#the issue I had here is how do you end it because like this all happens so quick. it's not like there's time for the police to get there.

[moonstonejpg]

ours (k.bakugou x reader)

"your hands are tough, but they are where mine belong in"

sum. bakugou is having a bad week, thankfully his girl is always there to make the bad days a little better

cw: a little angst, fluff at the end!

i hate hate hate paparazzi!! loosely based off of this and the song ours by taylor swift

It had been a rough week for Katsuki.

First, the hero rankings were announced, and he found himself at #15—not even in the top ten. And he swore it didn't bother him, that the rankings were just a stupid popularity contest. But you saw the way his shoulders slightly slumped in disappointment and the way his fists clenched so hard that the half-moon imprints of his nails in his skin stayed for hours after you had smoothed his fingers out.

It broke your heart to see him like that—and then yesterday he got into a silly fight with Izuku, one that was filmed and taken way out of context by thousands of people on the internet. Which in turn prompted the resurgence of people saying he didn't even deserve to be on the list at all, let alone at #15.

bakugou is mentally unstable lol

i worry about his gf tbh, those anger issues are a huuuge red flag

right?! i hope that poor girl gets out of that

she seems so sweet, he’s probably threatening her or something

It was just one hit after another for him.

And now, as he stares out the window at the crowd of paparazzi with a clenched jaw, the only thought in your mind is how this is strike three. All he wanted to do was take you out for a nice dinner to thank you for being so supportive this week, but he couldn't even do that without a swarm of media leeches waiting outside.

"Kats, we don't have to go. We can just stay here." You say quietly, worried eyes set on his tense shoulders.

"No," he growls, "I'm not letting them ruin this too." He positions himself in front of you before taking a few hesitant steps out the front door of your shared apartment building.

His warm hand envelopes your own, fingers threading through before tugging you behind him, half shielding you with his large body. The flash of the cameras and the noise of the crowd makes your vision blur, but Katsuki is moving fast, fingers tightly gripping your own while his gaze is laser focused on the awaiting black car parked on the other side of the street.

Everything is moving so fast, the shouts of the various reporters melting together around you. But you can't hear a word they say, the sound drowning out any specific words, until—

“Why him?”

And you nearly miss the step below as you freeze. The question has you rearing back as if you'd been hit, your eyes dancing towards the sound of the question. You see him right away, a male reporter who is nearly frothing at the mouth for a reaction. The reporter leans forward, eyeing you hungrily as he waits for an answer. And usually, you wouldn't give them any time of day, the daily harassment towards you and every other pro-hero and their significant other almost daily a good enough reason toignore any of their probing questions. But how could you ignore this?

“Why him?” you parrot back, white-hot anger burning through your body at a rapid rate. You don’t think twice before you’re ripping your wrist out of the blonde's hand and taking angry strides towards the reporter. You're nearly toe-to-toe with the man, and while he is a full head taller than you, he shrinks a bit from the look on your face.

Katsuki comes up beside you, gently tugging at your wrist.

“It’s not worth it.” He says lowly, looking down at you with something like sadness tinged in his eyes. And your heart cracks, picking up on the one thing he isn’t saying but you know he’s thinking.

That he’s not worth it.

And you can’t have that, you can't have Katsuki thinking that he isn’t worth any of this, because he is. He is worth everything, and despite being in each other’s lives for years now, the fact that he still doesn’t see that is devastating.  

Your body begins shaking from a mix of anger and adrenaline as you look at the crowd around you. A slow hush falls over the crowd, as if they are waiting with bated breath to see what you have to say.

“Because he is the kindest human I have ever had the pleasure of knowing; kinder than any of you will ever be. And what has he ever done to you to make you so obsessed with twisting every move he makes, every word he utters into something that makes him look like the bad guy? And for a quick buck? You all should be ashamed of yourselves.” After shooting a glare around the crowd, you keep your chin high as you grab a stunned Katsuki’s hand and drag him towards the car.

You gently push him in, keeping a hand smoothed over the back of your dress as you crawl in after him, slamming the door shut with more force than necessary.

The car ride to the restaurant is eerily quiet, and as the adrenaline begins to leak out of your body, your brain catches up to what you did. And yeah—they did need to be told off, but you start to wonder if this is something that will get him into trouble.

You weren’t a hero and you didn’t have a lick of media training, why did you think causing a scene would be a good idea? The thoughts spiral in, and you want to bury your face in your hands as dread slithers its way into your stomach.

When you get inside the building, you are ushered towards the back of the restaurant by the host, presumably to where your table is located. But before you round the corner, Katsuki is tugging you into a dimly lit closet, fingers making quick work of the lock. Even after the door is bolted shut, he stands and faces it, as you just watch the outline of the gentle rise and fall of his shoulders.

“Kats?” You say quietly, a hand hovering over his shoulder. “I’m sorry, I just—”

He shakes his head, a disbelieving laugh pushing its way out of his mouth.  

“No, you—” He shakes his head again, then turns around to face you, his body crowding you up against the wall. His eyes are dark, twinkling with emotions you can’t place. Both of his hands come up to gently cradle your face, and you let out a breath you didn’t know you were holding.

“Have I ever told you that I love you?”

You blink up at him, confused.

“Not only was that the hottest thing I have ever seen, but—well, that was the first time anyone has stuck up for me before.”

“I would do it again—anything for you really. You’re worth it. And I know that’s hard for you to believe, but you are. They can say whatever they want, but I know in my heart that I do not deserve you, and that you ” You say quietly, eyes locked on his. He smiles, eyes shining, before leaning down to press a gentle kiss to your temple.

“Oh, my sweet girl.” He whispers in the dark of the room, thumbs caressing your cheeks.

“I love you Kats.”

“I love you too. Now, how about we ditch this place?” He asks, leaning back to tug at his tie, before bending forward to loop it around your neck. “I think that new ice cream parlor is open. So, sundaes on me?”

You nod, a giggle escaping when he bends down and tugs the ends of the tie, your body falling into him. He lets out a gentle laugh, the sound like a gentle breeze on a hot day. It has your smile stretching across your face, your heart singing in response.

He reaches down to unlock the door, but when he flicks the lock back, nothing happens. Katsuki tries again, but again, nothing happens. It doesn’t budge, not the second time he tries or the fifth, or even the tenth time he tries. On the eleventh try his hand slips from the lock, his eyes colliding with yours.

It’s silent for a few seconds, and then a laugh bursts out of him, followed by another and another. The sound has the grin staying locked in place on your face, relief flowing through you at the change in his mood.

“We—we’re stuck.” He gasps out, hands falling on his knees as he hunches over, deep laughs spilling out of him. It isn’t long before you are on the floor next to him, trying to catch your breath around your own laughter.

[utilitycaster]

So I am someone who hasnt been on Tumblr very much since C2 ended. I followed a group of story analyzers who were more or less very fond of C2, and of the critiques they had; most were minor or “matter of opinion differences”. This changed a lot with C3, where many of that same group have issues relating to the themes, character and worldbuilding of C3 in terms of Divinity, Empathy, Power Dynamics, “The Status Quo”, and Responsibility. Where the conclusions the story draws clash with a previous understanding of the world and its themes in a way that appears incoherent to many of these Analyzers.

Personally I found most of these analyzers to be very intelligent, so when most all of them view the bells hells and their actions, as them being a selfish and destructive, even possibly evil, force on the world. But the cast and matt frame it as “they are the heroes” how is there such a disconnect that doesn’t lead to “wow if only matt and the cast were smarter” type conclusions.

Matt and crew nailed a lot of C1/C2, and these same analyzers praised both campaigns, so why is this campaign, the one where so many fans here and the cast view the world, characters and the themes so tremendously radically different? What possible reasons exist to explain these divergences? And are these things that could rear their head again in C4?

(I kept this non-anon to show good-faith)

I can only speak for myself, and I suspect a desire to avoid a barrage of anon hate and accusations of arrogance is why no one has said this in so many words but as someone who doesn’t give a fuck if people think I’m arrogant, because I am and it’s justified, actually yeah I do think the cast should have been smarter, or at least more thoughtful, in this specific work. In discussing this with mutuals who are also meta writers, one of them pointed out that the structural critique is, ultimately, us saying to the cast "you should have been smarter about crafting this aspect of the plot/themes/narrative." It’s not phrased as such, but it’s the obvious implication.

As for what’s different: it is a campaign that has a much more narrowly focused plot, which required a stronger DM hand on the reins than in Campaign 1 and 2 (and did not have that). It is much more centered around one specific PC leading the entire time, which is different than Campaign 1 and 2, which had more balance and I think led to bolder decisions. It’s that Campaign 1 was crafted around the characters the cast made, and campaign 2 was a dialogue between characters made for the intended plot and setting and said plot, and campaign 3 had a vast disconnect that was never addressed due to poor planning in the earliest stages. And as for the lack of consequences, I honestly cannot tell, but I think it’s that it’s a combination of the characters being so reluctant to make choices that you sort of had to shuffle them forward without consequence in order to actually make any plot happen; and that was the big wrap up of a trilogy and Matt is, to put it tactfully, a rather more sentimental person than I am and his desire to grant everyone a happy ending won over a desire to tell a good story. I really do understand that actual play as story involves a unique and difficult dimension of people feeling very attached to their PCs, but if a DM and players are dedicated to a happy ending that fails to feel earned by the narrative, that will be a detriment to the quality of that narrative. And if you are someone who analyzes, it will fail to hold up to analysis and feel very empty and unsatisfying. This serves as perhaps an alternate interpretation for those who find it hard to stomach the statement of "the cast should have been smarter," namely "the cast should have been more willing to make risky choices and kill their darlings."

