#the girl with the needle (2024)

[creepynostalgy]

Pigen Med Nålen aka The Girl With The Needle (2024)

[filmap]

Pigen med nålen / The Girl With the Needle Magnus von Horn. 2024

Dagmar's Delicatessen Podmiejska 3, 57-500 Bystrzyca Kłodzka, Poland See in map

See in imdb

[whileiamdying]

All the Films in Competition at Cannes, Ranked from Best to Worst

The twenty-two films that premièred in the 2024 festival’s main program offered much to savor and revile.

By Justin Chang May 26, 2024

The seventy-seventh annual Cannes Film Festival came to a startling and joyous conclusion on Saturday night, when the competition jury, chaired by Greta Gerwig, awarded the Palme d’Or, the festival’s highest honor, to “Anora,” a funny, harrowing, and finally quite moving portrait of a sex worker’s madcap New York misadventures. It was startling because the movie, though one of the best-received in the competition, had not been widely tipped for the top prize, which seldom goes to a U.S. film; with “Anora,” Sean Baker becomes the first American director to win the Palme since Terrence Malick did, for “The Tree of Life” (2011), thirteen years ago. And it was joyous not only because the award was bestowed on a worthy and remarkable film but because Baker used the occasion to deliver the best, most eloquent and impassioned acceptance speech I’ve ever heard a Palme winner give.

Reading from prepared remarks, Baker singled out two other filmmakers in the competition, Francis Ford Coppola and David Cronenberg, as among his personal heroes. He dedicated the award to sex workers everywhere, a fitting tribute from a filmmaker who has put their lives front and center, with drama, humor, and empathy, in movies like “Starlet” (2012), “Tangerine” (2015), and “Red Rocket” (2021). He tossed some exquisite shade in the direction of the “tech companies” behind the so-called streaming revolution—including, presumably, Netflix, which came away as one of the night’s big winners; its major acquisition of the festival, Jacques Audiard’s musical “Emilia Pérez,” won two prizes. And, in a moment that drew rapturous applause, Baker delivered a plea on behalf of theatrical films, declaring, “The future of cinema is where it started: in a movie theatre.”

I was fortunate to see all twenty-two films in the Cannes competition on the big screen, projected under superior conditions in houses packed with fellow movie lovers. It’s my hope that, when these movies are released in the U.S., as the great majority of them likely will be, you will seize the chance to see them on the big screen as well—even “Emilia Pérez,” which Netflix may not keep in theatres for long, but whose bold dramatic and stylistic risks have the best chance of winning you over if they have your undivided, wide-awake attention.

I have ranked the movies in order of preference, from best to worst. Here they are:

1. “Caught by the Tides”

Jia Zhangke, a Cannes competition veteran, has long been the cinema’s preëminent chronicler of modern China (“Mountains May Depart,” “Ash Is Purest White”), mapping its social, cultural, and geographical complexities with great formal acumen, and also with the longtime collaboration of his wife, the superb actress Zhao Tao. Jia’s latest work, drawing on an archive of footage shot in the course of roughly two decades, unfurls a story in fragments, about a woman (Zhao) and a man (Li Zhubin) who fall in love, bitterly separate, and have a melancholy reunion years later. It’s an achievement by turns fleeting and monumental: a series of interlocking time capsules, a wrenching feat of self-reflection, and a stealth musical, in which Zhao dances and dances, standing in for millions who have learned to sway and bend to history’s tumultuous beat.

2. “All We Imagine as Light”

As the first Indian feature invited to compete at Cannes in nearly three decades, Payal Kapadia’s narrative début (after her 2021 documentary, “A Night of Knowing Nothing”) would be notable enough; that the movie is so delicately felt and sensuously textured is cause for outright celebration. Winner of the festival’s Grand Prix, or second place, it tells the story of two roommates, Prabha (Kani Kusruti) and Anu (Divya Prabha), who work as nurses at a Mumbai hospital. It teases out their personal circumstances—Prabha’s estrangement from her unseen husband, Anu’s frowned-upon romance with a young Muslim man (Hridhu Haroon)—with a quiet truthfulness that, like the glittering lights of the city, lingers expansively in the memory. (A forthcoming Sideshow/Janus Films release.)

3. “Grand Tour”

The Portuguese director Miguel Gomes (“Tabu,” “Arabian Nights”) delivered some of the most virtuosic filmmaking in the competition—as the jury recognized by giving him the Best Director prize—with this characteristically yet extraordinarily playful colonial-era travelogue. Shifting between color and black-and-white, set in 1917 but full of fourth-wall-breaking anachronisms, the movie tells a story of sorts about a roving British diplomat (Gonçalo Waddington) and a fiancée (Crista Alfaiate) he’s in no hurry to marry. But its true fascination lies in the humid atmosphere and wanderlust-inspiring splendor of its East and Southeast Asian locations, ranging from Singapore and Bangkok to Shanghai and Rangoon. It’s a movie to get lost in.

4. “The Seed of the Sacred Fig”

It’s impossible to absorb this blistering domestic drama without thinking of its dissident director, Mohammad Rasoulof, who recently fled Iran after being sentenced to prison and a flogging. (His appearance at his film’s première made for one of the most emotional moments in recent Cannes memory.) Shot entirely in secret, the story follows a Tehran-based husband (Missagh Zareh) and wife (Soheila Golestani) who are increasingly at war with their progressive-minded young-adult daughters (Mahsa Rostami, Setareh Maleki) during nationwide political protests led by women. The result is a thriller of propulsive skill and blunt emotional force, marrying the muscularity of an action film to the psychological intensity of a chamber drama. (A forthcoming Neon release.)

