#the issue I had here is how do you end it because like this all happens so quick. it's not like there's time for the police to get there.

[parfaitblogs]

hard times ❀ s. reid x reader

in which spencer reid doesn’t follow through one time, and you really hate that he has a psychology degree.

pairing: spencer reid x fem!reader genre: hurt/comfort tags: daddy issues. shoutout to the girls with inconsistent fathers this ones for you. established relationship. readers mentioned wearing makeup, a dress and heels. rational bf!spencer reid fuck i would hate a profiler bf. word count: 1.8k a/n: not a trauma dump fic not a vent fic do not read into this fic at all don't even start to speculate on my life and where these emotions came from they're all fake made up not real make pretend. no photos no aesthetics just me, a tumblr account, and a dream for this baddie.

In all your months of dating Spencer Reid, he had never forgotten anything. Not a date, not a work event. Or, at least, he's never forgotten to call. Even when you had been so busy one week you could barely spare him more than a ten minute phone call a day, he remembered what was going on in your life enough to be there for you. 

A false blanket of security draped over your relationship, is what it is now. 

A blanket he seemingly had no trouble ripping off you a random Friday evening, throwing it in a fire and watching it — and your trust in him — burn into dust. 

Perhaps a tad dramatic for what was happening, but you were always one for theatrics when it came to your emotions. Usually, he welcomed it. He was (abashedly) similar, after all.

Not that he was even here to welcome it. 

You'd looked pretty. You'd felt pretty. Past tense, for your shoes were strewn somewhere across the floor after throwing them in frustration, and your makeup was ruined after unwelcome tears had streamed down your face an hour ago. You had been ready for a dinner date you and Spencer had scheduled in only three days ago — penciled in, for you never knew what his work schedule was going to end up being.

You're not sure how long you sat in that one spot on the couch, mind going through every single possible scenario that could've happened between the text he sent you that morning saying he was excited to go out tonight, and the lack of his appearance this evening. 

The logical conclusion is that he got too busy, and he forgot. But Spencer Reid's whole thing is that he doesn't forget. Oftentimes he considers it a curse. You never really agreed with him. Until now, it seemed. 

The less than logical, emotionally driven conclusion, is that he actively chose to stay at work to avoid coming home because he didn't want to see you. Or he didn't actually want to go to dinner, and he didn't know how to tell you. Or his team offered to go out and he'd rather hang out with them instead of you. 

Really, the reasons are endless, and any rational conclusion was lost on you. Mind swallowing you whole as you continued to stare off into space, visibly shaking and head beginning to pound from the crying.

A glance at the clock told you it was near midnight by the time you heard the door handle rattle and twist open, tired, puffy eyes blinking to adjust to the light filtering in from the apartment hallway. 

"Hey. Why're you out here? It's late. I thought you'd already be in bed," Spencer rambles absentmindedly, voice so disconnected from you it only made the ache in your chest worse. As he flicks the light on and assesses the state of the apartment, he asks, "What're your shoes doing on the floor?"

You blink a few times. Was he pretending to be dumb on purpose? 

You stand on cramped legs, stretching them for the first time since you'd sat unknowingly on the couch nearly six hours ago, dress bunching around your waist. You didn't bother to fix it. 

Like a switch, he clicks, his bag sliding off his shoulder and falling to the floor with a thud, realisation settling into his features. 

"Our date. Oh, God, I'm so sorry, angel."

"Yeah. I'm sure," you croak, voice hoarse as you pick up your shoes pathetically in front of him, the heels clacking together as you walk towards your bedroom door. 

He calls your name, and after you make no effort to return to him, you hear his feet against the wooden flooring, carrying himself to you.

You're in the ensuite, beginning to take makeup off you probably should've removed four hours ago. It was stupid hope you held on to, anyways. 

"You're upset. I know. It was awful of me to forget our date," he stands in the doorway, staring at you through the mirror. Even indirectly, you can't make eye contact with him. 

"You forgot," you repeat back to him, almost dumbfounded. "You forgot?"

"Forgot isn't... the best word," his fingers dig into his eyes for a split second, and you watch him think. "I got caught up at work. We had a case, then we didn't have a case, then we did, so we started looking into it, and time just... escaped. From all of us."

"Time just escaped."

Your parroting wasn't doing much to further the conversation, and you watch as Spencer averts his gaze to the floor to take a deep breath, before his eyes land back on you again.

"It isn't the best reason, I know. But it's the truth," he says. 

"Uh-huh," you mumble, discarding your cotton pads stained with your makeup into the trash. 

"Can you stop being evasive?" he catches your wrist before you can return to the sink. "Talk to me."

"What do you want me to say?" you ask, almost earnestly. "It's okay that you forgot, Spencer. I won't take it personally at all, and things between us are just dandy!"

"I want to know what you're actually feeling," he replies, voice flat with his irritation, before he forces himself to soften it. "I can't reassure you if all I know is that you're angry."

"Hurt. Forgotten. Disregarded. Disliked. Irritated we're doing this in our fucking bathroom."

At that, he leads you into the bedroom, turning the ensuite light off. "Forgotten and disregarded are synonyms, so I'm assuming that's what you feel the most."

"You're the psyche expert," you mumble, bitterly.

"I'm not trying to be your psyche expert," he quips, and your heart sinks. "Why're you feeling forgotten?"

You stare at him, dumbfounded, for a beat. "Because my boyfriend quite literally forgot about me?"

"I didn't forget about you—"

"—No, you're right. You just forgot about the date that you literally fucking texted me about this morning!" you snap, voice rising in a way that makes you cringe. Yet, you can't stop it. "You! Spencer Reid! Forgot!"

"Don't yell at me, please," he takes a step towards you; you take a step back. 

"Why did you forget? Did you choose to? Are you pretending that you forgot about it all to save your ass?"

"No," he pinches the bridge of his nose. "I didn't. I told you what happened. You're choosing not to believe me."

"How am I meant to believe that? It's a shit excuse—"

"—It's the truth—"

"—God, you can lie, Spencer! Men lie!" 

He goes silent, as do you. You become trapped in an uncomfortably intense staring contest with him, as you watch his brain slowly tick over and decipher what you were saying, and come up with a response. Yours, however, splits open with your own self hatred. Disdain for what you had just said to him.

"Okay," he exhales, very slowly. "I'm going to tell you what I think, and you can tell me how right I am."

"You're going to profile me?"

He pauses. "I'm sure it'll come off that way. I'm not trying to," when you don't protest again, he continues. "I think you're less upset about the fact that I didn't come home for a date, and more about the fact that I didn't message you about it. I've not shown up for dates before. I've always contacted you prior to let you know. And I've promised I would always contact you if something came up that interfered with our plans. Ultimately, I said I would do something, and I didn't follow through. That is on me, and I'm sorry. What isn't on me, is how you're reacting. Which is childish, honey. You're acting like a petulant child, and I don't mean that as an insult, because I'm almost certain I know why."

Your silence is his cue to continue, but he pauses to collect his thoughts. Your lower lip is beginning to wobble, and he feels awful.

"You know how our childhoods affect us," he says, and the second what he's about to say to you clicks in your brain, your teeth clamp over your lip, and your eyes drop to the ground. "Reactions from parents to things we do, things others do, things they do, all builds up in our subconscious. Having a parent who didn't show up for you time and time again, built up in your subconscious. So yes, you're reacting to me not following through with something childishly. I will not take that back. But that reaction is not your fault. It's in response to a trigger, and the person in control of that emotional response is not adult you. It's the little girl who got let down by her father. I won't ever hold that against you."

