#the editing is so on point and the colour grading so pretty

[pharawee]

FOUREVER YOU PROJECT ❖ Coming Soon

[aliceoseman]

If you feel comfortable talking about it, how did you learn of the news about the leaks, and what was your first reaction? It was quite a weird and difficult time to be active in the fandom on social media, so I was wondering how you experienced that ❤️

It was really horrible! I was actually the first person on our team to notice it happening. It was at like 11pm at night and I saw people were whispering about Heartstopper leaks on Twitter but I couldn't find a source or any evidence - I shared the rumours with Patrick anyway and we agreed it was probably just fake. Very shortly after that, I saw a tweet of a screenshot from S3 and immediately had a panic attack haha. We alerted Netflix instantly (this was still late at night) and the next day they were on the case. But that first night/overnight, just watching it spread, waiting to see what scene would appear in a tweet next, and soon realising that it was literally the entire season - and not just that, but an early edit with no colour grade, no animation, no VFX, no ADR, incorrect music - was horrifying. The leaks were largely contained which we were thankful for, but they still spread to thousands/hundreds of thousands of people, and it was very upsetting to see so many people gleefully sharing clips and screenshots just to gain followers and clout on social media. It's always been really important to me for people to be able to experience the show for the first time while watching it, when it's fully completed and you have the context and the rhythm of how it's supposed to be watched. The leaks ruined that for a lot of people! And after having been working on s3 for over a year at that point, all of us pretty exhausted and drained, it really felt like being punched while we were already down. And I couldn't say anything about it on social media because it would have just encouraged people to go looking for the leaks. Anyway, in summary - it was really, really awful.

[bgomtori]

☆ colours - c.bg

synopsis - despite everything you two have been through, all good things must come to an end right?

-> beomgyu x reader

-> listen to colors by halsey for an experience 🤍

-> friends to potential lovers to acquintances, highschool au

-> warnings! beomgyu pushes reader away, angst, talks on mental illness and eating disorders, yn becomes an insomniac, beomgyu's a year older than you

-> notes! i've gotten back into jjk for the 7th time, and i saw like 3 edits abt stsg to the song colors, so i just wanted to LET IT OUT. GEGE AKUTAMI WATCH OUT

love is the most twisted curse of them all

tired eyes scanning through the folder of memories on your phone, your head dipping into the fluffy cushions underneath you. you didn't want to go through it again, but you couldn't stop your fingers from moving. your eyes watered, tears dripping from the corner. this was at least your 50th time rereading past messages, past folders, and old voicemails you had with choi beomgyu

choi beomgyu, the man that he was. talented, charming, and pretty. he was constantly bombarded with the squeels from your schoolmates along the hallways. however, he would always stick to you like glue, to him, you were everything he wanted. what a trope, maybe opposites do attract.

he was the light to your darkness, even if he stuck onto you like a emotionally attached puppy, you appreciated his presence. as much as you wanted to ignore his pestering, you enjoyed it, too much, to the point where your heart starts beating rapidly whenever he's around.

"ynn, let's go to the arcade after school. you don't have anything after right? let's go." the way he drags his words to persuade you into doing something he wants to do with you, and how your name rolling off his tongue perfectly, has an effect on you. his arms leaned on your desk, giving you puppy dog eyes.

"beomgyu, we have a test next week, i can't just waste my time playing games with you." you closed your textbook, placing your pen back into your pencilcase, making eye contact with beomgyu.

"come onn, you've been studying so much this entire week, you've barely hung out with me." beomgyu whined, using the tip of his shoes to kick your shins.

"beomgyu. this test is important for my final grade." you firmly stated your point, hoping that it'll get through beomgyu's thick skull. you sigh when beomgyu continues to look at you with the same puppy eyes, your words going deaf to his ears.

"fine.." you muttered out, you could have sworn that you saw beomgyu's eyes sparkle when you said that. he jumped out of the random chair he stole from the person who sat infront of you.

"i'll wait for you outside your class! see you!" beomgyu beamed, messing your hair before skipping out of the class like a lunatic. you watched as he left your class, smiling to yourself.

"are you giggling over choi beomgyu like everyone else?" your tablemate, natty, commented. knowing the teasing glint she had in her eyes, you glared at her.

"shut up."

ᶻ 𝗓 𐰁

"i'm graduating in a month, will you miss me?" beomgyu smirked, biting on the straw of his drink. you took small bites out of the bread beomgyu got for you, giving him a disgusted glare.

"what's with that look." beomgyu gasped, swinging his arm around your shoulder, pulling you closer to him. the side of your body was completely squished against him, you could feel your heart about to jump out of your throat. he was too close, too close for your liking.

"i'm going to miss my favourite junior ever, you know that right? you're my favourite junior, no one can ever compare to you." beomgyu reminded you, your lips pursed into a line, pushing his body away from yours.

"don't you have other juniors to care about? why me?" you asked, your eyes not leaving his own round ones.

"isn't it obvious.." he mumbled, not loud enough for you to hear.

"huh? speak up."

"it's nothing! come on hurry, i have a new song to play for you on the guitar." beomgyu grabbed your hand, running towards the direction of his house. you screeched as he pulled you at a speed you were not ready for. you felt like you were running a track competition at this point, just how much stamina does choi beomgyu have?

your head was dizzy, you haven't ran in such a long time at a distance you don't even want to remember. the click of beomgyu's door caused your head to look up from your phone.

"sorry for making you run, i was just excited." beomgyu apologised, placing a plate of fruits and a cup of water on the floor, finding himself on the floor beside you.

"it's fine." you shook your head, poking the fruits on the plate, not having an appetite for them. beomgyu noticed your odd behaviour throughout your entire conversation with him, from the way you just took small bites of the fruits and taking huge gulps of water.

"have you been eating these days?" the sudden question had you panicking, is he always this observant? your eyes darted around his room.

"i ate the bread earlier, doesn't that answer your question?" you replied non-chalantly.

"i meant like proper meals, when was the last time you have eaten an actual meal?" his face has gotten serious, you thought to yourself, your nails dug into the flesh of your thigh, trying to think of a plausible answer.

"i can read you like a book yn, you can't lie to me." beomgyu sighs, his hands reaching out for yours, pulling them away from your thighs.

"i know i'm always not serious around you, but this has to stop soon okay? don't starve yourself, it's unhealthy, and i'm worried for you okay?" beomgyu carressed the knuckles of your fingers. slowly, you calmed yourself down from the unsettling thoughts that were eating you alive, smiling at beomgyu,

"i'm sorry, i'll stop. i don't like seeing you all worried because of me."

beomgyu's lipped tugged up into a smile, standing up, "i'll make something for you to eat, wait here."

from that day on, you knew you could rely on beomgyu with whatever problems you had. he's your best friend either way, opening up to him was easy. he was your solution to everything.

that was until a week before beomgyu's graduation, you've noticed that his radiant aura was turning dull, his eyes slowly getting more tired by the time. despite that, he has been wearing a fake smile around his batchmates, smiling whenever he was with them, returning the same energy they were giving him. your eyes squinted at his odd behaviour, you too, could read him like a book.

