#the dialogue for this one was fun to write
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felassan · 3 days ago
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David Gaider on Alistair, under a cut for length:
"Ah, Alistair. Depending on who you ask, he's the adorable woobie with the biggest heart or the irritating, over-used man-child. Yes, he is indeed all of those things. Good characters have flaws to go with their virtues. Ugly spots. That is literally their humanity. He was a bit of a bear to write, at the outset. James (Ohlen, the first creative director on DAO) had this idea he needed to be a grizzled Warden veteran - older, distrusting. Everyone hated him instantly. I call this the Carth Onasi Problem, and suggested to James that maybe I try something else. My observation says that the characters who are generally liked the most are the supportive ones. Enthusiastic. Funny? Sometimes, sure, but that's *not* required. I need to digress. See, at the time James had this (regrettable) period where he believed everything could be derived from a formula. He even sold this idea to the founders, Ray and Greg. Google 'BioWare formula'. Anyway, how this relates is because James thought the DAO cast needed a Minsc: a comedy character who would become super popular and, ideally, the icon of DA. "Isn't that Alistair?" you ask. "Arguable," I say, "but no." James had me to up a huge list of 'comedic archetypes' and I wrote some possible dialogue for each one. Then he had the team vote. The winning archetype? The Buffoon - like Homer Simpson or Peter Griffin. James was pleased. I was not. "The problem," I said, "is I don't find the Buffoon funny." 😅"
""But you're a professional." "Sure, I *can* write him... but comedy isn't science. I need to find him funny. If I write him, the only comedy I'll mine is where he makes fun of himself." James took that on board and then passed the character onto someone else. The result? Oghren. I rest my case. So back to the supportive character: that was my thought for a new Alistair. It was a special case, after all - the DAO PC was thrust into a terrible situation. They needed someone who had their back. A bud. A *likeable* bud. I was watching Buffy at the time, and my thoughts drifted towards Xander. Now, I know Joss Whedon is persona non grata these days, but this was 2006, OK? I was watching Buffy and thought, "man, Xander is such a wasted character" and considered how to fix him. Then I realized this might work for Alistair. Plus, I wanted to see if I could replicate the Whedon vocal patter. That was the new Alistair: a more useful and likeable yet equally dorky version of Xander. We had very strict rules in DA about language: no modern speech styles, colloquialisms, any words that came into use in our world after 1900 got severe side eye... but Alistair? Alistair got a blanket pass. Was it great that the lead writer's leading man got to break the rules? I guess not, but it's my opinion that you can break those kinds of rules - selectively, in small doses. Too much and you break the illusion. And it worked. Alistair was an instant hit. Not just with the team, but with the fans."
"Confession time? Yes, I knew Goldanna wasn't meant to be Alistair's mother. But neither was Fiona, originally. I think fans caught wind of some revisionism at work, and OK it's true. I had a more Arthurian idea for his birth but I stopped liking it... yet not soon enough to go back and make edits. Should I have just left it be, left Goldanna as his mother? Maybe. It was one of those writer things I just couldn't let go of and I probably could have used someone to sit me down and go "Gaider, please. Just stop." I still like Fiona, and where I took it. But I probably shouldn't have gone there. Casting Alistair was SUCH a chore. He required a weird mix of devilish charm, but with enough sincerity and adorkableness it didn't come off as smarmy. Every audition went full smarm... until Steve Valentine up and appeared out of nowhere. In the midst of a batch of audition files, there he was. We brought Steve in "just to try out", and he pulled it off. Even the "frog time" line, which (seriously) nobody else could. And when he got to the romantic lines, Steve's voice turned into pure butter without, again, sliding into "oh, he's slightly creepy". Both Caroline and I were sold. And he was so gloriously easy to write. It's a well I'd probably return to... a bit too often, maybe? Maric, then Anders in Awakening, and then Alistair kept popping up in future games and the comics because, yes, he was pretty much the breakout comedy character of DA. Which still makes me happy. 😁 CORRECTION: Goldanna was someone Alistair thought was his *sister*, and her mother his mother. Look, it was almost twenty years ago, OK? 😅 --- I actually had a whole scene written in DAI where Fiona tells him, but the requirements were so specific for them both to be in Skyhold and it seemed like it'd be relevant only to a small small sub-section of fans (and confusing to everyone else) so it was dropped. Rightfully so, I guess."