Your sniffle breaks the deafening silence that follows his tangent. You allow him to envelop you into a hug, at which you break down into a fit of sobs akin to the ones from earlier. 

"I hate you," you stutter out in between sobs, voice muffled by his chest. 

"You can't say that while hugging me," he counters. It was true, as your hands had wrapped around his waist just seconds ago.

"I hate you," you repeat, punctuating your words with a poke to his back. 

"I love you," he replies, instead. His fingers thread through your hair as he cradles your head with his other hand. "I'm sorry I didn't contact you about being busy."

You swallow the lodged sob in your throat with a hiccup. "I'm sorry I acted like a petulant child. And I'm sorry that my dad sucks."

"I'm sorry your dad sucks too," you feel him kiss the top of your head. "Have you eaten?"

"Mm-mm," you shake your head, and he pulls back, hands slipping down to your cheeks, catching the tears. 

"Do you want to eat?"

"The restaurant we were going to is closed," you mumble.

"Maybe. But the Thai place isn't."

"I'm pretty sure it is," you counter, and his eyebrows furrow. "It's past midnight now."

His face falls, he waits a beat, before his hand drops to your own, and he's tugging you towards the door of the bedroom. "Okay. Fine. Well, the Spencer Reid Kitchen is never closed."

"I asked for pasta last night and you said the kitchen was closed."

"You asked at three in the morning," he deadpans, as you make yourself comfortable on one of the stools. 

"The Spencer Reid Kitchen is never closed," you mock his voice from earlier.

"The Spencer Reid Kitchen rules are made by Spencer Reid."

"The rules should be lenient of Spencer Reid's girlfriend."

"Do you want pasta or not?"

"Yes," you quickly say with a firm nod. "Sorry."

He spends the first hour of that Saturday making you pasta; and making up the missed date.

your reblogs and replies are always appreciated ♡

[sunshinedaisywrites777]

A Night to Remember (DI!Leon Kennedy x F!Reader)

A/N- I know some of us, out there, like me, struggling with family issues or some of us may have to take care of their elderly or even their parents. It's so sad sometimes to think that you're all alone in this. I've been through this, I still do. I just have an option and it's to just play pretend and think that someone who feels good to me, and usually it's Leon himself. So this is for you who also goes through the same situation. Thank you all for standing on your own, taking care of yourself, I'm very proud of you. Please don't think you're alone in this whatever you're going through. Applause yourself 💜

The days had begun blending together, each one leaving you more drained than the last. Your mornings started early, making breakfast and ensuring your grandmother had everything she needed before you dashed out to handle the never-ending list of errands. By the time you got home, there was always more to do—cleaning the house, preparing dinner, helping your grandmother with her medication, and sometimes just sitting with her to keep her company. You loved her dearly, but the weight of it all was starting to feel like too much.

Your family’s occasional arguments didn’t help. You found yourself playing mediator, trying to keep the peace while managing your own emotions. It was exhausting—physically and mentally. And the worst part? You didn’t want to burden anyone else with your struggles, least of all Leon.

But Leon had a way of seeing through you.

He’d been checking in more often lately, texting you little jokes or calling to hear your voice. He’d stop by unannounced just to make sure you were eating, always under the guise of needing something himself. You appreciated it, even if you didn’t always let on how much.

So when he pulled up on his motorcycle that evening, his usual smirk in place, you didn’t think much of it. “Come on,” he said, handing you the spare helmet. “You need a break.”

“Leon, I can’t—”

“Yes, you can,” he interrupted, his tone firm but not unkind. “You’re coming with me. No arguments.”

You wanted to protest—there was still so much to do—but the look in his eyes stopped you. It wasn’t just determination; it was concern. And maybe, just maybe, you were too tired to fight him.

The ride to his house was quiet, the cool evening air brushing against your face. You let yourself relax slightly, the tension in your shoulders easing as you held onto him. When he pulled up to his house and killed the engine, you blinked in confusion.

“Why are we here?” you asked softly.

Leon turned, helping you off the bike with a gentle hand on your arm. “Because you need to stop for a second,” he said simply. “Come on.”

When he led you inside, the sight that greeted you took your breath away. The dimly lit room was warm and inviting, with candles casting a soft glow over the table. A plate of spaghetti sat in the center, its slightly uneven noodles a clear sign of Leon’s efforts.

“You… did all this?” you asked, your voice trembling slightly.

He shrugged, looking uncharacteristically shy. “Figured you could use a break. You’ve been running yourself ragged, and someone’s gotta make sure you take care of yourself.” He glanced at the spaghetti, scratching the back of his neck. “It’s not perfect, but I tried.”

The tears came before you could stop them, spilling silently down your cheeks. You quickly wiped them away, but Leon noticed. He always noticed.

“Hey,” he said softly, stepping closer. His hands found yours, squeezing gently. “It’s okay. You don’t have to be strong all the time.”

The words broke something in you, and you let out a shaky laugh. “You really didn’t have to do this, Leon.”

“I know,” he said, a faint smirk tugging at his lips. “But I wanted to. Now, sit down before I decide to cook something even worse.”

Dinner was simple but perfect. Leon kept the mood light, cracking jokes about his questionable cooking skills and mimicking a chef’s exaggerated accent. You laughed more than you had in weeks, the tension in your chest slowly melting away.

Afterward, when you tried to help clean up, he stopped you with a mock-stern look. “Uh-uh. Tonight’s about you. Sit down.”

You rolled your eyes but obeyed, sinking onto the couch. He joined you moments later, a mischievous grin spreading across his face. “You know what happens when you don’t listen to me, right?”

Before you could ask, his hands were on your sides, tickling mercilessly. Laughter burst from your lips as you squirmed, trying and failing to escape. “Leon! Stop—please!”

“Not until you admit I’m the best cook ever,” he teased, his own laughter ringing out.

“Fine! You’re the best!” you gasped, tears of laughter streaming down your face.

Satisfied, he finally stopped, letting you catch your breath. When you looked up at him, his face was closer than you expected, his expression softening as his gaze locked with yours.

“You’re beautiful when you laugh,” he said quietly, his voice losing its teasing edge.

Your heart skipped a beat, and before you could second-guess yourself, you leaned forward, capturing his lips in a kiss. His hands found your waist as yours cupped his face, and the world seemed to fade away.

Somehow, you ended up in his lap, your arms draped around his shoulders as the kiss deepened. When you finally pulled away, breathless, Leon rested his forehead against yours, a small smile tugging at his lips.

“See?” he murmured. “Told you I was good for something.”

You laughed softly, shaking your head. “Not bad, Kennedy. Not bad at all.”

Leon’s arms stayed loosely around your waist, his thumbs brushing against your sides as if he couldn’t stop himself from touching you. His gaze was softer now, the usual teasing glint replaced with something deeper, something that made your heart skip.

“You feeling better?” he asked, his voice quiet, almost hesitant.

You nodded, your fingers playing with the short strands of hair at the nape of his neck. “A lot better. Thanks to you.”

His lips curved into a small smile, but he didn’t say anything right away. Instead, he leaned back slightly, taking you in as if he were memorizing every detail of your face. It made you feel seen in a way you hadn’t in a long time, and the weight that had been pressing on your chest for weeks felt a little lighter.

“What’s going on in that head of yours?” you asked, breaking the silence.

