#the growth of every character is so lovely to witness | Explore Tumblr posts and blogs

secondhandsorrows · 1 year ago

Text

Some Vital Scenes to Include in a Romantic Subplot, pt. 1

I’ve been in the plotting stages of a novel I’ve been working on for some time now. It’s not a romance novel, per se, but the romantic aspect is very prevalent… dare I say important. Anyway, so as I was working on my scenes and character arcs, I began to realize that I didn’t have enough fleshed-out about romantic arc, nor deepened the protagonist’s love interest or their connection, for that matter. This led me to devise up some scenes that I felt were crucial to the story if I wanted to keep this romantic angle to it, and now that I’ve most of them arranged, I find now that I’m way more excited about my characters’ love story.

These tips will be unnumbered because, obviously, the sequence of these events and how they will fall into your storyline will probably be different. Also, you don’t have to use only one scene for every suggestion that will be mentioned, as you can have multiple scenes of flirtations or deep conversations, for example. They usually blend all together into the narrative at this point. Just remember that there should be some relevance to the plot at hand in some of these scenes as to not derail completely from the main narrative or other conflicts.

I was going to post this all at once, but decided it was too long and wanted to split it into two parts to go more in-depth and for easy reading. /-\ Enjoy ~

- The meet-cute, or the meet-ugly:

Ah, yes, the first encounter. Or, as we sometimes like to call it: the meet-cute, or the meet-ugly if you’re feeling a little unconventional or perhaps mischievous. Though we may enjoy setting up our star-crossed characters in a whole range of moments from awkward to swoon-worthy, the initial meeting is what’s important (if your characters haven't already met before the beginning of the story, ofc, but this is useful to have in mind). Let us quickly define the two:

Meet-Cute: A charming and serendipitous first encounter between the characters in question that sets a positive, memorable, and oftentimes romantic tone.

Meet-Ugly: An unconventional, awkward, or disastrous initial meeting that adds a unique twist to the start of the romantic connection, often leading to unexpected chemistry and an added intrigue on whether or not they’ll get together.

You don’t have to nail your characters’ first encounter into a label or bubble such as these two examples, but I like bringing these up for a general idea.

- Bouts of flirting and/or banter:

Just as the title suggests, these are scenes containing the flirtaious communication between the two characters. These kinds of interactions will, of course, develop over time and deepen the bond or relationship. Playful interactions, gazes, and witty exchanges between the characters can create a lighthearted and flirtatious atmosphere that hints at their growing attraction.

The way they might flirt or tease can reveal their personalities. For example, one character might be more sarcastic, while the other responds with quick wit, or quiet bashfulness. There’s an element of subtlety, as flirting lets the characters express their romantic interest without explicitly stating it (unless one of your characters lacks subtlety in general and prefers to shout their undying love from the rooftops, which would make for an interesting dynamic, but I’m only spit-balling).

Banter, teasing, and romantic tension underscoring heated debates or loathsome gazes suit just as nicely, especially if you’re writing with enemies-to-lovers or rivalry tropes in mind. But be careful! A little goes a long way: too much all at once can repel any growth for the characters or narrative.

- Initial conflict or struggle:

Depending on your story’s big-picture conflict, the introduction of challenges or obstacles can create tension between the characters, adding depth to their relationship and making their eventual connection all the more satisfying. This might include cultural or class differences, opposing goals or values, history of past heartbreak, personality weaknesses such as stubbornness, or external pressures that threaten to keep the characters apart. Even a nosy family or a disapproving mother can be considered. How the characters navigate and resolve these conflicts contributes significantly to the overall emotional impact of the romance subplot, as well as allowing for some exploration of each character's strengths, weaknesses, and resilience.

- Shared vulnerability:

This kind of scene involves the characters opening up to each other about their innermost fears, insecurities, past trauma, or personal struggles. Shared vulnerability goes beyond surface-level interactions. It involves characters revealing their authentic selves, exposing their emotional vulnerabilities, and allowing the other person to see them in an honest — and sometimes new — light.

This is a symbolic gesture of commitment we’re talking about, here… something that requires trust. As characters share their fears or past traumas, they are entrusting the other person with sensitive information, fostering a sense of trust and emotional intimacy. It might be scary, it could be out from left field, but they will end up learning something new about themselves, their situation, or about the other person, and thus deepen their connection, little by little.

771 notes · View notes

rad-batson · 2 years ago

Text

Damian Wayne Headcanons :) in which I give him actual character growth, suck it dc writers

this is extremely long, I am not sorry

He has literally no footsteps, you cannot hear him walk, even when he stomps around in one of those moods, it’s just barely a little *pat pat pat*

He doodles on everything. With everything. Some Gothamites have found intricate floral designs etched into the roof or random brick walls (most likely with a knife) after seeing Robin patrol.

He has like 20 weighted blankets, all different weights and sizes depending on his mood.

His favorite item in his room is a silver Nintendo DS. (He likes to use the little chat rooms, even if no one else is on the other end. He doodles and writes little messages. It’s like his diary.)

He loves all animals, and that includes the creepy ones. Especially the creepy ones.

Once, Tim started screaming bloody murder over a massive bug with a bajillion legs in his room. Damian now houses it in an enclosure in his bedroom. Her name is Mildred, Millie for short.

When he was in the LoA, he was forbidden from stimming in front of others. It took two years for anyone in the batfamily to ever witness him stimming.

His most common stimming behaviors are shaking out his hands, scratching his palms, and rubbing his hands across different surfaces. When he’s really stressed, he’ll snap his fingers.

He absolutely hates cameras. They’re loud and make him uncomfortable. One reporter almost got scratched when they got too close to him with the flash on. He only barely tolerates the security cameras in the manor. Barely.

He can and will be roped into any dare imaginable. Bruce repeatedly forbids him from taking dares from his siblings for months at a time.

He has a compartment in his utility belt dedicated to treats for any animal he sees on patrol.

When he’s tired, he’ll speak a mixture of Arabic, Mandarin, and English. Only Bruce can make sense of it, and occasionally Jason.

Bruce absolutely refuses to yell at Damian. Even if some of his other kids argue that he’s being too nice, he’ll only use his Batman voice and his Soft But Disappointed Dad Voice, but he will Never yell.

(He doesn’t tell them it’s because of what happened the first and only time he yelled at Damian. Bruce moved his hand a bit, and Damian flinched wildly. Bruce cried for hours over the implications of that.)

Damian only feels comfortable sitting if he can clearly see the main entrance. If not, he’ll sit with his back against a wall or he’ll stand.

He dutifully takes the responsibility of feeding and grooming every Wayne animal. They receive the most nutritious and filling meals on the market (all while receiving lots of head pats.)

He has very strong eyebrows just like his father. They tend to pull the same exasperated expressions too, highlighting their resemblance.

Talia taught Damian at a very young age how to write perfectly with both hands. He no longer remembers if he is naturally left or right-handed.

The one insult he cannot handle is “spoiled brat.” A few months after he arrived, someone in the family called him that as a joke, and he completely shut down emotionally. No anger, no sadness, no resentment. Literally just nothing. For days. No one knows why, but they will never let it happen again.

You know he’s Up to Something TM if he swings his legs back and forth while he sits.

He is obsessed with those cheap TV documentaries about famous plane crashes and shipwrecks. After finishing one, he’ll find the nearest family member and tell them all about it: how it happened, what human error caused it, and his fool-proof plan for if it ever happens again and he is nearby. Usually, it’s Alfred.

For the first few years at the manor, Damian’s favorite spot is the family graveyard. Everyone calls him dramatic. He just likes how it’s so quiet. (And he’s dramatic.)

When Jason waxes poetics about dying over dinner, Damian just groans and says, “So have I. You’re not special.” That’s how the family learns he was repeatedly revived in the Lazarus Pit due to the fatal nature of his training and abuse.

His first ever crush was on the cute male tech at Alfred the Cat’s vet. Damian was 12. Jason, who accompanied him, proceeded to give him both The Talk (“It’s okay to like boys”) and The Talk (“Your body is ✨changing✨”) on the drive home.

He will not text back unless it is absolutely necessary. He will leave people on read. He does not hate you. (…Probably.)

Titus is a registered therapy dog, trained in helping Damian through panic attacks and sensory overload. If you ever see Damian asleep on the floor, eyes cried out with Titus resting on top of him, you know why.

When he was 13, he tried to fake his own death after he failed a test at school and “dishonored the family name.” Bruce and Dick had to sit him down and explain that grades aren’t everything, and they still love him unconditionally.

He talks to animals like they’re human. He has a habit of venting his frustrations to Batcow in particular. And his fish while he feeds them.

His love language to others is a mixture of gifts and quality time, usually without words.

One day, Damian was snooping around the house and found that one of the electrical closets leads to a tiny space—barely two feet wide—in between the sheetrock and the foundation wall with nothing but a single hanging lightbulb. It took years before anyone else found it, but by then, Damian had painted an 8x10 ft mural on the wall and created a small bed of blankets and pillows for when he needs a quiet place to escape unwanted stimuli.

When he sleeps, his cheeks puff out like a little chipmunk. It’s adorable.

During the Winter Olympics one year, Damian falls in love with figure skating and decides he wants to try it out, but he never asks to take up lessons in fear that he will be horrible at it.

Duke figures this out and now takes him ice skating just enough to avoid suspicion. It’s become their bonding activity.

Once, Jason and Tim made him try a Sour Patch Kids-flavored energy drink. He immediately spit it out and said, “What the fuck?! That’s even worse than drinking from the Lazarus Pit.” And that’s how the family learns that Ra’s made Damian drink from the Lazarus Pit a few times.

One day, Steph told Damian about the wonders of concealed self defense products. Now, about 80% of the mundane items Damian owns is secretly a knife. He will purchase any item that is secretly a knife. Including several fake lipstick tubes.

He has rigorous self-control when it comes to sleep. Sure, his schedule is a bit fucked up for someone his age, but he is in bed and asleep exactly when he tells himself. (His siblings could never.)

His entire wardrobe is soft items he “found” stole from the laundry room. If it’s comfortable, it’s his now. (No one complains. In fact, having Damian steal your clothes is considered a privilege.)

He hates whenever Alfred tries to recreate dishes from his childhood. It’s just not the same. Alfred understands.