[source thread]
User: "The Buffy vibes were strong in DAO and I was very happy with that at the time. What I loved about DAO was the mix of dark themes entwined with bits of levity. That's how I like my angst. Dark, broody with a side of ha-has and y'all delivered in DAO for sure." David Gaider: "That's a me thing. I like going dark - really dark - and then pairing it with light, comedic moments. It provides peaks and valleys in the tone, and prevents either from becoming overwhelming. Hey if it worked for Shakespeare (alas, poor Yorrick), it can work for DA, right? 😉" [source]
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adultemophase · 2 days ago
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A VERY LONG ARCANE S2 REVIEW (Not spoiler free below page break)
Firstly, these are all my opinions and everyone is entirely entitled to their own. If you hated S2? That’s fine but I didn’t. So, I will be doing a kind of general breakdown of my thoughts on each act below but first my general review is that I think in terms of overall story telling, season 1 is better.
To ME, S2 seems like more of what they initially had in mind for the show, and they just really nailed the exposition of S1. This is what I think made S1’s pacing feel a lot better - it’s all exposition for S2. Season 2 had to fit a climax and resolution for all of these characters in the same amount of time that they took to set up all of these story lines in the previous season. I genuinely think that each act could have been it’s own season but w/ how expensive the show is to make and the amount of time production took between seasons, I see how that’s not practical. Especially if they want to explore other regions sooner than 15 years from now.
TBH I really enjoyed this season. I understand some people are hating it because of the parts they don’t like but it’s still a visually stunning show with great characters. Do I think there were areas where the story fell flat? Yes. I also think given the time constraints and restriction of this being the last season, the visual story telling was very well done and a great way to move along the story without sacrificing time. I genuinely think it’s such a phenomenal feat of animation that characters expressions convey thoughts and emotions that feel real without dialogue. I still am blown away that it’s a LoL show because despite my love of league lore and characters, I never would have expected that Riot could produce such a heart wrenching show about the tragic nature of love and loss, the things we do for love, and the flaws of our own humanity.
I also think some people set their expectations WAYYY too high for the social commentary aspect of the show after s1, as far as I’m aware there was never any claim made by any part of the prod or writing team that it would be one. Idk overall, I thought it was a lot of fun and still an exceptional show. Not what I was expecting but I’m not upset about how it ended. I think it was conclusive but also not so finite that it leaves zero room for interpretation of the characters implied futures.
It is a little disheartening to see so many immediate negative reactions to it but, again, people are entitled to their own opinions and as much as I complain about people not using critical thinking skills or passing grade 9 literature - art is subjective. Animation, ESPECIALLY at this scale and complexity, is a form of art. I, as I’m sure many other’s did, found it a fulfilling end to one of my favorite shows. Yes, I wish there was more but I can’t bring myself to be disappointed with what we did get.
Below is my (again PERSONAL and NOT SPOILER FREE) 1-10 rating and my thoughts on each act (not really going to analyze anything because I need about 3-5 weeks to scrub through every episode so only my little reviews) :
ACT 1 (7/10) : I think this act is the one with the worst pacing, but I said a whole back in a previous post that I believe to some degree it was intentional. There is suddenly a war happening so I think it’s supposed to feel chaotic a bit chaotic. However I can concede to part of it just being, well, bad pacing. This act is definitely one I wish could have taken up more episodes if there were more seasons since I would prefer flushed out development as opposed to music videos at the beginning of each episode. However, for what it was, they serve their purpose narratively and relay the information that the viewer needs to know. Otherwise, as heartbreaking as the act is, I gotta put myself on blast and say that I LOVE the end sequence of ep 3 when Ambessa makes Caitlyn commander. Like it’s so daunting and cool. Ep 1 fight scene at the memorial? super sick. I also loved the development of the dynamic between Sevika and Jinx. You can feel the characters devolve into a version of themselves that truly is worse and I think that’s so fun. Most of my drop in rating is from how fast it feels.
ACT 2: 9/10
I simultaneously have so much and so little to say. I won’t talk about Isha’s death because to me it was fairly evident that she was going to die from act 1. Anyways, for me this was the most tragic act and I’m still trying to decide between this and act 3 as my favorite. I love them both, in different ways. Seeing Jinx and Vi be brought together and Vander was so touching and sad. You get a real look of how much they still care for each other despite the fact that they’re perpetually ripped apart. I’ve already made a post about the scene between Caitlyn and Vi, so I won’t just say the same thing I’ve already said. I also honestly am not upset that Vi’s “six-ish months of going insane” wasn’t drawn out. Again, I don’t LOVE the music videos, but narratively, it tells you virtually everything you need to know about what’s happened to her and where she is mentally. It’s literally a montage of her life for the past several months. As a recovering addict and someone known to self destruct, I would much rather they condense that like they did rather than draw it out and not handle it well. If you’re going to be cynical, you could say they didn’t anyways but, recovering addict, so I was more worried before the act 2 release that it would be triggering rather than handled poorly.