Leon chuckled softly, his hands tightening slightly on your waist. “Just thinking about how I could’ve done this sooner.”

You tilted your head, surprised. “Done what?”

“This,” he said simply, gesturing around the room with a flick of his eyes before focusing back on you. “Made you stop for a second. Showed you you’re not alone in all of this.”

You opened your mouth to respond, but he cut you off, his thumb brushing against your cheek. “I know you try to handle everything by yourself, but you don’t have to. I’m here, okay? For whatever you need.”

The sincerity in his voice made your chest tighten. You leaned forward, resting your forehead against his. “I don’t know what I’d do without you,” you whispered.

Leon let out a soft laugh, his breath fanning over your face. “Good thing you don’t have to find out.”

For a while, the two of you stayed like that, wrapped up in each other, the world outside forgotten. His hands moved up to your back, tracing small, soothing circles that made you relax even further.

Then, with a playful glint in his eye, Leon broke the moment. “You know,” he said, his voice taking on a teasing tone, “if you wanted to stay the night, I wouldn’t complain.”

You raised an eyebrow, trying not to smile. “Oh, wouldn’t you?”

“Nope,” he said, popping the “p” as his smirk grew. “I’ve got a perfectly good couch for you to crash on.”

You burst out laughing, playfully swatting his shoulder. “Wow, such a gentleman.”

“Hey, I can be a gentleman,” he protested, feigning offense. “But I figured you’d appreciate not waking up with a crick in your neck. My bed’s more comfortable.”

Your cheeks warmed at his suggestion, but his playful grin reassured you he wasn’t pressuring you. “Guess I’ll have to see if you’re right,” you replied, your voice soft but teasing.

Leon’s smirk softened into a genuine smile, and he pressed a quick kiss to your forehead. “You’re welcome here anytime, you know that, right?”

“I know,” you said, your voice barely above a whisper.

The rest of the evening passed in a blur of quiet conversations and lingering touches. You eventually ended up curled up in his bed, his arm draped over your waist as you lay facing each other. For the first time in what felt like forever, you felt safe—truly safe.

As your eyes began to close, Leon’s voice broke the silence. “Get some rest, okay? No alarms tomorrow. Just… sleep.”

You smiled faintly, your fingers brushing against his as you whispered back, “Goodnight, Leon.”

“Goodnight, sweetheart,” he replied, his voice warm and steady.

And with him by your side, the weight you carried didn’t feel so heavy anymore.

[ylangelegy]

my lovely !!!! congrats on 1 million followers 💝🎉✨ although u deserve a billion 🙂‍↕️🙂‍↕️ i’m here to submit a📱 bc i’m dying to hear some more about ‘blindsided’ pls 🤲

char, my light! u make this godforsaken site worth it and i love u oh so dearly ୨ৎ i am forever a u/pochaccoups fan 🙂‍↕️

📱 office worker!wonwoo x reader, based on blindsided (fic + text imagines). part of my follower milestone celebration. mdni, 18+ content. word count: 700.

Wonwoo has fucked you in every imaginable corner of your office.

He knows he should probably be guilty. He’s a model employee, after all. Perfect performance evaluations and all that. 

But he just can’t bring himself to care, not when he’s got you bent over the copy machine after hours. He doesn’t think of ethics or rules when he’s eating you out in one of the bathroom stalls or when the two of you steal away to the supply closet for a quickie.  

He’s certainly not thinking of it now as the two of you christen his new office room. 

Graduating from a cubicle was no small feat. At least that’s what you sweetly told him before sinking to your knees and unbuckling his belt. Wonwoo has a fistful of your hair in one hand while the other clutches the corner of his desk, white-knuckled in its grip. 

He hasn’t had this room for more than two days and he’s already risking it all for some head. Maybe he should— 

The tip of his cock hits the back of your throat, and whatever he was thinking of doing is as good as gone. 

“Fuck,” he huffs, his fingers tightening around the strands of your hair. “You’re— ah— going to get me in trouble.” 

You hum in response, unrepentant in your debauchery. You merely continue to suck him off like your life depends on it. The only thing Wonwoo can do is keep an eye on the door and hope, pray, that nobody needs him for the next ten minutes or so. 

When Wonwoo’s gaze flicks to you underneath his desk, he’s done for.

Maybe it’s the tears edging at your lashes, the way you’re trying so hard to take in every inch of him in your mouth. Maybe it’s how you look underneath his grasp, how you’re pliant and perfect and on your goddamn knees. 

Maybe he’s always just been weak for you. There’s that, too. 

Either way, Wonwoo finishes with a strangled groan. His hand that had been clutching the desk goes to cover his mouth in a futile attempt to bite back the sound. You lap up every drop of his seed in the way that drives him absolutely crazy, the way that makes him want to shoot his cum down your throat for days on end. 

His chest heaves as you shuffle out from underneath the desk, a coy grin tugging at your lips. You throw a quick glance at the door before draping yourself across Wonwoo’s lap, your skirt riding up as you bracket yourself across his thighs. 

Wonwoo’s hands instinctively find purchase at your waist. He lets out a low hiss when he feels just how wet you are, the evidence of your arousal seeping through your underwear and on to his pant leg. 

“Can’t do this,” he breathes out, his denial weak in the way his fingers slide up your blouse. “We have to stop.” 

He’s given you this bullshit excuse enough times that you know he doesn’t really mean it. A part of him does this time, he likes to think, and you must know that, too, because you lean forward until your chests are pressed together.

“Don’t worry.” You give a playful nip at his earlobe. “I’ll be gone in two weeks.” 

“What?” he sputters, his eyes widening behind his glasses. 

He tries to gently pull you away from him, but you don’t budge. Your head instead falls into the crook of his neck as you giggle breathlessly. 

“Got poached. Same position as yours,” you inform him. “Our company’s non-compete clause is pretty shitty, so I think I’m going to get away with it.” 

On one hand, Wonwoo is grateful. Your move would solve a number of issues, from conflict of interest to his never-ending war with morality. And— maybe, just maybe— he could graduate from friends with benefits to something more. Something real. 

But it also meant— 

Your teeth scraping his pulse point drags him out of his thoughts. Wonwoo’s grip on you tightens. You and your stupid habit of leaving marks right before ruining him. 

“What do you say, Jeon?” you tease. “One more for the road, yeah?” 

[glossypolaroidkisses]

Hi lovely!! I just read your recent response to an anon question and saw you mention being an eldest daughter and omg as a fellow eldest daughter how do you think lu would be like with a hyper independent girlfriend who basically had to learn things in life on her own and isn’t used to having people genuinely want to help her without feeling like she owes back ?

I can’t wait to read your works xx

Hello!! Thank you for being here:)) I really appreciate all the support, mwah! I see you, you're valid! It's rough out here!! As the oldest sister with a younger brother, the sexism on top of all the responsibilities was exhausting. My experience as a parentified child may shape my perspective, but I hope this still resonates with you as a fellow eldest daughter <3

(Scroll down to skip to oneshot)

Luigi to me, very much seems like a giver. Generous partner! Always wants to help you with things, acts of service! He is obviously anti-materialism, but loves gifting you items that involve your hobbies and interests; Books of your favourite genres/tropes, if you like painting, he’ll buy you the finest paint-brushes and acrylics. Wanna stargaze?; He’ll research to buy the highest quality telescope for you. 

He loves showering you with compliments, and he’s a natural helper. It’s second nature to him! It’s how he shows the people he loves that he cares, by helping.

