#the epic moment of the showing of the bear briefs

[augustmonsooning]

so did you realise it was special when you were in it? (the bear s3; I loved it, and I hated it, and despite everything, I still believe)

Thoughts and spoilers under cut!

I just finished watching all the eps about 2 minutes ago so things haven't marinated yet but I think what stood out for me was how joyless "the present day" was?

God it was so joyless!!

Even with how much yelling, and fuck there was so so much yelling in the first season, it was warm. It felt good.

And Napkins, that brief moment we were allowed back into the Beef as it was, highlighted that. It was such a beautiful, beautiful coda to what is actually important in the middle of everything.

And it really made me think about Sydney saying to Carmy "did you realise how special it was when you were there?", and it tracks he says no, because he doesn't realise how special things were at The Bear when he was working with Sydney, when everything seemed light and easy.

There's a reason they show him trying to draw and getting nowhere when it was so easy to draw they things he talked about with Sydney.

There's a reason why he has flashbacks to every goddamn other scene in the past two seasons but never a flashback to them coming up with menu ideas in his apartment - some of the calmest, peace filled moments of the entire show. It would hurt to much to remember that.

In one interview Jeremy talks about this season being like the end of "Review", and that's exactly it right?

The whole season is Review, drawn out. It's mistake after mistake, it's disaster after disaster, and yeah, no one gets stabbed and there is actually much less yelling, and no doughnuts are slammed to the floor but it fucking sucks, and Carmy might be doing his lone ranger, "I'm a culinary genius" bullshit but he is so shitty to everyone around him.

Syd is going to walk away and she should.

And then maybe Carmy will realise that what they had was special, and that he never knew it until it was gone.

Because, if we're honest, 'Braciole' back in Season 1 was too easy right?? They have an epic meltdown, and then they find cash in the tinned tomatoes and the girl of Carmy's dreams comes back and they open a restaurant???? like what?? This is the suffering before that golden light suffused ending. It probably is going to get even worse before it gets better, but I think it will get better.

Because what was the point of showing Sydney at EMP otherwise? The one time Carmy makes the dish like he wants to make it, it goes to Sydney? The one time he thinks and acts for himself and isn't ground down by people telling him what to do, it changes the course of a woman's life and she changes the course of his? And then he ends up with some random girl he had a crush on in highschool? No, obviously not.

Character wise we were down sub basement syd-carmy wise, but narratively speaking? This train is headed only in one direction.

Anyway! I wanna write more about this season because I think that 'Tomorrow', 'Napkins' and 'Ice Chips' were some incredibly beautiful episodes.

[gingerylangylang1979]

I shipped Carmy x Sydney hardcore based on season one but I’m putting my shipping on leave until further notice.

There was so much that happened this season that just left me cold about them. We got a few cute bonding moments but overall Sydney and the restaurant was an afterthought to Carmy. I’ve been wanting him to heal and have a personal life. I would have preferred it with Sydney but I was open to this new girl if they really sold it for me. 

There was obviously a lot of emotion between Carmy and Claire but it did seem very sudden and not built up in a way to make me invested. First, the character seemed pretty one dimensional. All the people from Carmy’s old life rooted for them but we didn’t get to see those relationships or why beyond they all knew each other. She just seemed like the ultimate “nice girl”. That’s great but give me some depth. They tried to frame it production wise like this epic pairing but I wasn’t getting that. I did mildly enjoy seeing romantic Carmy but it seemed a bit hollow and a bit Hollywood let’s have a romance in execution. Like, it for real felt like an FX exec was like we need to do this for a bigger audience. I was endeared by them at times but I felt the dialogue was lacking and it was all very cliche. 

It also dominated most of Carmy’s time. I missed Carmy being Chef Carmy with the crew. It did do what many feared would happen if this show did romance. It became more important than anything else in Carmy’s life and weighed down the season. We also lost the sense of Carmy being a fish out of water with relationships. There were a few nods to this being new for him but honestly everything seemed very smooth. I wanted to see him struggle more with intimacy and just doing the normal things yet still finding his way. They could have made it spicier, way more nuanced, way more dynamic in presentation. But it wasn’t that. And the extent to which Carmy was captivated by her it would be hard to match that with Sydney and I’m afraid she would seem the second choice. Like, would Sydney get the swooney declarations of beauty and him telling everyone gushingly how he loves her? Would we get the kisses and bed cuddling? I want that for Syd. I’m not even sure I could buy Carmy being attracted to Sydney now if she doesn’t get some grand declaration of her beauty and loveliness.

But it wasn’t necessarily that another woman was introduced. If I was more sold on the pairing I would give a pass. It’s that Sydney as his professional partner was so sidelined. They have already been through him leaving her in the lurch and expecting her to pick up the pieces without a lot in return. At this point is coming across very navel gazing white dude taking advantage of a black woman’s ambition with no end in sight and that makes me not into it. It may not be intentional on his part but in effect that’s what we are seeing. Sydney is still loyal to him even in her frustration and she is getting very little in return, not much more than she would get with any other Executive Chef. There seemed to be promise beyond that based on how last season ended. He seemed to be inviting her in as an equal but all we saw was her being the committed one and covering for him yet again. Her only reward is maybe The Bear’s success but their dynamic is still very I’m the owner. 

We also never got any bonding aside from the rare meaningful touch bases about work. There was no light hearted banter, not any intense menu planning genius. I was excited for those scenes but they were brief and kind of not that impactful to the process of them creating together. The final menu work seemed to be done in isolation from each other. The opportunity to go explore cuisine was wasted with Syd going it alone. 

If they ever do try to pair them, I seriously doubt it now, they would have so much work to do to rebuild Carmy as a character and their dynamic. It seems they did try to pair her with Marcus. She doesn’t seem into it. Is she not into him? Does she think it’s a bad idea professionally? Does she hae repressed feelings for Carmy? She did seem a bit jealous in a weird way, which I hated. But yeah, if they were to have any intention of pairing Carmy and Sydney they missed a lot of opportunities this season that could have been epic. It should have felt like their restaurant, not his, and she’s just there for the ride and a line on her resume.

I will finish my fic, but being invested in the ship isn’t big for me. I know a ship doesn’t have to be canon to ship but I just am not even a fan of Carmy enough right now to like him for her. It even affected my attraction for him a bit. He’s still fine but I wasn’t as lusting for him this season because of his behavior. I was also sad JAW as an actor didn’t have a lot to work with that was challenging. 

[8bitsupervillain]

End of the Year: 2022 Worst of the Year

Hello everybody! It’s a new year as you know, so it’s time to look back and think about the media I’ve consumed over the course of the year. Instead of just the Best I’ve experienced I have decided to include some stuff I absolutely didn’t like because I feel like abusing Dragon Age Absolution some more. Unfortunately I didn’t really see enough bad movies/TV shows to justify an entire list of bad movies/shows (I like my lists to be a minimum of Five). So instead the two shows get to ride along with the bad games list. Which I’ll put after the jump so you don’t get the massive wall of text.

Worst of 2022

TV

Dragon Age Absolution

I went in to this series being pretty hyped for it. For reasons unknown to any rational or sane people I had found myself becoming receptive to the idea of Dragon Age 4. This show pretty effectively cured me of that particular well of optimism. In fact the sheer aggressive terribleness of Absolution here has achieved what very few pieces of media have done and has retroactively ruined the previous entries of this series for me. I was willing to endure the main character of the show despite her being a terrible shrew. However four episodes in to this garbage pile they decided to take a previously well written character and just throw him completely in the trash and make him a nonsensical mustache twirling villain. It's really unfortunate, for a brief moment in the third episode I thought the series was going to be a lot better than the initial two episodes made it seem. But then in the first five minutes in the fourth it just became unbearable garbage that firmly put the idea of replaying the older Dragon Age games into the ground.

Resident Evil the Netflix

Watching this series made me realized what it is about the live action Resident Evils I don't like. Despite bearing the name Resident Evil there are very few monsters from the Resident Evil games in ANY of these adaptations. It's always just zombies, one or two zombie dogs, and maybe one monster (two if you're lucky). There's so much more to Resident Evil than the zombies but every movie except for Apocalypse never utilizes them (and even that's debatable). I don't even care about the teen drama bullshit, the clones of Albert Wesker or most of the character stuff that JUST DOESN'T work it just bugs me that the live action Resident Evils ignore the monster part of the monster game franchise they're adapting!  While mentioning the character stuff I just have to say this series makes it clearly abundant that the writers don't talk to other writers on the same EPISODE they're working on much less the ones from other episodes. Don't watch this show. I didn't like Resident Evil Infinite Darkness but it's a masterpiece by comparison to this garbage. I feel that the decision to focus on two separate timelines really did this show a massive disservice. I doubt it would have saved it or made it any better, but I think it might have made it slightly better. Well whatever the case, I feel I should quit attacking the show that's already dead.

Games

Dishonorable Mentions:

Dying Light 2

Around mid-December I remembered the post I made in which I expressed sympathy to developers because of the seemingly fickle nature of the gaming public. Which then reminded me that I hadn't touched Dying Light 2 at all. I wasn't particularly enthused to try the game, but I was able to acquire it for a relatively low price, and I have been pleasantly surprised by other games I had no interest in this year so I figured I would roll the dice. It's probably a fine game, but I bounced off this game fairly quickly. Two hours and two minutes in, if Epic Games is to be believed. It was right at the time the world opened up, but I figured my time with the game was at an end. I'm not a big fan of open world games at the best of times, but if the story is good I'm willing to put up with it. Sadly I wasn't feel particularly gripped by the story that had been shown so far in Dying Light 2. I'll probably give it more of a shot during 2023, but as it stands I just don't particularly care for the game.

Diablo Immortal

Not exactly a controversial inclusion given all the hullabaloo this game has acquired over the year. I'm including it because I feel it's really just a boring nothing of a game. This is another one that I didn't make it particularly far in, so who knows maybe the game gets real exciting towards the endgame, but I doubt it. Served as a real shot to my hype for Diablo 4 though I'll tell you that. The only positive I have for Immortal is the fact that every time I tried playing it it made me reflect and think about the various Magic the Gathering sets set on Innistrad. I feel like that's a really backhanded compliment more than anything.

08: Multiversus

I have made multiple bad purchases over the year. I will do so again I have no doubt. My biggest regret was spending money buying a character for this terrible terrible Smash Bros. ripoff. Perhaps you'll play it and find it to be a rip-roaring good time, but I don't like this game. I don't care for the feel of it. Maybe I'm outside the target audience for it, but then again I really don't know what child out there was clamoring for a playable Arya Stark. Seems like I include a fighting game in one of my lists every year. I do believe this is the first time one got in the Bad Games list.

07: Trek to Yomi

I am waffling on making this be on the list of bad games. I don't honestly remember what really rubbed me the wrong way about this game, I just remember not liking it as I played it. Great visual style, really annoying to play from what I remember.

06: Les Manley: In Search of the King

Honestly I thought about putting this in with the "I have no strong opinions" category but when I saw this in the list of games I played/completed I remembered just how annoying I found most of the gameplay. It doesn't have a particularly strong storyline, and the game just plays like a sub-Sierra quality adventure game but with absolutely none of the charm of any of their entries. Even at their worst the Leisure Suit Larry games play so much better compared to this shambles. I have nothing positive to say about LSL2 for instance, but I would much rather play that over Les Manley any day. What I find most perplexing about this game that's about trying to wow women by becoming a rich guy is there's no big pictures of any women in the entire thing. Even LSL1 with it's VGA graphics that most definitely do not hold up today made sure to include some women. I'm still probably going to wind up playing the sequel even though I didn't like this one.

05: Shadow Warrior 3

I don't really have much to say about this game. It plays like a really low rent Doom Eternal pastiche but with basically none of the gameplay stuff that actually makes Doom Eternal fun. Also depending on your personal preference this game is annoyingly quippy. Just a lot of chatter from our protag Lo Wang and his various mission supports. It is also astonishingly short, which I guess is to its benefit. I recall disliking it a lot more back when I played it, but now it has just sort of dissolved into a vague memory of lazy disdain.

04: Disco Elysium

The story is good. The story is without doubt one of the best written in the industry, and I positively adore it. That being said, as a video game that you play this game is one of the absolute worst. There is just too much pointless dithering around waiting for things to happen. The actual investigation you have to do is extraordinarily aggravating to do. I wish there was more to actually do while playing the game. I can tell why people love it, truly I do, but you never hear anyone talk about the actual gameplay in this video game. You only ever hear people just suck off Disco Elysium's story and nothing else. I would remind you that video games are more than just their story. It is absolutely possible to have a game that has both an amazing story and good gameplay together. It is not a one or the other situation. I get the feeling this is another game like Prey 2017, everyone else just absolutely loves to death but I can't stand.

03: Serious Sam 4

Meanwhile this game I hate for absolutely straightforward reasons. I hate Serious Sam 4 because of the fact that the game keeps crashing to desktop every minute. It is impossible to get into a game when it decides to crash itself once a minute every single time. It's not an issue of whether my computer can handle running SS4, my computer far exceeds every single system requirement. For whatever reason the game will not run longer than a minute and a half before it boots me back to the desktop. It doesn't matter which version, Steam, GOG, they both kept crashing every single minute.

02: Magic Arena: Alchemy Horizons: Baldur's Gate

I seem to be the only person who actually likes Commander Legends: Battle for Baldur's Gate. It's a lovely set that I think is great, but people seemed to be down on it from the word go. When they announced that some of the cards from the set was going to be added to Arena in the form of an Alchemy set I thought hey that could be good. What should have been an absolute winner of a set turned into a massive disappointment. They took so many good cards from Baldur's Gate and just made them some of the worst cards possible. I can understand why Champions of Tyr lost its Myriad keyword, since Arena is strictly a one on one fight there's no need for it to have an ability that only works in a multiplayer environment.

They didn't have to change Minthara, but they made her strictly worse than her paper counterpart. Commander Liara Portyr and Duke Ulder Ravengard were given weak versions of themselves. The ones I think that got hit with it the worst are the ones with the "Specialize" mechanic, where it takes cards that were good and just utterly ruined them by trying to make them usable in practically every color combination. I lament every card that was ruined this way, but most specifically I hate what they did to Karlach and Wyll. These cards could have functioned just fine as is in Alchemy, but instead they got saddled with this bullshit mechanic and took some of the best cards and made them shit. Maybe they did this because they wouldn't add the background cards to the set and so they tried this. But I don't think they should have, you could just as easily removed the lines of text referring to the Background cards and had em work just fine. Lozhan explicitly mentions Commanders in the text on the card in Alchemy so I don't understand why they had to take away Karlach's ability to cause extra combats (WHICH EXISTS IN OTHER CARDS IN STANDARD) or Wyll's take advantage of dice rolls (especially since there are plenty of cards from Adventures in the Forgotten Realms and indeed Alchemy Horizons: Baldur's Gate that use dice rolls).

Why did Sarevok have to go from causing your opponent direct damage to a worse Tarmogoyf? Where the hell is Nine-Fingers Keene, in this set that features all the new gates? Surely she would have been a good addition for Alchemy, if not the Brawl format. Speaking of which why didn't they try to push for Baldur's Gate to just be a brawl set on Arena? So many of my issues could have been swept away if they just existed for the brawl formats on Arena instead of this. I have yet to see one single good thing about Alchemy since its inception and Baldur's Gate really made me despise the format. It's just shittier Standard, and I don't think there's anything redeeming about it.

01: Soul Hackers 2

Quite possibly my biggest disappointment of the year if I'm honest. I wasn't expecting an immaculate ten out of ten experience, and I even admit in the first few hours I was really liking the game. Eventually though the story started to take a turn for the worse and the gameplay I had been enjoying had started to become more and more tedious. It took characters I had been liking and just started making them become absolutely insufferable. Especially when you go out of your way to do the boring extra dungeon side quest to unlock more story pieces for the characters only for the game to completely disregard and act like the revelations you learned about them  simply don't exist. Which fine I can understand not having it acknowledge stuff from the optional bonus dungeon ("optional"), but perhaps you shouldn't put important character information in the optional category in this your story-based RPG!

It would give characterization to these people who desperately need something to make them even slightly more interesting. If you don't do the dungeon stuff you wouldn't know WHY Milady is so gungho supportive of the original Iron Mask. Also maybe if you decide that characterization gets to be an optional component you could make your DLC be about more than the single most annoying character I have ever seen in an Atlus production. It's very sad, I was looking forward to this game quite a bit when it was surprised announced only for it to be so incredibly disappointing.

The reason I put optional in those quotes up there, by the way, is because if you want the "Good" ending you have to do every single dungeon story just to have a chance to see it. Again I don't really have an issue with them putting a bonus ending behind optional extra activities, plenty of games do it. I know it's unreasonable to say it but this is a story that could have been saved if they just took another pass on it. Unfortunately it is what it is, and this is one of the worst MegaTen games I've played, and sadly the worst game I played all year.

[cloverhighfive]

So I see this pic and it reminds me of something...

hmmm but what...

[beatsheetketch]

the problem with the post-purgatory arc of season 8 is that they show too much purgatory. Like they imply it to be really brutal but then what they show of it is actually pretty mundane. if i wanted to suggest that dean’s experience there had ��changed” him and maybe even “awakened” something in him i would not have so many flashbacks, i would conceal instead and just heavily imply. early early in the season after a few episodes of him acting weird--uncomfortable in fast food restaurants and social situations, failing epically at pretending to be a fed, getting violent very eagerly in hunting situations--we would have a motw where he and sam need intel on a vampire colony out in the middle of nowhere. It’s a huge, infamous colony in like deep back country alaska or something really far out, and they’re known to only drink animal blood--except lately hikers have been going missing. so, Dean goes undercover pretending to be one of the vampires… and he blends in perfectly.

There is just one moment of doubt when he’s sitting around a campfire with a bunch of vampires and the one suspicious guy makes him drink some blood, and dean, making direct eye contact with him, does it. and it doesn’t have any effect on him bc it’s just deer blood, but for a minute the viewer is tricked into thinking it was vampire blood. and that the reason it didn’t have any effect was that he’s already turned. But it’s not--he’s fine, still just a human. And then, who’s that watching from the other side of the campfire? it’s Benny--the vampire we briefly saw at the beginning of 8x01! surprise reunion! will he give dean up? (of course not.) NOW we get some flashbacks (brief!!!) to their time in purgatory together.

this nest isn’t benny’s community either and he’s there for his own ulterior motives, but they fall through so he helps dean find the one vampire who’s been feeding on humans and they kill the guy. there’s way too many in the colony to kill all of them, and anyway they aren’t hurting any humans, they just drink deer and fight bears and live loose and large in the wilderness. So they head out, and as they’re about to leave, benny’s like you made yourself fit in pretty well here brother and dean’s like, well i learned from the best. and benny’s like, in his half-teasing serious way, we could even stay. and dean’s like yep. we could. and then they go. and when sam stops to pick dean up, dean pretends benny is just a human he saved from the vampires, and they drop him at the nearest town and keep on driving.

[gumnut-logic]

I know I’ve posted this one before, but what the hell. It’s Johnny and one of my favs :D

-o-o-o-

John Tracy was sick.

Which meant John Tracy wasn’t allowed to go home.

Sure, he could say that he was home, but it didn’t really feel like home. It was full of brothers and people he loved, but it didn’t feel like home.

Home was among the stars.

But apparently astronauts with the flu weren’t allowed to go home.

“It won’t be for long, John. It will be over before you know it.” Virgil was kind and reassuring, but it didn’t really help.

He wanted to go home.

He was determined to work, of course. Until Scott caught him and cut him off.

There were some loud words over that, but the medical department of IR (aka Virgil) sided with the command department (aka Scott) and yeah, he was grounded, cut off from his ‘bird, holed up in his room and miserable.

Of course, his brothers attempted to cheer him up. Alan dumped himself on his bed chattering away with his latest game, all eager enthusiasm. Gordon brought him a pet crab. Even cared for it for him. John was left wondering if it was a snarky metaphor as the crab sat under a rock all day and had a distinct grumpy appearance.

Virgil and Scott were more subtle, but no less caring. Scott ran ideas past him for communications improvements. Piano music and the occasional piece of art found its way into his rooms uninvited.

He appreciated it. Truly, he did.

He just wanted to go home.

The morning he woke up with a cat sleeping on his chest was the last straw.

“C’mon, guys. You know I’m allergic to cats. Are your trying to kill me?” He held the cat out at arm’s length just waiting for his nasal passages to swell up. Though at this point considering his condition, he wasn’t really sure he would notice.

The cat meowed pitifully at him.

Virgil frowned.

Scott arched an eyebrow.

Gordon looked guilty....but then he always looked guilty. John was sure it was an inbuilt survival strategy.