As for a Campaign 4: a narrative with similar problems could very well emerge. I think the general informal consensus among meta writers is that it feels like Matt is (understandably, but again, to the detriment of storytelling) overly precious at this point with Exandria, at least with the “modern” era and the C1-C3 characters, but a fresh start far in the future or in a new setting feels like it would mitigate the problem. But yeah it’s 100% possible this could be a problem in the future. I’m hoping this was just a “it’s our tenth anniversary and the last longform campaign of my imagined trilogy, let’s give everyone a happy ending” problem that won’t carry over to future works, but it could be a turn towards general self-indulgent fluff. Wouldn’t be the first time someone started out strong and ultimately became a coward who sanded off all the edges, for various reasons. But because of the strength of, frankly, everything but campaign 3 CR has put out, including concurrent works, my attitude is that I’m still here for a hypothetical campaign 4. It is however undeniably true that the vast stores of goodwill I had at the end of C2 are much smaller now, having been drawn on extensively to carry me through C3, and I’ll be less patient with any potential flaws in a hypothetical C4, particularly if they follow a similar pattern.

I guess to end this: if you are someone who follows me or other meta writers or people you consider smart, first off thanks, second off you are allowed to enjoy a story that I think is not very good. I think defending this story as structurally and thematically sound is a bad idea and I have yet to see a coherent argument in that vein, but there is no counterargument, no matter how intelligent or insightful the writer, to someone else’s “well I liked it.” You can like and dislike what you want, and that’s the end of it, and honestly my issue with so many of Campaign 3’s loudest advocates is that they demonstrated a bizarre incapacity to understand the difference between media analysis and personal opinion, and took all criticism of something they loved as personal attack whether or not it was. Speaking only for myself, if you look at my meta and your response is “well I had a good time,” I respect that (and most of us even agree, even if the good time was had more in the analysis than the watching). But if your response is to say “no, you’re wrong, this is narratively well-crafted,” well then you best come correct.

[lacesoflove]

guess who’s back on tumblr after trying to unalive themselves 😍 i don’t really wanna talk about my absence and go into the depths of the reasoning why, so i’ll just talk about why this account was made - which was for hamzah and slushy noobz. i want to have my own little thinkpiece on the match as well as my place in the slushy community moving forward

i want to say the match and the production is the reason why i love them soo much. they have such an ability of creating cinema with their videos, hence why one of my favourite video from them is the camping video (i tend to watch this video more for comfort rather than for humour though) – and there’s an immense amount of payoff as a viewer watching their content, you can see all the layered inside iokes (i.e having aldo, and nettspend’s producers) and internet jokes culminate in something so carefully crafted (like the way chase’s commentary was genuinely good??). and then the obvious reasons as to why i liked it, hamzah looked so damn good, and he knows it too (i also find martin attractive too, i’d just prefer not to talk about it too much in respect to his relationship). there’s something so beautifully boyish about their content that i can’t find something else (as much as i love them and before anyone says it, no - the dancing gamers cannot replace hamzah and martin and that’s okay!)

however this video kind of cemented why i don’t think i’ll continue regularly engaging with their content. this video kind of felt like a bittersweet ending to one of my favourite eras in my life (watching them). and before i proceed, ik the reddit fans are gonna be annoying - on a side note of the reddit fans i feel like the reddit community is so pedantic over small stuff and because of the few, genuine bad eggs in the community, they over correct and just get so bitter and mad about everything (i.e them being so cruel to fanfic writers) and call everyone chronically online whilst they use the same old “*insert trending braintrot joke* 💜”. i feel so aged out in a fandom even though i’m 18 - i can’t imagine how the slushies who are actually around hamzah and martin’s age feel when their fandom is so reminiscent and full of the same 14 year olds that i’m convinced are the reincarnations of the 2021 14 year old dsmp fans. definitely more sane, i’ll give them that. but community aside, at least reddit community, i want to talk about something another one of my mutuals mentioned recently in their own post and it’s how money hungry they seem. two things can exist at once, let’s get that straight - hamzah and martin don’t get a lot of sponsorships but also being upset that so much of this well awaited come back was heavy promotion for the patreon which, mind you, had a decent amount of members subscribed (i do commend hamzah for encouraging people to unsubscribe over the break!) and also they get money off of ad revenue. i just personally find it egregious that their hoodies, the out of character ones, which are at least unique designs unlike them literally reselling temu shirts like the “find x” shirts, are the same price, in my currency, to the essentials fear of god hoodies.

for any south africans here, it was around like R900 for a hoodie! which is gross im sorry :)

there are also other reasons im distanced from them, and its their associations with chase and claire - i made a, now deleted, post about this before but chase has this annoying tendency i notice in white ‘queer’ (i think he’s queer lmao) men where they speak in blaccents, which was heavily highlighted to me when he was a commentator and he was able to speak in a ‘normal’ white accent, and claire made weird ass comments about black women. as well as having fucking idubzz (who im not sure why was even invited when like sm people are like “who even is he??”) who literally had to make an apology about the fact he created a racist culture with his platform, years after the damage was done. i also have other smaller issues with them that would definitely actually get me cancelled (not even over on the reddit but here). but idfk, what are yalls thoughts?

[plainclothesdisaster]

“What the hell am I looking at.”

Batman stands next to him, arms folded, appraising the same piece of plain notebook paper on the table. To the untrained eye it looks like someone has scrawled a handful of shitty doodles and notes on it. But to John Constantine’s eye? Well, he was thanking his very limited lucky stars that he didn’t have a personal encounter with whatever god or demon that had given that paper to Bats in the first place.

Batman frowns. “I don’t know. That’s what you’re here for.”

“And if I told you I don’t want to touch whatever this is with a ten foot pole?”

Batman points to a green sticky note stuck on the paper’s bottom corner.

Call the Hellblazer if you need a tutorial.

Well, fuck. So much for flying under the radar.

“So. You know what it is.” Bats says it as a statement not a question, which is, of course, accurate. John knew what it was before Batman even led him to the black table at the center of the Batcave, where the paper sat in the center like some delicate work of art. The whole cave smacked of ozone and ectoplasm from the second he walked in. It’s positively filled with potential energy on a cosmic scale, emanating from that single, annoyingly unassuming source.

“That,” John starts, resenting the no-smoking-in-the-Batcave rule now more than ever, “Is a summoning sigil. A very powerful summoning sigil. How in hell did you end up with it?”

Bats hands him yet another green sticky note. This one reads:

Use in cases of: Mind control, literal apocalypse (ONLY if my fault). That’s it. Nothing else. If you do I will know and I will permanently turn off the gravity in the Watchtower as payback.

Thought I’d save you the trouble of making my file yourself.

-D

P.S. No spoilers, John. :)

Bats re-folds his arms. “It was given to me by a coworker.”

It’s a contingency plan, John realizes. One of Batman’s trademark ideas that piss everyone off but he does anyway. Usually the League Members didn’t personally and willingly hand over their personal kryptonite, though. John certainly hadn’t. And there’s also the issue that most Leaguers kryptonite isn’t this powerful.

“Care to enlighten me which of your coworkers is on a first name basis with the Ancient of Time?”

“Hn.”

“Not ringing any bells? How about this then: which Leaguer is strong enough that their contingency plan is giving you the personal calling card of a god?”

“He knows you.”

And John is just so thrilled that two of his names showed up in the context of god-summoning. So neat for him. Not problematic in the slightest. What’s only slightly less problematic is that he doesn’t know who wrote the notes- none of the current Justice League members fit the bill. Not that he’s ever been good at keeping up with the cape parade, but he would have known if something this powerful stepped this close to his territory.

Unless…

“When you say coworker, what exactly do you mean?”

“Does it matter?”

“You don’t typically make contingency plans for non JL members.”

“He values his privacy.”

Not a member of the Justice League, then. Powerful enough to hide in plain sight and also have an Ancient on speed dial. Self aware enough to deliver this nuclear option of a contingency plan.

John knows who it is.

The only question left is why the fuck Batman has the Ancient of Space, King of all Ghosts, on his maintenance staff.

But he won’t ask that, because according to that cheeky little sticky note, Batman didn’t know. And John is not about to piss off an Ancient by spoiling his gig.

“Well Bats. If you end up needing to use it you just prick your finger, touch the circle, and say that bit of Latin there.” He waves his fingers at the scribbles, still unwilling to get any closer. “But I hope for all our sakes that you never need it.”

“And why’s that?”

John resists rolling his eyes. He doesn’t resist the urge to grab a cigarette and put it between his lips. He’s not planning on sticking around much longer anyways. “Because if you do, it means we’re fucked. Like, cosmically.”

Batman glares at the cigarette but decides not to comment.

“Look mate I don’t want to get involved in your hiring practices, but have you considered background checks?”

“I trust him.”

“I should hope so.”

John sighs. He can feel a headache coming on. Batman didn’t just hand out his trust willy-nilly, so the king in disguise must have done something to earn it. It’s not much solace, but he’ll take it.

DPxDC Mechanical Engineer Danny

Danny caught the attention of Batman while studying at Gotham University for his alternative energy projects. He’s hired right out of college to work on the Watchtower.