5. “Anora”

The director Sean Baker is near the height of his storytelling powers with this dazzling (and now Palme d’Or-winning) portrait of a Manhattan strip-club dancer (a revelatory Mikey Madison) who impulsively marries the ultra-spoiled son (Mark Eydelshteyn) of a Russian oligarch. Much comic chaos ensues, some of it pushed past the brink of plausibility, but Baker’s multifaceted love for his characters proves infectious and sustaining, as does his belief that acts of unexpected kindness can redeem even the darkest nights of the soul. (A forthcoming Neon release.)

6. “The Shrouds”

Early on in this elegantly sombre yet mordantly funny new movie, which stars Vincent Cassel, Diane Kruger, and Guy Pearce, the director David Cronenberg, a master of cerebral horror, unveils his latest invention: a technologically advanced burial shroud that allows people to watch a loved one’s body decomposing in the grave. So begins a drolly fluid inspection of classic Cronenberg themes—the deterioration of the flesh, the instability of the image, the paranoia-inducing incursions of technology into every aspect of life—but imbued with a nakedly personal dimension that the director has noted in interviews; the story was inspired by his wife’s death, in 2017, from cancer.

7. “Megalopolis”

In this legendarily long-gestating passion project, which I’ve written about at length, Francis Ford Coppola posits that our fragile, battered civilization is headed the way of the Roman Empire. The grimness of that prospect is unsurprising from a director accustomed to peering deep into the heart of American darkness (the “Godfather” movies, “The Conversation,” “Apocalypse Now”). For all that, the filmmaking here glows with a particularly hard-won optimism, even a welcome sense of play—borne out by an ensemble of actors, including Adam Driver, Giancarlo Esposito, and especially Aubrey Plaza, who fully embrace Coppola’s rhetorical and conceptual flights of fancy.

8. “The Substance”

Sympathetic or sadistic? Feminist or misogynist? Coralie Fargeat’s body-horror bonanza, which won the festival’s award for Best Screenplay, has been one of the competition’s more polarizing hits, which is unsurprising; divisiveness should be expected from a story about an aging actress and TV fitness guru who, desperate to regain her youthful bod of yesteryear, effectively splits herself in two. Whether the outlandish premise (think “The Picture of Dorian Gray” by way of “Death Becomes Her”) and its blood-gushing fallout withstand intellectual scrutiny, there’s no doubting the ferocity of the two leads, Demi Moore and Margaret Qualley, or Fargeat’s sheer filmmaking verve as she pushes her ideas to their sanguinary conclusions.

9. “Motel Destino”

Just a year after the Brazilian director Karim Aïnouz appeared in competition with a surprisingly stiff-corseted English period drama, “Firebrand,” it was bracing to watch him rebound with the competition’s most sexually uninhibited and flagrantly horny title; corsets don’t apply here, and even underwear proves blissfully optional. Set at a seedy roadside motel where the clientele never stops moaning, it’s a feverishly shambling erotic thriller starring three very game actors (Iago Xavier, Nataly Rocha, and Fábio Assunção) in a romantic triangle that plays like James M. Cain with sex toys—“The Postman Always Cock Rings Twice,” as it were.

10. “Emilia Pérez”

A trans-empowerment musical set against the backdrop of Mexico’s drug cartels might sound like a dubious proposition on paper, and, for the many detractors of this genre-melding big swing from the French director Jacques Audiard (“A Prophet,” “The Sisters Brothers”), what actually made it onto the screen was no better. But I was disarmed from the start by Audiard’s quasi-Almodóvarian vibes, his touchingly imperfect embrace of song-and-dance stylization, and, most of all, his three leads: the remarkable discovery Karla Sofía Gascón, a scene-stealing Selena Gomez, and a never-better Zoe Saldaña. All three (along with Adriana Paz) were recognized with the festival’s Best Actress prize, awarded collectively to the movie’s ensemble of actresses; Audiard also won the Jury Prize. (A forthcoming Netflix release.)

11. “Oh, Canada”

After a tense trilogy of dramas about male redemption through violence (“First Reformed,” “The Card Counter,” “Master Gardener”), the writer and director Paul Schrader has taken a gentler turn with an adaptation of “Foregone,” a 2021 novel by the late Russell Banks. (It’s his second Banks adaptation, after the 1997 drama “Affliction.”) In exploring the fragmented consciousness of an aging documentary filmmaker (played at different ages by Richard Gere and Jacob Elordi), Schrader bravely forsakes the narrative fastidiousness of his recent work and takes on grand themes of memory, mortality, and artistic self-reckoning, to formally ragged but sincerely moving effect.

12. “The Girl with the Needle”

This stark and terrifying black-and-white drama from the Swedish-born, Polish-based director Magnus von Horn (“Sweat”) was perhaps the competition’s bleakest entry. Set in Copenhagen immediately after the First World War, it pins us so mercilessly to the hard-bitten perspective of Karoline (an excellent Vic Carmen Sonne), a factory seamstress who becomes pregnant out of wedlock, that we scarcely notice her story shifting in a different, more sinister direction. It’s a bitterly hard-to-stomach brew of a movie, at once hideous and beautifully made, with a chilling supporting turn by Trine Dyrholm as a friend whose interventions turn out to be anything but benign.