When he’s really stressed—like the “I am one stubbed toe away from a complete meltdown” stressed—he will finger paint. He likes the feeling of it on his skin.

Due to his time in the LoA, Damian has a habit of never telling anyone if he’s injured. Instead, he’ll pretend nothing’s wrong until he passes out or literally can’t move right and someone calls him out. He’s working on it, though.

There’s a massive system of fish tanks in his room complete with handmade decor and multiple venomous species. No one even realizes until Alfred mentions it during dinner.

He has hyper fixated at least once on every single artistic medium you can imagine. His top three are oil paintings, mosaics, and pottery, but he mostly sticks to drawing in his free time.

He has taste tested all of his pets’ treats at one point for “research purposes.”

Giving friends their own nickname is one of the most intimate things Damian does to express his relationship with someone.

Once, he was having an argument with a sibling, and they said, “Oh yeah? Well at least Bruce wanted me!” Damian didn’t leave his room for exactly six days. He even stapled blackout curtains to his windows and the vents. Bruce chewed the shit out of whoever said it and spent hours every day talking to Damian through the door to convince him that, yes, Bruce wants him and couldn’t ever think of a family without him. Damian didn’t come out, however, until he heard Bruce crying while begging him to eat. Damian slept in Bruce’s bed that night and the following week.

When he turns 15, he gets really obsessed with Måneskin.

He’s exactly the kind of Art Hoe that is completely loyal to his favorite brand of art supplies and wouldn’t touch other brands with a 10ft pole.

He has weirdly thin fingers. Like creepily thin, especially as he grows older. Someone commented on them once, and Damian proceeded to wear gloves nonstop for a week.

There are exactly four (4) people who are allowed to touch him without permission first. Dick, Jon, Bruce, and Talia in that order.

His eyes are actually naturally blue. The reason they are green is because of the Lazarus Pit. It’s always the Lazarus Pit. (They barely glow in the dark too, but you need to really pay attention to notice.)

He can wiggle his ears. The only people to ever witness it are Cass and Duke. They’ve been sworn to secrecy.

Whenever one of his many pets sleeps in his bed, he tries to stay as still as possible without touching them so they don’t get annoyed and leave, but they always worm their way into his arms.

As he grows, his family is surprised to learn that he isn’t building the same muscle as his dad. Instead, he’s lean like his mother due to an extremely fast metabolism. He eats a lot to maintain proper health. (His cheeks are still puffy when he sleeps, though. And when he smiles.)

Dick is his emergency contact for school, partially because Dick isn’t as busy, partially due to that time Bruce “died,” but mostly because Damian is terrified of disappointing Bruce if he ever gets in trouble. Thankfully, Dick is convincing Damian otherwise.

His favorite ever birthday gift comes from Tim. It’s a pottery studio he spent months building on their property in secret with several pottery wheels and a kiln.

His hands have always had a sort of surgical accuracy to them due to his stealth training, but it never came to the forefront of everyone’s mind until one particular mission when Tim got shot, and they needed to get the bullet out as quickly as possible. Despite being bigger than most of his family members by now, and Tim refusing to stay still the whole time, Damian was the only one capable of taking the bullet out. While riding in the Batmobile. Going 80 mph. Completely painlessly. Damian is immediately given the de facto role of Combat Medic.

Jon likes to send Good morning texts to Damian. At first, he didn’t know about the “only responds if it’s an emergency” thing, though, so he decided to stop after a few weeks of Damian never replying. Within an hour of not getting the usual text, Damian was at Jon’s house in full Robin gear to make sure he was okay.

He and Steph like to paint each other’s nails when one of them is stressed. After Damian comes out as pansexual, Steph paints little pride flags on his fingers.

He only plays Minecraft on creative mode. He likes building farms and wildlife preserves.

At 16, he gets asked out by a pretty girl in school that Damian had a crush on last year, but he thinks it’s a joke because he can’t fathom anyone liking him so he turns her down.

As he grows, his looks become more androgynous, again eerily resembling his mother, but his voice drops low enough that it doesn’t cause much misgendering.

Then he starts thinking of his gender a bit more and wonders if he’s also a They.

He likes to paint all over the soles of his shoes whenever he gets a new pair. No one will ever really see it, of course, and it eventually wears off the more he walks, but he knows it’s there.

It’s a nice day in the park. He’s doing homework on a picnic table while Titus and Ace run around, and he can’t stop thinking about his future.

Yesterday, there was a school assembly about choosing a career path. Alfred slid him an SAT prep book during breakfast. And his class was assigned one of those “Which career path is best for you?” quizzes.

He gets Veterinarian.

It takes a full five minutes as Damian stares at the results, thinking about the crazy, out-of-this-world idea of not being a vigilante or assassin his entire life, what it would be like if he just turned his back on the future which was so carefully laid out in front of him since birth, before it clicks into place.

Damian doesn’t want to be Batman.

He doesn’t want to lead the LoA either.

Two years later, Damian enrolls in Gotham University and majors in Wildlife Biology on the Pre-Vet track with a minor in Studio Arts. He gets a dorm room, works in the pottery studio, and volunteers at the local animal shelter.

He is content.

Does some of this stray from canon? Yes. However, I do not give a rat’s ass. Thank you, and goodnight.

3K notes · View notes

soaringthroughthegalaxy · 11 months ago

Text

In the Light of Day

After years of buried feelings, you and Crosshair wake beside each other, the line between friendship and romance blurred. In the light of day, you both confront the uncertainty of what lies ahead.

Pairing: Post-Tantiss Crosshair x f!reader

Word count: 1.6k

Warnings: softness, fluff, implied night together, very very minor spoiler from the leaked official S3 clip, character growth, Cross is trying to embrace feelings, a lil' saucy.

Translations: ner kar’ta - my heart

The palm leaves outside the open window dance with the first light of dawn, casting dappled shadows across the peaceful bedroom. Clothes lay strewn across the floor, remnants of a night intertwined in passion. As the soft, warm breeze wafts through the room, carrying the scent of the ocean and nearby blossoms, Crosshair lets out a soft sigh. Eyes flitting around the space, he takes in the golden glow from the rising sun - such a stark contrast to the months of dark coldness he’d once accepted as his fate.

Shifting a little among the rumpled bed sheets, his gaze lands on you, lost to sleep beside him, your chest rising and falling rhythmically with each breath. Last night had been…unexpected. For years, you’d been the object of his deepest affections, a love he had buried deep within his heart, covering it up with wit and snark, fearing rejection or the potential loss of your friendship. Yet, here you were, nestled beside him in the soft embrace of dawn. Every stolen glance, every suppressed longing, had led to this, where the line between dreams and reality blurred into a blissful haze of possibility.

You’d been with him and his brothers since the start of the war, acting as a liaison between them and Command. You’d driven him insane at first – all smiles and laughter, always up in his space – but as the days had dragged into months and then into years, he’d found himself gravitating towards you. Your laughter had become his favourite sound. He'd worried when you weren’t in his line of sight. Somehow, you’d wormed past his walls and planted yourself there, occupying space he’d once reserved solely for his brothers.

But then everything had fallen apart, and for a year, he’d only caught snippets of you – while tracking you and his siblings across the galaxy, as Kamino burned and sank below the waves, and then when the torture on Tantiss had been overwhelming. His mind had needed something to hold on to. Shaking away the memories, Crosshair draws his right hand towards his chest, his left hand cradling the back of it to stop the irritating tremble that was now his norm. He turns his focus back to you.

You were so beautiful and had been even more radiant last night – the life and soul of the equinox celebration that had taken over Pabu. He’d been content to linger nearby for a while, keep an eye on you as you danced and chatted with the island residents, but the large crowd had quickly made him uncomfortable. He’d fallen back into form, taking refuge on a nearby rooftop.

He’d missed the sound of you clambering to his vantage point and flinched with surprise when you’d sat at his side. You’d reached for him, a soothing hand on his arm, and asked him to walk along the quiet shoreline with you. The pair of you had been halfway down the beach when your hand had slipped into his, and once you’d reached the docks at the far end of the sandy shore, you’d cautiously pushed up on your tiptoes to kiss his cheek.

The rest was a haze – how he’d tilted his head to capture your lips in a desperate kiss, the building anticipation on the route home, the slam of the bedroom door, clothes discarded, the scent of you and, finally, the soft curves of your body in his hands.

You embraced everything about him. From his prickly attitude during the war to the desolate version of himself he’d been after his rescue, to who he was now – slowly healing, working through things that plagued him, and rebuilding his bond with his siblings. Gratitude flows through him, and he reaches for you, slender fingers dragging along the fullness of your cheek, a smile tugging at the corner of his lips at the sight of you resting amongst the pillows.

A feather-light caress stirs you from your slumber, your eyes fluttering open, meeting the hawkish gaze of the man beside you. Warmth sweeps through you, soft feelings that had slowly taken root in your heart over the years, no longer able to hide in the darkness. A gentle smile spreads across your lips. “Good morning.” You whisper, not wanting to break the tranquility of the moment.

Crosshair returns your smile, his fingers still tracing the curves of your face with tender reverence. “Good morning.” He murmurs in reply, his voice a low slink that sends shivers down your spine.

As you hold each other’s gaze, the galaxy seems to pause, waiting with bated breath.

“Last night... it was...” Crosshair breaks the silence first, trailing off, unable to find the words to articulate the depth of what he’s feeling.

Reaching out, you gently trace your fingertips along his jawline. The flicker of vulnerability in his eyes is a new development he’s learning to accept and embrace. “I know.” You murmur, your voice soft but sure. You’d been worried about making a move, concerned he wasn’t ready for it yet, but the enthusiasm with which he’d reciprocated had eased your worries.

Try as he might to hide it, a mixture of relief and disbelief washes over him. “I never thought...” He starts, his voice trailing off once more. With a heavy exhale, Crosshair lets the weight of his emotions settle, still learning to sit with them. “I’m not good at this.” He admits with a scowl, frustrated that he’s floundering.

“And that’s okay.” You respond, your voice a soothing melody in the quiet room. Your fingers thread with his and come to rest on the pillow between you, a gesture of comfort and understanding. You take him in for a moment – still a little gaunt with dark circles under his eyes. Among the knotted scars on the side of his head is a new one, a thin straight line, the only evidence of his chip being pried out once he’d been rescued. It was unsurprising that the Empire had lied to him about removing it.