He shows absolutely no tell of his abilities till there’s a dire situation- Flash’s electric discharge messes with one of his projects in progress and the whole base would have lost air pressure if he hadn’t done a quick fix using telekinesis and ice.

Of course Batman notices.

Batman assumes the worst- he suspects Danny’s a rogue of some kind, someone who has infiltrated the Justice League with an ulterior motive. But he can’t just fire Danny now- he’s the only one who knows how the new Watchtower energy source works. Plus, he’s not letting Danny go anywhere until he’s figured out his true motives.

Cue Batman subtly testing Danny- tossing things at him to trigger inhuman fast reflexes, having him lift too-heavy machinery, setting up convenient opportunities to steal or snoop or otherwise be up to no good. Danny does take advantage but only once, to use a computer terminal with unlocked clearance. He didn’t plant any bugs that Barman could find, and he otherwise kept up his powerless civilian act perfectly.

Still, Batman’s not satisfied. He brings an infrasonic sound emitter to Danny’s lab one day, and that, of all things, is what gets Danny to break.

“I know what you’re doing,” Danny admits with a sigh, finally. “If you’re really that suspicious of me, I can leave, but I kinda like my job so I’d prefer not to. The benefits are insane compared to what’s standard.”

“I don’t know what you’re talking about.”

“Sure. yeah. How about you turn off the freaking noise generator and we can talk?”

“Hm.” Batman obliges, and he takes the stool next to Danny at his gesture.

“Number one, I’m not a meta. Despite all the data and conclusions you’ve probably drawn otherwise. Number two, I’m on your side. I’m here to work on the base, that’s it. I follow your rules to the letter.”

“The-“

“The classified files I looked at? Yeah that was the one exception. You already know what I looked at, I’m sure, but maybe you haven’t figured out why. It goes back to point one- I may not be a meta, but I am something that organization, the GIW, cares about. I looked at your files on them to sus out your relations. Seeing as I don’t particularly love being the victim to twelve degrees of human rights violations if I can avoid it.”

“Hm.” The Ghost Intelligence Ward was one of many government agencies that the Justice League hadn’t worked closely with. But they also hadn’t been flagged for Justice League investigation. Danny’s comments made him doubt that call.

“Any other questions?”

“If you’re not a meta, what are you?”

“I’m an engineer. A pretty decent one. And I’d really, really like it to stay that way.”

Batman considers, and ultimately lets him stay. He likes Danny (everyone likes Danny), and it would be a massive pain in the ass to replace him. He really is a good engineer.

It’s only much later that his faith in Danny is repaid in spades.

Batman finds Danny on the Watchtower command bridge. Alarms are blaring, the station has been knocked out of orbit, out the window there’s shrapnel floating everywhere as a space battle rages around them.

On the station it’s chaos. Technicians run around, shouts from the med bay, sparks from the walls.

Batman and Danny stand at the main controls, watching the battle outside, stoic, unmoving.

Wonder Woman’s harried voice crackles through on coms: “We need backup.”

“There is no more backup.” Batman replies, while looking pointedly at Danny.

“What?”

Batman doesn’t move.

“What.”

“The impact from Darkseid’s initial attack should have sent this station on a terminal trajectory toward the planet.”

“Well. We aren’t currently plummeting to our deaths, so turns out it didn’t do that.”

“You did something.”

“I don’t know what you’re talking about.”

“You’re lying.”

“Maybe Superman nudged us back on course in all the chaos.”

“I’ve been watching the trackers. No one else with the capability has come near the station.”

“Can’t you just be grateful we got lucky?”

Sounds of peril screech over the coms. Danny’s face scrunches.

“Luck had nothing to do with it. As it is now, we are going to lose this fight.”

“Isn’t there anyone else you can call?”

“I’m asking you. You can help, can’t you?”

The glare-off lasts a long moment more before Danny breaks.

“Fuck. Fuckity fuck.” Danny runs his hands through his hair. “Shit. You don’t know what you’re asking.”

“I’m asking you to save this and countless other worlds from a genocide. I’m also asking you to save my friends.”

Danny looks at him, hard, weary, and with a kind of deep resolve that feels far too ancient to be on the face of a supposed twenty-something.

“Fine. Fine. Okay.” He steps back and transforms. If Batman is surprised when he shakes off his human appearance like an old coat, he doesn’t show it. But what’s undeniable is the being in Danny’s place has the unmistakable presence of power.

“No one else can know.” His voice echoes in a way that’s sonically impossible, both sounding closer and further away than he should be.

He pulls a gear-shaped medallion seemingly out of thin air and puts it over his head in one motion.

“If I get in trouble for this, I’m blaming you.”

He vanishes. Outside, the shape of the battle changes instantly. The stars seem to glow brighter as the arms of the galaxy flash with the colors of the aurora. Then it’s like the void of space itself comes alive. It moves the spaceships back like they’re toys, plucking them from one side of the field to the other. It finds Darkseid at the heart of the chaos and massive arms of nothingness and darkness wrap around him. He’s screaming as it swallows him whole.

His armies scatter. The battle turns. The JL deal with the stragglers, but the air of relief is palpable.

Danny reappears next to Batman, once again donning his grease-stained coveralls. Arms folded.

“Happy?”

It took all of five minutes. Less, probably. Batman tamps down a thousand questions.

“Thank you.”

“I’m gonna need two weeks off minimum.” Danny snaps. “One to deal with the bureaucratic nightmare you’ve just caused me, and another to recover from the headache.”

Batman blanks. “Granted.”

Danny sighs. “And I’m not fixing the station until I’m back. It won’t fall out of the sky as is. Make up whatever excuse you want.”

“Done.” He considers. “I would prefer to tell them the truth. That you saved us.”

Danny glares. “I’m not supposed to save you. I made a pact not to use my power to influence the mortal realm.”

“A pact with who?”

Danny rolls his eyes. “The embodiment of Time. The concept of Justice. Among others.” He smirks at Batman’s confusion.

“And what, exactly, does that make you?”

He stands, framed by the space window, haloed by the stars. “I’ll give you three guesses.”

Batman frowns.

“Look. I like you guys. I like working on your base. I like supporting the work you do. But you can not go factoring me in to any of your plans or contingencies. This was a one time thing.

“So to answer your question again: I’m an engineer.”

[darkfictionjude]

Okay so I know this is a touchy subject already especially since certain people have already been bitchy about it before, but sometimes Crowny is genuinely difficult to play as. I feel super conflicted about them since they're the literal personification of "damn bitch you live like this?"

Realistically, progress isn't linear and different people get different results even if they do the exact same thing, but as of now it feels like they aren't really allowed to improve at all. If you study you're still mediocre leaning towards bad in terms of understanding. You try to workout you see absolutely no results, not even the tiniest bit. When it comes to the other characters, it's always one step forward and two steps back. When you give them a hobby or try to get them to pick up a skill they find little enjoyment. When people bother them they barely fight back or even argue, and when they do it's like a sarcastic quip or a grumble at most. By the end, they haven't even made a dent. These don't make them less of a person and it doesn't make them a failure since the world is quite literally out to get them, but it's like they aren't allowed any satisfaction in their life. (Yeah it's been like a month, maybe barely scratching two in the current timeline so maybe this contradicts what I first said about progress but I'm dumb as hell)

It's wild to go from the side quests, backstory segments, interactions with the ROs and then Crown family just for all the hype to fade when there's a segment with just Crowny all alone. I know that there's a reason for why they are the way they are, but I literally have to take breaks from reading their solitary moments sometimes because it seems to drag on. I know things aren't easy in this universe, I know the world is supposed to be cruel and unfair, but like can they at least get a cake for their efforts? Or a hug? Or be able to sleep through one night and wake up well rested?

I hope I'm not sounding like an asshole or a insane here. Personally, they're relatable in a lot of aspects. I may not have had supernatural shit going after me, but I had a lot of issues that many of their experiences brush way too close to. It's just the way it's presented that makes them feel like they're like the random piece of chewy cartilage in an otherwise perfectly cooked steak, unpleasant but I'm gonna eat it anyway.

I literally just wrote a whole ass book complaining, but I at least wanna say I do love your work, Crowny included even if my words seem to say otherwise, and I'm super excited to see what happens in the timeskip since i know this is like JUST the beginning. I'm like seriously praying my tone is coming off the right way if that's even possible. If you read through all this thanks. I'm not gonna hide behind anon because I at least wanna be able to explain myself if this comes across wrong.

but like can they at least get a cake for their efforts? Or a hug? Or be able to sleep through one night and wake up well rested?

Well no 😭😭

And that comes from the fact that they are self loathing, depressed as hell and have virtually no support system while dealing with things that they aren’t mature enough to handle, actually their mental health is getting far worse which is by design

I feel like perhaps some readers have not realized just how depressed crowny is. All the things you described about them finding little enjoyment, etc., are key markers of major clinical depression

I feel also people did miss the fact that crowny kind of exploded in the library they didn’t shut up, they didn’t let it go which I think is a positive because this is the first time they’ve have enough to say “enough”

Sorry but I like my things slow burn 💀 that Halloween party is meant to be a breakthrough for them and I think perhaps it’s been glossed over by some because what happened to James has gotten the most attention and the final moment in the woods. Crowny outed their “friends” for the first ever and fought back against their tormentor in only one single night. James for all his issues did the one thing that broke the camel’s back and pushed Crowny over the edge, all 7 episodes have led to this

Crowny is meant to fall before they come up that’s how I wanted it because realistically someone could not handle all of this without losing their mind. It has barely been two months, Crowny has only seriously hit the main plot in episode 4 which in the current timeline was about 3 weeks ago (from episode 7)

Truly the progress that crowny did make in episode 7 should have taken longer, people with crowny’s issues spend years in therapy before they feel they have the right to fight back.