13. “Three Kilometres to the End of the World”

The setting of this well-observed but emotionally opaque drama, from the Romanian actor turned director Emanuel Pârvu, is a small rural village where a closeted teen-age boy, Adi (Ciprian Chiujdea), is brutally beaten after being caught in an intimate moment with a male traveller. Pârvu teases out the legal, psychological, and moral fallout with the pitch-perfect performances and laserlike formal focus that have become hallmarks of new Romanian cinema. But, though the movie is persuasive enough as an indictment of small-town religious fundamentalism and homophobia, it proves curiously incurious about Adi’s perspective, to the detriment of its own human pulse.

14. “Kinds of Kindness”

After his Oscar-winning period romps “The Favourite” (2018) and “Poor Things” (2023), the Greek director Yorgos Lanthimos scales back—but goes long—with a sprawling, increasingly tedious compendium of comic cruelty. My favorite of the film’s three disconnected stories, all featuring the same actors, is the one where Jesse Plemons (the ensemble M.V.P., as the jury recognized with its Best Actor award) plays Willem Dafoe’s Manchurian candidate; my least favorite is the one where Emma Stone joins a sweat-worshipping sex cult. The one where Stone slices off her finger and cooks it for Plemons falls—much like the movie in Lanthimos’s over-all œuvre—somewhere in the middle. (A Searchlight Pictures release, opening June 21st in theatres.)

15. “Bird”

My admiration for the English filmmaker Andrea Arnold (“American Honey”) is such that I’m eager to revisit her latest rough-and-tumble coming-of-age story and find that I undervalued it. Arnold is certainly skilled at integrating recognizable actors, which in this case includes Barry Keoghan and Franz Rogowski, into her grottily realist frames, and she has an appealing lead performer in Nykiya Adams, as a twelve-year-old girl who overcomes persistent abuse and neglect. But the story may lose you—as it lost me—with a magical-realist turn that magnifies, rather than minimizes, the tortured-animal symbolism that has often dogged Arnold’s work.

16. “Beating Hearts”

An exchange of insults at a high-school bus stop provides a saucy meet-cute for a good girl (Mallory Wanecque) and a ne’er-do-well boy (Malik Frikah); so begins a raucous and endearing love story for the ages, in which the director Gilles Lellouche, with outsized glee and little discipline, merrily appropriates the conventions of classic Hollywood musicals and gangster flicks. The result is much too long at nearly three hours—the story spans several years, with Adèle Exarchopoulos and François Civil playing older versions of the two leads—but I can’t say I didn’t warm to its rambunctious cornball charm.

17. “Limonov: The Ballad”

Why make a film about Eduard Limonov, the globe-trotting Russian dissident poet and punk provocateur reviled for his pro-fascist sympathies? The filmmaker Kirill Serebrennikov never musters a satisfying answer in this muddled English-language bio-pic, despite an energetically uninhibited central performance by Ben Whishaw and a cheeky panoply of filmmaking techniques—jittery camerawork, lengthy tracking shots—meant to catch us up in the épater-la-bourgeoisie exuberance of Limonov’s revolt. Considering his earlier work, I prefer the rebel-youth vibes of “Leto” (2018) and the dazzling cinematic assaults of “Petrov’s Flu” (2021), both of which also screened in competition here.

18. “Parthenope”

Nearly every new picture from the Italian auteur Paolo Sorrentino could be reasonably called “The Great Beauty,” the title of his gorgeous 2013 cinematic tour of Rome. (It left that year’s Cannes empty-handed, but won the Oscar for Best Foreign Language Film.) His latest work remains most intriguing for its ambivalent but still sensually overpowering vision of the director’s home town, Naples, from which springs a modern-day goddess, named after Parthenope, a Siren from Greek mythology. She’s played by Celeste Dalla Porta, a great beauty indeed and an empathetic screen presence, though only fitfully does her character seem worthy of this movie’s epic enshrinement.

19. “Wild Diamond”

Another disquisition on beauty and its discontents, this time from the débuting French writer and director Agathe Riedinger. She hurls us the life and busy social-media feed of a nineteen-year-old, Liane (a terrific Malou Khebizi), who has nipped, tucked, and tailored every part of herself to realize her dream of being selected for a hot new reality-TV series. Part influencer-culture cautionary tale, part bad-girl Cinderella story, the movie glancingly suggests the soul-rotting effects of beauty worship, but it falls victim to the trap that Liane is trying to avoid: in a sea of worthy candidates, it doesn’t especially stand out.

20. “The Apprentice”

Donald Trump’s attorneys have threatened legal action to block the release of this drama about his early rise to fame and wealth under the mentorship of the attorney Roy Cohn (Jeremy Strong). It speaks to the useless proficiency of Ali Abbasi’s movie that the prospect of such censorship provokes more indifference than outrage. Shot to evoke cruddy nineteen-eighties VHS playback, the movie is well acted by Strong, Maria Bakalova as Ivana Trump, and an increasingly makeup-buried Sebastian Stan as Trump himself, depicted from the start as a sack of shit that gets progressively shittier. It’s not dismissible, but it’s hardly the stuff of revelation, either.

21. “Marcello Mio”

In this trifling meta-comedy from the French filmmaker Christophe Honoré (previously in the 2018 Cannes competition with the lovely “Sorry Angel”), the actress Chiara Mastroianni embarks on a strainedly whimsical personal odyssey to examine the legacy of her late father, the legendary Italian actor Marcello Mastroianni, and her own conflicted place therein. To that end, she spends much of this overstretched movie in “8½” and “La Dolce Vita” black-suited drag as she navigates a roundelay of industry in-jokes; among the French cinema luminaries making appearances are Fabrice Luchini, Nicole Garcia, and, most welcome, Chiara’s mother, Catherine Deneuve.