Jayce coming back and tweaking out was also such a fun touch when it wasn’t explained until the next episode why he was acting that way. Like I figured it had to do with the hex crystal now fused with his body but it was still so interesting.
ACT 3: 9/10
Maybe unpopular but I LOVED this act. Everything was so visually intriguing that on my first watch I wasn’t even fully locked in just because I was focused on how good the imagery/animation is. I thought I was going to hate ep 7 because, unfortunately that leak was real (no I won’t be changing my pfp to a clown like I said I was bc I’m stubborn) but the implication to me of that episode was not “Vi dead so everything good!” it’s that they saw a kid die because of the crystals Jayce had and, in brevity, saw what the tension between the undercity and Piltover was doing to people. I am curious what happened to THAT universes Jayce but I imagine he was probably imprisoned.
Obviously, I have to address the sex scene, and honestly? I don’t mind that it’s in a jail cell BECAUSE of the very obvious parallel to how they first met. It was also done in such a wonderful way that it feels like a legitimately intimate scene between the characters and not just a “man well I suppose they need to fuck, huh.” or male gaze-y “lesbians 🤤” way.
I will be honest and say I don’t like multiverse stuff since it kind of kills the whole “arcane is cannon” thing. I also just don’t love it in general because in recent years it’s been just a cop out for companies to make more money off of IPs (see Marvel) but it makes me want to go back and rewatch s1 again to see if this has always been the plan. I don’t mind Viktor being the wizard that Jayce sees when he is a kid since they tied that up in a way thats really cool. I do think it’s an episode though that, after seeing it a couple of times, is easily skippable since it doesn’t really do a ton for the main plot. Like Ekko gets his Z drive, heimerdinger (i think?) dies, and Jayce discovers the damage hextech can do. Don’t get me wrong, I really like the episode, unfortunately it is just one that I feel like viewers can skip over upon rewatch because of the AU stuff.
Also MEL, I love her storyline with the black rose and I really hope that her putting on the Noxian clothing in the end is an indication that we will get more of her if Riot does a series based in Noxus.
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katatty · 19 hours ago
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Shifting Priorities
Thank you for all the nice comments yesterday! Some really helpful perspectives that gave me a lot of ideas on how I can tackle my simmer's block :)
Mostly, I think I need to trim down the number of neighbourhoods I consider "active" and the amount of projects I am doing in general. I have a hard time letting go of neighbourhoods, especially if I am still somewhat invested in them! But I also need to face the fact that I only have so much free time, and do not want playing the sims to be the sole thing I do with that free time XD
For some neighbourhoods I will also be trying out a more stripped-down approach to blogging, similar to what I've been doing with Driftwood. It makes me a little sad because I like my sims to feel fleshed out as characters and giving them voices is a big part of that! But maybe I can save the prose/dialogue for times when it is particularly needed, rather than including it as a default.
Finally, I am going to prioritise based on what I actually have the most fun with, rather than letting popularity drive my decisions!! Some neighbourhoods I feel sad about potentially retiring because I know people enjoy them, or I feel bad admitting I am never going to finish projects people were excited for, but I have to remember simming is something I do for myself, not for popularity or for other people.
So, plans for my neighbourhoods:
Pleasantview Plus - will continue in its current form for the most part, but holdholds I found less inspiring will just get short summaries rather than extensive documentation. This hood is waaaaaaay too big and I think not that many people follow it all that closely, but it's also my one true love and I would like to start prioritising it again rather than it always being on the backburner
Uberhood Challenge (YouTube Series) - This is a short-term series, and will continue as planned until I finish the challenge, which I'm over halfway through :)
Hollyhead - I hate to say it because I know a lot of people love it, but I feel like I have sorta outgrown this neighbourhood? Some simmers like their settings to be an escape from the real world, and when I made Hollyhead I think it was what I needed too, but these days I find how upbeat & wholesome it is a bit, idk, constraining?? I crave drama and conflict in my stories!! I also have kinda lost interest in the BACC rules and have started to find it more book-keeping and hassle for what I get out of it... Whenever I do open the neighbourhood I still really enjoy actually playing it, and I love the characters so much, but I just haven't found the events interesting enough to want to write about. I think this neighbourhood will not be retired completely (yet), but I will move towards writing much shorter updates in the form of newspaper articles and see if that helps. If by the end of this season I still feel ehhh about it, I might formally end it <3
Driftwood - no complaints about this hood, I'll probably continue with the current style of documenting major events & new builds only
Spruceburg (YouTube series) - I would like to do another season of this next year, after I finish the uberhood challenge! But I will probably go for a schedule of like, one season of series per year, rather than posting consistantly. I enjoy YouTube a lot, but its a lot of work too and I think has majorly taken away from my blogging time this year, which I am mourning now lol!!
