#the dialogue for this one was fun to write

[ofcrowsanddragons]

Antivan Crow Rook

This looks fun! Anyone can send me an ask with a prompt for my Magpie Rook ("Mags" de Riva) from A Working Relationship, and I'll write a very short story in response.

This might take the form of a few lines of dialogue, a codex entry, or a drabble. (Edit: or a short story of a few hundred words, depending on how the inspiration strikes.)

Completed asks:

3. A Time Rook Got Incredibly Drunk (Rook & Lucanis & Bellara) 5. Rook Getting Seriously Ill (Viago & Rook) 14. Attending a Celebration (Viago & Rook) 15. Breaking the Law (Tarquin & Rook) 18 & 34. Trying to Impress Someone / Undercover (Teia & Rook & Viago, everyone's massive crush on Teia)

Up next:

2 (How Rook got their most prominent scar) or 9 (Rook saying goodbye to a friend.) 18. Trying to Impress Someone (if I can think of a second one)

Rook Story Time Prompts

Tell a story or draw something based on the prompt you are sent/choose. You can try writing in character, as Rook, if you want! Have fun!

1. The first time Rook killed someone.

2. How Rook got their most prominent scar.

3. A time Rook got incredibly drunk.

4. A time Rook made a personal enemy.

5. Rook being seriously ill.

6. A time Rook was severely injured.

7. Rook being taught an important skill.

8. A time Rook argued with someone they care about.

9. Rook saying goodbye to a friend.

10. Rook attending a funeral.

11. Rook being recognized for an accomplishment.

12. Rook making a new friend.

13. Rook visiting a place they love.

14. Rook attending a celebration.

15. Rook breaking the law.

16. Rook falling in love for the first time.

17. Rook teaching someone else a skill.

18. Rook trying to impress someone.

19. A time Rook did something embarrassing.

20. A time Rook faced an overwhelming enemy.

FACTION SPECIFIC PROMPTS

21. GW!Rook undergoing the Joining.

22. GW!Rook encountering their first Darkspawn.

23. GW!Rook having a nightmare of the Archdemons.

24. VJ!Rook disarming their first artifact.

25. VJ!Rook being attacked by the sentinels of Arlathan.

26. VJ!Rook exploring new Elvhen ruins.

27. MW!Rook tending to the gardens.

28. MW!Rook being inducted into the Watch.

29. MW!Rook exploring a new part of the Necropolis.

30. LoF!Rook escorting an adventuring party.

31. LoF!Rook disarming a trap or solving a puzzle.

32. LoF!Rook fighting an aquatic enemy.

33. Crow!Rook’s most dangerous contract.

34. Crow!Rook on an undercover mission.

35. Crow!Rook’s graduation from Fledgling to Assassin.

36. SD!Rook smuggling people out of Minrathous.

37. SD!Rook participating in a large-scale act of civil disruption against the Magisterium.

38. SD!Rook breaking in somewhere to acquire vital information.

[fixyourwritinghabits]

Editing Part 5: The Structural Pass

Okay, by now you've nailed down how you want your plot, characters, and worldbuilding to be. If you haven't by now, it's a good time to format your document into manuscript format if you plan to move forward to publish in any form.

When it comes to structure, what you're really focusing on is readability. If the format of your book is a slog to get through, if your paragraphs are too long or your sentences are all the same. This will lose readers otherwise in love with your plot.

Dialogue

Dialogue heavy scenes are very fun to write, but pages of dialogue with no action can also be exhausting. Break up your dialogue heavy scenes with actions and descriptions. How does the character's body language reflect their feelings on the discussion? Can you give them a task (picking a lock, chopping onions) that allow you to add to the scene (fumbling when frustrated, dicing harder when angry)?

One mistake (that I've made plenty of times) is to have characters doing things for the sake of doing them. But this is an opportunity to add details that add to your plot (the normally awful cafeteria green beans are delicious, a clue to solving the murder!), character (an alien crewmember is trying to copy human expressions to seem more personable, but his many teeth just freak people out), and world-building and setting (Laura is ranting about her ex, but Tara is distracted by how soulless her rich mother's house seems).

Scene Lengths

Are your scenes running too long? Do they start in the wrong place? (Two paragraphs on making coffee instead of "She was making coffee when George burst in.") Tightening up your scenes will do a great deal to make your book better.

This is easy advice to give and harder to picture doing, I've found. Everything often feels essential to a scene. Try to tackle scenes with the following questions:

What is the point of the scene? (George tells Susan his wife left him for Keanu Reeves.)

Where does the action start? (When George burst through the door without knocking.)

What is the goal of the scene? (Susan starts to suspect George of murdering his wife.)

Where does the action end? (George leaves.)

Where should the scene end? - This answer depends entirely on what you need to happen next. Maybe you have another page and a half of Susan musing about her suspicions right there in the kitchen. But maybe this will be more impactful in the next scene, where Susan is snooping in the garden and happens to find something George's wife would never leave behind.

Varying Paragraphs and Sentences

Pull back and look at your pages. Are all the paragraphs the same length? Do you fall into using the same pattern of sentences over and over? (Guilty) Have you used the same word four times in a single paragraph to describe something? (Double guilty) Break those chunks up, what for those repeat words, and vary your sentences. This is going to help so much with issues you weren't aware of.

Chapters and Word Count

There are many ways to do chapters, but you want to keep an eye out for chapters that are going too long (giving your reader a visual break of a chapter ending can help shift the setting and tone) or too short (have you accomplished everything you need?) This is not a knock on either structure done on purpose - this is to catch something you may have overlooked.

When it comes to word count, industry standards are always a good baseline to go with. Your audience often approaches a genre with certain expectations, and while you can make a doorstopper of a romance, you will find more readers by sticking to the 80-100k range.

[ramshacklerumble]

“What? It’s just bone meal.”

(i was minding my own business when this au appeared and grabbed me by the hair. thanks @quartztwst for this incredibly fun au. i love the energy of hunting azul ashengrotto for sport.)

i really liked the idea of ny!gia being an npc that isn’t for or against the happenings around ashengrotto, however quartz is able to unlock new murder and/or disposal options through them depending on how she interacts with gia. generally speaking, gia won’t sound an alarm if they catch something suspicious— however they will remember and this can affect their decisions. be wary though, it’s possible to create a negative dynamic with gia in which they will betray or actively become an enemy.

ITEMS:

Phone + Earbuds: Gia loves music and striking up a conversation about varying genres can help open up Gia— if correct dialogue choices are made, anyway. Oh, you listen to Napalm Jam Revengance? Name three songs.

Trowel: Gia spends much of their time tending to plants and so a trowel is often seen on their person. It’s oddly sharp.

Experimental Phials: Depending on what ingredients are brought to Gia, the rapport made with them, and if their interest has been piqued— Gia can be convinced to create varying substances to aid (or harm) Quartz. Gia appreciates a guinea pig. Willing or not.

Berries: You can eat these. Once.

Notebook: Gia’s notes on all plants and procedures they work on, as well as other secret journal entries. This notebook can be stolen by either Quartz or other characters— Quartz can choose to return the notebook, use it to create poisons herself (with a higher possibility of failure), or use it as blackmail to get Gia to work for her. Many different possibilities, though Gia assures there are far easier ways to die.

TRIVA:

Has a strange, volatile dynamic with Ashengrotto’s left hand man. No one is quite sure what it is, but they sure do interact.

A top ranking student

If Gia is befriended, they will actively cover for any suspicious activity or make up alibis instead of completely minding their own business

They can be convinced to use their experiments on others themself, although it’s easier to convince them to hand over what they made while they turn a blind eye to any following consequences.

Likes cute, kitsch items. Especially clown themed.

tag list:

@cyanide-latte @inmateofthemind @tixdixl @winterweary @thehollowwriter @jovieinramshackle

@theleechyskrunkly @skriblee-ksk @boopshoops @the-trinket-witch @twistedwonderlandshenanigans @kimikitti

@s-t-y-x @nightwingshero @water-writings @beneathsakurashade @oya-oya-okay @scint1llat3 (dm to be added)

[widebrimmedhatsblog]

ONYX STORM ⚡️⚡️⚡️

My thoughts below the cut! Spoilers galore. This is all from my first read through, so we’ll see what changes by the time I finish my second read. I’m still pretty jumbled up about the book (I am physically incapable of opening up goodreads and giving it a rating) and, frankly, I think my notes are going to reflect this! Also, this is thoughts for the WHOLE BOOK, so please don’t open the full post if you’re not done with the WHOLE BOOK.

I’m pasting my notes directly from the doc I took them on while reading , and adding extra post-read commentary when I feel the urge! Also this is your warning that I swear quite a bit in these! For they are candid.

ch1-10:

- i will say i thought the ch 2 epigraph was an inntinnsic clue but now im not so sure bc it’s not that rare it’s just that they kill everyone who has it ??? (commentary from future helena: this is about lilith…right?)

- tell me something, violence. why is it always you? 😵‍💫😵‍💫😵‍💫😵‍💫

- what IS a soul. how can you take a soul apart piecemeal. why do you think he gave up part of his soul. who told you that. (CFFH: i stand by this. none of this makes any sense to me.)

- hmmmm no red post fingering! curious…very curious (CFFH: i still don’t know about this one dawg)

- the kiss beneath her ear after he helps her get dressed somebody sedate me

- god DOES garrick like imogen because mans does NOT act like it poor im (CFFH: I seriously cannot stop wondering when the hell Rebecca decided to make immrick canon because i LIKE the ship, but on my fw and if re reads it does not read like Garrick likes her, and I would say that holds true till the very end of the damn book)

- VIOLETTTTTTTT I LOVE HER she’s so fucking back (CFFH: violets characterization was my favorite thing about this book. i was really scared about xaden leaving because frankly rebecca writes violet best with him, but she held her own so much better than she has in the other two books. i always love her, but she was incredible here.)