22. “The Most Precious of Cargoes”

The French director Michel Hazanavicius continues his uneven post-“The Artist” run with this animated Second World War fable, adapted from a 2019 novel by Jean-Claude Grumberg (and narrated by the late Jean-Louis Trintignant). It has an affecting opening stretch, in which a baby girl, thrown by her desperate father from an Auschwitz-bound train, is rescued and raised in secret by a woodcutter’s kindhearted wife. But when the child’s provenance is discovered, stoking local antisemitism, the movie becomes a bathetic wallow in Holocaust imagery, drowned in an Alexandre Desplat score whose every surge turned my heart increasingly to stone. ♦

[kiwifie]

art fight attack for shmeebdingyy!

including my own oc too because I thought frankenstein's monster and mad scientist ocs being besties would be SO cute

[girls-cry]

"the world is a horrible place, but we need to believe that it is not."

The girl with the needle (Magnus von Horn, 2024)

[imthefailedartist]

Twisters is the second movie, this year, where I feel like it was incomplete.

The movies are cueing up typical moments in the genre and then just not doing them.

They were supposed to kiss, right? That was a very "kiss the girl" coded moment.

I'm not crazy.

When they came to get her out of the car, I was like, wait, this feels like their ending the movie. They can't be ending this movie, not right now. I thought they were going to wrangle another one just to make sure. Also, no horse getting snatched up. Why am I at a rodeo to not see one of them rodeo animals spun round wild? Also, I thought twin twisters were going to be a bigger part of the plot.

Bring back the real lovers. I'm tired of stuff being romance coded to get romance fans in the door, and then the filmmakers snatch the rug out from under us going, "Haha. Bitch you thought".

And you "it's not about the romance. Not everything is about romance" jagoffs, butt out. This is not for you. They already made Twisters without romance, its called Into the Storm (2014). Watch it and stay away from me.

This movie is so heavily coded for romance that it feels like a slap in the face that they don't kiss. They even hint at (J or X)avi was in love with her at one point, too. What the hell is going on? You don't need to trick me into seeing your little movie. I was coming regardless, but now I'm not happy about it. You could've made this a colleagues only affair, and I would've been fine, but this was bullshit. Tyler does so much romance hero stuff.

Catch is, I wouldn't be so upset if this movie ended in the field immediately after the big tornado. Instead, this movie decides to put on a big show of Tyler being at the airport, Kate saying his catch phrase back to him. He makes the "whats she mean by that face" nails his truck to the ground and runs after her as Xjvai cheers for him. What the fuck was that for if they weren't going to kiss?!

You know they messed up because all the actors and director etc. On the press tour are doing the romance isn't the end of their story walk back. Like, yeah, no shit that's why you end it on her plane being grounded because a big storm's rolling through.

Don't piss me off.

Helen Hunt and Bill Paxton close your eyes.

The director saying the movie isn't political is laudable. Every five seconds, a character is saying tornadoes have only gotten bigger and more frequent in the last 20 years. Just because you don't call it climate change don't mean it ain't climate change.

I hated every needle drop in this movie. It was very Netflix reality show.

Also, the guy coming in to snatch up people's land seconds after a tragedy is a bad guy.

[gebo4482]

THE GIRL WITH THE NEEDLE | Official Trailer | In Cinemas January 10

Dir: Magnus von Horn Star: Vic Carmen Sonne / Trine Dyrholm / Besir Zeciri

[moviesiveseenandwanttoremember]

Magnus von Horn’s “Pigen med nålen” (The Girl with the Needle) January 23, 2025.

[letterboxd-loggd]

The Girl with the Needle (Pigen med nålen) (2024) Magnus von Horn

January 26th 2025

[chinchillasorchildren]

Films of 2024: The Girl with the Needle (dir. Magnus Von Horn)

(2.5/5)

[rwpohl]

pigen med nålen, magnus von horn 2024 

[kristenswig]

#223. The Girl with the Needle - Magnus von Horn

3.5/5

[aqueousablution]

OC-tober day 15: Major life event

(prompts)

feat. the rare pre-transition sorXa

[5sospenguinqueen]

Needle Little Love | Charles Leclerc x Ferrari! Reader

Summary: When you’re announced as Ferrari’s newest driver, fans love the budding friendship between you and Charles, especially when he adopts your penchant for crochet puns. Netflix expose that there’s more to the story. 

Warnings: Slightly suggestive content. Swearing. Fluff

2023-2024 timeline. Pinterest pics.

Requested: Yes by @rebelwrites. Find the full request here

A/N: There's a blurb halfway down

F1 Masterlist

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its_ynln just posted

liked by charles_leclerc, olliebearman and others 

its_ynln chronicles of yarnia 🧶

1,609 comments 

francisca.cgomes okay but i’m gonna need that top in all colours please

→ its_ynln let me get your measurements at zandvoort 

user1 what is charles doing here

→ its_ynln i’m plagued by his brother and we both like to go zoom?