Crosshair’s shoulders relax slightly at your reassurance. You’d always been patient with him, even when he hadn’t deserved it. “I’ve never been one for relationships.” He confesses, his gaze fixed on yours. “But with you, it feels...different.”

Your heart swells at his admission, the sincerity in his words washing over you like a gentle tide. “I feel it, too.” You reply softly, drawing your intertwined hands up to kiss the back of his hand, ignoring how it trembles.

“What…do we do now?” He asks, his voice barely above a whisper as his brows furrow once more, uncertainty marring his features.

You pause, considering his question carefully. “I think we have a choice.” You answer honestly. “We can either retreat back into the safety of what we know, or we can see where this takes us.” There’s no doubt in your mind which path you want to follow, but you don’t want to lead him. He needs to decide for himself. Too many decisions have been taken from him throughout his life.

Crosshair nods slowly as if mulling over your words. “And if it doesn’t work out?” He ventures.

“We talk about it.” You assure him, sincerity ringing in your voice. “We work through it together. Just like everything else.”

A comfortable silence settles between you as Crosshair weighs up the options, and you take the opportunity to soak up the feeling of being in bed together, just in case this is the only time you can experience it.

Lost in your thoughts, you almost miss the subtle shift in Crosshair’s expression - a flicker of determination, a silent resolve. “I want to try.” He says suddenly, his voice low but firm. “I want to see where this goes with you.”

His words hang in the air, and, for a moment, you’re speechless. It’s a leap of faith, a step into the unknown, but as you meet his gaze, you know he means it. A smile tugs at your lips. “I want that too.” You admit, your voice barely above a whisper.

Relief passes over Crosshair’s eyes as he leans in, his lips brushing against yours in a tender kiss - as easy as breathing.

You return it without hesitation, letting go of his hand so you can cup his face and anchor yourself in this moment.

Crosshair deepens the kiss, his hand reaching your hip, pulling you closer as if afraid to let go. When you finally break apart, a soft smile lingers on both of your lips.

“C’mon, let’s get some breakfast.” You insist, still adamant about helping him regain a few more pounds. Pressing one more kiss to his lips, you pull back and sit up, the sheets slipping down your body.

Crosshair’s gaze snaps to your naked frame, sharp eyes roaming over every curve as his smile switches into a smirk you’re all too familiar with. “You on the menu again, ner kar’ta?” He teases, voice raspy with desire.

Your pillow connects with his chest before he can stop it, earning a deep chuckle from him. “Behave.” You chide playfully, though the warmth in your eyes betrays the affection behind your words, and you can’t deny how your heart races at the new pet name. As you slip out of bed, you pull on his discarded shirt. “But you might want to save room for dessert...”

Tag list: @clonethirstingisreal @starrylothcat @cw80831 @dreamie411 @issa-me-bry-blog @leftealeaf @isaidonyourknees

#the bad batch x reader #the bad batch x you #tbb x you #tbb x reader #the bad batch crosshair #crosshair x reader #tbb crosshair x you #tbb crosshair x reader #crosshair bad batch #bad batch crosshair #tbb crosshair #crosshair #crosshair x you #the bad batch #star wars the bad batch #star wars clone wars #ct 9904

471 notes · View notes

sexysadie23 · 4 months ago

Text

Drew Starkey is having his much deserved moment. one of the best actors (if not the best actor) on the show.

i watch outer banks and am amazed by his skill and presence on screen. He genuinely commands every scene he is in and it’s not because he’s attractive, but he is one of the rare actors that have a powerful range. He can be the damaged psycho killer, the addict, the romcom sweetheart. I am in awe even of his short film performances.

From now, his career will never be the same. I love obx, but the jump from being a Netflix character to indie film star is something that won’t be ignored by prestigious studios and directors. He’s on track to oscar nominations, I will tell you now.

And he absolutely deserves it too! The amount of talent he has shown and the amount of time he has been forging his career is insane. We are so lucky to bare witness to the growth of someone so rare, skilled and unique.

#i am so fucking excited for him #drew starkey #rafe cameron #outer banks #queer #queer film #luca guadagnino #queer drew starkey #daniel craig

175 notes · View notes

novlr · 6 months ago

Note

Tips for writing a slowburn romance?

For any writers who enjoy the act of writing romances, we know that feeling of wanting to finally see our characters’ lips meet in that earth-shattering, star-aligning kiss. For some, sparks will fly immediately, but there is something so achingly satisfying about the tantalizing, exquisite torture of a slow-burn romance.

Mastering the slow burn isn’t just about slapping a “delayed gratification” sticker on your plot and calling it a day. It’s about choreographing a love story that unfolds with the grace and tension of a dance, each step building towards a satisfying finale. It’s about kindling a flame with lingering gazes across crowded rooms, accidental brushes of skin that send shivers down spines, and heart-to-hearts that reveal vulnerabilities and forge unbreakable bonds.

What is a slow burn romance?

A slow burn romance is a type of romance plot characterised by a gradual, organic development of feelings between characters. Unlike whirlwind romances or love-at-first-sight scenarios, slow-burn romances allow for a more in-depth exploration of characters’ emotions, insecurities, and personal growth.

This approach often involves a prolonged period of tension and anticipation, where the characters’ attraction simmers beneath the surface before finally coming to a boil. A slow burn romance allows readers to become deeply invested in the characters’ relationship, experiencing every moment of longing, doubt, and eventual realisation alongside them. It’s a delicate balance of push and pull, creating a rich tapestry of emotions that keeps readers eagerly turning pages, desperate to see the culmination of the characters’ romantic arc.

The critical elements of a slow burn romance

Character chemistry

The foundation of any thrilling slow burn romance is the undeniable chemistry between the characters. This doesn’t necessarily mean instant attraction, but rather a spark of connection that grows over time. It’s the way they challenge each other, complement each other’s strengths and weaknesses, and find themselves drawn together despite any obstacles.

A developing relationship

The slow burn romance thrives on the gradual evolution of the characters’ relationship. This development should be organic and believable, with each interaction deepening their connection. This slow progression allows readers to witness the characters falling in love in real time, making the eventual romantic payoff all the more satisfying.

The build-up of romantic tension

Romantic tension is the lifeblood of a slow burn romance. It’s the electric current that runs through every interaction, every shared glance, and every near-miss moment. This tension can be built through lingering touches, heated arguments, moments of vulnerability, situations that force characters into close proximity, and misunderstandings that create emotional distance while deepening desire.

The moment of realisation

In a slow burn romance, the moment when characters finally acknowledge their feelings is pivotal. This realization often comes after a series of events that force them to confront their emotions. This epiphany should feel earned and inevitable, the natural culmination of their journey together.

Popular slow burn romance tropes

Incorporating well-known tropes can help structure your slow burn romance and create familiar patterns that readers enjoy. These tropes provide a framework for building tension and developing the relationship gradually, creating obstacles, internal conflicts, or situations that force characters to confront their growing feelings.

Friends-to-Lovers

In this trope, characters start as friends, and their relationship gradually develops into a romantic one. This allows for a strong foundation of trust and understanding before romantic feelings emerge.

Enemies-to-Lovers

Characters initially dislike or have conflicts with each other, but over time, their feelings transform into love. This creates an exciting dynamic of tension and attraction.

Forbidden Love

Characters face obstacles or societal boundaries that prevent them from being together. This adds an element of conflict and heightens the anticipation of their eventual union.

Second Chance Romance

Characters have a history together, and their paths cross again, giving them a chance to rekindle their feelings. This allows for the exploration of past regrets and personal growth.

Opposites Attract

Characters have contrasting personalities or backgrounds, leading to initial friction but eventually finding common ground. This creates opportunities for character development and compromise.

Workplace Romance

Characters work together and initially keep their feelings hidden due to professional boundaries. This setting provides natural opportunities for interaction and tension.

How to write a slow burn

Now that we’ve explored the key elements of slow burn romance, let’s dive into some specific tips for writing this type of relationship:

1. Establish a strong foundation

Begin by developing well-rounded characters with clear goals, motivations, and flaws. This will make their journey towards love more believable and engaging. Create a backstory for each character that influences their approach to relationships. This history will inform their interactions and provide depth to their emotional journey.

2. Create obstacles

Introduce internal and external obstacles that keep the characters apart. These could be personal fears, misunderstandings, or external circumstances that prevent them from acting on their feelings. These obstacles create tension and conflict, driving the narrative forward while delaying the romantic resolution. Ensure that the barriers feel authentic and not contrived, as readers will quickly lose interest if the obstacles seem forced or unrealistic.

3. Build tension gradually

Layer small moments of intimacy and connection throughout your story. These can be subtle gestures, shared experiences, or meaningful conversations that deepen the characters’ bond. Use these moments to showcase the growing attraction and emotional connection between the characters, even if they’re not yet ready to acknowledge their feelings.

4. Use subtext

Not everything needs to be explicitly stated. Use subtext in dialogue and actions to hint at deeper feelings, allowing readers to read between the lines. This creates a sense of anticipation and allows readers to engage more deeply with the story. Use body language, facial expressions, and internal thoughts to convey unspoken emotions and desires and trust your readers to understand what you’re putting down.

5. Incorporate pivotal moments

Create key scenes that mark significant shifts in the characters’ relationship. These could be moments of vulnerability, shared triumphs, or near-misses that leave both characters (and readers) wanting more. These pivotal moments should intensify the emotional connection and romantic tension between the characters, pushing them closer to acknowledging their feelings.

6. Balance frustration and satisfaction

While the slow burn should create anticipation, be sure to provide moments of satisfaction along the way to keep readers engaged. These could be small victories or tender moments that hint at the potential for a deeper relationship.

7. Develop individual character arcs

Ensure that each character has their own growth arc alongside the developing romance. This personal development adds depth to the story and makes the eventual union more meaningful. As characters overcome their individual challenges, they become more ready for a committed relationship.

