#the flux episode comes when episode 2 comes out

[shinydrakeon15]

I’m just obligated to make a shitpost post every time I get fixated on a new fangame

[rearranging-deck-chairs]

rewatching 13s era for me is not so much diminishing returns as it is something opposite and eviler...............increasing losses? increasing losses

[13thdoctorposts]

At some point 13 fans needs to actually put the numbers to paper on the era's audience numbers, because my recollection is that they're perfectly on par and at times even better than Capaldi's and several of the latest specials. I'm tired of haters whining about 'everyone hated it' when they mean misogynists targeted it and boycotted it from the very instance of a rumour that 13 would be a woman.

Peter Nolan from Blogtor Who did a post on the numbers after the airing of Power of the Doctor, in one section of the post he compares the Whittaker and Capaldi eras…

“It’s remarkable then, that the Whittaker era of Doctor Who is overall on course not only to retain the audience it was given, but actually very slightly grow it. The average Thirteenth Doctor was watched by 4.67m viewers, up 0.12m (2.6%) on the 4.55m average of the Twelfth Doctor. It’s median viewing figure of 4.21m, meanwhile, is 0.34m (7.4%) lower than Capaldi’s, representing the boost Whittaker’s average is given by the large audiences for her first series. But overall, we haven’t seen Doctor Who just do a respectable job all things considered. Rather, it actually got ratings that would be good a decade ago.”

You can check out the whole article here https://www.blogtorwho.com/doctor-who-power-of-the-doctor-viewing-figures/?amp=1

As you can see the Whittier era did quite well especially when considering it had to fight to get through the Pandemic, which people seem to like to act like isn’t a big deal with their revisionist history of how difficult that time actually was. Not only were millions dying and getting sick, people were losing their jobs and lock downs were keeping people at home and a number of parents learnt how hard it was to home school your child even with a teacher on zoom, some while also having to work full time at home. This isn’t to mention the ridiculous amount of restrictions on how they could make the show and keep everyone safe. Sadly they also just didn’t have budget, it was why they needed Disney to come in. In the Who Corner to Corner podcast Chibs talks about how he wanted to do a new years special after Flux but was told there was no budget and he couldn’t do it but he wanted there to be a new year special so he ask if he used monster from the cupboard (a couple daleks they had sitting there) a warehouse and only 2 guest stars could he do it and they still told him they didn’t think so but he told them they were doing it and then we got Eve of the Daleks, one of my fav episodes of the run.

This goes to show the show was struggling to afford to make episodes it had no real money for marketing. If series 12 and Flux got the marketing series 11 did of course we would have seen even bigger numbers but Chibs stated in his Radio Free Skaro podcast from Gally One in 2023 that the only marketing budget they had after series 11 was marketing that could be done on the BBC that’s extremely limiting. They also didn’t have a brand manager unlike all previous eras. If you can afford a brand manager you’re not going to choose to not have one and having one probably would have also help quite a bit.

It’s not 2008 anymore, even Tennent couldn’t pull his 2008 numbers and that was with the big Disney budget to make the show and market the show, and they had a year to market the show and the most well known Doctor, so considering that vs what Chibs had to work with the Whittaker era is a solid era of Doctor Who. It just came at a time when the Budget was struggling, and the TV landscape was changing along with a campaign to try and destroy it before it began simply because they chose a Woman to be the Doctor, as demonstrated by the fact the BBC had to release a press statement backing Whittakers casting and the change to a Female Doctor. And that did have a snow ball effect of people picking everything apart to an insane level they do not do with any of the episodes from the male Doctors episodes a lot of which could be seen as far more problematic.

All this to say could the numbers had been better? Yes, if they had budget to market the show the way it needs to be marketed in a landscape with a million competing shows on far more streaming services than there were regular channels back in the day. But did the show do well with the limited resources it had. Also Yes.

[itsmyfandomandilikeit]

What we actually know about the renewal of Star Trek: Prodigy

Ok so there's been some speculation going around that Prodigy is or is not being renewed. The fact is that there has been zero news on the topic, official or otherwise, and anyone claiming to know differently is wrong or lying.

That being said, there are some things we do know:

1. Netflix is of course notorious for canceling things. I am an Inside Job fan. I know. However, they almost never leave things ambiguous. They aren't shy. When things are canceled, they make a clear public statement saying that it's canceled. Usually within two weeks of airing.

2. All of the clear public statements we've gotten from Netflix and the Prodigy crew have been consistent: Netflix will decide when they get more data. Recently, Aaron Waltke said on a podcast that they will review the viewing numbers from the first six months after season 2 was released, which occurred on July 1. This lines up with Netflix's data release schedule, which collates viewing data from the first and second halves of the year.

3. They are also waiting on a few other things. Namely, Netflix still commissions Paramount to create seasons of Prodigy. The sale of things like DVDs, Blu-Rays, digital downloads, and those new ship models that are coming out this December, affect the price of a season of Prodigy. Merchandise sales and licensing pay for a portion of it, and Netflix has to cover the rest of the cost. I'm sure the new theme park ride affects this as well. The cost to commission a season of Prodigy is determined by a number that is very much, at the moment, in a state of flux because of the upcoming physical media and merchandise releases, which could do well or not.

4. It was announced that the Hagemans have been added to a LEGO Ninjago project, and there has been some speculation that they will be unable to work on Prodigy because of this. This is irrelevant. The Hagemans have stated repeatedly that they typically work on 2 or 3 projects at once. To my knowledge, Aaron Waltke was working on Transformers One during the production of Prodigy season 2. This is just normal. They're getting work because their work has done well.

5. Prodigy costs the least of any Star Trek project to produce, but it is also the only Star Trek project that Netflix has access to. If, say, Section 31 does extremely well, Netflix can't get any portion of that success except for through Prodigy. Netflix also knows that very few new users are actually signing up for Paramount+, and indeed many users are leaving the platform, so Prodigy remains a good investment for Netflix. No matter how well this season of Lower Decks does, Netflix can't buy it because it's not for sale.

6. Data from 2023 indicated that Prodigy outperformed all of the rest of Star Trek on Netflix (admittedly, the US is not counted in this). What's especially notable about this is that it was only available for one week in 2023. In the first half of 2024, Prodigy continued to do well on the Netflix platform, despite it effectively only playing reruns during that time. Netflix will not release numbers for the second half of 2024 until next year.

7. Prodigy has the budget and appeal of a children's show, but it also has an avid adult audience. Many adults are watching it just because it's Star Trek or because they want to keep up with the overall story. Anyone who wants to maintain Star Trek completion must watch Prodigy, which is only available through Netflix.

8. Marketing is typically the lion's share of the cost of any media, but no marketing was done for Prodigy. It relied on word of mouth and the Star Trek brand. This affects how expensive it is to Netflix.

9. Finally this is not about the show itself but I just don't think that the story is over because plotlines in Star Trek never really end. Watching TAS is like the Leo Dicaprio pointing meme of seeing how Discovery was designed from a ton of these episodes. Every detail of the older shows is spun into entire plotlines in NuTrek. Whether or not Prodigy is renewed, these characters and species have been added to the canon and more than likely it will never let them go. If there isn't a new season, there will be video games, books, comic books, theme park attractions, stupid hats (that I'll buy), sunglasses, t-shirts, board games, markers, branded blankets, posters, and anything else you can think of. I kinda don't know how I feel about this but it is what I think. No matter how many seasons of Prodigy there actually will be, I'm sure the characters and settings will be brought back thirty years from now for better or worse.

[spaceorphan18]

The Rogue and Gambit Project: Previously On X-Men... Rogue (Part 2)

Yeah... I can just tell this is going to be everyone's favorite entry of this project. ;)

As we move into the late-80s, everything gets just a little more complicated. There are now multiple X-Books going (thankfully, Rogue is just in Uncanny at this point), a ton of characters to service, and story lines that sprawl into big events. Rogue kind of... gets lost, a little, in the shuffle. But there are some notable things to point out -- and one big thing *coughmagnetocough* we're gonna have to address...

For the most part, during a majority of the run up until this point, Uncanny X-Men stood alone as the sole book to find the X-Men. Suddenly, there were a bunch more. New X-Men followed the younger kids. X-Factor brought back the original team. And now the books did big event crossovers! Which - has only made comics completely muddy sense! So, instead of picking out individual issues like episodes of televisions, I need to break this down a little more in chunks...

The Mutant Massacre (Uncanny X-Men 210-219)

Uncanny X-Men #213

This particular 'event' is something that is, unfortunately, going to come back later in a big way -- though for Gambit -- though that will have consequences for Rogue, too. But... we're a long way off from there. The quick summary is basically - a group of jerks called The Marauders decide to take out the Morlocks, a group of mutants who live in the sewers because they can't pass as 'normal' looking. And, of course, the X-Men need to stop them.

Rogue gets some decent panel time. But the biggest thing is that the X-Men are finally her home. Especially as the team begins to change in big ways, especially as she's a hero now, especially as she is more open about having a big heart, she takes being an X-Men seriously.

Uncanny X-Men #217

The other big thing going on is the changing team dynamics. A lot of the older faces have left the book. Storm is dealing with a loss of powers. Wolvie has his solo going on. Kitty and Nightcrawler have gone to the book Excalibur. The team feels like it's in constant flux (and will be until the somewhat reboot in the early 90s). Rogue is, thankfully, one of the constants. And because of this, we do get to see her more!

She doesn't necessarily get a ton of new character development. But she does get to have some interesting new dynamics. Psylocke is introduced! Dazzler and Longshot join the team! Havok crawls out of the woodwork to appear! And even Jubilee (though much later) makes an appearance - though Rogue has little to do with her.

The Fall of the Mutants (Uncanny X-Men 220-227)

Uncanny X-Men #222

The next 'event' is Fall of the Mutants. Through an uncanny (see what I did there) string of events, the X-Men end up in Dallas. The Adversary (a Strom villain, really) shows up and creates chaos in Dallas. In order to stop it, all of the X-Men 'die'. Except they don't - and are saved by someone called Roma (sigh, let's not get into /her/) and they can come back, but no one will know they are alive and no one will be able to see them in any kind of media. So.... basically, it's a way to keep the X-Men out of New York and away from X-Factor, because we can't have that happening too fast....

Again, not really a whole lot of single Rogue development, but she gets to do a lot of badass things, and she is on panel quite a bit.

The other thing to note is that their given a portal to go through - something called the Siege Perilous. I'm not going to pretend I fully understand what it is - but when you go through the portal, you get to be 'reset' (or you essentially die). I'm noting it now, because I'll become important later on.

Australia (Uncanny X-Men 228-238)

Uncanny X-Men #230

The X-Men end up down in Australia, hanging out there while having adventures for a while. Despite her basher attitude, Rogue becomes one of the softer members of the team. See - she's bringing a picnic to Gateway, the unspeaking Aboriginal mutant who is basically their transportation system. Ooff, comics.

This era is kind of setting up two things - Inferno (which we'll get to in a second) and The X-Tinction agenda. Rogue ends up getting a mini-arc here with Wolverine, where the two of them end up in Genosha -- an island where mutants are basically chained up and caged. Unfortunately, it's implied that Rogue got a little ruffed up during her stay, thought at least Claremont (I think it was him) came out and said that she was not sexually assaulted here. Ooff, comics again. But Uncanny X-Men 235-238 has some great Rogue (and Wolverine) in it. Because of this, though, the Carol Danvers Psyche kinda takes over for a while, and Rogue becomes buried.

Inferno (Uncanny X-Men 239-243)

Uncanny X-Men #240

I need to take a second and talk about how during a lot of this run Dazzler and Rogue remain at odds with each other. Part of it has to do with their past, but part of it is over... Longshot. Ooff, girl needs to have a real romantic interest and fast... ;) Also, can we take a second to appreciate how 80s that outfit is?

Uncanny X-Men #242

Out of all the late 80s events, Inferno is my favorite. It's the batshit crazy tale of an ex-wife who wants to get revenge on her ex-husband, who left her for his dead girlfriend, and decides to take down an entire city by making a deal with a demon, while using her own child as a hostage. It's bonkers. But we're not here to discuss the many loves of Scott Summers ;)

Honestly, Rogue doesn't do a whole lot in this one. She gets to knock some people out. She gets knocked out. And... that's about it. Still a great read though.

Through the Siege Perilous (Uncanny X-Men 244-247)

Uncanny X-Men #246

Rogue doesn't really get to last long in a post-Inferno world. She gets to waffle a little between Carol and her own psyche. This practically gets me because the entire time she's been around so far she only has kissed to steal people's powers. Never a kiss for love. And it's a shame they were going to kill her off without letting her get one.

Uncanny X-Men #247

During a fight with Master Mold, Rogue gets tied up and sucked into the Siege Perilous, where she essential dies. And that's it! That's her story. The end...

Kinda sucky, right? Not exactly a satisfying way to end her.

Well... an entire year is going to go by in the real world before she gets to come back...

Before get to her return, though, I would like to say this. There are a ton of great panels and moments that I didn't document for this project. I really do recommend, if you have the time and means, going through and reading all of Claremont's original run. There are some really fantastic stories - that hold up relatively well all things considered. And while the Rogue development is slightly stagnant, our girl gets some truly wonderful things to do. It's definitely a full on recommendation from me.