"you're not actually that optimistic right?" you stated, trailing behind beomgyu. beomgyu paused in his tracks, turning to face you.

"what are you talking about yn?"

"you know what i'm talking about. if you need it, i'm here to help you." you inched closer to beomgyu.

"please, if you're hurting let me help you too. let me return that favour. isn't that what friends are for?" you gagged at your words, friends? of course. you two were just friends, nothing more.

"aren't you cute? don't worry about it yn, i'll tell you everything soon." beomgyu patted your cheeks, waving a quick goodbye to you before disappearing into his classroom. you stared at the empty spot infront of you, why isn't he telling you anything after everything? didn't he tell you that he trusted you with all his life, if not, why isn't he opening up to you?

you bit your lips, trying to suppress the tears that were about to flow out. you groaned, walking back to your class as if nothing happened, but your mind was overthinking, again.

what you failed to notice was that beomgyu was watching you from the window of his class, his heart ached seeing your pained expression. he then felt a tug on his sleeve.

"when are you going to tell her?" seungmin whispered, his eyes watching beomgyu's actions carefully.

"soon enough."

ᶻ 𝗓 𐰁

it was finally the day every senior had been dreading or anticipating. you stayed back after school to watch the ceremony, in hopes of seeing your seniors for one last time before they leave, including choi beomgyu.

you felt so proud for him, he's finally done with this hell, and now he can follow his dreams. however, you couldn't escape the feeling of emptiness, without him, what were you? ever since he started distancing himself from you, you felt horrible, you felt like shit.

before you knew it, the ceremony was over, the crowd screamed in joy, running to find their best friends in the crowd. you did the same, dashing to where beomgyu might be at. you hated running, but in order to talk to him in school one last time, you ran as fast as you could.

finally, you found him, your eyes watched as he took multiple pictures with the girls from his batch and yours. your face fell as you realise that the crowd practically engulfed him, you probably wouldn't have enough time to have a decent conversation with him.

however, your eyes met his, your body tensed up, he looked exhausted, yet he was still able to flash you a cute smile that you reciprocated. he signalled you to go towards him, telling the crowd that he needed to leave soon, and that was when you walked towards him.

"congrats on graduating." you hugged him, feeling his body slowly soften under your touch.

"lovebirds, wanna take a picture together?" seungmin shouted, his hand stretched out, asking for your phones. both you and beomgyu handed him your phones. seungmin smirked, snapping numerous shots for the two of you.

when he returned your phones, he whispered something in beomgyu's ear, causing him to blush and yell at him to shut up.

"don't mind him. come with me, i have something to tell you." beomgyu shoved his phone back into his pocket, dragging to towards a familiar direction.

the walk was comforting, you talked about everything that came to mind. beomgyu stared as you rambled, watching you as if you hung the stars in the sky, you were stunning.

"sorry, was i saying too much?" you mumbled, sitting beside beomgyu on a bench at the park where you first met. beomgyu shook his head.

"i like hearing you talk don't worry." reassuring you.

"what did you want to tell me anyways?"

"before that, take this, i want you to cherish this forever, as if your life depends on it okay?" beomgyu pulled out a ring, placing it on your pinky. your heart raced, the butterflies in your stomach turned into a whole zoo, your face felt warm.

"what for..?"

"i'm leaving daegu to pursue my dreams, i may not be able to see any of you again, so i just want you to have this as a reminder of me." beomgyu suddenly announced. your eyes widened, a lump formed in your throat, leaving your mouth dry.

"what are you saying? can't you at least keep in contact with me? that's stupid, you can't just cut everyone out of your life like that." you argued, biting back the tears that were watering your eyes.

"you're making this harder for me." beomgyu laughed, "you'll distract me from achieving what i want, my priority isn't you."

you were smacked with the hard truth, beomgyu was more determined to pursue his lifelong dream, and in order to do this, he has to let go of one of his dreams, and that dream was to be with you forever. your goals were completely different, you would only hinder his progress towards success. your eyes stung with tears, it hurts.

"gyu, you can't do this, maybe we can figure something out?" you pleaded, you couldn't live without him by your side. beomgyu wiped your tears with his thumb, making you look at him.

"you know i love you right? if you love me back, promise me that you'll let me go." beomgyu forced a smile, trying to calm you down.

"you? what? why didn't you tell me this earlier? we could have spent more time together as a couple." your voice was shaky, you wanted to leave, but you wanted to stay by his side till the end.

"yea i could have, but i guess i was too scared, so were you though." beomgyu shrugged, laughing dryly to himself. he hated this, he hated the fact that you were crying because of him, he hated that he can't do anything to stop you from crying. beomgyu watched you sobbed, his eyes beginning to sting, but he blinked the tears away.

"this is just a bad dream right?" you looked at beomgyu. beomgyu held your hand, shaking his head slowly, your eyes tearing up once more.

"sometimes love can be the most twisted curse of them all." beomgyu chuckled, looking off to the side.

"then at least curse me a little at the end." you hiccupped. beomgyu's eyes widened, softening once he made eye contact with you. he pulled you into a kiss filled with longing and desperation. you were quick to kiss him back, you didn't want this to end, you wanted him to stay by your side forever. you slowly pulled away from him, wiping off the dried up tears from your face. beomgyu took your pinky, intertwining them with his,

"i'll go now, take care of yourself for me okay? please eat well." beomgyu kissed your lips once before walking away from you. leaving you to cry by yourself on the bench, at the park where you first met, and now you've ended it at the same spot.