The Fiero Legacy - it is probably time to throw in the towel with this and admit I just don't enjoy playing legacy style or with story progression that much! I always enjoy the period where the heir is dating but once they settle down and have kids it becomes a chore and a grind, plus with story progression's time system I always feel rushed and like I can't take a sim out of the house for an outing without potentially missing important milestones - the urban setting feels so wasted when its all family gameplay, haha. Hallie should be at the club!! It was an interesting experiment and a nice change of pace, but idk if I really see myself returning to it. I love the sims themselves and the setting, but whenever I actually load up the neighbourhood I just feel kinda stressed and overwhelmed :(
As for my building projects like Belladonna Cove, perhaps at some point I will get really inspired and return to them but for now they are on indefinite break. I remember saying a few time in the past that I didn't really feel much need to make over Pleasantview and Strangetown because if I wanted nice makoevers I would use frottanas, and tbh I feel the same way about Belladonna Cove - if I was playing it I would just use plumbtales makeovers XD With my past neighbourhood makeovers I was really inspired to make them because there wasn't anything out there that was exactly what I wanted but, well, there's loooooads of nice Belladonna cove makeovers these days so I just don't feel much drive to make my own version I guess?? I think I also have lost interest in building a little becasue I am no longer into super heavily decorated lots - I prefer lighter lots that won't cause lag lol! So yeah, I am probably not retiring from building forever but its no longer a priority for me :)
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variousqueerthings · 6 hours ago
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Big Eden is one of my ultimate feel-good movies!!!
Quotes from an interview with the director, Thomas Bezucha:
In “Big Eden,” I liked that Pike was a nod to “Babette’s Feast,” and there’s a bit of a “Cyrano” thing in that he leads Henry to believe that the Widow Thayer (Nan Martin) is doing the cooking.
Gay people come in all packages, and I remember Eric [Schweig] was moved and motivated to play Pike. He said he was doing it for his unseen brothers and sisters in the gay Native American community. He felt a real responsibility, and he wanted to make sure he honored those people.
And quote from Eric Schweig on the 15th Anniversary special Bluray release (sighs, I miss featurettes so much....)
“I just thought, ‘Oh well, you know, it will probably be the first and only ever gay role I’ll ever get to do, so I’m just gonna go, you know, rock it at the audition, cuz I really wanna do it’ […] I think at the time, I just liked the material because it didn’t have any sort of… racist dialogue that I was so used to, and when you’re a Native American actor, you’re pigeonholed into doing certain types of roles. You sort of get used to doing period piece after period piece, and it’s no fun. And they don’t write gay characters for Native American people."
*
Honestly Eric Schweig was the big celebrity guest star for me in the Pilot. Who is this [squints] Paul Grass?
It recently occurred to me that one of my fave feel good/comfort movies, Big Eden, could be included as part of C6D because it stars Eric Schweig who was in the due South pilot.
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Big Eden is a sweet film about a gay man who returns to his small hometown in Montana to take care of his ill grandfather, and pretty much the whole town then proceeds to play matchmaker between him and the local general store owner, Pike (Eric Schweig).
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This film means a lot to me as Native/Indigenous representation is hard to come by, and queer Native/Indigenous rep even more so. I highly recommend it to any dS/C6D fans, and anyone in general, who wants to watch a lovely queer romance.
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sometimeslwish · 3 days ago
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I read the "a ragdoll's foot got injured" dialogue from Zayne’s meow notes, thought "that ragdoll was probably the cat version of Xavier" and instantly thought about a cat cafe au where we?you?Mc? meet all of them while they've been cursed.
She happens to get recruited into staff about a few weeks/days after they're cursed and then gets promoted to cat caretaker because she's the only one that seems to be able to handle all of them (except Zayne, Zayne is a well behaved darling) and thus a friendship that could end in polyamory is born.
The beginning is very rocky; Sylus is a jerk, Rafayel is grumpy and tends to snap at people and cats alike, Zayne keeps to himself a lot and Xavier... he's just Xavier. He spends most of his time sleeping and never seizes to amaze you (or the other guys) with his weird sleeping positions.
Sylus and Rafayel don't get along, so they always keep them from being in the same room, but when you're in the room you're able to keep them calm.
Zayne doesn't really mind any of the guys, but there seems to be little bit of tension between him and Rafayel, and he tends to avoid the younger for who knows what reason.
Xavier is wary of Sylus but they don't do much beside the double edged teasing remark that makes you question whether they get along or not.