The Savage Land (Uncanny X-Men #269, 274-275)

Rogue Pre- and Post-Siege Perilous

Alright, so let's talk about what happened in that year. The X-Office was beginning to change. Chris Claremont was beginning to near the end of his iconic run. The 80s faded into the 90s. Artist (and infamous) Jim Lee was taking over the book. The style changed - and everyone got to be a bit more sexified. The line up became really messy as there was a new X-Men team nearly every issue. And a rather handsome thief from New Orleans made his debut. (But we aren't going to talk about that yet ;))

Uncanny X-Men #269

Rogue returned through the Siege Perilous buck naked (seriously) and clean slated. All the voices in her head were gone, all her extra powers were erased, and, some would say, she got a new personality.

She was still sassy and brassy but now we got to add demure sexpot into the mix, who wears skimpy clothing even though she still can't touch anyone. And -- this is somewhat a set up for what happens next.

But first... some context. After Rogue makes it back from the Siege Perilous (and after some stuff with the Shadow King) the Carol Psyche was ripped from her own and two bodies emerged out. The not real Carol attacked Rogue and Rogue made her escape through Gateway, and ended up -- not in Genosha where the rest of the X-Men were dealing with the X-Tinction Agenda crossover (Rogue gets to sit that one out) nor out in space where the X-Men will land next, but in the Savage Land.

And you know who's waiting down there to help her out?

Y'all knew this was coming guys...

Magneto.

Buckle in, kids, we're about to talk about Rogneto.

Uncanny X-Men #274

Fun fact: This is the first issue where Rogue and Gambit are in the same issue. However, Remy is out in space while Rogue is suck in Antarctica with Magneto. And, look guys, none of this is that bad...

When Rogue first arrives down in the Savage Land, she is pursued by the clone/body/psyche of Carol, who is trying to kill her. Magneto stops Carol and outright kills her. He also kinda kills other people, too. Great start for this romance, right?

/

Uncanny X-Men #274

Anyway, he supposedly helps her heal (and eventually she'll get her Carol powers back - but at least not with the added Carol personality.) And apparently there's some kind of spark? I mean, honestly, to me it looks like he's hurting her, but their both mostly naked so this is hot, right?

Unfortunately, while this "spark" isn't anything compared to the raging fire that's about to happen in a few issues, it's going to have an effect that won't fully be put out until a bazillion years later in X-Men Legacy. And, well, this is a part of her story.

Uncanny X-Men #274

There's really not much that happens in this issue other than these panels that I'm showing you. We get a lot of inner monologue from Erik, but really nothing to show what Rogue is feeling. I realize there's a kind of grooming aspect you could place on it here, but this all happens over days, and I barely think it's any time to make any sort of real connection good or bad? It's just kind of here... being awkward...

And you know, admittedly, that bottom right panel is very pretty. That's probably the nicest thing I'll say about something Rogneto related.

Uncanny X-Men #275

For anyone who wanted Rogue with a naked Magneto, here ya go! ;)

Uncanny X-Men #275

There is a whole plot that I've been kind of ignoring - about Zaladane and her bonkers plan to take over the Savage Land. No need to worry - Magneto is going to murder her, too. And thus we get to see the biggest issue with Rogue and Magneto. They honestly have nothing in common. Sure - Rogue was a villain for a short time, and I could (maybe?) buy it back then, but all of this feels like they wanted to give Magneto a hot chick to hang off him for a few issues. Their ideologies are just too different for this to ever make any real sense.

And if that's your thing? Sure go for it - I'll never tell anyone who or what to ship. But it does nothing for me. (Sorry :/)

Uncanny X-Men #275

And this is where it ends. Really guys, I showed you all the big hits, there's nothing, really, that happens with Rogneto during this except the alleged 'spark'. Oh, and the fact that Magneto was fine letting Rogue die while he dealt with other things. Romance for the ages guys.

Magneto is going to go back to being a villain. And Rogue is going to make her way to Muir Island, where her life is about to really, really change.... ;)

But first, let's talk about Gambit...

[backjustforberena]

I saw your post about Addam and alyn. How do you feel like rhaenys would have reacted to the rest of the season? Like to ulf and Hugh and rhaenyra’s weird religious stuff.

THIS GOT LONG, I'M SO SORRY BUT PLEASE FOLLOW UP IF YOU WANT TO TALK MORE X

I'll be honest, it's something that I've been thinking about A LOT and it's actually really, really tricky for me to pin anything down. And, frankly, that's because although it doesn't feel like it (for various reasons) a lot of the things happen only because she's dead. And because they lost Meleys. So there's this whole argument you could have about how none of this would have happened at all if Meleys and Rhaenys hadn't have died because the motivator that Rhaenyra has to try this desperate act and gain more dragon-riders is gone.

The only thing that can't be changed, in my mind, is Addam being claimed by Seasmoke. But even Corlys being Hand, or Mysaria's growing influence, or Rhaenyra's isolation and pulling away from her council is all up in flux if you have Rhaenys around.

And I think all that is not only a really straightforward fall of the dominoes but it's also just because of the space and the role that Rhaenys played. She was the only character that sort of existed in all of these spaces: she's in the Council Chamber as an advocate but also able to take charge of them (without the aid of a pin), she's a dragon-rider out on patrol and in battle, she's able to have these private conferences with Rhaenyra, she's also on Driftmark and has a connection to that side of things with Corlys as well, and (though it's not utilised in the series) she has a connection and access to the younger brood as well. She's fulfilling, and able to fill, all of these roles and be everything to everyone.

When considering this sort of AU, I'm trying to figure out where Rhaenys would sit on the scale objectively, and also where Rhaenys would falter. On a general level, she's super cautious. She's advocated, time after time, to not go in blindly, to not send in dragons until you have to, to be smart and not impulsive. The Sowing represents a significant escalation. I don't imagine she'd take kindly to the idea, especially if Addam comes to them. Then, I think, she'd be thinking: leave it. They've got enough firepower to challenge Vhagar. Just leave it. It's too dangerous. It's too much.

I also think she'd be thinking about the other things that need to be solved prior to going down this route. The glaring issue is Daemon. It doesn't matter your personal feelings, if he's turning against you, if you can't rely on Caraxes, then you need to know. And if you can rely on Caraxes, then you don't need to go down this incredibly risky path of "handing out" dragons. I can see Rhaenys advocating going herself to Harrenhal. She'd be quicker than Alfred Broome and more likely to slap Daemon around the head to get some sense into him - and Daemon can't fool her. She can leave Corlys to take her place in the politics, and she'd make it a swift trip.

But, she would need Rhaenyra's permission and that's where things could go a little unstuck. I can see Rhaenys lose access to Rhaenyra and once that happens, you're in a pretty dangerous spot because the Sowing then becomes inevitable. You mentioned Rhaenyra's religious stuff? I'm not sure it's all that obvious to anyone who isn't the audience. It's hinted at but I don't know that the depths of that would be apparent. Maybe little warning bells go off in Rhaenys's head but it could also seem like Rhaenyra is just growing into her role. This is also more likely as the religious leader stuff is essentially walked back in the next episode. So, it's in flux, rather than a marked personality change. If Rhaenys doesn't have the context, she can't see the bigger picture.

I've got two bigger questions that generally might impact how Rhaenys would respond to the Series 2 events following her death. The first is: how does she view the dragons? That's a tricky one because we don't really get her speaking about dragons very much or about Targaryen power and exceptionalism and all these themes that are knotted and tied together which inform the characters who do have strong opinions on not only what being "blood of the dragon" means but how they should be treated and what it means to ride one. Characters like Viserys, Aemond, Daemon, Rhaenyra and even Jace are much easier to pin down in that regard.

The only thing I personally feel that I have to go off of is her relationship with Meleys (her oldest and surest friend, her other self, her companion of over 40 years, who she has a love and responsibility and care for) and her position as the most experienced and eldest character around especially when it comes to riding a dragon. I naturally want to associate her more with the Dragon Keepers because of that. The idea that the dragons are a blessing and not a weapon. That they stand apart, that they should not be dragged into a conflict that will give them harm. I don't think it's a case of blood purity. She's never given off those vibes, as much as she's superior - that often comes from rank, not blood.

I don't think she buys into the idea of signs of the Gods or blessings or the things that Rhaenyra is clinging to. She's been scorned so much and whilst she does believe in the Gods and in their divinity, I don't think she thinks the gods care (see her lines over Vaemond's body). Certainly not enough to lay a path or favour one side over the other or to get involved so blatantly. Rhaenys is a woman led by reason and a keen awareness of human nature and power corrupting. Something else that also informs opinion is her line:

[War]’ll be savage beyond all compare. There is no war so hateful to the gods as a war between kin. And no war so bloody as a war between dragons.

That's a quote that goes against the Sowing and against Rhaenyra's logic behind it, if ever I heard one. So, whatever the circumstances, she'll dislike it. It's too uncontrollable, too unknown, too unpredictable and it's something, once done, that cannot be undone. She'll be against it. Whether she is enough to stop it, I don't know. Because then we come to my second question: where's her breaking point?

I'm not suggesting for a moment that Rhaenys is about to go to pieces and be useless and otherwise fumble or falter. She's so strong and so aware that she can't falter. However, events beyond Rhaenyra hatching the Dragonseed plot will have put pressure on Rhaenys in a way that needs addressing and a way that she didn't have in the previous 4 episodes.

We don't know, for example, how the events of Rook's Rest may have changed her. Whatever this conflict now is, she is the one who has opened the floodgates of dragon war. She brought a dragon onto the battlefield and so everything now stems from that. She's also gone against kin, gone against all principles she may have held on to. She's done a big thing and she knows it's a big thing. That's going to change her, I would say. Whether it's to make her more ruthless or closed off to get her through the horrors that will come or whether, in fact, it makes her sick, I'm not sure. But the battle, for those that survived it, was a crucible. Rhaenys wouldn't be exempt from that. It could even have broader implications for her movements - Rhaenyra could be happier to send Rhaenys and Meleys against a foe and so she's being sent out again and again.

The other, major, thing is Corlys. That whole mess. It needs addressing. It would very much need addressing even more after Addam claims Seasmoke. That's a whole kettle of fish. That would take her focus away from the Black Council and has the potential to really destabilise her. She's come face to face with Alyn, she's broached the topic for the first time after knowing for years and met resistance from Corlys. Now one of his sons has claimed her son's dragon? It's a lot. And it's something she will have to probably deal with on her own. Does she have enough in her to keep rising above everything? Does she have enough control over it all? What the hell is her self-worth like, if there's the implication that she wasn't even unique enough to give Corlys dragon-riders?

Especially as, and I've mentioned this in other asks, she would be so close to it all. She'd be helping to teach the Dragonseeds. She'd be recreating lessons she taught her son on that same dragon to the son of her husband, a product of an affair that she has very limited knowledge of. If Rhaenys is so emotionally compromised, she cannot be impartial. And she cannot be across everything and solving everything and being there for everyone.

She takes her eye off the ball and people will be chaotic. We saw that basically as soon as Rhaenys died: people were falling apart! Corlys was getting drunk and angry, Daemon was going insane, Jace was lashing out, Rhaenyra was going haywire; seeking comfort in people and physically attacking others. That's not good!

And I know I'm rambling but yeah, I can all too see a situation in which Rhaenys loses her grip of control and is forced to feel things and show things that she wouldn't ordinarily. I can see her isolate herself as much as others could start isolating from her, which makes for a situation in which the Sowing happens as we see it on-screen. Which, finally, gets to the other part of your question, and I'm just going to go with personality rather than the ins and outs of it all:

Hugh: Decent, I think. Nothing massively objectionable or an idea that they'd clash. He's respectful, and honest. My opinion on all the Dragonseeds is she'd want to talk to them (light interrogation under piercing pleasantries). She'd be quick to figure out what he wanted or he expected from such an arrangement, and be curious about his family and what he left behind. It would be interesting if Hugh told her of his mother - Rhaenys would have known all about that. And he does look remarkably like her/their grandfather.

Ulf: No patience. No time. Much side-eye. I think she'd size him up very quickly and be extremely cautious. I also think there's something interesting about him having claimed Silverwing. That was the dragon of her beloved grandmother. The dragon that Alysanne wept over flying for the final time. I also think pairing Ulf up with a woman a bit like SIlverwing (a regal older lady) would be a fascinating dynamic. I'd love it if we got to the point where he kind of wanted to impress Rhaenys. Like, was attracted to and yet ultimately fears her. Fun!

[zukadiary]

Kazuki Sora taidan diary 〜 2024.2.11

(also kind of a Boiled Doyle on the Toil Trail / Frozen Holiday write up)

I've now woken up eight times in a world where Kazuka Sora is an OG (changing that number daily, as I've been trying to write this for six days), and the sense of having somehow slipped into a severely incorrect timeline is getting progressively stronger. Coupled bizarrely with that is deep, deep gratitude that, despite everything that's happened in the last four years, and especially in the last five months, she got a gut-wrenchingly, absolutely devastatingly beautiful taidan. I can't say perfect, because perfect would have been after a well deserved top star run. But barring that, I never dreamed it would get this close.

Long post incoming.

I have to set the stage...