ᶻ 𝗓 𐰁

bonus!

beomgyu started sobbing when he walked away from you. you must have endured so much pain when he left you in the dark for so long. his first love, a love where it could have blossomed into something more than friends, crumbling down like that. he hated himself for that, he hated seeing you hurt, but you would still suffer the same fate if you stayed by his side. thus he made his decision that week prior to his graduation.

perm taglist! (send an ask to be added) @mrsyawnzzn @tinyelfperson @woncheecks @boba-beom @naveries @be-argyu @defnotleee

[petewentzisblack1312]

actually on the topic of the last post sometimes people try to rectify that by colourpicking pictures of pete and that doesnt really work, it really depends on the context.

for example, magazine photoshoots from before mid mania era will be pretty washed out and overexposed, so even though you got it directly from a pic of him he looks really pale. additionally, hes had different skintones at different points of the year and at different times in his career (ive mentioned this phenomenon of people getting fairer as they get more successful before) (no its not skin bleaching or even intentional) so like using a picture of pete from warped 2005 vs a picture of pete off of wintour will have completely different skintones. also, you may be tempted to just make him way darker than the other members of fob, but thats not accurate either (depending on the time of year and lighting and white balance and exposure of a photo pete and joe can appear the same shade!) and while colourism is a big problem, it feels like. i dont know, minstrel-y when someone makes pete way way darker than he actually is.

i would recommend looking at a candid picture of the band all together and noticing the difference between their skin tones in different contexts. one of the reasons i really like elliot ingham as a photographer for fob is the way he edits photos to really capture the variation in skintone in fob. a lot of photographers turn the saturation down on them, but elliot turns it up (its not a perfect reference though, he does some things w the colour grading so its more orange and blue, but the contrast is clear)

for me my rule of thumb is 'is pete noticeably darker than the rest of fob?' and i go from there. sometimes the colour palette or style means that thats not as big as a difference in value as it might be in a different style, sometimes its exaggerated by the style, but its a good thing to notice.

[stanfordsweater]

2023 creator wrap-up

hiiiii

this year i posted 15 edits and scrapped 3-4 ideas that i'll get back to at some point, which is less than the 55 (!) i posted in 2022. my resolution for next year is to create more and scroll less but overall i'm still happy with that level of output

top five:

rowena / ruby parallels-- i actually fucking hate this one and i'm really disappointed with how it turned out!! all the same it was me getting back to giffing after a dry period and even though i hated it, i still posted it and some people seemed to enjoy it. i tend to scrap projects frequently, but i managed to power through my self-criticism and put this one out there. it set a good tone for the rest of the year.

hook man edit-- something you may not know about me is that i HAAAAAAATE giffing with subtitles because i cannot grasp how to make them look good. this is the first gifset i've ever made where i don't look back and cringe at how the subtitles look, so it stands as a milestone in my editing career :')

maybe 1996 was-- this was a return to form for me, having not made many asw edits in a while. it's commentary on hindsight and living in the past etc. etc., idealized moments in dean's personal history, but also how it's okay to look at the past with rose-tinted glasses when your life is so painful. the subtext here is that dean is denied heaven through his deal, but in exchange he gets to know that sammy lives (even though we know better, lol). i think this memory of sam and the fireworks was something dean thought about in his last moments.

15.20 letters to milena edit-- this one makes me tender ;~; i like that it's simple and understated but packs that emotional punch. it was pretty easy because as soon as i had that line in my head it was obvious to me what to do with it. i think it looks good too!

my letters to milena wincest edit-- this was created over the span of about 6 hours but is hands-down my favourite edit i've made PERIODDDDD partially because i love kafka but moreso because it came to me so easily... it had been cooking in my head for a few months before i made it and every scene i chose i knew immediately that i wanted to include it. the colour grading was really fun and i liked the process of experimenting with the format. if i could change one thing about it i would swap some of the scenes for the "really a reflection of everything else / which is a lie" portion because it makes more sense if the first line has all the good memories and the second has the bitter reality memories, eg. sad baby sam and the spaghetti-os.

[almalvo]

STAR TREK: DISCOVERY | S1E8 "Si Vis Pacem, Para Bellum"

[I will react to each episode individually and in full, raw reception and then post as is unrevised here onto my tumblr for the full span of every and all NuTrek episodes and series that have been and will be released. If this falls under your field of interest - I welcome your company in joining me. Enjoy the ride.] -------

"High Ranking Vulcan". heh. This intro though - it jkust makes me wonder the sheer potential of what couldve been for Trek. Bryan Fuller made a masterpiece called Hannibal. Not too sure on his hand in Trek - imho, it doesnt compare. ANYways. ugh i love seeing hte discovery warp downwards like that Owosekun - love her name such nice colours. consistenty good colours in this show for sure. i like how goldy inside the bridge is oh interesting. what an odd source of warp power its insanely cool though. that CANT be good for stamets. is that foreshadowing did you call her what she will become damn stamets can you be like idk a bit likeable tho please. like plenty of characters who are catty af but likeable in some way if even 1%. ugh. hi tribble. keep tribblin OO SO BLUEEEE SO PRETTYYY This is so weird to me in how this show literally comes out 2 years AFTER AOS3 in terms of production quality.

very pretty landscapes though Saru. aint no way you walkin this terrain with them feets of yours love the trees. saru is so scrawnyyy Saru literally looks amazing in any lighting no joke damn classic trek mist creature living rorschach blot Kol is so cool looking those red accents work beautifully on his face

such lovely colour grading everyones GLOWINGGG there are certainly some wonderful visuals in this show ughhhh Saru, the dust speaker is that a klingon archery set what is that HAHA i wish nah its a torture kit sorry cornwell yelling like that was kind of cringe lolll this pretty blue dust dome that ash and burnham are in is so pretty ugh something im gonna just never take seriously, "Ash x Burnham" nah get out yeah yeah however, Kirk delivered this line beyond any other human's capacity what an empty ass kiss god its so forced. another huge problem with this show is they treat these characters like we know them already but bruh everyone feels so much the stranger to me, even though we are past the halfway point of season 1. is just so weird. i am not invested in like any character, even ones i really thought i would/wanted to be but its liek the show takes them away from me i like how the klingons have a definite accent when they speak terran now L'Rell is so striking looking i love her eyes such a piercing look

see like i WANT to like this away party but like i kind of dont have any real reason to like any of these characters especially with the utter animosity stuff that never got really properly resolved. like between saru and burnham. it feels almost uncomfortable. to me the viewer watching from outside ofc. thats a really pretty flower i dont like this film style it feels too tacky so many stupid zooms so cheap feeling it feels like star trek, Teen Wolf edition. literally feels like its filmed int he same way as things like Teen Wolf that were almost 10 years earlier. its so janky. zero patience and sense to appreciate the scene itself without all this ridiculous cinematic embellishment. its so unnecessary. if even this show did this less, this show would legitimately be 7x better. saru looks so beautiful with that warm white rear light this is such a gorgeous instance of practical effects and they got the PERFECT actor to don saru Ash looks like someone ive literally known in my own life 😭 i love these red jewels on L'Rell's armour/clothing costume and design department did a great great job in this show's production - i have no beef with them.

i like saru's mouth shape its so odd. idk why i feel so detached from this show. oh dang angry saru. ferocious oml yo these are such pretty crystals] saru running in THOSE? HAAHAHAH damn had to CG him hahah that one camera shot was funny though it almost looked like the show said "yes. he can run in these". lol oh damn convincing gore i like how we continue seeing blood in trek with DISCO when i t really started in Enterprise. oh shit ANGRY SARU BRUH HE BACKKICKED HER LIKE A HORSE this stick man being so strong the way hes breaking that device literally looks like classic trek style bundle two hands together and bash DBZ style XD

really pretty tree thing though oooo the transporter circles at the bottom look SOO nice dude look at his detail up close its fucking amazing oh my god such masterfully done painting speckling im genuinely impressed damn, im sorry saru. though i think, who DOES live without fear. man costume design is wonderful. these red markings are really good they compliment their faces really well This is so odd. I have NEVER had this kind of feeling of "detachment" from a Trek production before. The fuck is happening. Ugh.