Rafayel and Xavier are besties who cause a little bit of mischief when they're not sleeping.
Zayne and Sylus don't bother each other. In fact, those two are a great team, sometimes you'll catch them napping, cleaning or doing other things together.
Sometimes you catch Zayne taking care of Xavier in quiet ways – blanket over him if it's cold, making sure he's in an area where no one will step on him and harm him while he sleeps (he sleeps heavy), putting his unfinished snacks away so the cats don't eat them and he can finish them later, etc– but he will never admit it out loud so Xavier never realizes and is kind of "eh, I did it in my sleep." (Secretly, he knows, he just doesn't know how to breach the subject and say thanks)
Xavier and Zayne used to be the mediators between the four, until you came around and threw most of the established dynamics out the window. And now there's not much need for mediation thanks to you.
Anyways, if anyone wanna expand on this and write it, go ahead. Don't worry about which way you go cause that's the fun in individual storytelling.
This post was previously seen in @unknown-ends
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skeedelvee · 10 hours ago
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Carry On Countdown Day 1 - Something Old
For this year's COC I've decided to put together daily fic rec lists! Let me know if you find any new favorite reads from these <3
For todays prompt I've gone with fics written pre-Wayward Son!
To Get to You by ikehgaan
Rated M, 40,437 words
I think of this fic often. Fight kissing! Who could ask for more!
Simon figured the Pitches didn’t exactly encourage being open and honest about feelings. Unsurprising, but a little sad. Baz always acted aloof, as though nothing got to him, except with Simon. Simon could always get to Baz. (When Simon can’t take out his frustration on Baz by fighting him in their room because of the anathema, he resorts to more… unconventional methods).
No Tomorrow by Spockzilla
Rated T, 42,142 words
I will never listen to Take a Chance on Me with out thinking of this fic. It's such a fun take on the time loop trope!
“Why didn’t you wake me?” I growl groggily into my pillow. “It’s not my job to wake you up. Get an alarm clock, you fucking numpty,” he snaps. I wonder if super hearing is a vampire thing. “You threw my alarm clock into the moat first year!” I shout over the music. “Not my problem,” he says, as he slams the door shut behind him.
Cinnamon Lips by @f-ing-ruthless-baz
Rated T, 9,249 words
I love a good drunkenly getting together story and this is a great one!
“Snow, did you drink my Fireball?” “Your what?” He blinks at me, wobbling in place for a second, so I nod at the flask in his hand and he grins. “It tastes like cinnamon sweets and burning,” he says proudly. “That it does. Now hand it over.” He scowls. “You know, you act like you’re so fucking perfect all the time, Mr. Know-It-All, Mr. Good-at-Magic, Mr. Shampoo-Advert-Hair—” “Snow—” “But imagine what people would say if they knew Basilton fucking Pitch, top of the class, hangs out with corpses and drinks cinnamon sweets?”
Two Pints of Lager and a Packet of Crisps by stellatundra
Rated M, 3,936 words
Baz sowing some wild oats? Simon getting jealous as hell? Sign me up!
After his kidnapping ordeal, Baz goes to a magickal bar, deciding he deserves just one night to forget about destiny, numpties and Simon Snow. Simon follows him, convinced he’s up to no good, but is taken by surprise when he sees his roommate kissing another boy.
All this soulmate shit by half_witch
I only read this for the first time this year. It is so fun. If you love magic soulmate tropes, this one has just about all of them!
Rated M, 31,573 words
Simon has learned to despise his ‘evil anti-friendmate’ Baz despite being connected to him through magic their entire lives. From sharing luck at ten years old, to mind reading at twelve, to teleportation at seventeen, and the Red String of Fate at twenty—Simon and Baz know only three rules: 1) The New Year’s Eve countdown brings them one new bond to share, 2) The bond only lasts the year, and 3) Bonds NEVER occur twice. But this year, the magic is out of their control and seems hellbent on bringing them closer together—even if it kills them.
I Hoped It Was You by EllisyaSyron
Simon and Baz fall for each other without knowing they're talking to each other. It's like You've Got Mail, but better since neither of them lose their family bookstore in the end. Excellent dialogue!
Rated T, 8,901 words
as requested by anon: "au where baz and simon start talking online bc baz writes drarry fics and simon draws fanart and they do a collab (they don't know that it's them)" BlackPrince: I want to kiss you. SSPuffPride: I want to kiss you too. I wish I could BlackPrince: ...Tell me how you would.
Unspoken Rules and Simon's Nights by @lilmcgil
Rated E, 5,503 and 5,822 words respectively
This was one of the first Snowbaz fics that I ever got obsessed with. Both fics are truly excellent!