Once upon a time in 2013, Asaka Manato, then nibante in Ouki Kaname's Soragumi, got her turn starring in Brilliant Dreams +NEXT, a multi-part Sky Stage series where you got to like, do some stuff of your choice with other people in your troupe. She decided to recreate some of her favorite revue choreography, and a friend alerted me that one episode was dedicated to the infamous Rosso scene from Takarazuka's Dream Kingdom (which, as you can see in the linked post, completely short circuited noob me from a decade ago). Maasama was still a good 2+ years from winning me over at the time, and I think I reluctantly watched it with some level of offense that she touched a Komu thing. As I'm sitting in front of my computer rolling my eyes, out comes this tiny thing in capri pants, mismatched socks, suspenders, and thick glasses: ken-4 Kazuki Sora, here to report on the situation in the rehearsal room.

She spent her airtime cracking jokes, tripping on her tongue, riding on Susshi's shoulders, and generally acting like Soragumi's annoying kid brother. I thought she was funny.

Another friend told me she thought she was tracked. I absolutely did not believe her.

Then, against a fair amount of adversity, she got the 100th anniversary Rose of Versailles shinko lead, and my eyes widened a bit. The next time I found myself in Japan, I was gifted a 9th row seat to what coincidentally happened to be her first ginkyou crossing in PHOENIX Takarazuka! I'd been spending the show curiously scanning the stage for her, and when I witnessed the gap between reporter and performer, my jaw hit the floor.

Afterwards, my kangeki companion asked if I was interested in anyone in the troupe. I said Kazuki Sora. She recoiled and said "but she's so short."

***

Something that I noticed during this taidan trip is that covid-era fans met a wildly different Sora than I know. Growing up in 2010s Soragumi was uniquely rough. I'm not even talking about ::hand waves:: the present circumstances and what may or may not have lead up to them; I mean they persisted with a level of star saturation through the dawn of the pandemic that had kinda crazy consequences for the otokoyaku track. Not only was the track itself overcrowded, but the troupe also held onto a number of non-tracked upperclassmen to whom they seemed unwaveringly committed to casting in juicy roles. I remember when things seemed so untenable that Soragumi fans were universally on pins and needles waiting for what felt like an inevitable big transfer out, and I remember freezing in shock on the side of the road when instead they transferred Serika Toa in.

Here's some analysis for perspective:

Kiki is the third oldest top of all time, and spent more time as nibante alone than Tamaki Ryou took to get from debut to top.

Lord knows how long Soragumi will be in this state of flux, but if they come out of it and Kiki gets a normal number of shows, AND Sakuragi Minato is next, Zun could immediately overtake Kiki for third place

Speaking of Zun, her first two-city lead was in 2020. Looking at her top star douki, Rei Makoto's and Yuzuka Rei's were in 2017, and Tsukishiro Kanato's was in 2018.

Rukaze Hikaru's first bow lead was in 2019, two years later than her other tracked douki, Akatsuki Chisei (four if you count A-EN).

Slightly more invisible but just as devastating, the lessened exposure on stage between leads has likely resulted in lower fan club numbers and less overall popularity.

...and back to Sora. Hundreds of us filled Hibiya Park this past weekend, but Sora spent her early Takarazuka career so buried that, despite being a triple threat on stage and an utter delight off, her fan base was small enough that at ken-7 they let me, not yet even a club member, accompany my friend to demachi where I became the third attendee. For years, Sora was, frustratingly, an in-person only watch. I'd go to Japan, memorize her positions, miss the rest of the show for following her with my opera glasses, and pop in the DVD at home only to find her always just off screen. A Motion was one of the most fun times I've had in a Takarazuka theater, and on the DVD during my favorite Sora SOLO, the camera is on Sorahane Riku wordlessly dancing.

I was floored when she got Anita. I was livid that she could give THAT PERFORMANCE and immediately afterwards be cast as an ensemble soldier in Red River (although she was so good in Citrus Breeze that after 5 years of deluding myself that I "couldn't betray my beloved Yukigumi like that" ((ironic, right?)) I finally caved and joined club). I stress dreamed multiple times about the impending bow announcement before she got Hustle Mates. I cried when she finally came down the stairs between two musumeyaku in Ocean's Eleven at ken-10, in which she played Linus, a role that felt like a big break even though it had previously always gone to ken-6s. FINALLY, the massive Ocean's taidan relieved a little pressure, and I felt a tangible thrill when suddenly she was all over the Aqua Vitae shonichi digest, something that had never happened before.

That's where we left off in February 2020, when the Diamond Princess docked in Yokohama, and my therapist didn't know what I was talking about when I said I was giving myself a stomachache watching live case numbers ahead of my scheduled trip, and I canceled my flight, and I put my freshly printed pack of homemade Suleiman postcards under my bed, and I didn't see her for 4 years 4 months and 3 days.

***

It's hard to talk about Sora's taidan announcement and not come off as biased and overly dramatic, given that she's my girl. But in 11 years of countless taidan announcements, I've never come close to being as blindsided by one as I was with hers. The vibe I've gotten is that fans, siennes, and patrons alike were all properly shocked.

I'd spent the better part of a decade internally screaming for Takarazuka to act like they recognize her undeniable talent. Frustratingly, it finally started happening during covid. While I was living under the impression that Hustle Mates was a genuine miracle, she got an unimaginable second lead... then, thanks to the breathing room in her new Yukigumi home, a third... and then a fourth. Having been burned for so long, I've always firmly been team I-don't-think-Sora-is-going-to-make-top, but despite that, I was actually starting to believe it could—dare I say would—happen. I wasn't even certain the people murmuring on twitter that she might leapfrog Aasa were completely delusional. I went into Hyperbolic Chart, my looooong awaited reunion, excited to assess Kasumi Sana as her potential future partner. I enthusiastically bought all her postcards for future writing, because the last time I'd seen her, she, at ken-10, didn't have postcards.

Two days after that I found myself again frozen in shock on the side of the road.

Two days after that.... yeah.

***

Somehow, despite 11 years of knowing how this works, of weathering various taidans with friends, of crying in bathrooms until they started cleaning the theater at taidans that weren't even technically mine, I was also completely blindsided by the taidan experience itself.

Part of it was definitely the time skip, from years of intimate Sora fandom to nothing to a couple of A-seki (she's the it girl now!) for a lead I wouldn't have chosen with a troupe I barely recognize anymore to bye, she's gone. Part of it was being thrown back into this after 4+ years of pandemic-dulled emotions, followed by the exhaustion of Takarazuka's crisis era. Part of it was lowered expectations from the largely uninspired and under funded lineup of forgettable shows churned out by tired directors of dubious morality. Part of it was the disaster-shortened Mura run, the self-preserving dissociation fueled by the pain and disbelief that there was a dinner show and I wasn't at it, followed by a month and a half stretch of work so busy it was still going while I sat at the ANA gate for my 1am flight.

But I got here and squeezed into one of those red seats and then all at once I was an unsealed vacuum, cracked wide open, and Doyle and Frozen Holiday rushed in and filled the airless void till it burst.

Boiled Doyle on the Toil Trail

I've been down on Yukigumi.

Yukigumi has been my home troupe for the vast majority of my fandom. I had the fancy Swarovski crystal Yukigumi bag charms, the whole Yukigumi getup from Sports Day '14, Yukigumi albums, Yukigumi chopsticks, etc etc etc. I literally didn't join Sora club for years because I couldn't imagine being pulled out of Yukigumi. But while I was locked out of the country, the march of time took my favorite top star and the vast majority of my emotional support upperclassmen. The pandemic spit Yukigumi out in a state that just made me reeeeeeeeally sad. So I stopped watching them. That's the exact moment they picked to put Sora there.

I hate to admit it, but I still haven't totally caught up on her Yukigumi time.

Which is probably the main reason this show caught me SO off guard... even having watched AND enjoyed the Mura livestream. Sora is best watched in person, after all.

Doyle—a silly take on Arthur Conan Doyle's life, and how he used a magic pen to write Sherlock Holmes by accident, thus setting into motion a runaway series of events—is not only a fun and joyful show, it's a masterpiece of casting. The top 4 were at their absolute peak, and it was a thrill to watch.

I've been watching Ayakaze Sakina since her shinjin kouen days, and my write-ups over the years probably betray my rollercoaster hot and cold journey through her career. I really liked Doyle as a lead for her though. She essentially plays a big idiot wifeguy with a dream, an imaginary best friend, and little conviction; she was very funny and charming. If you were one of the lucky few who managed to see On the 20th Century, think that guy but earnestly the main character vs. dude with main character syndrome. The older I get, the more I have a soft spot for shows where the top combi has "ecstatically celebrating at least their tenth wedding anniversary" energy, and this was one of those.

...Thanks in large part to Yumeshiro Aya, who is absolutely everything. She may be boosted by consistently reminding me of Shirahane Yuri since her partial lead in the 103s Bunkasai, but she also has a very particular type of girlboss energy that I don't feel like I've seen in quite a while. It isn't wearing the proverbial pants energy (a la early TamaChapi), but it is overwhelming I got this energy. I find her to be the absolute embodiment of a top musumeyaku, in that she understands the assignment (making the top star better), while perching on the edge of the backseat just enough that she doesn't overpower Saki, but she's still a knockout in her own right. She probably exudes an extra dose of this energy as Louisa Doyle, who plays a very similar role in her husband's life and writing career. I could not be more thrilled that Aya isn't retiring yet.

Asami Jun plays the aforementioned imaginary friend/magic pen-generated apparition, who happens to be Sherlock Holmes. Some people I've talked to seem a little disappointed in her stage time, but I really felt like this was also peak Aasa. She seems to have broken through a layer of ceiling and gotten really comfortable leaning into her c***y unique energy, which, though I can picture it being polarizing, really does it for me. I sure as hell have never seen an interpretation of Sherlock Holmes REMOTELY like Aasa's, but I was enjoying the Aasa of it all so much that I really didn't care.

When I saw that Sora was playing the editor of Strand Magazine, I was somewhat disappointedly imagining a role like Lestrade (not to invoke another Sherlock), the sort of there-but-not character that has dominated her Takarazuka career since she started getting named roles. My first surprise was how good of a role this was in general, and then how well suited it was to her. She gets to be aloof and handsome, but also incredibly upbeat and funny at times. Her little coworkers at her utterly failing magazine are obsessed with her (which is the mood of the century), and there is a cute little meta moment where Doyle threatens to stop writing Sherlock and Sora tries to quit her job, only to be restrained physically by said coworkers (which is the mood of the moment). Everything from the set of her off-gray permed wig to her 4 or so different plaid suits to her opening solo number was absolutely perfect (not as perfect as it was gonna be later!!!!!).

FROZEN HOLIDAY

It's weird watching a Christmas show in February

I rapidly stopped caring

Speaking of rollercoasters of hot and cold, Noguchi used to be my most hated revue director, hands down. Circa 2017-18, after being deeply personally burned by Super Voyager (and deeply personally confused by Beautiful Garden), the tension I felt while awaiting show announcements hoping I wouldn't have to watch another Noguchi was intense. Noguchi revues being something people covet nowadays still feels unfamiliar, but I count myself among people.

He turned it around for me with the Takarazuka equivalent of winning the grocery store ingredients episode of Project Runway: Delicieux, a covid-budget masterpiece of public domain music and foam macarons (incidentally, also a goodbye to Sora of sorts, as it was her last Soragumi revue). I officially owe him my life after what he did for her in Frozen Holiday.

Firstly, going into my 11th year of watching live Yukigumi, I've never seen Saki shine brighter. While ostensibly a Christmas spectacular, Frozen Holiday was also meant to celebrate Yukigumi's 100th anniversary. Despite the aforementioned rollercoaster, I'm so glad that the top star for the anniversary was someone who has not spent a day outside of Yukigumi in her sienne life, who I've been watching since before my first trip to Japan. And I think the joy of it really showed on her. Aya was an angel, so visually perfect in her snow queen dress that I believed she was destined to be top musumeyaku of Yukigumi from birth. Aasa continued to out-Aasa herself; the wave of feral energy she set off during the first livestream was well earned.

But... remember the disembodied arm just off the TV screen? The utter SHOCK I experienced when they treated her like a friggin' nibante...

Nanami Hiroki, who pulled top star numbers and probably had double our last day crowd at her average Hoshigumi ochakai, and Miya Rurika, who needed a simulcast for her last ochakai, didn't even get the final revue treatment that Sora did.

The disbelief that they did so good by her, the disbelief that I missed the transition, the disbelief that she was really leaving, shattered me.

In addition to general prominence throughout the revue, she gets a whole white-clad taidan number, complete with lyrics designed to blind her fans with saltwater, and one of the best bits of dancing I've seen out of her. After a seemingly impossible quick change, she rejoins the troupe for a very chuuzume-esque anniversary number (assuming the Christmas kyakusekiori is the real chuuzume), and that might actually be my favorite bit of dancing in the whole show. She co-leads the Noguchi-signature boyband number with Aasa, which I forgive because it's them and it's also T.M. REVOLUTION. She even gets a spotlight moment alone with Saki during the kuroenbi. And through all of it, she was so, so good. Good does not even begin to describe Kazuki Sora.