Alan was cooing at the cat and reaching out to scratch it under the chin.

It was an orange stripy thing with big whiskers and that ragdoll floppiness all cats sported.

“Gordon?” Scott’s arched eyebrow was now pointed at the aquanaut.

“What are you looking at me for? I got him the crab, why would I get him a cat? The cat will eat the crab.” Gordon frowned at John. “Don’t let the cat eat the crab.”

Not a sentence John had ever predicted hearing in his lifetime.

“Can someone please take this thing?” He held out the cat even further.

Virgil, still frowning, gently collected the cat from John’s hands and automatically curled it up in his arms. A finger scratched under its chin.

“Thank you. I’m going back to bed.”

And he did.

The next time he woke, a pair of green feline eyes were staring at him, the cat, once again, curled up on his chest.

What?

It meowed at him and poked his nose with a paw.

“Virgil!”

He must have yelled a little too much because next minute his big brother barrelled into the room, panic on his face. “John, what the-?!”

His eyes landed on the cat and his shoulders literally sagged. “Goddamnit, that’s where you are. I’ve been looking for you for hours.” Virgil reached to pick up the cat.

The cat turned from mild mannered bed companion to spitting and screeching demon within a blink. Virgil yelped and fell backwards, his feet slipping on the mat and his butt hitting the floor with a crash.

One of John’s telescopes teetered before tipping ever so slowly. Virgil saw it and struggled to catch it. “Shiiit!” He threw himself in its path and the four-foot metal cylinder landed in his lap.

There was an oomph and Virgil was flat on his back on the floor.

Demon cat kneaded John’s chest a little before settling once more.

It began to purr.

“Virgil? You okay?”

His brother grunted and John struggled out of bed, shoving the cat out of the way. “Virgil?”

“I’m good.” It was up an octave higher than normal. “Sorry about your telescope.”

John grabbed the telescope off his brother and righted it. It was his own fault for leaving it there in the first place. Stargazing from bed was a habit much more easily exercised on TB5.

Virgil waved off his offered hand and rolled over, pushing himself to his feet with another grunt. He eyed the cat with suspicion. “I thought we had an understanding, Bagel.”

The cat eyed Virgil with equal suspicion.

“Bagel?”

“Gordon claims it is your cat so needs a John name.”

“A John name?”

“Yeah, Bagel it is.”

“It’s not my cat! And where did it come from anyway?” John frowned at Virgil. “Another stowaway on Two.”

“No! You know we have sensors for that now. And besides, that was only once.”

“Twice.”

“Once. The polar bear doesn’t count.”

“The polar bear most assuredly does count. Alan still hasn’t forgiven you.”

“Really?”

“It was a polar bear, Virgil.”

“Yeah, well, that is your cat.”

“That is not my cat.”

“Apparently she has decided she is yours.” Virgil held up his hands. Several scratches decorated his skin. “I have enough of these already. She’s yours.”

“I’m allergic.”

Virgil peered up at him, brown eyes assessing. “You don’t appear to be suffering a reaction. She’s been gone for hours. If she has been here, on your chest all that time, you should be showing the affects. All I can see is the remains of your flu.” A frown. “Are you feeling any better?”

It was John’s turn to frown. He had almost forgotten he was ill, but now his attention returned to his body, the signs were clear.

But he was feeling a little better.

“A little.”

Virgil reached up and squeezed his arm. “Good. You hungry?”

A brief consultation with his stomach and he realised that yes, he was. “Yes, I think so.”

A smile spread over his brother’s face. “Great. You’re on the mend.” Another squeeze of his arm and Virgil turned towards the door. “Meet you in the kitchen. Scott went all out this morning and made pancakes. I stashed you some. Gotta grab them before Gordon discovers them.”

“FAB.” John couldn’t help but return his brother’s smile.

Virgil grinned and with a half-hearted groan rubbed his butt and staggered with some exaggeration out the door. “Don’t forget your cat.”

John turned back to stare at the ginger monstrosity still sitting on his bed, calmly grooming.

“Bagel, is it?”

The cat blinked and kept licking its fur.

John sighed and grabbed his clothes.

-o-o-o-

The cat followed him downstairs for the meal, which turned out to be dinner. He had managed to sleep the day away. Apparently, this was a good thing, because for the first time in days, he could move without creaking.

Virgil had indeed stashed pancakes and within minutes there was a short stack piled up in front of him complete with ice cream and maple syrup. Before he even bothered to acknowledge the envy emanating from Gordon across the other side of the table, the stack began to disappear.

Scott knew how to make pancakes. John considered his big brother’s purpose in life and came to the immediate conclusion that it should be IR, family and pancakes.

Of course, pancakes could be a subset of family if considered that way, but there was always the possibility of him opening a business as a pancake chef.

Blink.

Yes, the flu had obviously taken part of his brain with it.

A pair of blue eyes and two pairs of brown were staring at him.

“What?”

“Did you bother to breathe between bites, bro?” Gordon gestured with his head at the table.

John looked down and found his plate empty. “Guess I was hungry. Scott makes great pancakes.”

“Yes, he does.” Virgil plonked a glass of orange juice in front of him and took away his sticky plate. “Now drink your juice and we’ll set up for family movie.”

“Aren’t you guys going to eat?”

“Already eaten.” Scott was poking at his phone, holograms bouncing around above it. “Grandma made meatloaf surprise again.”

John choked on his juice. “Really?”

“Uh-huh.” Scott did look a little green around the gills.

Well, that explained the envy on Gordon’s face and why Alan was very absent.

“Anyone feed the youngest?”

“All under control.” Virgil chucked Gordon a celery crunch bar and the aquanaut grabbed it from the air.

It was devoured faster than John’s pancakes.

Virgil wandered back into the kitchen proper and soon there was the delicious smell of hot popcorn wafting through the room. The engineer walked past the table again and dumped a chocolate bar in front of Scott. Another one landed in front of John.

“Consider it a survivor’s reward.” Virgil grabbed Scott’s phone out of his hand.

“Hey!”

“Stop working, this is family time. Everything can wait a couple of hours.”

Scott glared at his brother, but grabbed the chocolate bar and capitulated anyway.

Probably because he knew Virgil was right. It was so easy to get absorbed with International Rescue business. John knew he was a fantastic example case of such a syndrome.

A sigh.

Scott glanced up at him. “How are you doing, John?” A smirk. “How’s Bagel?”

As if beckoned, the cat in question suddenly leapt up on to the table and stalked the length of it towards Scott. John’s eyes widened as his eldest brother was targeted by a feline glare of epic proportions.

Scott’s expression was quite an amusing mixture and defiance and terror. Bagel sat down in front of him and after a moment of intense eyeballing decided Scott was boring and started washing herself.

“That is one weird cat, John.”

Everyone jumped as Bagel shot to her feet and dashed across the table at Gordon. “Holy crap!” The aquanaut scrambled backwards as Bagel ran at him. He tangled his feet in the stool he was sitting on and with a crash, ended up on the floor.

“Ow.”

Reaching the edge of the table, Bagel stopped and peered down at the fallen Thunderbird and, apparently deciding Gordon was no more interesting than Scott, sat down and returned to grooming.

The remaining three vertical brothers stared at each other and the cat.

No one said a thing.

“Uh, can someone give me a hand up, here?” Gordon vaguely waved an arm about and Virgil edged around the table to help his brother up.

His eyes barely left Bagel.

“Has anyone fed the cat?” John threw the question in there as a bit of an icebreaker since said cat had frozen the room almost solid.

Bagel looked up and stared at John for a moment before jumping to her feet and ambling over. A simple step off the table and she was in his lap, circling for moment to find a comfortable spot, then curling up and purring.

Again, everyone was staring at the orange fluff ball, John included.

“You have a very strange cat.” Apparently, Gordon hadn’t learnt from his earlier experience, but fortunately, Bagel ignored him this time.

John stared down at the purring ball of fur.

Yes, it seems he did.

-o-o-o-

Despite the possessed cat, the rest of the night went very well. All five brothers plus Kayo threw down some pillows, curled up in front of the holoprojector and waded through a trashy b-grade movie that looked like they were using mannequins for actors and plastic models for set pieces. There was popcorn, laughter and loving family. John felt warm and relaxed and better than he had in days. Somewhere between action scenes, he drifted off to the tinny soundtrack and the sound of his brothers criticising the special effects.

“Johnny?” It was whispered “Johnny, you’ve got to move or you’ll end up with one hell of a neckache.”

A blink and he found himself looking at Virgil upside down. Wha-?

“C’mon, bro. Up you get.” And his brother was lifting him up. Another blink and he realised he was lying on one of the couches...almost upside down, his feet at an angle above his head with his head hanging off the seat cushion. He was far too long for the piece of furniture and, apparently, he had stretched in his sleep.

Virgil was shifting his shoulders into a more horizontal position. Beyond him, the holoprojector was listing all the languages the movie was available in, complete with appropriate copyright warnings. Idly he noted that the Hungarian translation had an error in the third line.

John let his feet drop to the end of the couch before folding up enough to force himself upright. Ugh, Virgil was right. His neck cricked and creaked along with his spine. God, gravity was a nasty piece of work. It had also apparently dribbled all the mucus in his body into his head. His skull protested at the pressure as he sat up and he groaned.

“John?”

Why did everyone think Scott was the worry wart of the family? Virgil with his medical radar was just as bad, if not worse. “I’m fine. Just a head full of snot.” Ugh. Right between his eyeballs, throbbing to the beat of his heart. “Just kill me now.”

Suddenly there was an orange cat in his face, staring.

“What? Bagel, not now.” He gently picked up the cat and put her on the couch beside him. Where the hell had she come from anyway?

A pitiful meow was her response and she edged nearer brushing her cheek against his arm.

Despite himself, he turned to her. “What’s wrong?”

She looked up at him with a combination of adoration and haughtiness. He had no idea what to make of that expression.

Of course, she was a cat. Who understood cats?

“Are you two having a moment?” His brother’s smiling baritone broke the silence and to John’s surprise, Bagel turned to Virgil and hissed angrily.

His big brother took a hurried step back.

“Bagel! Leave him alone! He will never hurt you. For goodness sake, Virgil wouldn’t hurt a fly. Give him some respect.”

To his complete surprise, Bagel stopped hissing immediately. She turned to him almost a question on her face before once again looking at Virgil. Her head dropped and stared at the floor.

“What the hell?” It was little more than breath and all his big brother. Virgil was staring at Bagel, his brow crumpling into a deep frown.

Bagel’s head shot up and once again she was staring at Virgil.

Virgil’s frown got even deeper.

“John where did you get this cat from?”

“I told you, I don’t know. I’ve never seen her before in my life.”

Virgil continued his staring contest with the cat.

“What is it?” His brother’s expression was becoming unnerving, so suddenly determined, it was almost fierce.

“I don’t know.” A pause. “Keep her out of sensitive areas for me, will you?”

“Sure.”

Bagel continued to stare at Virgil.

Virgil continued to stare at Bagel.

A solid moment passed and then his brother was shaking his head, looking at his feet, looking at John. “You good to make it up to your rooms?”

“Yeah.”

“I need to go hunt down Scott. One of the TI directors in the States forgot the time zones. He’s been on the phone for half an hour already.” Virgil sighed.

“Need backup?”

“No.” A hand dropped to John’s shoulder. “You go to bed, you need it. I’ve got this.” The hand disappeared and Virgil climbed out of the lounge, heading towards the balcony.

Bagel was licking her paw.

John sighed. Perhaps some paracetamol would help. “C’mon, Bagel, apparently, you’re with me.” He picked her up and held her against his chest as he staggered to his feet. Cursed gravity. How he missed being able to make the smallest movements and coast across a room.

Bagel reached her head up and snuggled under his chin, her purr vibrating his sternum.

“Why me?” It was little more than an exhaled breath and he wasn’t sure it was a complaint or an actual question.

In either case, Bagel didn’t answer. She just purred into his chest.

So, it remained a mystery for another night.

-o-o-o-

“It just appeared. No trace on sensors, nothing. It’s as if it didn’t exist before the day before yesterday.”

Virgil’s puzzled voice echoed up the stairs as John approached the kitchen the next morning. He glanced at his watch. This was early for his brother; he usually wasn’t up for another hour at least.

“I’m telling you, Scott, there is something very strange about that cat.”

John paused at the top of the stairs, his hands curled around Bagel, gently scratching her under the chin. He had awoken again with her on his chest, but unlike the previous two incidents, he had found himself surprisingly comforted with her presence.

Her purring was strangely calming.

“I will admit she is quite volatile.” Scott’s voice was surprisingly reluctant. “She didn’t even take to Gordon. Every living creature takes to Gordon. Except lizards, I guess. Hell, she doesn’t even like you.”

“That’s just it. She doesn’t act like a cat.”

“What, just because she doesn’t like you?”

“I’m sorry, Scott. Something just doesn’t feel right. Why is she so attached to John? What if she is a plant after our technology?”

“A tech seeking cat? Really?”

“Wouldn’t be the first time an animal has been used for espionage.”

Scott sighed and John shifted, attempting to loosen the tense muscles in his shoulders.

“It’s just that John appears to have latched onto Bagel as much as the cat has to him. How often does John attach to anybody?”

“And that’s what scares me the most. What happens when he returns to TB5? He can’t take a cat with him. It wouldn’t be safe for either of them.”

“Then we look after Bagel for him.”

It was Virgil’s turn to sigh and it was a worried one.

John chose that moment to make his entrance. He stepped lightly down the stairs. “You two really do worry far too much.”

Both brothers started as he entered. The guilty expressions on their faces were quite amusing.

“Virgil, if you are worried about Bagel, scan her.” John held the cat out to his brother. “Take her up to the infirmary and run her through a thorough physical. In fact, I would prefer if you did since as you said, I have become somewhat attached to her. As to what we are going to do when I return to Five...” He shrugged. “I hope we can work something out.”

Virgil managed to look both apologetic and sad.

To John’s astonishment, Bagel wriggled out of his grip and jumped down to the floor. She ambled over to Virgil. His brother froze, obviously wary, but the cat gently brushed up against his leg and rubbed the length of her body across his boots.

The whole room stared.

“Good morning, Bagel.” Virgil’s voice was a little breathless.

“Good morning, Virgil.” The whole room jumped as Brains jogged down the stairs and passing them, bee-lined for the fridge.

“‘Morning, Brains, John.” Gordon wandered in from the pool rubbing a towel through his hair. “Yaargh! What the hell, Virgil. You gone to the cat side?” He took several steps back as he caught sight of Bagel.

Bagel, still wrapped around Virgil’s ankles, turned towards Gordon and spat at him.

“That damn cat is possessed.” The aquanaut made sure the table was between him and the feline.

Bagel glared at him, following with her eyes.

“Eos, I know G-Gordon can b-be a challenge, b-but really, h-he is a good man.” Brains was pouring milk into his cereal on the bench.

“Yes, but he is so annoying.” The AI’s voice bounced across the house’s comm system.

“He st-still deserves r-respect.”

The comm system grunted.

Every eye in the room stared at the engineer.

Gordon found his voice first. “Wow, Brains, thanks.”

John was staring at Bagel. “Eos what do you know about Bagel?”

“Oh, John, everything.” The little imp was so smug.

Two strides and John was beside Virgil. Reaching down, he snagged Bagel off the floor and held her up, his eyes raking over the cat. A moment of intense examination. Bagel stared back at him calmly.

“Okay, how did you do it?”

“Do what, John?”

“Do not mess with me, Eos. I want answers and I want them now.”

“Hiram helped me.”

“Helped you do what?” Scott’s voice was sharp. “Brains?”

“It was a v-very interesting challenge.”

“What did you do, Brains?” Commander Tracy stood up from the table, his height saying everything it needed to.

Brains didn’t notice.

“Oh, Eos had an e-excellent idea to equip Thunderbird F-Five with an internal m-mobile probe mechanism.

“Yes, something that could get into the spaces John cannot.” Still smug. Oh, there would be some serious talking at a later time.

“So, you built a cat.” Virgil’s eyes were wide.

Brains sipped his orange juice, still seemingly unaware of the tension in the room. “She didn’t think I could. So, I did.” He was definitely pleased with himself.

“You built a cat?” Gordon was an echo of his brother. “That cat?” He stabbed a finger in Bagel’s direction.

“Yes?” Finally, the man appeared to realise that something was amiss. “I’m v-very happy with the r-results. It performs v-very well.”

It certainly did. John had her under his arm and found himself scratching her under her chin despite everything.

He forced himself to stop.

“John?”

“Yes, Eos?”

“Do you like her?” Suddenly he was a parent faced with his child’s school science project and the need for approval.

Some science project.

“I like her, Eos.”

“Can we keep her?”

“That is yet to be decided.” It came out firm. It needed to be firm...even though he already knew the answer.

“But-“

“Eos, why didn’t you tell us Bagel wasn’t really a cat?”

“But she is...”

“Eos.”

“John...”

“Eos!”

“I missed you.”

He froze. “I’m right here.”

“But it’s not the same.” That was a definite whine. “You’re not with me. It gets lonely up here without you. So, I built a way to be down there with you.” Bagel rubbed her cheek against his hand.

“Eos is in the cat?” Gordon’s jaw may as well have been on the floor. “She hates me that much?!”

“I don’t hate you, Gordon. You are quite funny. Somewhat clumsy, but funny.”

“Eos.”

“Yes, John?”

“Why didn’t you tell me?”

No answer.

“Brains, why didn’t you tell us?” Commander Tracy was glaring at the engineer.

“T-Tell you what?”

“About Eos and the cat.”

“That would have r-ruined the experiment.”

“What?”

“Eos w-wanted to see if the f-feline programming was sufficient. The b-best way to do that was test it.”

“On us?” Gordon spouted outrage.

“Surprisingly only V-Virgil appears to have b-been concerned. I w-would be interested to hear your evaluation.”

“Sure.” Virgil appeared to still be processing. Probably attempting to work out exactly how Brains had pulled it off.

“Brains, you, Eos, John and I are going to have a serious conversation.” Scott’s voice was stern. “This is not happening again. This family is not an experimental lab.”

“It was not his fault, Commander.”

Scott arched an eyebrow up at the ceiling. “Really, Eos? I have no doubt that John has a few choice words to be said on this matter.” Oh, yes, choice and many. “In the meantime, please cease the experiment.”

“But-“

“Eos.”

“Very well.”

The cat in John’s arms went completely limp.

He couldn’t help it; a gasp passed his lips and he caught the sudden dead weight with both hands. “Eos!”

All life had left Bagel. She became nothing more than a lifeless corpse. Something inside him lurched horribly.

Every eye in the room was staring at him.

“John?” Virgil’s eyes flashed concern.

He gathered up the cat in his arms and gently placed her on the seat of one of the kitchen chairs.

So real. He shivered.

“You okay?” His big brother was suddenly beside him.

“That was unnerving.” Both of them stared at the immobile TB5 internal remote probe mechanism.

“Eos, can you please reactivate Bagel.”

“Virgil-“

“No, Scott. Too creepy, too real. Please, just...leave her be.”

To John’s surprise, Scott didn’t protest.

But Bagel didn’t move.

“Eos?” His own voice sounded hollow in his ears.

“Yes, John?”

“Please reactivate Bagel.”

“Why?”

“Eos, just please.”

“Very well.”

And Bagel uncurled herself, sat up and glared at Scott. Before Eos could exact any form of petulant revenge, he grabbed Bagel off the chair and held her in his arms.

“Thank you, Eos.”

“You are very welcome.” Impertinent little brat.

“Now, I’m going to have breakfast, then we are going to have that conversation.”

“Yes, John.”

Something in the room snapped and suddenly everyone went back to their morning routine with only the occasional stare at the cat in his arms.

“Would you like some cereal, John?” Virgil was heading towards the fridge.

“You don’t have to get me breakfast, Virgil.”

“You have your hands full and I’ve already had mine.”

“How early were you up this morning?”

“Early enough. Your cat weirded me out.”

Bagel was rubbing her cheek against his fingers again. He grabbed a chair and sat himself down, placing Bagel on the chair beside him. She started grooming herself quite content.

A bowl was placed in front of him, followed by a cereal box, milk and another glass of orange juice.

Bagel stared up at him

He shook his head slowly. “What am I going to do with you?”

The cat tilted her head and licked her whiskers.

And he knew that somewhere far above the planet his daughter was laughing.

-o-o-o-

[rpmemesbyarat]

RP meme from "Chapter One: A World of Darkness" in Changeling: The Dreaming (20th anniversary edition)

Dreamers are taught that they won’t amount to much, that their creativity is a pale imitation of what came before.

Well-meaning, or envious, parents and friends consistently suppress talent in their loved ones, secure in the knowledge that they’re saving them from a huge mistake.