Simon and Baz develop a nightly routine. In the daylight they pretend it's not happening.
Companion piece to Unspoken Rules. Same plot line, but from Simon's perspective. I think it would make more sense if you read that first. But don't let that keep you from reading this if you haven't! Be a rebel if you want.
If you have any recs that fit the prompt that I've missed, feel free to leave them in the comments! There's plenty of gaps in my reading so there's a good chance I may not have read it.
Also I've had a hard time finding if some people are here on Tumblr, so if you know someone who hasn't been tagged, feel free to leave that in the comments as well <3
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drakorn · 13 hours ago
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Rewriting Veilguard Part 2 - The Shadow Dragons
Rewriting Veilguard Part 1 - The World State
Disclaimer: I don't hate the game, I actually think it's quite great given the development hell Bioware went through in those 10 years. This is more of a hypothetical universe where there was less of that behind the scenes drama. Just a fun writing exercise.
Writing an Origin Story Mission for the Shadow Dragons
Now that we have dealt with our World State, it’s time to pick Rook’s background. When I first learned that there would be six factions to choose from, I was honestly very ecstatic. You’re telling me we’re getting six different origin stories for Rook? Did BioWare finally listen to the fans’ wish to get one more game with DAO-style prologue missions before the big main plot begins? Then I learned that six of the companions you meet would represent one of those respective factions, and I was like “Amazing, so you will definitely have one party member with whom you can at least align interests and goals from the start.”
What we ended up getting was…sort of something in the middle. Your backstory is brought up and you get quite a lot of unique dialogue regarding your faction. If you’re a Shadow Dragon, there’s a lot of Minrathous dialogue tailored to you specifically. If you’re a Grey Warden, you’re having an absolute field day whenever the Blight is involved, which is…a huge chunk of the game.
But there was…something missing for me. You see, when we start the game, we’re immediately thrown into this epic mission where Rook, Varric, and Harding find Neve and race to stop Solas. It feels very much like we’re starting somewhere in the middle rather than at the beginning. And that, in my humble opinion, is due to the lack of a unique origin story that you can actually play through. So, here’s what the next few parts of this hypothetical rewrite of Veilguard will focus on: creating six unique playable origin stories that would very much be doable without the vampiric leech known as “development hell” hovering over you. This post will focus solely on the Shadow Dragon origin story, so stay tuned for the others. I’m aware of how long it might take between posts, but I want to make sure I do this the right way.
Creating Rook
We start the game, which immediately kicks off Varric’s opening narration. But instead of Varric talking about Solas immediately, we’re gonna set the stage for the general state of Northern Thedas: with the South experiencing a few years of relative peace, the North is a wholly different story: Tevinter and the Qunari have engaged in a bloody and brutal all-out war, the Grey Wardens are growing more reclusive, strange reality warping occurs in Arlathan Forest, a part of the Antaam broke off and is now occupying Antiva and Rivain, strange whispers arise from the Grand Necropolis, basically, everything is in chaos. But Varric is certain that one person is the key to all this. Cue the distant howling of a wolf and six red eyes. Cut to black.
Now we get to customise Rook and choose our faction. As the title of this post suggests, we’re taking the Shadow Dragon route. The backstory text, however, is going to be different to the one we get in DAV. You see, when reading through those backstories, I got the feeling that all of them sounded like outlines for what could have been the origin story quest. I am actually 100% confident that BioWare planned on including prologue missions at one point but had to scrap them due to development hell reasons. And all of the six summaries essentially boil down to “you upset some higher authority and now your faction wants you out of the spotlight.” All the choices regarding Rook’s personality have already been made for us. Playing this actual backstory allows us to roleplay in a roleplaying game, which…shocking, I know, but here me out. Instead, the origin text we get when we click on the Shadow Dragons is simply going to be:
“You are a Shadow Dragon. This underground resistance opposes corrupt rulers and slavery in Tevinter. Coming from all walks of life, they are determined to bring justice to the people. As a member of House Mercar, a renowned Soporati family renowned on the battlefield against the Antaam, you have much influence to bring, and much to lose.”
That’s just the small little snippet we see when hovering over the option. But that’s all we’re gonna get for now. There is no mention yet of Rook’s personality as we’ll get to shape it ourselves a little bit. So, we customise our Rook, finalise our massive World State, and click on the play button at last.
