are just the same

[sepublic]

Dana Terrace Q&A at Weebcon 2025!!!

            Since I don’t see anyone else posting it (despite not being the only person recording, I noticed at least two others), I may as well show my recording of the Dana Terrace Q&A from Weebcon 2025! I actually got to ask Dana a question myself, more on that a bit; But as for the rundown:

            If she was transported to the Boiling Isles, the person to teach her magic would of course be Eda; Dana sheepishly hesitated as she said it because it was so obvious, but at the same time what other answer would there be, besides maybe Bump??? She joked that Eda would probably get her killed, but still!

            Out of the voice cast, Wendie Malick as Eda really stuck out to Dana, being a professional who knew exactly what to do, and a pretty well-known one at that; It was Dana’s first time as a showrunner so she was inexperienced in guiding the VAs, but Wendie helped encourage Dana to offer her input.

            If asked what track she’d be in, Dana acknowledged her self-insert and acknowledged they were an Oracle, and also Beastkeeping, though noted it’d been two years, so she had trouble remembering; Indeed, IIRC she said in a Post-Hoot after the finale that her self-insert was supposed to be in Construction? Or maybe I’m just making that connection because back during the 2020 Reddit AMA, Dana brought up Construction due to being a more artsy coven.

            Dana was excited how she, JBO, and Zach now had the opportunity to do all of the grosser, tense, emotionally intense things they wanted to do with The Owl House in Knights of Guinevere. KoG was actually developed towards the end of TOH’s run, in fact; During Dana’s freetime, she’d keep herself from going insane by working on this project, and eventually pitched it to her fellow head writers, who helped Dana develop the idea further. Eventually they pitched KoG to Glitch a year later. Dana described it as “messy” and “experimental” but also “fun.”

            I find this revelation interesting, because given how long production in animation takes, it always amazed me how quickly Dana was able to get another show running, after TOH ended! So learning it was technically in the works since before TOH ended fits things nicely into a timeline here; Dana didn’t simply take a surprisingly short showrunning hiatus and then come up with this, it was being formulated as TOH was wrapping up!

            No surprise, Disney and Glitch are “Night and day” in their treatment of artists and showrunners, with Dana mentioning she feels taken care of by Glitch, treated nicely.

            If Dana had the opportunity to voice one of her characters, she said –if she was suddenly good at voice acting- King, due to his “explosive range” while mentioning a KoG character who has yet to debut.

            Pitching a show is starting an idea, working on it from months to year; TOH only took a couple months before Dana pitched it to Disney, because she needed to do this, to try and see if it got any traction. She brought it a room of 2-3 people who pretended to be interested, because they’d heard a bunch of other pitches that day, so when Dana stood out, it felt nice. It takes three months for executives to decide if they want to move forward on it, and then another 3-6 months, etc.

            Dana got be involved with the voice actors as much as she wanted to and could, with seasons 1-2, she was there for almost every performance. With S2B and S3, Dana could trust Eden Riegel to direct in her place as she was more involved with writing at the time. Dana was mostly involved in writing, in figuring out the scripts and working with the weird curveballs Disney threw them; Some solutions were successful, others not as much. There were many limitations in S1.

            Every performance of Hooty by Alex in the booth was hilarious; He’d often start riffing in Hooty’s voice and going a full minute longer than his actual two lines to say. They were able to use a couple of Hooty lines, but most were unused.

            This was the part where us fans were invited to line up and ask questions!!!

            If Dana could change one thing about the show (other than the cancellation) she admitted to wanting to rewrite Once Upon a Swap LMAAAAOOOOOOOOO-

            To come up with the concept of TOH’s universe, Dana started off with the initial concept that she disliked a lot of fantasy novels and stories. So when she created, it came from a place of cynicism and negativity (not always great, in her words), and she liked to challenge herself to take something she disliked and found frustrating, and figure out a version of it she could love. So Dana turned this fantasy world into something more gruesome, scary. She put a horror spin, gave everything teeth and claws; Make it fun for her!

            Five years ago, the character Dana related to the most was Luz because of plenty of her stories, esp in regard to her father’s death at a young age and not fitting in. But now that Dana’s thirty-four, she relates to Eda a lot; She finds herself becoming more isolated and against the world. At some point she might start wearing solely red dresses.