Repeated altercations eviscerate creativity until all that remains is overwhelming self-doubt and insecurity.

Every day is a struggle.

It’s not that they don’t care, they are just unable to grasp circumstances beyond their own social circle.

It’s not that they don’t care, they are just unable to grasp circumstances beyond their own social circle.

Old legends define a changeling as the offspring of mortals and faeries, or a faerie child switched out for a human one.

Ancient curses affect entire landscapes, monsters hide in withered forests, roads made of stardust allows travelers to visit vistas hidden among clouds, and ancient dragons and bygone beasts still roam the skies.

In order to survive this onslaught on their very essence, the fae turned to an ancient ritual which locked their immortal souls in human bodies.

The child talking to her teddy is, in fact, discussing courtly politics with her chimerical bear companion.

The most common means of learning about the past, then, is through the traditional art of storytelling.

Despite the thrill and excitement of hearing legends brought to life by storytellers, academic history is an extremely important factor in the pursuit of lost faerie knowledge, turning myth into truth.

Ancient texts are written in several, often pictographic, faerie languages, and quite often the words seemingly come alive, constantly realigning, rotating, and shifting locations to avoid being decoded.

Even when enough common denominators exist for a decent decoding, the end results often cause further questions, rather than providing answers.

Events become history. History becomes legends. Legends become myths, and myths are forgotten.

Religions told mortals to worship new gods and to turn away from old traditions and rules.

As scientific methods began to explain what mortals previously considered magic, the common folk took to the church’s teachings, foreswearing their old ways in exchange for salvation and a steadfast faith on which to cling in the darkest days.

On July 20, 1969, humanity witnessed the moon landing live on television, and all of the hope, fear, and wonder of the previous decade burst forth.

Mortal witnesses describe friends or family collapsing for a brief moment, then rising, confused for a short time, but brimming with confidence and an aura of regal quality.

However, no matter the chosen human body, they all belonged to someone wealthy and influential, or were members of highly-valued and powerful families in society.

Despite conflicts, both parties openly declared their intent to find peaceful solutions, regardless of acts of violence intended to derail such hopes.

However, this decree didn’t prevent individual members of the houses to cast their allegiance with the side for which they felt an affinity.

The time for discussions ended with blood on the walls, and only war remained.

Theirs was a passionate, whirlwind romance, but one that ended in tragedy.

Without warning, the sky seemingly ripped open and, to those with faerie sight, a red sun appeared, bathing the world in a sinister scarlet light reminiscent of blood.

Behold! Your true king returns!

Better a nightmare than dreamless sleep

Nonetheless, the nobility is not immune to the changes in the world.

No matter how well hidden, however, the child’s true nature marks her as different.

It may start small, with a mortal witnessing strange occurrences no one else sees.

Those that are found are the lucky ones.

The term fosterage comes from the medieval practice, where nobles would take on the children of another family to cement alliances or to build connections between noble children for the next generation.

She will take the lessons from her mentor forward, spending the rest of her days honing what she has learned.

Banality seeks to explain away the fantastic and categorize, empiricize, contain, and render mundane anything outside of the scope of accepted mortal understanding.

This process doesn’t happen all at once.

Many legends and epic stories came from the search for extended life, with outcomes ranging from sad hilarity to outright horror.

Legends speak about treasures that can extend youth or grant immortality once more, like the fabled Fountain of Youth, but so far none have been recovered.

The adventure might be worth it, though.

It is a place woven into the fabric of the mortal world, hidden behind and without, though its magic and influence can affect the physical world and those that live in it.

The land responds to the thoughts and deeds of the creatures that live there and adapts to their every whim.

The shifting landscape is so unpredictable as to throw off any seasoned traveler.

Only a few trods lead to this wholly unpredictable and constantly-shifting landscape.

The space is influenced by the strong dreams of mortals and the expression of powerful mortal feelings and creativity.

They held nothing but hatred and contempt for one another.

History has taught them through many a hard-earned lesson that they are able to accomplish these tasks much more effectively when they work together than when they’re at each other’s throats.

The pageantry and rituals serve as thread that runs through the ages, tying the generations together.

Their customs and lore serve as the glue that binds each individual to one another.

Everyone, from the lofty noble on his throne to the lowly chambermaid, has their duties in a well-organized society.

Without everyone working together, doing what’s expected of them, society would not be able to support itself.

Even a lifetime of tragedy and loss has its own poignancy.

The act of creation holds an inherent beauty.

Each new work of art, new performance, and new thought is a unique manifestation of creativity undreamed of in the world before.

Beauty must be preserved because it is the basis for all life.

Society cannot operate effectively without an inherent fairness.

A favor is always paid back with a reciprocating favor.

An object or service given is returned with something of equal value.

Loyalty deserves fidelity, and acrimony deserves hatred.

The self comes from within. It is the basis of being, granting the ability to reason, to question, to strive for improvement.

To know oneself is to make life worth living.

Identity requires freedom — the freedom to buck trends, to say no, and to try new things.

The only things that remain eternally unchanged are those that are dead.

The alternative is nothing but stasis.

Even at its most benign, stagnation leaves people woefully unprepared when everything they know eventually gets upended.

Once outside rewards are involved, whether tangible or simply accolades, the concept of honor twists people, making them do monstrous things.

Honor is nothing more than an ugly little lie told by tyrants designed to keep their slaves docile and obedient.

No one can follow his dream when an overlord is standing above him, micromanaging his life.

Everyone has responsibilities, but if given the freedom to be themselves, people will find ways to do the necessary things in their own way that doesn’t prevent them from doing the things that make life worth living.

Pranks were played, sometimes in jest and at other times scathing, at the expense of those in power.

A merry time was had by all while allowing the disenfranchised a chance to air grievances and have an outlet for their frustrations.

Their only goal is to force a response from those capable of alleviating some of the suffering.

To fit in as part of the mundane world they became traveling circuses, freak shows, or other transient groups.

Those of higher rank are respected by those of lower rank and are also expected to meet their obligations to the less fortunate.

Many nobles see their main business to be that of gaining — or retaining — power.

Alliances may shift between the nobles and circumstances may change, but all try to expand their holdings and rise higher up the social ladder.

Something has to give.

A noble expects obedience from his vassals and respect from all others. In return, the noble respects those superior to him.

Whether they like it or not, the nobility has had to concede that modern ideas of democracy and popular rule are realities now.

Still, most nobles rule through force, cunning, personal magnetism, and custom.

They must never reveal their true natures to humanity.

Some battles are fought to first blood.

[capricorn-stark]

One Last Dance

pairing: bucky barnes x reader

a/n: yes this was fully inspired by peggy and steve dancing lmao

____________________________________________________________

He didn't think you'd fall for him, and you certainly didn't think so either. Somehow, you did.

Before Sergeant Barnes shipped out to England, he took you dancing. And during that dance, he promised you he would come back home.

It started out with little things.

A stray glance here, a flirty comment there, a lot of not-so-subtle brags about his time in the military, all just to impress you. It didn't work out well for him, mostly because you knew exactly what type of man he was. Bucky liked to pull the same tactics on every girl you knew, and nearly every single one seemed to fall for his pretty face and pretty words. He liked to mess around with women to have a good time, not to stick around. You didn't really mind what he did, you had no reasons to care. You didn't mind that other women were alright with it, it just wasn't your thing. But you did begin to mind when you ended up on the receiving end of his attention.

Despite all of his compliments and offers for a night around town, you had shut him down. You had no interest in meaningless encounters when you could quite literally be doing anything else, and none of his charms managed to reach you the way it had reached so many others. You were set on staying away from a man who only showed interest in you for some fun, and your unwillingness to fall for him only piqued his curiosity towards you.

With a little bit of time and persistence, the glances turned into gazes and the comments turned into conversations. He stopped trying to woo you with stories about his epic feats in the army and began to wonder about you. He started talking to you about little things, making real conversations, and trying to make you laugh, to make you ease up around him. With a little bit of time, you began to see a more genuine side of him that you hadn't expected to see, and Bucky began to see you lowering your guard against him, little by little.

It was somewhere during that process when he started falling for you. Hard.

You began realizing it yourself through the little things you noticed him do. From the way his friends laughed and elbowed him while he straightened watching you walk by, the way his eyes lit up when he talked to you, the way his confident, cocky smirks turned into much softer smiles at the sight of you. It was through the flowers left by your door, the feeling of his arms wrapped around your waist, the way his eyes flickered across your face whenever you spoke as if he was taking in every single detail of you. And once you realized it, you knew you had fallen for him, too.

The night before he was shipped out again, Bucky took you around town.

It had been a beautiful night, and you had spent most of it walking around with him, laughing about little things and gaping at his attempts to win you a giant stuffed teddy bear. Nearly three whole dollars later, he had won it, smirking proudly as he handed it over to you to hold like a trophy. The sheer size had nearly engulfed you in fur, and it had ended up with him carrying it for you until you could safely take it back home. The night would've ended with you thanking him for the bear and the trip, if he hadn't insisted on you coming back with him yet again to stop at one more place before that could happen.

And so, you found yourself smiling as he wrapped an arm around your waist and guided you to the dance floor, swaying to the music.

"You gonna miss me while I'm gone?" The teasing notes in his voice were enough to make you scoff, looking up to meet his smug expression while you felt your face burn red.

"What kind of question is that? Of course I will."

"I'm just checking, sweetheart," Bucky assured with a grin, pulling you a little closer to his chest as you rolled your eyes at him, smiling despite yourself. "Just had to make sure."

"Yeah, keep stroking your ego, I'll definitely miss that while you're gone."

He laughed and your smile widened as you leaned forwards to rest your head against his chest. He pressed a kiss to your hair, resting his chin on top of your head, and you felt your heart skip a few beats. You felt safe with him, secure enough to relax and let him hold you steadily as you made your way around the floor. The music was soft and you could feel his heart beating like a strong, sturdy drum. You closed your eyes for a few moments, letting yourself sink into the moment.

If only it wouldn't end.

You didn't want to think about how long you would have to wait to see him again, whether or not he'd come home safely. You didn't want to have to let him go, even if you knew it was inevitable. In that moment, you just wanted to feel him there with you, like you were alone at the center of the universe, even if it was only for a brief while. You had started off thinking he was nothing more than a nuisance, and now you couldn't bear to think of letting him go.

You were convinced you had to be crazy. But you didn't really mind it.

"Bucky?" You felt him hum in response. "Do me a favor and come back in one piece." He laughed again at that, shaking his head.

"You're worried about me?" You lifted your head to look at him again, your smile fading a little.

"Yeah. I am."

Bucky's expression softened at the look on your face, eliciting another small smile from him.

"You don't have to worry, sweetheart. I'll come back here no matter what happens. I guess I got too many people waiting on me." He grinned, studying your expression for another moment before raising a hand to tuck a stray strand of your hair behind your ear. "I'm not about to leave you hanging. I promise."

He leaned forwards and you did the same, meeting with a soft kiss as he pulled you closer.

I promise.

It gave you as much comfort as you could get, and in that moment, it was satisfactory enough. You would wait for him to come back to you, and you would have another moment like this, when nothing else mattered except for the two of you. You would wait for that moment for as long as it took, whether it was a week, or a month, or an entire year.

And wait you did.

You waited for a long, long time for a man who would be lost at war.

[hangingslothcentral]

Here’s what writing an episode of Spirit Box Radio looks like...

If you’ve ever wondered how episodes of Spirit Box Radio are written, here’s a little overview of that process!! If you like this, I can also write up a similar breakdown of the sound design process!

Most, but not all, episodes are born in the ‘Episodes’ section of the Show Bible. The Show Bible is a document of epic proportions - 50k in length and growing every day - which contains all the essential information about the show, from the continuously evolving methods I use to edit different character voices as I learn more and more about audio editing and production, right to ‘sketches’ of the episodes for all three series of the show. There is also a large section called ‘Ideas and Notes’, where I’ll write freeform dialogue between characters and keep track of themes and ideas to try and keep them consistent. These are all numbered, and referenced in a seperate spreadsheet I have of all the characters with significant and/or speaking roles in the show.

The full break down is under the cut!!!

The grandaddy of the the plans in the Show Outline, where I go over all of the main ideas I want to be talking about in the show and roughly mark out the outline of the shape of each season. The first draft of the Show Outline was very messy and rough, but subsequent versions are broken down into Season-by-Season chunks, all talking from a multi-series perspective so as to place the ideas of the show along a three-series-long arc.

Season Outline

Season Outlines take those ideas for the shapes of the series from the Show Outline and refine them further from a beginning-to-end-perspective. I'm a goal-oriented writer, which means my story ideas tend to come from a very ‘the end’ kind of place, and the stories that lead up to that ending are all about serving that ending. Quite often the ending itself changes a long over the planning and writing process for me, but that’s the great thing about a plan! Once you have it, you can change it if you need to. What a plan does, however, is provide you with a framework for understanding what bits of a story you have, and what bits you still need to make.

The three seasons of Spirit Box Radio are quite deliberately split into two halves. There are lots of reasons why and one of them is that it gives you a very specific kind of shape to be working from. A season with a mid-season break has a part one which has it’s own escalation of tension and climax, which comes at the mid-point of the season-long escalation, where the story might otherwise sag a little.

Beyond splitting the plan into Parts 1 & 2, I typically also break episodes into ‘Blocks’. This is partly practical; I can refer in conversations with my guest writers to where it falls in a specific block of episodes, and where that block fits in the story as a whole, and it also makes splitting up the episodes for sending out scripts to my actors a lot more straight forward. Part 1 of Season 1, for example, was broken into three blocks; episodes 1.1-1.7; 1.8-1.13; 1.14-1.20. I won’t go into detail about how this effects the structure of the episodes themselves, but it’s usually about building characters up to making a certain decision, or following a certain subplot more closely before pulling away.

Episode Sketch

A ‘sketch’ is a very brief summary of what needs to happen in that specific episode. This can be concrete, like ‘find [x] item’, or vague, like ‘establish that Character A has Trait Y’. Sometimes I’ll make a note to include a specific sound or character beat, or I’ll reference a noted scene from the ‘Ideas and Notes’ i think would fit in there. It’s usually at the sketch summary stage that I figure out whether or not there will be other characters in a specific episode. The sketches for almost all of the episodes in Season One were written between August and October 2020.

Episode Plan

This stage takes those necessary elements from the sketch and fleshes them out into a coherent story. The key thing about podcast episodes is that they have to be able to be entertaining on their own, minute by minute, as well as serving the whole series (I talked a lot more about this in the last episode of Hanging with the Sloths on Patreon which is only £2/equivalent pcm to access if you’re interested!!)

Whilst I’m making my episode plan, I’ll look back at the sketches for the episode I’m working on and those before and after it, and refer to the series outline where I can, to make sure I’m keeping a handle not just on the individual pacing of the episode, but the pacing of the show overall.

I like to have Episode Plans done by about a month before I need to have a script finished.

The Script Itself

Spirit Box Radio scripts are either agonising or happen in the blink of an eye. I do not have a set approach to how I write an episode. Sometimes the plans come with sections of dialogue written months before and I’ll drape the rest of the episode around those moments and see where I end up. If there is a character other than Sam in an episode, I’ll typically attempt to write that section of the script before the rest, so that I’ll definitely have it locked by the time I need to send it to the actors. 

Any script that is for other actors (i.e. not me) has to have notes, direction, and additional information included to help the actors give their best performance. That’s difficult sometimes because I guard my show secrets closely, so it’s often a game of working out how much I can tell an actor without including spoilers for later important plot points unless absolutely necessary, and how to supplement gaps in their information. I’ll usually compare a character to a character from something else as a shorthand for performance.

This means there are two versions of every script which needs to be seen by people who aren’t me. My scripts, which I call the master scripts, have all my audio cues, breaks for drinking water in recording sessions, character notes that are Top Secret, sound scaping ideas, specific sounds I’ll need to use at different moments, and specific audio cues. As I get better at sound design, my version of the script only gets messier and messier to look at. Sometimes, when I’m writing scripts, I’ll actually even start with sound design notes now!!

Script Locking

This is the point at which a script can no longer be changed. Scripts with other characters in them have to be locked before scripts for just Sam, because they need to go out to actors and I need to ensure that I have time to go back and ask them to redo things if necessary, and also to make sure they have proper time to rehearse and organise read-throughs as they’d like to. That means sometimes sections of an episode are locked way before other sections are even written. This can be challenging as a writer because sometimes I’ll come back to a section which I know still needs work, and find I’m extremely limited in what I can do because I’ve already sent an actor a script to record from - sometimes for later episodes, I’ll have the lines from otheres already recorded and ready to go before I finalise some of Sam’s lines for a specific episode.

Sam is recorded a minimum of three weeks before an episode is due to air, and I’ll record in 3-episode stints, usually. I like to have the scripts locked a week before I record so I have time to read them through at my own pace, but sometimes I won’t manage to have them locked until three days out. On one hateful occasion, I threw out an entire script after I’d recorded an episode and re-recorded the whole thing the day before airing. I do not recommend doing this and whilst I am much happier with the result it was an agonising experience because once I’d rewritten and re-recorded that episode I then had to edit it before it was due for release, a process which takes about six hours minimum. I was making tweaks until 20 minutes before the episode went live. Do not recommend.

Editing

Speaking of editing, the final stage of writing an episode actually happens in the cutting room. Sometimes episodes are simply Too Long. Sometimes stuff that worked on paper just don’t work in audio. Sometimes I can’t say a word correctly for the life of me and have to cut a whole sentence to cover it over. More rarely, but still often enough an occurence it bears mentioning, I’ll realise in the editing process that a conversation is better in a different order than the one given in the script, and pull and move around the dialogue to adjust the flow. Sometimes I’ll move sections about a bit to accomodate similar problems with narrative flow.

Annnnd that’s it! That’s what the process looks like!

[kaesaaurelia]

books and reading in 2021

Overall I’d like to read at least 65 books for 2021 and I’d like for most of those to be new-to-me and things I either already own or have listed as to-read on Goodreads.

So far I have read 11/65 books and 4 fanworks.

Themed reading challenge checklists and brief book reviews are under the cut.  I may or may not finish any of these challenges; again, my goal is to cut down my to-be-read list and unread books I own, and themes and deadlines help me pick a book rather than hemming and hawing.

Book reviews answer the questions “Did I like it? Was it good? Would I recommend it?” (please note these are very different questions) and how many stars I rated it.

I may put fanfiction, webfiction, and other things that are very much not traditional books down on here as well, depending on how booklike I’ve decided they are.

The FFA reading challenge, 2021 (2/12 books)

JANUARY - The Pandemic Year - a medical thriller, or a book about medicine The Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York by Deborah Blum Did I like it? Yeah! Was it good? I think so.  Sometimes the prose meandered in such a way that I felt the author was kind of saying dun dun dun! under her breath at me, and I was like “idk, is that significant?” but usually it was good. Would I recommend it? Do you have a strong stomach? Then sure. 4 stars

FEBRUARY - Macavity/Ratigan - a genre you wouldn't normally read Jane Doe by Victoria Helen Stone, book 1 in the Jane Doe series Did I like it?  Yes!  Very much!  The power fantasy of being able to take vengeance against people who hurts your loved ones, without feeling bad about it, was really appealing to me, a person who feels guilt over a frankly ridiculous number of things.  It was also genuinely funny. Was it good?  I thought so.  The narrator had a really strong voice that struck the right balance between creepy cold indifference and endearing little moments of self-discovery. Would I recommend it? Yes, but with the caveat that there’s some pretty serious emotional abuse of the protagonist’s false persona (which she encourages and privately gloats about), and she also gets close to committing serious violence, including fantasizing at length about it. 5 stars

MARCH – 100+ Comments of Terror - a book set in the arctic, or a book about an expedition In the Land of White Death: An Epic Story of Survival in the Siberian Arctic by Valerian Albanov (ordered)

APRIL - Sexy John Oliver Rat – a book about animals, or a book with a character called Oliver or Olivia A Libertarian Walks Into a Bear by Matthew Hongoltz-Hetling (hardcover)

MAY - A Feud in Wolf-Kink Erotica - a book involving wolves, the legal system, or ripped from the headlines Song of the Summer King by Jess Owen (ebook)

JUNE - Showerhead Wank - a comedy of manners, an etiquette manual, or a book where someone wanks or has sex

JULY – My Shithead Is What You Are! - a book with profanity in it, or a book about themes of censorship

AUGUST - Yep, Still Indoors - a book involving travel, or being stuck in one place

SEPTEMBER - Socktopus, Maybe? - a book where someone has a secret identity, or a book about aquatic animals

OCTOBER - Politics is Sequestered – a book involving politics or politicians Boss: Richard J. Daley of Chicago by Mike Royko (owned in DRM’d ebook)

NOVEMBER - It's Canon in Spanish - read a book originally written in Spanish, or set in Latin America

DECEMBER - Apple Is a One Syllable Word - a book about language/linguistics/etc., or a book with a two syllable title. 