Not liking Bryan Fuller x Alex Kurtzman directing style in this show, like, at all.

I am just waiting for when this show gets better.

Cuz it's lost a lot of my anticipation.

We'll see. Hopefully.

[projecthipster]

L'étranger (Albert Camus)

"Aujourd'hui, maman est morte. Ou peut-être hier, je ne sais pas. J'ai reçu un télégramme de l'asile : Mère décédée. Enterrement demain. Sentiments distingués. Cela ne veut rien dire. C'était peut-être hier."

Yeah, L’étranger. Not The Stranger, and definitely not The Outsider. Also not The Foreigner, which might be the best translation of the title, despite having never been the title of any English edition? Calling it The Foreigner would put a point on the themes of colonialism that I’m not sure Albert Camus intended to write, but read strongly all the same. But maybe that’s just Project Hipster wearing off on me: I think that the translation so underground that it doesn’t exist is my favourite. But the reason I’m calling this book L’étranger, complete with the alt-130, is that I read it for the first time, in the summer of ‘22, in what I think is a very hip way: I read it in the original French.

So, some info on Your Hipness Archivist’s background with la belle langue. I attended French Immersion school up until Grade 6. I read the first three Harry Potter books in French, and The Golden Compass, plus a few shorter and less interesting chapter books assigned for school. In Grade 7 I transferred to the public system and didn’t take another French class until Grade 11. The last two years were more or less review. I never did any more lessons past high school besides - I can already hear what the proper language learners are thinking - Duolingo. And I never read any more books. Until L’étranger.

So suffice to say, I think my experience reading this book was coloured a bit by my need to open up Google Translate twice per page. It took me about ten minutes to figure out that a sentence near the beginning was describing a hat. Still, I’m glad I didn’t read a translation, even if that would have been easier. The confusions and cuts of translating this book, so precise in its language, is apparent right from the famous first sentence. “Aujourd'hui, Maman est mort.” The  classic translation is “Mother died today.” but that’s not quite right. “Mother" implies a formality, a detachment, different from the more familiar “Maman.” Maybe “Mom” would be the proper translation? Well, the modern one more or less gives up and has it as “Maman died today.” But that’s still different, because of the way the death sort of interrupts “today” in the original. And then there’s the tense. In (that particular tense of) French, there’s no difference between “died” and “is dead.” And doesn’t that matter, a bit? Today, Mom is dead. And suddenly the world is changed, and so the story begins. John Green wrote in his review of “Auld Lang Syne” that “she is dead” is “The rare present-tense sentence, that, once true, stays true forever.” Shouldn’t that present tense, even if it was originally grammatical necessity, be something, then, especially as a beginning?

So that’s one sentence. This isn’t a long book, but there are a lot of sentences in it all the same. What happens in them? It’s been a few years, but fortunately, because in translation I was trying pretty hard just to parse the plot, I took some fairly extensive notes and I still have that notebook.

Monsieur Mersault - we never learn his first name - learns of his mother’s death. He takes time off work to go bury her under the hot desert sun, without shedding a tear as he does it. That desert sun on pale French skin is a recurring theme, and that’s one reason it’s hard not to read a bit of critique on our narrator being a member of the foreign occupying class in colonial Algeria, when the relationship between him and “Arabs” (never really named as characters) is the pivotal point of the plot. After the funeral, Meursault goes home, smokes, and watches life pass by on his balcony, a stranger, apart. He seems to take more notice of the inanimate world than of people. I can kind of relate. There’s not much description of Marie, his girlfriend who he does like much more than the old folks,  but there’s plenty of words on the reflection of tram lights on wet streets. If you’ve ever seen tram lights reflect on wet streets, you’ll of course understand. From what I could read in this first section, it was obvious that Meursault was already a foreigner, a stranger, an outsider, however you want to translate it, even as he went through what seemed from the outside a normal life. I’ve felt that way; I’m sure everyone has. The question is, how do you deal with the fundamental impossibility of full connection? I think you have to accept it and try to nurture what connection you can find all the same. M. Meursault doesn’t really do that. If you know the plot of this book, it won’t be a shocker for me to say that I don’t think he does handle it very well.

There’s a little bit of a plot involving a neighbour, his cheating girlfriend, and some beatings, that shows Meursault’s amorality or at least relative morality. A beaten dog runs away, like that’s foreshadowing or something. All this is leading up to the pivotal Chapter VI, in which the characters congregate for a beach episode. The language gets a lot More here, sending me to the translator that much more often and really playing up Meursault’s desire to escape the oppressive heat that clouds his reality. At this point it seems like violence is the only thing that makes our narrator feel alive. Did his humanity die with his mother in the desert sun? He doesn’t belong in hot Algiers, but doesn’t want to return to ancestral Paris, and so he turns his anger on all things, and people, Algerian. Is this inevitable in colonization? Does this happen in every colony? Is that what happened to Canada? Then why don’t I myself, as a descendant of the colonizing race, feel that anger? Has it just been long enough? Or is it because I chose to love the land to which I’m a sort-of genetic étranger?

This is where the book splits. The last half is all imprisonment and trial over the turning-point crime, and this half grows more abstract and philosophical. There’s stuff about religion, morality, and more. Meursault finds it easy to disassociate, conjuring memories and reading deeply into  a single newspaper article. He ponders that a man could get used to anything so long as he has his memories, and that removal from life is the main punishment of prison. He doesn’t feel this punishment so much because he was already disconnected, physically if not psychologically. My question here is, whose side does Camus want us to take? Is he implying that Meursault’s atheism is one of the sources of his amorality? Or just that it’s another example, or another cause, of his alienation? I know I’d probably get raked for my ignorant takes on this section if anyone read these blogs, so good thing they don’t. I don’t necessarily agree with all the philosophy here, if I am reading it the way Camus intended, but I appreciated reading and thinking about it.

By the way, from my notebook, here’s all the French words I had to look up. This should get me another thousand words just copying them down:

Treuil

Coque

Voisin de Palier

Epagnent

Amertume

Saccadés

Gousset

Pourboire

Fourrière

Accroupi

Eparpiller

Chalutier

Epatante

Tailladé

Ivresse

Jaillie

Crispaient

Fuir

Paupieres

Rongeant

Cils

Fouilait mes yeux douloureux - this one translates to “ransacked my dolorous eyes,” so I don’t know what it means in English either.