- the bits about vi being a good duchess i Knew that was him saying he wanted to marry her (CFFH: this is an example of what i like to call RY’s “gotcha ass foreshadowing”)

- also i have always characterized fen in my head as loving the movement more than xaden i know what’s up

- i’m soooo excited about him being the duke this is so embarassing im pumping my fists

- did NOT see the samara field trip coming what the fuck

- EVEN HUNDREDS OF MILES AWAY HES STILL TSKING CARE OF EMD EKDNRNRNRN (CFFH: yeah.)

- hey guys what the fuck was that dream? did RY see the cat/violet shippers and get ideas

- WHAT THE FUCK. i saw NONE of this coming

- GARRICKS A WIND WIELDER ???? (CFFH: obviously did not age super well…however garrick was acting so sus here and his dialogue felt so off that i genuinely thought he was the traitor for a fat minute)

11-20

- WHETS RNRJRNRNRNRNRNRJEKEKKRRN

- IS THIS THE MARKED ONES SECOND SIGNET TNEORY (CFFH: can you tell i was a big fan of the marked ones second signet theory. also what’s xadens third signet then? also i feel like if EVERYONE has 2 vi will have 3! i have a theory explaining it below somewhere)

- WLSO DID XADEN FHCKINF KNOW (CFFH: they actually handled this really well i was so nervous they’d have the fight again)

- dude im like short circuiting sick to my stomach HES SOOOOOOO BOYFRIEND ? (CFFH: what on EARTH was this about?)

- well the fuck aware!!!!!!!!!

- i can’t breathe

- i need my inhaler

- LIAM WIELDINF ICE (CFFH: again, can you tell i was a big fan of the marked ones second signet theory? fun fact, i actually wanted to write it into ITHOIA but then i realized a. how much work it would be to concoct that many signets and b. i’d have to give xaden THREE, and decided to pick my battles. however i did brainstorm what signets had xaden energy for giving him a third one and immmmmm immmm having ideasssssss)

- YOURS X

- why do i agree with JFBs venin logic man

- god halden is her traumatic ex relationship goddddd (CFFH: i edited out most of my complaining, but i was super against the halden idea (per my predictions). this might get me cancelled, but it did feel fan service-y? to me? which is fine! fans deserve to be serviced! there are moments of this book in which i am the fan being serviced! but when it become clear RY was going in the halden direction, i was super stressed about how she’d handle it, and im thrilled she made him toxic. THRILLED.)

- SECOND KROVLAN UPRISING

- knowing miss yarros and her gotcha ass foreshadowing ridoc is going on that quest lmdao

- PRFOEOEKEENDJEJEN PROFESSOR RIORSON PROFESSOR RIOROSN (CFFH: not only do i stand by this, but i actually wanted to write teacher roleplay for kinktober and i didn’t bc i didn’t think the fandom would take a liking to it, but CLEARLY rebecca didn’t have those concerns)

- i am going to commit crimes against humanity your relationship did not just END SJEJEJEJENR R (CFFH: i’ve noticed miss yarros has begun to really lean on chapter cliffhangers, and frankly, it pisses me off. i understand she needs to get her bag with kindle unlimited and all, but it makes for a stressful reading experience imo. however, this one got me. this one got me SO bad i had to take a walk to calm down. i have been looking forward to professor riorson for MONTHS and i was convinced it was crashing and burning before my eyes. maybe this is why i shouldn’t read past 1 am. i know rebecca has given interviews and has said she needs there to be constant tension in their relationship or else there’s no story, and while i know what she means, THIS tension felt so manufactured to me. i also think she could pull off a war story with them just like …together. i believe in her. the story needs tension, but it doesn’t need to be between them like this, imho.)

- we live by the codex/i live by you 😵‍💫😵‍💫😵‍💫😵‍💫😵‍💫😵‍💫I AM YOURS AND YOU ARE MINE AND THERE’S NO LAW OR RULE IN THIS WORLD OR THE NEXT THAT CAN CHANGE THAT

- you know what we might get shadow sex in this book. we might. (CFFH: we do! and i think we can get more with asim!xaden)

- fun fact about me it took till my THIRD RE READ to see that xaden controls the shadows with his hands.

- there’s been like 3 indirect marriage references if my fucking empire of storms prediction was correct im going to scream (CFFH: so i actually didn’t get to scream because i was too busy MOURNING the lack of a RIORGAIL WEDDING.)

- PAPA SORRENGAIL HAS NAME AND ITS ASHER ?????

- ridocs blow job joke was funny i cackled

- papa sorrengail (im going to deadname him) i do love you man

- SHADOW HANDCUFFS OH MY GOS i had a seizure in my reading hammock

- he is my choice. that got me. that felt good.

- DRAAAAAAAAKE (CFFH: i may say this later, but alli (no tag bc she’s not done reading yet) made drake so sexy to me (and amy! also no tag) and i was kind of disappointed lmfao)

- vi rlly out here playing cousins or dating

21-30

- i loooooove him calling her love all the time

- it’s so crazy to me that he’s relaxed without magic but im glad! since i do think this is his ending over all

- helena bets time: the deal the krovlan rebels didn’t uphold was smth to do with the irids or the feather tails

- “xaden riorson is a lot of things, but happy usually isn’t one of them” hey man what the fuck

- this feels like a fever dream this is the dragon show christmas episode that isn’t relevant to the plot what do you mean they’re bonding over horses

- hey guys is this…capitalism?

- i can’t get over the isle kingdoms being kerch (CFFH: if you haven’t read six of crows this won’t make any sense, but if you have….)

- ARETIA IS THE SECOND MOST BEAUTIFUL THING I MVE EVER SEEN AND MY HOME IS THE FIRST (CFFH: he was ON ONE in this)

- maybe im toxic but he’s being so nice im so anxious about something going wrong 💀 like he stays in the isles or something jesus

- “even if we did, we can’t be in two places at once” + xaden acting weird ….. (CFFH: i want to say third signet but i don’t know)

- what the FUCK is going on with him like it’s really hot but it’s freaking me out

- IM GIVING DIPLOMACY A TRY NOT SURE ITS FOR ME THOUGH (CFFH: dare i say lilith parallel)

- HE WOULD HAVE IF HE’D MET HIM. knocked me on my ass.

- i have an idea i just dont like being wrong baby violet i need to give you a forehead kiss

- why is violets dad the grandpa from the inheritance games

- im going to bed fr fr now but my last minute prediction is that he marries vi to make her an aristocrat (this is wishful thinking) (also we don’t HAVE to rescue halden) (like it’s fine if we don’t)

- MY CONSORTTTTTTTT

- WHEN WOULD BE. can he propose for real. please. (CFFH: this is hurting my feelings)

- bro his LINES IN THIS ???? who do you swear fealty to/VIOLET

- he’s acting less sus…i did NOT like that epigraph abt “returning to his true nature” (CFFH: maybe im on something but idk if this was meant to reflecrt him draining the alloy or whatever it was orrrr if it was abt vi channeling somehow!)

- im almost worried he’s trying to marry her before he kills himself or something but he keeps telling her how selfish he is so maybe not (CFFH: close!)

- her EDS is also a lot better done this time around (CFFH: from a layman’s point of view, obviously, but her injuries were much more graphic, and her other symptoms were actually on page. i really appreciated this)

- oh my godddd sloane and dain.

- i feel like the bond fuckery is vi’s second signet ???? i ALSO feel like it’s sexy

- DAXTON

- PAPA SORRENGAIL HAS A MAIDEN NAME

- also bodhi TOTALLY has a second signet that little LIAR i wonder if he’s an inntinnsic too or smth.

- god imagine bodhi has resurrection

- im trying to be normal but i feel like its insane we’re just now learning where violets family is from idk!!!

- why is dain sweet in this idk also this happened earlier but vi’s dad teaching him languages FOR violet makes me want to cry

- im so fucking proud of violet holy crap

- is violet ??? unnbrian????

31-40

- FOREHEAD TAT LIKE THEOPHANIE!!!!

- violet absolutely can wield there im calling it rn shawty is MAGICAL (CFFH: i guess maybe it’s her touched by dunne ??? thing ??? and she’s somehow ??? half god ????)

- god xaden and dain love her so much

- why does rebecca never let me see xaden do her wraps for her i want to seeeeee

- they’re all in couple pairs so obviously dain and garrick are fucking next (CFFH: this was a joke but tbh…i could be convinced idk)

- god so timing wise DID papa sorrengail meet xaden’s mom !/!:!3&3’ejd (CFFH: i don’t think so ??? but maybe ???)

- not sure my thoughts on the name talia (CFFH: this is bc i picture my bestie Thalia Grace)

- the mommy issues are churning my stomach

- i loooooove aaric holy

- dude i totally thought ridoc was dead

- babe! this isn’t you!

- oh my god ?????? i was NOT expecting violet to give them the old kazzledazzle (CFFH: this is another six of crows reference in which Kaz uses someone’s child as leverage by implying that he’ll kill them, basically, except Kaz is on page morally gray. in THIS book violet is, but i don’t think she had been before now)

- this is genuinely honest to god NOT how i thought their relationship would go and it’s freaking me out

41-50

- you’re my soul JESUS what is he ON

- god poor andarna

- I KNEW HE WAS AN ARIES AND NOT A PICSES I KNEWWWW ITTTT

- she wrote him a letter 🥹🥹🥹🥹🥹🥹

- i will say i’ve been wondering if the venin effects xaden experiences are more of a ptsd metaphor than anything

- is cuir trans bc i totes thought she was a woman

- ….it would be a shame to kill my last living relative….

- god the adaptations to the running landing mean so much to me im so proud of her

- violet baby i love you to pieces

- you do some of your best work on that throne 😭😭😭😭 (CFFH: the amount of callbacks in this book was very intriguing to me)

- WERE HOME VI ACT LIKE IT

- i was actually rlly against xaden telling anyone he was venin but it’s all gone surprisingly well

- if lindell and lewellen are xaden and liam’s gay foster dads….dont call don’t text

- shadow handcuffs………………..