He’s not flashy or materialistic, but he buys things that he knows will provide meaningful experiences for you. 

You grew up having to manage everything yourself from a young age. When someone gave something to you or did something for you, you were always left having this expectation of the favour somehow having to be returned. You’ve always had to be ‘the fixer’. Because of how kind and capable you are, you have ended up in toxic friendships and relationships where people took advantage of your kindness and willingness to be helpful. 

You struggle to let your guard down, believe that others are genuine, and accept compliments or help of any sorts. When being offered assistance, your instinct is to hesitate and refuse. 

Before your relationship was serious and you started living together, Luigi only saw your hyper-independence on a surface level; just like everyone else. On the outside, you just radiate bad bitch energy. You’re always busy, working and completing tasks. Luigi loves strong women who know that they don’t need a man for their lives to be fulfilled. You’re intelligent, capable, always handling things on your own with confidence. To be frank, he finds it sexy! 

It wasn’t until you started going over to his place more frequently, that Lu picked up that your independence might come from a place of obligation rather than choice, a survival instinct born from a past where asking for help often came with conditions, expectations, or disappointment.

----------->

Here is one of many oneshots showing how this dynamic could play out! Yes.. this is going to be a series! Once I post the other oneshots, I'll link them at the bottom of this post, or in the comments. Enjoy!

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General Themes: Trust, vulnerability, emotional healing, reassurance, understanding, sensitivity, love and care

Gender: Mostly gender-neutral, use of "girl" once

Smut?: No

Warnings: Emotional distress, crying, anxiety, possible triggers for past trauma (misunderstandings, interpretation of actions, self-worth issues)

Word Count: 1439

You’re cooking in Luigi’s apartment, standing at the stove. You hum a tune, swaying lightly as you stir in the pot. “Mmmm,” You hear your boyfriend from a couple of feet behind you. After a few steps, you feel his large hands gently grasp your sides, then his arms wrap around your waist. “Smells amazing, baby.” he murmurs by your ear, placing a couple of gentle kisses on your neck.

You stop humming, your body stiffening. Luigi immediately notices, lifting his chin from your shoulder, “Everything alright?” he asks.

“Yeah, I, I just..” You pause. “I’m not in the mood right now, Gi.” you admit. Luigi steps back from you, confused. He leans against the counter next to the stove so he can properly see your face. “I wasn’t trying to have sex or anything, y/n.” he calmly says, genuinely explaining his intentions.

You hold eye contact with his concerned gaze before looking down at the pot, though there’s no real need to monitor it. You’re just stirring soup. “Oh.” you feel a wave of embarrassment wash over you. “Why did you come up behind me then?” you ask, voice a little shaky. Luigi tilts his head, his thick eyebrows furrowing in confusion. He looks away for a second, then shifts his gaze back to your embarrassed expression. “I just wanted to appreciate you, my love.” he says, his tone soft and sincere.

You bite the inside of your cheek, fighting the emotions before your eyes can visibly tear up. “I’m sorry, I just thought you did that because you wanted it to.. lead.. to something..” you explain. You look up at Luigi again, searching his face for any hint of frustration or confusion.

“No, no, no, I didn’t.. I don’t know why you..” His voice trails off, confused, He takes a moment to think, “Did I do something? I--” Luigi starts, trying to navigate this situation carefully since he can tell you’re in a fragile state. You quickly cut him off, desperate to reassure him, “No, you're fine. You’re perfect. It’s just my brain, I read the situation wrong.” You say in a rush, verbally trying to escape the situation. You force a short chuckle in an attempt to rid the awkward tension.

Luigi takes a deep breath. He steps forward from the counter, towards you. He lifts his hand, delicately pushing a strand of hair behind your ear. “Is it okay if I touch you?” he asks softly, staring at your face despite your gaze being focused on the soup again. You nod, unable to look at him. He cups the side of your face with his hand, slowly stroking your cheek with his thumb. “You can talk to me about anything, love. I promise I would never do something to you expecting it to lead somewhere, or get something out of you, okay?” he reassures, sincerity written in his tone. You nod. “I’m glad that you felt comfortable telling me you weren't in the mood, though. You must’ve felt so guilty. I would never want to make you uncomfortable.” he says, his voice full of compassion. You nod again, biting the inside of your cheek.

You feel your eyes finally surrender, glazing over with fresh tears. Fuck. You already see Luigi’s expression shift in your peripheral vision. “y/n, baby, what’s wrong?” his voice laced with panic, but trying to maintain a neutral tone.

Avoiding eye contact, trying to regain some control over yourself, you set the spoon down on the stove. You turn off the burner. Thinking his honest words from his heart would help, Luigi is confused at what appears to be you emotionally shutting down. He’s analytical, used to approaching things logically with fact, and solving them with ease. It hurts his heart, not knowing how to immediately and effectively help you.

You step away, your head in your hands. Crying in front of others has always been something you tried to avoid—an old habit from years of being mocked for your sensitivity. Your palms press into your eyelids, as if you believe that pushing hard enough will force the tears back into their ducts. It’s no use. You try your best to take deep breaths, but they’re stifling. Your chest feels tight.

You’ve never been loved like this. You’re damaged. Your past has made it difficult to trust these moments. You accidentally accused him of trying to throw himself onto you, and yet here he is, treating you.. like this? Apologizing to you? Being so graceful, so patient.. with you? It makes your heart ache.

Luigi watches you from a distance, helpless. He doesn’t know exactly how to help, but his heart aches for you, wanting nothing more than to ease your pain. He walks toward you again, determined to offer comfort, even though he isn’t sure how.

Luigi watches you from a few feet away, distressed and helpless. His gaze shifts around the room frantically, up and down your body trying to read its language. His mouth gaped slightly. He needs to act quickly. He wants nothing more than to ease your pain, but he's unsure of how. He walks towards you again, determined to offer comfort one way or another.

“You’re..” you begin an attempt at explaining, stopping Luigi in his tracks. “You’re so kind.” you say, a full fledged sob following your words as you break down completely.

Luigi’s tense shoulders drop, his heart shattering at your words. He could never have imagined that his care and patience would feel so foreign to you, that it would bring you to the point of tears.

You feel his strong arms envelop you, drawing you close against his chest. His lips press a gentle kiss to your forehead. You move your hands to his back, returning the embrace and burying your face in the warmth of his chest. Luigi’s chin rests softly atop your head as you dissolve into his comforting presence, your sobs quieting in his hold.

“You deserve…” he pauses, a lump catching in his throat. He’s never seen you this broken before. “... all the kindness in the world. It's my duty to love you.” he whispers, his voice reveled in emotion.

You catch up to your inhales, taking deeper, more controlled breaths. Tears continue to stream down your face, but not overwhelmingly, with Luigi's hoodie gently absorbing them. With the newfound sense of developing control over your body, you muster the courage to lift your face from Luigi’s chest.

Your puffy, red-rimmed eyes reach his glossy gaze. You didn’t expect to cry in front of him, ever. Normally when you cry, you run to your room, find some way to hide. You never imagined Luigi would see you like this, so raw and vulnerable. His lashes are damp and clumped together. In his eyes, you see that your pain has affected him as if it were his own, yet there’s a sense of relief as he finally meets your beautiful gaze once more.

He sighs deeply, a weight lifted. His hands reach up to cup your face, his thumbs tenderly stroking your cheeks, as if they are your personal windshield wipers.