There’s a reason episode 7 is the midseason finale. It’s not only about the plot but about crowny themself….

Dw you’re tune is fine I can usually tell when someone doesn’t think before they write 😭

[gayofthefae]

We've talked about how while everything is taken seriously for Byler, even jokes being only jokes they tell in bonding and not us laughing AT them, while only platonic or sad moments are treated that way for Milkvan but romance is consistently treated as funny in a way that they're not in on (see: the entirety of season 3) and therefore we are laughing AT them, but let's also talk about how unimportant scenes are cut.

And funny isn't "important". It can serve another purpose - Steve's awkward flirting with Nancy in 4x05 also advances their romantic plot which leads to her friendship with Robin, for example, important. He is also referencing Dustin here, who he has been behaving oddly towards and is a big motive for his behavior this whole season to be answered.

So what, then, is the purpose of Mike and El's "comedic" moments? Oh, they broke up that way to be funny? Wrong. They broke up that way because the writers wanted them to break up and wrote it to fly under the radar and be a little nicer for you. If season 3 for them was just filler comedy, why even have it at all? Why not just cut to the chase? They said themselves the pacing ended up TOO condensed with only 4 seasons but that their original plan was 4, so with our current knowledge, it would make no difference and there would be no need to "fill" anything!

But it was important. It did mean something. Just like Mike's inability to say "I love you" was played for laughs in season 3 only to trick you into thinking it was resolved before calling you out for that assumption and bringing it back serious, all their issues have a purpose. Everything "funny" they do or say about their romance is just something under the radar to later be brought back to your face and say "why did you dismiss that?"

I've said before, season 4 Mike and El is just season 3 Mike and El in a different tone. Like those "movies in a different genre" trailers. It isn't funny anymore. But it's the same exact events. And what that's saying is "this was always what was happening, you just weren't taking it seriously before - but they always were".

Jokes don't mean pointless here. Jokes mean distinct setups they want you to miss.

They love their rewatchability. They want it overtly present but consistently dismissed on the first watch. How? Make it funny. But the funny is never the reason. The funny is always the cover. And the reason is very very important.

So no. They didn't break up for comedy. Had it not been comedic, it wouldn't have been absent. It just would have looked like this:

It isn't Mike and El endgame but sometimes there's conflict. It's Mike and El relationship issues but sometimes they're hidden.

Sometimes they can be swept under the rug. Sometimes, Mike can lie that everything is okay and you'll believe him. She'll believe him. They didn't make it mean nothing. They wanted you to think it meant nothing. So you'd be right there with her, with him, with Will - as always - and with everybody.

But you saw. It was important enough that you saw it for it to be in the final cut.

If your best argument for the fact that Mike and El start having problems as soon as they get together is "filler" then I've gotta teach you about this thing called "writing". Everything is important. They don't have the most conflict because they're the 'main couple'. And they don't have the most conflict because it's funnier that way. They have the most conflict because there's a cause of it. A plot-pertinent cause that they couldn't cut even when they go down to the bare essentials.

[yasmiralotta]

I litterly said that if people has had abuser that acts like Stolas than, that is horrible. And if they are unconfortable and projecting their personal feelings, the same way I do with Stella, then, fair enough. You have the right to feel that way and your trauma is a valid point of contention. And, to be crystal clear here: You are allowed to interpeted characters however you want. Everything can be interpeted and is interpeted by people differently. There is no wrong or right way to interpeted a character. YOU may see Stolas as a abuser and Stella as a victim. But I DON'T. Blitzø has every right and reason to feel hurt and lash out. I am not denying that he has reasons to get mad at Stolas. Blitzø has gone through abuse, no doubt about that. But, IN MY OPINION, not through Stolas. I don't see Stolas as a rapist and abuser. If you do, ok, that's how you see it. And that's fine. Again, it's all about how you interpet things. Like, I feel for and understand both sides of the Stolitz drama. They both have good reasons to feel hurt by the other. And I interpete their realationship as something that started of as transactinonal, but they ended up having feelings for eachother. But, because of class issues, they both have doubts about how the other is feeling about it. It doesn't need to be more complicated than that. But again, you can interpete it however you want. But don't tell others that the way they interpete the show and it's characters is wrong, because that means that your opinion on it also could potentially also be wrong. You know. So, all we can do is agree to disagree 🤷‍♀️

(Important sidenote: I do admit that I myself is guilty of acting like there is a right and wrong way to interpete these shows. And I will make an effort not to do that anymore in the future.)

I know I talk a lot about antis. But I also wanted to show some of the anti-antis stuff I found. Here is the first one, enjoy 😊

Yep. This is exactly what would happen if these characters were real. Blitzø would not stand for the antis shit! 😤

[zenosanalytic]

When Christians Kill God

I was watching a Big Joel video essay on Nebula this morning(sorry, can't link it rn: he hasn't put it on youtube yet) about the God's Not Dead series of christian-nationalist movies, and it crystalized something for me:

When Nietzsche said "God is Dead"(and I have my Issues with Nietzsche this is not a "Nietzsche is Great" post), he didn't mean god had ltrl had a heart attack or something, nor did he mean ppl didn't BELIEVE in god anymore. He meant "God", as a concept, had lost the explanatory and organizational meaning he felt it had in the past: that "God" was no longer a transcendent and otherworldly point for social cohesion, which provided structure and meaning to society and life, and The Church no longer an institution everyone deferred to and interacted with by dint of its divine-connection, but rather that both had become subordinate to gross political power. He meant that God-as-concept was now a mere rhetorical means to achieve inescapably worldly, political ends(one could fairly argue if "God" had ever been anything BUT that).

There's a moment in one of the latest of these movies subtitled In God We Trust[1](we'll get back to this) that is VERY telling. The hero of the film, a conservative pastor running for congress, is debating a strawman liberal and the liberal says something like "Isn't do unto others the main message of Christianity? Isn't Love Thy Neighbor central to the teachings of Jesus?" to which the hero says "No." both times and then responds "central to the teachings of Jesus, IS Jesus." and follows it up with "the only reason the teachings of Jesus resonate is because he was the son of god" meaning that christianity isn't about following Joshua's teachings or example, but just baldly about worshiping him, as a deity and like:

First off Josh Says(Im going to have to quote the Gospel of John quite extensively here to make a point, so plz excuse that) pretty clearly

I am the way the truth and the life

That how he lived is The Life dedicated to god, and his example the WAY to god, and his life's teachings AND example the TRUTH of god, and reiterates it later when asked by Phillip to show them god by saying

have I been with you all this time, Phillip, and you still do not know me?

in other words 'WHAT HAVE I BEEN TEACHING YOU That you don't know god yet? Haven't you been paying attention to my words and actions?' and later

The words that I say to you I do not speak on my own, but the Father who dwells in me does his works

in other words 'The Words of my Teachings are the Work of God. I. HAVE. BEEN. TEACHING YOU. GOD' and then, still, following from that

Believe me that I am in the Father and the Father is in me, but if you do not, then believe because of the works themselves. Very truly, I tell you, the one who believes in me will also do the works that I do and, in fact, will do greater works than these, because I am going to the Father.

and later still

Those who love me will keep my word, and my Father will love them, and we will come to them and make our home with them. Whoever does not love me does not keep my words, and the word that you hear is not mine but is from the Father who sent me

It Could-Not-Be-Fucking-Clearer: Joshua is saying DIRECTLY 'If you believe in me you will live by my example and my teachings, and if you do not live The Way and The Truth I have brought to you FROM GOD, then you DO.NOT. believe in me' His message could not be clearer.

The people who made God's Not Dead: In God We Trust made it's culminating moment a DIRECT RENUNCIATION of Joshua's teachings, and John 14 specifically, in favor of worshiping divinity in-and-of-itself. They reject his life, his teachings, his works --Everything the Gospels equate directly to Joshua and through him to God-- to merely worship a god for being a god, and in doing so mark themselves out as not christian at all. They DO NOT keep his words, and so they do not love him, and they are PROUD OF THIS!

So, No, God's Not Dead: In God We Trust(which you CLEARLY DONT DO, Actually): Christ is NOT "the central message of christianity", his WORDS are his BODY and those who KEEP them in their Hearts make themselves a HOME FOR GOD. When you reject his Words, you reject his Way, you reject his Life, you reject God, You. Reject. Christ.

I am no christian, but by the standards of the professed beliefs of the people who made this work, of the VERY TEXT they claim is their inspiration and truth, bowing down to divinity is NOT Enough. You HAVE to Walk the Way; you MUST Accept his Words.

But more to my point: What better proof that "God Is Dead", no longer a pillar to build your life around and bring ppl together by, now nothing more than a tool for unscrupulous power-seekers, than a gang of wealthy liars calling themselves ~Christians~ proudly celebrating their Rejection of "The Way The Truth The Life" in favor of scraping at divinity's feet, as a tawdry tactic to drum up votes for an election.

They Spit on their God and call it "Faith".

