#the good news of jesus

[book-of-summer]

God loves you.

[tyrannosaurus-trainwreck]

I just need everyone to know, because the media reporting around it is already completely fucked, that the Florida amendment to restore abortion access was not "rejected" by voters.

An unquestionable majority of voters across all demographic spectra supported it. As of me writing this, over 57% of voters said, "Yes, restore abortion rights. Yes, protect pregnant people."

Florida amendments require a supermajority--60% or higher--to pass. It didn't hit that threshold. That's not a "no" vote.

We've also had the governor actually legally threatening tv stations for running pro-amendment commercials, so that 57% yes came after a vicious no campaign from the government itself, so.

[christian-girlies]

x

[goosesartblog]

woah i finally have a seawatt design

[actual-changeling]

someone should have stopped me from putting these side by side but here we are. i can't do this anymore what the fuck.

a difference from at least six thousand years—and they are completely different people, crowley is absolutely right about that. the starmaker was lost in the fall, and crowley has been trying to find himself again ever since.

the final fifteen robbed him of anything light that was still persevering, because crowley's don't bother is him giving up. he's done. he can't do this anymore and then he still waits.

he still waits.

and he will keep waiting.

[stefisdoingthings]

if i seem cold, it's just because of the heart i lack

[venompinks]

LISA ✩ NEW WOMAN FEAT ROSALÍA

[ranminfan]

St. Anthony of Padua, the Evangelical Doctor

An educated Augustinian turned Franciscan priest, one of his most notable achievement is his deep knowledge of the scriptures and his faith in the words of Christ.

.

I love when watching documentaries about him from Franciscan orders, he was looked up as a "big brother", and now I can't stop thinking about it.

[cozylittleartblog]

The animation strike is looking more and more likely, please be ready to support creatives this summer and boycott Hollywood again if you care about animation or the human artists who make it happen.

+ indie animation youtube playlist

[puppppppppy]

my stardew farmer ^_^ he doesnt have a green thumb for shit so he keeps animals and does mining

some tidbits i came up with while playing hehe

reclusive and doesnt really go out of his way to talk or visit people unless its an errand. but he also doesnt try to befriend others to get something out of it, so he has a very easygoing approach to making friends. on good terms with linus and sebastian since he runs into them most often.

if he respects or takes a liking to someone, he'll greet them with miss/mister (name). if you get close to him he starts using first name basis. if he doesn't like you, he'll refer to you by your title without using your name. only a few people have caught on to this.

the farm he inherited, Milky Way Farm, was the site of a meteorite crash and sometimes you can find shards of meteor debris littered around the farm (i picked the hilltop farm bc of this lol)

lost his sweater and pants a long ass time ago and doesnt have the time to look for them, so hes been working in his sleep clothes ever since

isnt actually grandpa's real heir to the farm... ;)

[ye-olde-tardis]

With how many references there are in this season about the doctor being a parent, we are definitely going to have some Susan content. I mean, when doctor who keeps shoving the same clues in your face over and over again, it's best to not overlook them.

[laswells-ashtray]

Okay, kind of a weird ask BUT.. Ghost 141.

And I’m not talking abt how they are now, no, I mean like ACTUAL see-through dead people from different periods of time OR from the same time period.

I could imagine that Soap is from the Viking era(Makes sense?), Price is from the Victorian Era, Ghost is from the early Reconstruction days after WW1(I think), and Gaz is from the 70’s or 80’s!

How they meet is completely unknown, but now they stick together like glue and just roam around the Earth as it is.

Sometimes I feel like they’ll see things from their past that no one else can, and the others are confused because- what’s there? Like for example, John was walking the halls of some large abandoned mansion and all of a sudden he sees his lost(and long gone) lover Nik, damn near tearing the house apart trying to look for the criminal before coming to the realization of what he was doing and disappearing for a while.

Nobody knows what the hell that was about, but they most certainly know that it must’ve been serious if the man disappeared for a week straight.

When John finally reappears, the other three men don't know what to say. He looks worse for wear, his clothes are ruffled in a way that requires effort to achieve as a phantom, and his eyes are empty.

They had spent the week debating the identity of the Nik he'd be screaming for. Simon had assumed the person to be a domestic servant but they'd debated the use John had for one. John never had a family, he had been an anomaly of his time. No wife, no children and he wasn't particularly inclined to any career path. He'd stuck to whatever earned him the means to live but much about his life had been kept private and none of the three had felt to pry.

Gaz has other assumptions, might've been taboo in the 80s but it certainly wasn't unheard of. He's unsure about what would've happened if you were perhaps "caught" in Victorian times but he assumes it can't have been good.

But Gaz had spent enough time in queer spaces amongst his people to know one when he saw it. John had been trying to tear his way through them just to get a glance of the Nik he was yelling about and Gaz had heard him muttering to himself about a Nikolai on more than one occasion.

Sure, they'd all developed over the years of being stuck as spiritual presences but some things lingered. Occasionally Soap would slip into a damn near unintelligible rant about something that would leave them all confused. Although, he is just Scottish so that might be it. Simon still struggled to wrap his mind around modern-day laws, smacking around your kids could earn you a prison sentence. He'd get a distant look in his eyes before quickly switching topics whenever it was brought up. Gaz would be the first to admit that hearing about modern-day movies centred around queer stories would always sweep him off of his feet.

Even if he was more used to the openness after they'd taken to following around a CIA agent that John had found amusing. The woman was a powerhouse and finding out she had a wife floored them all but they'd taken to lingering around the couple's home for amusement.