“My beautiful girl.” he whispers, a small grin tugging at his lips. You smile back, your heart glowing. You place your hands on top of his, feeling their warmth. Closing your eyes once more, you lean into his touch, feeling a sense of security you've never known before.

You look up at Luigi, “Thank you.” you whisper from the depths of your fragile heart, the weight of gratitude in your voice. “I know.. I have so much I need to tell you. I promise I will, eventually.” you say. He nods, that sweet grin having yet to leave his lips since you met his gaze. “Take your time, amore mio. I’ll be here.” he says.

You chuckle lightly, wiping any remaining tears with the back of your hand. “I never thought anyone would see me like this.” you admit.

“I’m honoured you let me. You never have to hide any parts from me, not ever.” Luigi says softly, his eyes never leaving yours.

Reaching up, you caress the side of his face, feeling the stubble beneath your fingers. You pull him down to your level, smiling as his lips get closer to yours. Closing your eyes, your lips meet his in a tender, passionate kiss.

Luigi carried you to his room, where the rest of the night unfolded in a quiet, healing embrace. Cuddling, sharing gentle kisses, opening up more about your childhoods to each other more than you ever have. You shared a comforting bowl of soup before going to bed, sleeping soundly in each other’s warm, safe embrace.  

a/n: hope you enjoyed!! please feel free to leave all sorts of feedback; the good, the bad, the ugly.. LOL i appreciate anyone who took the time to read all this! thank u sm to anon for the request! xoxox!

tt

[alpaca-clouds]

A Rant about Engaging with Themes

When the actual trailer for Castlevania Nocturne S2 was released a few weeks back, a few people were surprised about Drolta being back. And those who have been in contact with me during the last year know, that I have been harping on about it: “Drolta is actually not dead. Drolta will come back in some way.”

And at least two people have asked me so far: “Why were you so sure?” And the answer is relatively simple: “Themes. And the whole thing about Chekov’s Gun.”

But you know, this is a topic that I saw in a lot of fandoms. Because in those fandoms people were surprised – and angry – about endings, while I saw those endings coming several seasons away. And I think it is worth talking about it. So, yes, this is going to be a little essay about engaging with themes in media.

The thing is, that I do not want to go harping on the “media literacy crisis”. Because I do not think the issue is that people cannot understand this – it is just that they often do not really engage with themes and the fact that creative people behind media are trying to say something with the media. Partly, maybe, because a lot of media does not get to. I mean, a lot of the Marvel movies recently do not have a whole lot to say. I doubt because the writers all had nothing to say, but because the brand does not want them to say anything about it.

But let’s get back to Drolta. Because here is the thing: Castlevania Nocturne does has something to say. I kinda hoped for it before we had more information on the show – but yes, Nocturne is very much about society, hierarchies and colonialism.

Here is the thing: I love the original four seasons Castlevania, but in terms of theming they are all over the place. There are absolutely some themes about forgiveness, about personhood, about questioning narratives, and about healing and coming to terms with abuse. But it is really all over the place and not quite as concise about that – not in the same way as Nocturne is. Nocturne is quite pointed about it.

Nocturne is about how colonialism and colonial exploitation, but also class exploitation are like vampirism. Colonialism is vampiric – not the vampires are.

And the big difference to the first four seasons of Castlevania are mainly not as succinct in terms of themes, because the different stories kinda have different themes. The different characters are connected to different themes. While in Nocturne all characters are connected to this main theme in one way or another.

It is of course most noticeable in terms of the characters directly affected by colonialism: Annette, Edouard, Olrox. It is also quite clear in regards of some of the bad guys. Erszebeth is a colonizer. So are the vampires actually killed in season 1.

But Drolta is interesting in this regard. Because inherent to her is a contradiction in terms of this theme. She aligns herself with Erszebeth – the colonizer – while her skin color aligns her with the colonized. In fact, the little we know about her does imply a lot in that regard. Because Drolta says herself she was a priestess of Sekmet. And Erszebeth has drunken from Sekmet, which in this regard can easily be read as a colonizer using the colonized religion against them.

However: This conflict inherent to Drolta’s character has not played out in one way or another. It is basically a sort of Chekov’s Gun – and it has not yet gone off. One way or another, Drolta needs to fall into the place in terms of how she relates to the main theme of the show, and because she did not really engage in that metaphorical dialogue, I was fairly certain that she was not dead.

Because here is the thing: Katie Silva is a darn good character designer, who is really good telling you a lot about the characters by the design. And she would not just make her Black just because it makes for an amazing design (though it does). And from the perspective of the writers there is just so much unused storytelling potential in Drolta.

I am not sure on what side Drolta is ultimately landing on. But I am fairly certain that before Drolta is killed for good, we will learn how she was involved in getting Erszebeth Sekmet’s blood, and how exactly Drolta herself relates to colonialism.

I am not saying it is impossible for her to be the sort of character who tries to align herself with the colonizer in the hope to get power for themselves. Because those people have existed in real history. However, she definitely needs to relate herself to the theme before she can be killed for good. Because otherwise her narrative potential has not been used – and I do trust the writers here enough to know they will at least try to use all the narrative potential. I am not sure whether or not Netflix will get in the way of that (for example by not ordering more seasons or similar bullshit), but I am fairly certain that at least the writers have a clear idea where they want Drolta to fall in terms of the theme.

So, this is the point where I pivot and talk about the two other fandoms, where this lack of engaging with the themes really annoyed the living heck out of me. One fandom I interacted with a lot at the time the show aired – while the other fandom I just watched from outside, but went later to confirm that the anger about the ending was really about a lack of the fandom at large not engaging with the themes. And fun fact: Both shows have a central theme about colonialism, just like Nocturne. Just coming at the theme from very different angles.

The shows are Steven Universe and Star vs the Forces of Evil. Steven Universe is the fandom I interacted with a good bit while the show was airing, while SvsFoE was a fandom where I mainly enjoyed the show and just saw the entire anger happen in the end with a lot of confusion.

But let me talk Steven Universe first.

Spoilers for both shows, obviously.

Because I was one of the first “Rose is Pink Diamond” Truthers in that fandom. Literally, the first time we heard about the Diamonds I instantly went: “Rose was a Diamond”. Before we even knew for sure there was a Pink Diamond. And when we saw the reliefs of the Diamonds – but not the one of Pink Diamond – it became even more clear to me.

And yet, big parts of the fandom at the time were calling the Truthers crazy.

Of course, it is now a few years since the show ended. And we all know that the Truthers were right about it.

However, I do remember during the last season. The further it went ahead without confirming that the theory was true, the more certain the Nay-Sayers became in their Nay-Saying, while I became even more certain about the theory being true.

Why was that?

Well, the Nay-Sayers obviously could not imagine how to pull off that twist in a satisfying way and resolve the plot within the fairly few episodes left. Meanwhile I saw the plot and realized, that the only way to resolve the plot while sticking to the themes of the show would be by having Rose – and hence Steven – be Pink Diamond.

To this day, a certain part of that fandom is still very angry about the Diamonds being redeemed. And to that part of the fandom I can only say: “Have you watched the show?” Because the show was very unsubtle about the fact that its main theme was forgiveness and redemption. It was about giving people second chances and talking about issues, rather than using violence. That was always the mission statement. It was about empathy.