I felt like I cried for 48 hours straight.

***

I didn't manage to get myself actually into the theater for senshuuraku, but I did end up with two Hibiya cinema tickets. When I tried to pass one off onto one of the fellow jilted Sora Club members trying her luck outside of Chanter, I got pounced on by an old lady while those in their white wear were moaning about the cinema not being good enough. I was too tired and nervous to tell her I'd prefer to sit next to someone in club, so she got it. She and I ended up crying the hardest of everyone in the cinema by far. Thanks, old lady <3.

***

One thing that struck me was how desperately, frightfully grateful I was that Sora retired from Yukigumi. Sure, if she hadn't, her taidan would have probably just been canceled... but I don't even mean that. The anniversary aspect of Frozen Holiday was beautiful, and filled me with a joy and nostalgia I wasn't prepared for. It was my first kyakusekiori since 2019, and after Sora ran by me, I was blessed to find myself next to Kujou Asu, someone I adore enough to be in her club in an alternate universe. It was my first iride since 2019, and I had the privilege of seeing off one of my favorite musumeyaku, Sara Anna, as well. The way the troupe members talked about Sora, and what she gave them, and how thrilled they were that she joined them, made my heart swell. As genuinely mad as I was when they broke up KikiSora, I could see that Yukigumi gave her the space to blossom.

The farewell dinner was even entirely gluten free by complete accident, down to the fancy manju omiyage with mountain yam flour dough.

***

Five onsen dips, a massive weeb shopping spree a lifetime in the making, and one extremely bizarre Komu show later, I'm on the plane home, finally not crying on command.

But not having a runaway fave for the first time in ten years feels really desolate. I miss her so much.

[vitaminseetarot]

PAC: What Does Libra Season Have in Store For You? ☁💗🌆

Happy Autumn folks and welcome back! I'm stoked. I enjoyed my first day of Autumn with some good ol cider. This is looking to be a very busy fall season!

NEWS! Starting tomorrow I will be heading out on a vacation trip for a little over a week where I'll be away from Tumblr for the majority of the time, so things will be pretty quiet on this blog until mid-October. But stick around because when I come back, I'll be bringing some Tarot games with me, sprucing up my page, and more! ���

(I also got a new desk which is going to make card spread layouts so much easier! kazoo)

So for now, I thought I would tune into the vibes of the upcoming sun in Libra transit and catch a brief glimpse into what it has prepared for you all this crispy cool season.

(Content warning: there is an image containing blood on one of the cards. It's from the Shadowscape Tarot deck. I will find a way to modify this card in the future.)

Please select one of the three sunset skies below. I will dub them Peach (1), Fuchsia (2), and Violet (3).

Pile 1: Peach Sky

Ace of Pentacles, Page of Cups, King of Pentacles, Six of Cups, Ten of Swords; Compassion, 21. Venus, 6. Sun - Light, Sadness

Hi pile 1! Your Libra season will be filled with a sense of grace. I feel like you've been going through some struggles lately and you're wondering if help is available. Libra season may be a good time for you to reach out to loved ones and anybody who can help you in your current struggle. It could be related to money. You're going to be near those who understand your troubles and may have advice which can re center you. With the open minded Page of Cups, you may receive a nugget of wisdom which can propel you to create something new.

You'll be able to reconnect more with your inner child during this next month. In the midst of struggling, we can often forget or neglect our child side which needs to feel safe in order to come out of hiding. You'll have chances to let small joys assist you in healing. Try watching that movie you've been thinking about, you might end up really enjoying it. These moments can help give you important insights into helping you heal something that's kept you down in the dumps.

You may likely have episodes throughout the month where your energy and drive take a dip and you'll have to sit some stuff out to process your thoughts for a while. I'm feeling a lot of this gloomy Ten of Swords energy is from various past issues. Nothing in your deck suggests rushing through this, if anything the King of Pentacles says "success isn't an overnight thing". Take the time you need to work through old sticky feelings that stop you from moving forward.

A lot of self care will be required for this solar season, pile 1. Give yourself the occasional indulgence, but look closely over your finances this month. Don't use indulgence as a distraction from getting important work done. Libra is a season of balance, and this pile is about the balance between prudence and play. Make time to regenerate yourself with fun, then tend to needed duties. Do what you can and stay open minded to receiving outside help from guides or people.

Pile 2: Fuchsia Sky

XVII Star, King of Cups, X Wheel of Fortune, Three of Swords, Six of Wands; Listening, 29. Ceres, 3. East - Beginnings, Frustration

Hey pile 2, it seems like for the first time in a while things may finally be looking up. During this time, you could meet someone who will be like a counselor figure to you (or an actual counselor). You will have someone who will be there to understand you. I get the impression that you recently went through some form of upheaval and lack the sensation of solid ground. Things are likely still in a state of flux during Libra season, but since the King of Cups has no trouble sailing over choppy waters, you can lean on that wisdom and spiritual strength to get through.

A lot could be changing in your life, or even that you're in the liminal phase of being from one place to another. It's like you're holding a train ticket that lets you visit any city you want. You're beginning to scratch the surface of what possibilities are out there for you. Decisions are hardly in the books right now. The key is to tend to what opportunities you would love more than others and allow the one you want to grow. Ceres wants you to be patient and deliberate with your moves.

Situations may come up where you're made to reckon with your old memories that have caused pain. I'm putting a content warning for blood on this pile and to be honest, even if blood doesn't trigger you there may be times in this month where something may trigger old wounds when least expected. On the flipside, this month also shows that you are undergoing a lot of change as to how you deal with these situations. Your reactions to old stimuli may change and you may find yourself being cool where you were once upset.

Although hope is forecast in your reading, you may not be in the right place to ring any victory bells. Achievement of something major is not likely to happen this month, for you pile 2 this will be a developmental month that will allow you to gently transition into the next phase of your life. Be sure to check in with yourself every now and then to congratulate yourself for the little things, even--no, especially when progress appears slow or all over the place. The time will come where you will feel more focused and determined to tackle something big, but for now appreciate the small victories and rejoice in silver linings of any kind.

Pile 3: Violet Sky

Page of Swords, Five of Cups, Eight of Wands, Ace of Wands, Five of Wands; Mystery, 6. Virgo, 22. Air - Motion, Love

Hello pile 3, This Libra season will likely involve education for you of some kind. You may be a student in school now or you're out of school but looking for something new to try. You could also be looking into new ideas or plans for your next year. I think this pile is really into the autumn season, like you guys are ready to let it go and slide into the next year. This season has you in a contemplative space where you get to weigh options. Though you may find some time to work things out, I think the month will move faster for you than you think. (If you're applying for scholarships or the like, check your emails vigilantly.)

You will definitely be blessed with a feeling of catharsis, as Five of Cups can talk about pure emotional release. Something has likely been an issue either in the front or back of your mind, some kind of long term issue involving relationships and making goals work. Your mind has spent enough time whirling around trying to solve the problem with pure logic. The only way to let go of the scattering thoughts is to allow the emotions locked in to completely flow out. Then the logic will work more effectively, like taking a jammed piece of paper out of a printer.

Some of you could have recently broken up with someone and you're figuring out how to move on with your life. Or there was a recent argument with a loved one. Something like that which creates a need to reevaluate one's path. Since one path didn't work out, what other options could be on the table? You're being given the chance to dive into anything without anticipating results good or bad. Allow yourself to explore and find something that either creates joy or helps you to release old pain (like an artsy workshop).

This month could open up a lot of chances for you to organize and set easier priorities for your life, for this year and the next. The catharsis will finally allow everything to move, both your actions and manifestations. You'll be amazed by how quickly and smoothly the pace will pick up after relationship issues are placed on the backburner (unless there's an urgent issue involved). Note that catharsis doesn't always involve crying it out; sometimes it can be done through a good laugh or even a great workout. You could find emotional release through whatever it is you'd like to learn. For some of you, this is your sign: It's worth looking into.

This reading has not been evaluated by the FDA to diagnose, prevent, treat, or cure any disease or infection. Please ask your physician before going online.

2023, @VitaminseeTarot ™

[dorizardthewizard]

Galactik Football season 3 rewatch, eps 16 - 18

Episode 16:

Nice levitation trick Simbai, but she's just allowed to use the Breath like that? Maybe because she's a flux society member? It does make me realise, since the wars were not so long ago, how many people are walking around who could previously use the the Breath all the time but now aren't allowed. That's kind of crazy!

I do like the idea of them actually learning how to use the Breath in more creative ways!

This soundtrack for Tia's training session is pretty cool

Well done Mei for wearing more weather-appropriate clothes this time!

Mice telling Mark to get it together kdjfskfd time for lover boy to get dunked on for once

FSJHDFKDSF ARTEGOR BEING A COMMENTATOR NOW I LOVE IT

Callie: Do you miss playing when you see your friends on the field? D'jok: Um, I- Callie: Certainly you must think they are still bitter towards you after beating them on Paradisia?

Callie those are some horrible questions leave the man alone 😭

I am once again asking for more Lun-Zeara action. Btw has she ever spoken a line? Fucking Stevens may have spoken more than her

I support the Snow Kids but I love seeing the Wambas winning and having fun <3

GOOOOOAL MICRO-ICE!

Artegor: Listen Barry, to be frank, I'm not a fan of your work

HE'S SUCH A BITCH LOOOL after my rewatch I want to make a compilation of Artegor's commentator moments

Lun-Zaera is CHILLING lmao, also I just checked the wiki for the spelling of her name and it's about as consistent as the Wamba's hair colour.

Why is Woowamboo being such a dick. She's trying her best!

Awwww D'jok cheering on the Snow Kids

Mei is carrying the defence in this match like the queen she is <3

Artegor contributes a more technical analysis of the game which is pretty cool

WOOWAMBOO FOULING?? I mean fouls aren't really rare but still, he's being far more aggressive than before? Sure, the Wambas aren't going to just be fun-loving when the GFC is at stake and they're as competitive as any other team, but when you combine this with the way he was talking to Lun-Zia it's just jarring?

Also WAIT. Woowamboo is ginger? So the player that switched to the Lightnings for the Paradisian tournament was just someone else? Fair enough as you wouldn't switch your star player, but yeah my bad. Actually wait, he literally has grey hair in the Netherball scenes in season 2. WHAT IS THE TRUTH

OK WHAT. SO LUN-ZIA TELLING THE WAMBAS WHERE ROCKET IS MOST LIKELY TO SHOOT IS PERFECTLY A-OK BUT D'JOK TELLING TEAM PARADISIA A LITTLE TIP ON HOW TO BEAT AHITO IS A BETRAYAL?? PLUS, in the last episode Aarch faces the SK in the holo-trainer and says he can beat them because he knows how they play, and that everyone else does too. WHICH IS EXACTLY WHAT I WAS SAYING WHEN I WAS COMPLAINING ABOUT THE AHITO BETRAYAL BS. WHICH IS IT, WRITERS?!

Well at least Woowamboo seems more accepting of Lun-Zia now that he's seen her give it her all. Nice to see her settled in with the rest of the team!

I just had a thought, where is Maya in all this? We've seen Mama-Ice pop up and check on (scold XD) Micro-Ice but we didn't see Maya interact with D'jok at all? Wouldn't she have gone to see him instead of only hanging with the Snow Kids?? And now that D'jok's “retired” and hanging out by himself at Genesis, isn't she gonna look for him? She knows football was so important to him, so to give it up is a big deal! Ah well, we'll see.

Episode 17:

Yaay more Tia and Mei being besties

NOT CLOVER GIRL DOING THE MARYLIN MONROE

Side note I like Kim-8's vibes, she's just cool

That scene in Ballow's restaurant where he's talking about leaving dirty business behind, all while henchmen are constantly coming up to him with dodgy items like stolen paintings is so hilarious jfdskmn

aww I love Artegor trying to convince D'jok to come back, especially with him telling him how hard the SK took it when he left. It's also interesting to see Artegor refer to playing with the Snow Kids as a responsibility - they're a symbol of hope for the people of Akillian, who didn't even want to go to their first match in the stadium due to the trauma from the glaciation.

He also reminds D'jok he's a Snow Kid, which reminds me of their conversation in season.... 2? Where Artegor tells him he'll always be a kid from Akillian. It's also nice that once he's voiced his opinion, he changes the subject instead of pressuring D'jok to answer. He's really developed from the demanding Shadows coach he used to be.

THE PIRATES!! CRUSH THE RED TIGERS!!!!

Poor Artie, he can never watch a full match LOL

FOUR GOALS FOR STEVENS!!! WOOOOOOOOO PIRATES BEAT A FLUX TEAM! TAKE THAT!!!

NO. NO NO NO NO NO. THE CYCLOPS CANNOT FREEZE PEOPLE. THAT'S THE XENON'S FLUX. TRY AGAIN. ACTUALLY WATCH THE PREVIOUS SEASONS. TAKE IT FROM THE TOP.

Do you ever watch an old video and get jumpscared by a comment you don't remember making? Because I wrote this on another upload 9 years ago and I still don't know how they messed that up LOL.

I mean yeah sure it COULD be a new ability they've unlocked like how the Snow Kids are finding new ways to use the Breath. But they don't show the Cyclop's hypnosis thing at all, the animation is exactly the same as the Xenon's flux, and Callie even mentions their "hypnotic" flux and how the players can barely stay on their feet, which doesn't really match what's on screen sooo yeeeeeaahhh this is just an animation error. A pretty big one though.