8. Use secondary characters wisely

Secondary characters can serve as confidants, obstacles, or catalysts in the developing romance. Use them to provide outside perspectives and to move the plot forward. Friends or family members can offer advice, push the main characters together, or create misunderstandings that add tension to the relationship. Be careful not to let secondary characters overshadow the main romance, but use them strategically to enhance the story.

9. Maintain consistent pacing

While the romance should develop slowly, ensure that the overall story maintains a steady pace. Balance romantic moments with plot developments, character growth, and other story elements to keep readers engaged throughout. Avoid long stretches without any romantic progression, as this can cause readers to lose interest.

10. Deliver a satisfying payoff

After all the buildup, ensure that the eventual coming together of the characters feels earned and satisfying. This doesn’t always mean a happily ever after, especially if you’re not specifically writing within the romance genre, but it should provide emotional resolution for the readers.

#writing tips #writeblr #slow burn #writers of tumblr #writing community #writers #creative writing #writing #creative writers #writing inspiration #writerblr #writing advice #writers on tumblr #writing resources #ask novlr #writing help

191 notes · View notes

cabaretbabe · 3 months ago

Text

in retrospect, after rewatching and coming back to s4/5, it's very noticeable that the writers were setting up sawyer and juliet. like, maybe from her introduction??

as a kid, (thats how long ive been a fan lmfao) when lafleur premiered i found their pairing to be sudden and a little jarring. but really paying attention to their character arcs (and also just growing up), it's obvious it couldn't have been anything but them.

sawyer spent the first half of his story fighting personal growth at every turn because he believed he didnt deserved good things. and kate, as much as i adore my girl, didnt provide much of an alternative as she felt the same way. she ran from any affection and stability and as a result reinforced sawyer's belief that love was not something he was designed for. she played him like he played others and while it was definitely karmic, he took that as a further sign that pushing people away was the only way to protect himself from his feelings. and when he had the chance to reach out to kate and change things in s3 and s5 he hesistated, because he knew she was never his to begin with.

now bring in juliet, someone who spent her whole life catering to the needs of others while being deprived of her own. someone who has had her agency stripped away by the second man in her life that's exploited her kindness and brains for his own benefit. and she meets jack, and does all shes ever known. she plays the role that he (and ben) want her to even though she knows he loves kate and will always pick her over juliet, because thats who she is at heart. she gives to others what she can't have. in her mind, she also doesnt feel like its in the cards for her. her sister is the only true love she's ever known and that too was stolen from her. she's accepted that she'll keep giving, and never get it in return.

and youd think at first, these two people won't work together. cant work together. sawyer is an asshole who lashes out , who hurts people before they can hurt him, while juliet does the opposite. she's incredibly kind and strong and giving but suffering just as deeply.

and that's just it. juliet is to sawyer what he is to her: an equal. she sees him. really truly sees past his bullshit. she meets him and he's james immediately, because she doesn't buy the act. the cutting remarks, the sarcasm, that's his hurt on full display and it resonates deeply. she encourages him to express his emotions; to talk honestly about how kate has hurt him because jack hurt her too and she gets it. she sees the scared little kid in him and she nurtures that, pushing him to grow and genuinely take care of himself. she wants james, not sawyer, for the first time in his whole life.

and in return he chooses /her/, too. not for what she can provide for him, not as a savior or a doctor or an other, but as a human being who deserves safety and security, and flowers. he holds her trauma; embracing her strength and wit and how she challenges him every day. he loves that she banters with him back until he starts self-deprecating and she calls him on it, because she knows he can do better. he adores her candor. they hold each other accountable and ride for each other and build a life together that neither believed they'd ever get. and even in the end they're terrified of losing each other when the losties return, because they believed they were intrinsically not meant for happiness. that's why their relationship is fated and so beautiful.

because they will always, always have each others back.

#lost #abc lost #lost 2004 #lost spoilers #suliet #sawyer x juliet #james ford #juliet burke #kate austen #jack shephard #lost tv series #lost tv show #lost analysis #i definitely didnt make myself cry writing this 🫠#mine

109 notes · View notes

barrenclan · 2 months ago

Note

I think people forget that, even though it's upsetting and sad, Asphodel needed to die to drive the story forward. Of course, you could have turned the story a bit differently, but it's like that with every story written... Asphodel just happened to be the character you picked (it worked out quite beautifully story-wise though). It's sad, it sucks, it makes you wish things could be different. That's the tragedy. Not only did someone die JUST as they were growing into themselves, but we also witnessed the "first(second?) death" of someone who has been established as 'good' and 'right.' Rain's character development isn't as dissimilar to Asphodel's as you might think. I do believe that if Dust had died earlier in the story Rain's and Asphodel's growth could have mirrored each other (Rain being bi and Asphodel being aroace).

Both of their TRUE stories (about self-growth, even if it contradicted everything they were taught) were killed by the circumstances of their lives.

If the great disaster never happened, If Wheatstar had tried to warn the other clans, If Barrenclan's ideals were beaten into every generation; If Rain had stayed with his clan, If, if, if, if, if, if... they could have grown together as people.

Guys, I am SO normal about these kitty cats and the effects of multigenerational trauma hahahaha I'm totally not writing an in-depth analysis about Rain and Asphodel hahahahahahhahah

(debating if killing mom was the first death or rain realizing he couldn't change his mother' and becoming passive at his sister's abuse. ofc you can say, what can a kid do? and the small community ideals didn't help either. But I could talk about Rain for hours so again: debatable 'first' death)

Anyway, I just wanted to say that I, and even Raz prob, wish things turned out differently. But don't be sad Asphodel died, be happy she lived. However short it was. Trust me, you'll go crazy if you keep thinking about how you wished things turned out differently (Which is OKAY to do!!! Just don't spiral ;v;). I'm sorry to everyone who knows the pain of loss in any form. It's hard to accept and it's not easy or simple. But that's life. I give you all a big hug. (I'm calling myself here too btw, as I am still struggling with different losses in my life)

Awh, what a lovely analysis! Many of the things I was thinking about while writing the story.

#ask #asphodelpaw #analysis

133 notes · View notes

raven-at-the-writing-desk · 9 months ago

Note

after your post about malleus i finally said to myself “yeah i can’t force myself to pretend like i like any of the dormheads”. not like i hate them, but after their blots were over i felt like nothing in particular has ever changed about them. the only person who made me think yeah he’s a changed guy is vil. i was really surprised when in chapter 6(if it wasn’t the end of 5th? can’t remember) he apologised to the boys, his acceptance of his own mistakes and awful doings made him skyrocket in my mental tier list

[Referencing this post!]

Mmmm, I'm in a similar boat when it comes to the dorm leaders but for my own reasons; I like the vice dorm leaders a lot better simply because I tend to enjoy characters who play "supportive" roles (butler, bodyguard, knight, older sibling, etc.).

I don't know if I agree with the idea that the dorm leaders (well, + Jamil instead of Kalim) didn't change after their OBs. I believe that we miss out on seeing a lot of their development because it happens off-screen and we the players don't spend every waking moment checking up on the OB boys--but they definitely do change. More specifically, right after their OBs and sometimes upon their returns in the subsequent books. Just because we do not personally witness every step of their development doesn't mean it didn't happen.

Let's look at one example with the first dorm leader. After his defeat, Riddle cries and confesses he doesn't care about the silly rules, he just wants to enjoy his time with everyone. During the unbirthday party that follows his OB, Riddle sees some roses that are not entirely red and his peers expect him to lose his temper again. Instead, he laughs and says he can overlook it, then invites everyone to help him paint them properly. Riddle expresses similar restraint with his anger in book 2; he adopts a policy of strictly chastising and then trying to fix the problem instead of immediately collaring rule transgressors. (The exceptions being with, of course, the wrongdoers of book 2, like Leona.) Then, in book 6, we see Riddle struggling with his character change, as he is shown to still heavily rely on absolute rules and laws to govern his actions, and relies on himself to be the judge of them while shunting out others. It's only when he butts heads with Azul that he's able to be a little more flexible and recognize his peers' strengths. This makes sense, because the time period between book 1 and book 6 is only about 6 months; a complete shift in one's character and worldview won't happen that quickly, nor completely. Riddle must have been working on himself a lot and consciously trying to repress his anger--and he's imperfect at it. This is fine!! Character growth can be messy, slow, and non-linear--and this is true of how the dorm leaders change over time.

As for Vil (since he was specifically cited in your ask!), I'm of the opinion that his early book 6 apology was not the result of a character change. Vil was already very mature and self-aware prior to OBing; I think he would have still apologized if he thought something going wrong was genuinely his fault, as he holds himself to high standards and would acknowledge when he has fallen short of them (even in regards to morals). This is implied in his behavior before he overblotted too; in book 5, Vil repeatedly claims he will defeat Neige using his own power, fair and square. When he falls into despair and resorts to dirty methods to take his rival out, VIl is appalled by the "ugliness" of his actions and begs his classmates to "not look at [him]" because "[he's] so ugly" (referring to his ugly character/morals). This means he was aware of the cruelty of his actions and how they poorly reflect on him (ie he would have felt guilty and apologized afterwards about it anyway). Vil typically comes off as harsh, but he's truly noble when it comes to accepting when he has fucked up. I feel the real change in Vil is something that Rook highlights: the importance of loving oneself, regardless of what others may think of you. This development is made more apparent in book 6, which is the follow-up book to Vil's and allows him a time to shine. Whereas in book 5 Vil was obsessed with being a "hero" and public opinion, book 6 Vil declares to Idia "there are no heroes or villains" and that he is still "fairest of them all" (echoing a line Rook says in book 5), even as a withered old man.

I don’t want to ramble on for too long!! If you’re interested in reading about how the dorm leaders (+ Jamil) are grappling with their character arcs following their books, I’d recommend this post. It only goes up to Vil since the analysis is very book 6 heavy. I’d recommend this one for Idia, but be warned it does not take into account book 7 events since it was not out at the time of writing.