- im a fan!

- god i did NOT expect that to be the route they took? with the sex ? (CFFH: i thought they were gonna handcuff XADEN. )

- she is absolutely having xaddys dreams but idk what the FUCK the cat one was

- IS XADENS THIRD SIGNET PROPHETIC DREAMS. (CFFH: im leaning towards venin mindfuckery but who knows)

51-end

- i am actually really enjoying tairn and adarna this read although id like a dragon punnet square

- violet is so venin. xaden IS power she says while she says SHE IS power mmmmm rebecca i know your secrets (CFFH: see yall after book 4 idk)

- hi who the fuck was the high priestess and why does it matter im so confused i can see the puzzle pieces and i am flipping the table

- also crack pot theory entered my head. if xaddy gets 3 signets then vi has to get 3 signets. tairn never says naolin he always says “the one who came before” what if…hear me out…somehow it was papa sorrengail???? and not naolin ??? at least not naolin the whole time so then she’s getting a third signet from tairn

- why the fuck did vi not listen to aaric in the first place mans clearly knows what he’s talking about (CFFH: #drama)

- okay is violet a demigod. is that what’s going on

- IS HER HAIR NOT ACTUALLY SILVER (CFFH: i feel like it has to be ????)

- okay wait im thinking about the dedication thing they said earlier -> lilith is sick -> they think fetus vi is going to die -> they ??? dedicate ??? her ??? to dunne ??? (CFFH: i still don’t know actually except she’s two and not a fetus? and it was just papa sorrengail. also i think they rode tairn there LMAO but maybe im insane)

- i cant get over garrick being a distance wielder i need to check on the immrick girlies (CFFH: immrick girlies i hope you’re well!!)

- god how are the irids involved in rsc ???

- i exist for tairn, but i live for xaden okay girl okayyyy

- god does she get to keep being an inntinnsic now ?????

- THRILLED about her sleeping in xadens clothes

- were past the break up stage he’s sooooo real i love him

- core. memory. (CFFH: this is the biggest sin rebecca’s committed anachronism wise my god)

- god DID they get secret married ????

- god when they said bring your brother and i thought she meant liam was being resurrected i actually started to enter cardiac arrest (CFFH: am i the only one 😔)

- is bodhi actually his secret brother and garrick knows and we don’t because what the fuck (CFFH: i guess it could just be vibes?)

- my heart is not in my chest cavity after the liam business

- COLONEL DAXTONS GUIDE TO EXCELLING IN THE SCRIBE QUADRANT!!!!!

- i knew that was how it was going to go purely from alli’s take the second they said they had mira i was like reciting the sitq ending (CFFH: obviously i was slightly wrong but still! this is controversial but the fact that she let everyone were close to (mira/ridoc) live and only killed off tertiary characters kind of undercut the experience for me idk!)

- oh my god dain and sloane 🥹

- come back to me/only ever you

- DUKE OF ANGST

- is garrick’s distance wielding how they dealt with the fuck ass trips to aretia that didn’t work with the timeline bc that’s brilliant actually god damnit

- the bullshit about being everywhere at once means something i can feel it

- RHIANNON?????

- cannot believe that line is feirge

- hi so fun fact i don’t think jm meant to read for this many hours straight i feel like im locked in a trance

- THE ONLY PERSON I TRULY LOVE ???? ABOUT QUINN??? IMOGEN ???

- what on earth is imogen’s second signet bc i don’t think that’s how fire wielding works ????

- i cannot believe the marked ones all have second signets what the ever loving fuck

- i feel like quinn’s death was just not that impactful however imogen saying her mom and sister will know who she is made me tear up jesus

This is where I stopped taking notes!! I’m SO confused about the ending. To be quite honest, I think I’ll reblog this with my thoughts on the ending after I’ve re read it, because I’m LOST. What did Xaden show Sgaeyl ???? Who turned venin with him, because I thought Bodhi but maybe Garrick but maybe both??? how DARE rebecca now show me the riorgail wedding ?/??2?3?3$33&:! WHO does he have a DEAL with???

misc thought that didn’t make it up there:

- i LOVE how she handled Sawyer’s amputation and rehab.

[queerofcups]

wow hi!! first of all thanks for replying, genuinely. it feels very hard to start any kind of dialogue in this fandom! second of all, just to ground this, I'm definitely not trying to change your mind and you're almost certainly not gonna change mine. I made a little haha at the end of my first reply, but I really just think this is a really interesting conversation/exploration into how differently people can see the same show!

I think we maybe disagree on a couple things.

I don't think Louis is so supremely monogamous. We see him acting in nonmonogamous ways quite a bit. Their first hookup is a threesome. He chose to go and fuck Jonah when Lestat weaseled his way into an open relationship. To your very point, he actively pursued Armand while still being in love with Lestat (I dont think this is actually all that nonmonogamous of an action functionally, but intellectually, if nonmonogamy is pursuing multiple emotional and sexual relationships simultaneously, well...). Is Louis' initial pursual of Armand less real because he's still in love with Lestat?

I suppose you could argue that all of these things are different because they're sexual connections and not romantic? Which, sure, but that's still not monogamy.

I think, in fact, that we agree with that ultimately they're each others #1. I'm actually not a multi-shipper, I'm not particularly interested in watching (or reading) about them in other relationships, I just don't really understand the insistence that they must be monogamous forever, because they love each other.

Which brings me to the next core point where we seem to disagree, which is that it feels like mmm. I don't say this to cast aspersions about what you, as a person, believe, we are literally internet strangers writing fanfic about fictional characters. So I will say that this particular argument feels like one that puts eternal monogamy on a pedestal in which it is the most perfect, most ideal form of romantic love and if these characters stray from that, it must be because something is wrong and their love is invalid or not real.

I think Lestat tries to get Louis to fuck Antoinette because he loves Louis very much and wants Louis to have fun. I think Louis fucks Jonah because he wants to and also Lestat is getting on his fucking nerves and he's hurt by his lover and wants to get his lick back.

I personally don't think its actually that unbelievable to suggest that they'd open up their relationship or pursue someone else in a forever relationship? For toxic, codependent reasons and also for mundane ones. People who love each other very much open up relationships after 5 years, 12 years, etc. I don't think them fucking other people means they aren't THE OTP, you know? I think that's the part we definitely agree on lol, these idiots are obsessed with each other.

anyway, I think we're reading the show very differently, even down to the engagement with outside material. But I think that's great, actually, I'm happy to be having this chat with you.

louis and lestat wouldn’t even hesitate to walk out into the sun if the other ceased to exist and people think they would ever consider polyamory. it’s just not realistic. they invented monogamy and the soul being irrevocably tied to one other soul for eternity and beyond

[promptsbytaurie]

dialogue prompts: six words

!!please credit/tag me if you use any! I'd love to see what you write!!

"I saved the universe for you."

"What did they do to you...?"

"I'm not the same person anymore."

"Am I the only sane one???"

"Ok, but, they've got a point."

"Don't move a single step closer."

"Are we in the fucking matrix??"

"I think I'm gonna go now."

"You ruin people's lives... for fun?"

"Don't take my word for it."

"What, you don't like my smolder?"

"Can you help with my wings?"

"Get out of my way. Now."

"I swear I didn't mean to."

"Can't we just blow it up?"

"This place has gone to shit."

"Didn't have to tell me twice."

"You talk like a Victorian butler."

"I thought they could fix me."

"I've waited ten years! Ten years!"

"I don't want to cause trouble."

"You're way too good for them."

"I'm not good enough for them."

"If you're looking for a friend...?"

"Speed the process up, dear god."

"I really don't care about myself."

"I'm gonna give you five minutes."

"You've got the best of me."

"I don't take pity on newbies."

"Maybe you should get some rest."

"I'm on my way, wait up!"

[riality-check]

hi, love your viktor fic! since you say you find him easy to write and you feel like you've really got his speech down, could you give some advice on how to write his dialogue/these unique dialogue things you say you've noticed? I've watched the show 3 times but still find him so hard to write!

Anon, you have no idea the yapping you've unleashed. I love discussing the intricacies of speech, and I love discussing Viktor, so strap in and prepare for quite the long post.

Don't feel bad about not getting his voice down! Character voice is difficult, and it's even more difficult to maintain consistently. I have it a bit easier; I have a knack for memorizing speech patterns very well. So, once I metaphorically store the file in my brain, it's pretty easy to test all my writing for the "he would not fucking say that" phenomenon.

In my opinion, Viktor's speech can be summarized - though this is quite the reductionist summary - as having a lot of the same quirks as that of those who learn English in a schoolroom setting. He speaks very "standard" (in quotes because I don't feel like getting into the linguistic debate over that categorization right now) English. This entails a lot of things; for Viktor, this manifests as speaking in a register that is slightly more formal than many other characters in the show.

(Of course, these phenomena transcend learning English specifically. I actually run into them frequently when I speak Italian. But because the show is in English, I'm taking English as Viktor's assumed second language and will be using that reference throughout this post.)

Specific ways that manifests in my writing for him are outlined below. There are a lot, but I've listed my top three for brevity's sake.

No contractions

This one is difficult for me! I naturally write how I speak, which means I frequently clip my words. Plus, most of the characters' whose POVs I write from have very casual speech. Viktor is the exception. Changing your "can't"s to "cannot"s, your "didn't"s to "did not"s, etc. will help you achieve that slightly more formal register that Viktor tends to speak in. It's a bit of a pain, and it feels strange at first, but to me, it's one of the simplest ways to get your writing on the way to sounding more like Viktor.

Minimize your slang (and swearing)

I'm mostly taking this one from the "crank it" scene. A lot of second language learners aren't specifically taught slang in their target language; they have to learn it as they go. In that scene, Viktor encounters a phrase that is new to him, hesitates, understands, and then adopts it. Slang, for Viktor, is acquired. Demonstrating that in your fic rather than having him use it completely organically like a native English speaker would is another way to get your dialogue more in character for him.