Around the Year in 52 Books (8/52 books)

A book related to “In the Beginning...”: (Using the subprompt a book set in the ancient world) The Odyssey by Homer, translated by Emily Wilson Did I like it? Yes; it was definitely a less comfortable read than prior translations I have read, but a more interesting one, I think.  A lot of details leapt out at me that I had either forgotten or that had been overlooked in the 3ish literature classes I have read the Odyssey for. Was it good? Yes! Would I recommend it? Probably, with the caveat that if you are just in it for a cool mythology story you would probably prefer an adaptation rather than a translation. 5 stars

A book by an author whose name doesn't contain the letters A, T or Y The Screwtape Letters by C.S. Lewis Did I like it?  I really read this for the worldbuilding of Hell, so I liked that; to some extent I did also like some of the musings on how a lot of human foibles that people like to think of as virtues can actually be kind of shitty.  On the other hand, Lewis and I disagree about a lot of things -- mostly that whole Christianity thing.  So I liked it with caveats. Was it good? It was okay!  Again, I was not really there for the Christianity stuff.  I am never there for the Christianity stuff.  I am either precisely the wrong audience for all of C.S. Lewis’ stuff, or, if you look at it a certain way, precisely the right audience, but even if you look at it that way, he is never going to convince me; I wrote furious postcanon fanfiction about the dwarfs when I reread the Narnia books as a teenager and realized they were meant to represent people like me. Would I recommend it?  Probably not?  Unless you frequently write demons or other evil creatures trying to figure out how humans work, which I guess I am. 4 stars but only because that reveal at the end is great

A book related to the lyrics for the song "My Favorite Things" from The Sound of Music (The cover depicts a rose with raindrops or dewdrops on it.) Ensnared by Rita Stradling Did I like it? In a sense.  In a sense, I enjoyed this book.  It was a Beauty and the Beast retelling, and I like Beauty and the Beast.  There were robots, and I like robots.  And it certainly gave me something fun to talk about.  However, it also inspired me to try and figure out when and why I acquired this book, and while I still don’t know why I bought it, I was relieved to find that I only paid 99 cents for it.  For a more thorough description of the plot, please see my Goodreads review.  It was a weird book to start with, and then it really, really didn’t age well. Was it good?  IT SURE WASN’T. Would I recommend it?  No.  However, if you decide to read it I’d love to hear what you think.  Please.  Please talk to me about this book. 2 stars

A book with a monochromatic cover The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America by Erik Larson Did I like it?  Yes, very much!  Also it accidentally became fic research.  I genuinely was just thinking “where do I slip Leonard into this narrative so he can try and fail to sabotage the Ferris Wheel?” and then I began to think about how much Leonard would admire and envy H. H. Holmes’ ladykilling ways.  But in general it was a really good read and had a lot of... Chicagoness, which I of course am fond of. Was it good? I thought so!  Obviously a lot of the narratives of Holmes’ murders were mostly the author’s speculation, but there were a lot of great research tidbits in there, and the picture the author paints of the World’s Fair was vivid and wonderful. Would I recommend it?  Yes, with the warning that this is true crime and there is vivid narration of several murders, including the murders of several children. 5 stars

A book by an author on USA Today's list of 100 Black Novelists You Should Read Wild Seed by Octavia Butler, book 1 of the Patternmaster series Did I like it?  Yes, but it was intense.  It takes a lot of skill to keep me reading and invested through so many horrors; the protagonist’s children and loved ones die on-page multiple times, in horrible accidents or senselessly murdered, and it hurts every time, but I kept reading.  Admittedly I am (predictably) extremely here for immortal enemies-to-lovers-to-enemies angst, so that was probably part of it. Was it good?  Yes!  I am kind of sad that I’m not just moving on to the next in the series (there are 3 more books), but also, god, I’m not sure I could handle it. Would I recommend it?  Yes, definitely, with the caveat that it is very dark and very sad. 5 stars

A love story Deal with the Devil by Kit Rocha, book 1 of the Mercenary Librarians series Did I like it?  It was good!  I gather both of the authors who are Kit Rocha were (are still?) in fandom, and it shows in the right ways; it doesn’t shy away from depicting sex pretty explicitly but there’s a lot of emotion in it, and the main couple is a m/f couple without the book being unpleasantly heteronormative.  Like, yeah, it’s about a big butch macho dude who’s broken inside and a woman who’s very caring, but the big butch macho dude is genuinely kind and not like, violent for the hell of it or overprotectively jealous, and the woman doesn’t drop everything to Heal His Pain.  (Also I think most of the characters, including the romantic leads, are established to have had same-gender lovers at one point or another without that being considered unusual or wrong in the setting, so that’s nice.)  It’s also a cheerful and optimistic post-apocalyptic book about two found families coming together to make the world a better place, despite the very grim backstories of pretty much everyone in the story, which is really nice. Was it good?  It was okay.  It was good popcorny reading; it’s not winning any literature prizes, but it sets out to be fun and readable and exciting, and it is all of those things.  Also, as noted above, the prose has a lot of the strengths of fanfic (not being afraid to mix genres, not being afraid of writing sex earnestly and emotionally but also explicitly, strong emotional focus) without the much-derided stereotypical weaknesses of fanfic. Would I recommend it?  Probably?  This isn’t a must-read; it’s happy to be idfic so if it sounds like it’d scratch your id I would recommend it, but it might not be Your Thing and that’s okay too. 4 stars

A book that fits a prompt suggestion that didn't make the final list (Using the subprompt a book related to a local industry or small business) The Gangs of Chicago: An Informal History of the Chicago Underworld by Herbert Asbury Did I like it? NO.  NO I DID NOT.  It made me genuinely angry.  It was a useful read for fic research and unfortunately I’ve got it in my little fic-writing reference material corner in my office but I DID NOT LIKE THIS BOOK IT WAS VERY BAD.  Many questionable or outright incorrect assertions and implications, and extremely racist and sexist.  For details, see my review on Goodreads. Was it good? It was actively bad. Would I recommend it? Not unless you are interested in it historiographically, or on the off chance that you are trying to find some fiddly details about a particular bit of Chicago crime history, but also have no responsibility to make sure those fiddly details are correct when you use them in the project. 1 star

A book set in a state, province, or country you have never visited The Last Duel: A True Story of Crime, Scandal, and Trial by Combat in Medieval France by Eric Jager Did I like it?  It was okay.  It was definitely interesting but not amazingly life-changing. Was it good?  It was fine!  I did think the underlying rape case was handled surprisingly sensitively given that this was a male author writing about 20 years ago about a medieval rape accusation and trial, but there is a chapter that is basically just the victim’s account of her rape, and it’s very brutal. Would I recommend it?  Do you want to understand more about trial by combat in the Middle Ages, and/or learn about how medieval people treated rape victims?  You should definitely read this book.  But if that doesn’t particularly interest you, probably not. 3 stars

A book you associate with a specific season or time of year Summers at Castle Auburn (ebook borrowed from CPL)

A book with a female villain or criminal Sin in the Second City: Madams, Ministers, Playboys, and the Battle for America's Soul by Karen Abbott (owned in paperback)

A book to celebrate The Grand Egyptian Museum The Oasis by Pauline Gedge (ebook)

A book eligible for the Warwick Prize for Women in Translation The Memory Police by Yōko Ogawa (on hold at CPL; est. 3 week wait)

A book written by an author of one of your best reads of 2020 The Once and Future Witches by Alix E. Harrow (on hold at CPL; est. 10 week wait???)

A book set in a made-up place Kushiel's Dart by Jacqueline Carey (paperback)

A book that features siblings as the main characters Sisters One, Two, Three by Nancy Star (ebook)

A book with a building in the title

A book with a Muslim character or author

3 books related to "Past, Present, Future" - Book 1

3 books related to "Past, Present, Future" - Book 2

3 books related to "Past, Present, Future" - Book 3

A book whose title and author both contain the letter "u"

A book posted in one of the ATY Best Book of the Month threads

A cross genre novel

A book about racism or race relations

A book set on an island

A short book (<210 pages) by a new-to-you author

A book with a character who can be found in a deck of cards

A book connected to ice

A book that you consider comfort reading

A long book

A book by an author whose career spanned more than 21 years

A book whose cover shows more than 2 people

A collection of short stories, essays, or poetry

A book with a travel theme

A book set in a country on or below the Tropic of Cancer

A book with six or more words in the title

A book from the Are You Well Read in World Literature list

A book related to a word given by a random word generator

A book involving an immigrant

A book with flowers or greenery on the cover

A book by a new-to-you BIPOC author

A mystery or thriller

A book with elements of magic

A book whose title contains a negative

A book related to a codeword from the NATO Phonetic Alphabet

A winner or nominee from the 2020 Goodreads Choice Awards

A non-fiction book other than biography, autobiography or memoir

A book that might cause someone to react “You read what?!?” Missing 411: Eastern United States by David Paulides (terrible pdf copy I’m not paying $100 for a book about extradimensional bigfoot)

A book with an ensemble cast

A book published in 2021

A book whose title refers to person(s) without giving their name

A book related to "the end"

There’s No Business Like Snow Business February Reading Challenge (8/8)

Snow is precipitation in the form of small white ice crystals formed directly from the water vapor of the air at a temperature of less than 0°C (32°F).

Read a book that has snow on the cover or snow in the title. Killing Dragons: The Conquest of the Alps by Fergus Fleming Did I like it? It was okay.  There was more about the personalities involved in early mountaineering than I did about actual mountain-climbing, which was fine, but didn’t get really exciting until those personalities got really dysfunctional. Was it good?  Again, it was okay.  The prose wasn’t bad, but it wasn’t gripping, and there was some odd (lack of) translation on occasion.  The research seemed thorough and solid, though. Would I recommend it?  Not really, unless you are specifically looking to research the Alps or early European mountain-climbing enthusiasts for a writing project or something, in which case, of course. 3 stars

Precipitation: Read a book that has any weather related term in the title. Trail of Lightning, book 1 of The Sixth World, by Rebecca Roanhorse Did I like it?  Yes!  This took me back to my first forays into urban fantasy as a preteen/young teen.  I loved the Diana Tregarde books and also Harry Turtledove’s The Case of the Toxic Spell Dump, and whenever I want urban fantasy that’s kind of the pattern I’m looking for?  An unfriendly world full of myths that are real and living and breathing and otherworldly but also they are probably trying to bum a cigarette off you.  I haven’t reread my favorite childhood urban fantasy because I think it probably won’t hold up, and later urban fantasy has mostly been not quite what I wanted, but this book was like being that kid all over again.  I’m not super familiar with Dine folklore/mythology so it was neat to learn a little bit about that, too, although obviously to learn those stories maybe don’t go to an urban fantasy novel. Was it good?  It was pretty good!  The prose wasn’t like, stylistically exciting, but it conveyed the plot well, and I did like the narrative voice, and the characterization was good, I thought. Would I recommend it?  Absolutely.  Content warning for violence (as per urban fantasy) and a child dies violently early on in the book, but if you were the kind of kid I was but you’re not really into paranormal romance or Harry Dresden, give it a try. 4 stars

Small: Read a book that has less than 200 pages. A Butt in the Mist: Stirred to the Core of My Bodice by the Duchess Triceratops of Helena by Chuck Tingle Did I like it?  I mostly did, but it wasn’t super exciting.  I liked the free book afterwards better.  It was funny, but Chuck’s been funnier. Was it good? This 4,000 word book was written with all the quality and attention to detail that I have come to expect from beloved author Chuck Tingle. Would I recommend it? Not really?  It was funny, but I think I like his more metafictional stuff better, and I think he gets a lot weirder with his m/m stuff; if I’m reading Chuck Tingle, I want it to be weird. 3 stars

Snow is formed of crystals and is a slang term for diamonds. Read a book in which a gem or other mineral can be found in the plot, title, or cover art. Ombria in Shadow by Patricia A. McKillip Did I like it?  Mostly!  I love the lush visuals of McKillip’s prose; they more than live up to the also gorgeous covers.  Dreamy fairytale stuff but with solid emotions and a good sense of place. Was it good?  I think so, although the dreamlike quality of the prose does mean you’re liable to miss something if your attention drifts. Would I recommend it?  Yes, I think so. 5 stars

Snow is a dessert made of stiffly beaten whites of eggs, sugar, and fruit pulp. Read a book with a dessert on the cover, or read a book in which a dessert is made. Chocolate Chip Cookie Murder by Joanne Fluke, book 1 of the Hannah Swensen series Did I like it? I enjoyed parts of it, but I thought it really suffered at the beginning, when our introduction to the detective was “not like other girls, not interested in DATING and MEN” and our introduction to her older sister is “she was a DITZY CHEERLEADER and now she’s married with a kid but she’s a HORRIBLE CAREER HARPY who WORKS ALL DAY and puts her child in DAYCARE and CAN’T COOK” and that was all just very tiresome.  The sister does turn out to have redeeming qualities and useful interests, but the way these two and their mother interact is all like, if you were asking yourself whether there’s such a thing as toxic femininity and what that would look like, it’s these women.  Aside from that, it was fine; it was a cozy mystery novel about a bakery specializing in cookies.  I will say, I did appreciate the Midwesternness of the small town Midwest setting. Was it good?  Not really.  I did kind of have to handwave a lot to let the detective get away with all the HIPAA violations and crime scene disturbing that she does, but it is a cozy mystery. Would I recommend it? Probably not; I’ve heard this series gets better so if you’re interested in the series and/or like the idea of cookie-themed cozies, maybe start with a different book, unless you’re a completist like I am. 3 stars

Snow is slang for cocaine. Read a book about drugs or drug addiction. The Man With the Golden Arm by Nelson Algren Did I like it?  It was not a fun read, by any means, but Algren’s prose is fantastic and it was such a novelty to see such a familiar accent represented by eye dialect.  (Which I know has fallen out of fashion and is considered the mark of a bad writer, but I really don’t mind it if it’s done well.)  It’s one of those books where nobody has a fair shake and everybody is doomed, but it doesn’t feel gratuitous.   All the characters are horrible to each other, but in fairness they are also horrible to themselves; it’s all they’ve ever known. Was it good?  Yes.  It was extremely good and I’m considering buying a physical copy so I can write things in the margins.  This is actually really weird for me to do; in high school we occasionally had to turn our books in so our teacher could be sure we were writing in them Correctly, and I found it a little painful, but I did want to do it with this book. Would I recommend it?  Yes, if you’re up for a really depressing story about heroin addiction and poverty. 5 stars

White is the color of snow. Read a book that contains white in the cover. The Lathe of Heaven by Ursula K. Le Guin Did I like it? I definitely did.  I haven’t read much Le Guin yet for some reason, and while this did initially start off feeling exactly like just another ‘70s SF story where in the future we’ve solved all of psychology and it’s super mechanistic, it was really fascinating and surprisingly, unpleasantly prescient. Was it good?  I thought so!  There were some parts of it that were pretty awkward about race, from a 2021 perspective, but it does actually deal with race in a way that made me think “yes, that’s exactly what would happen as a consequence of this plot, and it would be horrible, oh no, oh shit,” and it is horrible. Would I recommend it?  I am not sure I would!  I would recommend it in like five years, assuming those five years are not much like the last five years.  Hoping and praying that those five years are not much like the last five, really.  The premise of the book -- which I haven’t explained, I realize -- is that in this near-future environmental dystopia, the main character can change things in real life by dreaming about them, and he would like to not do that, only he is put under the care of a psychiatric researcher who tries to play God.  So this poor man literally wakes up every day to a brand new dystopia and it felt... familiar. 4 stars

To snow someone is to deceive, persuade, or charm glibly. Read a book about a con artist, or read a book about deception. Empire of Deception: The Incredible Story of a Master Swindler Who Seduced a City and Captivated the Nation by Dean Jobb Did I like it?  I did.  I have joked that my own personal reading challenge this year is to fill up the Chicago shelf/tag on my Goodreads account, and this book was recommended to me in that spirit, and I always like hearing about a. Chicago; b. the 1920s; and c. con men conning people. Was it good?  The prose was fine; it was fun but I think the thing I appreciated most was all the punny newspaper headlines. Would I recommend it?  If you are someone who perks up at the sound of at least 2 out of 3 of the themes of “Chicago,” “1920s,” and “con men,” yes. 4 stars

2021 Q1 challenge: Changes (3/20)

Read a book that features:

The word "change" (Changes, Changing, or other variations) in its title. Weeds: How Vagabond Plants Gatecrashed Civilisation and Changed the Way We Think About Nature by Richard Mabey Did I like it?  It was all right.  I like hearing about plant history, and the chapter on plants unexpectedly surviving/thriving on battlefields and bombing sites was particularly interesting to me. Was it good?  It was okay, but kind of poorly-organized; there were chapter themes but it felt awfully stream-of-consciousness sometimes. Would I recommend it?  Maybe not unless you’re really into botany and Western anthropology.  (As in, the study of Western cultures; this book does not do much with other cultures.) 3 stars

The theme of money or money on its cover (loose change). Spinning Silver by Naomi Novik Did I like it?  I really, really liked it to the point that I feel kind of silly about it, gotta say.  I’m really, really hit or miss on the author’s work (both fanfic and profic) but the themes of this were perfect for me; Russian fairytales, a cynical but earnest sort of Judaism, creepy fairy abductions, interesting worldbuilding, and women coming together to help each other.  (Also some interesting enemies-to-lovers stuff that wasn’t really developed on the “lovers” side, which I would have dug.  Like its precursor, this book has a lot of f/f friends-to-lovers subtext and hostile canon het.) Was it good?  I don’t know?  I liked it enough that I genuinely don’t know if it was well-written. Would I recommend it?  I would, but I’m not sure you should trust me on this???  Again, this book really, really hit me in the id. 5 stars

An adaptation of its original format (book-to-manga, translation, etc.) Murder on the Rockport Limited! by Clint McElroy et al Did I like it?  It was okay, but not nearly as good as the original podcast’s murder train arc.  The art was good and all, but, eh. Was it good?  It was fine.  I’m not sure how into the DM/character conversations I am, and I found myself having to pause and reimagine the dialogue in the various McElroys’ voices, which wasn’t good because it meant I wasn’t automatically reading them in those voices in my head, which is a major litmus test I use when I’m deciding whether I want to keep reading a fanfic. Would I recommend it?  Definitely not as a standalone thing. 3 stars

The author's initials found in the word "change" Helen of Sparta by Amalia Carosella (in progress)

Separate book sections or part of a series of three or more books (make change) The Seduction of the Crimson Rose by Lauren Willig (in progress)

An author or character writing under a pseudonym The Maker’s Mask by Ankaret Wells (in progress)

A topic or character about which you feel differently now than in the past. La Belle Sauvage by Phillip Pullman

Changing one's mind about a life decision. A Tapestry of Magics by Brian Daley

Switching careers/jobs. The Goblin Emperor by Katherine  Addison

Relocating to a different city, state/province, or country. Fire Season: Field Notes from a Wilderness Lookout by Philip Connors

Cultivating new daily habits. How to Be Fine by Jolenta Greenberg and Kristen Meinzer

A character who shifts shapes or identities. The Lie: A Memoir of Two Marriages, Catfishing & Coming Out by William Dameron

Life changes due to age Two Old Women: An Alaskan Legend of Betrayal, Courage, and Survival by Velma Wallis

A medical transformation Specials by Westerfield, Scott

A life-changing experience. Going Clear: Scientology, Hollywood, & the Prison of Belief by Lawrence Wright

A changing household The Girl from the Other Side: Siúil, A Rún, Volume 1 by Nagabe

An action or phenomenon that transforms society or the world. Hard Times: An Oral History of the Great Depression by Studs Terkel

Replacing one thing with another (change out) In Vino Duplicitas: The Rise and Fall of a Wine Forger Extraordinaire by Peter Hellman & Charles Constant

Technological innovation Tubes: A Journey to the Center of the Internet by Andrew Blum

A game-changer. The Sleepwalkers: How Europe Went to War in 1914 by Christopher  Clark

Fanfic Reading Challenge recs (1)

I have a private checklist with the fanfic reading challenge data, but will not be sharing all of the fics; fanfiction is generally an amateur endeavor, and many people do not enjoy receiving (or stumbling across) criticism of their work.  Bad reviews are normal and accepted as part of commercial publishing, and professional authors (hopefully!) get paid for their work, so I’m comfortable criticizing published novels.  I would prefer not to publicly criticize someone’s writing when they are just writing for the joy of it, especially since some of the tasks require me to read first-time authors’ fics, fics with relatively low kudos counts, fics for ships I don’t like, etc.  So I’m only putting the recs here.