[1]That they'd name it this is particularly galling, given everything else, because of course that Wasn't The Original Motto of the US, E Pluribus Unum(Out of Many, One) is, but rather one adopted in 1956 after a long campaign of political christians campaigning for it. In other words: That "In God We Trust" is the official US motto is yet another example of God being reduced from something holy to a political football. ↩︎

[cod-indulgences]

currently feeling ugh with my body again.. could you write small boobs chubby reader (it me) receiving some love with any of the men pls? 🥺🥺

Kyle Garrick x female!reader, insecure!reader, body image issues, low self esteem, small breasts!reader, chubby!reader, tits man Kyle Garrick, angst, fluff, fingering, breast worship, overstimulation, fingering

anon you and others sent me similar asks. this is me too, writing this felt very cathartic and I love you for sending this in. I hope it helps you!.......it's also over 3K

You wouldn't call yourself shy, just....practical. No need to draw more attention to your assets, or lack thereof.

Being fat was sexy, if you were a specific kind of fat. Men didn't come running for apron bellies or thick thighs, if there weren't big, lush tits to balance them out. And even while your flesh had expanded, growing around you like Saturn's rings, your breasts had stayed small. Clothes were a nightmare, and you got in the habit early of wearing crop tops instead of actual bras, wanting to avoid the discomfort of underwrire digging into your belly when you had to bend and move.

And then you met Gaz.

Your crush was inevitable and all-encompassing. He shone like the sun to you, even with that dumb hat, and you were left sighing over him in private. It stayed private though, because one of the first things you'd heard him proudly announce was that he was a tits guy- and your heart had sunk to your shoes. You'd known those sort of men, glancing past you for a woman with cleavage, with the sort of breasts that filled lingerie and bounced enticingly.

So when he started flirting with you- unmistakable flirting, innuendoes slipped in with coffee and invitations to dinner, compliments on your hair and clothes- you decided to take what you could get, as long as you could get it. It might just be a way to fill time for him, but you were so pathetically gone on this man that even the scraps handed out until someone with proper curves came through felt like a feast.

So you accepted the compliments and dinner invitations, kissed Gaz in your doorway and pushed aside the creeping discomfort as his hands curved around your back, your belly bumped up against him before your tits did. You could take this much. Even when the kisses got heated, his tongue slipping against yours and drawing lines down your neck, you kept your clothes on, a barrier to hold off the inevitable let down. You could handle him eventually finding someone better, you couldn't handle his face twisted up in disappointment at the sight of your body.

So when you got bold after a couple drinks and sat in his lap, let his hands rise up and cup your tits through your shirt, you didn't expect the shuddering moan Gaz released into your shoulder, the little "fuck, baby" and how it went straight through to your core. His hand squeezed and you whined a little, nipple perking up as he thumbed across it.

"Gaz- Gaz, wait, shit," you stutter, and he licks across your throat, his mouth lingering at the neckline of your shirt.

He squeezes again, and you moan a little yourself. It's like nothing you've ever felt touching yourself, or the handful of boys you'd slept with, ages ago.

"So sexy, so fucking hot," he says, and it's like cold water down your back.

"Gaz, wait- no, stop!" You push at his shoulders and he goes back, frowning when you climb off his lap. This is worse than disappointment. "I don't- don't fucking lie to me!" You feel too hot, shame burning your cheeks. "Don't give me that shit! I thought you at least liked me enough to not- to not do this-" You try not to let any tears fall. You don't want to cry.

He's just sitting here, staring at you like he's confused. "What? What are you talking about? What lies?" He says, and it's too much.

"The fucking- the sexy shit! Like this- like I'm something you want- just, I'd rather you leave, ok? Just go, and we can pretend it never happened." You sit on the far end of your couch, arms wrapped around yourself. You don't want to look at him, and when he stands up, your mouth trembles. Don't cry. Don't cry.

You expect him to go to the door. Instead he crouches in front of you, and takes your hands in his. You don't stop him.

"Baby," he says, and oh fuck that hurts. "Why do you think I'm lying?" He looks so fucking sad. Big dark eyes and his cheeks are still flushed, and he'd been smiling at you when you took his hand and brought it to your chest.

You can't look him in the eye while you lay it all out. "I know I'm not- not what you want. Or like. And you're my friend and I l-like you, a lot, but you can't do this. You can't say this shit and pretend it's true when I'm the one you're saying it to. I know better. People like me don't get to be sexy." His hand cups your cheek, and brushes away the release that managed to slip out. "So you can go, and I'm sorry it went this way, but I can't sit here while you're wishing I had the curves I know you want."

Gaz doesn't leave, or move away, and when you dare to glance at him you get shocked to see his eyes are wet. His other hand let's go of yours to cup your other cheek, and he leans in to kiss your forehead. "If I ever," he says, and kisses your eyelid, "meet any of the fuckers who told you things like that," your other eyelid, oh, your heart, "I'm going to kill them." He kisses your lips, soft, and you whimper at the tenderness of it.

"You, just as you are, are so sexy to me- no, stop," and he holds your face to look at him instead of away. "I don't know who started you thinking I want tits more than you-"

"You did!" You burst out. "You say it all the time, talking with the soldiers, about how you love a nice set of tits on a woman, how the breasts are the best part, whatever else, it's practically a catchphrase." The words are bitter in your mouth. "And I'm not just the fat girl, I'm the bad kind of fat, without anything good to balance out the bad. That's just how I am, and I thought I would be okay with the dates and the flirting, because I knew it wouldn't last anyway. But I'm not, and I'm sorry I wasted your time, and just....I just..."

He looks surprised, and then upset again. "No, baby, no. I'm sorry. I didn't know it would- sound like that. Look, okay yes, I love breasts, always will, but don't you get it's not about them being big for me? I don't care what size. I just," he laughs, a little incredulous, "I like tits. Big or small, whatever, they're all fucking awesome!"

You yank his hands away and he falls back on his ass, surprised. "Not like me! Not when the little ones are on top of, of all this!" You grab your stomach and shake it, flesh bouncing, a reminder of just what you carry. "I haven't been little anywhere it matters since I was fucking twelve."

Now he's standing up, looming over you. "Okay, first of all- you think I'm that fucking shallow? That all I want in a woman is how she looks? Fuck you." You swallow, suddenly ashamed. "And two, if you think you're that unattractive, you need to open your eyes. If you'd put your weight down on me properly instead of hovering like I was gonna break, you'd have known just how sexy I find you." He cups his hand over his groin, and you stutter, too close to eye level where his fingers outline a thick, heavy shape. You had been hovering, uneasy at sitting fully on his lap, when he'd sucked on your neck and touched your chest. Gaz boxes you in, hands on the back of the couch, and puts his face up close to yours. "If you tell me to go because you don't like me, then I'll go. But I'm not leaving just because you think I'm going to be fucking disappointed at seeing more of the body I've been jerking off over for fucking weeks."

His mouth crashes into yours, and you moan, all tangled up with emotions, shame and desire, the embers of lust fanned when he sucks on your tongue. He's big and strong around you, the smell of his skin and soap filling your nose, and when Gaz encourages you to turn and lay flat you obey. He settles over you, his hips wedged between yours, and you both moan together when he hitches up a little and rubs up against you. Two layers of pants mean you can't feel much, but it's enough, and he does it again as you mouth shakily at his cheek, sucking on his earlobe. It's messy and a little high strung, and your eyes are still teary when Gaz lifts his hand to your chest and waits until you swallow hard and nod. His fingertips are gentle, tracing the curve of your breast until they find your nipple again, and you fight down the wave of shame as you see how his whole hand covers you. Barely enough for a handful, that just can't be what he wants, you're not enough- but he's looking at you with such dark, hot eyes, and when you whine a little as his fingers start to play with your nipple, you see his pupils dilate. Fuck.

"No bra?" He murmurs, and pinches just a little through the fabric of your top, just enough to make you squirm under him.

"No," you gasp, "just a shirt and a- a crop top thing, I never wear them," and he moans a little, a soft fuck that he breathes out before suddenly getting his mouth onto your other breast.

You squeak, it's hot and wet, his tongue working your nipple through the thin fabric, and your thighs open up a little more as he grinds against you. He's just- he's enthusiastic, pinching and sucking, pressed up against your body from head to hip. There's a warm liquid lust pooling in your belly, and your chest heaves as you gasp for breath. You can feel him now, no hovering, hot and hard up between your legs.

Suddenly your clothes are too much after all. You push his shoulders, and as Gaz sits back tug at his shirt, yanking the collar up over his head until he starts helping. He's gorgeous, full pecs with little dark nipples that perk up under your fingers, the muscles of his abdomen flexing when you gently trace along his iliac crest, a little shivering twitch going through the flesh. His cock is bulging out his pants, and you picture it sheathed inside you and feel your pussy gush a little.

Gaz sets his hands at the hem of your shirt, and you clench at the heat in his eyes. You're trying, you're dizzy with arousal and so turned on you can't speak, but there's still fear there. But he's so, so sweet, and you want it so bad, and nod helplessly for him to draw the fabric up and away.

Your bra-top comes away with the shirt, and you don't even have time to cover yourself before Gaz has your hands in his, fingers intertwined, and he's fucking moaning over you. "Baby, fuck, if you knew how fucking luscious you look," and he's diving back into you, eating the moans that slip from your lips as he gets both hands on your tits.