Vacillé

Gachette

Crosse

Netteté

Ecartelé

Crispé

Félure

Efréché

Pailleuse

Etoffé

Marteau

Ruit

Déferlait

Lucarne

Paperasses

In summary: I wouldn’t do well in French Algiers either, but for different reasons.

I give this hipster book a rating of je ne sais quoi.

Project Hipster is a futile and disorganized attempt to dive into the world of things that the internet has at some point claimed "are hipster," mostly through ListChallenges search results.

This review comes from the nineteenth list, Markd9528's "200 Books That Are Often on Lists & Quite Popular With Readers (Hipster Edition)" Yeah it's longwinded this time around. And just plain long. 200! I'm gonna be doing this until i die eh.

Up next: a fairly short and easy book that I made myself struggle with for a particular linguistic reason.sad movie starring funny people.

Stay deck.

[1d1195]

Ahh I'm so happy that we are east coast girlies!!

Really I know few people who teaches high school they say that they want to leave the class but at the same time they love to teach and high school students are so chaotic!!

Oh your sister is an English major that's amazing!! Is she a teacher or author??

And see now you write such a brilliant stories for ussss!! I love that you not writing essays for your uni but now writing thousand and thousands words stories!!🤭

Green and pink sounds really good for nails!! As you said you always go for blue!! So you could do mint green or sage green and light pink but lemme know what colour you have planned for!!:)

Ah at this point I'm not sure!! I want to be a teacher but let's see what happens when I will finish my degree so yeahh!!

What you wanted to be if you weren't a maths teacher??:)

-🪴

Oh they’re kinda feral and inhumane at times but someone’s gotta teach them and I’m kinda good at it.

No tbh idk what my sister does. She doesn’t do much writing (she also majored in communications) and she DEF does a lot of that lol. Originally she wanted to be in editing and publishing but that has gone the wayside. Idk she’s happy so that’s all that matters.

In hindsight I didn’t want to waste all my words on arbitrary essays. Needed it for future fanfic 🤣

Light pink is a great idea! I’ll let you know!

I really love teaching. It’s hard. But I think a lot of people have forgotten/don’t care about how much they love it. There are some pretty sweet perks to it. What grade are you thinking?

If I wasn’t a math teacher I would want to be an accountant I think. Can’t get away from numbers. Or a job psychologist. I would also want to own a coffee shop or bookstore (or both) or a diner hahahahaha kind of a lot I know.

Xoxo

[peerbear]

Where Currents Meet Reflection on the Final Film

This project was a challenge for me because I was pushing myself out of my comfort zone, but I'm so happy I did this. I know I have an eye and intuition that are good for cinematography, I just need my confidence and then experience to follow suit, but both are of course things that come with time. I feel we worked well as a group and everyone tried their best to get us to where we are now. I believe we made the film we set out to make on our own terms and true to our creative dreams. I hope we have created what Bethany wanted and that she knows she can be proud of the world she has created.

I did my best and I am happy with that and I'm very happy with the shots themselves and how they turned out. I am less happy with the grade, but this again was a learning curve with many things to take away with me.

I feel scenes 1 and 2 at the beach did not turn out quite how I hoped in terms of lighting consistency and colour grading, but as I have previously mentioned this is due to different positions to the sun that were unavoidable due to positioning in relation to the water from a narrative point of view.

I feel scenes 3 and 4 at the bus stop and pavement were both quite different, the lighting in scene 3 at the bus stop was rather cloudy and thus easier to manipulate both on camera and in the edit. The only shot here that I was unhappy with was of Kallie where I feel she is over-saturated and over-contrasted. In scene 4 on the pavement the sunshine was beautiful but there was an inconsistency in sunshine as it kept moving in and out of the clouds, this meant it was not fully consistent when it came to the grade, however here I feel like the grade is letting the image down a little bit because the shots are very pretty, I just couldn't seem to find the right balance and again have a little too much contrast.

Scene 5 in the woods is a little inconsistent in the grade, here again, I am happy with the shots especially the two-shot from behind as they are walking. Sadly as I said the grade is a little inconsistent and has a clear difference in wash and tone to the previous scene and thus has a different style. I feel the grade between shots here does not quite match.

For scene 6 part one at the river and part two at the bridge, I am overall happy with the grade. I feel like the river scene would have benefited more with a two-shot as it would have shown the actors interacting with each other. However, the two-shot that I did as shown above (ungraded) is much lower than and does not match the singles. I had done this with the intention of being the water that they looked into, but this did not edit with the other shots how I thought it would. So I had thought it through but it did not turn out as planned. For part two at the bridge, I am happy with the shots and the edit even though I feel it again shifts in tone with the colour grade in a lighter wash than the rest of the scenes.

For scene 7 in the bedroom, I am pleasantly surprised with how it has turned out, I think in spite of poor lighting the scene is exactly what I hoped for it to be. The grade is far from perfect here but it definitely aids the image a lot.

Scene 8 is my favourite scene and I think it has turned out very beautifully, but I'm afraid the grade is again quite different to the rest of the film, but I feel it is very pretty by itself. I think I missed a shot here in the shot list where there could have been a closer two-shot of the two of them for more of the scene.

Here is an ungraded example of what I mean:

It is a shame that we removed the final part of scene 8 even though I understand this choice was made for its reasons which is very valid as one of the leads was too cold and could barely hide it, this is where we removed both actresses from the water and brought them home to warm up. This was for their safety and would have felt unethical otherwise. I do understand the decision, but feel it greatly affects the film losing this scene.

Overall I wish there would have been more of the two shots because I like seeing them in frame together and how they respond to each other. I understand that this was a conscientious choice due to both creative and necessity reasons where there were issues with some of the two-shots. I personally prefer the two-shots, and I think it would have greatly improved the film overall if these had been usable in the final edit.

I appreciated working with the team of Where Currents Meet and I feel on set we really came together when we needed each other and I felt we were all supporting each other.

Here is my headshot for the project. I appear much more confident than I felt, but I have definitely gained some confidence from this project that I will be taking forward from here.

[bowel-glitch-blog]

Faygo: Vanilla Creme Soda (Review)

note: Myles didn't get around to buying this flavour last week, so he'll be editing this tomorrow to include his opinions!

Another note: because no EzyMart location I know of seems to have this flavor in stock, it seems that you won't be getting my side of this review until further notice.

(our ratings & experiences)

Flavour Accuracy

Myles: ?/20 Roni: 20/20 Average Rating: ?/20

Oh yeah. This is creaming soda. Tastes like the correct amount of sugar that's meant to be in a creaming soda drink, and is also pretty dang accurate to any other creaming soda drink. You'd think that it would, but it didn't change flavour as I drank it, either!