Romancing the Tome by Anti_kate Good Omens; Aziraphale/Crowley; ~40k words; rated Explicit Romance novelist Aziraphale Wilder is pulled from his carefully ordered life when his sister is kidnapped and held to ransom. With the help of antiquities forger Anthony J Crowley, he braves the wilds of Scotland to rescue her and keep a priceless book from falling into the hands of dangerous book thieves. Did I like it?  Yes!  It was cheesy and cute and basically what I want out of this kind of romcom AU fic.  I’m not normally into human AUs and this one wasn’t like, super deep or anything, but it was very fun. Was it good? I thought so!  The dialogue was great, I enjoyed the characterization, the sex was good.  I do think the Crowley in this fic is pretty self-loathing in a way that I don’t see canon Crowley being at all, but I have a weakness for that and I also think self-loathing works for a human version of Crowley.  One thing it doesn’t shy away from is Crowley doing genuinely awful stuff (instead of being a misunderstood woobie) and yet the resolution is sweet and lovely anyway. Would I rec it? Yes!  Go read this fic.  It’s fast-paced but long enough to be worth settling in to read, it’s funny, and it’s sweet. 5 stars

In Holy Matrimony by Myracuulous Good Omens; Aziraphale/Crowley; ~6.7k words; rated General From the private journal of Alisha Jones, wedding planner, concerning the nuptials of Anthony J Crowley and Aziraphale and the planning process thereof, containing an account of chosen decor, guest list construction, and the holy war against the Antichrist that nearly ruined six months of professional organization and a very nice dinner. Did I like it?  Yes!  It was extremely cute, and I always really like outsider POV.  I did appreciate the fact that poor Alisha definitely knew something was definitely weird, but kept telling herself not to question it because a gorgeous wedding with an unlimited budget and zero issues with scheduling, catering, guest limits, etc. is a great problem to have. Was it good?  It was pretty good!  The climax and wrap-up felt a bit rushed, mostly due to the limits of outsider POV, but I did enjoy Aziraphale unexpectedly embracing his inner groomzilla while also being unfailingly sweet about it. Would I rec it?  Yup, especially if you want wedding comedy/fluff and outsider POV

Wrong Turn by anticyclone Good Omens; Aziraphale/Crowley; ~38k words; rated Teen And Up Lots and lots of somethings are wrong. First, Crowley's nearly hit by a car. Then he almost brains himself tripping over new and excessive piles of books at the bookshop. To add insult to near-injury, Aziraphale starts throwing knives at him. Safe to say his day could be going better.

The thing that's the most wrong of all is the universe, of course. In this one there was never an Arrangement. Aziraphale and Anthony (they can't both be 'Crowley') aren't friends and they certainly never agreed to prep for Armageddon. Unfortunately, the end of the world is two days away.

So that's something Crowley really has to fix before they can figure out how to get him home. Did I like it?  Oh yes.  I had read bits of this on ffa previously, and also anticyclone is a good writer (and a friend) so like, I was expecting it to be good; I was not disappointed. Was it good?  Yes!  I was particularly impressed at how much alternate backstory is set up in little hints here and there, and then explained more thoroughly in ways that take the AU Aziraphale and Crowley by surprise when they do finally get to talking. Would I rec it?  Yes!  Especially if you like a nice dose of enemies-to-lovers along with your friends-to-lovers, and also the awkwardness of meeting your alternate universe self.

Finished in January, not for reading challenges (3 books):

The Way of Kings, book 1 of The Stormlight Archive, by Brandon Sanderson Did I like it? It was fine. Was it good? I think so.  I am maybe not the best audience for epic fantasy at this point, partly because I’ve read a lot of it and partly because I habitually read 3-7 books at once at any given time. Would I recommend it? Maybe, but I feel like most of the people who would enjoy it have probably heard of it already. 3 stars

Get a Wiggle On, a Good Omens fanzine Did I like it? Yup! Was it good? Mostly, although as usual with zines and anthologies, quality varies piece by piece.   Of the fics I particularly liked “A Head Above Water,” “The Grapes of Mild Irritation,” and “Concerning the Great Serpent Glykon and the Angel Clothed With the Sun,” all of which are now available on AO3. Would I recommend it? If you like snakey Crowley, yes. 4 stars

20,000 Leagues Under the Sea by Jules Verne Did I like it? Yes, very much!  A very silly thing I particularly liked (which unfortunately you cannot really replicate) is that the edition I have is an illustrated hardcover book from 1926 which I picked up cheap at a used bookstore, knowing I would like it because Jules Verne.  I didn’t think much about that specific date when I bought it, but I am now writing a fic set in 1926, with a character who has a habit of reading adventure novels and who I have specifically mentioned enjoyed Jules Verne in his childhood, so when I discovered the date the coincidence made me very happy.  The book itself smells very nice, it’s nice to hold, and as I was reading it I kept thinking about what Danny would think of the book, and whether he would try reading it aloud to Crowley, and wondering if the book smelled as nice in 1926 as it does now.  Maybe I will have Aziraphale give this book to him as a very small thank-you for all he has done to keep Crowley alive and well. Was it good? For the most part.  Jules Verne is prone to wandering off on tangents where he shows you his research, but I’m sympathetic to that, and there’s some really cool and atmospheric scenes in this book.  My favorite character was definitely Captain Nemo, who we don’t really learn much about.  Could have done without Conseil, the bland servant character who could be a naturalist in his own right, if he had any opinions of his own, or the period racism/imperialism, which unfortunately is so built into this kind of adventure novel.  But the environmentalism was a nice surprise, and you can definitely read some critiques of certain aspects of (Western?) culture at the time into Captain Nemo’s behavior; I have not yet read The Mysterious Island where Captain Nemo also appears, but I do get the impression a lot of people read him as being disgusted with imperialism. Would I recommend it?  Probably!  With the caveats above.  It was a good adventure story with some awesome visuals, and I kept thinking about what a pretty movie it would make with modern SFX, and how sad I would be that they would inevitably not spend just 3 solid hours on cool fish and interiors of the Nautilus and scenes of the lost city of Atlantis and Captain Nemo being very mysterious and dreamy scary, because they’d probably shoehorn an awkward romance into it. 4 stars

Finished in February, not for reading challenges (2 books):

The Deception of the Emerald Ring by Lauren Willig, book 3 of the Pink Carnation series Did I like it? I did.  It was a silly Regency romance novel with espionage elements, it is the third of a series I have enjoyed, and it contained an accidental/forced marriage to preserve a lady’s honor despite neither party to the marriage particularly liking or wanting to have anything to do with each other, and some misunderstandings about that.  Also spies. Was it good?  Not really.  It was fun and I liked the characters, but I don’t think the writing was of particularly high quality.  The handling of certain elements of English imperialism was not great, and bothered me enough to note it in my review on Goodreads. Would I recommend it? I’d recommend the series if it sounds like something you’d like; I might not recommend this specific book. 3 stars

The Light Brigade by Kameron Hurley Did I like it?  No.  It was very dark, and I did not enjoy most of the book.  A lot of it was because it was very gritty and grim, and because I frequently don’t enjoy military fiction; a lot of it was because many of the dystopian aspects of our present reality that came to a head in 2020 were magnified in the book.  Part of it was also that the protagonist’s entire reality and memory was being denied for much of the book, and I think it reminded me of being gaslit.  (This is not a criticism of the book, or some kind of weird accusation that the book or its author was somehow abusing me, I just have this personal history.  In fact, it turns out the main character is being gaslit to some extent, and the author writes it very well.)  It was a minor relief when she finally decided the stuff she was going through was real, and a huge relief when she was able to talk to someone who believed her. Was it good?  Yes, I think so. Would I recommend it?  Not right now, but I think this would be a good book to read at a time when the world feels more stable.  I don’t say this because I want you to wait until everything’s fine to read it; I say this because it feels like a good anti-complacency read. 4 stars (3 for not being an enjoyable read, 5 for the actual plot; it averages out.)

In progress, not for reading challenges (1 book):

Grandmaster of Demonic Cultivation by 墨香铜臭

[mrsdobrik]

CHAPTER 16:

A whole week had gone by since Y/n and David had talked about “it” and since that night David had been thinking about asking Y/n to officially be his girlfriend, nothing would change between them but he wanted to be sure they were both on the same page about their relationship.

They had been dating for almost two months at that point and every day they spent together was better than the previous one, if that was even possible. The past two weeks had been especially great, cuddling each other to sleep, reading Arabian Nights, eating chipotle, watching movies, eating chipotle again… life was simply perfect. 

You might be wondering if everything was so perfect why hadn’t Dave pulled the trigger yet, well because... everything was perfect and he was scared that things might change or that Y/n wouldn’t be ready to commit.

Just to show you how amazing things were going… that Sunday David opened his eyes to a big tray filled to the brim with his favorite breakfast foods and Y/n showering him in kisses. David loved the way she looked in the mornings, with her hair all messed up and her sleepy face. She was wearing one of Dave’s hoodies, this time it was the pink clickbait one. 

But that blissful moment was brief and in the blink of an eye Y/n was trying to escape David’s arms that were preventing her from leaving his bed.

“Nooo, I don’t want you to go!!!” David said still not letting her go.

“I know babe! But I need to leave or I am going to be late.”

“But I thought you said you weren’t working today.” He said pouting but finally freeing her. 

“I don’t have work but I have another commitment…” she said as she threw on a pair of jeans and changed the hoodie for a light airy white blouse. 

“Are you…” he started saying before stopping himself. “Nevermind.”

“What is it Dave? You know you can ask me whatever you want” she said looking puzzled at his attitude

“Are you seeing someone else?” He hesitated before asking. 

“Awww… you are jealous? You are so cute… babe…” she said before jumping on top of him and covering his entire face in kisses “no, I am not seeing someone else.”

“Well, then why do you have to leave? If it’s not work or another guy then what could be better than staying here in bed with me?” He said, pulling her to his chest once again. 

“Well… why don’t you come with me? Maybe I can show you where I go on Sunday mornings”

…

About 45 minutes later they had gotten off the bus (Y/n had insisted on them taking the bus) and arrived at an orphanage. 

“Ok, so… this is where I come every sunday. I volunteer here. I help kids with their schoolwork, cook for them, try to make sure they are getting everything they need.” Y/n explained to David as they walked up to the door. 

They hadn’t even rang when the door swung open and three kids that appeared to be between the ages of five and nine ran out and jumped on Y/n hugging her at the waist. She immediately bent down and hugged them all back. 

“Hey guys! How has your week been? Tommy did you finish your homework on time? Lucy how is Mr. Cuddles doing, has he recovered from his surgery yet?”

“Yes I did, I got a B” Tommy said. 

“He is better now, thanks for fixing him, Y/n.” Lucy answered.

“Who is he?” The other boy said pointing at David and eyeing him suspiciously.

“He is my friend David, he came here to spend some time with all of you today. And guess what, he loves superheroes too.” She said, still crouched down to meet his eyes and looking up at Dave for a bit. 

“Cool, we needed someone to be Captain America…” the little boy said looking at David. 

“I think I am more of an Iron Man” David said looking at the kid. 

“No, I am Iron Man, you can be Captain America or Hulk” Tommy chimed in.

“Fine,” David gave in “I’ll be Cap.”

“Go brave heroes! I’ll get started on lunch so you can have enough energy to defeat all the evil guys.” Y/n said laughing at the kids that were already taking David to choose his weapon for the epic battle that was about to take place.

The house was old and run down, the kids didn’t have many toys or clothes from what David could tell but the place was clean and filled with drawings and art pieces made by the kids. He played with the little ones as he peered over to Y/n who was now making lunch. 

“So you like… like Y/n don’t you?” Lucy, the girl from the door asked David when she caught him looking at her. 

“I…” David said not knowing what to answer. 

“Have you told her that you like her? Did you… kiss her?” She asked excitedly

“Puajj…” the two boys said in unison while making disgusted faces. 

“Why don’t we go back to playing superheroes?” David suggested.

“Are you a prince? Are you here to take her to live happily ever after like in the movies?” Lucy kept asking.

“Look! Thanos is about to attack our supersecret lair!” David said, causing all the kids to go back into the game and forget about the question.

…

“Kids! Come to the table, lunch is ready!!” Y/n yelled from the kitchen. 

All the kids run into the room taking their places at the dinner table. Everyone started devouring the food and an elderly lady came in carrying a baby in her arms. As soon as the baby laid eyes on Y/n she started stretching her little arms in her direction and Y/ gladly took her before introducing David and the lady.

“Dave this is Eleanor, Eleanor this is David. Eleanor is the house’s director.” Y/n said rocking the baby in her arms. “And this gorgeous little girl is Posy. Hi sweety! How was your nap?” Y/n said. 

“It’s a pleasure to finally meet you, I’ve heard great things about you!” Eleanor said to David. 

Y/n’s face was now blushing as they continued chatting. 

A few minutes later Eleanor joined the kids at the table leaving David, Y/n and Posy alone.

“So this is where you were going every Sunday?” Dave asked, looking at the girl.

“What do you think…?” Y/n said

“I think it’s amazing. I mean the fact that you have not one but two jobs and still make time to volunteer is just… wow”

“You make it sound a lot cooler than it is.” She said blushing slightly and looking up at him.

“I just play superheroes but you truly are one! I just can’t believe my girlfriend is so amazing.” He said just letting the word slip.

“Girlfriend huh… I kind of like how that sounds.” Y/n said looking straight at his eyes.

“Is that a Yes, I’ll be your girlfriend?” Dave asked.

“Sure, I don’t have anything else to do today so why not?” She giggled. She wanted to kiss him badly but seeing the kids at the table behind them stopped her. Lucy was hugging a stuffed bear, presumably Mr. Cuddles and looking straight up at them.

“What are you looking at, young lady?” Y/n asked, smiling at the girl.  

“Nothing!” the little one retorted giggling as she noticed she was caught. 

Once lunch was over Y/n helped the kids with their homework and David played Cap a little bit more. They stayed there the whole day and even read the kids bedtime stories before heading out.

They made their way to Y/n’s apartment and David said

“Today was so amazing, thank you for bringing me along. It’s a great thing that you are doing by helping those kids. You are so wonderful, you never cease to amaze me.” while pulling her close to his chest and planting a kiss on the top of her head.

“You were amazing too! You even played Captain America, when it’s obvious you are more of an Iron Man.” she giggled. “I love going there, those kids are just so great and they just deserve someone to help them, play with them and read them stories”

“I don’t think there is anyone better than you to do that.” he said before leaning in for a kiss. 

“My boyfriend is such a softie,” she said. Dave loooved his new title, he was ready for the adventure to continue. 

[sparklingpax]

Tales From Iacon - Part 2: Intentions

A/N: 

-Part one can be found here and I also have a wattpad where I’m posting updates as well as other stories! (user is @/kunixjiro)

-Idk if this was an appropriate title for this part but the idea was that they both had their own intentions and well....you can see how it turned out.

-Sorry if this is badly written (and for any typos, mistakes, weird phrasings, etc)

-Also sorry that this is long af O//O’’

-This part isn’t so fluffy ^^’’ But dw I promise I’ll resolve everything in time....anyway, hopefully nothing got too ooc or anything! Enjoy!! <3

///

It was no secret that Megatronus was a gladiator.

He was not ashamed or afraid to admit his purpose—to kill both beast and bot alike.

For the entertainment of the crowds, and in accordance with Cybertron’s corrupt caste system. 

            Such a life was a choice he’d made long ago, when he rose up from the mines and cast away the life of a meaningless energon miner. With it, he’d cast away a name given to him—a name which held no meaning anyway.

             D-16 was no more—he was Megatronus now.

///

            The wild cheering of the crowds invigorated Megatronus, fueling his drive to utterly mutilate the monster hulking before him. All he could think of was the desire to fight stronger and harder than ever before—to show off his power so he could bask in the glory of the hundreds all around calling his name.

             “Megatronus! Megatronus! Megatronus!”

               The deafening roar of the onlookers filled his audio receptors, causing Megatronus to grin wildly, and the injured monster to bellow in terror. It stumbled forward hastily, only for Megatronus to dodge and deal another blow with his sword. Much to the delight of the crowd, the beast cried out in pain and reared up to attack Megatronus again.

             There was no fear as Megatronus gazed into the black eyes of the beast, lit only with primal rage. They bored into him for only a moment before it shook its head and charged.

             Call my name! Call it louder—shout it to the skies, Cybertronians!  

             He stood in battle stance, breathing hard but not yet tired. Bright lights all around blazed down on his plating, making the grey and burgundy glow as silver and red. His optics were alight with a wild look, as if he knew the battle was over and victory was in his very grasp.

             Megatronus tossed away his shield, gripping the hilt of his sword tighter. He released a savage cry and charged right at the monster. Screams of excitements and fear sounded from every angle as he neared the gaping jaws of his opponent.

             The gladiator swung the sword and neatly sliced off half of the grey tongue that greedily reached out at him. The monster instantly recoiled, writhing in pain. Blue blood sprayed everywhere. The warm, sticky liquid showered Megatronus as he slid the weapon into its holder at his hip.

             He paid no mind to it, for he had known the tongue would bleed the most.

             Megatronus took a running leap off the dirt and landed on the back of the beast. With his own servos, he grabbed its snout and yanked it towards him, bending its neck backwards to injure it further. It tried to swing him off, but Megatronus stabbed his sword into its body. The crowd collectively shrieked with anticipation upon seeing the legs of the monster buckle beneath him.  

             Before it could scream in pain again, he vaulted off its body to the side, twisting its neck with a fatal, sickening crack. There was a brief, abrupt silence while the monster moaned more quietly, attempting to move. It crumpled inward with a low huff.

               A pool of energon gushed out from its wounds, soiling the ground around it as Megatronus backed away to watch it die. He grinned with pure delight—breathing heavily, limbs quivering with exhaustion—at his work. Only seconds later, the beast went totally limp.

               It was done.

             The volume of the crowd was loud enough to sound as if the whole of Cybertron had packed into the small stadium.

              Megatronus was victorious again.

             He felt pride and joy rush through him as he raised his sword and cried out to the masses before him.

              “I AM MEGATRONUS, KING OF THE PITS OF KAON!!!”

             “Megatronus! Megatronus! Megatronus! Megatronus! ”

             “I AM LIVING PROOF THAT ONE DECIDES HIS OWN DESTINY!!”

               Hundreds packed together in the seats raised their servos and shouted as loud as they could, amazed by the skill of the gladiator before them, and filled with inspiration. Megatronus felt something warm in his spark, for he knew Orion was one of the many voices.

               There was no disputing it now, D-16 was truly no more.

///

             Outside the arena’s seating, there was a dimly lit, blue corridor. Various clumps of bots milled around there. Some were making their way out from the seats, conversating excitedly about the fighting, or were making their way back in. Others stayed outside for whatever reason they had. A quiet murmuring filled the space, contrasting greatly from the deafening roar of the arena.

             Orion Pax had his back up against the wall, breathing hard. He tried to steady his breath, attempting to erase the images of the brutal murdering of that beast from his mind.

             He had never seen anything so violent in his whole life.

             Orion couldn’t bear it a second longer, hearing the crowd cheer hungrily for the monster to suffer more, and chanting all the louder for its death. All of it had felt so…wrong. For a second, he had wondered if everyone in there had lost their senses. Surely a society of civilized people wouldn’t bee chanting for the death of a living, breathing creature? Or will it to be tortured?

             And yet…they were.

             He had slipped out to regain himself a little, and decided he’d return to his place when the act was finished. At least, if Orion didn’t watch some of the real fight, he’d see the aftermath. After all, Megatronus had invited Orion as a…somewhat esteemed guest. It was only fair that Orion, too, should raise his voice to cheer his friend on.

              I’m here for Megatronus.

             I’m here because he invited me.

             I’m…here to…support him….

             His stomach turned upon thoughts of what he was doing to the creature at the moment. He heard a loud roar of pain and the noise of the crowd increased greatly. Orion shook his head and slid down to a sitting position.

              I’ll…I’ll wait here until it sounds like it’s over…or else….I just might purge…

///

             “So then, Soundwave,” Megatronus shook hands with the quiet mech and nodded. “I’ll be off. I’m meeting someone now. We can speak again tomorrow, if you like.”

             Soundwave nodded, then turned and left. Megatronus watched him go, interest dancing vaguely in his gaze.  

              What an interesting bot, being so quiet and yet saying so much.

              The gladiator was suddenly hit with a wave of exhaustion, and it seemed the adrenaline that had pushed him through the fight was finally fading. With a small grunt, Megatronus stumbled and fell against the corridor’s wall for support. To Megatronus’ frustration, his legs were tremoring a little. He let out a sigh, straightening again after a moment with a small wince.  