            When creating the concept of the Collector, Dana’s thought process was wanting to create someone very ethereal and childish, and had this thought of a child flying through space, who never understood death, and liked to create chaos and destruction in his wake. She doesn’t really know why. The thought process and the galactic aesthetic of someone like that was very interesting to Dana; The Collector ended up being one of her favorite characters.

            (I find this info very vindicating, as I’ve seen people speculate that the Collector not knowing of death was a contradictory retcon done in S3 to make them more sympathetic; No, that was always the idea, since the very beginning! Since they rewrote the Collector prior to S2B, mind you; Before that, Dana confirmed during her Gallery Nucleus that they originally had a different personality and direction as seen in 2A, which is likely why that depiction was made into a separate character, an Archivist. But by Elsewhere and Elsewhen, a Collector oblivious to death was always the goal. We’re getting Ship of Theseus here about characters during the development process.)

            Onto my question!!! I asked about the Watching and Dreaming storyboard in which Odalia would’ve been there alongside the Hexsquad, watching the horizon after Belos’ defeat, and how Rebecca Bozza confirmed there was a cut confrontation between Camila and Odalia in the Archives.

            Dana mused that if Camila ever met Odalia, it probably wouldn’t be a pretty situation; There’d be a lot of glares. But there’s no canonical confrontation, so Dana could only pretend that Camila would’ve smacked her.

            I think Dana may have misheard my question? And/or she didn’t recall what they had planned for the finale (I was too shy to clarify, press her about it); It makes me wonder if the idea had been too shortlived, and the writers juggling so much (in addition to Dana handling KoG, as we’ve just discovered), that it’s since slipped her mind after two years. This does make me wonder if it was, in some part, a fluke by the storyboard artist; After all, Clouds on the Horizon had storyboards in which Amity wore the portal key necklace while confronting her mother within the Abomaton bubble.

            Of all the TOH scenes Dana wrote, her favorite was the whole third act of King’s Tide; She co-wrote it with Zach Marcus. Dana handled a lot of how it paced out, the way the dialogue came out. Sometimes Dana writes a script and it’s the most painful, struggling experience for her; So difficult to perfect and get out, requiring a thousand changes. But for King’s Tide, there it was! And she’s very proud of it. Dana has a hard time looking back at the show, because it’s like an old sketchbook for her; She’s always wishing she could’ve done something better. But King’s Tide is one of the few episodes she can say she nailed that one.

            (God I feel that. Personal aside, I think something a lot of writers take for granted is their ability to always look back and edit and revise at their own leisure, even after posting, whenever they want, until the end of time. But writers for shows don’t exactly get that luxury, especially when a script needs to be finalized so animation and everything else, its own beast, can follow suit. Can’t easily update a script –esp at the last second- without demanding the rest follow!)

            Two questions about KoG; What was the moment when Dana worked with Glitch that made her realize the difference between it and Disney? Dana was very cautious going into Glitch, and as she told some there, that she was going in like a stray cat who didn’t trust anyone, like she was left out in the cold. But slowly, over the course of the year, Dana realized Glitch actually treated their artists with respect; If someone says something isn’t working and offers another way, Glitch actually listens and changes! Wild! They’re a company (she’d rather say “group of people”) that seem very determined to learn and grow and make sure everyone’s doing right. Glitch is a far cry from Disney.

            The other question was what was the process of Glitch doing 2D animation for KoG instead of its usual 3D; Did Dana have to convince them, or were they open from the start? Dana thought Glitch was always excited to do 2D, and one of the things she was able to offer was her experience in doing a 2D show and how production for it would look. It was an arrangement that worked out for everyone, where Dana got to create her own pipeline for the show which has been working very well this far. There’s no odd restrictions from Glitch’s management, it’s been very nice.

            In regards to cosplays she’d like to see of her characters, or which stood out to her, Dana once saw a 7-foot tall (before the horns!!!) Belos cosplay that was size-accurate via giant platform boots underneath the cloak; It was awesome. Dana always loves seeing King costumes because they’re essentially giant furry suits, but she speculates it’s also why she doesn’t see many of them, because furry suits can be very intense to make. But Dana was very excited to see any KoG cosplays in the future.