Health Concern

Myles: ?/20 Roni: 10/20 Average Rating: ?/20

Now that I know how bad it can get, 132% isn't too bad. It's still awful, and way too much for a drink, but it could be much worse (looking at you, Grape...) Only reason it ranks lower than Cotton Candy is because I'm more aware of how sweet it is, somehow.

Color Appeal

Myles: ?/20 Roni: 20/20 Average Rating: ?/20

This liquid is clear. In my books for drinkability, nothing can top this colour, or rather, lack of colour. Puts confidence in me that at least I won't get a lethal dosage of chemical food dye in my system. Perfect score.

Overall Enjoyment

Myles: ?/20 Roni: 19/20 Average Rating: ?/20

Honestly, this might be my favourite drink thus far. No struggle to finish the bottle and I felt satisfied after I had the last bit of it. Sugar content was in the back of my mind, but only very vaguely. No regrets, would reccomend.

Re-drinkability

Myles: ?/20 Roni: 17/20 Average Rating: ?/20

This drink is great. I would definitely get it again. I'm not sure if I'm biased or something, but I really enjoy this flavour! Minus 3 points (because it's Faygo...) but otherwise it's very very re-drinkable.

Summary

Myles’ Rating: ?/100 Roni’s Rating: 86/100 Average Rating: ?/100

Grade: TBD

[stressedbisexualtm]

End of Year Stats!

Age: minor <///3

Height: 5'7 i /believe/

Grade: A+ 😁

Confidence: 5/10

Happiness: 6/10

Gender: genderfluid

Sexuality: we'll say bisexual for simplicity's sake

Fav food: food is so evil idek :(

Fav show: ahhh idk The Dragon Prince maybe

Fav movie: LoTR extended editions

Fav song: some of my favourites are H.S by Tom Cardy, The Melting Point Of Wax by Thrice, and pretty much any song by The Crane Wives

Fav artist: The Crane Wives

Relationship status: qpr with my wife <3

Fav colour: blue !!

Fav season: spring my beloved

Followers: 49

Tags !!

@halcyonterror , @the3rddenialist , @mcwhoremic , @agni-ashes, @not-a-bananaa , @quiznak-ofgrayskull , @feralglitch

End of year stats!

Age: won’t say but minor

Height: 5’5

Grade: won’t say

Confidence: 7/10

Happiness: 5/10

Gender: gender fluid

Sexuality: asexual

Romantic: aroflux

Fav food: probably ramen?

Fav show: b99

Fav movie: not any

Fav song: too many to pick!!!

Fav artist: wallows or dayglow

Relationship status: single

Fav colour: green

Fav season: winter

Followers: 358 (as of Dec 29 at 2 am)

[bmpmp3]

i just watched saw 2004 after like 10 years of hearing about it and like 2 years of seeing gay fanart of it THAT SHIT WAS CRAZY that shit was nuts hold on i wanna talk about it a sec

only really talking about the first movie because thats the only one ive seen as of 10 minutes ago but i know theres like. 20 other movies or something. theres like 50 other movies. who knows BUT you know this movie because of its status as the first in a somewhat infamous franchise, its reputation really takes over

like FIRST OF ALL i was a little scared to watch it because like, im good with horror movies and im usually pretty good with blood and gore (particularly with movies released before 2010, post 2010 movies have a style of cgi gore that like makes me. dizzy? motion sick? i have no clue LOL) BUT i shouldntve have been that scared like its not too bad, im assuming the sequels probably up the stakes so thats probably where it gets its reputation. LIKE dont get me wrong its bloody but surprisingly a lot of shit was off screen or barely in focus, like the foot situation or Sing getting killed in the gun trap. the only thing that got to me was Tapp's throat getting cut but i think i just personally get squeamish about gore with necks and heads for some reason LOL my one weakness......

second of all and this is purely a me thing but ive always jokingly referred to saw 1 as like. patient 0 of the post 2000s blue-ification of horror movies (weird incomprehensible observation i have. im sure it started earlier but horror every movie after 1999 kept getting more and more blue visually to me fkjdahkfds) in my head because every clip ive seen from it was in the bathroom which has some strong blue color grading BUT thats not fair. this movie is also very green. and has its reddish moments. i view movie colour grading like this. sorry

but speaking of its green and red moments NOBODY told me how nuts the plot of this movie is. there were like 20 different plotlines intertwined and like every 20 minutes there was a new twist half of the dialogue was written like a detective manga it RULED i loved all the monologuing adam and lawrence did at each other near the end in the bathroom VERY horror mystery light novel esque. half expected someone to turn their back to the camera and spin around pointing saying "and the murderer was YOU" despite that not being what the movie was about LOL and like the editing really added this near, like, absurdity to the pacing, really heightened which i think makes the bloodier bits more palatable too, really great

and lemme tell you. they were not joking about the homoeroticism in this feature film like Tapp and Sing. Tapp and Sing. okay tapp's my favourite character I KNOW hes an obsessive unhinged disgraced ex cop BUT thats why he slays. and man people dont talk about it but Tapp's relationship with Sing and his obsession with vengeance really haunts the first 3/4s of the movie, talk about haunting the narrative with Sing wowza. and then that last 1/4 with like the most heartwrenching "dont leave me" from Adam topped it off.

great movie. i was not expecting the final twist IT CAUGHT ME OFF GUARD SOMEHOW after 20 years...the twist got me.... probably because there were like twelve other twists before it LOL soundtracks really good too. almost action movie theme esque?

will you think less of me for the next sentence i am about to write. so ive been really into movies where dudes get locked up in scary bathrooms and warehouses and get tortured in shitty little white t shirts. i watched some found footage movie that was probably inspired by by saw that i cant remember the name of or much about BUT i do remember thinking the same thing when it got to a part where some guy gets locked in a scary warehouse in his pajamas. lock a guy in a scary bathroom today, its good 👍

[mollysfilmblog]

Group 12 Scene Recreation

American Psycho: Hip to Be Square

Our group had originally chosen to recreate a scene from The Royal Tenenbaums, when in our tutorial we were told it would be incredibly difficult and we would need special lenses which were not available to us. As we had already spent nearly half the allotted time planning for a scene we were no longer going to use, we had to have a very quick turn-around and pre-production process. Choosing a new scene was difficult at first and we went through many options until we settled on American Psycho, it was the the first one we were all equally excited about. I was not heavily involved in the pre-production process, but served as primary director, set designer, and secondary editor. I also was in charge of the fake blood effects.