Varric’s narration continues, just like in DAV, but this time, he’s going to give us our chosen faction’s backstory. We get a recap on how Dorian and Maevaris founded the Lucerni shortly after the war with Corypheus and how much of a ray of hope this group was in the twisted and corrupt society of the Tevinter Imperium. But then, some of the more powerful magisters began to heavily push against them, eventually leading to Maevaris being framed for treason and losing her seat in the Magisterium. She took all the blame on herself so that Dorian would be able to retain a spotless reputation and continue their work on the great political stage. Maevaris took the remaining Lucerni underground and formed the Shadow Dragons, continuing their work under a different name. Now unbound by political restrictions, the Shadow Dragons are free to take more radical measures in their fight against oppression and slavery. And Varric is confident that the perfect candidate to go against the bigger threat can be found in this group.
The Shadow Lair
Our story begins in Minrathous, in the underground base of the Shadow Dragons. And right off the bat, we’re making a change regarding said base’s location. In DAV, it stands in a random building somewhere in Dock Town that pretty much anyone could access. I get that they were probably going for the “hide in plain sight” approach, but let’s actually have some fun here.
In this rewrite, the Shadow Dragons are literally operating from the underground. Now, Minrathous’ underground system has two things that are very beneficial for a secretive rebellious organisation:
Vast catacombs. The catacombs of Minrathous are so massive that they can store food to survive years of siege. Minrathous, like so many cities and settlements in Tevinter, is built on the bones of Elvhenan. You can easily get lost in those catacombs.
Gigantic sewers. The sewers are arguably even more treacherous than the catacombs, because we have seen in Tevinter Nights what can lurk there. Imagine the sewers of the greatest city in the world, the greatest magical city in the world. Surely it comes with its own set of urban legends akin to the sewer gator. But in a city like Minrathous, those legends are probably true. Failed magical experiments, lyrium-infused mutations, abominations of former mages who failed some twisted blood magic experiment, possessed objects; all this can be found in Minrathous’ sewers. Dangerous for everyone, and therefore perfect for the Shadow Dragons.
The Shadow Dragons operate from a place called "The Shadow Lair”, a section of an underground district known simply as “The Undercity”. That’s where all the poor and forgotten retreat if they wish to disappear from the world, or criminals who flee the Imperium’s justice system. A dangerous but also perfect place.
NOTE: For the duration of the prologue, Rook will be referred to by the name of Mercar, as “Rook” is the name they give themselves after disappearing from the scene.
Depending on what race Mercar is, the stakes vary:
If Mercar is a human, they are the direct heir of House Mercar, destined to take over the family name one day. If Mercar is a human mage, they are currently in the process of getting their family appointed to Laetan status, which will give them more political power and influence.
If Mercar is a dwarf, they are an adopted scion of House Mercar.
If Mercar is an elf or a qunari, they are an official slave of House Mercar, but it’s made pretty clear in the beginning that House Mercar’s slaves are slaves in name only, while actually being more akin to paid servants. House Mercar simply refers to them as slaves to stay under the Magisterium’s radar and actually uses them to pass on information to the Shadow Dragons.
I was personally disappointed that DAV didn’t really touch on Tevinter’s slavery system. It felt a bit like I was treated with kid gloves and not given the trust to being able to handle dark topics. But Tevinter, as has been established in all DA media before DAV, is a pretty dark place for anyone who isn’t a human mage. And it’s important to depict that as it shows the stakes and just how rotten of a society the Imperium is. We need to see what the Shadow Dragons are actually fighting for. It’s not enough to just tell us how much a freedom fighter group we are, no, we need to see it.
Meeting the Leaders of the Shadow Dragons
For the sake of this playthrough, our Mercar is going to be a human mage, and thus not only the direct heir to the house but also one who can elevate it to Laetan status. We have a lot to lose, so we must be extra careful in this precarious situation.
So Mercar meets with the leaders of the Shadow Dragons, namely Maevaris and the Viper. From this conversation, we get the general gist of what’s about to happen and why we are here: House Mercar decided to get a bit more involved with the Shadow Dragons after both parties discovered a massive plot for something big involving Minrathous’ vast slave population. Whatever it is, it’s happening somewhere in Dock Town, and we are to rendezvous with Neve Gallus, a local and renowned detective, to get to the bottom of this.
Exploring the Shadow Lair
After the conversation, we get to have a quick look around the Shadow Lair, where we can instigate a small series of encounters:
We can talk to Maevaris some more and learn about her past and her motivation behind what used to be the Lucerni.
We can talk to the Viper and learn more about him, how he’s usually running operations and that he’s from an Altus house. But that’s about everything you can learn about him at this point in time.
We can meet Lorelei and learn about her being one of the city elves Loghain sold to Tevinter all the way back in DAO. She will give a few remarks on how the Hero of Ferelden dealt with the Alienage and how she and Alistair made it a more just place.