Additionally, to my knowledge, Viktor doesn't swear in the show. I do have him swear in my fic, but extremely sparingly and only in cases of extreme emotion. Second language speakers (in my personal experience) are rarely taught profanity on purpose, and it often takes a while to use it fluently in their target language. So if you're having Viktor swear, do it sparingly, or write it out in whatever real world analog you think his native language is for some fun flavor!

Use specific verbs

There's a writing post I saw a while ago but cannot locate that describes this better than I could. The gist of this is to eliminate verbs such as "is," "has," "seems," etc. in favor of more specific verbs. This is less of an "English as a second language" quirk and more of a "Viktor is intelligent and Academy-educated" quirk. Viktor is precise and specific with his words whenever he speaks. Some examples of this that I've used have been "permits" instead of "lets," "inquires" instead of "asks," "fabricate" instead of "make." This also extends to nouns; "quandary" instead of "problem" is taken straight from the show. Using some of those higher-register words is very reminiscent of Viktor.

I hope this helped, anon!! This was super fun for me to make, and if anyone else has any additions, pls add on to this post!!

[ninakoll]

For comics, what is your work process like? How do you get from idea to a finished comic?

HELLOOOO OAAA omg this is a tough nut to crack as im a pretty chaotic writer in that way...... i think it depends whether i'm creating longform or shortform, i actually recently talked abt this elsewhere so i can bring an example based on the sylvanian discourse comic as shortform! long post with sketch pages and thumbnails etc ahead, ill put it under a cut! 🧡🧡

usually i start by jotting down really loose ideas which i do in my native language; ill translate it for you but i sent myself a mad scientist-esque message that went like: "kohaku giggling at his phone, rinne asking what's so funny and kohaku tells them that love assigned them sylvanian families creatures, and shows them. niki's is obvious, everyone agrees. same with kohaku's, plus rinne does pleading face emoji at how cute it is. rinne's critter could get criticism on being uncool? google. himeru's reaction to his own is no way.. himeru is this one and shows a pic on his phone to which everyone is like ..:3 himeru we didn't know you'd thought about this already but himeru just demands everyone to agree with his choice more than aira's. aira later gets a text from kohaku that himeru didn't agree and aira is PISSED"

sdfsdfdklhs so this was my script, as you see the story changed a little while thumbnailing bc i figured out a funnier way to write it; + i cut the scene change for pacing reasons and constrained the ending into one panel with texts on a screen...! then i had to start finding the critters to assign them, i presented my assignments to friends to check if im accurate or out sailing:D:D mwah mwah thank you to my council of love

next step was writing dialogue which i did while sketching the pages super loosely as little thumbnails, i like to get my layouts solidified when thumbnailing too and i usually do my cleanups straight on the scaled up thumbnails. when i write longform i usually thumbnail out more than 6 pages at once to see how the pages flow and write loose mad scientist type scripts chapter by chapter. i rly do miss working on longform comics 😭😭😭 (my webcomic FLFR became abandoned bc i deleted my twitter years ago and realized later that my only way of accessing my webtoons account was thru twitter. customer support said its gone forever so 🇫.)

as you see in this example i rly like to have my text flow and kind of lead the reader's eye thru the action... i think all comic artists have different approaches to certain things but i like loose and dynamic paneling very much; it's so much fun to play around with!! i'm also so so pleased that people noticed in the comic how kohaku was becoming more and more excited and confident with every showing, it was a little difficult to figure out how to make a repetitive and essentially very boring action (someone holding up their phone) work in comic format without feeling copypasted or trite. more thumbnail examples from my sketchbook for the rinniki comic (i like that i wrote notes for myself on top of drawings, like "üldine" to refer to the panel being a wide shot:DD wonderful overlap of storyboarding and comic work!!):

overall i like writing comics since you can add endless details. what makes comics work for me is giving up on being a perfectionist or you will never finish a comic. one finished comic is better than the perfect comic in your head because you'll have the experience and free space in your head to write another comic, instead of the first one stewing in your mind. :D and so on!! be bold, don't be scared to draw ugly, and draw bad comics. and definitely write it with an audience in mind, except the audience is 50 versions of you and what you enjoy/like most!!

i started my first longform comic in high school and idk how but i managed to finish it, it's not a great comic, but i'm proud that it's done and it taught me a lot. same for FLFR which i hope i can rewrite/redraw some day since it's a story i still want to tell and the characters are rly near and dear to my heart, but i think i totally got burnt out from juggling work, comics and things going on in my life at the time :( surprisingly i also enjoyed working on a comic project where the client wrote the script and had character designs ready but mainly because the client's script writing style was similar to mine which at times was like "idk they fight and something funny happens here"

thank you for this ask!! everyone start drawing comics NOWW 👊💥

[lcb-oil]

Limbus Company Wiki Style for AO3

Note: This post contains spoilers (... can I call it that?) for Glimpsing a Certain Mirror World.

While I was writing this story, I wrote some in-game dialogue for an identity based on the text just to get into the spirit of what I was trying to capture.

Then I thought - what if I shared that in a bonus chapter, just for fun?

Then I thought even more that it kind of looked like an imaginary wiki page.

Then I had Carmen help me present a wiki page from another reality.

Seems like readers got as much of a kick out of it as I did writing it!

Now I'll show you how to style an AO3 page to look a little bit like the wonderful Limbus Company Wiki, too!

If a CSS and HTML snippet demonstration is all you need, grab them here:

🔗HTML (Inside your story)

🔗CSS (Inside a Work Skin, made on your dashboard)

Next, I'll go over everything step by step from the beginning.

Jump into the cut for the tutorial!

(Then show me your fan identity stories when you make some, okay?)

Step 1: Create a Work Skin

After logging in, go to your Dashboard.

Then click Skins

Then go to My Work Skins

Click Create Work Skin

Give it any name and description you like

Paste the following into the CSS text area:

🔗Pastebin Link for easy copy / paste

#workskin td, #workskin th { padding: 5px; border: 1px solid #810000; } #workskin td { color: white; background-color: #1e1e1e; vertical-align: middle; } #workskin td.title-column { width: 20%; text-align: center; } #workskin div.affiliation { font-size: small; } #workskin .userstuff p.carmen { color: red; }

I will explain what this means when we get to the next step so that you can tweak it if you wish. Think of this as your starter style.

Click Submit to save your skin

Step 2: Apply the Skin to Your Work

When creating or editing a work, you can set the work skin in the Associations section.

Click the dropdown, and you'll see whatever name you gave your work skin in the first step mixed in with the default ones provided by AO3.

Step 3: Format Your Story

You'll need to add HTML to your story to see any of the new styles applied.

I'll show you a few examples of how this is done.

Change the color of text

I used red text to indicate Carmen speaking through the author's note.

Here is the HTML I used in the Chapter Notes section to do this:

<p class="carmen">Could it be that you, too, wish to glimpse the mirror world these two envisioned?</p>

This creates a paragraph (p) with the carmen class applied.

If we look at the CSS from up above:

#workskin .userstuff p.carmen { color: red; }

The p.carmen section is called the selector. This tells the CSS that if there's a paragraph with the class of carmen, make it red!

You can copy this line to create classes with any name you wish for paragraphs so that you can have as many colors and effects at your disposal as you want.

Of course you can change the color from red to any other color you need, too.

Wiki Tables

This next part is a little bit more involved. I'm not sure if there's a better way to make a table on AO3 or not, but here's a snippet to get you started:

🔗Pastebin Link for easy copy / paste

<table> <tbody> <tr> <td class="title-column"> </td> <td> The child looked immensely frustrated, standing in the lobby of a most unique Fixer Office. </td> </tr> <tr> <td class="title-column"> <img src="your image URL here" alt="Sancho Story Portrait"> <div class="affiliation">Manchegan Office</div> <b>Sancho</b> </td> <td> We went over this just <em>yesterday</em> -- </td> </tr> </tbody> </table>

This creates a table (<table>) with two table rows (<tr>).

Each table row has two table cells (<td>).

The first cell in each row has the character image, affiliation, and name.

The class "affiliation" is defined in the style sheet to make that section of text just a bit smaller, like on the wiki:

#workskin div.affiliation { font-size: small; }

In the first example table row (<tr>) above, you can see that you can even leave it blank to allow for the narration portions of the story.

You'll need to copy the section between the <tr> and </tr> tags to create new rows for your table. Copy it once per line in your identity story and change the text and images inside as needed.

I highly suggest that you do this in a text editor on your own computer rather than on AO3, because it can quickly get overwhelming.

Just looking at this in AO3 is making me nervous 💦

(Fun side note, I originally spelled "Manchegan" incorrectly in my first draft all over that huge table... thank goodness for find and replace...)

Hosting Images

You'll see I left a section on the table template for "your image URL here".

You'll have to find a place to host your images on your own, because AO3 doesn't provide any image hosting...

I saw someone suggested https://imgbb.com/, so that's what I used. It seems to have held up so far.

Keep in mind if you link an image from Discord or Imgur, they could remove your image sometime in the future and then it will no longer appear properly in your story.

(Be sure to include an alt text in the image as shown - if the image can't be loaded some day in the future users will see that text instead so that they can understand what they're missing!)

Step 4: Adjust Away!

Once your work skin is applied and you have the right HTML classes in place, you can edit your Work Skin and see your story change, even if it is in your drafts.

You can use this to adjust other things in my CSS example, like colors and the padding in the table.

---

Have fun, and let me know if you have any questions!

“Would you care for some tea?” Yi Sang offered. The evening’s chill was somehow present, even inside his closed room. “Nay,” Don Quixote took in a sharp breath, “I was hoping that you might… assist me, with a look into thy mirror. For there is something that I have need to see.” Yi Sang creased his eyebrows. Unfortunately, this was exactly what he worried would occur. ——— In the aftermath of La Manchaland, Don Quixote asks Yi Sang for a favor. Yi Sang guides her through the process of glimpsing a certain mirror world.