             I suppose I…expended a bit too much of my energy today…

             He still felt pride and joy in his victory.

             Even still, all my efforts were worth it. I stand alive once more.

             “Good evening, Megatronus!”

             Orion’s voice reached Megatronus before he sighted his friend at the other end of the corridor. Orion picked up pace and jogged down the hall to meet him.

             Megatronus immediately felt his exhaustion dissipate.

             Orion had seen the fight!

             He was eager to know what Orion had thought of it all. He knew it Orion’s first time seeing something as graphic and epic as this.

             But more than that, Megatronus was eager to know what Orion thought of him. Battle brought out his truest form, and that form was Megatronus’ greatest pride. Having somewhat of an ego, Megatronus knew that deep down, all he needed to keep going was some sort of praise.  

             After all, who wouldn’t? Validation is a beautiful thing, especially in one’s own art. 

             “Orion, it brought me much joy to know you could make it tonight!” He and Orion shook servos and greeted one another, then started slowly back up the hall so they could leave the building. Megatronus continued, ���How unfortunate you could not have seen me last week, when I, with great fervor, slayed—”

             He paused, sensing Orion tense up next to him and look away.

             Odd.  

             “Never mind. Anyway, you are usually too busy with your studies or your work. How is it that you came tonight?” Orion sighed.

             “My apologies. I hope to be a master archivist one day, and full commitment to my studies is essential for me to reach that goal.” He looked up at the sky speckled with thousands of stars and smiled. Shifting his gaze to Megatronus, who was listening intently, he nodded. “I did get time off tonight, though. I have Alpha Trion to thank for that.”

             Megatronus patted him on the back.

             They continued through the quiet streets of Kaon—well, the backstreets, to be specific. Megatronus knew how ugly the main streets could get with all the crazy bots running around at night. He wanted no part in it tonight as long as Orion was with him.

             And Orion is no fighter.

             “Megatronus, uhm…” Orion’s voice jolted him out of his thoughts. He looked a little nervous. He fiddled with his fingers for a moment before taking a deep breath. “I…I hope you can be patient with me.”

             “What?”

             “You might feel offended.” Orion tried elaborating. Megatronus, however, was not following. “I am only asking that if you are mad, that you don’t take it out on someone else…or that you can understand what my reasoning was.”

             Offended? It made little sense. Yet his friend remained tense, and would not meet his gaze. Megatronus immediately felt guilty. Have I said something wrong?

             “Orion, I do not understand what it is you refer to!” He picked up his pace, trying to think of changing the subject. He so desperately wanted to know about what Orion had thought of his battle with the monster!  

             “About the fight tonight…” Orion’s gaze dropped to the ground and he halted. Megatronus, who had walked a few paces ahead, stopped and turned. Oh, he read my mind. How funny; I was just about to ask!

              “Listen, Orion, whatever it is, I’m sure it’s not—”

              “I had to leave halfway through the fight. I…” He slowly lifted his gaze to meet his friend’s. As he’d suspected, the beginnings of frustration had already begun to spark into it. He mustered all his confidence to finish. “I waited in the hall because I couldn’t take anymore of the violence…or the bloodthirsty crowd. It…did not feel right at all.”

              An uncomfortable silence weighed on the pair.

              At last, Megatronus turned away and sighed quietly, breaking the silence. Orion felt guilt and embarrassment to the depths of his spark. He opened his mouth to say more, then thought it better not to. He figured Megatronus would have something to say to him.

             “So…that’s it?” Disappointment was fully evident in his voice, causing Orion’s spark to twist more. Megatronus turned back to his friend and moved closer. His hands were folded behind his back. Orion swallowed.

             My intentions were to be honest, but I fear I have taken an imprudent course of action…

             Orion decided not to voice the thought. Instead, he quietly responded, “Yes.”

             “I would be lying if I didn’t tell you that I’m…very hurt, Orion.” Megatronus kept his voice level as he gazed into the archivist’s eyes, yet Orion could still hear dejection in its tone.

             He realized he had to fix this.  

             But how? What do I say? Orion Pax, you foolish child!! He scorned himself internally.

             “I am sorry, Megatronus. I understand that words will do no good, but for the moments I was there, your courage in the face of the beast was admirable.” Megatronus looked away. Indignance and annoyance welled up inside him.

              He’s probably making it up.

             “And that is the honest truth.”

             Orion looked earnest.

             He also looked and sounded guilty.

              Is it? Or are you telling me what I want to hear? Why did you come if you knew you couldn’t stand violence and a crowd’s wildness? Orion, you anger me…or rather…

             Megatronus then remembered his friend’s quiet plea for peace and patience beforehand. To lash out at him would wound their friendship forever, and give Orion the wrong impression of Megatronus. All that aside, Megatronus realized he…felt no anger towards his friend. The heated emotions faded, quickly replaced by pangs of rejection.

             …such is my fate, being a lower-caste bot raised in blood, darkness and cold steel. Of course Orion does not find it beautiful, and I should not have forced him to witness such things.

             It seemed they would have to allow time to do its work.

             Megatronus began to walk away, saying nothing more. Orion called after him, but received no reply. His friend disappeared into the shadows of the night, leaving Orion feeling guilty and ashamed.

              I won the battle, but I now feel…defeat.

              Megatronus felt exhaustion creep back into his limbs.

///

             On his way out of the city, Orion paid no attention to the tranquil, moonlit nature around him. He was instead lost in thought.

             Had I said nothing, I’d have lied.

             He shook his head.

             I can’t lie. I won’t lie. I know it would have come out eventually, and he would still be hurt. 

             A pang of sadness twisted his spark again. 

             Why couldn’t I bear it even for his sake? It is because I do not understand it that I fear it, I know. But...it is his joy...his art....and I was not there for him.

             As he reached a train station, Orion still did not have any real thoughts in mind as he punched in the location for his ticket.

             When the train arrived, Orion boarded and sat by the window.

             I realize now that my intentions were faulted. It would have been better to stay quiet, becuase then I would not have hurt him.

             He closed his eyes.

             Time will have to heal this wound.

[serene-faerie]

21st Anniversary of The Prince of Egypt

To think this movie is already 21 years old (fun fact, this movie came out the date before my birthday, in the year after my birth), and it’s such a beautiful masterpiece!

To celebrate, here’s a list of my favourite moments in no particular order:

1) Deliver Us- This song is perhaps my most favourite song in the whole movie. It’s epic, bitter, and the music is so rhythmic as it captures the suffering of the Hebrews and sets the tone for the rest of the film. There’s also the brief glimmer of hope it offers when baby Moses is found by Queen Tuya, who immediately takes him in after being completely charmed by his adorableness, and Miriam’s lovely reprise of Yocheved’s River Lullaby. And of course, we cannot forget Ofra Haza’s amazing vocals as Yocheved, especially with how she sings in Hebrew in her introduction. She had such a divine voice, and she shall be missed forever. 

2) The Plagues- Of course, this song will also be one of my favourites as well. The emotion in the music, the way the choir sounds so intimidating as they sing lines like “I send the thunder from the sky, I send the fire raining down”, it truly conveys God’s wrath, all while underscoring the turbulent emotional conflict between Moses and Rameses. Hearing the pain in Moses’ voice as he’s forced to watch the Egyptians suffer, and hearing the bitter anger in Rameses’ voice as he remains stubborn to Moses’ pleading... this song is truly a masterpiece. It also really shows how human Moses is. The Old Testament never really shows Moses feeling any remorse for the suffering that the Egyptians go through, but this movie makes Moses so human, so much more real, and shows how he still cares about Egypt, even as he’s trying to free his people.

3) The Return to Egypt- I love the music that plays during Moses and Tzipporah’s journey back to Egypt, especially with the additions of Ofra Haza’s beautiful vocals that underscore the suffering of the Hebrew slaves. And that determined, serious expression on Moses’ face as they near the palace just makes him look so badass, especially when he and Tzipporah enter the palace and make their way to the Pharaoh. I especially loved the festive undercurrent of that particular section of the soundtrack, with Moses and Tzipporah walking with determination into the great hall as the people look at them in surprise and suspicion, all while the dancers are dancing before the Pharaoh. It’s quite a phenomenal scene, really heightening the tension to reveal the Pharaoh upon the throne as Rameses, upon which the music ends. It’s such a determined, badass scene that I just had to include it here.

4) Look Through Heaven’s Eyes- After Moses has lost everything he’s ever known, after his entire life has been destroyed, he feels so unworthy of honour and praise. But with Jethro’s patience and kindness, the help of the Midianites, and the support of Tzipporah, Moses rebuilds a brand new life for himself as a shepherd. It’s such an uplifting song with beautiful lyrics that encourages us to look at our lives in a different perspective, that we all have meaning within us, we just have to find it. And really, it’s so wonderful to see how Moses learns and adapts to a new way of living, how he makes new friends, and of course, how blissful and happy he is after marrying Tzipporah. Plus, seeing Moses and Tzipporah falling in love is super sweet. Ultimately, it’s a song that I’ve now taken to heart, and will remember if I’m ever stuck in a rut.

5) The Burning Bush- Who can ever forget this scene, when Moses meets God? Oh my gosh, it is such an amazingly powerful scene; from the wistful music that plays when Moses discovers the burning bush to the way the bush flowers after God speaks to Moses... I really have to hand it to the filmmakers; they’ve successfully managed to capture the powerful and almighty presence of God. I love how God chastises Moses for questioning Him, then immediately comforts Moses like a loving parent, promising him that He will be there with him, just like any parent would say. It truly is a wonderful, amazing scene that’ll always leave me breathless. Also worth mentioning is the moment before, when Moses gives Tzipporah a kiss in the morning, and after the scene, when he picks Tzipporah up and twirls her around a bit. It’s so sweet and touching to watch, and they’re just so believable as a married couple!

6) The Hieroglyph Nightmare- Despite how dark and horrifying the whole nightmare sequence is, I really love the animation in that scene. Seeing the events of the beginning from Moses’ perspective in the style of hieroglyph paintings is really impressive, but it’s also so chilling to actually see the soldiers tearing babies from their cradles, from their mothers’ arms, all while such terrifying music plays in the background. Every time I watch that scene, I get chills down my spine when I hear the screaming of the mothers and babies that underscores the scene, and then Moses seeing his biological mother sending him as an infant in the basket always pulls at my heart. And the inclusion of the sun disk, Aten, is quite a clever way of showing that God sent Moses the nightmare in a way he understands.

7) The Chariot Race/Moses and Rameses’ Bond- Honestly, this is what really made me love this movie’s portrayal of Moses. As someone who studied the Old Testament in high school, this scene really offers a unique, refreshing portrayal of a Biblical character. I haven’t seen too many Biblical movies, but most of the time, Moses has always been portrayed as old and serious, especially when he returns to free the Hebrews. Seeing Moses portrayed as young, handsome, mischievous, and playful really makes him so much more human, especially when we see how close he and Rameses are. This movie shows that Moses has fond memories of his upbringing in Egypt, and that he truly loves and cares about Rameses, which makes it so much more painful when he’s forced to be enemies with his adoptive brother. And his close bond with Rameses is truly one of the sweetest parts of this movie, especially when Rameses bear-hugs Moses in front of the entire court, which makes the gradual destruction of their brotherhood all the more tragic.

8) The Parting of the Red Sea- Apparently, it took the animators two years to do this scene, and it really shows. It’s so epic and gorgeous to watch, and the passage of the Hebrews through the partition was so amazing. I love how we saw the whale shark being illuminated through one of the walls of water; it truly adds to how majestic this whole scene is. On an emotional level, seeing Aaron being the first one to encourage the Hebrews to cross, and putting his faith in Moses, it’s quite a touching moment. And on a nightmare-fuel level, watching the walls of water collapse and drown all the Egyptian soldiers while pushing Rameses back to the shore is truly terrifying. Honestly, this is another scene that really shows God’s wrath and cruel mercy, and will always chill me whenever I watch it. It truly is a spectacular, sublime moment in this movie.

9) When You Believe- This song is truly a beautiful, touching piece of music, with incredibly uplifting lyrics, and for it to come after one of the most darkest and saddest moments in the movie, I find it quite fitting, actually. Despite the fact that Moses has officially lost Rameses for good, he’s finally succeeded in freeing his people, even though it has come at a heavy price. While Rameses giving Moses permission to leave Egypt with his people was such a bleak and despairing moment, this song offers a glimmer of hope in the darkness. In addition, the children singing “Mi Chamocha” was so sweet, especially as we see how the Hebrews gradually become more cheerful once they realize that they’re free for real. It goes from being sorrowful and tentatively hopeful to triumphant and optimistic, and it’s such a beautiful scene to watch. And of course, Whitney Houston and Mariah Carey’s version is truly the best as well.

10) Playing With The Big Boys- This song is quite a scary song, but it’s just such a cool scene to watch as well. I love the rhythmic invocation of the Egyptian pantheon, especially with how ominous the music is. But I also love how it shows a sharp contrast between how Moses invokes the power of God and how the priests invoke the power of their gods. Moses didn’t need any theatrics or magic tricks to turn his staff into a snake, while the priests literally use smoke and mirrors and elaborate rituals to turn their staffs into snakes. And the fact that the song ends with their snakes being consumed by the snake from Moses’ staff really foreshadows just who ends up winning in the long run, making it quite a good song. And plus, I also like to read the YouTube comments on this particular song, they’re just hilarious.

And those are my top moments of The Prince of Egypt. Of course, it’s an incomplete list, but this is all in no particular order, since I just love the whole movie so much. So happy anniversary to this beautiful, wonderful movie!

[inspector-montoya-fox]

#12 - He Who Tames The Iron Horse

Setting: what a fucking interlude of an episode. but it’s all good. after the absolute shit-show that were episodes 2 to 4, who can blame lil’ ol’ He Who Tames The Iron Horse ? this episode feels super brief and i think that’s because some of the missions feel more major than others due to the fact that the gang steals Clockwerk parts throughout. every time the gang hijacks an iron horse, it feels like a mini operation. lemme refer to my fav post by @designraccoon​ which i so often refer to. He Who Tames The Iron Horse is the first level in the series to take place during daytime. and that makes so much sense because the previous 4 levels have been an absolute epic. so the player is rewarded with an episode which leaves all the doom & gloom behind and shifts focus onto happiness. in terms of narrative, this episode is probably the gang’s best outing. as Sly says at the end cutscene The Gang and I had pulled off the impossible. We'd successfully robbed all of Jean Bison's Iron Horse trains and we were walking away with three, count them, three, Clockwerk parts. And as a bonus, we shut down spice distribution in all of North America. yeap. pretty great stuff for the gang. Carmelita is back in the fold, almost all of the Clockwerk parts have been retrieved, and it’s freakin day outside man, what else do you want. the environment is so serene and beautiful despite the killer bears and blood-hungry eagles. and everything just blends together with this pastel baby blue colour. similar to Sly 2′s previous episodes, the environment goes hand-in-hand with the narrative’s mood. the gang’s success and laid-back attitude is reflected in the nature’s peacefulness. due to the shift in narrative there’s not much to say. the overall story is obviously taking a high after a major low before taking another major low (which the game had the balls to end with). as i’ve mentioned, the player is rewarded: nothing is too serious and the missions are all bombastic and fun. i know most of y’all love Spice in the Sky, and then you get to kidnap baby bears with Murray, or jump on trains while they’re going full speed. maybe the gang shouldn’t be too cocky with their success and luck because as we know, things soon take a turn for the worse, but do you blame them? they’ve been through so much. they deserve a nice vacay in the Canadian wilderness.

Characters: this shift in mood directly results in Jean Bison’s large absence from the episode. in retrospect, He Who Tames The Iron Horse’s biggest obstacle is Carmelita, the trains, maybe Neyla or the bears - not Jean Bison. and it’s interesting because right from the get go, SP drops a huge chunk of info on us. essentially, while Jean Bison and Arpeggio are scheming and plotting the world’s destruction, their presence is reduced to almost nothing. i’m aware that Rajan and the Contessa also didn’t show up that much in their first levels, but somehow that felt different. when plotting to steal the Clockwerk wings, the plan included destroying Rajan’s party which led to his big time grudge against the gang. when plotting to break Sly and Murray out of prison, that felt more personal because of what the Contessa had done to them. whereas here, sure the iron horses are something personal to Bison, but he’s a complete stranger. he only appears at the beginning for that significant dialogue and then very briefly at the end, when he’s in one of the trains. this is good because, without Bison’s monstrous presence looming over the gang, the episode naturally orbits around them and their mass success. it’s not to say that the gang underestimates him. more like ignores him. as we’ll see in Menace from the North, eh? SP plays up Bison’s savagery and gruesome nature by spotlighting how his plans affect the environment and even going so far as to call his house ‘the lair of the beast’. but for now, Bison’s put on hold. i also want to touch on our mains, meaning the gang and Carmelita. after taking down the Contessa, both seem to have risen to the top. zenith. for the gang, confronting their inner demons and being separated leads to an increase in group missions. hijaking the trains requires all three members, Murray and Sly team up in Spice in the Sky, etc. and again, this is a honeymoon phase. everything seems to be rolling smoothly and this newly found cooperation seems to be working best, which will later on save their asses in Anatomy for Disaster, when it won’t be “honeymoon time” anymore. He Who Tames The Iron Horse seems to be a reminder that the gang works best when they work together. as for Carmelita, she might still be exiled from Interpol, but after escaping from the Contessa, she’s trying her best to keep afloat. i mean, i don’t want to say that she’s accepted the status quo, but at least she’s trying to bust the gang as proof that she’s clean. she’s emotionally back in check, which is amazing, sweetie.

Themes: a hard one. after lots of thinking i’ve come up with speed theme. this is presented via the trains and how they play a key role in this episode, but also how they reflect the good time the gang is having. time flies when you’re having fun, and the gang is having a blast. the smile on Sly’s face during the end cutscene says it all. as i’ve said, this episode feels super short. the gag and the player are enjoying themselves so much that it’s soon over. for such a chill episode, He Who Tames The Iron Horse sure seems to divulge in acceleration and the occasional adrenaline rush. battles on moving trains, getting chased by bears, eagles and Carmelita. again, SP manages to blend two major elements together to create stark contrast. the serene Canadian atmosphere is complete with shallow waters, thin ice and fluffy snow. in antithesis, most of the missions are frenzied and have high stakes, like exploding hot air balloons and wild bear attacks. but other than that, i’m stumped. like, the main thing about this episode is its serenity, but that’s less of a theme and more of a characteristic about the narrative. so yea.

What I Like: oh SP knew. they knew how every. single. person. playing the cottdamn game would want to glide off from the top of that central mountain. so they added a treasure there too. brilliant. bRILLIANT ! also in this episode, Neyla looking completely badass when she flies in out of nowhere on a freakin hover jet i don’t even know what that shit is, like something straight out of Star Wars. like that moment made me a straight furry for a sec or something. Carmelita and Murray’s exchange while she’s holding him hostage is gold too (jellybeans!!!). and lastly, that cute lil’ orange snow plow thingy carrying the guards inside. it’s so cUtE !!

What I Don’t Like: that fucking mole guard. you know which one.

Quote: Bison, you covetous troglodyte. You've already got the lion's share of the parts. or I'm grateful for the jellybeans and all but aren't you on the outs with Interpol right now?

[brindaneer]

Inspiration and positivity are what the entire human race is in dire need of during these uncertain times. The present blog acquires additional importance for us because the film it deals with is possibly one of the most motivational motion pictures produced by the Hindi movie industry in the past few years. Penned by the inimitable Javed Akhtar, and directed by Farhan Akhtar, Lakshya showcased the progression of Karan Shergil from an aimless, albeit good-hearted soul drifting through life into a dutiful officer of the Indian Army. Karan's path of self-discovery was not merely an entertaining watch; it was also about the vital role that initiative and determination could play in our lives. Thrown in the midst of a world pandemic after a hundred years, most of us have lost these amazing qualities up to some degree at least, which is probably why pondering over this film in particular seems to be a productive job at the moment. Ironically, a film that several people have drawn inspiration from over the years (people had actually joined the Army after watching Lakshya) had been declared a 'box-office flop' during the time of its release. In that aspect, Lakshya resembles classics like Kaagaz ke Phool, Mera Naam Joker, Pakeezah, Jane Bhi Do Yaaron, and Andaaz Apna Apna, all of which failed to take the box-office by storm, but went on to obtain cult status among viewers later. Astounding? Definitely. Great films sometimes fail financially without rime or reason and unfortunately, the same fate befell Lakshya.