So team Paradisia have no problem using their flux? Which was a synthetic one to begin with? And the technology for it is no longer available? Or do they just get it implanted once and that's it? So what was up with them going into those pods to “charge”? How does this work???

sfkdgfkjdf Mark went too hard on the sauerkraut, I love this gag about Mark and food

YESSSS SONNY! FATHER SON BONDING TIME FINALLY. His speech about the Pirates always being by his side even in tough times is sweet, and makes sense for D'jok. He's been through a lot with the Snow Kids and they're basically family now, and family wouldn't truly turn him away if he was sorry for what he did. At least, they wouldn't stay mad forever.

BENNETT YOU LEGEND. But also a bit reckless of Sonny to stand with D'jok right in the middle of an open area

Sonny: We're trapped!

Um no you're not, there's a staircase right there

Poor Cyclops, always getting clowned on :( ARTEGOR IS A SAVAGE IN THIS MATCH

BALLOW OUTING THE CON ARTISTS FDKFDKJDF I'm sorry I know it's a tragic moment for Sinedd but THAT'S SO FUNNY

The way they animate Sidney rolling around is hilarious. Also Thran only thought of finding Harvey just now? Wow, talk about second-class citizens.

It's so funny how this is the last episode in the official playlist, like they just gave up uploading HD episodes 2 years ago. Unless it's a regional thing? I'm editing this in Austria rn and the official English uploads aren't available unless I use VPN, are the French eps all uploaded in HD at least?

Episode 18:

Aaaaand I'm back to 480p uploads from 10 years ago. Thank you for your service youtube user lykaon868

I do get to see the intro and outro now though yaaaay

Wait what? We ended last episode on D'jok wanting to talk to the Snow Kids and with this one we just skip ahead to him being on the team again? I mean... they were building up to that moment for sooo long and we don't even get to see it? What???

It seems Tia and Rocket have accepted D'jok back but Micro-Ice and Ahito aren't so enthusiastic. It's strange to see Ahito so resentful but it's a refreshing change to see him react like that.

Micro-Ice's reaction on the other hand isn't taken very seriously and it's presented as them squabbling immaturely but like... he's right to feel hurt! We could've had some good Micro-Ice angst topped off with a heart-to-heart between two guys who canonically consider each other brothers, but here we are.

Sinedd's parents were... I M P O S T E R S ?

Sharky why are you revealing this as a scoop when it just puts you into hot water for not doing a background check before inviting them on the show

OOOO SHADOWS SPEAKING HISTORIC MOMENT

This is the serious - silly contrast dynamic I had in my head for the Shadows LOL. Although it's sad this kind of implies the Shadows only care for Sinedd as a player and not a person, telling him to get a grip after something like that? Although maybe their whole thing is that they TRY to act tough but really they're all feeling like that one guy who ran out crying lol. It IS a bit weird to insert comedy like that into this kind of scene though, kind of undercuts it for me.

Artegor just having tea and biscuits 🤣🤣🤣

CALLIE ACCEPT HIS OFFER FOR TEA DON'T BE RUDE. He looks sad after her reaction fskdjfskds honestly Artegor is probably the best character this season

STOP HAVING THEM SCORE IN THE FIRST MINUTE SFJKDFSKS

Tia squaring up to Sinedd I LOVE HER

Also wtf Sinedd, but he was about to go to Mei so I wonder what he was gonna do? Taunt her? Or maybe he regretted it? I guess we'll never know

This is a match with the Shadows, the Snow Kids' biggest rivals, and yet the first half is over in a few minutes of the episode! The matches just aren't as interesting in this season and feel too rushed

TIA CAPTAIN MOMENT YYYEAAAAAAHHH SHE DESERVES IT!

I am not immune to some D'jok vs Sinedd action

Not Maya focusing on Sinedd when she hasn't interacted with D'jok this whole time 😭

Mei is such a savage, it reminds me of Stevens handing Sinedd the ball that one time when there was seconds to spare LOL also pls forgive the shit quality gifs, demonstration purposes only folks

Sinedd: Do like everyone else Mei, don't worry about what I do and just forget me. Mei: But Sinedd- Sinedd: I lost, Mei. I lost everything. Everything.

Oof Sinedd really goes through the ringer every season, huh

Mark is smooth as butter on the pitch but so incredibly cringe at flirting

Warren: The team. The group. That's all that counts, D'jok D'jok: Being a team player Warren, that's what I want to improve!

Sure D'jok, until next season. But it's also kind of weird to portray his arc as if he just needed to learn how to be a team player again, when a big part of why he left was the emotional turmoil from the breakup and him lashing out because of it. That's never really resolved, although I guess the season is trying to say that D'jok became obsessed with winning again, which is what drove Mei away in the first place, but again I'm just speculating here! They had the means for a really good arc for D'jok but fumbled it and decided to retread old paths instead.

Is Harvey alive after all?

I do love that Clamp is still working alongside Sonny. And yaaaay Thran gets to do something!

Wait Paradisia is a dead planet, it didn't blow up or anything. Harvey is a robot so is it that surprising he's still there? Why not look for him earlier?

[denimbex1986]

'...“Wild Blue Yonder,” Doctor Who (Second 60th Anniversary Special)

This standout hour allows David Tennant and Catherine Tate both to shine — as The Doctor and Donna Noble and the Not-Things looking like them. After Donna spilled coffee into the TARDIS console, the two end up at the edge of the universe, stranded after the H.A.D.S. (Hostile Action Displacement System) switches back on and the TARDIS flees imminent danger. Not only is it The Doctor and Donna at their best — the banter, her making fun of his “Allons-y” — and without the concern of her mind burning up, but there’s time for emotional moments from each as well.

Following “The Star Beast,” Tennant continues to play the devastating rage and quiet heartbreak of The Doctor’s losses (then, the thought of losing Donna as he had to activate the Time Lord memories dormant inside her, and this time, because of Not-Donna bringing up that Gallifrey isn’t his home and the Flux). And Tate brilliantly brings across the anguish and acceptance of her character facing her likely death, when The Doctor at first takes the wrong Donna on board the TARDIS upon its return just as the spaceship they landed on is about to explode to destroy the Not-Things. He, of course, returns in time, but both are visibly haunted by the experience after.

There is time for a couple light-hearted moments, particularly when it comes to the two meeting (Sir — spoilers!) Isaac Newton (Nathaniel Curtis), whom they later agree was hot, and the change of “gravity” to “mavity” that sticks after he mishears them. And of course Bernard Cribbins’ last scene as Donna’s granddad, Wilf, and his joy at seeing not only The Doctor (and that particular face) but also Donna with her memories back, is as welcome as it is bittersweet.

“Every Day,” Good Omens (Season 2 Episode 6)

What better way to cap off a devilishly good season than with a romantic, exciting, and heartbreaking finale? Neil Gaiman‘s Good Omens gathers angels from Heaven, demons from Hell, and mortals from Whickber Street in Aziraphale’s (Michael Sheen) bookshop, and not only does the truth about Gabriel’s (Jon Hamm) amnesia come out, but it also ends with an angel and a demon running off together… just not the ones we expect (though we didn’t hate it!). Sadly, Aziraphale and Crowley’s (David Tennant) emotional conversation and kiss (one of the best scenes of the series, with terrific performances from Sheen and Tennant) as well as a promotion from Heaven has them ending the season apart rather than as an “us.”

Also, after failed rom-com attempts from Aziraphale and Crowley to play matchmaker for Maggie (Maggie Service) and Nina (Nina Sosanya), the women don’t get together — a healthy decision on the coffee shop owner’s part, given her previous relationship, and a swerve from what might be expected.

The episode does everything a good finale should: wraps up some loose ends and leaves off on a cliffhanger that has us begging for the third season ASAP...'

[bunnakit]

Not Me Episode 6 Music

so i'm probably not going to get totally caught up today because i'm starting to get tired and i still have my real job to do, but i'll do about 2 of these a day until i get caught up again.

when White and Sean are arguing about boundaries we see another appearance from Safeguard by Charles Holme - this could be a nod to White wanting to safeguard his friends.

Only Love Is Real - Todd Kessler

as White enters their room to find Sean sprawled on the bed this song kicks in. i'd post the lyrics but i don't know if they really have much relevance here (but it is a beautiful song)

Break Me (Kevin Faltin Remix) - Wholm, Michael Shynes, Kevin Faltin

OUGHGHGHGH. so like, for my taste in music this isn't my fave BUT the song is so good for the mood. this comes in after their big talk, Sean's in his cups and White starts getting ready for bed.

One more wine and one more whiskey We just kept the car in park And dimmed the headlights so we see the stars Let em tell us where we should start And I'm scared as hell Because there's no way to know how this goes But I can't help but say I promise to give you my all But it might break me (Break Me)

i really think this is where the boys start having some serious feelings for one another - whether they recognize they're romantic or otherwise i can't really say, and i think this is where they're beginning to trust and lean on each other a little more. the lyrics of this song are just chef's kiss. neither of them knows how this is going to go, how it might hurt them, and they're both just scared young adults trying their best.

Live Long and Prosper - Bonn Fields

as Sean argues with the police in his memories this plays. it's a haunting tune that really captures so much of what this scene is.

This is My Love - Daniel Pratt

oh holy shit. i had always wondered where this song plays and now that i know i am changed. i can never not know. oh it hurts, it's so good, it's so brilliant.

this song plays as Sean gives White the candy to replace the taste of the bitterant. we don't hear any of the lyrics but Sean's actions really replace the lyrics in their own way. (i'm having shrimp emotions @timetoboldlygo !!!) {i do think this might be a religious song btw, but we can ignore that part of the song bc i said so}

Tender and kind, built over time This is my love for you Steady and pure, patient and sure This is my love for you

BECAUSE THAT'S HOW SEAN SHOWS LOVE!! HE CARES AND HE'S KIND AND TENDER AND -- OH I'M NOT OKAY, SEAN IS SHOWING HIS LOVE

when Sean and White are arguing and Sean asks White to give him some encouragement we get another appearance from Flares by Life in Colour

Dylan Thomas/Bitter Bitter - The Duke of Norfolk

i'm coming UNGLUED IN THE SERVER. this song plays as Gram confesses to Yok that he has felt love. "You're always with Black. You don't have time for anyone else."

Heavy the rain doth pour and heavy the tongue. The light does miss the forested face. Bitter, bitter the pendulum swung Bitter, bitter the pendulum swung Open the sky for me and cut out the heart the fruit does spoil the children’s laughter Bitter, bitter the blackest of arts ‘Good men, the last wave by, crying how bright’ the sun does try despite the shadow Bitter, bitter ‘the dying of the light’ Bitter, bitter the dagger in the fight

oh i'm peeling apart at my seams. like, yes, sure, this could apply to Gram's feelings for Eugene but for it to be playing when Yok mentions Black???

the sun does try despite the shadow Bitter, bitter ‘the dying of the light’

is.. is Gram the sun? he tries despite the fact that the shadow (Black) never looks at him? he's bitter because the light, his feelings, are dying in his chest? hmm?? MAYHAPS? (im probably just seeing what i want to see but FUCK YOU FOR MAKING THIS SONG PLAY its one of my favorites)

Chaos at the Spaceship - Out of Flux

the perfect song title for the iconic scene of Yok brandishing the flares. that moment is really just one of the moments of all time in this show, an absolute favorite, and absolutely pure chaos.

I'll Understand - Roza

one of the best choices lyric wise in this entire show, in my opinion. as Sean is choking White and walks away from him (in the next episode) this song plays with it's apt lyrics.

The end of the world at the palm of my hand When it all goes to hell, will you still be my friend? My face to the sea and my back to the land If you can’t come with me I’ll understand

the pain is unending and forever. i don't think i need to even say anything about how these lyrics tie in with the scene, it's pretty clear. OUCH.

alright thats all i have in me for tonight but i love you and im smooching you all

[schismusic]

Æon Flux and the end of all things

I don't remember the first time I heard of Æon Flux but I sure as hell remember the first time I watched it, and it wasn't too long ago which would technically not warrant the level of obsession I have for that shit, but here we are anyway.

I was knocked the fuck out on painkillers, two of my wisdom teeth freshly removed, not even remotely worried about the exam that I had coming up in like two days from then. So I was barely moving away from my swivel chair and sleeping on a whole ass armored pillow to prevent from tossing and turning and shit felt so surreal to me. It was like the eating chair from the last Cronenberg movie. So I delved into Æon Flux essentially blind and bingewatched the shit out of it. Twice. Ended up downloading the whole thing from some sketchy ass 1080p remastered torrent, rewatched it again, and spread it around personally in a more cauterized Google Drive folder (so if you guys got a nasty ass virtual STD from it, my bad I guess), not even a month after watching the series. Shit was fucked, in short, and every rewatch just fueled this obsession even further.