Limbus Company leaves so much unsaid by not showing us what happens immediately after the end of a canto. But, that's a lot of opportunity space to play with in a story.

I've been working on this one for quite some time as I've always wanted to explore the dynamic between Don Quixote and Yi Sang, even though I find Yi Sang really tough to write for.

If you like mirror worlds and AUs, you might especially enjoy this one. I hope you like it! 🎠🪶

---

... Also, hmm, something strange seems to have happened with my upload?

This is a one shot story, but for some reason there's a second chapter? That's odd.

Well, if you check it out, I should note that it might look better on a PC or tablet than on a mobile phone -- though it will probably look ok either way.

[bi-disastersoup]

Shifters - Part 5

The finale of the Shifters series, in which some of the Scions get roped into the potion experiments...

For reference, R'alma and Thancred historically do not get along very well at all. R'alma is holding on to a nasty grudge.

Also, maybe pay attention to the dialogue tags in this one.... 😏

Part 1 Part 2 Part 3 Part 4

And that is the end of the Shifters series! There are several more VNs to come that springboard off of this bit of lore established here, tho, so I hope you are looking forward to it.

Also the final pose for this set was really good but didn't fit in the frame, so I was unfortunately unable to include it in the VN proper, but please enjoy these alternate angles...

[geezmarty]

happy wyllstarion wednesday! here's a short comic I drew for a server gift exchange 🤍❤️

[qweenofurheart]

a couple of people told me the comic i made reminded them of A Meditation on Railroading by eggmacmuffin, so i had to draw a scene from it

[fixyourwritinghabits]

Editing Part 4: Worldbuilding Pass

Next up, worldbuilding! We're tackling this before structure, because you don't want to get too far into the weeds, realize a critical component of your story is wrong, and then throw your computer out the window in frustration.

Anyway, when it comes to worldbuilding, there's a lot of moving parts. There is no right or wrong way to worldbuild, but my preferred approach is to worldbuild as the story goes along. Any method works, and you can check out the worldbuilding tag for more. In editing your worldbuilding, you want to think about:

Trimming Front-loading/Info Dumps

When writing fantasy/sci-fi, getting down how the world works can take over the story. In first drafting, this is fine! But when you're trying to clean that draft up, it's better to weave this information in as you go.

Need to explain how the giant mechas guarding the city operate? Maybe your main character is trying to steal some precious alloy from one, giving you opportunity to explain how they work and how society feels about them. Have a magic system that relies on singing tunes? Show that off by having students practicing, or dueling rivals taking it too far.

You probably know by now that the thing you should avoid the most is "as you know" dialogue dumps - characters explaining concepts to each other that they both clearly understand. Another, weaker version of this is the "magic class" trap, where things are explained to the main character and the reader. A classroom environment is fine, but pair worldbuilding with action - demonstrations get out of hand, spells go wrong, etc. Make it fun!

Your World Needs Clear Rules (Sorry)

Listen, this is the part I hate. I have a WIP with the word "Rules" in the title and I'm still figuring out what those rules are. Argh. But the sooner you know the rules, the easier editing will be. The more clear those rules are to the reader, the more impactful breaking them will be.

If the rules of the world (you can't use warp speed too close to a planet's gravitational pull, the same type of magic cancels each other out) and the consequences of breaking them are clear, the pay-off will be satisfying for both you and the reader.

Use Your Environment to Your Full Advantage

You've no doubt heard 'make setting a character' and that's evergreen advice. Some of the best books out there are those where it feels like you could step through the page and into a real place, be it your childhood middle school or Narnia. Getting that feeling, however, is more than just describing a place really well.

Mood - How does the location make you feel? Does a dark, cramped room leave the characters with a feeling of dread? How would that feeling change if it was an overstuffed library with comfortable chairs?

Weather - Beyond the 'dark and stormy night' descriptions, weather impacts our daily lives and is often overlooked. A rain-drenched funeral scenes seems like it's the way to go, but how differently would that scene feel if it was a sunny day with birds singing?

City Versus Countryside - These books are a great reference for description, but also take a step back to compare how different situations would feel both in the setting and to your character. Quiet can mean very different things depending on where you are. A morning fog in the countryside might feel comforting to someone used to it, but to someone new to that environment, it might feel creepy. Think about both your environment and how your character reacts to it based on their backstory.

The Empty Room Problem

This is always a big challenge when moving from the first draft bare bones basics to fleshing things out. How much description is too much? (As a note, it's always okay to overcorrect - you'll have a chance to fix it later!) This post from @novlr has a lot of great questions - but you're still going to narrow it down to the most important details.

Escape the Movie Setting - You cannot describe the room like it's a movie set. Trying to do so is going to be overwhelming, and important details will be lost in the attempt. If you were to describe your room or your favorite coffee shop and could only highlight four or five details, what would you focus on? What gives the reader the essence of the place rather than a list of things that exist there?

Establish the Essentials - Is this your first character's first time in this room? Is it going to be key to several plot-important scenes? Some big, sweeping details when entering - how big it is, what's in it, where the windows are, how it feels, etc - are good to start with. Your character can briefly admire a full bookshelf in the first scene, and then study it in more detail in the second. If you have one scene in this place and spend too much time describing it, you're going to make your reader think it's more important than it is.

Engage the Senses - Does an old room smell musty? Does the coldness of the woods have a sharp taste? Does touching a shelf bring up a lot of dust? How does the lighting in the room make the main character feel?

Getting down the description of a room or setting is not something you'll nail in one shot, but if you approach each scene asking yourself "does this feel like a real place or a white room?" you can narrow down what's missing.

[the-meme-monarch]

I’m a big proporter of “k_k isn’t stupid he just likes to act like it bc he thinks it funny to make people mad or confused”. and other such doodles of him

if you ship scc go away👍

references for the last one under the cut

[kenjakusbraincum]

Hi, i can’t help but request this because you write so beautifully.

So I just had the idea of a former ballerina being sacrificed to Sukuna. She does her work good and gracefully but she longs for old times where she was able to dance and feel like she’s flying again. So she does it in the evening in Sukunas garden. He of course notices and as culture lover he is he makes her his personal dancer. And a cute lil love story forms from this scenario.

I would be so thankful if you form this to a proper story because i don’t have enough imagination. Love your work

Thank you for the compliment! I apologize in advance for my butchered descriptions of dance scenes and hope you like what I came up with anyways <3

Swan Lake

Sukuna x Reader

Word count: 6.3k

Tags/warnings: gn! reader but the words maid, whore and bitch are used, true form! sukuna, bullying, fluff with a very brief and soft smut scene at the end!

Sukuna doesn't care where his servants come from. People get offered to him all the time, and he takes them when he feels his palace is understaffed. And that happens quite often, considering how eagerly Sukuna gets rid of his servants for the smallest inconveniences. His staff is disposable to him, having no value beyond the services they provide him with.

So he doesn't know about your past. He doesn't know you were once an esteemed entertainer. He doesn't know that you were touring the world, sharing your art with audiences of all different classes and ranks in society. He doesn't know you were once the star of the stage, hypnotizing people with the fluidity of your movements in rhythm with the music. He doesn't know you were snatched from fame, taken against your will and brought to him to pay your capturer's debt. You're not sure he's even properly looked at you, much less heard your capturer tell him who you are. You were that worthless to him.

Now you are but a maid. You spend your days on your knees, mopping blood soaked floors. At night, you share chambers with dozens of other servants. Privacy is a foreign concept in Sukuna's palace. You are not entitled to it even in the bathroom. Everything is shared for the servants. There's no space for you to even try to indulge in your beloved profession, even as a hobby. Except...

The garden. Most servants are in bed, prepared to sleep, but your eyes linger on the windows. In every way, going to the garden would be to your own detriment. Losing sleep was dangerous, it could lead to getting caught slacking off, or being ratted out about it. And the consequences for that... well. One could only imagine it wouldn't be a simple slap on the wrist.

Still, you longed for this. The work you did during the day drained you, it was repetitive and soulless. You weren't made to clean floors. You were made to dance, it was your destiny. Since childhood, you don't remember a period of time as long as this one, where you haven't had the opportunity to enjoy your passion. Tears stung your eyes as this revelation found you. Every day, you could feel your life slipping through your fingers. You were alive, but your energy, your liveliness, your personality, all of it was dissipating in the pools of blood you were forced to clean.

''Can you be quiet? Some of us are trying to sleep.'', a servant who sleeps in the bed next to yours snaps you out of your thoughts. You are sobbing. You apologize quickly, and snuggle in bed, trying to muffle the noises against your deflated pillow.

But sleep just doesn't take you that night. You grow more and more frustrated, as time passes and you toss and turn in bed. Eyes wide open, fixed to the window across you. The garden lures you, calls for you. Damn it. You have to try. This is not much of a life anyways, you think. Sooner or later Sukuna or Uraume would find faults in what you're doing anyways, and you'd be served for dinner. You don't exactly have a lot to lose.

Sneaking out of the chambers is easy. You spent your whole life on your tippy toes. No one moves in their sleep as you cross the room, open the door and slide through the crack. Quietly, you make your way around the mansion. Outside, you're greeted by a light summer breeze. The garden is eerily peaceful, lit by the moonlight in this late hour.

You start to warm up, hopping, circling your neck, swinging your legs. Feeling the stretches in muscles you forgot you had. The grass tickles your legs as you splay across the ground and reach for your feet. Then stand and shift your weight to your toes, feeling out how rusty you've gotten in the time you've missed out on practicing. It's not too bad.

So you start out slow. The music plays in your head and you mouth silently, counting the rhythm. Your eyes are glued to the ground, you're trying not to trip and fall on the uneven surface. Your movement feels as smooth as it did before, but you can't see yourself in the mirror to check your form. You close your eyes, surrendering to the cadence of your motions. The music carries you, and as you turn into a poised second arabesque, time seems to slow. It's only a moment, but when you turn back to continue...