And this was why I was so certain that Rose and Steven had to be Pink Diamond. Because I knew from the very beginning that they would not kill the Diamonds. But I also knew that the chance of them resolving that plot within the themes in a satisfying way would not be possible, if Steven was not to gain a certain privilege – like being a Diamond – to put him into a situation where the Diamonds would even so much as listen to him. Hence: Rose had to be Pink Diamond. Because otherwise the plot could not be ended in a way that fit with the themes.

(And yes, I was so fucking smug about it when the episode aired, that confirmed it.)

So, now let me talk about the fandom with the ending that is even more controversial than the ending of Steven Universe: Star vs the Forces of Evil.

Or how I call it: “Yeah, no shit are they gonna destroy magic. Magic in this was a metaphor for systemic privilege and the point of the show was that you can not brute force civil rights without giving up your own god damn privilege! Holy hell, this show was not even subtle about it!” (Yes, I do have some anger about this. Because… I have seen and read too many bad takes about the ending.)

Now, mind you. One thing you need to know about me: One of the historic topics I am kinda hyperfixating on is colonialism. So, when I loved the first season of this show and came to my friend group saying: “I think this is about colonialism.” They went: “With you everything is about colonialism.”

But then season 2 came and made it quite obvious. Indeed, this show is about colonialism and racism, and about how colonialism gives the colonial people privilege.

Now, let me at this point say it clearly: It is absolutely fine to have mixed feelings on how this was executed. Specifically with the show making indigenous people “monsters”. Good monsters, yes, but monsters never the less. I get what the makers were getting at – saying something about how a big part of colonialism was also the dehumanization of people – but I absolutely can agree that it could have probably been handled a bit better.

And yes, I also think that the last season – like so many last seasons in this modern day and age – was very rushed at parts, making some plot points not hit as well was they might have gotten to hit with a different pacing.

However, I did appreciate a lot of the things this show had to say about colonialism. Both with relating colonialism to the entire sexuality/gender thing, and also with being very clear on one thing: Just because you change the laws, does make discrimination go away. That is something I so rarely see being brought up in media – let alone media made by white people. But this show was spot on. We see in the later part of this show a lot of Star and Eclipsa try to brute force discrimination and racism to go away. And it just does not work. Because no law can make the perception of people that they are better than the “monsters” go away. All it does is create unrest among the people, as they do not understand the law changes, despise the new rulers for the privilege they hold over them. “Those up there, they don’t get it,” they say. And of course, yeah, people are pissed if you throw them out of their homes, even if it absolutely is the right thing to do, because they literally stole that home from someone else. But that does not change the fact that now they are homeless. And rather than make the racism go away, it just digs deeper trenches and it is a fucking complicated situation. And I loved that the show decided to actually go to that place.

And this is where magic comes in.

Because here is the thing: This show telegraphed early on that in fact magic is not a good thing. Magic in general was here a shorthand for power that could easily corrupt – and very specifically for a certain type of privilege. And yes, I read a few blogs and saw two or three videos about people also complaining of how stupid the way was, that magic got actually explained in this. Because it felt random.

But that is the thing: That was the point. It is random. Power is random. Privilege is very random. Like, sure, I can tell you from an anthropological and historical perspective, why the people that hold privilege in modern society hold privilege. But in the end it boils down to: it is completely random. History could have gone different in so many places and things would have gone different. There is no actual logical reason for most of it. And especially racism is just a completely stupid ideology, because it assigns value to people based on completely superficial points.

And that is why magic in this show had this very silly, random origin story.

And it is also why in the end magic had to be destroyed. Because magic is the power. Magic is the privilege. And you cannot use privilege to destroy the same privilege top-down. Because for that you have to use it – and the only way you can get rid of it is give it up.

Yes, mind you, you do not have to agree with this thesis. Among the “XY studies” this topic about destroying privilege top-down or bottom-up is something that gets discussed a lot. And not everyone is on the same page. But the thesis this show has is a valid one to have – and the ending all in all was about giving up privilege.

And that, in short, is, why I am very frustrated with people hating on the ending. I am sorry, people found it not narratively fulfilling. But I can tell you: Thematically it was spot-on.

And look, I know at times I sound like a broken record: “Engage with the themes. Please engage with the themes.” Those of you, who read any of my blogs about the punkpunk genre, have read me complain about this a thousand times over. But it is really something that to me is very important, even if it makes me sound like some English literature class teacher. Still, themes are important. Or they should be.

No, not every story out there has a heavy focus on themes. I mean, as I said at the start of this rather long blog post: The original Castlevania show had themes, yes, but it was not fully constructed around them. And again, most of the movies in the MCU for example do not have a lot going on in terms of themes. Some try to have. The Guardians movies and the Black Panther movies somewhat have. So had Eternals. But a lot of the other stuff did not have a lot of thematic layering going on. And that is fine. At times a blue curtain indeed is just a blue curtain because the author liked the color blue, or in case of a movie, because the set decorators had still some blue fabric lying around. That is fine.

But there is quite a lot of media, that does have themes and is trying to say something. No, not all of it is successful in saying the thing it is trying to say, but a lot of stuff is at least trying to say something.

If you have been following this blog at least a few weeks you will know, that I am currently very in love with what James Gunn is doing with the DCU. But times I am wondering: “Is he maybe to heavy handed about the message?” But then I am looking over to how some people misinterpreted The Boys on Amazon Prime – a show that was really not subtle about those themes – and I am thinking to myself: “Yeah, actually, they should probably make more episodes about how fun it is to kill Nazis. Just to make sure everyone has gotten at least that message. You know. The one of us not liking Nazis.”

[hockeygossipunhinged]

First,

About this "photo thing" I heard different tea and I believed it until I came here and read blogs. From what I've heard, it was Sienna who asked Jack to remove the photo. It happened end of November, apparently she said something like "we moved on" and "I don't want to be associated with you anymore". My source doesn't like Sammy so she believes Sammy asked her to do this (she might be biased) because there's no way a girl suddenly called an ex to Sienna dan Jack ended the rs in a good term so there's no way Sienna suddenly asks Jack to remove the photo of them behind a carousel post.

I don't know which one is true, but one thing that we know is deleting picture is so not Jack. Either Sienna or Sammy asked/forced him to do that in the first place.

Second,

Devils' lost strike happened after Xmas break which very unfortunate. Break isn't supposed to ruin the momentum but it happened. I agree Jack was a bit slumpy and sour on media lately, which lead me to think he doesn't feel happy nowadays. Again, my source might be biased but she said something happened between J n S right after Xmas just before home game vs. Carolina. S did something that J doesn't like and it seems they don't resolve the problem right away.

My source doesn't know J/S personally but she befriended Sammy's friends, and they were gossiping about Sammy wants "something" but Jack couldn't do anything with it because it's in the middle of hockey season and he has road trip in front of his eyes.

I don’t believe it was Sienna at all who asked him to delete. It was 100% Sammy. Sienna hasn’t interacted with Jack in a while unlike him who liked her pic.

while it’s the whole team I do think Jack isn’t playing well at all right now. Last time I saw this he deleted the pics then started playing well so I personally believe they had a fight

Some people on these blogs can’t understand the concept of it being hard to put personal issues aside during the game just like how it’s hard to keep something personal and hurt/anger off your mind during something (let’s say during a midterm at college)

for your source if they find out what she wanted and they don’t mind you telling us tell them if they want they can keep sending info but only if they feel comfortable doing so people would like it but tell them not to get discouraged by the gate people forget that it is all sip or spit

[bwat5-blog]

Did Jinx Love Vi?