            This part intrigued me, because the day prior, a fan dressed as the princess from KoG had shown up to meet Dana Terrace and I’d come across them, exchanged info, and clarified that the schedule for Dana had updated since it was announced back near the end of February; At first she was going to be there for all three days of Weebcon, but could only be there for two (On her Bluesky account, she did allude to some trouble occurring to her that Friday, which may have been the reason for this change). I’d reassured the cosplayer they hadn’t missed Dana or done anything wrong…

            And lo and behold, the person who asked the question had also met this cosplayer, and brought it up to Dana! Dana was excited and wished she could’ve seen, and asked for anyone with a photo of the cosplay to tag her on Twitter or any other social media.

            What Dana listens to when doing art is True Crime podcasts, which sucked her in during the pandemic. Other than that, she listens to classical music, as it fires certain neurons within her brain that get her very focused; She has a hard time watching anything when drawing. Sometimes Dana goes into psycho mode, pure silence; Earplugs in, nothing but the beat of her own heart, and pure focus. Locked-in, takes a certain insane mood for sure.

            A fellow Raine cosplayer asked Dana what she was most excited for in regard to KoG, and she said Episode 4!!! There’s lots of stuff Dana and co. are planning; Obviously the pilot’s not finished right now, but the things they’re thinking about are very exciting and she’s excited for everyone to see the character designs and stunning animation. Dana lamented that if she kept going, she’d end up saying something she wasn’t supposed to. She’s so quiet posting online, because otherwise she’d just be posting KoG and inevitably slip up. Overall, she’s excited.

            If Dana got to do Owl House with no restrictions, Dana absolutely would’ve leaned more into the horror theme; She initially pitched it as PG-13 and leaning more into horror, though this doesn’t mean they would’ve taken away any of the heart or sweetness between the characters (Which I’ve suspected and really appreciate to hear; Always good to have the heart beneath it all). All this means is that the intense scenes would’ve been more intense, and the tension between characters more intense.

            Overall the art direction might’ve been grittier; But during development, executives kept suggesting the crew round out the characters to make them more appealing, and at some point Dana was frustrated because her personal art style has a lot of straight lines. She would’ve liked to have leaned more into horror and the original vision, BUT she’s still very happy with how it came out.

            Someone I met and talked to earlier about Isabelle Rosalini’s role in the show, and the enormity of the feat, also brought it up again with their question about whether there was a TOH design where Dana had a specific actor in mind to play them.

            The interviewer, at that point, had the perfect segue to bring in none other than Zeno Robinson himself, who I’d just found out was going to be at Weebcon the first day I attended, and even got a signed print from him! I’d wondered if he was going to be there at Dana’s QnA and forgot to ask him about it, but of course he was. There was no way he wasn’t going to be.

            Going back to the question, Dana decided she’d want everyone to be voiced by Zeno. But in all seriousness, Dana said she wasn’t allowed to answer that question.

            If Dana hadn’t made TOH through Disney, was there a specific plotline she wanted in the show that couldn’t be added or was axed because of “the rat”? Dana would’ve loved to explore the Bat Queen’s arc (talk about good timing with the prior question mentioning Rosalini, which Dana acknowledged) and had a whole thing planned, it was going to be very sweet and somber. Dana loves drawing the Bat Queen. But when they had to cut down plotlines, BQ unfortunately had to be cut.

            Dana’s reaction to the internet’s reaction to various TOH developments wasn’t a specific one; Her stomach was always in a knot whenever an episode dropped, and she and some of the crew would watch the comment section on the sides of livestreams. It was always stressful, even if overwhelmingly positive; Zeno could relate.

           Zeno mentioned how when an artist gives so much of themselves, the art is never finished in their eyes; They could’ve always done this, or added this thing. (“It was like 90% there” Dana concurred). It’s the most presentable version within the time constraint they’re given, but sometimes it’s never like that 100% finished product one wished they had, so it’s tough as an artist to look at something objectively because you just don’t get why everyone likes it. Zeno sometimes re-listens to his Hunter audition, which Dana found so good, and wonder how he got cast. Dana clarified it was the part where Zeno freaked out.

            (Can I say how much we take for granted as fans that we can always, at our leisure, go back to update and improve our own works? Or take as long as we need to create the best version of something, without any deadlines to meet?)

            If there was a full S3, Dana confirmed to Zeno he would’ve voiced every single hypothetical Grimwalker, and that they would’ve alluded more to Darius’ mentor, talked about it more plainly for sure. Dana joked about doing it in a S4, but also clarified that would never be in the cards… Supplementary materials on the other hand!!!