Slam. So hard you start to fall back, but his arms catch you around the waist. If you weren't scared out of your mind you would've wondered how did he even show up there without you noticing. But of course, he's Sukuna. You look at him with eyes so wide you think they may fall out, and he stares back with an amused smirk. Then he bites the air in front of you, clanking his sharp teeth together, and you scream in response. His hand flies to your mouth in an instant and he shuts you up.

"Quiet now. You wouldn't want to wake your colleagues up, would you?", he tilts his head, observing your terrified expression. "Or do you want everyone to slack off with you tomorrow?"

"I-I won't slack off I promise!!!", you panic, hands shaking as you bring them up in a defensive stance. Tears pool in your eyes as you stare death in the face. He is... weirdly beautiful, lit by the moonlight. And he holds you sturdily, but gently. It doesn't hurt. And he doesn't seem particularly mad.

"Is that so?", he asks. There's a smile on his face, but it feels dangerous, threatening. Like everything else about him. "Then just what do you think you're doing outside at this hour?"

"I was- I was dancing -", you stutter, struggling to form coherent sentences. Why are you so close to him? You're pulled flush against him. You can almost feel his -

"I didn't know I had a dancer in my ranks. Why didn't you say so?", he says, and surprisingly lets go of you.

You're so sure he's playing with his food. You're so sure he's going to slice you into pieces. You've already crossed so many lines, broken so many rules. You look to the ground, only now remembering eye contact with him was strictly forbidden.

"Speak.", he growls, audibly irritated by your refusal to reply.

You didn't think he was genuinely asking. What the hell are you supposed to say? Why didn't you say so? Maybe because you wanted to see the light of day again? "I ... A lowlife such as myself has no place speaking to your Highness.", you duck your head low in an apologetic manner. And he seems satisfied, smiling playfully again. Except you don't see it, you feel it. Sukuna's presence pulls the most demeaning, self-depricating things out of people's mouths.

"Humble.", he comments and walks a couple steps around you. He's huge. "Go on then, dance for me."

You stand frozen. It's not that you're ashamed... you've performed for audiences bigger than you ever could've imagined. But the weight of his stare is harder to bear than that of hundreds. And the stakes are higher than ever. He has to like it, or else...

"Dance!", he orders sternly, and crosses his arms over his chest. So you give it your all. Remembering where he interrupted you, you get back into position and start. Dance. Your life depends on it, doesn't it? Well if there's one thing you can do to save your life it should be this.

But it's not like before. Fear seeps into every muscle in your body, and your movements are unsure. Every jump is fleeting, every landing shaky. Tears blur your vision, and it's so hard to keep your breathing steady when you're struggling not to cry. But you're a ballet dancer, you were trained to endure. You finish the variation, cross your legs and gracefully bow.

Sukuna watches intently with narrowed eyes, like a predator stalking his prey. You can't see the sly smile on his face, but you can feel it.

"I apologize, your Highness.", your voice trembles. "It wasn't my best."

Sukuna huffs in amusement and waves his hand dismissively. "Go to sleep.", he orders.

You bow before him again, and quickly turn back towards the mansion. You don't feel relief from his piercing stare until you disappear behind a corner in the hallway.

You can't shake the feeling when you're back in your bed, snuggled in the sheets up to your eyes. You just survived a close encounter with Sukuna. And he must've liked what he saw at least a little bit, if you're still alive.

The next morning, you wake up and start getting ready for work with the other servants. The bathroom is busy, and as there's little else to do in the servant circles, gossiping starts immediately.

"Did you hear the scream last night?", the servant taking up the sink next to yours says, tapping foundation into her skin.

"Screams come from Sukuna's chambers all the time. It must be a new pet getting used to him.", another one replies. You shiver.

"Everyone knows how that sounds. This was different!", the two maids exchange a look.

The second rolls her eyes. "So, he killed someone. Nothing new.", she shakes her head.

"No. Uraume would've called someone to clean it up immediately.", the first servant continues. You really, really wish they would just drop it, until... "Hey you.", she turns to you. "Your bed was empty last night, did you hear anything?"

Your blood runs cold. "I was... feeling sick. And went to the bathroom.", you say quickly. "I probably couldn't hear... over the sound of throwing up."

"Hm.", both of them look at you now. "Well you look sick too.", one of them says. "Be careful with work today.", then they finish up and leave. You breathe a sigh of relief and finish up getting ready.

The next few days pass spotlessly. You don't cross paths with Sukuna. But some nights, you feel his presence in the garden. You stretch and practice simple movements in the bathroom, when no one's around. And the variations, you save them for the garden. At night. The only time you feel alive, the only time you feel like yourself. Human. Free. You think you might just get away with no one knowing, but then...

He walks past you and another maid while you're scrubbing the floors in the hallway. Both of you freeze as he passes by, assuming a submissive position and greeting him. You pray he won't notice, pray he won't know you by your voice, but he stops. Right by you, and then there's a moment of silence. He lifts his foot, touching your chin, and nudges you to look at him.

"Oh.", you watch his stern expression soften. "It's a shame for a talent like yourself to waste away on their knees.", he says. You look to the servant next to you, and she mouths a silent 'what?' as she turns her head in your direction.

You swallow your shame. It's not the first time you had to in front of Sukuna. "Its an honor to serve you, your Highness, even if it's on my knees.", you say.

Sukuna hums. "What a good servant you are.", an amused smile graces his face once again. "Well, get to rubbing then.", he nudges your face back downwards with his foot, and walks away.

You and the servants keep rubbing intensively, until he's out of sight and a couple minutes have passed. Then she grabs you by your shoulders and gives you a look that is both terrified and angry. "You did what with Sukuna?", she asks.

You frown, offended. Why does everyone in this mansion immediately think of that? "He knows I'm a dancer.", you say simply and look back to the floor, rage brewing in your chest.

"When did you do it. Was it you screaming? Oh my god it was!", the revelation hits the servant and she puts her hands on her cheeks, looking at you in shock.

"It wasn't me!!", you lie, agitation showing in your voice.

"Does he really have two dicks?", she asks.

You drain the washing rug and smack her in the face with it. "You disgusting pervert, how dare you ask that about your master!"

"You hit me! Whore!", she smacks you back, but harder, and her rag is full of dirty water.

"I'm not a whore!!", you cry, and wipe your face with your dirty, wet hands.

"Dancer. Yeah right, I can only imagine!", she throws the wet rag on you, and it sits on your lap, soaking you in the nasty liquid. "And you're a liar too! How shameless!"

"What is this commotion about?", a voice calls from the back of the hallway, and you turn around with teary eyes. Uraume looks like a blob of white in your vision, nonetheless they're recognizable.

"Tell them! You hit me, you little bitch!", the servant slaps your shoulder. You don't have it in you to fight back. The injustice pains your heart, and you can't bear the embarrassment.

Uraume smirks, noting your disheveled appearance. Your whole uniform is soaked now, even your hair. There's a pool of water forming around you as the liquid seeps out of the rags. "Clean this mess immediately. Master will be notified of this issue.", they say, and walk past the two of you.

The servant looks at you with contempt burning in her eyes. Then spits in front of you. "Clean.", she says, takes the rag you hit her with and starts cleaning.

Sukuna sees you that evening. He sits on his throne, head in his hand, and looks down on you and the other servant. He hides his inner smile, the joy he takes in executing power over others. And it's you again. He asks what this is about, and the servant wastes no time pointing her finger at you, saying you hit her first.

Sukuna's critical stare turns to you. ''Is that true?'', he asks, scanning you from head to toe, noting the state you're in. He's not particularly happy to see you like that.

You timidly nod, admitting your fault in the situation. Your stare is fixed to the ground, where dirty water drips down from your soaked clothes. You smell, and look like a rat, all of that in front of Sukuna. You wish the ground would swallow you whole and spare you this humiliation.

But he knows you. You've captivated him. Otherwise he wouldn't have cared to ask if you have anything to say in your defense. You tell him, omitting the details of her perverse question, you simply say she was slandering his holy name.

Sukuna moves, leaning his elbows on his knees. You care about his name? How lovely. So what is this slanderous thing his servants fought about?

Silence. You and the servant exchange uncomfortable looks. If there was one thing the both of you could agree on for the day, it was that repeating it in front of him was too vulgar. With that, Sukuna quickly grows bored with the situation. When he raises his hand, both of you flinch, expecting immediate punishment. However, nothing happens when he flicks his fingers. You're dismissed.

Quickly, both of you scurry away, leaving the throne room and going back to your jobs. The rest of the day is harrowing. The rumor spreads among the servants quickly, and you are the butt of every joke. You hear whispering and giggling behind your back, and everyone's stares linger on you as you go about your day. The culmination happens next morning, when the servants are getting ready in the bathroom, and the insults start getting more direct.

''Show us how you dance for Sukuna, why don't you?''

''Did you take both at the same time?''

''He didn't like you very much if you're still working as a servant.''

And then everyone goes quiet. When you turn around, you see Uraume at the door, their eyes fixed on you. ''Come.'', they say quietly, and leave without waiting for you to catch up. Well, it seems your punishment is due. You gladly leave the bathroom and follow them down the hall, anything is better than spending another second with the other servants. But now that you think of it, where is the servant that shares your punishment? Have you even seen her this morning? Or after the meeting with Sukuna at all?

You turn a couple corners, and stop at the end of the hallway. Uraume opens the doors to a room, and ushers you inside. What is this? It's furnished. Modestly, but... You open your mouth to ask a question, but you're quickly cut off.

''Make yourself at home.'', they say, and turn their attention to you.

''What about my things?'', you ask, looking around the room, then back to Uraume.

''You won't need them. Do you have good table manners?''

''Uhh.. yeah... I think.''

''Great. You dine with Master Sukuna tonight.''

''Huh!?''

''Your outfit is on the bed, be ready by sunset. I'll come to pick you up.''