Shooting took place in Olivia's student accommodation which was very challenging. In every scene with Logan (Paul Allen) we had to completely re-arrange the furniture to give the impression that the kitchen was facing the window, when actually it was to the left of it. This was made even more difficult by the fact that this was a small space which served as a living room and kitchen to at least 6 students, and there was furniture, decor and filming equipment immediately out of frame in every shot. Figuring out the geometry and blocking of a 'fake' layout proved to be very hard for me, and there are some shots where it was almost impossible to maintain spacial continuity, but I felt that for what was available to us the blocking and set design was done well.

I really enjoyed directing for this shoot, (Matthew and Olivia also assisted with the directing) Matthew served as DOP and together I feel we make a very good team and were able to create some shots I was really proud of. We realised pretty early on that due to the limitations of the space we were unable to recreate things as exactly as we had imagined, which meant most of the night became a series of problem-solving tasks to get the shots as close as we could manage. I found this aspect of the shoot to be incredibly stimulating. I have really enjoyed working with my production group this past semester and will be very sad to split up. We work really well as a team and each have naturally slipped into roles. I have found that I have mainly become the de-facto director of the group which was surprising to me as it was not my original are of interest. I felt that this shoot was the culmination of all of that experience, and was by far the shoot I enjoyed the most. That being said it was also the most difficult, with shooting taking around 10+ hours, not including set up time. There were some shots where we had to do an hours worth of takes for about 10 seconds of footage, but I felt that the crew all maintained a good energy and positive attitude.

Matthew is by far our most experienced editor and has edited all of our films thus far. I am not very experienced with editing but have a strong interest in it so briefly helped with the last project, and helped more in depth with this shoot. Olivia helped as well. We edited on DaVinci Resolve which I have found to be more user friendly than other softwares I have used. We started out by watching and selecting all our best takes, ordering them, and syncing sound. This in itself was an arduous process and took well over an hour. As the pacing and the blocking of the film was slightly skewed during filming, we spent a long time finding the right place to cut shots to make it look as natural and smooth as we could. We also added music. During our crit some people pointed out that in a couple of the shots with the window, it seemed as though the colour grading was very intense, that was because in every window shot the reflection of the crew was visible in the window. I was not a part of this process, but this meant that Matthew had to find a mask plugin for the window and erase our reflections, which yes may have made the colours more contrasted, but I found to be very impressive and much better than having the crew visible in the reflections. The scene where Dylan walks to the bathroom for me was the largest blunder in the film and although I had some ideas for an editing work-around, there were too many other things that required attention once I had left so unfortunately we were unable to remedy that. Overall I feel that even just assisting with the editing for this shoot really boosted my skills and confirmed my strong passion for editing.

The fake blood was quite a risky element when shooting because it means there is really only one chance to get it right unless you want to spend an hour cleaning and resetting. For the shot where Dylan swings his axe we rehearsed the movement at least 20 times to make sure our timing and movement was right. We had to get creative with our tools because the fake blood was just in a jug, so I found a spray top from some kitchen cleaner and screwed it on to the jug. I then hid just below the frame of the camera on the couch and sprayed the bottle up at Dylan's face at the moment we had been rehearsing. I felt very happy with how this turned out, and the last 4 shots with the fake blood were my favourite of the whole scene recreation. We spread the fake blood around the side of Dylan's face to mimic the half and half of the actual scene. With Logan we had to put an excessive amount of fake blood on him to try and make it look realistic, especially with the absence of the more advanced, higher budget effects they use in the real film.

This scene recreation may not have been exactly prefect, but for the time, budget, and space that we had, I feel very proud of it. It was by far my favourite experience of the term and I hope some of that energy is captured in the shoot. I feel that I learned a lot from it, and can genuinely say I'm proud of all the work we did, and will really miss working with my group.

[jacobfiel]

Class #4

Today we started by reminding ourselves of the differences between vector and raster. This is because we are moving onto using Adobe Photoshop (PS) today. We then learnt that colour correction is about fixing the colours of an image to stop it from looking unnatural while colour grading is about enhancing and image to make it look 'better' then real life (usually). We then created our new folder in the data drive and downloaded our images from Moodle.

We opened the image and started by learning about some 'quick and easy' tools under the adjustments tab such as 'Brightness and Contrast' these can be alright but can't be undone.

We then moved back to learning about curves and what happens when you pull them every which way. And how you can think of an image as a line and change each points using points and curves.

We then talked about layers and how to duplicate, delete and individually edit layers. We started learning about the controls at the bottom of the layers tab so that we can edit a layer in a 'non destructive way'. Creating an 'adjustment layer' from the control panel in the layers section will open up the properties palette which is the space you can work on to start 'non destructively' adjusting your layer.

We started learning how to use the 'histogram' on how to darken and lighten an image. THE GOAL: to preserve the highlights but have the bottom point at he start of the steep cliff. We 'fixed' this image using the curves and reaching 'THE GOAL' and saved out and moved on to doing the opposite to fix an underexposed image. To do this you bring the top line to the step mountain and fix up the blacks.

We moved onto Image 3, which was of a cat. We used these same methods yet with no help to revise the skills we had just learnt. during this process we learn about not blowing up the lightest part. So you must look for when the lightest part of your image is starting to spread out and thats when you've gone a little too far.

Moving onto the next image was are first time editing an image with lots of colours. Although we still started out by adjusting the curves first. We then jumped into adjusting our colours by looking at Hue, Saturation & Brightness. Before we fully jumped into this we quickly recapped some subjects such as CMYK and RGB and what prints 'good' and what doesn't. We upped the saturation to bring out the colours on the buildings in this image. this also gave us more green in our tree shadows. We also looked at what the hue and lightness adjusters do but came to the conclusion that the lightness has pretty much already been adjusted so doesn't need any real change. While hue is a very situational tool and wasn't needed for this particular image.

We are how moving onto learning about the limitation of hue and saturation, and started talking about colour balance. Which increases the saturation of hues, while targeting the shadows, highlights & mid tones. You can select which area you would like to target (shadows, highlights or mid tones) and then use the complimentary colour sliders and slide each way to add and extra dimension to the photo.

We then went over lots of the terms/jargon we had learnt in this session and wrote some definitions in our workbooks.

We now opened up image number 6, which was a yucking foggy image. We then went through the processes we had learnt to fix this image up. The image was a little bit underexposed so I brought up the brightness using the curves. I then added a tiny bit of saturation and moved the hue to get more of a natural blue rather than the muggy green that was over the image. I moved onto the colour balance and took out the harshness of the blue and green tinge by adding reds, magentas and yellows to the shadows and highlights.

For the last Image we once again tried to take this on ourselves and Toby gave us tips about using the curves to create contrast. Then how to balance out a colour that is overpowering the image with colour balance and sliding along the shadows, highlights & mid tones. Once I had finished editing this image I added a vignette to pull focus onto the girl in the centre of frame. Toby pointed out that my photo was quite intense and taught me that you can easily fix this by changing the opacity on layers such as your curve layer, hue/ saturation layer & even your colour balance layer. This can make the effects you added less harsh and give more of a 'real' feel to the photo you've enhanced. I also messed around with creating a group out of my photo adjustment layers so they are all in one easily assessable place and my project is a lot easier to work on due to there being less layers everywhere.