**Spoilers For All Of Arcane**

Okay. First let me say I am not here to attack or insult Jinx. The title is literally just addressing the question I'm hoping to answer so.. put down the torches and pitchforks. I recently had a very nice short talk with someone on one of their posts, and it was primarily to do with this issue of how Jinx treats Vi in the show. And in truth, I share a lot of their feelings. For the most part, we never really get a moment of Jinx outwardly showing any sympathy or kindness to Vi at all until almost the end. As I always do for clarity let me be crystal clear. Vi is my favorite character. But I think most people watching objectively can agree she tries really fucking hard for the people she loves and gets kicked in the teeth almost constantly.

*Not writing in my usual spot to look up these quotes so some may be paraphrased*

" Never thought my sister would turn blue-belly"- Literally there because of what Jinx did

"I'm a hero. I busted half of Zaun out of prison while you were passed out at the bottom of a mug"- Vi completely spiraling after losing literally everyone she loves and Jinx knowing full well she didn't step in for Zaun until they took Isha

" She used to be pretty cool, til I kicked her ass"- literally the fight where Jinx lured Vi down there hoping to die and it ended with her on her back urging Vi to finish her.

Smirks at Vi when Vi sees the Mural of her and Vander. Even though Jinx literally betrayed everything Vander ever stood for and considers the man who murdered Vander and caused the deaths of their brothers her father. All while Vi is nowhere to be seen.

Now, there is obviously history between them, Jinx has her reasons to be angry just like Vi does. NEITHER ARE PERFECT. But these few examples are not exaggerated or spun. And they are just a few of many. It can really come off like Jinx just does NOT care what happened to Vi at all:

Seven years in Stillwater undergoing god knows what kind of hell

Almost killed getting back to her in the undercity before being taken by firelights

Almost killed by Jinx on the bridge

Almost killed by Silco at the same event where she begs Cait for Jinx life and Jinx responds by murdering Caitlyn's mother

Has clearly been driven so far by Jinx's actions and what has happened that she becomes Enforcer

Abandoned by Caitlyn and on self-destructive spiral that will very likely kill her because Caitlyn has lost her self after everything Jinx has done to her.

However, I think there are some things we need to remember to better understand this issue:

Jinx is severely mentally ill. I know this is obvious. But it matters because everything she says and does is filtered through a different lens than the average person.

Jinx hates herself and in season 2 especially, wants to die until she bonds with Isha. She gives us evidence of this repeatedly but the moment I most remember is when she meets Isha for the very first time and describes knowing she could die at any time as the best feeling in the world. Then goes on to associate herself with cursing a a sister, a family or a society, I think it was.

"I'm losing my snappy comebacks"- Part of Jinx's whole schtick is verbally lashing out. She mocks everyone, at all times, for any reason. It doesn't make it kind or right. It's just what she does. She also absolutely knows precisely what to say to piss her sister off. Like any good little sister would. Additionally, you may be the person yourself but if not, we all know that person whose defense mechanism is cruel or sarcastic words. While Jinx is plenty dangerous, more often than not when she feels insulted/threatened/uncomfortable she goes for the death blow verbally.

Considering all of that, while there are moments I wish she could have shown Vi alittle more kindness and love, especially with how much Vi loves her, I think Jinx's love for Vi remains constant throughout the show, even if her motormouth sometimes makes it hard to see:

The Reunion:

Even after all the terrible things in their childhood, including the incident for which Vi carries so much guilt and some of the fandom think a fifteen year old Vi should have been crucified for, this is how their reunion starts. Vi apologizes immediately and embraces her. Jinx is crying and ashamed of how she has changed but Vi accepts her and loves her. It only goes wrong when Jinx sees Caitlyn, and why is she mad at Caitlyn who she has never seen or met?

Cyclops and lefty to the rescue. Silco to turn Jinx against Vi and Sevika intentionally trying to damage Jinx's mental health, both of these figures poison Jinx against Caitlyn ruining the next several times they get close. But all throughout that series of events we see Jinx trying to overpower the voices in her head because she knows Vi loves her, and she loves VI. Just unfortunately, she does not win.

2. Seeing Vi As An Enforcer:

Now this isn't a happy moment of course. But Jinx isn't so distraught at seeing Vi in the uniform because she doesn't care about Vi. She is seeing what she believes is the total rejection of her by the last person she has who loves her and who she loves, all wrapped up in the package that killed her parents

3. Jinx VS Vi:

Even during the fight Jinx wanted to end in her death, when Isha gets involved and sticks a gun in Vi's face Jinx IMMEDIATELY screams no.

4. Jinx At the Pit:

If you slow down the cinematic of Vi's time in the pit, is actually shown a few times not just the once. Now I admit this is head-canon and probably the least provable one of these. But I don't think Jinx would have show up again and again to take pleasure in or mock Vi's pain. I think she was just checking on her in the best way her mind knew how.

5. Vander:

I already mentioned how their last interaction went, and the fact that Jinx came to Vi anyway to try and rebuild their family knowing full-well Vi would likely want to kill her is impressive and a clear sign of JInx's desire for them all to be together again.

There are plenty more examples to either point (particularly the MASSIVE example of how Jinx feels about vi in the end of the show), this was quick and not my usual quality. But the thought struck me and I wanted to jump on it. Feel free to share your thoughts same/different or otherwise, I appreciate all of you who take time out of your day to read my thoughts. Even when they are quick and slap-dash like this.

The story of these sisters is one that for me, will live on forever. Have a great day.

[mikilolz2]

How can I stop self sabotaging myself when I come close to shifting?

Hi,

It’s kind of ironic that I’m coming here, considering where my problem started, but I really don’t know what to do. Lately, I’ve been feeling different, thanks to Nero Knowledge on YouTube. Yesterday, with a newfound boost of confidence, I came incredibly close to my DR. Honestly, it was one of the best attempts I’ve had in at least eight months—maybe even longer.

I experienced a ton of shifting symptoms. I know people say symptoms aren’t really a thing, but for me, they always show up when I’m close, so I take them as a good sign (since I felt that type of spinning everytime I had “minishifted”). My body started feeling like it was moving, and my bed felt like it was going through turbulence, which was exciting since I’m supposed to wake up on a plane in my DR. It felt amazing—maybe too amazing. I kept telling myself, It’s done. I’ve done everything. All I need to do is fall asleep, and I’ll wake up in my DR. I reminded myself that my frequencies had shifted, and my DR was right there waiting for me. I know the idea of frequencies isn’t super popular in the shifting community, but it helps me stay confident, and it’s something I learned from Nero Knowledge’s videos.

But here’s where it got frustrating. Instead of focusing on my DR, my thoughts started getting more excited about telling my friends that I was making progress and almost there. It’s so stupid because I want to shift more than anything—it’s obviously better than just saying I got close—but after five years of trying, I think I’ve grown too used to daydreaming about shifting instead of actually doing it.

Honestly, it feels like I’ve become almost addicted to daydreaming. Shifting has been my dream for so long that it’s practically my personality now. So why is it that, when I get close, I end up getting more excited about sharing progress with others than actually shifting? It’s like I don’t fully believe I’ll succeed, and I settle for almost shifting instead.

This isn’t the first time it’s happened, and it’s starting to really annoy me. I’ve also developed this habit of comparing my attempts to every story I’ve read. If my attempt doesn’t seem similar, I start doubting its validity or whether it makes sense. It’s so dumb because I know everyone’s journey is different. I’ve even discovered things that work for me but don’t seem to work for most people in the community.