           Zeno mentioned wanting to see an exploration into the past of Hunter and the prior Golden Guards, and their connection to Caleb and Belos; Like a single graphic novel, Dana concurred, as there’s so many storylines in TOH that would make awesome TOH one-shot comics. She joked to Zeno about it being time to pitch spin-offs, with Zeno replying it’s been enough time.

            When coming up with the magic system for TOH and how it contributed to the characters, and what her inspirations were, Dana explained it all stemmed from the basic idea that Luz herself can’t do it; Everyone else around her can do it so easily, with a literal flick of their wrist. Luz has to work extra-hard in drawing the complicated designs each time and remembering them, learning how to combine them in different ways, and the worst part, finding them in the first place, which Luz didn’t even know she had to do at first.

            So it might not have been the most elegant place to begin building a magic system, in Dana’s words (if she could go back and redo it, she’d have some better solutions to some walls they ran into), but for her any kind of system, be it worldbuilding or magic, has to start with how it affects the main character, why it affects the main character, what’s the purpose of the system in the first place.

            In regard to the (leaked!!!!) pitch bible, which Dana was chill about, there are a lot of things she wished she’d kept from it; The main thing she learned as a first-time showrunner was that she needed to stick to her gut more. She had to trust her instincts more, because if she didn’t like what she’s doing or the suggestions being made, then she’s going to have a miserable time for the next four years.

            One of the changes Dana did like was Lilith going from Hexside’s principal to head of the Emperor’s Coven; Being a principal just wasn’t as exciting as being behind enemy lines. Plus we got to see her fall from grace, which was really funny for Dana (same here for me). It’s tough; One needs to learn to stick to what they love, but also learn not to be precious(?) at the same time, because new and better ideas come all the time, and one needs to learn to let go of old things to embrace the new and cool things. At the same time! You need to learn how to see what’s unnecessary, and stick to an older idea; It’s a balance.

            (I feel this one a lot with GEverse.)

            Dana can’t clarify on how many KoG episodes there will be, just that the pilot is in production.

           Dana has taken inspiration from artists such as Tatsuyuki Tanaka, who she’d murder to draw like; She was just looking at some of his works before arriving to Weebcon. Hieronymous Bosch was a huge inspiration for TOH, though she doesn’t necessarily want to draw like him; She still derives from him. She loves Naoki Urasawa, and Dana and Zeno love his Pluto, which makes Dana cry everytime she reads it; She admires Urasawa so much as an artist and storyteller. He’s one of her top favorites ever.

           What’s the deal with Hooty and the Titan? It was a symbiotic relationship. Worms are a type of parasite.

            Dana would’ve loved to put a scene in S3 (it was one of her original ideas for it!) building off of how Belos tried to manipulate Luz in King’s Tide on the basis of her being human like him and so he’s trying to “help” her; She wanted to make that moment so much more longer and manipulative by setting a scene in an autumnal forest, where the leaves are falling, it’s quiet and serene and creepy, and Luz and Belos are speaking about their experiences with death.

            With Luz it was her father Manny, with Belos it’s his brother Caleb; Obviously, it’s very different circumstances, with Luz pointing out her father died. Belos killed Caleb. Them having a very intense conversation was something Dana always wanted to do, and she’s so sad she never got to do it.

            (To go on a tangent, I find this fascinating for obvious reasons, and I think the writers managed to somewhat adapt the concept into the final episode? There’s the parallels in Belos bringing up their similarities as “witch hunters” in order to gaslight Luz, as well as his Woe Is Me schtick about Caleb, only for Luz to shut it down with the very blatant point that Belos murdered Caleb, he brought that entire situation upon himself!

           In general, the parallels still manage to speak for themselves, so you can feel them shadow that canon callout by Luz. So even if the exact idea didn’t go through, I think the spirit of the contrast between these two deaths that motivate Hero and Villain in opposite ways, because of opposite roles they played, culminates in Luz having every right to call out Belos’ hypocrisy, as the theme of Death asserts itself before the Collector learns later on.)

            If TOH was given a PG-13 rating and Dana could insert one F-bomb, she deliberated on either Hooty or Eda saying it; It would take her so long to figure out where in the show. Perhaps if Hooty met Belos, he’d say it there.