Small, too small, but he gropes and squeezes them, letting the flesh fill his palms, tugging your nipples between his fingers. He releases your mouth and goes down again to suck fully on one nipple, and you shout, the sensation of hot-wet suction so much more intense without fabric in the way.

"Fuck, baby, yes- just like that, c'mon," he mumbles around your tit, and you realize you're grinding against his cock. Your pussy clenches and you moan, trying to lift your hips up, aching for something you can't get while you're both still half-dressed. Gaz's skin is silky smooth against yours, sweating, and you squirm a hand between your bodies to pull at the button of his jeans. Two fingers slip in and you manage to rub the base of his cock, feeling the heavy flesh and the heat, and he swears again and grinds up harder.

You're going to leave a wet spot, you realize, and the Gaz dares to oh-so-gently bite down, teeth scraping your nipple, and you feel your body turn to jelly.

It's so good, so hot, like nothing you've ever had. Forget body image or shame, you're reduced to broken moans and begging, you're fucking begging, and Gaz works your pants open blindly to shove a hand down. His fingers scrape past your pubic hair and then he's suddenly there, everything hot-wet-slick, your clit bumping against the heel of his hand as he slips a fingertip against your hole. Then two fingers, sliding in, and he groans so hard against your breast that you can feel the vibrations in your heartbeat.

"So wet, baby, so wet, all for me? All this from these sweet little tits getting the love they deserve?" He grinds his palm in and starts fucking you on his fingers. You can hear the wet sloppy sounds, and it only makes you clench, whining. Your other nipple aches where he's been plucking at it, and when he moves his mouth there instead, you shout and clamp down. "Fuuuuck, fuck baby do that again-" He bites this nipple, and you obey and let your pussy contract on his fingers, perfect and not enough.

You blearily look down and see your chest, Gaz's dark head pillowed on you, his lips sucking at the peak of your tit. Your other breast is littered with little red marks from his facial hair, your nipple swollen and red, and it's so erotic and sensual you can't breathe. Suddenly your tits are sexy, plump little things with sensitive nipples and soft round bottoms, your belly and sides tingling as Gaz drags his fingers over your flesh, groping, yanking at your pants to give himself room to get a handful of your ass. Your hips jerk up, and your moaning climbs in pitch as the instinct takes over, chasing a high that is so close it hurts- truly hurts, your clit throbbing and pussy squeezing where his fingers keep pumping in and out of you.

Gaz lifts his head, holding your nipple in his teeth as he tugs, and his big hot eyes hold your gaze as your mouth drops open on a moan that doesn't end, spiraling up and up as your nipples ache and pussy squeezes, a long hard clench, before it finally breaks into an orgasm that leaves you shaking and limp, sobbing in relief, the new gush of slick around Gaz's fingers dripping over his hand and wrist.

Your voice comes back in stops and starts. "Fuck- fuck, Gaz, oh God, please, I can't- can't-" because he's still fucking you, sitting up to stare at his hand between your legs, pants and panties shoved down your thighs, and you're aware of the bounce of your flesh. The old fear tries to crawl back up, but Gaz is working is cock out of his pants, and you gape at him. He's huge, thick and heavy, so hard he's wet at the tip. When his hand slows you shove at your clothes, trying to get the twisted fabric out of the way.

"You don't have to," he starts, but you kick a leg free and hook it over his hip, pushing his jeans down with your heel.

"I want to," you gasp, and help him guide the tip of his cock to your hole.

Your mind is a little more clear now, and you take the chance to memorize Gaz's face as he slides into you, how his eyes close and mouth falls open, the soft moaning sounds. He's a stretch, and you're slick as sin, you make it work. He hitches up your hips, and you breathe deeply to relax your muscles, and suddenly he's there, all the way in, an ache in your cunt and your clit as thin flesh rearranges around him. Gaz drops his head to your shoulder, braced on one elbow, and his free hand comes up again to cup your breast, squeezing and lifting the nipple up for a kiss.

You get a kiss too, hot and sweet, and moan into his mouth when he finally starts moving.

You're sore and sensitive, whining at each bump of your clit against his groin, as he picks up speed and starts really fucking you- the couch creaks and your thighs open as wide as they can under the onslaught- he's so big, almost too big, and you gasp and tell him this, making him whine in return.

"So big," you say again, and feel his hips stutter. "Gaz, fuck-"

"Say it again," he moans, and you yelp as he sucks again on your nipple, harder, pinching the other and tugging until your back arches.

"Fuck! Fuck, Gaz, you're too big, fucking my- my little cunt-" he grunts and slams in harder, fuck, "god, please, please don't stop, I'm gonna come again!"

Gaz fucks his cock into you like a machine, wet squelches echoing as your pussy clamps down, trying to hold him in, your clit rubbing against his groin and pubic hair, and you come again as he opens his jaw and sucks your whole breast into his mouth- hot-tight-wet, his tongue slurping over your skin, your nipple pulled so tight against the roof of his mouth and your other swollen and pinched under his fingers. You feel the distant gush of your pussy on his cock, the way it's suddenly so much wetter, sloppier, and Gaz shouts into your chest as he slams his hips in and stills, his cock pumping you full of come, grinding up into your dripping cunt to get as deep as possible.

He's heavy on you, but not too much, and as he slows and you both catch your breath you wrap your arms around his shoulders, clinging. There's a fragile feeling in your chest, under the sweat and aches and tingling skin, and your wordless begging for kisses against his head brings him up to you. He's as gentle as you are, slow and sweet, and the fragility firms, settles.

Gaz chuckles a little against your mouth, and when you hum a question at him, he answers, "I had a whole plan for you. Seduction and shit, take you to a proper fancy place to eat. Get you in an actual bed, especially." You start to laugh as well, seeing the picture you make- you're naked except for socks and your pants and underwear hanging off one ankle, Gaz with his jeans rucked down his thighs and a wet spot on the crotch. Your breasts are swollen and tingling along with your pussy as he gently pulls out, and you wince a little, feeling the aches in your hips and back.

"Not quite what you expected, then?" You tease, but there's a little old shiver down your back.

Bless him, Gaz just lifts your hand to his mouth and kisses your knuckles. "Better than," he says, and holds your eyes with his. "I promise."

It's a heavy moment, and your eyes blink back tears, feeling sweet, precious, so stupid with your previous outbursts in the face of such affection in his eyes- and then your stomach grumbles, and you both burst into giggles. You grin at him. "Is that offer for a fancy dinner on the table still?"

Gaz winks. "Only if I get to have you for dessert after."

[yannisdesk]

Arcane: Is it Copaganda?

I talked about this a bit on twitter, but I will type it up here and elaborate (we all know twt is not the place for longform content anyway). My main argument for Arcane being copaganda isn't due to the existence of Caitvi being Enforcers in season 2, it mainly has to do with Marcus, and how his contribution to the narrative is handled.

Arcane makes it pretty clear from the jump that Marcus is corrupt; he was more than willing to use excessive force against Zaunites who posed no threat to him early in Act 1, foregoes due process to strike a deal with an up and coming crime lord to take down four kids, one of which is possibly an age that's not even in the double-digits, then kidnaps a 15 year-old Vi, and throws her into Stillwater, a notoriously horrifying prison, indefinitely (life sentence) with no trial or records - all done so he could allegedly keep her "safe" (more on this later).

Marcus is then showed not only continuing to uphold his end of the deal with Silco, which includes allowing shimmer to spread throughout the Undercity, but also directly benefitting from it, becoming sheriff in seven years or less. He shows some resentment over this, but nothing to the point of actually going out of his way to do the right thing or change his situation. He dies, in a show of overt police brutality, trying to kill Caitlyn and Ekko for trying to negotiate peace for Zaun and justice for Silco's actions.

And what happens afterwards in regards to the greater implications this could have for the narrative addressing state violence and corruption, and how it's maintained through organizations like law enforcement? Absolutely nothing.

You would think Marcus, the literal sheriff, being involved in high-level conspiracy, corruption, and who knows what else, would be a wakeup call to people like Caitlyn who are Enforcers but are supposedly in it for altruistic reasons; and also possibly to the council and Piltover overall - "Hey, there's a serious issue with our law enforcement if the sheriff of all people could turn out like that. Maybe we should clean house?" I'm no fool, I didn't expect Arcane to do a police abolishment plotline because that would be a one-way ticket to getting review bombed by rabid "anti-woke" dudebros who never cared about the show anyway; but the Enforcers are not challenged or elaborated on in the slightest in season 2, if anything they get worse.

Caitlyn knows that Marcus, her boss, was corrupt, imprisoned her girlfriend indefinitely when she was just a teenager, and got away with it Scott-free. Had it not been for Jinx's bridge attack in S1E7, Marcus would've killed her, Ekko, and Vi who'd ran back to try and save them. And he more than likely would've gotten away with that too. But we never see her ponder this at all, not even in season 1.

We're shown Enforcers being horrible throughout first season. The warden, who is an Enforcer, brags about how many times he's brutalized Vi. We're shown Enforcers slamming a Zaunite through glass windows for responding with being called a slur with spitting on their boots, we're shown in the "Enemy" music video that Enforcers slammed young Vi and Powder against gates for random searches and how humiliating that is.

But come season 2? All of that is washed away. I thought they were going to do something with how willing the Enforcers were to use the Grey, but no, not even that's addressed after Act 1. No one from Caitlyn's strike team ever faces consequences for that. Maddie dies because she betrayed Caitlyn, and Loris is killed in the midst of battle against Noxus, but neither of those scenarios has anything to do with their willingness to comply with wielding gas weaponry against an entire population of people. Maddie spying on Caitlyn for Ambessa is treated as a greater crime than her actions in Zaun. Vi has the audacity of going around calling other people traitors as if she also did not comply and defend it. Same goes for Caitlyn, Loris, and Steb.