Then the door closes and you're left alone in your new room. This isn't what a punishment should look like. Not when a beautiful kimono waits on your bed. Not when there's a barre fixed onto a mirrored wall, and there's a box on the ground, and when you open it, you find pointe shoes. Multiple pairs. He didn't know what size to get you. Ribbons, a sewing kit, glue, scissors... everything you need to break them in. Under that, a simple black leotard and a wrap skirt. By all means... this looks more like a reward.

You try everything on, find the perfect pair of shoes, and test them. It's not a big room, but there's enough space for you to practice with the bar. For the first time in so long, time passes quick. You're doing something you enjoy. It feels like in a blink of an eye, your shadow gets long on the wall opposing the window, and you have to get ready for dinner. You put the kimono on to the best of your ability - you don't have the opportunity to wear it often as a servant, being usually restrained in a uniform. And then reality hits you. Sukuna wants to have you over for dinner. This... is this a date? Unless he was planning to eat you, but you suppose he wouldn't have bought you shoes and furnished a room specially for you if that was the case... Come to think of it, what are you eating tonight?

Uraume knocks on the door, and takes a long look at you when you open. They fix your collar and nod, taking off down the hallway and expecting you to follow. They lead you to the dining room, vast and expensively furnished. You hear your heartbeat drumming in your ears. You only let your eyes explore for a second, before you fix them back to the ground and lower your head in Sukuna's presence.

''Your Highness.'', you bow in his direction.

''Master from now on.'', he says, and stands up to greet you. Master. You've only heard Uraume, and occasionally his pets, when he'd walk by with them, call him this by this... less formal title. He towers over you as his hand touches your shoulder, urging you to turn around. You follow obediently, making a circle and displaying your outfit.

He hums in approval. "Suits you much better than a cleaning uniform.", he says, and pulls your chair out for you to sit. You mutter a quiet thank you and sit down, already overwhelmed by the interaction.

He sits on the other side of the table, facing you. You can't bear the intense eye contact, and the silence that spreads across the room. Your eyes are fixed to your hands in your lap. ''Don't be shy now. I didn't invite you to sit there and be quiet. I reserve such duties for my pets.'', he breaks the silence.

''Master. Sharing a meal with you is a privilege, and I want to thank you for that. I'm not sure I'm deserving of it, though, and how my company may be of use to you.''. The kitchen servants scatter around the table, bringing food and pouring drinks. Various appetizers decorate the table, and only now do you notice you're hungry. You shyly pick the foods that catch your eye the most.

And your humility draws out a smile from him. ''You are an artist. And I am a man who takes great joy in consuming art.'', he says, and taps his finger against his glass, watching you pick. He's getting to know you, through your taste in food.

''I didn't know that about you.'', you say and look to your plate. You feel your hand shaking as you reach for the cutlery. You know Sukuna is judging every move. He was in your territory when you were dancing, now you're on his. And he will recognize the smallest mistake.

''Oh.'', his tone changes. It sounds like he didn't particularly like that comment. He finishes chewing. ''Did you take me for a savage?'', he narrows his eyes. More food is brought to the table, plates come and go quickly as the conversation progresses, and the tension grows.

You stutter, reading his volatile mood. ''I've only heard rumors.''.

He huffs in amusement again. ''I've heard rumors about you too.'', he says, leaning into the table. ''To be fair, I was asking around.''. So he took interest in you. ''They say you were the best there was, until you got captured.''

You chew slowly, taking his story in. He continues. ''They asked about you. Asked if I knew where you are. I said no.''. Sukuna watches as you grow visibly distressed by the mentions of your team. ''The best there is? What a wonderful prize. I'd rather keep you to myself.''. Oh. So that's what this is about. He gets off on the thought of owning you, the best there is, just for himself. You curse whoever told him about you. ''You showed me your worst, and mesmerized me. I want you to show me your best. Dance for me. Convince me you're worth my patronage.''.

The servants bring the main dish, and your head droops, stare fixed into the finely decorated red meat. You touch it with your cutlery, feeling it's texture. Sukuna eyes you as you cut a slice and bring it to your mouth, expectantly waiting for your reaction. You chew slowly, savoring the taste, but your expression is puzzled. ''What is this?'', you ask. And to make sure it doesn't sound like you're unhappy, you cut another slice. Truthfully, the food is incredible, but... you can't quite place the meat.

Sukuna bares his sharp teeth in a grin. ''Veal.''.

The conversation steers into a different direction then, and you quickly forget about how powerless you felt just moments ago. Sukuna is nothing like you've imagined him. He's right, you did take him for a savage. After all, everything you've heard about him pointed to a monster, who only took pleasure in wreaking havoc and destruction. Now, you find him to be eloquent, knowledgeable, and quite sophisticated. In a way, he appears similar to the other people you've met through your job. But way more powerful, and with it, way more intriguing.

Once again, time passes quickly, slipping through your fingers. The dinner is over, and you're facing Sukuna at the door. He seems to be pleased with your company, if you can read his face at all. ''Should I consider my offer accepted?'', he inquires. ''Everything will be provided for you. You just have to dance.''.

Well, it doesn't sound half bad, does it? You're not sure if the terms of the offers convinced you, or his presentation during the dinner. It might just be him. He made you feel you wouldn't be a jester, but a respected entertainer. And not for just anyone, but for a man as thoughtful and cultured as Sukuna proved himself to be. ''For you, gladly. Master.'', you smile at him. And he smiles back, taking your small hand into his, and planting a soft kiss to your fingers. You bow to him, wish him a good night, and you part ways.

Later, in your new bed, you find yourself replaying the interaction. Tracing his features in your memory. It's the first time you've had the chance to observe him, without fear of consequences. And he was beautiful. So elegant in the way he dressed and carried himself. Like a true king.

From then on, life in Sukuna's mansion is a game. Sukuna courts you in his dining room, feeding you delicacies from all around the world Foods that are hard and expensive to come by, that you've never heard of before. He courts you with the things he allows you to do, and the gifts he gives you. You dance and eat and walk around his garden and library. You don't dine with him every night, but when you do, rest assured that a new outfit is waiting for you in your room when you get back from practice.

And you court him on the floor, with feathery leaps that leave him on the edge of his seat, and dizzying turns that force him to focus all four eyes on you. You court him when you finish the variation by bowing before him, on one knee, a breath away from where he's sitting. And when you look up at him, he sees a lover rather than a personal dancer. Even though he's never touched you, or pressed his lips to yours.

There is love in the foods he picks for you specifically to enjoy, and there is love in the way you let him watch you practice. Even if you mess up, misstep and fall out of rhythm. Even if you stumble and fall in the most unceremonious of ways. There is vulnerability in letting him see you fail. It only happens a handful of times, but when you slip before him, you feel more naked than you would ever feel with your clothes off. And the relationship that the two of you foster grows intimate, despite the formal distance you keep from each other.

And that distance closes in, one day when Sukuna is there during a particularly nasty fall. You yelp when you hit the ground, and reach for your ankle, checking for injury. You only notice Sukuna when you feel his hand on your shoulder, and his brows furrowed in worry as his head looms over you. Your eyes meet for a moment, and you're hypnotized. Then you look away quickly, feeling your face heat up from the closeness.

''It's nothing.'', you say, and look down.

''Sure?'', Sukuna asks and stands up. You nod, and he offers you a pair of his hands, to help you stand. You take them, and he hoists you up effortlessly. And now you're face to face with his chest, and you're still holding his hands... ''That should to for today.'', he says, and when you look at him, there's a tender smile on his face. It sounds like a suggestion, but you've learned Sukuna is subtle about giving you orders. You nod, dust yourself off and untie your shoes.

That night, you recall his touch on your skin. Long fingernails ghosting over your shoulder, sending shivers through your whole body. You never expected Sukuna to have it in him to be gentle. But, that wouldn't be the first time he's broken the mold you thought he fit. And now in the cold of night, you find yourself craving him.

The next time you're invited to dinner, the tension is almost unbearable. ''Aren't you a sight to behold?'', he tells you when he welcomes you into the room. He always gives you compliments, but tonight they weigh heavy on your heart. You look across the table and curse every plate and glass that stands between the two of you. You look at him with quiet longing, and you think he knows. Because his smile is victorious, almost teasing. And when you accidentally hit his leg under the table, you start to credit it less to his size, and more to him deliberately crossing into your space. Subtlety is not a word you ever thought you'd attribute to Sukuna, but it seems this is the way you've established communication. You resist the instinct to remove your leg apologetically. So they stay touching.

Unfortunately, this little interaction slowly turns your brain into mush. By the last bite, your hand is trembling and you know you don't have the precision to pick up the last piece of food with your chopsticks. So you leave it on the plate, and wait for a moment when Sukuna is at least a little bit distracted, to attempt eating it again.

But such a thing doesn't happen. Today, he looks at you like you're the food on his plate. "Come on, eat it.", he nods in your direction. You can't read his expression, but it seems benevolent.

"I'm so full.", you make up an excuse.

"Just one strip.", he nudges your leg under the table, and you flinch, cheeks heating up.

"I.. I think I'll combust.", lies.

"I'll be offended.", Sukuna plays along with your game.

"Ah...", he wins, and you pick up your chopsticks with shaky hands. But as hard as you try, the little piece of food keeps escaping you, traveling through the plate.

"What makes you so flustered today?", he asks. "Is it the leg?". You blink at the plate, and feel your face going as red as the wine in your glass. "Come.", he waves his finger at you. You lean into the table, used to following his commands. And in no time, he is looming over your plate, one hand picking the last piece of your food with his chopsticks, and the other gently taking hold of your chin, nudging your mouth open. You part your lips obediently, and he places the bit onto your tongue, never breaking eye contact. His face is mere centimeters away from yours, observing you as you chew.

And the moment you've swallowed, and opened your mouth for air, he seizes you in a kiss. Slow, as he tastes your lips, and lets you adjust and catch up with him. He feels you go tense with the initial shock, then relax in his hold and kiss him back. His tongue brushes past your lips, and you think you'll sink right through your chair, and into the earth beneath the floor. The taste, the smell of him, so expensive and intoxicating. If this moment could last forever -

Foolish you. So much stress and tension, and you barely notice how quickly it passes. , how quickly his lips leave yours. His eyes scan your face, making sure you're alright, and then he's back in his chair. "There.", he says, "Have something to be flustered about."