→ arthur_leclerc just for that, i’m not coming to your celebration party in zandvoort. i’ll go party with charles

→ its_ynln don’t want you there anyway 

→ oscarpiastri @/charles_leclerc the girls are fighting again 

→ user2 i love how they’re just assuming she’ll win 

lilymhe i love my pillow! thank you thank you thank you 🌼

→ alex_albon she literally carries it everywhere and i’m not allowed to touch it 

user3 we love how racing is just her side hobby 

jackdoohan day 116 of asking you to make me my own dinosaur 

→ its_ynln i can make a voodoo doll of you if you don’t stop pestering me

→ jackdoohan i’ll be glad when you’re gone

→ user4 gone where! 

→ user5 well she is currently leading the f2 championship, and they won't let her back 

user6 drop the patterns please, babe

user7 i love how half the people here are because of her crochet, not because she drives

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f1 just posted

liked by ferraridriveracademy, oscarpiastri and others 

f1 welcome to the team @/its_ynln we look forward to seeing you on the grid in the new year 

5,533 comments

its_ynln what can i say, it’s knot just another hobby

→ user8 babe, stick to crochet. stand up comedy is not for you 

ferraridriveracademy take good care of our girl 

→ scuderiaferrari thanks for letting us have her

charles_leclerc welcome to the team 😄

→ user9 why is this the blandest welcome ever 

→ user10 someone feels threatened

→ arthur_leclerc *trying to contain his excitement

francisca.cgomes this is the best news ever. will you teach me to crochet?

→ pierregasly because stealing my girlfriend over summer break wasn’t bad enough?

→ its_ynln are you still salty that she let me touch her boobs

→ user11 i know it was to measure her chest for clothes but still.. 

scuderiaferrari are we going to have to pr train you? @/its_ynln

→ liamlawson30 yes

→ alex_albon yes 

→ jackdoohan yes

→ its_ynln why am i being attacked by twice the amount of people now? 

arthur_leclerc thank god she’s not my problem anymore 

→ its_ynln i’ll always be your problem, little leclerc 

→ oscarpiastri oh fuck, she’s my problem now

charles_leclerc just posted

liked by maxverstappen1, pierregasly and others  

charles_leclerc winter break spent somewhere sunny  

2,316 comments

scuderiaferrari come back, we miss you 

user1 um, whose hand is he reaching for in that first pic 

→ user2 idk but we should be saying thank you for dressing him in that shirt 

its_ynln is your skin ferrari red yet 

→ charles_leclerc no, i keep getting slathered in sun cream :(

→ arthur_leclerc factor 50? 

→ user3 i love that she’s bullying him before she’s even been his teammate on track

user4 this shirt looks similar to one yn posted a few weeks ago??

→ user5 and the hat!!

→ user6 omg how cute would it be if charles was asking her to crochet him some clothes 

→ user7 we love a supportive teammate

landonorris rocking the bucket hat, mate. think i can get one in papaya? 

→ charles_leclerc i’ll hook you up

oscarpiastri i miss you, dad

→ its_ynln i’m not babysitting next year. just putting that out there ahead of time 

→ charles_leclerc not even if i ask nicely?

→ its_ynln maybe if you let me win

→ charles_leclerc 🤔🤨

user8 why are we skipping past the sneaky soft launch?

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2024

“You know, we both have driver’s rooms for this sort of thing,” you breathed, giggling when Charles’ facial hair tickled your neck. 

His mouth sucked gently on the pulse point thrumming beneath his tongue, tracing kisses from your ear down to your collarbone. The stack of worn tyres cushioned your back as he pressed your harder against them when you reached around to pinch his backside. 

“Oi, I’m talking to you.” 

“I’m sorry, mon ange, but you looked so good when you were giving that interview. And you kept laughing-”

“Oh, so it’s not that I’m so irresistible that you couldn't wait until we were safely in the garage. It’s that you were jealous.” You raised an eyebrow at him, unable to fight the smile at his rougish grin. 

“You are irresistible,” he murmured, hands snaking around your waist to pull you flush against him. “Why else would I be making out with you in an alley behind the motorhome?”

“Because you’re a horndog.” 

You and Charles had been dating for the past year, having met after he caught you winding up his younger brother one race weekend. Ferrari had been eyeing you up all year, asking the Monagesque what he thought of you, prompting him to pay closer attention. Prior to you signing your contract, you’d had to disclose your relationship to Fred Vasseur. Whilst the senior members of the team were aware of your more-than-teammates status, the majority of the paddock were in the dark. Both of you wished to keep the relationship under wraps until your rookie year in F1 had passed, reducing speculation that Charles was the only reason you got your seat. Sneaking around the motorhome was a lot safer than making out behind tyre stacks, but Charles didn’t care at this moment in time. 

“You going to be nice and let me win today?” He teased, nibbling at your lower lip. 

“I think you mean, am I going to let you massage my feet after I win? I won here last year.”

“Yes, yes, bow down to you.”

“Well, I do like you on your knees.” 

Grinning, Charles captured your lips with his once more. Tongue swiping against your bottom lip, he groaned against you when your tongue met his. Hands snaking into his hair, you tugged gently on the soft strands, enjoying the whimper you pulled from his lips. He tilted his hips, pressing himself against you. 

“The things you do to me.”

A loud cough - more of a throat clearing - tore the two of you apart. Wide eyed and panting, you both turned in horror to look at the misfortune person who stumbled across you. Fred Vasseur stood at the end of the alleyway, shaking his head at his two drivers. It was bad enough watching them make heart eyes at each other during data reviews but this. Behind him stood a cameraman and a mic guy, mouths agape at their luck. Drive to Survive would be flooded with viewers once they teased this. Breaking News: Ferrari drivers caught locking lips in secret tryst. 