And as for the rest of season 2, we get glimpses of the Enforcers rounding up Zaunites and participating in martial law, which was brutal on the Undercity, but again, it's never given any narrative weight the way it was in season 1. Come time for the main characters to fight off the new Big Bad™️(Ambessa + Noxus and Viktor) all of a sudden the Enforcers are shown mostly in positive or humorous lights. Gert, who has spent most of season 2 rebelling against them because of their heightened tyranny under Caitlyn, is all of a sudden willing to join them and die wearing their uniform just because one of them behaved like a human for half-a-second. The show ends with Caitlyn and Vi being active members on the force, and that's where it ends.

I believe Marcus is mentioned possibly once in act 1 of season 2 (I'm not rewatching to confirm), but other than that his entire influence is dropped, which is just strange and unrealistic, and is a lost opportunity for Arcane to address this topic beyond the surface. You would think someone like Caitlyn or even Vi, or hell, anyone would at least attempt to use his story as inspiration for a reformist angle, but no, we didn't even get that. Marcus is relegated to a "one bad apple" cliche, which is when cops who get caught up with corruption or brutality are treated as outliers within the system, not reflections of the systems deeper problems; which you'd think with Marcus, being the sheriff, would mean the writers would take advantage of that, but no they don't. The other half to that "one bad apple" saying is "spoils the whole bunch" - there were definitely plenty of Enforcers who were either complicit, just like him, or even worse. But the writers abolished that for whatever reason and gave us this whitewashed slop of a plot with the Enforcers which was equal parts insulting and dissatisfactory. Treating Marcus as "one bad apple" is copaganda, full stop, and that affected the rest of the story. The Enforcers have not even attempted to reform at all; they've just wrecked even more havoc on Zaun and got away with it, and characters who'd you would expect to have something to say about that don't because the writers desperately want you to forget about this aspect of the story because it clashes with their "the devil you know"-centric finale.

[bluuscreen]

okay actually i’m gonna talk more about the seizures thing under the cut because i wanna get into it

first i’m gonna give the disclaimer that i personally have never had a seizure [afaik? though i feel like that’s something i would know] and i’m basing this purely on some cursory research, but i’m definitely open to input if anyone with more experience than me has any o7 this is also a sort of fantasy version of epilepsy since it’s caused by something supernatural, but i’m gonna try and keep it at least kinda grounded

sonic’s seizures are mostly caused by stress or fatigue. so if he overworks himself, doesn’t get enough sleep, etc. he’s at higher risk

this does mean he’s probably most liable to seize during battles and the various world-ending calamities that happen on a semi-regular basis. his friends end up setting up a system where he isn’t allowed to go in without backup anymore [even if it annoys him] and they’ll tag in to do the brunt of the fighting if he even looks like he’s getting a bit wobbly/spacey

if he does pass out/space out during battle the usual protocol is for tails, rouge, or shadow [because of flight and/or speed] to carry him somewhere safe, make sure he’s alright and set up with a book or a game to relax with once he’s conscious again, then get back to the fight if they’re still needed

his seizures mostly present like how the whole prism ghost thing looked after nine got the energy out of his body. falling to the ground, passing out, twitching/spasming, you get it. going by the descriptions that i’m reading on mayoclinic i think it’d be something akin to tonic or tonic-clonic?

starfall islands SUCKED for him both because he was stressed pretty much the whole time with very little help/rest and the cyber corruption made his symptoms way worse. he mainly experienced memory loss, fatigue, numbness, and brain fog, on top of his already present symptoms. amy, knuckles, tails and later sage had to keep reminding him of where he was and what he was supposed to be doing [this part could be considered canon [just slightly different circumstances] if we look at the voice lines that are shown in this video. looking at the comments it seems these lines weren’t actually cut, they just probably only play when sonic is idle for long enough. which ofc makes me wish the corruption had more consequences which is why i’m tying it in here]

the memory issues are somewhat of an ongoing problem, not really related to the seizures specifically but they are still related to the prism energy and later cyber corruption messing with his brain. his friends have had to get used to occasionally being called by the wrong name when sonics wires get crossed and he mixes them up with one of their shatter-selves. shadow is technically immune to this, but sonic has forgotten his name at least once and resorted to using nicknames for like twenty minutes until shadow noticed and reminded him

i’m not quite sure how sonic handles big fights once tails, amy and knuckles go off to travel the world after frontiers? honestly the most fun idea to me here is that eggman is like “yeah i’m evil but i’m not that much of an asshole” and just doesn’t cause any huge shit until he knows sonic has backup. or team dark and his other friends just help him out more often idk

going super does temporarily fix all of these issues, but obvi he can’t be super sonic forever. it’s like taking panadol for a headache—fixes the symptom, not necessarily the cause, and wears off eventually

watched sonic prime, have some doodles [no the “classic” universe doesn’t really make sense However i wanted to draw tiny shadow so whatever]

text under the “classics” since it may be hard to read:

- shadow is arguably nicer, but he’s affectionate in the same way a grumpy cat is

- not the actual classics [obvi, since shadow doesn’t have a classic vers.]. they’re in roughly the same point in the timeline [as regular sonic and shadow], they’re just small

[mysteryanimator]

Ok so this a word ramble that I originally shared to a few folks, and then went “what the hell sure” and I’m sharing this here. Though this is more word ramble rather than structured then anything I’ve written analysis wise. The only reason why it’s less structured then what I normally do is because if I were to do this properly, I would genuinely go make a PowerPoint and multiple animatic examples to prove a point for a made up what-if 😭 I have to go be productive haha

Ok here we go

How we could have a Mizrak and Olrox intimacy scene actually work

This is hypotheticals I’m not actually trying to say it should be this way, I’m just really interested on this concept because it CAN work and it makes my brain excited. Also side point- you can also very easily achieve all of these scenes without a sexual intimacy scene as well, it’s honestly just up for can be portrayed and want needs to be conveyed to the audience. As long as the main ideas that need to be said are said!

I’ll preface beforehand too, this will be having Mizrak in particularly lean into a more positive viewpoint on it simply because I think we need more positive accepting sex scenes in animated queer scenes, especially with a repressed gay man coming to accept vampirism aka queerness. I think that’s neat in contrast to a lot of intimate scenes that aren’t so positive :D this also means a lot of it will come with my a lot of my own personal opinions!!

First of all, it would build an entirely new perspective on mizrak for us as an audience! There is so much we viewers that we do not know about him. Yet Olrox is so comfortable sharing alot of his emotional vulnerabilities to him, unlike Drolta in the graveyard scene. This type of physical intimacy literally has some baring their entire self to someone else. Nakedness is vulnerability. Mizrak is also a ‘warrior monk’ who wears armour. So you’re literally stripping him of not only his armour, we’re stripping him of the label he’s had since who knows how long. We go from warrior monk to just Mizrak. Every single scene of him in Nocturne is just defined by his monk title, never Mizrak. Which is also why it’s hard for a lot of us to imagine him in clothes other than his monk attire.

His monk attire is now however gone because drum roll. He’s a VAMPIRE. This is important I swear!

(Side tangent his ‘rebirth’ scene at the end of episode 08 when he’s revealed to be a vampire was unbelievably really fucking good)

He’s going to be dealing with a lot of self identity issues, his self image and how he feels about himself. He was already pretty repressed beforehand, and now all the walls are crashing down. Firstly as mentioned before, nakedness is a form of vulnerability. It would be such an interesting and unique way to showcase an acceptance of his identity. It’s both of his new identity of vampirism but also his identity of being queer. Almost as if having the reverse occur in the story of Genesis, where Adam and Eve become ashamed when they realised they’re naked. The opposite happening for Mizrak would be just interesting!

Another point is that we can explore Mizrak’s acceptance of vampire’s having a soul/life! I semi-explored the concept in an animatic not that long ago just because the idea just intrigues me sooooo much. I kinda want to explore it further but busy atm 😔, though I would genuinely make space and time to work on something like that regardless of what show/film it is. Emmanuel learns the concept that vampires/night creatures have souls, that they remember their lives beforehand when he turns Drolta into a night creature. It is totally up to audience interpretation if Mizrak recognises learns vampires have souls through this line:

“If you have a soul Olrox, and maybe you do, I hope it finds peace.”

However, through an intimacy scene, you could absolutely cement Mizrak learning then and there Olrox does indeed have a soul. Solely because, I’m going to get pretty NSFW here, Olrox is reacting to Mizrak, he’s reacting to what’s happening to each other BAHAHA. He’s getting emotionally invested in the moment, beyond the physicality, which could click something in Mizrak’s brain. There is a life to Olrox because that vampire is sweating and moaning HAHAHAH, which if he were to be truly soulless and lifeless, he would not be doing all of that. He’s a breathing, living person who has a soul. Ensue Mizrak accepting and giving in 🏃

Sure this probably happened between episode 3 and episode 4 in season 1, but for us to only see it now would mark an importance for Mizrak. It’s important for us as an audience to see this recognition because it will fundamentally change him and progress both their narratives. Every Mizrak and Olrox scene from episode 03 of season 1 to episode 08, something changes and something moves forward.