#twisted wonderland #twst #Leona Kingscholar #Azul Ashengrotto #Jamil Viper #Riddle Rosehearts #Kalim Al-Asim #Vil Schoenheit #Idia Shroud #Malleus Draconia #disney twisted wonderland #disney twst #notes from the writing raven #Rook Hunt #book 1 spoilers #book 6 spoilers #book 7 spoilers #book 2 spoilers

174 notes · View notes

athousandbyeol · 8 days ago

Text

keep up the thamepo [episode 4]

good Lord, so many things are unfolding in this episode! it was quite an overwhelming watch for me, to be honest. i didn't expect the story to change its pacing for the first three parts of the episode. it was a pleasant, surprise! and I believe it was intentional because it had to do with dylan's 'fire'. it's so well done!

therefore, aside from addressing the symbolism of dylan's fire as the rage that affected the pacing of the early parts, I also want to delve into the relationship between thame and dylan and the physical distance (but growing emotional connection) between thame and po. additionally, I want to address the potential parallels between ep 4 jun/po and the possible ep of jun/po because something's going to happen and it won't be as pretty. also, other thoughts will come to mind as I'm writing this post xD

1. dylan as the fire; thame as his water — easily sparked, easily distinguished

dylan is such an interesting character to me because his rage is rooted in his feeling of betrayal for thame. i didn't see much dylan and thame in the official trailer, thus I was unsure how their story would unfold. but it's so crazy to me how thamepo is showing us these perspectives—like I mentioned in (all of) my posts—from every character, not just one. they serve as reliable narrators, providing insights into their emotional turmoil and the intentions behind their decisions.

it's a dylan-centred episode and i was honestly overwhelmed with how fast the first three parts of the story went. not putting it negatively, but i was used to the slow and languid pacing of the last three episodes, so this one felt like a hardcore punch in the face.

i wondered why it was constructed this way—because it wasn't rushed at all—it was just happening too quickly—like a spark of fire.

oh.

dylan is the fire.

that's why this episode felt like I was on fire while watching it. it burned and hurt and dissolved so quickly and I was shell-shocked at how well they incorporated this motif into the story, blending it with remnants of dylan's anger toward thame and the resolution of their conflict. it's so beautifully done. (I don't know, probably it's the lit side of me that regards this as something so groundbreaking because I don't really see that much infusion of symbolism/motifs in a story this seamlessly. I'm so proud. i adore p'mui and her team even more now T_T they know what they're doing really.)

however, i do feel like dylan's story could be explored just a little bit more. to me, jun's storyline was perfectly told, seasoned with the right amount of ingredients that made us resent, understand and root for him. yet, dylan's story feels more like on the surface level to me, even though his story has so many interesting points to talk about—social commentaries on idols vs artists, the industry's demands for in-trend music instead of authenticity, and the company's ability to stun an artist's growth.

i was hoping they would show snippets of dylan rapping to his songs or joining these underground rapping competitions and comparing his experiences doing these as a solo rapper and an idol rapper. i think these scenes could contribute to a better understanding of the origin of dylan's passion for rapping and producing, as well as unveiling the 'undiscovered' sides of idols/idol rappers in the underground scene—also the spark of betrayal that began because of his crushed dreams and witnessing his best friend 'ruining' everything they built together.

it's just me... but i really wanted dylan's story to be stretched just a bit more because it's not strongly tied to thame the way jun's story did. but I still respect p'mui's decision to tell dylan's story in this manner.

i love thame's persistence in wanting to bring dylan back first before nano because dylan is indeed very important to the group.

i think these two are the producers in the group (along with pepper), but they shared a deeper bond because dylan was difficult to approach, but thame befriended him anyway. (why are they reminding me of namjoon and yoongi T_T)

i love this found-family trope in thamepo, and every time they showed us how thame found the members—found the real them—my heart swelled.

and thame saw dylan's potential. he saw how enthusiastic dylan was in writing and producing. he saw dylan as an artist—an art—that should be appreciated. and it's so beautiful. :(

as mentioned before, the members loved thame as much as thame loved them. it's so obvious. the reason behind the drift between them was miscommunication, wrong/rushed decisions and the company's intervention and ability to twist the narrative to their liking. perhaps, all of these could be solved if thame and the members talked it down, but it's easier said than done. so I understand why the strain in the group happened/appeared. it's not easy to let down our egos, but I'm thankful that (with the help of po) thame could finally breach the line between him and the members, hence reviving the group before they crumbled.

moreover, i love how thame effortlessly switches his elements to suit the members' elements. jun was like the wind to me, and thame became the earth that kept him from flying away. dylan was fire, and thame became the water that distinguished his fire with sincerity and another promise that wouldn't be broken. (i have a feeling nano is the water, and thame might be the fire that boils his love and passion to be in the group again, to work together and reach for their dreams—as promised.)

2. physical distance, emotional connection- it makes thamepo's heart grow fonder

ok... so... the thing that's going on between thame and po is CRAZY.

again, i'm so surprised that the scene happened so early into the episode. i thought it would be around the middle (because from my observation, the intimacy of thame and po's exchange would only escalate towards the middle or end of an episode). but they were hitting us as hard as this in the first part and I was honestly struggling to breathe.

i LOVE these shots. it's so intimately captured. po was looking at thame from the spaces, and thame's focus was instantly on po once he saw him in the storage room.

there was a respectable distance between them (probably because of jun's presence in the room). i think it sets a foreground for us in future episodes, especially after they're already in a relationship: in the eyes of the public, there should be this distance—this five-metre distance—so that they could be accepted—so that they could exist without hurting each other.

and when p'mick came, they were 'forced' to hide and huddle so close to each other. this was when everything was unveiled, the rapid beating of their hearts, the golden light raining against their bodies, the yearning stares, the confusion, the hesitance, the answer, the need.

i personally love the idea that thame and po were in the moment, but the world was still revolving around them. p'mick and jun were still talking in the background, but thame and po were spiralling in this juncture of intimacy, of connection, of understanding their feelings and making no sense of everything they were experiencing—the oh moment.

because i think scenes like these are often a form of hyperbole: time stops when I look at him/her. the construction of similar scenes would often go the route of slow-mo or focus shots to emphasise the weight/message of the scene. to me, it's always overly done (and I find it a bit cliche... I'm sorry for saying this T_T). but this scene doesn't feel cringy to me. it's really subtle and sweet and purposeful.

but their moment ended too quickly.

again, the fire symbolism not only reflected thame/dylan's dynamic in this episode but also thame/po. (and I find this so CRAZILY WELL DONE!!!)

however, something about fire with po... i don't think they go well together because...

i think, po was all elements for earn's fire. earn wanted to build a career. he wanted to be successful. he was a blazing fire. and po changed himself according to everything earn needed, complimenting earn when he was indeed of something.

but this fire left him. this fire betrayed him. this fire destroyed him.

thame is all elements for MARS, too.

but when it's po and thame, who are they and what they'll become?

throughout the episode, we didn't get much of thamepo, not until the conflict between thame and dylan was resolved.

in my opinion, po is really the best partner for thame (and honestly, everyone) because of his diligence, patience, kindness and warmth. he's willing to search for the lyrics, going through boxes, and piecing the shredded lyrics together just to give it to thame—just to help him reach his goals.

he did all that to earn, too.

the shot above broke my heart because po felt the physical distance between them. he was already thinking about the conversation he shared with jun. he was already doubting himself. he was already self-destructing.

when he saw thame and dylan on stage, smiling, he was happy. he was glad and relieved that thame was okay and he achieved his goal of reuniting with his teammates. however, at this point, po might have thought that, oh, I was used again.

but we know it was never thame's intention to make po feel so helpless and worthless. thame knew what po's ex did to him. the emotional trauma/distress po's experienced couldn't easily be discarded. we can see some moments where po just stared into space. his anxiousness of always checking on his messages. po overthinks everything, already making scenarios in his head of the worst-case what-ifs.

earn took so much of po that po was still trying to find himself again—still wishing that the world would treat him better.

without po realising it, he was already emotionally depending on thame. because thame saw him. thame appreciated him. thame made him feel like he was po again, not earn's shadow, not a nobody.

but thame didn't reply to his message. thame didn't come to him afterwards. so po thought it was just in his head. it was impossible for thame to see him. everything thame said to po was—perhaps—only because of the spark of the moment.

but i'm thankful that thame called po before he could destroy the last ray of hope in him.

the conversations they shared were so heartfelt. even though they didn't meet the whole day, thame knew everything po was experiencing. he knew po was overthinking. and that, to me, is a sign of devotion. and it made me realise that thame and po were emotionally closer, emotionally connected, closer than their bodies could ever be.

thame apologised. he helped po regain his self-worth. he assured po that he would always be here. he would always feel for po. he would always care for po.

and po learned a lot about thame—he was closer to his dogs than his parents. he loves reading. he loves writing his thoughts down. everything so small and insignificant to others, but meant the whole universe for po.

and they became each other's safe zones.

i'm so sorry, but i relate to po in so many ways. i see myself in him the most (throughout all of my years of watching dramas). so I might be biased and root for him the most... and when he feels the most pain, I feel it too :( and when he's so happy talking to thame, I was over the moon. //i'm happy for thame, too. finally, he could give his neverending love to someone who needs that genuine devotion. thank you, thame :((//

and they were on call for nine hours??? and thame waited for po to wake up so that he could serenade his soon-to-be lover with his favourite song??? romance is restored! the slow burn is slow burning!