But John had never been willing to elaborate on the Nik he so desperately sought. No one quite knew what to say to him when he came back after disappearing for a week, trying not to ostracize the man through sheer verbal accident.

It surprised no one that Soap had been the first to talk but even Gaz would've expected a more tacful greeting.

"John, you're back. Just in time, the lesbians got a new cat."

Silence falls over the four of them for a moment. Simon facepalms with enough force that Gaz worries for his nose. John looks utterly caught off guard and the way his nose scrunches is undeniably endearing.

"What- what colour is it this time?" He asks, voice utterly wrecked. He sounds as if he'd been gargling glass shards for fun.

"Grey. Looks like mold."

They all smile at the way the man's lip quirks, a faint hint of a smile shining through.

[icantwonderhoythepainaway]

AKA the Characters who were yeeted into the Shadow Realm to create space to put two Virtual Singers in one Card Lineup

[upliftingwords]

So do not fear, for I am with you

do not be dismayed, for I am your God. I will strengthen you and help you; I will uphold you with my righteous right hand.

Isaiah 41:10

[necrotic-nephilim]

What's so fun about BruJay as a ship is Jason's sheer obsessive devotion to Bruce. Jason is possessive over Bruce, to the point he doesn't care about the deaths of others so long as he has Bruce's attention. A part of the UTRH arc this isn't talked about enough is that Bludhaven fucking explodes mid-way and Jason won't let Bruce see if Dick is alive.

batman (1940) #650

A lot of discussion about UTRH paints Jason as this anger-driven cold, calculating machine up against Bruce when it's so clear that his love for Bruce is what drives him at his root, even if he won't acknowledge it. He says it himself, he would've done anything if it was Bruce who'd died instead of him and his anger is rooted in that possessive devotion not being reciprocated.

batman (194) #650

BruJay as a ship always to be, to some level, unrequited. Even if Bruce loves Jason back in that way, he'll never be that obsessed with Jason. Jason will always view Bruce's love for Dick or Tim to be a distraction, proof that Bruce isn't dedicated enough to him. Jason has the need to always have Bruce's attention, even when it could come at the cost of Bruce's other loved ones. Something something cannibalism as a metaphor for love in how Jason wants to consume Bruce's whole existence. He can't let Bruce leave him again, can't let Bruce love or grieve anyone else. Forcing Bruce to choose between Jason and the Joker isn't just about confronting Jason's killer, it's about confronting the other person who exists as this duality with Bruce and consumes so much of Bruce's life. That's the role Jason wants to fill, calling himself Red Hood and forcing Bruce to look at what he's become. But still loving Bruce and wanting more than anything for Bruce to reciprocate that love in the way that Jason understands. I just think it's good soup and rife with Dynamics that are underexplored with them.

[bromcommie]

so I was digging through the Vast Legally Grey Junkyards of the Internet in search of better quality footage from AoU for my edits, specifically the scene with the CA FASCIST grafitti in Sokovia—which I unfortunately didn't find, but what I DID find was a bunch of deleted/expanded scenes that I didn't know/didn't care enough to pay attention to before. Which is fine. Most of it is techno babble and rushed plot setup. However. This stupid-ass ten second clip makes me literally insane. It makes me. Want to kill and maim and chew on the bars of my enclosure. And not in the sense that the contents make me oh-so-emotional, but because the potential of them could. Because what do you mean.

What do you mean those four and a half lines were cut for pacing/time when it's a ten second difference and the rest of the scene is in the film anyway. What do you mean you cut it because it didn't fit the narrative. It's literally couched in two minutes of plot it could've been so easy to slip it in there. A passing reference that would add at least a smidgen of depth to both the (already fucking incomprehensible) plot + politics of the antagonists, and to one of the main fucking characters. Like you were SO close what do you mean you cut every feeble attempt that was made to scratch the surface of Steve's character outside the whole nightmare scene we're supposed to feel so bad about what do you MEAN.

The fact that this minimal exchange—paired with that graffiti scene where Steve is confronted with the actual legacy of Captain America and what he's come to mean to people around the world and then quite physically discards the identity + him still circling back to the mantle at the end of the film anyway because he doesn't know how to do or be anything else, feels like he's too changed for this idea of a normal life that stems from before the war and the ice and doesn't know how to live without carrying that, without being useful in this one specific way—has more meat on its bones in the whole lead up to Civil War and ultimately Endgame than half of this movie's sledgehammer-over-the-head lines about home and family with Barton's kids laughing in the background or whatever like some fucked up C list hallmark movie is downright infuriating to me because like. You clearly thought about it. It passed through your head. You wrote some version of it into the scene. You shot it and edited it and watched it a few times and then you went "nah off it goes to the cutting room floor, we have enough of that. Add those seven and a half seconds to the 20-minute long, entirely CGI Hulk sequence, that we need more of. Surely that will fix the pacing issue".

Side note: this is me not even getting into the fact that, at this point in the franchise, this would have been one of the few lines we'd get of Maria actually saying something or interacting with anyone in a way that is even marginally removed (which this barely is) from simply delivering plot information. This is the only time we kinda get her view on something or even an inkling that she used to be a goddamn intelligence agent. And how that history informs her view of the situation and how it could possibly clash with Steve's own. And that woman is in every fucking movie. (Not to mention the fact that the two of them were just in a movie together, for Christ's sake, and going through something together you could pretty fairly characterize as traumatic and bond-inspiring to boot—and in AoU we can barely tell they even know each other. I mean the bar is so low and they still managed to limbo right under it.)