            The final question: How much does an actor know about a character when coming into an audition, and how long have they known that information prior to the audition? According to Zeno, usually there’s a description and a bit of what the character is about, maybe there’s a bit on their arc. Sometimes productions are incredibly detailed, or just detailed enough. Sometimes he gets a basic idea of a character’s trajectory, their traits and inspirations, other times it’s just the main personality traits and what they like; You usually know what you need to know, and not much more than that.

            For example, Zeno didn’t know Hunter’s real name when he auditioned; He was just the Golden Guard, with Dana explaining they were being very cagey about his name, not sure of how much they could put out about him. Zeno saw his face and five lines, but one can infer things from lines; It can provide more insight into personality than the description itself.

           All in all, it's surreal to not only be in one of these Q&As, but to have recorded it myself, rewatch my own recording as I transcribe, summarize, and analyze as I normally do, and even get to ask a question myself! It was difficult figuring out which question to ask, though it appears some got away with two, but alas I was shy about appearing greedy. I suppose I overthought it, and in the end everyone who lined up got to say theirs! I guess one could say I didn't actually get my question answered after all; But if I get the fortune of another chance, I'll try something different, both as a question and potentially a drawing request! If fate deems it so.

[teem-boo]

.•｡ﾟ MEMORY 彡 INTIMACY  ﾟ｡•.

Day #6 and #7 of @theemperorweek !!!

THIS TOOK ME SO LONG 💀 sorry I'm this late I bit more than i could chew. First time doing a proper comic like this.

Some silly stuff from the process below ▾▾▾

idk when ill be able to do another comic like this. gotta find a way to do em but not accidentally make it as detailed as this 😭

[illustratus]

Louis IV, Holy Roman Emperor by Anton Hoffmann

[kumratart]

Hyperion, The Emperor's Gift

[burakku-jakku]

Osamu Tezuka year of the dragon greeting card (1976)

Happy new year!

(x)

[bogkeep]

new OC that came to me in a vision... she's from the same setting as prince larkspur and dor!

- her name is elka, she's a mercenary Or Something. traveller with a sword, happy to sleep in a hay loft

- she/her pronouns exclusively preferred, but will respond to anything with a shrug as long as it's not malicious

- used to be a nice, polite, pretty prince with good posture. enjoyed none of that

- either aroace or not particularly interested in pursuing intimate relationships, the distinction doesn't matter. likes to keep her friendships fleeting and cool - either because she never stays in one place for long, or to keep her past secret, who's to say

- extremely carefree vibe, but watch out!! she's actually pretty good with the sword and a dozen other types of weaponry

[a-dauntless-daffodil]

Chaggie AU where Vaggie is a member of a holy order devoted to slaying monsters. As part of her becoming a holy knight, she must commune with an Angel to be granted their divine power... only something goes wrong with the ritual, and the being that appears before her is none other than the Princess of Hell.

Lute: “Gay?! She’s supposed to be HOLY!”

Adam: “Yeah, hot.”

Lute: “…let. Me. See. That. SuMMOnINg sCRiPTuRE.”

Adam: “Sure thing dude. Here.”

Lute: “This isn’t a holy rite, this is… WRITINGS OF SAPPHO!”

Adam: "Heh, heathen and homoerotic. WLWhoops?"

-

Charlie: “You should really be more careful next time!"

Vaggie: "Uh."

Charlie: "Lot’s of other demons would be thrilled to get yanked into the mortal world without a circle of binding to hold them- especially by someone as cute as you-

Vaggie: "Excuse me?"

Charlie: "And when I say thrilled, I mean in the blood and guts and screaming kinda way, NOT just in the 'can feel hellfire in my cheeks' kinda way. Safe summoning is important!!”

Vaggie: “Why’re you drawing the circle in yourself, then. With your… claws.”

Charlie: “Because you didn’t?” (dusts fire off her hands) “Anyway you should be good now, ask me anything!”

Vaggie: “You’re seriously not taking advantage of being summoned but not bound?"

Charlie: "I'm taking advantage of the view!"

Charlie: (beat)

Charlie: "Of the, mortal world, I am enjoying the pretty scenery."

Vaggie: "It's dark."

Charlie: "I'm enjoying the beautiful knight. Night. Night without a 'K'. Not knight like YOU'RE a knight, not that you aren't beautiful-"

Vaggie: "I'm. What."