“I’ve got Netflix following me around today.” Fred said bluntly, staring you both down. 

“Oh crap.”

“Yeah.” 

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next day

charles_leclerc just posted

liked by its_ynln, arthur_leclerc and others

charles_leclerc you could say we’re a close knit bunch

4,416 comments

its_ynln i fell for you hook, yarn and stitcher 

user8 not charles adopting her crochet puns 

jackdoohan so he gets a toothless keychain and i still don’t get my dinosaur? 

→ liamlawson30 that’s because he’s sleeping with her

→ jackdoohan if that’s the price...

scuderiaferrari finally. we were getting sick and tired of archiving all the pics we took of you both being cute. now we can post! 

→ arthur_leclerc please don’t. it’s bad enough seeing it in person for the past two years. i don’t want it on my timeline

→ user9 two years! they’ve been together two years! 

alex_albon can’t believe you posted a photo of her in a nice dress and didn't even give her photo creds

→ its_ynln he’s intimidated by my raw talent 

→ oscarpiastri i watched you flip over the handles of your bike the other day 

→ its_ynln raw talent

→ charlesleclerc @/its_ynln when was this? why didn’t you tell me? are you okay? 

georgrussell63 did she beat you?

→ charles_leclerc i let her win

→ landonorris yeah, you’ve been saying that all season, mate

→ its_ynln you got a nice consolation price out of it tho

→ arthur_leclerc ew!

user10 i love that charles has posted this and yn hasn’t mentioned anything about him lol 

→ user11 her entire insta is the two sides of her personality; car and yarn. can't have a man ruining the aesthetic

━━━━ ༻𖥸༺ ━━━━

A huge thank you to @rebelwrites for the request. I hope this lives up to expectations

Requests for F1 smau's are open. You can see who I write for on my Masterlist :)

[viperify]

Smutmas 2024 | ᴛᴏᴍ ʀɪᴅᴅʟᴇ x ᴍᴜɢɢʟᴇ ꜰ!ʀᴇᴀᴅᴇʀ

We will meet again. | pt 2

Short summary: Ever since you had met Tom, you couldn’t stop thinking about him. He was mysterious and intriguing in the best possible way – if only he hadn’t disappeared out of nowhere at the Christmas market. It’s two weeks later now and you intend to spend Christmas Eve by yourself. Or will you?

Warnings: 18+ only! stalker!Tom, dub con, rough sex, extreme choking, impact play, degradation, biting, bondage, slight blasphemy ig, unprotected p in v, no aftercare

A/N: All I want for Christmas is… uhhh…

wordcount: 2,9k

part one | part three

Nobody messes with Tom Riddle’s head.

Especially not a muggle girl.

He let his guard down that day, something that hadn’t happened in a long time. You intrigued him in the worst possible way– an odd feeling he wasn’t used to blooming in his chest. One that only got stronger every time he had looked into your beautiful eyes, one that he couldn’t seem to let go, one that distracted him any time he wanted to simply read a book or study.

It has been driving him close to insanity.

Two weeks have passed since your encounter at the Christmas market and he had since found out where you lived, when you arrived home after work and, most importantly, he had a well worked out plan where he would teach you a little lesson.

Christmas Eve.

Fourteen days ago you met Tom, and he has never left your mind since. He has even followed you in some of your dreams. The necklace – you don’t wear it. Too much of a reminder of how he just left you behind, essentially having your friends think you’ve gone crazy as you rambled on about this tall, handsome stranger who you swore was just sitting there next to you on the bench. Without paying it any further attention, you have put the jewellery away, somewhere where you were sure you wouldn’t have to encounter it again for the next few months.

You live in your own apartment, within a small living room currently decorated with a middle-sized Christmas tree. The smell of pine needles and gingerbread hangs thick in the air, altogether creating a pleasant holiday feeling which perfectly fits to your tradition of watching a seasonal movie on Christmas Eve.

The season of love and peace doesn’t feel much like it when you have to decorate and organize everything yourself. The past few days have been nothing but tiring, which is why during the movie your eyelids flutter close every few minutes and you have to fight sleep with all your strength. Your exhaustion finally gets the better of you and you decide to head to bed, slipping into your fluffy bunny slippers and turning off the TV. After, you make your way to your bedroom, only the flashing Christmas decorations you had put up leading your way, casting a faint light on the otherwise empty hallway.

You touch the cold metal of the door handle and push down, entering your bedroom. Instead of darkness the dim light of your motion-sensing lamp greets you. It has been bugging often lately, just like the camera surveilling the front door entrance. Not even technicians you had hired could fix the issue – strange, you thought, especially as you have never had problems before. It’s probably due to the chilly weather they told you.

As you take a breath, a strange, yet familiar scent hits your senses. It reminds you of that day at the Christmas market. As you try to figure out where it was from exactly, Tom crosses your mind. It was his perfume, unmistakably, one that was so unique it was easily recognizable. Then, on the other hand, how could-

“You left your front door unlocked.”

A familiar voice, which you instantly make out to be Tom’s, snaps you out of your thoughts. You shriek, turning to face the figure behind you. You weren’t mistaken.

Your blood is rushing through your ears as he’s just standing there, arms behind his back, staring at you. Even in this faint lighting you could swear his eyes have gotten darker than last time you saw him.