I think I’ve grown too attached to the journey itself—and to the community. It feels like a way I’ve coped. But I hate that I got more excited to say “I almost shifted” than to actually shift. I don’t even like this reality. I’m in the worst depressive episode of my life, and shifting feels like my only way out. Yet, when I finally get close, I somehow sabotage myself.

As for how I got so close this time, it was really simple: I set my intention. That worked, probably because of the mindset shift I gained from NeuroKnowledge. Once I started experiencing symptoms, I intentionally stressed about small details my DR self would care about—like remembering not to leave a sandwich in my backpack so it wouldn’t go bad. I’m starting to understand what works for me after five exhausting years of trying every single day. I just want to stop this pattern of settling for “almost shifting” and actually shift. I want to be excited about living in my DR instead of about telling people I’m making progress. I don’t think I’ve seen anyone talk about this specific issue in the community, though I might’ve missed it.

————————————————————

Please help me, this seems like such a stupid problem to have. Any advice would mean the world to me. Thank you so much for reading.

p. s. It’s my first time posting on reddit so sorry if it looks confusing

[cute-little-fly]

I think you’re right because he looks directly to the camera when he throws the Karen out of the window, and the glass kinda looks as the screen. Like this small 4-wall moment kinda means that? Lol.

Also, I debated this about the family with some people, and they miss the point that the family is not the important thing for itself (of course it seemed like a good family and all); but the narrative point made here is about Blitzø and Stolas. Maybe even Moxxie. It’s about them not really about the family itself.

They are trying to apply logic to a situation that was decided because of the emotional weight the scene and situation carried for the characters. So it doesn’t make sense you see it with logic. Millie was the only one that detached herself from it and was able to see it as any other job. Which is also interesting.

1

For Blitzø is about accepting that he wants this, and that he has changed. He can’t make himself destroy this, because is what he wants for him. It hit too close to home.

Before, with the other family, he deflected and was like: let’s destroy a family (like embracing his evil-family wrecker role after what he did in the fire). Some people after having done something like that and not forgiving themselves, they embrace that act as a part of their identity and for Blitzø I think it was a mask. If you watch Arcane Jynx is a character that has a similar psychology, who after doing terrible things ended viewing herself as an evil force. I think Blitzø was in a similar mindset: like look at me! I am this fucking cool asshole (the same bs of I am too much Imp to simp), to deflect and make himself look as this super strong bullet-proof guy and to cope with how bad and hurt he trully felt about everything.

2

For Stolas it was about confronting what he did from an external and judgamental perspective. This caused him a mental breakdown after Via never called, and after seeing himself as the one that wrecked his own home and abandoned his daughter.

Ignoring that the situation here was actually depicting something different: the husband and the other men where together taking care of the children, while the lady didn’t trully really cared about them and she was just mad that the husband now was happy (Stella, is that you?). She didn’t cared of letting those children without a father to look after them just because of her selfishness.

3

Moxxie is an interesting case because he actually didn’t changed. He wasn’t willing to kill a happy family and now he still isn’t willing. In the first episode he ended up killing the wife because he saw they were trully an evil family, but before that he didn’t wanted to.

4

Millie was able to detach herself completely and do the job.

I wonder if this has to do with her relationship with family and the pregnancy arc. Perhaps she trully doesn’t want a family and is not interested about that at the moment so she is able to separate emotionally from that. Also; since she has always had a family for her is not as emotional as to the other characters that have issues with family.

We've all seen the comparisons between Stella and the Karen client in Sinsmas, but does anyone else think Karen was meant to be an allegory for the homophobic hate-watchers?

Think about it. She spends the episode accusing her husband of cheating on her (something she's not even sure actually happened) just like how Stolas antis refuse to sympathize with him because he's an adulterer and think he "deserves" to be abused, and ranting that Stolas' erotic novel didn't turn her on, as if that's the only reason queer people should even be allowed to exist, not too different from dudebros who call Chaggie bland because it doesn't make their dicks hard.

On top of that, bad faith critics got pissed off at her inclusion, claiming she was meant to "further Viv's yaoi obsession" and wished I.M.P. followed through with murdering a completely innocent family, even saying it would've been no different from them killing Martha. Apparently they missed the part where Martha and her family were a bunch of satantist cannibals and not only that, Apology Tour revealed she wasn't even straight. The part where Blitzø imagined those guys and their daughters as himself, Stolas, Loona and Octavia also didn't cross their minds or they dismissed it as irrelevant, not knowing it was integral to Blitzø's character development.

It's like the Creepzo situation all over again, these nitpicking, bad faith critics and hate-watchers are mad they're being called out.

[crystalpallette]

so I finished side order recently

[realbeefman]

stacy is sooo interesting because she's in love with house but knows that they will never ever be able to have a healthy, stable, sane relationship because they're too similar so. she finds house-lite instead and marries him and. essentially moves on with her life! and is successful in this because she's a moderately well-adjusted person!

wilson, in contrast, never manages to escape the inevitable, in spite of his best efforts to find a house-lite of his very own, because he's an absolute fucking freak and ends up glued to house to the bitter. bitter end

[autisticaradiamegido]

thoughts on dave and aradia (<>)?

day 356

BIG fan tbh. in this house we love and respect timerails

truly yall read this log and tell me theyre not cute

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[helpimstuckinafandom]

Me starting another bg3 run where I will make virtually all the same decisions in mostly the same order as if there isn't different branching paths

[medicinemane]

I don't know... horrible things happen all around the world and it's not a competition

Atrocities are committed against multiple groups in multiple parts of the world at the exact same moment, and none of them erase each other. They all matter, all the people in this world who are being brutalized matter. There shouldn't be any line you draw where one group doesn't actually matter as much as another

You're welcome to prioritize your energy towards helping one group or another, but what's not ok is invalidating or dismissing people who are actively being harmed

Same goes for trying to figure out which social group has things worst (and lets be honest, always using a US lens)

Like... maybe the important thing is to prop each other up and help everyone get on their own feet rather than trying to... pick fights about if physical disabilities or mental illness are less respected (I'm trying to pick a more absurd example but sadly I've seen exactly that argument happen before). Maybe it doesn't really matter and what matters is helping who we can when we can

I'm tired of it, I'm just fucking tired of it. Support people, champion them when the world is just brutalizing them, but you don't need to throw a single other person under the bus to do that

Which seems to be an absolutely impossible lesson for people to learn

[batsplat]

hii I was just wondering why you think the aprilia bikes will be horrible next yr? because to me based on recent races it feels like theyre doing ok esp compared to other non-ducati teams.

'horrible' is maybe a strong word, but even by their standards this second half of the season has been pretty abysmal. and it'd be in line with my long-term expectation, where I think aprlia's done very well in motogp and I'm very impressed with their general trajectory but... I kind of feel like their title-winning opportunity might have already come and gone. mainly because the other manufacturers have a lot more spending power than them. now, I'm aware this is an expectation that might age quite poorly if ktm is in as much financial trouble as they seem to be but... just on aprilia, obviously it's plausible that it's a race-winning bike next season, that a rider as capable as martin can fight for victories on multiple occasions, but... well, it's not going to be title-winning machinery, is it. and it's not the one of the non-ducati manufacturers I would personally bet on making that step in the next few years. and even if I'm wrong and it IS, inevitably it's going to be a step down for the two riders going there next year. which is. a shame