At its core, Lakshya was Karan's story and not a war film. The war and Indian Army provided a perfect setting for Karan to find his true calling. Nevertheless, intricacies of the Kargil war along with the destruction, desolation and pain that accompanied it, and which are also inevitably associated with all international armed conflicts in general, were far from being neglected in the story. A great writer is able to strike a balance between various dimensions of a plot without compromising on his actual intention, and who better than the legendary Javed Akhtar to achieve that? He was complimented by his talented son, the captain of this ship, who ably steered the film into a direction his father had envisaged while writing the script. Karan's metamorphosis from a lazy, casual college-going boy, perpetually confused about what he really wanted to do with life into a mature and responsible man was laced with humour and drama in equal measure, a strategy Farhan had previously employed while depicting Akash's journey in the epic 'Dil Chahta Hai'. Yet, the real genius lay in how different these two journeys actually were. Nobody could accuse Farhan of repeating what he had already done in his debut directorial venture.

Moments such as Karan listing his engagements of the day to Romi's (Preity Zinta) father upon being asked about his future plans in life and then literally hijacking that man's opinion on the importance of giving the best, no matter what the job was, to pacify his own father were examples of the witty humour we were talking about earlier. Of course, the actors took these scenes to a different level altogether. Hrithik’s delivery of ‘Main ye sochta hoon Dad’ after Karan had just rattled the ‘achcha ghaas kaatnewala’ lecture, and Boman Irani’s (Karan’s strict father) poker faced ‘Thik sochte ho’ in return have never failed to elicit roars of laughter from viewers till date. This wit pervaded most of the film’s first half as Karan continued his antics- the expression of his eternal confusion through the iconic ‘Main Aisa Kyun Hoon’ (apart from displaying Hrithik’s insane dancing skills through the choreography of the one and only Prabhu Deva, this sequence also aptly conveyed Karan’s inherent dilemmas), his decision of joining the Army only because another friend had promised he would come too, his disappointment upon being dumped by that friend, his ‘unconventional’ marriage proposal to Romi and his characteristic callousness as well as indolence even during his stint at the IMA were hilarious to say the least. Hrithik’s comic timing was pitch perfect in every scene, and perfectly suited for the nuanced, elegant genre of comedy that the script had aimed at.

Just when we thought Lakshya was a hoot, Farhan introduced the dramatic element in it; and he did so with such subtlety and ease that the ensuing sequence of events seemed to be the only natural course for the film to take. The scene where Karan fell into the pool by sheer unmindfulness during one of his drills and got punished by his commanding officer was somehow able to generate a strange mixture of sympathy as well as laughter amongst the audience and proved to be one of the watershed moments in Karan’s story. Hrithik’s masterful portrayal of humiliation as Karan knelt in front of his fellow cadets engendered such palpable discomfort within us the first time that re-watching it remains difficult even now.

The Karan that emerged on the other side of this event was somewhat different. Staying true to his fickle-minded nature, he jumped the wall of IMA and fled home. Nevertheless, regret could clearly be observed on his countenance as he sat with his parents, head bowed in shame, forced to accept defeat in front of his father- a man, who had always underestimated him. The grievance in his eyes upon over-hearing Mr. Shergill's unfavourable opinion of him hinted not only towards Karan's underlying strong ego, but also revealed his latent desire to prove himself. The hurt ego, along with his heart, was eventually completely shattered when the one person who had genuinely believed in him refused to be a part of his life anymore. Romi, played by Preity Zinta with her usual vivacity and boldness, broke up with Karan at the same place where she had once agreed to marry him because he had failed to live up to even her expectations. For Karan, someone who had probably harboured feelings of inferiority ever since childhood because of incessant comparisons with his brother, this became the ultimate betrayal. As viewers, it was our interpretation that he never really understood Romi’s point of view; he only attributed one primary meaning to her actions- her belief in his worthlessness. Looking at this entire sequence from a neutral perspective, one might say that both Karan and Romi deserved some empathy from each other. Karan’s lack of conviction in everything he did naturally upset Romi to a point where she could not imagine spending the rest of her life with him. Can we really blame her? As far as Karan was concerned, he had to bear rejection from someone, who, he had hoped, would never judge him like his dad. Before this, he had been able to bear the brunt of his father's expectations because of the security that his relationship with Romi provided him. However, when she pushed him away, he truly hit bare ground, with no one to break the fall. The scene that followed the break-up will possibly remain one of the best pieces of emotional acting in Hrithik’s career forever. As easy as it might seem, crying your heart out on screen can actually be very difficult in practice. Hrithik obviously nailed the sobs, but more importantly, he conveyed his character’s rancour towards Romi most effectively through the unspoken hurt in his eyes, thereby suitably justifying the transition Karan would undergo next.

With no comfort zone left for him to turn to, Karan did what his parents, especially his father, and Romi had always wanted him to do. He grew up. He could have sulked like a petulant child and continued to live a directionless life like he had done previously. Instead, he chose to prove himself to Romi and made that his life’s goal. Ironically, Romi had disapproved when he insisted on joining the army earlier because she felt he was doing it to rebel against his father. But this was a different Karan. He was not rebelling anymore. He was trying to show Romi that he could be much more than what everyone thought about him. Sub-consciously, it was not just she who was the reason for this transformation; rather, it was both his dad and her.

Karan’s second stint at the IMA provided viewers with some of the finest moments in the film. His dedication towards learning and training, initial isolation and finally, amalgamation into the student community were fascinatingly depicted through the brilliant title song ‘Haan yahi rasta hai tera, tune ab jana hai, Haan yahi sapna hai tera, tune pehchana hai, tujhe ab ye dikhana hai......Roke tujhko aandhiyaan, ya zameen aur aasmaan, payega jo lakshya hai tera....Lakshya ko har haal mein paana hai’. Now, let us take a brief moment to acknowledge the terrific music by Shankar-Ehsaan-Loy which truly set the mood for the film. This song in particular struck a chord with us because of the simplicity and eloquence with which it expressed the inherent message of the story. The picturization was top-notch with several nuances throughout. Few moments stand out even now such as Karan passionately screaming ‘Dhawa’ during his drill, something he had been completely casual about earlier, Hrithik’s unflinching eye-contact with the CO who had previously punished him indicating that Karan was a changed man now, and Karan’s increasing camaraderie with his batch mates.

The song was followed by two important sequences, superb for the understated nature in which they expressed first Karan’s unspoken resentment towards his father, and then, his blatant grievance against Romi. In the first, Karan’s mother informed him that his dad had wanted to attend his graduation ceremony but could not ultimately, and in the second, Karan himself called Romi to inform her that he was finally a lieutenant of the Indian Army. At this point of time, talking about Hrithik’s acting probably seems redundant. So, we apologize for the redundancy (What? Did you think we would stop talking about it? 😱😱). Karan’s casual brushing away of his mother’s statement about Mr. Shergill conveyed volumes about how he had ceased to expect anything from his father; it also revealed the disappointment he felt, courtesy of Hrithik’s amazingly layered performance. Similarly, his delivery of ‘Saare faisle tum nahin kar sakti Romi’ was spot-on. It was optimally hurtful, just like it was supposed to be.

As his job brought Karan to Kargil, Ladakh, and he met his commanding officer, Colonel Damle, played to usual perfection by the enigmatic Mr. Bachchan who managed to captivate the audience completely during the few brief moments he had in the film, as well as other colleagues, the lines between proving himself to the two important people of his life and finding his true ‘Lakshya’ began to blur. By his own confession, he had never thought about the significance of being an ‘Indian’ until his senior colleague Jalal Akbar (a brilliantly natural Sushant Singh) took him to the border (pretty prophetic that Hrithik himself went on to play a different Jalal Akbar later in his career, right?). In all honesty, a considerable section of the audience probably felt the same too. The stunning Trans-Himalayan locales shot so artistically definitely added to this feeling, although any border area is usually capable of engendering such thoughts. The landscape of Ladakh has a strange haunting quality about it, and that played a substantial role not only in making the film a visual treat but also metaphorically with respect to Karan’s journey.

As he truly began to love his job, Karan realized that he was finally ready to let go of his ego as far as Romi was concerned. Unfortunately, Romi, after a lot of thought, and pining for Karan, had decided to move on with life, much to Karan’s shock and dismay. The scene where he stood outside the venue of her engagement and watched her laughing with her fiance was one of a kind for the lack of melodrama that usually accompanies such sequences. Its speciality lay in the director’s nuanced handling of emotions and the actor’s terrific portrayal of subtle poignancy.

Run down and broken by the trials of his life, Karan returned home to his parents, only to receive news that his leave had been cancelled, and that he was urgently required to return to base. The moment where he bid goodbye to his parents was the first time when his father openly expressed love and concern for him, although not exactly in those words. The visible tension on Mr. Shergil’s face as he lost his cool and asked Karan to tell the complete truth was a testimony to his worry for his son who was about to go to a border area amidst serious disturbances. The part where Karan hugged his mother and left with just an uncomfortable glance towards his dad was another of those amazing subtle moments which characterized Farhan’s direction for this film. Hrithik’s discomfort and Boman Irani’s disappointment were both heart-rending to watch and as a viewer, one really wanted to reach out and give both of them hugs. A special thanks to Farhan and whoever was in charge of casting for signing Boman Irani in this role. Hrithik and his scenes were like mini acting classes that aspiring actors could take tips from.

Sometimes, it is difficult to get on with life, more so after losing one’s love forever like Karan had, but military training had instilled a sense of duty and discipline in him that was impossible to ignore. Of course, he had already begun to find a deeper meaning in his life through his job, especially after spending time with his superiors and colleagues. And, so he marched on. Had Romi seen his sense of responsibility even during a time when his personal life was in turmoil, she would have been proud. However, the realization that this was his true calling was probably yet to come to Karan. It did, in phases as he learnt about the war situation from Colonel Damle, and then embarked upon it.

If two people are destined to meet, even the universe conspires to bring them together. The same thing happened with Karan and Romi as they crossed paths unexpectedly in Kargil, of all places. The scene where they saw each other amidst a convoy of army vehicles is absolute poetry. Kudos to Preity for being so natural with her expressions always; she was brilliant in every scene, and especially here as Romi’s eyes changed from pure surprise on finding Karan there to a subtle melancholy and probably hope ( ?) at the thought of their future interactions. Hrithik, as usual, was spot-on with Karan’s ‘seeing a ghost’ expression as he moved past her, without getting an opportunity to satisfy his curiosity regarding her presence there.

Their next exchanges were laced with intense angst, but not of the typical Bollywood kind, rather much more controlled and nuanced. The part where Karan, after knowing about the demise of his good friend Abir (from the IMA) found his other pal Saket (Abir’s closest friend) venting out at Romi requires special mention because of the seamless manner in which it shifted from a discourse on the necessity and morality of war to a fantastic interaction between the lead couple, their first face-to-face conversation since the break up. It was formal, yet intimate; mundane, yet special; filled with hope for more on Romi’s part, and discomfort as well as suppressed anger on Karan’s. This scene was followed by his a little mean ‘pata nahin’ when Romi asked him if he had decided whether they should meet or not, and his angsty ‘congratulations’ for her engagement. Of course, the poor guy had no idea that she had broken it off after finding out that her fiance who was apparently a highly motivated successful individual was also a narrow-minded chauvinist. The irony of life! Once again, kudos to the genius of Farhan Akhtar. Without even mentioning it, he managed to point out the difference between Karan and Rajeev, and it was clearer than ever why Romi loved Karan. Remember ‘Maine aj tak tum mein koi choti baat nahin dekhi’ ? However, Romi obviously did not explain the truth to Karan. It was truly frustrating at times to see these two souls so much in love with each other, and yet unable to let go of their stubornness. Nonetheless, the frustration could be borne because of the brilliant intensity of their scenes and the wonderful chemistry these two shared. Truly, we do not talk enough about Hrithik and Preity’s amazing on screen bonding. We really should!

Karan eventually found out about Romi’s broken engagement from a letter his best friemd Ashu had sent him a while back. Hrithik’s expression of shock portrayed the extent to which the news had unsettled Karan. Incidentally, just when love had given him a second chance, Karan encountered death more closely than ever. After an initial victory during the first battle (the one in which he had saved the life of a senior officer, and killed opponents for the first time; also possibly the one where he began to realize that serving his country had started becoming his passion), Karan and his battalion were massively defeated in the second and several lives were lost, including his close colleague, Captain Akbar’s. The scene where Akbar succumbed to his injuries in front of his best friend, Dr. Sudhir (played by the late Abir Goswami, may he rest in peace too) who tried desperately to resuscitate him while motivating the gasping man with remarks such as ‘aam khane jana hai na’ can make people cry anytime without manipulating their emotions or forcefully tugging at their heartstrings. In fact, this was true for every battle sequence in Lakshya, which made it one of the best war movies Bollywood had ever made. Notably, the script treated every character with sufficient respect including even the ones who had screen times of just a few minutes. Everyone had a well-crafted story arc, however small it might be but integral to the movie. Most importantly, not for one second did we feel that Karan had taken up the screen space of others.

The best example for this was provided by the great late Om Puri ji, who played the role of Subedar Pritam Singh. Of course, if you have the privilege of casting an actor of his calibre, your can rest assured of the outcome. Acting is at its best when it does not feel like enactment, and not many actors are more natural than Om Puri ji! Appearing on screen for not more than four to five scenes, he delivered some of the most profound dialogues in the film. He explained to Karan how a soldier knew better than anyone about the destructiveness of war; yet he had no other option but to be a part of it. When Karan asked why wars took place, he pointed out that human greed had drawn boundaries upon the earth’s surface and if it were in their hands, men would partition the moon too. How true it rings, especially now. People are actually talking about ‘making life interplanetary’. If it ever happens, countries are going to fight about demarcating territories there.

Moving on! Excuse the length of this blog please! A film like Lakshya has so many subtle intricacies that it becomes impossible to leave out scenes. But don’t be impatient please. We have almost reached the end of our ‘Lakshya’. A few sequences still deserve mention. First, the iconic ‘Tum kehti thi na Romi meri zindagi mein koi lakshya nahin hai?’ The defeat accompanied by the loss of close friends and colleagues had augmented Karan’s determination to win but our hero had also finally discovered his passion, his true calling. In moments when such epiphanies occur, is there anything else left to do other than crying? Probably not. That was exactly what Karan did. As usual, Hrithik’s performance elevated the quality of this scene, like so many others. The part where Karan pledged to Colonel Damle that either he would execute the mission successfully, or he would not come back alive was again equally impactful because of both Hrithik and Mr. Bachchan. The way Colonel Damle looked at his officer after this momentous declaration conveyed the immense pride, gratitude and grief he felt at that moment. Truly, Mr. Bachchan needs no dialogues to express emotions. His eyes do it all. And the same is true for Hrithik too.

Now, its time for our favourite scene in the movie. You guys must be thinking that we agree on everything. Well, we do agree a lot, but disagreements occur too. However, there was no disagreement on this one. We think its a lot of other people’s favourite too. You are right! We are talking about the scene in which Karan called his dad. This was on the night before the final mission- a mission that was near suicidal. Upon seeing his colleague Vishal take off his engagement ring and put it in an envelope, Karan finally acknowledged what he was running away from; something that he had buried deep down in his sub-conscious- his conflicted emotions towards his father. The knowledge that he might no longer be alive for a resolution made Karan pick up the phone and dial his number. Here is an anecdote in this context. When Boman Irani started shooting for his part in this sequence, Hrithik’s lines were being read by an AD, and Mr. Irani could not get his shot right because he was not able to get the proper feel. Acting is a lot about reacting, and the non-impactful delivery by the AD hampered Mr. Irani’s shot. Finally, the person in charge of the sound came to his rescue and Hrithik’s dialogues were played in audio (Hrithik’s part had already been shot by then) to which Boman Irani reacted. And what an outcome. This is the true mark of a great actor; he not only excels himself but helps others soar too. And what an honour to have helped an ace actor like Boman Irani! The performances by both in this scene were superlative and manage to leave us with lumps in our throats even today.

In his first ever heart-to-heart with his dad, Karan confessed that he had always disappointed his father and told him that he was aware of it. In return, his dad who initially had thought Karan had called his mom, finally told him how proud he was of him. A salute and heartfelt gratitude to all the parents out there who send their children to serve in the security forces so that civilians can live in peace. The smile on his son’s face was proof that he could die happy. The tears in both their eyes expressed the craving they had towards each other; the dejection that Karan had always felt upon being ‘ignored’ by his father was replaced by the understanding that his father had always loved him; the pain on Mr. Shergill’s face portrayed his disappointment for waiting so long to convey his love to Karan- so long that there was a chance he might never see him again.

Having poured his heart out to his dad, Karan finally set out to achieve his Lakshya of recapturing Point 5179 and hoisting the Indian flag on it, but not before a much needed conversation with Romi. What an amazing bond these two shared. Karan did not need to tell her explicitly that he knew about her broken engagement; she did not have to tell him that she still loved him. They just knew. Her ‘to phir main zindagi bhar intezaar karungi’ was far more intense than a conventional ‘I love you’. The beauty of this scene lay in the complete lack of melodrama which one usually associates with Bollywood scenes of this kind. No over the top background score, no hysterics, not even a hug! And the fact that they wanted to hug, but could not (because Karan’s seniors were waiting) made this moment even more poignant. Hrithik and Preity were the epitomes of subtlety here. The frustration of not even being able to touch each other before Karan left for a life threatening assignment was so tangible that even the audience imbibed it. Seriously, why did not Hrithik and Preity work more? They were so attuned to even each other’s silences!

The final mission proved the truth of Romi’s words. ‘Jis din usne decide kar liya ki use kya karna hai, aap dekhna wo kahan se kahan pohochta hai’. Indeed, Karan reached the peak of success, literally and metaphorically. The mountain-climbing scene deserves a special mention here. It was so perfectly done that the only comparison that comes to mind is the famous rock-climbing sequence in ‘The Guns of Navarone’ by the iconic Gregory Peck. And in all fairness, Captain Mallory only climbed a cliff; Captain Shergill had to climb a peak of the Trans Himalayas! Jokes aside, both scenes shall forever remain goosebump- inducing. Karan, obviously hoisted the Indian flag, and just in time. Boy, did he make Colonel Damle proud or what?!

Thanks to our friend Mita for this wonderful VM .

There is a saying that everything works out in the end, and if it does not, it is not the end. It indeed did happen that way for Karan. He found his goal, and achieved it too. As he walked out of that elevator, and hugged his dad finally, we surely did feel contented. And who said Mr. Shergill did not know his son? Well, he might have taken time, but now he understood him better than most. When Karan’s mother asked if they could go home, he objected. Go home? What NO! Karan had to go and fulfill his other 'Lakhshya’, right?

How wonderfully thoughtful of Romi to stand at a distance from Karan’s parents, wanting to give them the private space that they needed! Actually, kudos to the director for his sensitivity; such subtlety is not something that we frequently see in Bollywood. So thank God for ‘Lakshya’. Just like Karan’s story ended on a positive note as the camera focussed on him and Romi, holding hands, finally embracing each other, ready to step in to a new chapter of their lives, we also end this blog with a bit of optimism.. Let us all hope and pray that ‘Hum Jeetenge Ye Baazi’ (modifying Javed Akhtar’s line a bit) on behalf of every Indian, and every person in the world dealing with this pandemic.

P.S. This blog is dedicated to all the front-line workers (doctors, nurses, other medical personnel, medical suppliers, delivery executives, grocery storekeepers, and all other emergency personnel) who put their lives in danger everyday so that we may survive. Please know that you are always in our prayers. Also, let us all hope that no one remains shy of masks and vaccines anymore. Those are the most effective ways of countering this virus. Stay safe everyone!

[gumnut-logic]

John Tracy was sick.

Which meant John Tracy wasn’t allowed to go home.

Sure, he could say that he was home, but it didn’t really feel like home. It was full of brothers and people he loved, but it didn’t feel like home.

Home was among the stars.

But apparently astronauts with the flu weren’t allowed to go home.

“It won’t be for long, John. It will be over before you know it.” Virgil was kind and reassuring, but it didn’t really help.

He wanted to go home.

He was determined to work, of course. Until Scott caught him and cut him off.

There were some loud words over that, but the medical department of IR (aka Virgil) sided with the command department (aka Scott) and yeah, he was grounded, cut off from his ‘bird, holed up in his room and miserable.

Of course, his brothers attempted to cheer him up. Alan dumped himself on his bed chattering away with his latest game, all eager enthusiasm. Gordon brought him a pet crab. Even cared for it for him. John was left wondering if it was a snarky metaphor as the crab sat under a rock all day and had a distinct grumpy appearance.

Virgil and Scott were more subtle, but no less caring. Scott ran ideas past him for communications improvements. Piano music and the occasional piece of art found its way into his rooms uninvited.

He appreciated it. Truly, he did.

He just wanted to go home.

The morning he woke up with a cat sleeping on his chest was the last straw.