“What the-? How did you get in here?” You breathe heavily, furrowing your eyebrows at the sight of how calmly, eerily so, he was standing in the corner of your bedroom.

His lips twitch slightly, almost like he was about to reply, but instead he takes a measured step towards you. “Why aren’t you wearing my present?” he asks, voice low and controlled as his gaze sinks to the exposed skin of your cleavage, scanning it for the silver necklace he had left you in your handbag.

A scoff escapes your lips, and you shake your head. “Now tell me one good reason why I should. We have barely talked. You left without saying anything. I never asked you to come back either, especially not by breaking into my house.”

It wasn’t exactly true – of course you have been thinking about him. About how he caught your attention so easily in the first place, how different he was to other men. You even have dreamed of him. Yet, you weren’t a person to just simply forgive and forget.

“Leave, just like you did two weeks ago. You have no business being in here anyway.”

Tom’s expression doesn’t change as he stands still for another moment. Though, he then quickly advances toward you and before you can react properly, he grabs your arm and pushes you back against the cold wall of your bedroom, pinning you in place with his body.

“I am not going to leave any time soon.” He snarls as his hand wraps around your throat, just enough to feel your pulse under his touch. You have been messing with my head. And you know what happens to people that mess with my head?”

“Bad things. Horrible, in fact.”

You avoid his piercing gaze best as you can. “Well,” you huff, “that is not my fucking-“

Smack.

You hiss, head whacking to the side as his palm strikes your cheek forcefully, the burning sting radiating through your body. And damn – it shouldn’t make you feel the way it does.

“I am going to scream.” You croak best as you can, though you aren’t quite sure if you could under his firm grip.

“For help?“ he taunts, his lips curling up in a smug grin, “I would like to see you try.”

“I know what you have been dreaming of the past two weeks. Exactly this, isn’t it? My hand wrapped around your pretty throat, fucking you senseless. You can’t hide from me.”

“I have no clue what you-“

You hiss as a sharp pain in your head cuts off your lie, and the world around you shifts into something oddly familiar, a scenery you recognize from one of your dreams you had two nights ago.

It was you and him after your encounter at the Christmas market, but instead of disappearing, he had come home with you.

Not only that, though.

“God Tom, please!” You whine, lifting your hips from the mattress to meet his harsh thrusts, desperately chasing your high as he hits all the right spots that have your vision blur.

He looks so perfectly messy like this – sweat glistening on his skin, his beautiful brunette curls sticking to his forehead as he looks down at you with hazy, lust-filled eyes. The most raw and gorgeous groans come from his slightly parted lips, and you swear that sight alone would push you over the edge soon enough.

“Tell me what you need, and I will give it to you.”  Tom encourages, sucking marks into the tender skin of your neck.

“Need you to choke me. Please.” You manage, and his hand tightly wraps around your throat in an instant, as though he was waiting for those exact words to spill over your lips.

“Anything for you.”

And just like that, the scenery shifts again. You whimper as the stinging pain in your head disappears, and you are met with the brunette staring right at you with a cruel smirk, his face inching closer to yours until he is merely a breath away.

“It would be oh so cruel of me to deny you-“ Tom rasps, his voice laced with sarcasm as his hand finds its way under your skirt, “what you have been craving for so badly, don’t you think?”

A nod. A nod is all you can manage in return. You don’t even have time to question whatever just happened, inhaling shakily as his hand travels up your bare thigh, thumb brushing over the damp spot on your panties. Tom furrows his eyebrows and groans, lowly, at the feeling of your arousal on his finger.

“This turns you on? You are more pathetic than I thought.”

The firm grip he has on your throat softens, and your lungs finally expand with oxygen as you suck in a deep breath. He takes out a weird looking stick from inside his coat and mutters something for you inaudible. Just a second later your clothes are neatly folded on the floor and you stand there – half-naked, merely your lace underwear left on your otherwise exposed figure. You gasp in surprise and instinctively try to cover yourself, however Tom is quicker, grabs your wrist and sits you down on the soft mattress of your bed. Then, he does the same thing again, to himself this time.

Your eyes widen, trying to comprehend whatever just happened right in front of your eyes. “How- who are you? Some kind of magician?”

The brunette huffs, pushing you down onto the velvety sheets of your bed. “I am much more than a mere magician.”

And this time, he would let you keep the memory.

Before you can reply anything, he hovers above you, trailing kisses down your neck. Not like those you are used to from past experiences, though. They are rough and full of hunger, teeth grazing your skin, biting down here and there, practically marking you up as his own. Just like those dreams you have had.

Tom trails lower, stopping right at the swell of your breasts. “Still wearing too much.” He mutters under his breath, but it’s too late when you realize his intention. The material of your bralette rips with a sharp tear as it gives way to the force he is applying, the fabric sliding off to each side.

You want to complain, tell him that was one of your favourites, but when his teeth sink into the flesh of your breast any sane thoughts vanish from your mind. “Tom! Are you crazy?!” You shriek, attempting to push his head off you.

“Some people would say insane.” He retorts almost too calmly, lifting his head to answer, though not wasting much time before he dips down again to wrap his lips around your stiffened bud, sucking and biting down on it.

You throw your head back as soft moans escape your parted lips, your fingers raking through his perfect curls, tugging on them just slightly. His hand wanders down your stomach, and with a quick motion your panties are thrown on the floor.

“That is by the way no proper way to undress a woman.” You scold, and his eyes meet yours for a moment.

“You must be utterly delusional to assume I cared about that.”