That night, you think about his lips, slipping away from yours and moving to your neck, collarbones, shoulders. Not stopping until they've explored your whole body and touched your soul.

In the meantime, you practice your chosen choreography to perfection. And when you're standing in his throne room and awaiting the music, and your deciding performance to start, it's the first time in a while that you recognize feeling nervous. Uraume is there too, and his other disciples and guests. But he is the only one that matters. The only one your life depends on. Although the times when your life was truly on the line are long gone, Sukuna is still your patron, and now it's your turn to either satisfy or disappoint him.

The music starts, and the nervousness wanes as you start dancing. Sukuna's gaze is heavy, critical. He's seen you do this times and times already, but now it's final. Now, he's telling you, ''Bewitch me.''. Now, you're joining it together, one seamless show just for his enjoyment. And with every spin, you keep your eyes fixed on him. Enticing him with your movement, seducing him.

And for once, time passes quick for Sukuna as well. He finds himself lost in your dance. In your quick glances, in the way your body moves, contorts, withstands your weight on your tippy toes with so much grace and fluidity. You make it look easy. You nail the landing you failed so many times before his very eyes, perfectly, effortlessly. He almost wonders if you fell intentionally when he was watching you. And he's captivated. By the end of your performance, you earn his smile. You earn the clap of his hands, you even earn his standing ovation. The king himself, honoring you with the highest form of praise.

''It takes quite a performer, to entertain a crowd all by oneself.'', he comments later, over dinner. ''You've convinced me. You're worth keeping.''

''And when I can't dance anymore?'', you ask.

''You'll still be able to eat with me.'', he says.

At the doors, he bends down to kiss you again. You anticipate it, and accept it, kneading your hands through his hair. He asks if you're tired, and you shake your head no. He asks if you want to come with him. Yes, please yes, you've wanted to for so long. You almost thought he'd never ask. Again, his face lights up in a victorious smile.

He walks you through the halls, to his quarters of the mansion. Vast, and decorated with various works of art. They hang on the wall, or stand on the cupboards in forms of statues of various sizes. Sukuna likes to collect things, if that wasn't evident by your presence in the mansion.

''You're dragging behind. Did you have a change of heart?'', he asks, and extends his hand towards you. You step closer, and he wraps his arms around you, pulling you closer. You're standing at the doors of his bedroom.

''I was just admiring the interior.'', you smile at him, and take it upon yourself to cross the doorstep. His bedroom overlooks the garden, through a tall set of windows, little plants sitting on his windowsill. And his bed is massive. You think it could fit four people of your size. But then again, Sukuna is not a normal sized person. Your hand finds the mattress, testing it's sturdiness. And when you turn around, he's right behind you. Towering over you, and forcing you to look up at him, like the king he is. But you're not scared. You have no reason to be.

''Lay down.'', he orders, but his voice doesn't sound stern. Still, you obey, climbing into the bed. And he follows, letting you ease into the pillows only for a moment, before he settles above you, urging your legs apart. You welcome him, finally feeling the closeness you've been craving for so long. His body, big enough to enclose you completely under him, so carefully pressed against yours. Light enough not to hurt, but heavy enough to establish power. To give you what you want, what you've craved for a very long time.

He never lets you forget whose grasp you're in. He folds your smaller body with ease, adjusting you to his liking. And you let him, trusting him with your body and pleasure. He takes you gently, slowly, making sure you're comfortable in the process. You feel so full of him, but it's not enough, not enough until all of your senses are overwhelmed with him. You feel up his muscled arms and back, wrap around him, pull him closer with every stroke, every swipe of his lips against yours. Sukuna draws the moans out of you with practiced thrust of his hips, hitting spots inside you you didn't know existed. In no time you're seeing stars - his four eyes, never leaving yours as you come apart.

And Sukuna is stoic for the most part, but by the end of it, even he is loosing his composure. Hungry moans slip past his lips, his brows furrowing as he concentrates, trying not to let out too soon. You encourage him, babbling sweet nonsense into his ear. This flustered Sukuna, completely engulfed in the chase of his own pleasure, is as close as you've come to seeing a god. Moments later, his hips still, and you feel his muscles tense as he reaches completion, deep grunts filling your ears like the sweetest music.

You lay in his embrace, and trace your fingertips over his tattoos. Your stare is fixed on him, as he tells you various anecdotes from his long lifetime. You enjoy the opportunity to admire his beauty from up close. His eyes, so unusually benevolent as they stare outside the window and turn to you from time to time, to check if you're awake. The curve of his nose, the glimpses of his sharp teeth, his strong, masculine jawline. He is an art piece on his own.

After a while, he notices you struggling to stay awake. His hand on the back of your head nudges you to lay on his chest. He whispers you a good night, and runs his hand through your hair as you drift off. It's been a long day you've dedicated entirely to him, so he finds you worthy of this special treatment. After all, it isn't often that someone claims the title of both Sukuna's personal dancer and his lover, much less in the same day.

[essektheylyss]

Fearne had, in true Fearne fashion, wrapped herself like a personal pashmina around Dorian, which left Orym to curl into his chest.

They had slept this way dozens of times before. Fearne’s blackened fingers wrapped tightly around his forearm as she snored loudly into Dorian’s ear. Orym’s head rested on Dorian’s bicep, his arms folded together between them, and his bare feet were gingerly resting upon Dorian’s thighs just above the knees, as Dorian had coiled enough to let Fearne’s fuzzy leg stretch over his hip. They were exhausted, and this was familiar, and he should’ve been fast asleep.

But Orym’s mind buzzed.

Fearne had always been a strong source of heat, but now she was a furnace, and even without covers it was too warm. But Fearne was not the reason why Orym’s skin burned where it met Dorian’s.

He was a fucking grown man. He was fully capable of admitting that.

Admitting it didn’t change it.

Neither did it change his awareness that Dorian had been too still for the past hour, his breath too precise and measured to be natural as it fell upon Orym’s hair. Orym was not going to presume that the cause of this was the same thing afflicting him; there were plenty of other reasons Dorian would be lying awake tonight.

“My family will find your brother,” he murmured finally, and Dorian’s breath wavered for just an instant before he regained his composure and returned to his measured, singer’s breathing. It was so slight that no one else could’ve noticed it, but Orym noticed. “You said there’s a body— the Tempest can bring him back, or Fearne, honestly—“

“I know,” Dorian answered, and this too was so faint that no one but Orym could’ve heard. “I know,” he said again, as though this one was only to appease himself.

“Do you think… do you think any of Opal is still in there?”

“I don’t know. I could barely tell what was in there—“ he cut himself off. “I couldn’t even help my brother. I think Fy’ra Rai might’ve… she must’ve seen something. I hope so,” he added, inhaling, trying to capture an airy tone that he didn’t fully manage. “The Spider Queen doesn’t deserve her. She doesn’t deserve anything.”

Orym had nothing to say to this. He hadn’t cared what the gods did or didn’t deserve in weeks, but now he could see the vein of fury that sharpened Dorian’s edges. It didn’t frighten him the way it had frightened him months ago, when things had been simpler, when there was not a war to be fought. It simply saddened him. “I’m so sorry about Opal,” he said, after the silence had lingered. “But I’m,” he breathed out a single dark laugh at himself, his selfishness, “I’m real glad it wasn’t you.”

Dorian’s laugh matched his own. “I suppose that is a silver lining.”

“I’m so glad you’re here,” Orym admitted. It was easier to keep his voice from cracking at a whisper. “I’ve thought about seeing you again so many times— I wish the circumstances were better—“

“I’m here,” Dorian said, for the second time today. “The circumstances tried very hard to make even that impossible, but— I’m here.”

Orym pulled his arm gently out of Fearne’s grasp and raised his hand to Dorian’s cheek. It was too dark to see the tinge of lavender against his skin, but Orym could feel the warmth bloom beneath his fingers. He still couldn’t bring himself to attribute his friend’s insomnia to anything so self-serving as his own, but perhaps it was one factor.

He pulled his hand back. Was there a flash of disappointment in Dorian’s eyes? He couldn’t tell in the dark. But he brushed his fingers together, drawing upon the wellspring of life within the ground beneath this hastily-erected encampment. The Hellcatch looked like a barren wasteland to most, but that life was still present even here.

Perhaps not now, but after a rainy season, the valley would bloom with wildflowers. The seeds waited in the earth for their time to sprout. Life went on, even in the darkest of places.

He produced a small stalk of life from his hands, and held out the tiny bundle of forget-me-nots to Dorian.

He should’ve said that they were for Cyrus, to remember him by. He wanted to say that they were for Dorian himself, that a day hadn’t gone by that he hadn’t thought of him. He didn’t speak at all as Dorian’s hand wrapped around Orym’s, pinching the stem beneath his fingers but not letting go.

“Orym,” Dorian breathed, looking from the flowers to his face. Then a strange expression came over his face, a wrinkle of consternation as he stared into the middle distance. “Fearne, are you braiding my hair?”

Orym lifted his head an inch to peer past Dorian’s ear. He had noticed that the snoring had stopped, but he’d been too caught up in the conversation to process it. Fearne’s wide eyes stared back with perfect innocence, her hands indeed weaving Dorian’s hair into a loose braid.

“Just pretend I’m not here,” she whispered quickly. “I’m totally not here.”

When Orym dropped his head back to Dorian’s arm, he was met with a crooked smile. It was not meant to be disarming, but it disarmed him anyway.

“Just like old times, eh?” he said, but his hand was still around Orym’s.

Carefully, Orym moved to tuck the flower behind Dorian’s ear, bringing both of their hands with him, and then laced their fingers together instead. “No,” he said, and tucked his head so that his brow rested against Dorian’s chin, and pressed their entwined hands to his lips. “But I think that’s okay.”