//this scene is too sweet that ants are starting to swarm the screen...//

3. potential parallels (aka upcoming heartbreaks) and nano/pepper's story arc

ok, so this is something that i couldn't stop thinking about after I watched the episode.

jun saw po. he saw right through po the way he saw straight through thame.

he knew po liked thame. i think he had an inkling that thame liked po too.

however, everything he said to po here was hurtful.

it reminded me of his story arc in ep 3. he was bad-mouthing thame, but it was for thame's benefit—it was his way of showing he cared.

i would like to indulge in the idea that jun cared about po too because he was the only one who knew thame's true intention behind everything he did, and who was helping (or enabling) it in the first place. he knew po was special to thame. but...

the nature of being an idol, i think jun knew it too well. he didn't want either thame or po to suffer in the future. because it'll be difficult to navigate their feelings, to hide their relationship, to behave like they don't mean anything when they're in public. i guess, jun was giving po a head's up, telling po that he wasn't thame's type, crushing po's fantasy of having something different with thame—not in a condescending manner—but rather i don't want you to fall too deeply. there's still a chance for you to move on from this.

but of course, they end up falling.

and this is the price they shall pay.

nano's storyline will be interesting because he's the youngest in the group—the maknae. usually, from my observation, the maknaes love their big brothers/sisters the most. they want nothing but the best for them. and they're willing to sacrifice themselves for them. they felt the most pain when their brothers/sisters experienced anything difficult, and vice versa. (I'm sorry if it's wrong... but this is what I gathered as a k-pop fan for more than ten years hehe...)

it's heartbreaking to see nano behaving this way. i think he was certain that the members didn't need him anymore. MARS was better as a four-membered group. he wasn't important to them how they were important to him.

but... we know that's not the case.

i'm so excited to see how nano found love and purpose in thame. we saw how important thame was to jun and dylan, so seeing it from nano's perspective will definitely serve as a treat (and more pain).

and pepper's story arc... oh God. i have a feeling he's the easiest to return to the group because he holds no grudges. he understands thame and sees the decisions he made were for the group. he's the mediator and also the connector of the group, and potentially thame's relationship advisor.

however... i think pepper's story arc will be the turning point in this story, the conflict, a reflection of thamepo's relationship in the future.

in the trailer, they held a press con and pepper was sitting in the middle. i think he would be involved in a gossip that might affect the group's reputation. but at that point, they'd already reunited, so all members were present to support him. AND ALSO, it was when thame kissed po in the storage room (?) so yes... so excited to see how pepper's story will unfold.

ok, before i end this post, i also want to add...

i think khun pemika knows that thame (and MARS/po) are plotting something behind her back because it's impossible for a company's CEO not to know what her artists are doing? she has many observers... it's not possible for another betrayal arc initiated from the people closest to MARS/po in the upcoming episodes...

45 notes · View notes

carlyleandco · 9 months ago

Text

okay my fellow Cdrama fanatics, I’m in need of some recs as someone who is still fairly new to the scene…

Historical Cdramas I’ve enjoyed

Story of Minglan ~ this show is my Roman Empire…like I don’t go more than a couple of days without thinking about it. Love how much depth there was to the characters and their relationships. I got so much satisfaction from watching Minglan run circles around every one else using her intelligence and wits. Every time Gu Tingye popped up in the background as her backup support I lost it! Talk about power couple.

Love Like the Galaxy ~ first historical Cdrama I have watched and apart from Minglan, I think it has ruined the rest for me. This drama has so many layers. Niao Niao is an intelligent, and opportunistic female lead. She is unabashedly herself, and the story is not afraid to depict her as unlikeable at first instance. I deeply appreciated the focus on female relationships and family. And Ling Buyi has ruined all other antiheroes for me lmao

Destined ~ I thought this one would be on par with Minglan at first, but it did lose its way in the latter half. I felt the female lead was relegated to the background, which was frustrating as they built her up to be this shrewd businesswoman and then we never get to see her in action. I did appreciate how wholesome and untoxic Jiu Si was as a romantic lead. I thought her relationship with the SML could have been drawn out more, however.

Romance of Tiger and Rose ~ I don’t think this drama is anywhere on par with the above three, but I still enjoyed it. Definitely a fun and unserious romp. Zhou Lu Si is just so likeable in all her roles.

Xianxia I’ve enjoyed:

Love and Redemption ~ I literally fell down a hole with this drama. I could not stop watching. Even though the female leads starts with that token immaturity Cdramas are known for, it’s explained in-world and she goes through a noticeable growth/stepping into adulthood arc. I also LOVED how powerful she was and how often she got to use her powers. Also the romance? Sifeng?!!? Yeah I was a mess. However, one thing that irritated me was the lack of agency Xuan Ji had toward the end of the show.

Eternal Love ~ it’s a classic for a reason. I loved Bai Qian’s resolve, steadfastness, and maturity. Her relationship with Ye Hau blossomed naturally, and they had different obstacles to face as a couple as opposed to what I have seen so far.

Love Between Fairy and Devil ~ speaks for itself, and I love enemies to lovers.

Extra: points if the female lead is powerful, or is on a journey to realising her power. Whether that’s through her intelligence, empathy, or in the case of xianxia, actual mystical power. Bonus points if she’s a character like Xuan Ji who can go supernova and destroy everyone lol

Historical dramas I have not enjoyed:

The Sword and the Brocade ~ I didn’t even finish this one. My overall impression was, having already finished Minglan prior, eating cardboard after having been to a 5 star Michelin restaurant. Everything was so bland and dull, even down to the cinematography.

Princess Silver ~ I dragged myself to the finish line with this one. The plot just became so utterly ludicrous and relied on the audience being invested in the main leads without actually letting them spend screen time together. I also hated that we had glimpses of the female leads power but that she never got to fully realise this. Just overly contrived and trite.

Xianxia I did not enjoy

Ashes of Love ~ this was the first xianxia I ever watched some years back. Given I was new to the genre, I think I found some of the characteristic features a bit jarring and I stopped watching Cdramas as a result. If I watched it again I may be able to make it through. Ultimately, I just could not stomach how naive the main female character. I understand this is typical, but it was another level of nauseating that I have not found an equal to since.

#need recs badly!#cdrama #chinese drama #the story of minglan #love like the galaxy #destined #eternal love #ten miles of peach blossoms #love and redemption #love between fairy and devil #romance of tiger and rose #kinda tossing up between love and destiny / joy of life / maiden holmes #three lives three worlds #tmopb #cdramaedit

98 notes · View notes

ineffable-endearments · 1 year ago

Text

I was rethinking the bookshop meta I wrote a while ago and realized I was not thinking big enough.

The bookshop has always been Aziraphale's version of Crowley's plants (his trauma reenactment), but also, absolutely everything Aziraphale does in Season 2 is a re-creation of Heaven's role. Crowley's behavior also encompasses everything, not just his plants.

I've seen it suggested that centering Aziraphale and Crowley's trauma histories is reducing their characters to behaving like just reactive victims instead of survivors with agency. Or worse, it's "excusing bad behavior." I don't agree with either of these, because I feel that part of Good Omens is about how large, powerful systems affect individuals, and so the context of every character's decisions matters a lot to the overall themes of the story. Everyone starts out working within a system they believe to reflect reality and then has to learn how to break free of it. You cannot really illustrate that without having the characters start out being genuinely trapped with different ways of coping with their reality.

This is an attempt at a pretty big-picture meta. Although it isn't a plot prediction, it's how I think some of the series' themes are going to progress. It starts out perhaps a little grim, but in the long run, it's how Aziraphale's character growth and relationship with Crowley can simultaneously be massive for them as individuals, a crucial part of the overarching narrative message of the series, and symbolic of a change in all of Heaven and Hell, all while allowing the themes to continue to prioritize human free will.

In short, it's about Aziraphale's problems, but it's also meant to be an Aziraphale love post.

All of the below exists in tandem with Good Omens as a comedy of errors. Just because there are heavy ideas does not mean they will not also be funny. Look back on how much of Season 2 seemed silly until we started to pick it apart! One of the amazing things about Good Omens is how it manages to do both silly and serious at once! (I feel like that's maybe a little Terry Pratchett DNA showing through. "Laughter can get through the keyhole while seriousness is still hammering on the door," as Terry himself said.)

Aziraphale has really embraced his connection to Crowley in Season 2, and he has also become considerably more assertive toward Heaven and Hell. These are both major growth points compared to the beginning of Season 1.

However, again, we have the concept of growing pains...Aziraphale is starting to re-create Heaven's role in his relationship with Crowley and humanity. It's really obvious with the Gabriel argument and the I Was Wrong Dance, but I think we see it all over the place: he seems to feel any serious dissent is a betrayal. He also seems to assume there's a dominance hierarchy and he, of course, is on top. Now that he's decided to take control of his own future, then surely that does mean he's the one in control, right?

With all that said, he still seems to have trouble being direct about the feelings that make him most vulnerable. He manipulates people and engineers situations in which he can try to get his emotional needs met rather than saying things outright (case in point: the Ball).

Like I pointed out in the bookshop meta: subconsciously, he's playing the role of God, modified with what God would be if She were everything he wants Her to be. He's generous, almost infinitely sweet, always does what's best for people...or, at least, what he believes is best for people. During the Ball, Aziraphale influences the people around him to be comfortable and happy even when they're not supposed to be, and he limits their ability to talk about things he thinks are too rude or improper for happy, formal occasions.

Doesn't this pattern sort of make sense for an angel who's just discovering free will? Like, at the end of Season 1, he made an enormous choice to stand against Heaven and realized he could survive it. Now he's gone a bit overboard with exerting his own will. Unfortunately, while he's learned to question upper management, he's still operating on a fundamental framework of the universe where there have to be two sides and there has to be a hierarchy. Also, since Aziraphale is on the Good side, he of course has to gear his desires into what's Good rather than just what he wants, so he sometimes thinks he's doing things for others when really he's doing things for himself. (For example, matchmaking Maggie and Nina started out as something he wanted to use to lie to Heaven, but by the time he was commenting "Maggie and Nina are counting on me," he seemed sincere, like he had genuinely convinced himself this was for them and not for himself.)

Aziraphale knows Heaven interferes in human affairs, ostensibly on God's behalf. He thinks She should be intervening in ways that are beneficial. What I believe the narrative wants him to learn is that God and Heaven shouldn't be manipulating people at all, not even for Good, and in fact there is no real meaningful hierarchy.

Anyway, a top-down, totally unquestioned hierarchy is the primary social relationship Aziraphale has known, and it's certainly been the dominant one for most of his existence: you're either the boss or the underling, and if someone seriously questions you, they don't have faith in you - they don't respect you.

No, his relationship with Crowley has not always been like that, but they've been creating their relationship from whole cloth, so how would he know it shouldn't become that way, now that it's "real" and out in the open?

No, human relationships aren't like that, but Aziraphale clearly does not see himself or Crowley as human. As the relationship approached something that seemed like it must be "legitimate," Aziraphale would naturally look for a framework to fit it to. And again, the only one he has is the shape of "intimacy," or what passes for it, in Heaven. What has "trust" always meant in all his "legitimate" relationships? It has always meant unquestioning obedience, of course. What have the warm fuzzies felt like in Heaven? Well, praise from the angels above him is nice, so that must be it, right?