(image taken from Episode 1, Season 1)

One thing about me: when I obsess over stuff I want to draw something at the very least inspired by it. Happens to me a lot with Autechre, who are actually one of maybe three bands I would not hesitate to call my favourite based on an absolutely objective principle which is absolutely not up for discussion and which might be the object of a future post at this point. But the point is fucking Æon Flux is essentially impossible to replicate because Peter Chung's character designs are so recognizable that you start seeing them in literally every other movie that came out in the late '90s/early 2000s - and for reference, Æon Flux was brought to an end in 1995. Consequently, all attempts at drawing Æon Flux-inspired stuff end up either feeling very derivative or looking like fucking trash. Artistry is a weird thing because sometimes it inspires other people, other times it just inspires man-slaughtering rage.

Somewhat many of my friends are or have at one point tried to be accomplished visual artists. Some have made it to professional/teaching level, some others have an art school diploma or degree - and I'll be using this space to shout out @coto-letta aka V., who has recently rejoined Tumblr after years of absence. We met on here, when her handle was much different, and I mistook her for an ex of mine (whom, surprisingly, we are still on relatively good - if quiet - terms with) so I slid into her DMs as you do, and she was like "yeah actually I have no clue who the fuck you are I just think your blog is neat and dropped a follow" which was quite a fundamental moment in understanding that while my life was written like a dodgy soap-opera, that didn't mean I was the centre of the entire world. Anyway, the reason I'm shouting her out is because sometimes something deeper and older than you remember has a way of finding you again when you least expect it and that's what happened when in January 2023 (after V. had left Tumblr for at that point about two years and we had exchanged Instagram accounts) I somehow ended up on her Insta and found out she had been tagged in a picture taken somewhere that looked suspiciously like my university's conference hall and I could not fucking believe she was in my city. I slid into her DMs again, as you do, and found out that no, that wasn't my uni's aula magna, but yes, she was in fact relocating in my city for her master's. So we met up after maybe seven years of on-and-off Internet friendship. It's a neat story, sure, but how the fuck do we tie it into Æon Flux?

(image taken from Episode 3, Season 2: Leisure)

Not trying to be overly dramatic here, but Æon Flux to me is just about a condensation of everything that "art" can mean. Not just visual flare or style, not just deep meaning or interesting ways of putting across one or more questions and never a definitive answer to any of them (more often than not, it's sets of possible answers - usually two, neither of which ends up covering the whole array of possibilities, both of which actually leave a lot to be desired in a number of different ways), not just this insane fucking music that toys with everything you expect from animation courtesy of Drew Neumann who may just rank as one of the best soundtrack artists ever in virtue of this single work. It's the whole package. You would think it'd work taken in pieces, and it does, no objection to that: but it works even better as a whole package. If the moral questioning (and the philosophical musings of season 3, which is unjustly underrated because "it's too normal" by hipster wannabe critic dilettantes who like to think that they could do better than that. Everybody else on the other hand is generally able to stop pull their head out their own ass and recognize, at the very least, the excellent craftsmanship and talent that went into the ten long episodes) wasn't accompanied by the weird fetishistic sex it'd be somewhat less impactful, almost like a cauterized Tenshi no tamago made into a series for mainstream late-night TV audiences. The twist was that MTV's executives, at the time, "didn't understand [the double entendres], they didn't even notice them. So, we were okay", in producer Japhet Asher's own words in the short documentary Investigation: The History of Æon Flux. The network was, in fact, trying to break into the mainstream - they simply couldn't keep their creatives at bay. No wonder they turned to Jersey Shore as they went along.

(image taken from Episode 5, Season 3: The Demiurge)

Even just the main characters' purported edginess, clearly something "of its time", is never played entirely straight. Both leads are way too complex, and very clearly presented as such, to be just summed up by "Æon Flux is an anarchist/Trevor Goodchild is a dictator". Both of which are true, by the way, they're just one part of a full picture. Even within the context of its necessary linearity - this is still an animated short and as such moves only in one direction, even though a number of episodes (specifically Mirror and Chronophasia) deliberately fuck with the viewer's perception of times on varying degrees of diegesis and extradiegesis - the series could be perceived as, indeed, a sandbox: consequently, the viewer could set sail and explore it. This is further encouraged by the series's active weirdness to whoever would want to try and make sense of the world's story. There is no history, there is just the story at hand: an eternal present which you can't understand ("un eterno presente che capire non sai": Ferretti knew his shit, regardless of how it went after CCCP) and which Æon and Trevor are not interested in even trying to contextualize. Not a surprise then that they'd be into each other: their closeness in body and heart doesn't exist at the mind's level, and the whole thing falls apart miserably every time it looks like they could be finally let their weapons down. But as Æon completely understands, and as Trevor seems to actively try to ignore, the fight is already the whole point: star-cross'd as they may be, the entire act of playfully hunting each other for sport both in the bedroom and on the battlefield is what Trevor Goodchild and Æon Flux thrive on. Trevor wants stability but an Æon who doesn't fight back is simply not Æon; Æon does not want the stability, but she definitely likes Trevor to an extent and finds more in common with him that she would probably be willing to admit (I would like to thank Tumblr user @brw on thons very good analysis of the episode A Last Time for Everything, which heavily inspired this section of the post!). In short: if Trevor seems to embody Pier Paolo Pasolini's idea that "there is nothing more anarchistic than power" ("non c'è nulla di più anarchico del potere") then Æon flips the statement on its head: "there is nothing more powerful than anarchism". That is, of course, until we once again confront my signature ad-hoc elephant in the room that this statement just summoned.

(Image taken from Episode 1, Season 1)

No spoilers intended, but if you so much as google the name of the series you will easily find out that Æon Flux dies a whole lot throughout the series*. Season 1 and all the shorts from season 2 end with her dying ungrateful deaths and a couple of the long episodes leave much to be desired in the way of positive closure, with Ether Drift Theory representing a peak in bleakness for season 3. Most of the shorts where Æon dies imply that either absolutely nothing changes in the world around when she's lost or that Trevor Goodchild literally just succeeds in all of his goals (see Season 1's finale), and one could make a case that even if she did carry her missions through there would be absolutely nothing to show for it: somebody goes up the chain of power, everything is restored, there is one more tyrant to murder. Not to be that one guy who quotes Nietzsche about everything, but the eternal recurrence of the same is the first thing that comes to mind when watching Æon Flux, especially exemplified and even literalized by the episode War, possibly the best of the short ones: it's the same fucking story four times over a five-minute run time and nothing ever gets better for anyone. The body count in the episode is unquantifiably large - every one of the fallen a potential new Æon Flux or Trevor Goodchild. But this, in a way, implies that Æon keeps being reborn, and one could argue that the act of capturing a fly with her venus-fly-trap eye could simply be her coming back to life, as it were; stopping the most evident sign of decay, turning her eyes outward yet again, to face the eternal return of the same again and again and again…

(Image taken from Episode 8, Season 3: Ether Drift Theory)

You can find Æon Flux for free on the Internet Archive.

*as I was discussing the final draft of this post with my friend @oldshittydog we had a pretty interesting discussion which I thought should be added here for an even clearer, fuller picture:

[being-of-rain]

My thoughts on Wild Blue Yonder! A little late because the time between the 60th anniversary episodes almost exactly lined up with a visit from my girlfriend. We had a great time, and watched this episode together, but I didn't want to take enough time away from her to write this!

When I saw some EU fans joking about how the episode was going to be an adaptation of Scherzo, I wasn't prepared for how many similarities it had. And it was soooo good. I love some really fucking great Doctor Who. I loved the horror aspect, I loved the duologue aspect, I always love a mystery opening act where the Tardis team has to search for clues and theorise about where they've landed. Oh and a shape-shifter who takes on someone's whole identity and thoughts is a concept that always tickles my fancy.

One of the few nitpicks I have is that I'm not quite sure how the countdown/shifting corridors and the robot connect: if they're part of the same self-destruct system, why is the robot seemingly much older than the ship? If they're not part of the same system, why is there a countdown to the moment the robot presses the button? Why not just have the ship destroy itself, and why would the ship need to 'reconfigure itself to become a bomb' if it had a self-destruct? But (much like Heaven Sent, which the solitary shifting setting is reminiscent of,) the small logic hiccups don't really take anything away from how good the episode is.

A slightly larger nitpick is that the ending isn't the strongest, with the TARDIS coming back right when and where the Doctor was thinking that it should, and then the Doctor realising he picked the wrong Donna because of a miniscule detail (that the audience couldn't pick up on, so it feels a bit of a cheat and a cheap emotional shot). So some of RTD's most common flaws there, but again the negatives really don't stack up to much compared to the quality of the rest of it. Also, I didn't notice the Tardis screen at the end that showed a scan of Donna's arm until my rewatch, and, in classic me fashion, it put me in mind of a random Dr Who EU story. In this case, Project: Nirvana where the Doctor reveals that the Tardis automatically scanned someone coming onboard and flagged an eldritch-monster-shaped issue with her. It does make me wonder if the Doctor thought to scan Donna himself, or if the Tardis did it (and he took the credit, perhaps trying not to think about how he might never have noticed).

But that's enough with nitpicks, what are some other fantastic bits? The throwaway phrase "goosebumps like Braille" is rad as hell, and would've made a great episode title I think. I've had ideas before about the Doctor's compulsion to think and solve problems in front of him being a direct threat, so it was cool to see that idea here. The Doctor worrying about 'invoking a superstition at the edge of the universe' at the end was a vague but incredibly compelling hook for future plots, and infinitely more interesting than the Meep's final line from the previous episode. I love all the tiny subtle ways the not-things were off and unsettling, as well as all the ways that were so over-the-top that I was laughing through my shocked horror.

The Timeless Child and Flux references were fantastic peeling back of the Doctor's emotional walls, and it was nice tying in with what is technically the show's previous season, even though it came out 2 years ago now. Also... it's a little hard to mention those references without dunking on Chibnall in comparison, who didn't tap into the Doctor's emotional state anywhere near as intensely in several years as this episode did in one scene (You could tie this into the Doctor regenerates into what they need/opposite theories, with Thirteen being a relatively repressed Doctor and Ten Point Three being a relatively expressive Doctor). It was particularly nice to have the show actually establish what the consequences of the Flux actually were, because god knows Thirteen's episodes weren't interested in doing that. On my rewatch of series 13 a few months ago, I was amazed at how basically every element of the Flux is confused and contradictory, and at the end my brother and I were convinced that the Ood in the Division ship (or God Ood as we started calling him) must have reversed the very almost total destruction of the universe, because the show simply refused to acknowledge any of that destruction itself. I guess they split the difference and said half the universe. But unpicking the bizarre illogic of the Flux is a whole other post.

Keeping in mind that the next episode hasn't come out yet, Wild Blue Yonder feels wildly out of place in the middle of an anniversary trilogy. A trilogy where the bookends are RTD modern-day blockbusters filled with fan-favourite character returns and niche villains from the show's long history, and the middle is a limited-cast sci-fi psychological/eldritch horror. But that absurdity detracts from the episode in absolutely no way whatsoever.

And speaking of absurdity; the mounting hype and talk of big things happening in the next episode, on top of bringing back a long-forgotten old villain and a long-awaited new Doctor, is just making it more and more ridiculous that the episode is called The Giggle. I can't wait for it though, I'm really enjoying these specials.

[doctormastertardis]

Chris Chibnall - 3 Stages

I want to talk more about Chibnall, because I never really was into Thirteen's era when I first watched it. The first series lacked that "oomf" for me. I'm watching it the second time, and here are my thoughts:

13, SERIES 1: *****5/10

"Demons of Punjab" was obviously the best of the entire first series. No need to reiterate this. I think everyone can agree. I certainly enjoyed "The Witchfinders" if only for Alan Cummings? And "It Takes You Away" fleshes out Ryan's emotional backstory, which I appreciated from a humanistic viewpoint. "The Ghost Monument" could have been better, but the TARDIS team felt very inorganic at the time that it made me care less about the story. And the last two episodes were forgettable.

13, SERIES 2: *******7 /10

For me anyway, the series didn't pick up until the Nikola Tesla episode. I love the addition of Fugitive Doctor! <3 In hindsight, I was too harsh on Chibnall regarding the Timeless Child arc. He is expanding the lore, and you know what? THAT IS CREATIVE AND REVOLUTIONARY. I personally think Fugitive Doctor is THOUSAND TIMES better than War Doctor, no offense to John Hurt (yes offense to Steven Moffat)... "Haunting of Villa Dilladotti" was undoubtedly the best episode of Series 2. The way "The Timeless Child" was written was total shit. But I liked the concept. The finale was forgettable. Truly, I don't remember it.

13, SERIES 3 & SPECIALS: ********8/10 (EDIT: 9/10 after re-watch)

What a magical jump!. I think it's mainly because Chibnall produced The Flux in a cinematic manner. I love ALL the additional characters like Dan, Karvanista, Bel, Vinder, Snake dude, Swarm, Azure! If I can compare this series to another medium, I would say it is like... a very colorful comic book in TV form. The Flux series introduced us to the Division, too, which is again something I didn't appreciate the first time around. Now, I'm sooooo here for it. The lore. The everything!!

Probably because I know that RTD is going to come up with an arc that will PULL Chibnall's era back into the audience's point of interest; I have trust in RTD; he knows how to weave in Classic Who essence in New Who, and now I think he is going to do the same BRIDGING the gap between him and Chibnall. It's going to come full circle, watch.