Charlie: "The one who should be talking now! Not me. I think I've done enough talking for now. I think I'm good on having said stuff recently. I think I should be quiet for a bit."

Vaggie: (gay) (not immune to adorable ladies) "WHY are you here. You're not, what I expected."

Charlie: “I'm not the usual demon- As hell princess I get first dibs on all summons! After dad anyway.”

Vaggie: (of COURSE she's a princess) “Why answer this one.”

Charlie: “You’re missing an eye? It looks painful?"

Vaggie: "...so?

Charlie: "?? I thought maybe you wanted help with that.”

Vaggie: "It's a penance. You can't help with it."

Charlie: "oh."

Vaggie: “...That’s it? You're not here for anything else?”

Charlie: “….”

Charlie: “You um. You look very cool in that armor.” (cringes) “Awesome.” (cringes more)

Vaggie: “Are you a siren or a succubus or something.”

Charlie: “What!? No! No I’m just, I just think girls are hot! Cool! You look great!! …girls all look great, and you’re a girl, and you…”

Vaggie: “…”

Vaggie: “Do you need any demons slayed?”

Charlie: “Ahaa, no.”

Vaggie: “Holy quests completed?”

Charlie: “No?”

Vaggie: “Are you gonna eat me.”

Charlie: “N-not on the first date- I- OH YOU MEAN ACTUALLY-? No no no! I don’t, I’m, I don’t eat souls. Or people.”

Vaggie: “So what’s the catch here. The price.”

Charlie: “Nothing. I just wanted to help.”

Charlie: “Okay and maaaaybe have a nice conversation for once. Kinda short on them in hell.”

Vaggie: “… is there ANYTHING I can help you with?”

Charlie: “Well I just broke up with-”

Vaggie: “I’ll kill them.”

Charlie: “-and I could really use a date for the ball, I mean! No killing needed!! Dad isn’t going again, mom’s um, busy. And it’ll be a lot less awkward if I already have a dance partner, you know?”

Vaggie: “You want me to find you a dance partner.”

Charlie: “Oh no I, I was hoping- do YOU dance?”

Vaggie: "Me."

Charlie: "If you want to?"

Vaggie: “You’re asking me to go to hell.”

Charlie: “Shit. Right, dumb idea. It’s my home but, yeah. It’s not like anyone enjoys being here.”

Vaggie: (fuck she's cute) (fuck she's SAD)

Vaggie: “No one does? What about you?”

Charlie: “I… just wish the people would be nicer. A place is the people who live there, right?”

Vaggie: “…”

Vaggie: “I’ll come.”

Charlie: “You wha?”

Vaggie: “I’ll come to the dance.”

Charlie: "But- hell! Why-"

Vaggie: "Hell’s a better place than I thought."

Charlie: "You've never even BEEN here!"

Vaggie: "I've met you."

Charlie: ".... I'm not... the usual demon."

Vaggie: "I'll take my chances. I'll need to borrow a dress though. All I have up here is, armor."

Charlie: "I can, I can change that. A dress. N- no problem."

Vaggie: "It's a deal then." (holds out hand) "A dance for a dress?"

Charlie: (takes her hand and shakes it eagerly while bowing) "ITS A DATE!"

Vaggie: (chuckles) "Yeah, I guess that's a better word for it."

Charlie: "And I PROMISE when we dance I WON'T trample your toes with my hooves!"

Vaggie: "... should I just keep the sabatons on?"

Charlie: "I promise to find you a dress that goes good with your armored shoes so your toes don't get trampled on."

Vaggie: "We're gonna be quite the pair, aren't we."

Charlie: "Heheh~"

-

Lute: "WHAT HAPPENED WHY WAS THERE FIRE AND BRIMSTONE INSTEAD OF HOLY LIGHT WHY WERE YOU COMMUNING WITH A FIEND SO LONG IS IT DEAD DID YOU KILL IT???"

Vaggie: "Does taking her heart count?"

Adam: "Whoooo VaGEEE! Totally FUCKED that demon huh!!"

Vaggie: "Mm, not totally sir."

Vaggie: (smiling) (softly to herself) "Not on the first date."

[667jaja]

The best fictional characters of all time! (2/3)

Another’s coming.

If someone tells me a pairing of these characters I might draw them.

[izunias-meme-hole]

Emperor Belos Appreciation Post