Aziraphale even describes being in love as "what humans do," separating out that relationship style. Someday, I think he'll realize he favors the shape of love on Earth, something that's more inherently equal, more give-and-take. Look at how he idealizes it from afar at the Ball. But I think that, like Crowley before Nina pointed it out, Aziraphale maybe hasn't 100% grokked that it can and in fact should work that way for him and Crowley, too. Just like people can desperately want to dance without knowing how to dance, or can desperately want to speak a language without knowing the language, Aziraphale does not instinctively know how to have the kind of relationship where he can be truly vulnerable and handle Crowley's vulnerability as well.

Aziraphale is downright obsessed with French, known as the "language of love." He's trying to learn it the Earthly way. He's not very good at it, but he wants to be.

This pattern is still present during the Final Fifteen even if we assume Aziraphale is asking Crowley to become an angel again out of fear (and I find it very hard to believe that fear doesn't factor in at all). He's still building his interactions off of that Heaven-like framework: he asks Crowley to trust him blindly, he tries to assume a leadership role with a plan Crowley never agreed to and couldn't follow anyway, and he tries very hard not to leave room for an ounce of doubt. He also suggests making Crowley his second-in-command and obviously does not register that this could possibly be offensive. Again, I think this is because for Aziraphale, there has always been a hierarchy in Heaven, it's started to transfer to his relationship with Crowley, and breaking out of that assumption about relationships is going to take more processing than a single argument can do.

As I mentioned in another post, I don't believe Aziraphale had a real choice about whether he accepted the Supreme Archangel position. I think he could sense that he was not getting out of it and chose to look on the bright side, to see it as an opportunity. And instead of looking realistically at how that would feel to Crowley, he tried to sweep Crowley up to Heaven with him using toxic positivity, appeals to morality, and appeals to their relationship itself. Again, mimicking what Heaven has done to him.

To me, "they're not talking" is a big clue that Aziraphale's approach with Crowley is going to be the mistake the narrative really wants him to face. "Not talking" has, thus far, been presented as the central conflict of Season 3! After losing the structure and feedback Heaven gave him, Aziraphale started creating Heaven-like patterns in his relationship with Crowley, and breaking out of those patterns is what he needs to do. Discovering first-hand that Heaven's entire modus operandi is bad no matter who's in charge is how he can do it.

Look, either you're sympathetic to Aziraphale's control issues or you're not. Personally, I am. He's trying so, so hard to be good. I think trying to figure yourself out (which Aziraphale is clearly doing) is hard enough, and when you start balancing what you want for yourself, what you think are your responsibilities, and what other people are actively asking of you, you're bound to fall into the patterns that have been enforced for your whole life or for millions of years, whichever came first.

It is very easy to assume that people should Just Be Better, but it's not actually that simple to be a thinking, feeling person. My anxiety tends to move in a very inward direction and Aziraphale's moves outward. But I'd imagine the desperation and exhaustion are the same.

Unlike Nina, Aziraphale became a rebound mess. I don't think it occurred to either him or to Crowley that there could be any soul-searching, anything but carrying on with the new normal after their stalemate with Heaven and Hell.

Now, instead of getting rejected by Heaven and surviving it, Aziraphale needs to be the one to reject Heaven. It needs to be a choice. And that choice is going to come from realizing that Heaven isn't just poorly managed but also represents a bad framework for all relationships.

How could this happen? Good question. We're obviously not supposed to know yet, although I think picking at existing themes within the narrative could possibly give us hints.

It's possible Aziraphale's character development trajectory will be akin to Adam Young's in Season 1. Please see this stellar post by eidetictelekinetic for more thoughts about it, but basically, in Season 1, Adam saw that the world was not what he wanted it to be and decided his vision was better; as he ascended to power, he took complete control over all his friends and then soon realized that's not what he wants because there's no point in trying to have relationships with people who can't choose you. It's that realization that leads Adam to conclude he doesn't want to take over the world and to reject the role he's expected to play as the Antichrist. Maybe Aziraphale's trip to Heaven is an attempt at a control move during which he'll realize he's defeating his own point.

Aziraphale clearly wants to be chosen. From the very beginning, he's wanted to be special and cared for - just like Crowley has.

Incidentally, I think Aziraphale and Crowley are going to represent pieces of the bigger picture here, and this - first imitating and then rejecting Heaven's relationship style - can both symbolize Heaven's transformation and directly start it (probably in an amusing, somewhat indirect way, like when he handed off the flaming sword to Adam).

If I'm right - which I may very well not be - I think this would all be so, SO cool. Like, "An angel who is subconsciously trying to be a better God" is a concept with so much potential for both tender kindness and incredible darkness. Add to that the comedy-of-errors aspect of "...but even deeper down, he'd much rather just be super gay on Earth" and you have, in my opinion, a perfect character.

I think this could work for Crowley as well. It's obvious that in the Good Omens universe, at least so far, Hell is all about detesting humans and punishing them; Satan seems to genuinely hate humans (unlike in some of NG's other works). Our perspective on this could change, but it potentially puts Crowley in a complementary position to Aziraphale, as a demon who is trying to be "better" than Satan. But this isn't about being "morally better." It's about things having a point. Crowley's exploits usually have a point: they test people. And you can pass his tests! He sincerely likes making trouble, but Crowley doesn't live to punish.

But, once again, the above paragraph would describe a transient phase for this infinitely charming character. Because, again, I think the point will be that in the end, Crowley's deeper-down desire, moreso than testing Creation, is watching it grow with a glass of wine in hand.

#go3 speculation

172 notes · View notes

twig-tea · 3 months ago

Text

GL odds and ends 20 October 2024

Still feeling out how regularly it makes sense to do this; first one was 2 weeks ago on 6 October. If you're interested in GL older than that, check out my GL rec list through Feb 2024 and my update in July 2024. New series marked with an asterisk*.

Currently airing (with thoughts up to Oct 6):

Reverse 4 U 7/8 (Thai, Tuesdays 1:00 PM EDT, Netflix / YouTube) I'm disappointed by how this final arc has gone. We haven't really seen any growth for Wa, and the whole plot with Wa and Vivi's father didn't really make sense. I really don't understand why he had to stay away, or why the rules are so different for him than for Wa. The relationship between Wa and Four also feels flat because we've barely seen them together. I was rooting for this one but alas.

Unlock Your Love ep 6/8 (Thai, Wednesdays, GagaOOLala / YouTube [cut version]) The sequence where Rain and Love keep trying to have sex but getting interrupted/hurt was very funny; this show still drags but the core of it is pretty good. I mostly just wish it were tighter.

Chaser Game W s2 ep 5/8 (Japanese, Thursdays 12:30 PM EDT, GagaOOLala) @lurkingshan is already doing a great summary of this week to week in her JQL weekly round-up!

Affair the series ep 8/8 END (Thai, Fridays 11:15 AM EDT, iQIYI/ YouTube) Other than the jealousy in the last 10 minutes of the show, I really did like this ending for the series. I really liked Wan's decision to take time for herself after being disappointed by Pleng's decision again. The plot and melodramatic-ness of this show is not my favourite, but I enjoyed it week to week in spite of that. The acting was so solid, the women so gorgeous, the chemistry so fire, and the writing was great for the genre its in (the story was internally consistent and coherent, and the characters were complex and their motivations were clear. There was even a good plot reason for the 'they might be siblings' twist). If you don't mind melodrama, give this one a try!

*Pluto ep 1/12 NEW (Thai, Saturdays 9:30 AM EDT, YouTube) Starting off with a fantastic kiss and Namtan on a motorcycle is truly an incredible opening gambit. That being said, I don't buy the core premise of the plot and it is making it difficult for me to actually enjoy the show. I'll probably be mostly quiet about this one because the things I don't like about it aren't actually about its execution but rather my taste.

*Apple My Love ep 2/7 NEW (Thai, Saturdays 11:45 AM EDT, GagaOOLala and YouTube) I already shouted on main about ep1 here; so far I'm obsessed with this show. Kris is too gay to function, and the misunderstanding is perfectly executed. Very excited for this one, it's so far fantastic.

The Loyal Pin ep 12/16 (Thai, Sundays 12:15 PM EDT, YouTube) Anin's speech in this episode was fire. I feel for these girls, Anin and Pin are just so desperate to be together and their choices are limited. This show continues to be gorgeous and so well done, and I keep bracing for pain.

Red Whisper ep 4/8 (Korea, [schedule is kinda unpredictable; vaguely every 5 days??], YouTube) Cheating and taking advantage while your crush is heartbroken and drunk is not my fave but is par for the course with these SukFilm short series; my fave so far has been their first GL so if you haven't seen that yet I'd honestly recommend that instead.

Recent One-offs & Side Couples

We finally got the sapphic backstory in The Hidden Moon but it was (as expected) sad and mostly inferred.