[invisibleicewands]

Take Two with Lizzy Caplan

As actress Lizzy Caplan Zooms from her Los Angeles living room, a massive fiddle-leaf fig tree looms behind her. She takes no credit for its Seymour-like size. "I don't know anything about plants, and we don't even live here half the time," she says giving props to the woman who takes care of such things when Caplan decamps to London for the other half with her husband, British actor Tom Riley, and their toddler, Alfie.

Last year, a few months after Alfie's birth, that schedule was disrupted by a six-month residency in New York while she played the pivotal role of Libby in Fleishman Is in Trouble. After wrapping, Caplan had a few weeks to move the family back to Los Angeles and begin shooting the Paramount+ series Fatal Attraction for the next four months. And aside from coming down with Covid between jobs, she loved every intense minute of it.

"I had Alfie without either of these roles being locked in, and then when he was just a few weeks old I decided to do both of them back to back, which is such a rare occurrence: to know what I'm doing for a full calendar year," she says. "It was a godsend, honestly, to know just where we would be in the world with this new baby. It was a very strange year, and the challenge was everything that I hoped it would be. It's a moment where your identity is in such flux, and you don't know where it's going to land, and for me, figuring out how to be a mother alongside getting to feel creatively fulfilled in the job that I love was incredible."

First came Fleishman. The FX on Hulu limited series from showrunner Taffy Brodesser-Akner, who adapted it from her novel, is ostensibly about Toby Fleishman (Jesse Eisenberg), a put-upon Manhattan doctor whose wife, Rachel (Claire Danes), disappears, leaving him with their two kids and a mountain of questions. He tries to navigate his new normal with help from two college friends, Seth (Adam Brody) and Libby, who also narrates the story.

But as the eight episodes progress, the focus shifts to Rachel and Libby. "What's impressive about it is that it fully works as that fake-out, Upper East Side of New York story on its own," Caplan says. "You think that Libby's telling you a story about her friend going through a divorce, but the reality is, she is facing down her feelings about her own life and middle age and getting older and all of it, and then it makes you cry."

She doesn't usually watch her own work, but in this case, she rewatched it. "I'm in awe of all my castmates," she says, beginning with Eisenberg, with whom she starred in the 2016 film Now You See Me 2. "I give Jesse credit for shouldering it all, only to recede into the background for the quote-unquote 'important' parts. It's an egoless performance, as well as being my favorite performance of his; he's so exceptionally wonderful in it. I'm impressed by Claire, who sat on the sidelines and let everybody think about her [character] in a certain way, only to have this one episode to try to change everybody's minds. That's a scary idea for many actresses: 'You're going to be reviled for six weeks.' Adam Brody played a character that could have been two-dimensional, and he infused it with so much. Everybody showed up trying to make the piece better and nobody was looking out for themselves."

Caplan isn't on social media but became aware of the show's buzz in her own way. "It's been a while since I've done something that got so much feedback from friends and family. And they all felt exactly how Taffy wanted them to feel, every step of the way. What she's done is masterful."

Reached by phone in New York, Brodesser-Akner is equally effusive. "People in my life tell me to shut up about Lizzy Caplan," she says immediately. "I won't stop talking about how wonderful she is. When she is part of your project, she feels so wholly in — intellectually, physically — that she changes the nature of the project. Literally, this was a character based on me, and after day one, it no longer was. It was this wholly new creation."

Caplan was the only actress the first-time showrunner had in mind for the role. "The entire role of Libby is that you never see her coming, and with Lizzy Caplan, you never see her coming." Meanwhile, the actress had written to her friend and Masters of Sex executive producer Sarah Timberman, who was working on Fleishman, to tell her how much she loved the book — and that she wanted to play Libby. When Brodesser-Akner heard that, "I felt like I had manifested it," she says. "She's a very famous person that we all think is our great secret."

Ever since Caplan's first role, at the age of fifteen, in the NBC cult series Freaks and Geeks, her career has had a slow build. She won acclaim as the goth outsider Janis Ian in the hit film Mean Girls, while feeling like a Hollywood outsider in real life. She dyed her hair blonde and sprayed on a tan in an effort to fit in, but it was her 2009 role in Party Down that was the turning point. She shone as the sardonic (brunette) comedian Casey in the Starz series, along with a murderer's row of actors on the rise. But the show couldn't find an audience and was canceled after two seasons — until this year's reboot. (Heartbroken she couldn't join season three, which conflicted with the Fleishman shoot, Caplan did manage a surprise cameo in the finale, and hopes a fourth season will allow her return. Starz has yet to announce a renewal.)

Even with the greater attention (and Emmy nomination) for her turn as Virginia Johnson in Showtime's drama series Masters of Sex (2013–16), she has somehow remained an under-the-radar fan favorite. "It's the best version of doing this," she notes. "It's not toxic, it's very loving and people are very respectful." She adds that with Masters of Sex, "I did get an influx of women of a certain age stopping me on the street to tell me about their sex lives, which I really enjoyed."

When she comes across a project she loves, as with Fleishman, she reaches out to let the creators know. The first season of Hulu's Castle Rock moved her to email cocreator Sam Shaw, a writer on Masters of Sex, to tell him she was a huge fan. "I'll assume that's what led to the next season coming my way." The horror series was populated with characters from Stephen King's oeuvre; for season two she was tapped to play psychopathic nurse Annie Wilkes.

That role was first played to an Oscar win by Kathy Bates in the 1990 film Misery, which almost deterred Caplan. "But since somebody's choosing to believe that I can pull that off, well before I believe that myself, I'll swing the bat." Playing Annie, in turn, gave her the courage to take on the role Glenn Close embodied so memorably in the original Fatal Attraction feature. "Annie Wilkes loomed as large in my brain as Alex Forrest did."

Fatal Attraction showrunner Alexandra Cunningham, who developed the series with Kevin J. Hynes, first met Caplan six years ago. Caplan, a fan of Cunningham's series Dirty John, asked if they could meet up for lunch, which turned into a four-hour chat. "She's genuine and she's smart and she's funny and she's interested and she's lively, and she's got great stories, but she wants to hear your stories, and that really sticks with you," Cunningham says. "When somebody who's really good at acting is also just the greatest hang, I'm immediately like, selfishly, 'I've got to figure out how I can capitalize on this.'"

When Paramount reached out years later with the concept of reimagining Fatal Attraction, Cunningham thought the role of Alex would be perfect for Caplan. "She was always in the back of my mind, but you've got to come correct to Lizzy. It's got to be something that really checks a lot of boxes. This is a person that anybody would kill to work with, even if they don't know how great she is to be around." She had no doubt Caplan could take on the iconic part and make it her own. "The more Lizzy does, the more she can do. I believe nothing more fervently than that."

Updating the 1987 erotic thriller meant reimagining Alex. Despite Close's great efforts to portray her as a deeply complex woman who suffered from mental illness, the film made her much more malevolent; the ending was reshot to suit test audiences' desire for vengeance. Close has been open about her regret with how the role and outcome were changed, and Cunningham was determined to rectify that in the series.

Caplan was fully on board. "We were instantly on the same page about the kind of story we were setting out to tell," Caplan says, adding she still loves the film. But watching it, "I feel an unbelievable amount of compassion for Alex. All of the work Glenn Close did is right there on the screen, and Alex deserved the ending that Glenn Close wanted her to have; it was just a different time."

That compassion informs her performance. "It's not my job description to label somebody evil or crazy. It's my job to figure out how to make this person feel like the decisions she is making are the only sane decisions — that everybody else is crazy." The series reveals a shift not entirely unlike Fleishman's. We initially see the affair and its repercussions from Dan's perspective (as played by Joshua Jackson). As we pivot to Alex's version of events, the reframing is eye-popping.

For all the reassessing, Caplan notes that the film was a wild ride, "So this should also feel fun and scary." And Jackson (The Affair) was the perfect partner. "I adore Josh. I'm so happy that it was him," she says. "Both of us have done shows with a lot of sex and nudity and we know how to navigate that without it being weird, and find the humor, which is everything when you have to shoot scenes like that." Their fight scenes were another story. "I felt far more terrified and vulnerable with those, and they were horrible to shoot, but I always felt really safe with Josh." The two also bonded over being new parents.

Speaking by phone from London, Jackson is heartened to hear of Caplan's trust in him. "We had some deeply uncomfortable days, and to allow yourself as a woman and a stranger to be that vulnerable to a man, and being excellent all the time, I'm just super impressed with her," he says. Those scenes were so painful, he adds, "There were definitely some nights when I went home and it took some time to shake off what we were putting on camera," a feeling exacerbated by being away from his family for the shoot.

Caplan used to have a hard time letting go of her characters, but since having her baby, she says, "It was weirdly easy to slip into that mindset while at work and very easy to slip out of it when we were finished. That made doing Fatal Attraction a very different experience than it would have been had I done it years ago."

She has no projects ahead of her at the moment, beyond flying back to London in a few weeks. "I'm just chillin'."

Brodesser-Akner would be happy to remedy that. "Lizzy told me about having lunch with another producer, and I wanted to throw myself on her like a grenade and say, 'No, stay with me!' I want her to enact everything I write for the rest of my life." Caplan's portrayal of Libby, the apparent supporting role that turns out to be the center of the story, still astonishes her.

"Lizzy figured out how to slow her roll and then pull it out in the end," Brodesser-Akner says. "I've been to a lot of opera, and I have not seen anyone pull off an aria like she did." But that's Caplan's forte — a star in stealth mode.

[armageddon-generation]

Rewriting The Power of the Doctor as a finale to the 13th Doctor’s Era instead of an Anniversary Special

PotD's best parts were all 80s fanservice. It resolved none of Chibnall's plot threads, nor did it celebrate 13’s era overall. I’m not fully resolving the Timeless Child as that would need a different plot. But by adding more callbacks and payoffs I hope to strengthen this era overall as a worthwhile investment

International broadcasters split PotD into 2 episodes, and its first edit was 2 hours long. I’m thus splitting it from 1 85-min special to 2 60-min specials

Forgive my cringe attempts at dialogue.

What changes would you make to the story?

PART 1

The Thijarian Assassins from 11x6 Demons of the Punjab appear in the background throughout the episode, like the Ood in the buildup to The End of Time, 

Karvanista & Tie-ins to The Battle of Ranskoor Av Kolos

Swap the space train in the opening for Karvanista, Bel & Vinder from Flux, transporting cargo for the Coalition of Galaxies from 11x10 The Battle of Ranskoor Av Kolos

Bel: Being boarded by Cybermen once was more than enough for me, thank you very much.

Karvanista recognises the Cybermasters’ regeneration.

When 13 sends Dan to stop the ship crashing he spars with Karvanista again:

Dan: Hello Muttley my son, it's been a while

Karvanista: Just what I need. Leave, you'll only make everything worse-

Dan: Rubbish, I just need to wave my space wand and-

[the ship accelerates]

Karvanista: 'Space wand'? Bloody useless! In my day she didn't need that rubbish.

Dan: Eh?

He is still bitter- he doesn't want to be saved by 13 and when she fails to stop the Cybermasters he rips into her.

13: You lot are working for the Coalition of Galaxies now? Why?

Karvanista: Because two-thirds of the universe got destroyed and then suddenly reappeared after weeks of chaos. They need all the help they can get, and you certainly weren't offering, were you?

The cargo they carried isn’t the alien made  of pure energy. Instead it’s the young Ux from 11x10 The Battle of Ranskoor Av Kolos, an omnipotent species who followed 13's advice to ‘travel hopefully’ and was using its abilities to help rebuild the universe

Karvanista has a heart-to-heart with Dan after his near-death experience, encouraging him to leave 13 before she leaves him. Closure for their relationship.

Afterwards, Yaz asks why Karvanista was so angry. 13 finally opens up to her, last-minute character growth to make her regen more tragic:

13: We used to travel together. When I was Ruth. Remember her?

Yaz: Of course.

13: We were... sort of time spies together. For Division.

Yaz: The people who sent the Weeping Angels after you?

13: And the Judoon after Ruth. But my memory of that time was taken and I don't want it back. I want to focus on now. On our moment. On you. And Dan-

Dan, from the doors: You don't have to come back for me.

13, closing her eyes. Taking a steadying breath: Oh. Right then. OK.

13 REPLACES DAN'S HOUSE because leaving him homeless is careless and callous.

13: I get it. Life's important. Home's important. Speaking of…

[She produces Dan's miniaturized house on a little metal disc]

13: Just press the button and this should take care of itself. That, or you'll be transported to the moon. Worth a shot though, eh?

Dan: You just had that in your pocket ready to go?

13: I knew you'd ask to go back eventually, Dan. When you did... I didn't want to be holding you hostage.

After Dan leaves, instead of an out-of-nowhere rogue Dalek, 13 is contacted by the Order of the Custodians, the group from 11x11 Resolution, who guarded the divided pieces of a Dalek Scout for centuries. Being dedicated to fighting Daleks, they're investigating an incursion on Earth

The Cyber-planet is a dead, Cyber-converted Gallifrey, after 12x10 The Timeless Children

The Ux is hooked up to the planet in the same lab Tecteun experimented on the Timeless Child in

The Master is using the Ux to maintain his cyber-constructs like Tim Shaw did his fortress. By saving the Ux again 13 comes full circle from her first series.