Shaking your head you reach to the waistband of his briefs to get rid of them, blindly taking his length in your hand while you study his facial expressions. Only when you stroke him up and down, rubbing your thumb over his with precum glistening tip, you notice his size. Fuck.

His hand takes yours, pinning both of them above your head. Tom stills then, his eyes skimming over your naked figure underneath him for a brief moment as though he wanted to imprint your form into his mind forever.

“Keep your hands up there.” He demands lowly, and that is when you feel him aligning himself with your entrance, pushing into you steadily. You gasp at the blissful stretch Tom is providing you, burying his cock in your warm, welcoming walls.

“Season of love and peace, hm?” He rasps, pulling out of you almost entirely. “Let me show you what that means to me.”

A whole lot apparently.

“Because all you have caused me is anger and frustration.”

“Oh fuck- that’s too deep!” You cry out as he thrusts back into you at his last words, with much greater force this time. “Yeah? And I know you love it. Look how greedy you are, sucking me right in. See what a pathetic slut you are for it.”

His demeanour has in the meanwhile changed into something darker, eyebrows slightly furrowed as he mercilessly pounds into your tight cunt. You don’t exactly know what you have done wrong – he left you behind after all, not the other way around. However, who were you to complain if it meant you would get this?

Your hands reach to hold onto him, digging your nails into his skin, mark him like he did with you. A short-lived idea, it turns out. Tom hisses something, a word you can’t quite understand, and your hands return to their position above your head. Securely fastened with invisible binds.

“Wh- oh god! Oh dear god fuck-“ you cry out as he repeatedly hits that one spot deep inside of you that has stars blur your vision, subsequently having his hand wrap around your throat to muffle your moans. Then, his burning gaze meets yours.

“God? Pray to me. I am the only one above you, pray to me.”

Tom’s grip on your throat tightens at that, almost cutting off your airflow entirely.

Dreams do come true, after all.

The sounds of skin slapping against each other fills the room, and the air grows thick with the smell of lust and desire. You get to feel all of him, every single vein, even the slight curve of his perfect length. It all feels too good, too much for you to take. With your hands tied and voice taken away, that though is the only thing you can do – taking it.

“How does it feel-“ he breathes heavily, his dark brown curls sticking to his forehead as he punctuates his question with particularly rough thrusts. “How does it feel to be completely at my mercy, hm? To have me decide whether you get to take another breath?”

You can’t manage a reply, too caught up in pleasure clouding your mind, too focused on the slight sting you get as he brushes your cervix with every thrust as your walls give way to him entirely.

Soon your eyes flutter close, your consciousness slowly fading away under the firm grip he has on your throat. His hand then releases you, instead delivering a harsh smack to your cheek.

He adds another one as you don’t respond immediately.

“Breathe.”

You cough, gasping for air as your vision slowly comes back to you and are met with the brunette glancing down at you. “Doing so well for me.” He groans lowly, his thrusts growing more erratic as you clench around him, feeling your own high building rapidly.

“Please- please I need you to-“ you whine, bucking your hips against his thrusts for more friction. He reaches between you two, thumb finding your clit, rubbing figure eights on it. “S’ that what you need?”

You nod frantically. “Yes, oh Tom-“ your wrists pull at the bindings, but it’s no use. “Come. Come and show me how much of a slut you are for me.”

That’s the only thing you need to hear before the waves of your climax wash over you, repeating his name like a prayer as your cunt greedily pulses around his length, encouraging his release as well.

“I fucking- hate you-“ he grunts, emptying himself inside of you, biting down on your shoulder and collapsing on your spent body afterwards. You two stay like this for a brief moment before he pulls out of you. Tom keeps your legs spread and you whimper softly as his fingers swipe through your glistening folds, gathering some of your mixed arousal before he brings it to your lips.

“Open up. Taste us.” He demands, and you follow his command, taking his digits into your mouth to suck them clean. You never take your eyes off him, and the sight in front of you is heavenly. Tom looks oddly messy like this, hair disheveled, beads of sweat visible on his forehead, lips slightly parted as he breathes. Lord have mercy, you think.

 He withdraws his fingers from your mouth and cleans himself with what you have learned to be his wand. “You are a wizard?” You ask, sitting up to meet his gaze.

Tom nods. “Do not speak to anyone about this. Or I won’t have mercy with you next time.”

You grin. “There will be a next time?”

Just another second later and he stands before you, fully dressed in his black robes, his eyes wandering over your figure and his lips curl into a satisfied smirk. “Maybe. If you wear the necklace.”

You point towards the mess on your sheets and inner thighs expectantly. “Could you-“

“I am quite positive you will be fine.” Tom replies sternly, getting ready to leave.

It’s not that you were expecting him to stay the night, though you couldn’t help but feel disappointed he was leaving so soon. Your eyes follow his tracks, and when he then stands before you to hand you your clothes and a towel, you take the opportunity.

“Would you stay if I wanted you to?” You ask, still hopeful, though you already know the answer.

He shakes his head. “No.”

And so Tom takes out his wand, hesitating for a moment before he turns to face you for one last time.

“Happy Christmas.”

Just like that, he is gone again.

And the necklace? The most beautiful you have ever worn.

tagging for pt 2: @theacreativity @sirenseaborne @tomriddleswhcre

[hayaomiyazaki]

Ladies and gentlemen, take a good look. Look straight at what the papers did not write about. Look into the face of pain.

The Girl with the Needle — 2024 Pigen med nålen dir. Magnus von Horn