We also got more of the Aim as a Lesbian plotline in the new Love Sick 2024 remake (this was not a plotline in the 2014 version and it's one of the changes I really like and that I think works really well)

Sastra film app YouTube channel has several short Cambodian GL series that come out weekly Honestly they are not to my taste but I don't like gatekeeping GL especially from smaller markets. I check in on these time to time and if there are any that I think are great I'll give them a shout-out

Ditto above with JPC media YouTube channel for Thai GL shorts if there are any that stand out to me I'll say so

Starting soon:

The Nipple Talk, [ensemble] Taiwanese, 1 November GagaOOLala

My Ex's Wedding [in theatres in Thailand 14 November]

Mom Ped Sawan, Thai, 17 November [international distribution uncertain; it should be on VIPA app with subs, but that is region-locked]

Petrichor, Thai, 23 November, TBD

#sapphic media #gl series #gl recs #gl meta #typed so that i can stop thinking it #unlock your love #reverse for you #affair the series #pluto the series #apple my love #the loyal pin #red whisper

35 notes · View notes

maespri · 4 months ago

Text

assigning one word to every persona 5 character

hiii local girl (me) got bored and decided to make this character analysis post of sorts for fun!! so here's one word i think each persona 5 character embodies, as well as my explanation... <3

ryuji: acceptance

ryuji is the first character we formally meet and befriend in persona 5. to others, he's rowdy, unpredictable, and not very pleasant to be around. we're warned multiple times about him and about what he's done. we also get to witness for ourselves how easy it is for him to form a grudge and hold to it for dear life, whether it be toward a corrupt adult, other students, morgana, some of the other phantom thieves, etc.

one of my favorite things about ryuji's character arc and growth is actually how subtle it is, especially for a game that (bless it's heart, i love it, but-) has very little subtlety at times. it kind of just occurs in the background and you slowly watch him change.

he goes from openly despising, attacking, and badmouthing kamoshida to simply saying "it's all in the past" when asked about it in one of his future confidant events. he goes from desperately wanting to be viewed as a hero to accepting that some things have to happen in secrecy. he even becomes kinder to morgana and the other phantom thieves when previously, he wouldn't hesitate to verbally jump them. my point is, he comes to accept a lot of things and leave them all behind in the pursuit of just being happy with what he's got now.

the antithesis of this is also true, where ryuji doesn't accept any of the corruption that happens around him, another aspect that is a huge part of his character. he's usually one of the firsts to suggest infiltrating a palace or heading into mementos.

overall, ryuji's character arc really just involves a whole lot of moving on and letting the past be the past in order to facilitate his own change and his own path toward having peace. and i love it!!!

ann: connection

i felt as though a lot of ann's character was centered around the idea of connection. when we first meet her, she has only one friend, and she puts herself into a terrible situation with kamoshida just to make sure that friend doesn't lose her spot on the volleyball team. she's established as somebody who clearly values her connections very deeply.

but there's also a flipside to this, in that. y'know. ann only has one friend at the start of the game. in one of her confidant events, she also talks about how she had no friends for a while when she first came to japan due to her appearance, ethnicity, and nationality, and how she often faced adversity due to this.

when she does befriend joker and ryuji, it is a rocky beginning- but she comes to value her friends so much. when she meets yusuke, she gives him a chance. when she meets makoto, she's the first to reassure makoto that she doesn't hate her for stalking them, and that she actually wants to be friends. when she meets futaba, haru, you name it- she is always trying to be kind to them. to immediately become their friend and connect with them.

during akechi's battle in shido's palace, she's the one who suggests he join them in taking down shido. she's the one who wants him to be a part of them, even after everything.

she also has a passion for connecting with the world around her, most notably, i would say, through modeling.

it's clear ann values connection a lot. she goes to great lengths for the people she loves, she encourages befriending people, and she enjoys involving herself in the things that go on around her. i think it's really great to get to watch as her trust in everyone, and her relationships with them, grow stronger.

yusuke: passion

yusuke's arc is very much centered around passion, from the moment you meet him to the end of his confidant events. he's on an endless search for the perfect muse, to make the perfect painting, to become the perfect artist.

so much so that when he finds out that the person he looked up to the most lied to him, and when he finds out that the person who came before him (his mother), who had the exact same passion as him, was killed by the person he looked up to the most- his world crumbles.

he loses that passion some, or at least struggles to figure out how he's going to ever paint something worthy again now that he knows the one thing he loves to do was built off of something so heinous.

but you see over time how he finds that passion again, through his friends, through trial and error, through just going at it over and over again. to the final realization that maybe that passion has dissipated some, but it's still within him. he can never paint the way he used to, but that isn't the bad thing he thought it was- it's good.

his passion is also just a central part of his character. he can come across as melodramatic or "a bit much," as he even says himself at one point during a confidant event in mementos-

but the people he's surrounded himself with don't think so, and love him anyway. so... safe to say his passion and his love for the beauty in the world is what carries him throughout all of persona 5.

makoto: practical

definitions of "practical":

(of an idea, plan, or method) likely to succeed or be effective in real circumstances; feasible

suitable for a particular purpose

sensible and realistic in their approach to a situation or problem

makoto is my favorite character in persona 5 right next to yusuke, and i think the word "practical" describes her in many great ways.

the first reason being that both the word itself as well as its antithesis apply to makoto very well. she is rather deceptively practical in some ways, in the sense that she comes across as well put-together, intelligent, and sensible when you first meet her-

until you find out she's actually the same as any other reckless teenager out there, running to kaneshiro and getting herself and all the other phantom thieves into a blackmailing scandal.

she also does this because a big part of makoto's character during this arc is the idea of being useful to somebody- being, as the second definition says up there, "suitable for a particular purpose." she just wants to help somebody. she feels like a deadweight to sae, she's doing everything she can to be a top student in school and it still isn't enough, and she's getting nowhere in the one task her principal assigned to her.

being useful to someone is very important to her.

then she actually joins the phantom thieves and the meaning of this word flips a little bit, because makoto is practical, in the sense of being sensible and intelligent. she's the "brains" of the phantom thieves-

but she no longer has to be "worth something" or "useful." i think ann is the one who explains this concept to her, of how they just want makoto to be their friend. not to be some sort of tool.

so makoto instead turns her attention to just being helpful where she can rather than ruining her life over it. she asks for help when she needs it, such as when she's trying to help one of her friends with his weird boyfriend and asks joker to help her out. and she does try to help her friend with her weird boyfriend, another example of trying to contribute. and she's a part of the phantom thieves, an organization that literally devotes itself to ridding the world of corruption and evil figures.

for her, i think what is really important is how 'practical' goes from her constantly trying to be presentable, constantly bending over backwards to help other people, and constantly hating herself for being 'useful'... to allowing herself to be honest with her friends, and be silly and confused and ask for help, and do what she can to help other people without killing herself over it.

so, yeah. i think she has a really lovely arc in this sense as well.

futaba: freedom

this one i feel like is a given... futaba's arc, in many ways, is centered around the idea of freedom.

freedom from blaming herself for her mom, freedom from her bedroom, freedom from being afraid of being around or talking to people. leaving behind all the things in her past that brought her so much pain, and moving forward in her life.

i'm surprised i don't have much more to say, but honestly, i feel like it's kind of the obvious word for futaba. her entire arc is surrounded with the idea of escaping her self-blame and the tomb she trapped herself in. and she gets that through hanging out with the phantom thieves, and through doing her promise list with ren, and through just. freeing herself from all of her blame.

i also think the word embodies her carefree nature and openness to trying things, even when they scare her. she isn't bound by social norms or what she thinks she's supposed to act like. i also think these traits really help the people around her let loose as well. she also strays from the norm in the sense of her being her own little NPC in battle. you don't know what she's going to do for you. she's free as a bird!

anyway. i love her!

haru: action

haru was difficult for me to pick a word for because there were so many i could've gone with, but i settled on 'action' for a few reasons.

the first being that, for quite a while in her life, it would appear as though haru doesn't take action. doesn't try to change the things she dislikes, just meekly goes along with whatever life throws her way. she's trapped in her engagement and just does whatever her father wants her to do.

but there's definitely something bubbling up in her, a desire to lash back out and actually change her situation.

which is why when she does enter the metaverse for the first time, meets this talking cat, and is told to just go along with whatever morgana says... it's no wonder she instantly jumps on board. this is her finally doing something for herself, not for anyone else. this is her straying from the norm.

when everything with the phantom thieves and the metaverse is explained to haru, she's quick to grow, and transform, and work with them to take down her father.

finally, haru gets to actually do something about her situation, and she isn't hesitating at all. she's jumping headfirst to acting on what she's always wanted to do. taking action.

this is just a side note, but i also think haru empathizes with akechi on a more personal level. she knows what it's like to abhor what somebody in your family has done, and to want to end it- they're two sides of the same coin, they just went about their situations in completely different ways.

it floored me when i saw how forgiving she was toward him even after knowing he killed her father. but none of that kindness is coming from a place of forgiving him, or absolving his guilt, or from complacency- it's from understanding his desperation. he wants to be free just as badly as she wanted to. on some level, haru understands this.

anyway. i know i say this about all of them, but man... i truly love haru. <3

akechi: worth

akechi's character is arguably one of the most fun to study in this game. he's difficult to get a grasp on at first outside of what he shows the player, a facade of pleasantries and friendliness. but at his core, akechi's character and ideals revolve a lot around the concept of worth.

it starts with himself. obviously, he views himself as worthless, says as much, and has spent his entire life trying to shake off that self-imposed title. he's worked so hard to become somebody people want to be around, somebody they support, somebody they revere.

so much so that when he abandons ship (no pun intended) and shows the phantom thieves who he really is, he's disgusted by the fact that they aren't disgusted. he's someone who wholeheartedly believes that being worth something to someone is the only important thing, is the only way to be appreciated, is the only thing worth fighting for.

its why he despises the weak and wants to take down those who have made him feel worthless (namely shido). and he'll do those things, he'll kill tens of people with little regard, because it's worth it. it is worth it if it means he'll be able to kill the root of his worthlessness.

he talks all about how he wasn't wanted as a child, he's just some bastard child, everything he's done has been a lie in an attempt to make people love him. he says he thinks the phantom thieves are terrible, "licking each other's wounds," that they'e idiots for showing him mercy, and yet, he accepts it.

he accepts it, because for once, he's worth something to people who don't want anything from him in return. he's worth something to people who have witnessed the absolute worst parts of him. he's worth something to people who are worth nothing to world because of him. the person he killed outstretches his hand toward him and tells him he wants him to be a part of this. to be a part of his life.

unlike makoto, worth to akechi is internal. he doesn't just want to be useful, he wants to be liked. he wants to be appreciated. he wants someone to see him for who he is and love him anyway, but he buries those desires under a hundred layers of "i don't need this, i just need to get revenge, i just need to make my father pay."

his obsession with being perfect is also the reason he holds so much anger toward joker. joker didn't have to try at all to be liked, to make friends, to have an entire group of people at his side, willing to do anything he asked. i think the line drawn between akechi and joker is born from a simple fundamental misunderstanding of how relationships work. akechi thinks they're built on mutual gain, on being admired, on having power over them. joker knows they're built on simply loving someone despite all the things you don't like about them.

anyway, overall, worthiness obviously means a lot to akechi. man he's a tough nut to crack... but i hope i did him some justice...

that's it!

thank you for reading <3

#aaand the torrential tagging starts again #persona 5 #persona 5 royal #p5r #ren amamiya #akira kurusu #ryuji sakamoto #ann takamaki #yusuke kitagawa #makoto niijima #futaba sakura #haru okumura #goro akechi #vees persona meta

42 notes · View notes