As a young, omnipotent alien all-but alone in the universe, the Ux is a direct parallel to the Timeless Child. In a way, 13 is saving her younger self

Once they've found the Ux, 13 calls Karvanista & co to retrieve him. Karavanista comes alone (Karvanista > Vinder). After crashing he reports to Mark Addy’s character from 11x10 The Battle of Ranskoor Av Kolos, via video screen. He promised to keep the Ux safe after that episode

Karvanista recognises the Master’s perverted TARDIS exterior. It brings back bad memories.

The Master & Nikola Tesla

Ra-Ra-Rasputin is great, but I’m swapping the Master taking over the Winter Palace for Wardenclyffe, the power station from 12x4 Nikola Tesla’s Night of Terror

We open on Tesla, years after we met him, stumbling out of the realtor’s into the rain. Wardenclyffe is being foreclosed and he is penniless

Tesla walks down an alley and in a flash of light is transported to the Kassavin’s dimension from 12x1-2 Spyfall. 

Tesla: What- where am I? Fascinating. What manner of construction is this? [hears rustling] Who’s there? Did you build this place? Please… you should know this isn’t my first time meeting creatures from beyond. If… If you want my help, my skills… perhaps a deal could be negotiated.

Distorted voice: Want your help? No no, I am going to help you, Nikola Tesla. With my help, your skills will change the universe.

Tesla: This place… did you build it?

Voice: No. But I was once trapped here, for an eternity or two. I picked up a few things. 

Tesla: Who are you?

Voice: I am the Doctor.

Tesla: Doctor?! You’ve come back for me- Is being trapped here why you never came back? [the Master appears] ...You are not the Doctor

Master: Not yet. But you’re going to help me with that.

He hypnotizes Tesla into building the cages that will force 13 to regenerate.

13’s favorite historical figure making the thing that kills her is a huge personal blow. The Master rubs in 13’s face that by ‘abandoning’ Tesla & letting history take its course, she let this happen.

Ryan & Graham replace Ace & Tegan

Ace & Tegan were the best parts of PotD imo, but bringing in Classic companions last-minute doesn’t help tie up 13’s era 

Because I cut Rasputin, swap the missing paintings for tech-savvy Ryan investigating a sudden acceleration in Earth's technology. 

He tours VOR (Daniel Barton’s Google stand-in tech company from 12x1 Spyfall). At the end of that story Barton went on the run, so without him the company should have collapsed. Instead it’s leading a worldwide tech revolution.

It’s not just VOR; history itself is changing. Technological advancement is accelerating decade by decade. The microchip was invented 30 years early etc

After leaving, Ryan hosts a group video-call: Graham is investigating the missing Seismologists with the Three Idiots Roaming from 12x6 Praxeus. At the end of that story they left to travel the world and protect it from environmental disaster, so they fit well for the volcano subplot

Travel-vlogger Gabrielle is with Graham (she and Ryan are dating, building on the suggestion of flirtation in Praxeus, and Graham jokes about it) while couple Jake and Adam are investigating elsewhere. 

Reuniting with the Fam & the Daleks’ trap

13 remarks on Earth’s accelerating technology seeing UNIT’s new building. It’s part of a chain of cutting-edge facilities across the globe, designed as refuges for humanity in the event of another disaster like the Flux

13 & Yaz awkwardly reunite with Ryan, who has traced the acceleration of Earth’s technology back to a now super-successful Nikola Tesla in the 1920s. He shows them several newspaper articles, starting with NIKOLA TESLA’S NIGHT OF TERROR!, that show Tesla’s fall into ruin after they left him. A somber moment. But then Tesla re-emerges with a new ‘business partner’; the Master. The final article shows them taking over Thomas Edison’s factory 

Graham contacts Ryan; he and Gabrielle have followed their lead on the Seismologists to a university; we watch them enter via Gabrielle’s camera, when they’re captured by the waiting Master

13 books it over there, high-tension, but the Master is just waiting for her to arrive.

UNIT arrives from another of their brand new facilities

Graham goes to UNIT with the Fam and the captured Master, but Gabrielle stays behind to help UNIT with the dead seismologists. She gives Ryan a parting kiss that Yaz makes fun of. He notes how much closer she and 13 are, which shuts her up

At UNIT, the Order of the Custodians call 13: They’ve infiltrated the Dalek base in the Bolivian volcano, unaware the Daleks are using them as bait.

In the Volcano, the Order try to give 13 a Dalek-killing chemical weapon they developed testing tiny samples of the Recon Scout mutant, when the trap is sprung

The Order are killed. Instead of trapping 13 in a Dalek casing a mutant puppeteers her, one of Chibnall’s best gimmicks

13 gets the Order’s Dalek-killing weapon to Yaz as she’s captured, and Yaz flees to the TARDIS as the Daleks open fire. The Order’s weapon will replace Ace’s Nitro-999 later

Cyber-Attack & the Master in Wardenclyffe

No miniature Ashad: Instead the Cybermen appear like the Kassavin did in 12x1 Spyfall, in a blaze of white light, and invade from that pocket-dimension

This is how they appear on every floor at once: Army of Ghosts callback!

The Master escapes and travels to 1920s Wardenclyffe, where 13 is held captive

On using Tesla:

13: You’re telling me our Great and Powerful Master needs a lowly human inventor to work on his machines?

Master: Of course not.

13: Then why go to all the trouble of enslaving Tesla?

Master: Why? Why use one of your favorite scientists? The inventor after your own hearts, who you fought side-by-side with before abandoning him to the cruel fate history dictated? I found him penniless and alone! Your fault. You had the power to step in, the power to save anyone. Everyone! But you never had the vision to. 

Like international broadcasts, the forced regeneration is the cliffhanger for Part 1

PART 2

The Master-Doctor 

The Master possesses 13’s body, calling back to the TV Movie. This is so Jodie can play the evil Master-Doctor, showing off her range and giving her more screentime in her final story (plus Sexual Tension with Yaz)

Expand the Master-Doctor’s rampage. The Master brings the hypnotized Tesla along to restrain Yaz.

She leads a jailbreak, blowing a hole in the Judoon prison from 12x11 Revolution of the Daleks. Angela the Angel abducts a Judoon through the flickering lights; the P'Ting eats one of the guard's guns.

Master: This is payback for locking me up! [to the escaping prisoners] when you're out there spreading chaos through the universe, tell them the Doctor sent you!

Then, the twin planets he visits are the ones from 12x7 Can You Hear Me?

Yaz watches helplessly as the Master introduces the planet’s peoples to the two evil gods- the enemies who affected Yaz most- and promises they will be just and noble rulers. She then encourages the gods to 'play' with her gift. 

The TARDIS jumps forward in time to show the planets a war.

Yaz overpowers Tesla to lock the Master out

Fugitive Doctor: Guardian of the Edge

The Classic Doctor cameos were great but I’m cutting them for the same reason as Tegan & Ace. 

13’s personality has been buried deep in the Doctor’s subconscious, where she meets the Fugitive Doctor, also repressed long ago. The Fugitive is our Guardian of the Edge, trying to save 13 from the same fate that befell her

The Fugitive shows 13 a flashback of the ‘reality’ behind the last part of the Brendan visions in 12x9 Ascension of the Cybermen- namely his memory being wiped, which wasn’t covered in 12x10 The Timeless Children

The Fugitive has her regenerations reset by Tecteun, in the same lab she experimented on her in as a child, the same one the Ux is being held in on cyber-Gallifrey

Tying up more of the loose ends from the Timeless Child arc leaves a blank slate for the next era. I don’t like the arc but the least Chibs could do is clean up his own mess before leaving. 

Fugitive: And now the Master has stolen Mother’s favorite punishment-

13: Don’t call her that.

Fugitive: She might be dead and she might’ve been a monster, but Tecteun is all we had. Now he’s out there making a monster out of us too, just like she always wanted-

13: Tecteun was not my family. We make our own family, you and me. Everywhere we go. Speaking of which… 

Cybermen and Daleks

Keep the hologram implants, letting 13 have final moments with Ryan & Graham

Graham gets Tegan’s job helping Kate fight the Cybermen at UNIT. 

It'd be cool if Ashad confronted Graham about his cancer

Ashad: You think you are rid of it but the traces linger. The ultimate betrayal of the flesh. Does the thought of it returning keep you up at night? We can free you from that fear!

Graham: Fear of death is what makes us human. It's what makes us value our time. Sure I suffered. But I found meaning in it too. I fell in love. You'll never know what that's like. And I feel sorry for you.

I was always bothered by the contradiction of the Daleks trying to destroy Earth when the Cybermen want to convert it. So, my adjusted Cyber-plan is to take over the new UNIT strongholds across the globe. When the Daleks blow the volcanoes, people will evacuate to the UNIT strongholds where the Cybermen will be waiting to convert them

(I basically stole Harmony Shoal’s plan from The Return of Doctor Mysterio but shhhh) 

Meanwhile, the Three Idiots Roaming feel the volcanoes start to activate, and lead the evacuation of people living nearby to the UNIT strongholds, but the Cybermen are waiting and trap them

 Ryan gets Ace’s role, parachuting off the roof (a big moment highlighting his dyspraxia). 

Yaz collects him and they save the Three Idiots from the UNIT stronghold, letting the evacuees flee.

Yaz drops Ryan and the Idiots under the volcanoes, using the Order of the Custodians’ anti-Dalek weapon to fight them as Ace did

Meanwhile, once Graham saves Kate from conversion she self-destructs all the UNIT strongholds around the globe, stopping the Cybermen

Saving the Doctor

Karvanista gets Vinder’s role shooting the Master. He also comes face-to-face with the hologram of the Fugitive, his Doctor.

THASMIN KISS immediately after Yaz saves 13, when her guard is down in her post-regeneration haze, overcome with joy at being alive again. This makes their parting more tragic, but 13 doesn't look cruel like she would for initiating that intimacy when she knows she's dying, opening a door she knows she can't go through

After 13 has been saved, the Fugitive-hologram and Karvanista have a heart-to-heart like 5 & 7 do with Ace & Tegan in the original, giving him closure & resolving his bitterness.

Once freed from the Master's hypnotism, Tesla goes in the TARDIS and helps fix Karvanista's ship while 13 deals with the Master's TARDIS.

Once free, the Ux destroys the Cyber-constructs grafted onto Gallifrey’s architecture

Instead of the ‘what a universe. I’ll never understand it’ line, 13 looks back: We get brief flashes of Tecteun's experimentation on the Child and the Fugitive's forced regen, which both took place here. 13 finally makes peace with that loss and leaves it behind

The lasting effects of the forced regeneration are what kill 13. Like slow radiation poisoning.

Thasmin & Demons of the Punjab Callbacks

THASMIN HUG. 13 removes the hologram implant from Yaz, but then gifts it back to her as she leaves- the same projector she had in 13x5 Survivors of the Flux.

 She says "This is us. Our moment in time.", calling back to the watch from 11x6 Demons of the Punjab

It'd also be nice to call back to 13’s speech on her family from 11x1 The Woman Who Fell to Earth:

Yaz: I'm not sure I can do this without you. You helped me.. helped me learn who I am-

13: And now you know. You don't need me, Yaz. I needed you in the end. Look at everything you did today, on your own. You saved me. You led everyone. Just- carry me with you, if you can. Just do that. What I would've thought and said and done. Make that a part of you. So I might be going from the universe, but I'll never be gone from you, eh?

Yaz, huffing through tears: What would the Doctor do?

13: What would you do?

As I’ve cut the Classic Companions, I’m replacing the Companion support Group with Yaz’s anniversary dinner with her sister Sonya from 12x7 Can You Hear Me, commemorating when she ran away as a teen.

In contrast to the lonely, somber affair of that episode, this time Yaz has invited Ryan, Graham, Dan and Diane round, as well as her parents and grandmother

Ryan's dad Aaron could also show up since he never appeared again after Resolution

13’s ‘Fam’ has become Yaz’s extended family and support network, highlighting how much she’s grown

We leave the companions with a similar sentiment to Graham’s idea of telling stories from the original. Yaz is ready to open up to her family and tell them about her time with the Doctor.

Intercut 13 leaving the TARDIS with Yaz calling back to Ryan’s opening line from 11x1 The Woman Who Fell To Earth:

Yaz: So tonight, we want to tell you about the greatest woman we ever met. Smart. Funny. Caring… Special. Proper special. 

The Thijarians are there to witness 13’s regeneration. They exchange a look of understanding with her before she goes

The story now ties in plot-threads from Series 11 (Demons of the Punjab, The Battle of Ranskoor Av Kolos & Resolution), Series 12 (Nikola Tesla's Night of Terror, Praxeus, Can You Hear Me? & Revolution of the Daleks, as well as The Timeless Children) and Flux (Karvanista). Paying these plot threads off retroactively gives the era thematic unity, validating viewers’ investment. 

As it was, PotD’s refusal to resolve anything made the whole thing weaker and less worth investing in overall.

art credit to @lostcosmos and @softest-butch!

EDIT: I have now written a fic exploring some of these ideas, linking the Chibnall era together and giving the characters more closure. Check it out if you'd like!