“C’mon, guys. You know I’m allergic to cats. Are your trying to kill me?” He held the cat out at arm’s length just waiting for his nasal passages to swell up. Though at this point considering his condition, he wasn’t really sure he would notice.

The cat meowed pitifully at him.

Virgil frowned.

Scott arched an eyebrow.

Gordon looked guilty....but then he always looked guilty. John was sure it was an inbuilt survival strategy.

Alan was cooing at the cat and reaching out to scratch it under the chin.

It was an orange stripy thing with big whiskers and that ragdoll floppiness all cats sported.

“Gordon?” Scott’s arched eyebrow was now pointed at the aquanaut.

“What are you looking at me for? I got him the crab, why would I get him a cat? The cat will eat the crab.” Gordon frowned at John. “Don’t let the cat eat the crab.”

Not a sentence John had ever predicted hearing in his lifetime.

“Can someone please take this thing?” He held out the cat even further.

Virgil, still frowning, gently collected the cat from John’s hands and automatically curled it up in his arms. A finger scratched under its chin.

“Thank you. I’m going back to bed.”

And he did.

The next time he woke, a pair of green feline eyes were staring at him, the cat, once again, curled up on his chest.

What?

It meowed at him and poked his nose with a paw.

“Virgil!”

He must have yelled a little too much because next minute his big brother barrelled into the room, panic on his face. “John, what the-?!”

His eyes landed on the cat and his shoulders literally sagged. “Goddamnit, that’s where you are. I’ve been looking for you for hours.” Virgil reached to pick up the cat.

The cat turned from mild mannered bed companion to spitting and screeching demon within a blink. Virgil yelped and fell backwards, his feet slipping on the mat and his butt hitting the floor with a crash.

One of John’s telescopes teetered before tipping ever so slowly. Virgil saw it and struggled to catch it. “Shiiit!” He threw himself in its path and the four-foot metal cylinder landed in his lap.

There was an oomph and Virgil was flat on his back on the floor.

Demon cat kneaded John’s chest a little before settling once more.

It began to purr.

“Virgil? You okay?”

His brother grunted and John struggled out of bed, shoving the cat out of the way. “Virgil?”

“I’m good.” It was up an octave higher than normal. “Sorry about your telescope.”

John grabbed the telescope off his brother and righted it. It was his own fault for leaving it there in the first place. Stargazing from bed was a habit much more easily exercised on TB5.

Virgil waved off his offered hand and rolled over, pushing himself to his feet with another grunt. He eyed the cat with suspicion. “I thought we had an understanding, Bagel.”

The cat eyed Virgil with equal suspicion.

“Bagel?”

“Gordon claims it is your cat so needs a John name.”

“A John name?”

“Yeah, Bagel it is.”

“It’s not my cat! And where did it come from anyway?” John frowned at Virgil. “Another stowaway on Two.”

“No! You know we have sensors for that now. And besides, that was only once.”

“Twice.”

“Once. The polar bear doesn’t count.”

“The polar bear most assuredly does count. Alan still hasn’t forgiven you.”

“Really?”

“It was a polar bear, Virgil.”

“Yeah, well, that is your cat.”

“That is not my cat.”

“Apparently she has decided she is yours.” Virgil held up his hands. Several scratches decorated his skin. “I have enough of these already. She’s yours.”

“I’m allergic.”

Virgil peered up at him, brown eyes assessing. “You don’t appear to be suffering a reaction. She’s been gone for hours. If she has been here, on your chest all that time, you should be showing the affects. All I can see is the remains of your flu.” A frown. “Are you feeling any better?”

It was John’s turn to frown. He had almost forgotten he was ill, but now his attention returned to his body, the signs were clear.

But he was feeling a little better.

“A little.”

Virgil reached up and squeezed his arm. “Good. You hungry?”

A brief consultation with his stomach and he realised that yes, he was. “Yes, I think so.”

A smile spread over his brother’s face. “Great. You’re on the mend.” Another squeeze of his arm and Virgil turned towards the door. “Meet you in the kitchen. Scott went all out this morning and made pancakes. I stashed you some. Gotta grab them before Gordon discovers them.”

“FAB.” John couldn’t help but return his brother’s smile.

Virgil grinned and with a half-hearted groan rubbed his butt and staggered with some exaggeration out the door. “Don’t forget your cat.”

John turned back to stare at the ginger monstrosity still sitting on his bed, calmly grooming.

“Bagel, is it?”

The cat blinked and kept licking its fur.

John sighed and grabbed his clothes.

-o-o-o-

The cat followed him downstairs for the meal, which turned out to be dinner. He had managed to sleep the day away. Apparently, this was a good thing, because for the first time in days, he could move without creaking.

Virgil had indeed stashed pancakes and within minutes there was a short stack piled up in front of him complete with ice cream and maple syrup. Before he even bothered to acknowledge the envy emanating from Gordon across the other side of the table, the stack began to disappear.

Scott knew how to make pancakes. John considered his big brother’s purpose in life and came to the immediate conclusion that it should be IR, family and pancakes.

Of course, pancakes could be a subset of family if considered that way, but there was always the possibility of him opening a business as a pancake chef.

Blink.

Yes, the flu had obviously taken part of his brain with it.

A pair of blue eyes and two pairs of brown were staring at him.

“What?”

“Did you bother to breathe between bites, bro?” Gordon gestured with his head at the table.

John looked down and found his plate empty. “Guess I was hungry. Scott makes great pancakes.”

“Yes, he does.” Virgil plonked a glass of orange juice in front of him and took away his sticky plate. “Now drink your juice and we’ll set up for family movie.”

“Aren’t you guys going to eat?”

“Already eaten.” Scott was poking at his phone, holograms bouncing around above it. “Grandma made meatloaf surprise again.”

John choked on his juice. “Really?”

“Uh-huh.” Scott did look a little green around the gills.

Well, that explained the envy on Gordon’s face and why Alan was very absent.

“Anyone feed the youngest?”

“All under control.” Virgil chucked Gordon a celery crunch bar and the aquanaut grabbed it from the air.

It was devoured faster than John’s pancakes.

Virgil wandered back into the kitchen proper and soon there was the delicious smell of hot popcorn wafting through the room. The engineer walked past the table again and dumped a chocolate bar in front of Scott. Another one landed in front of John.

“Consider it a survivor’s reward.” Virgil grabbed Scott’s phone out of his hand.

“Hey!”

“Stop working, this is family time. Everything can wait a couple of hours.”

Scott glared at his brother, but grabbed the chocolate bar and capitulated anyway.

Probably because he knew Virgil was right. It was so easy to get absorbed with International Rescue business. John knew he was a fantastic example case of such a syndrome.

A sigh.

Scott glanced up at him. “How are you doing, John?” A smirk. “How’s Bagel?”

As if beckoned, the cat in question suddenly leapt up on to the table and stalked the length of it towards Scott. John’s eyes widened as his eldest brother was targeted by a feline glare of epic proportions.

Scott’s expression was quite an amusing mixture and defiance and terror. Bagel sat down in front of him and after a moment of intense eyeballing decided Scott was boring and started washing herself.

“That is one weird cat, John.”

Everyone jumped as Bagel shot to her feet and dashed across the table at Gordon. “Holy crap!” The aquanaut scrambled backwards as Bagel ran at him. He tangled his feet in the stool he was sitting on and with a crash, ended up on the floor.

“Ow.”

Reaching the edge of the table, Bagel stopped and peered down at the fallen Thunderbird and, apparently deciding Gordon was no more interesting than Scott, sat down and returned to grooming.

The remaining three vertical brothers stared at each other and the cat.

No one said a thing.

“Uh, can someone give me a hand up, here?” Gordon vaguely waved an arm about and Virgil edged around the table to help his brother up.

His eyes barely left Bagel.

“Has anyone fed the cat?” John threw the question in there as a bit of an icebreaker since said cat had frozen the room almost solid.

Bagel looked up and stared at John for a moment before jumping to her feet and ambling over. A simple step off the table and she was in his lap, circling for moment to find a comfortable spot, then curling up and purring.

Again, everyone was staring at the orange fluff ball, John included.

“You have a very strange cat.” Apparently, Gordon hadn’t learnt from his earlier experience, but fortunately, Bagel ignored him this time.

John stared down at the purring ball of fur.

Yes, it seems he did.

-o-o-o-

Despite the possessed cat, the rest of the night went very well. All five brothers plus Kayo threw down some pillows, curled up in front of the holoprojector and waded through a trashy b-grade movie that looked like they were using mannequins for actors and plastic models for set pieces. There was popcorn, laughter and loving family. John felt warm and relaxed and better than he had in days. Somewhere between action scenes, he drifted off to the tinny soundtrack and the sound of his brothers criticising the special effects.

“Johnny?” It was whispered “Johnny, you’ve got to move or you’ll end up with one hell of a neckache.”

A blink and he found himself looking at Virgil upside down. Wha-?

“C’mon, bro. Up you get.” And his brother was lifting him up. Another blink and he realised he was lying on one of the couches...almost upside down, his feet at an angle above his head with his head hanging off the seat cushion. He was far too long for the piece of furniture and, apparently, he had stretched in his sleep.

Virgil was shifting his shoulders into a more horizontal position. Beyond him, the holoprojector was listing all the languages the movie was available in, complete with appropriate copyright warnings. Idly he noted that the Hungarian translation had an error in the third line.

John let his feet drop to the end of the couch before folding up enough to force himself upright. Ugh, Virgil was right. His neck cricked and creaked along with his spine. God, gravity was a nasty piece of work. It had also apparently dribbled all the mucus in his body into his head. His skull protested at the pressure as he sat up and he groaned.

“John?”

Why did everyone think Scott was the worry wart of the family? Virgil with his medical radar was just as bad, if not worse. “I’m fine. Just a head full of snot.” Ugh. Right between his eyeballs, throbbing to the beat of his heart. “Just kill me now.”

Suddenly there was an orange cat in his face, staring.

“What? Bagel, not now.” He gently picked up the cat and put her on the couch beside him. Where the hell had she come from anyway?

A pitiful meow was her response and she edged nearer brushing her cheek against his arm.

Despite himself, he turned to her. “What’s wrong?”

She looked up at him with a combination of adoration and haughtiness. He had no idea what to make of that expression.

Of course, she was a cat. Who understood cats?

“Are you two having a moment?” His brother’s smiling baritone broke the silence and to John’s surprise, Bagel turned to Virgil and hissed angrily.

His big brother took a hurried step back.

“Bagel! Leave him alone! He will never hurt you. For goodness sake, Virgil wouldn’t hurt a fly. Give him some respect.”

To his complete surprise, Bagel stopped hissing immediately. She turned to him almost a question on her face before once again looking at Virgil. Her head dropped and stared at the floor.

“What the hell?” It was little more than breath and all his big brother. Virgil was staring at Bagel, his brow crumpling into a deep frown.

Bagel’s head shot up and once again she was staring at Virgil.

Virgil’s frown got even deeper.

“John where did you get this cat from?”

“I told you, I don’t know. I’ve never seen her before in my life.”

Virgil continued his staring contest with the cat.

“What is it?” His brother’s expression was becoming unnerving, so suddenly determined, it was almost fierce.

“I don’t know.” A pause. “Keep her out of sensitive areas for me, will you?”

“Sure.”

Bagel continued to stare at Virgil.

Virgil continued to stare at Bagel.

A solid moment passed and then his brother was shaking his head, looking at his feet, looking at John. “You good to make it up to your rooms?”

“Yeah.”

“I need to go hunt down Scott. One of the TI directors in the States forgot the time zones. He’s been on the phone for half an hour already.” Virgil sighed.

“Need backup?”

“No.” A hand dropped to John’s shoulder. “You go to bed, you need it. I’ve got this.” The hand disappeared and Virgil climbed out of the lounge, heading towards the balcony.

Bagel was licking her paw.

John sighed. Perhaps some paracetamol would help. “C’mon, Bagel, apparently, you’re with me.” He picked her up and held her against his chest as he staggered to his feet. Cursed gravity. How he missed being able to make the smallest movements and coast across a room.

Bagel reached her head up and snuggled under his chin, her purr vibrating his sternum.

“Why me?” It was little more than an exhaled breath and he wasn’t sure it was a complaint or an actual question.

In either case, Bagel didn’t answer. She just purred into his chest.

So, it remained a mystery for another night.

-o-o-o-

“It just appeared. No trace on sensors, nothing. It’s as if it didn’t exist before the day before yesterday.”

Virgil’s puzzled voice echoed up the stairs as John approached the kitchen the next morning. He glanced at his watch. This was early for his brother; he usually wasn’t up for another hour at least.

“I’m telling you, Scott, there is something very strange about that cat.”

John paused at the top of the stairs, his hands curled around Bagel, gently scratching her under the chin. He had awoken again with her on his chest, but unlike the previous two incidents, he had found himself surprisingly comforted with her presence.

Her purring was strangely calming.

“I will admit she is quite volatile.” Scott’s voice was surprisingly reluctant. “She didn’t even take to Gordon. Every living creature takes to Gordon. Except lizards, I guess. Hell, she doesn’t even like you.”

“That’s just it. She doesn’t act like a cat.”

“What, just because she doesn’t like you?”

“I’m sorry, Scott. Something just doesn’t feel right. Why is she so attached to John? What if she is a plant after our technology?”

“A tech seeking cat? Really?”

“Wouldn’t be the first time an animal has been used for espionage.”

Scott sighed and John shifted, attempting to loosen the tense muscles in his shoulders.

“It’s just that John appears to have latched onto Bagel as much as the cat has to him. How often does John attach to anybody?”

“And that’s what scares me the most. What happens when he returns to TB5? He can’t take a cat with him. It wouldn’t be safe for either of them.”

“Then we look after Bagel for him.”

It was Virgil’s turn to sigh and it was a worried one.

John chose that moment to make his entrance. He stepped lightly down the stairs. “You two really do worry far too much.”

Both brothers started as he entered. The guilty expressions on their faces were quite amusing.

“Virgil, if you are worried about Bagel, scan her.” John held the cat out to his brother. “Take her up to the infirmary and run her through a thorough physical. In fact, I would prefer if you did since as you said, I have become somewhat attached to her. As to what we are going to do when I return to Five...” He shrugged. “I hope we can work something out.”

Virgil managed to look both apologetic and sad.

To John’s astonishment, Bagel wriggled out of his grip and jumped down to the floor. She ambled over to Virgil. His brother froze, obviously wary, but the cat gently brushed up against his leg and rubbed the length of her body across his boots.

The whole room stared.

“Good morning, Bagel.” Virgil’s voice was a little breathless.

“Good morning, Virgil.” The whole room jumped as Brains jogged down the stairs and passing them, bee-lined for the fridge.

“‘Morning, Brains, John.” Gordon wandered in from the pool rubbing a towel through his hair. “Yaargh! What the hell, Virgil. You gone to the cat side?” He took several steps back as he caught sight of Bagel.

Bagel, still wrapped around Virgil’s ankles, turned towards Gordon and spat at him.

“That damn cat is possessed.” The aquanaut made sure the table was between him and the feline.

Bagel glared at him, following with her eyes.

“Eos, I know G-Gordon can b-be a challenge, b-but really, h-he is a good man.” Brains was pouring milk into his cereal on the bench.

“Yes, but he is so annoying.” The AI’s voice bounced across the house’s comm system.

“He st-still deserves r-respect.”

The comm system grunted.

Every eye in the room stared at the engineer.

Gordon found his voice first. “Wow, Brains, thanks.”

John was staring at Bagel. “Eos what do you know about Bagel?”

“Oh, John, everything.” The little imp was so smug.

Two strides and John was beside Virgil. Reaching down, he snagged Bagel off the floor and held her up, his eyes raking over the cat. A moment of intense examination. Bagel stared back at him calmly.

“Okay, how did you do it?”

“Do what, John?”

“Do not mess with me, Eos. I want answers and I want them now.”

“Hiram helped me.”

“Helped you do what?” Scott’s voice was sharp. “Brains?”

“It was a v-very interesting challenge.”

“What did you do, Brains?” Commander Tracy stood up from the table, his height saying everything it needed to.

Brains didn’t notice.

“Oh, Eos had an e-excellent idea to equip Thunderbird F-Five with an internal m-mobile probe mechanism.

“Yes, something that could get into the spaces John cannot.” Still smug. Oh, there would be some serious talking at a later time.

“So, you built a cat.” Virgil’s eyes were wide.

Brains sipped his orange juice, still seemingly unaware of the tension in the room. “She didn’t think I could. So, I did.” He was definitely pleased with himself.

“You built a cat?” Gordon was an echo of his brother. “That cat?” He stabbed a finger in Bagel’s direction.

“Yes?” Finally, the man appeared to realise that something was amiss. “I’m v-very happy with the r-results. It performs v-very well.”

It certainly did. John had her under his arm and found himself scratching her under her chin despite everything.

He forced himself to stop.

“John?”

“Yes, Eos?”

“Do you like her?” Suddenly he was a parent faced with his child’s school science project and the need for approval.

Some science project.

“I like her, Eos.”

“Can we keep her?”

“That is yet to be decided.” It came out firm. It needed to be firm...even though he already knew the answer.

“But-“

“Eos, why didn’t you tell us Bagel wasn’t really a cat?”

“But she is...”

“Eos.”

“John...”

“Eos!”

“I missed you.”

He froze. “I’m right here.”

“But it’s not the same.” That was a definite whine. “You’re not with me. It gets lonely up here without you. So, I built a way to be down there with you.” Bagel rubbed her cheek against his hand.

“Eos is in the cat?” Gordon’s jaw may as well have been on the floor. “She hates me that much?!”

“I don’t hate you, Gordon. You are quite funny. Somewhat clumsy, but funny.”

“Eos.”

“Yes, John?”

“Why didn’t you tell me?”

No answer.

“Brains, why didn’t you tell us?” Commander Tracy was glaring at the engineer.

“T-Tell you what?”

“About Eos and the cat.”

“That would have r-ruined the experiment.”

“What?”

“Eos w-wanted to see if the f-feline programming was sufficient. The b-best way to do that was test it.”

“On us?” Gordon spouted outrage.

“Surprisingly only V-Virgil appears to have b-been concerned. I w-would be interested to hear your evaluation.”

“Sure.” Virgil appeared to still be processing. Probably attempting to work out exactly how Brains had pulled it off.

“Brains, you, Eos, John and I are going to have a serious conversation.” Scott’s voice was stern. “This is not happening again. This family is not an experimental lab.”

“It was not his fault, Commander.”

Scott arched an eyebrow up at the ceiling. “Really, Eos? I have no doubt that John has a few choice words to be said on this matter.” Oh, yes, choice and many. “In the meantime, please cease the experiment.”

“But-“

“Eos.”

“Very well.”

The cat in John’s arms went completely limp.

He couldn’t help it; a gasp passed his lips and he caught the sudden dead weight with both hands. “Eos!”

All life had left Bagel. She became nothing more than a lifeless corpse. Something inside him lurched horribly.

Every eye in the room was staring at him.

“John?” Virgil’s eyes flashed concern.

He gathered up the cat in his arms and gently placed her on the seat of one of the kitchen chairs.

So real. He shivered.

“You okay?” His big brother was suddenly beside him.

“That was unnerving.” Both of them stared at the immobile TB5 internal remote probe mechanism.

“Eos, can you please reactivate Bagel.”

“Virgil-“

“No, Scott. Too creepy, too real. Please, just...leave her be.”

To John’s surprise, Scott didn’t protest.

But Bagel didn’t move.

“Eos?” His own voice sounded hollow in his ears.

“Yes, John?”

“Please reactivate Bagel.”

“Why?”

“Eos, just please.”

“Very well.”

And Bagel uncurled herself, sat up and glared at Scott. Before Eos could exact any form of petulant revenge, he grabbed Bagel off the chair and held her in his arms.

“Thank you, Eos.”

“You are very welcome.” Impertinent little brat.

“Now, I’m going to have breakfast, then we are going to have that conversation.”

“Yes, John.”

Something in the room snapped and suddenly everyone went back to their morning routine with only the occasional stare at the cat in his arms.

“Would you like some cereal, John?” Virgil was heading towards the fridge.

“You don’t have to get me breakfast, Virgil.”

“You have your hands full and I’ve already had mine.”

“How early were you up this morning?”

“Early enough. Your cat weirded me out.”

Bagel was rubbing her cheek against his fingers again. He grabbed a chair and sat himself down, placing Bagel on the chair beside him. She started grooming herself quite content.

A bowl was placed in front of him, followed by a cereal box, milk and another glass of orange juice.

Bagel stared up at him

He shook his head slowly. “What am I going to do with you?”

The cat tilted her head and licked her whiskers.

And he knew that somewhere far above the planet his daughter was laughing.

-o-o-o-

FIN.