[chvrrycola]

STRAY KIDS X CLICHE MEETCUTES - HWANG HYUNJIN

word count: 0.9k

warnings: one swear word :o

currently listening to: like this by stayc

meet the other meetcutes!

when your teacher told your class that your final project of the semester would be done in pairs, you could tell there was not one person who was pleased. with some of your other teachers it would have been fine, since they always let you pick your partners, but you knew you’d have no such luck this time around. 

you walked home from school with your friend, listing off name after name of people you’d had nightmare experiences working with in the past, ending up at the conclusion that the next two weeks of preparation would almost definitely be a nightmare. 

you would be told who you were paired with in class the next day, and you were just crossing your fingers that it wouldn’t be.. well anybody really. the best case scenario was that it was just somebody totally incompetent who left you to get it all done yourself, not bother you with changing the slide colours or editing your writing in real time, lurking in the google doc everytime you were close to finishing something. 

you got to class and wished your friend good luck with their partner, which they returned, before heading over to their seat on the other side of the room. your teacher was late, as usual, but came with the announcement that your partners would not be from your own class, but one of the other classes in your grade.

you sent a puzzled look to your friend, who looked back at you, pleading expression on their face as they willed fate to treat them well. you were given the names of your partners and a topic to base your presentation around, being told to come back to the same classroom at the end of the day so that you could organise when to get your work done. 

you scanned down the list once it got passed round to where you were sat. you were paired with someone called hwang hyunjin, who you had never knowingly met, but thought you might as well ask around about. nobody at any of the neighbouring desks knew much about him, but they said they had seen him around, that he was always hanging out with the same group of guys and that he seemed pretty cool from what they could tell. 

you were already feeling kinda awkward sitting at a random desk after school, waiting for hyunjin to show up. most people were already talking to their partners and checking their timetables to see when they could get to work, but there you were, looking at the clock in the hopes that you wouldn’t have to be here too long. 

the other class’s teacher walked passed you, smiling as she asked who you were supposed to be waiting for. she chuckled when you told her, and gently pointed to the boy sitting alone at the desk next to yours, checking the time on his phone. 

you waited for him to look up, catching him by surprise when he did. you introduced yourself quickly, not wanting him to spend too long thinking you had been staring at him just because, and he promptly did the same, complimenting your shoes once he was done. 

he scooted his chair over so that he could show you the sheet of paper you had seen him  scribbling on while he was waiting. you were both impressed and pleased to see that he had an almost complete plan somewhat frantically mapped out on the single sheet of a4.

‘i wasn’t sure if you were gonna be one of those people who just leaves all the work to their partner,’ he said as your eyes scanned the sheet, awkwardly chuckling and adding, ‘but we definitely don’t have to go with this, i don’t wanna like, take over the whole thing.’

you assured him that you had no problem with his plans, adding a couple of extra ideas as you talked it through with him. you were both fully hunched over the table making your notes, barely managing to avoid hitting your heads together as you focused. it was only when you sat up to stretch your back out that you realised that everybody who had been there to meet their pair had left. 

you nudged hyunjin, wondering if he had realised how much time had passed. he hadn’t, or at least that’s what you assumed from his reaction.

‘shit, i said i’d meet my friends at 4:30, they’re gonna kill me, i’m so sorry.’

he immediately started shoving stuff into his bag, writing a couple more things down before he slid the sheets between his folders. 

‘it was great meeting you though,’ he began, already halfway out the door, ‘we got this, we’re gonna nail it, i’ll see you soon.’

he left so quickly that you only realised that you had absolutely no way of getting in touch with him until he had disappeared around a corner. you went back to the desk and slumped into your chair, hoping it wouldn’t set you back too much. 

to be fair, you had already done most of your work, and basically all that was left was to actually put the slides together. you started arranging your papers and putting them into your bag when a little yellow post-it note fluttered to the floor next to your desk. 

it had to be his number scrawled on the bottom of the note, but the handwriting was so rushed that you couldn’t make out what it said until you held it right up to your face.

we should meet up again sometime, i won’t be able to see your awesome shoes over a google doc ;) (sooner the better pls)

[katieqnmr]

CINEHAIKU REFLECTION

already posted this to my padlet but thought I’d put it here too :)

The cinehaiku process was pretty straightforward I would say! Alex came up with this beautiful idea of someone dreaming via a projection, and eventually we developed it into two people dreaming about each other. Pretty cute stuff! We didn’t really have technical difficulties, and the cast were really helpful and patient. I directed this project, but I would say it was partly co-directed or at least I feel like I tried to make sure everyone’s ideas were involved properly. It was pretty much just teamwork! So, to the crit. I’d say everyone was super kind overall, and I’ll list and respond to the positive and negative critiques that we received here:

• Interesting sound design, for the most part was successful, perhaps be a bit careful when using sounds that connote societal shared ideas. Anne-Marie suggested specifically that it may have sounded in some sections with the breaking noises that the two characters were having a fight, which is not what we intended.

Clear sections were achieved, thus use of cinehaiku format was successful.

Perhaps concentrating on a lot going on at the same time made the message a little bit confused, though most people weren’t muddled by it which was good because that was a real concern I’d had in the edit stage! And yet it was too late to change it by then without reshooting. But thankfully it didn't appear to be a large problem.

Kind of in the same vein as the last one, it was suggested that more of the projector shots could’ve been shot closer, to confuse people less when looking at two images and attempting to combine them into one in your brain.

We should’ve masked the projector or changed it in a way to make the harsh lines a bit softer, as Zoe pointed out they were the harshest lines in the shot which she thought was distracting.

Some people were in fact surprised to see the two were in the same bed, so I’d say we achieved the kind of ‘surprise’ we were hoping for!

The colour grading done by Alex and Tom was complemented and added to the overall ambience and feeling of the film, kind of locking away the summer in the projector.

I think all the critiques were very fair and honestly though I’ve listed more negatives, we got so many positive ones too, and I think people generally enjoyed our cinehaiku. I loved working on this project, and my group was so helpful and creative!

Other projects I especially enjoyed were: the Vampire Vlog one, as I thought the idea was naturally hilarious and wow the middle shot was seriously well done especially! I also loved the sound design, using the tropes of Gothic horror and subverting them with a vampire’s morning routine.

I also really enjoyed the Knightfall interpretation of the theme. I found the production design so impressive, and the structure, although slightly confusing for my small brain, was so interesting! Just felt like a very unique take on the task. I love the reverse shot at the end too.