Speaking of life, Olrox has not been living. He’s depressed and traumatised. He’s the what-if he just killed the person who killed his lover dilemma for Dracula (thank you Tack for that!) He hasn’t lived since his lover died UNTIL Mizrak. I personally haven’t had seen so much life in him until he was fighting Drolta, saw Mizrak wounded and then started RUNNING??? It’d be really interesting conceptually to see Olrox be ‘alive’ in a much more safer private space, just between him and Mizrak!

This is also something you can very very easily achieve in 2-3 minutes, which is how long most of their scenes together are because they’re side characters. Or even less, 30 seconds it’s entirely possible to convey all of the above in little time. Power of visuals is important!!! Censoring is also not an issue too, I think you could censor this to hell and back but with smart and powerful storyboard choices from whoever gets the blessing to do it, concrete writing, you can actually have something that goes along narratively with the love theme in Nocturne and it’s positive influence on people. Mizrak’s self-acceptance and Olrox’s life reinvigorated. Of course everything beforehand has to build this up to this before it happens. Me, the brainrot person I am, recognises how hands are like a super important thing for them so it would be very cool to have that incorporated in somehow. Also, having the Olrox holding Mizrak from behind thing come up again, but with Mizrak accepting it properly and leaning back into him (or even Mizrak holding Olrox from behind) during a scene like this?? During a emotionally and physically vulnerable moment? Actual shockwaves I tell you, I think you’d have the whole fan base in tears.

There are nuances here, visual metaphors to play off, unique storytelling pathways it could go down, interesting characterisation you specific to sex and so forth!

Anyways that’s my proper ramble for the week, I hope you enjoyed my season 3 episode 6 pitch (massive joke I’m joking I’m joking, tho honestly would be so funny though if I could pitch something like because I will do my proper research, I will pull up statistics if I must and make visuals. Though I generally do understand how intimacy scenes don’t happen often, though Cativi winning an Annie award would prove to help strength the argument I’m making :D )

[gurobitsu]

Hello hello, I’m sorry for doing this anon but it links back to my dead main that I don’t use anymore 😅 I saw your reblog of my Mista backstory rant and the tags reallyyyyyyy interested me, we have a lot of the same ideas! If it’s alright with you, would you be willing to share a more in depth version of it? I’d love to read it! (o^^o)

YIPPEE i’m so happy to hear that!! i pretty much never talk about my own hcs (kinda nervous 😛) so here’s what i got…

* for the gurobits nation keep in mind this is SPECIFICALLY only for mista IN JJBA, usually the mista i draw/my “version”/characterization of him is a completely different au. this is just how i see Him as the Character in the show

⚠️ TW for some sensitive topics !!

guido mista backstory written by yours truly…

* i’ll use an asterisk for when something that’s ACTUALLY from his canon backstory pops up

mista, youngest of 4 (3 sisters who are 10+ years older than him), was born to (unnamed… never headcanoned a name for them…) mother and father in palermo, sicily. i’d picture his mom to be short and stout, and his father tall and bulky. his mother was loving and sweet, but his father was a deadbeat jackass who… wasn’t a good rep for mista, the only other boy in the family. and despite being a caring mother, she couldn’t be a good mother. she couldn’t always be there for her children due to their household already struggling with income, living in a poor part of the city, taking care of 4 children, and verbal/physical abuse from mista’s father. and being a victim, she ended up also contributing to the cycle of abuse but in a neglectful/emotionally unavailable way.

later along the line, mista’s parents divorce and his father eventually goes to prison (either for battery or assault… smth bad but expected). mista is around 10-12 now, and is pretty much told to be the “man of the house”. their way of living was honestly… heavily patriarchal.

* this is around the time his neighbor’s eye got scratched by the cat. he may not have developed a fear of the number 4 because of it, but it certainly made him scared of cats lol. and also! i don’t really think there was any big event that “gave” him tetraphobia. i personally headcanon he has ocd and has always been particular about numbers and patterns in general, and as a kid he learned and observed 2 things: 4th cat went crazy, and he’s the 4th child (at this point in time he began to really hate his life and had become heavily neglected).

he was homeschooled until 14 when he started high school. a very bad student. big jock though. no he did not get along with the ladies, no he was not popular. he was bullied actually. skipped all the time, which is what caused him to drop out. started smoking and sneaking out a lot, quite reckless behavior. not to be “cool” or anything, but just to feel something. he’s honestly always been alone with only a few friends who were neighbours, street thugs, or… dealers

* a funny little thing i like to think is that mista always had long curly hair that went to his neck/shoulders. around 15, he got lice and had to go bald 😭😭 and he hated it and wore a beanie all the time. which is why when we see him at 17 in his backstory, he has a buzzcut (he just decided to continue keeping his hair like that because he thought if he grew it out he’d get lice again) and that damn hat he STILL doesn’t take off (he’s insecure about his hair. i also think he was bullied for his hair BOTH when it was long and after he had to shave it. poor boy)

he left at 16 after dropping out and financial issues in his home. it wasn’t “kicking out” necessarily, his mother didn’t want to, but she couldn’t afford to keep him in the house and his sisters were already beginning to move out. his mother also got in a fight with him the night before about dropping out of school and not getting his life together, so he technically it was also his choice to “run away”. she basically implied she was kicking him out, but he decided to take on the decision for himself (like finishing off what she started i guess).

mista is now homeless. he had frequently stayed either at friend’s places or on the street (upgraded to a tent at one point). eventually, due to mutual connections, he ended up getting close with a group of people who were… up to no good, to say the least. bad, bad people. think narancia’s backstory. but they didn’t treat him badly — just got him into bad situations. lots of drugs. clubs. hookers. started smoking (don’t really think he stops until bucciarati discourages it, but he was never strict enough to make mista quit). and the classic beating up people for money (over clint eastwood. this petty mf 😭). but mista never really saw it as “bad”. he was having fun, making money, had friends, and wasn’t getting abused. in his eyes, at least.

eventually he ended up prostituting(?) himself… like, shin-from-nana style. and that’s how he got places to stay and made good money. often from older women and sometimes men. he never really saw it as “wrong” though, because he didn’t know any better. but he glorified it and thought he was the luckiest guy ever because “ooh they all think i’m mature for my age and are letting me into adult spaces! and i’m getting women! cool!” (no mista you are a victim)

* aaand now he’s 17, with a decent rental apartment. he’s not as close with the “bad” group anymore, kinda stopped being into it. didn’t leave them in bad faith tho (he’s just a chill guy like that… literally “i have no enemies”) (although let’s be real he did NOT need to be put in those situations at that age).

* and then boom ladidadida the same backstory sequence you see in the anime.

—

and if all of this was hypothetically canon, we can extrapolate so much more from his personality/character, like:

- hypersexuality due to Exposure throughout his life and especially during his teen years

- lots of insecurity… that never gets talked about because this boy REPRESSES!! doesn’t like showing vulnerability.

- mommy issues and daddy issues

- used to being independent, but DESPERATE for attention and love. but won’t accept that 🤪🤪

- not including hookups, he’s never been in an actual relationship. he’s too messyyyy and has commitment issuessss and doesn’t know what real love feels likeeee

- he’s not a suave playboy he’s a WEIRDO. an oddball. he’s a strange NEURODIVERGENT man with TRAUMA (i mean yeah, he’s a sleazy outgoing flirt, but he does NOT have game)

- he misses his family a lot. especially his mom. he regrets leaving her but he’s too afraid to come back. he doesn’t like facing reality. he’s all for blissful ignorance. a bit selfish, yeah. his family was left to assume he was dead. he wishes he got to enjoy his childhood more. although he was never really able to.

- also he had a family dog. one of his sisters took it though (he’s a dog guy, really likes animals actually. took care of the dog a lot as a kid. that’s kinda why he’s good with the pistols)

- actually like tons of untreated diagnoses holy hell

- i’m probably forgetting more rahhh

—

anyways, hope you all like it !!! idk if this is an unpopular opinion but i really do believe mista’s personality is a complicated one. i feel like everyone slightly mischaracterizes him one certain way, even if only slightly (like if he had a route in a dating sim, it’d probably be the hardest one. he’s a messy character). he’s not quite a “himbo”, but he’s not smart either. he’s flirty but he isn’t a charmer either. he’s outgoing but he isn’t a people-person either. i think that’s what makes him so interesting, he’s the most realistic character to me.

that’s honestly why he’s my favorite, he INVOKES something in me and captured my attention in such a way that i HAD to investigate him and understand him further… IK his ass is hiding so much. i’ve psychoanalyzed him so much that i’ve accepted him as an oc atp 😭🫶 can’t let him go…

feel free to share your ideas everypony!! ^_^ i’d love to hear more… (this was super long sorry)

[crystalpallette]

so I finished side order recently

[realbeefman]

stacy is sooo interesting because she's in love with house but knows that they will never ever be able to have a healthy, stable, sane relationship because they're too similar so. she finds house-lite instead and marries him and. essentially moves on with her life! and is successful in this because she's a moderately well-adjusted person!

wilson, in contrast, never manages to escape the inevitable, in spite of his best efforts to find a house-lite of his very own, because he's an absolute fucking freak and ends up glued to house to the bitter. bitter end

[autisticaradiamegido]

thoughts on dave and aradia (<>)?

day 356

BIG fan tbh. in this house we love and respect timerails

truly yall read this log and tell me theyre not cute