NOTE: For this rewrite’s hypothetical playthrough, the Hero of Ferelden is a Human Noble who romanced Alistair and became Queen of Ferelden. She is now searching for a cure for the Calling.
We can have a bit of a look at the Undercity and just see how much of a poor and dark place it is. This is the gutter, no, this is below the gutter. The people here wish to disappear. They are miserable, most of them have given up hope. The Shadow Dragons are the only ones who actually care about them.
Since the Undercity is below modern Minrathous, we can see traces of ancient elven architecture on display, including mosaics and frescoes.
An Old Friend
Just as we’re about to leave for Dock Town, a familiar face strides into the Shadow Lair: Varric Tethras. Yes, we actually get to see Rook’s first meeting with Varric here! Maevaris greets and introduces him to us (and we actually get to know that Varric and Maevaris are family, which DAV kind of glossed over, thank you very much). Mercar gets to have a first chat with Varric, where he assess our personality. This vibe check is what allows us to determine Rook’s general personality: are we diplomatic, humorous, or aggressive? I fully get that Varric wouldn’t pick an evil person to fight against Solas, but we should still have some kind of roleplay room regarding Rook’s way of thinking and speaking.
Varric’s purpose in these prologues is very similar to Duncan’s in DAO. He’s the one who recruits you into the larger fight and acts as a mentor figure for a while. I was actually fully expecting that to be the case in the actual game when we were told that Varric recruits Rook into the fight against Solas. Well, he did, but I would have liked to see it! Alas, we shall do so here!
Varric stays behind in the Shadow Lair while we go off and do our thing.
Entering Dock Town
Dock Town is pretty much right above the Undercity, the gutter above the actual gutter. The entrance to the Shadow Lair is quite hidden with enchantments, known only to Shadow Dragons and their associates.
Dock Town is going to stay pretty much exactly as we see it in the game. If there is one place in Minrathous where everyone could mingle without being necessarily immediately prosecuted, it’s that place (which is probably why that’s the only part of Minrathous we see in the game, but I digress). However, there will be one major change: slavery is still a thing.
Dock Town is…well…a place where ships dock. That includes ships of slave traders and prisoners of war. In this rewrite, Tevinter is still locked into a war with the Qunari, so there will be a lot of that reflected in the environment. As we walk through Dock Town, we see guards on high alert, slaves and prisoners being led away in chains. We’re doing some important environmental storytelling here that lets us know exactly why Tevinter is a place that needs to be liberated and changed so desperately.
Meeting Neve Gallus
We find Neve Gallus at the Cobbled Swan. Depending on dialogue choices, we might or might not have heard of her up to this point. I think it would be fun if Mercar could geek out about her because he read some sensationalist tabloid about one of her cases.
So Neve tells us that a huge part of Dock Town was closed off for a great event, a former small coliseum that hasn’t been used in decades. Coincidentally, several unpurchased slaves and prisoners of war are being dragged into that area.
Neve has a good lead to assume that the Venatori are somehow behind this because of course they are. Neve gives us a recap on what the Venatori are and how she had multiple run-ins with them already. She is to be absolutely certain that Mercar can be trusted as they will need to work together on this. In response, Mercar shares his side of the information, that his father, Charon Mercar, who is also a respected Legatus in this rewrite, oversaw a strange pattern in how many prisoners of war and masterless slaves, primarily from places like Ventus and Carastes, Qunari-conquered cities, have simply disappeared, and how surprisingly many military vessels have been transferred to Minrathous. Since Neve is a detective, it’s fun to make this part of the journey feel a bit like a crime mystery.
Once all information has been shared, Neve declares that it’s time to go.
Approaching the Coliseum
Neve takes us across Dock Town’s roofs towards the closed-off area of the coliseum. There, we see just how massively guarded it is. The official excuse for all this is a military training exercise. Horrifyingly, this is much closer to the truth than we realise. There are Imperial Templars and Legionnaires patrolling the outskirts, so we have to find our way in.
Neve directs us to a secret hiding spot, where we meet Tarquin, who is, as we know, an Imperial Templar working for the Shadow Dragons. Not even he knows exactly what’s happening, but something definitely big is going on.
There are two options before us: do we sneak in from above and observe from the shadows, or do we disguise ourselves as templars and participate in a more open manner? This right here gives us another choice regarding Mercar’s way of doing things. Are we feeling confident enough to just walk in and hide in plain sight? Or do we take the stealthy approach? While Neve is all for stealth, Tarquin prefers the closer look. So a first major choice presents itself:
Follow Neve and observe the proceedings from above, quietly gathering the information you need.
Follow Tarquin and disguise yourself as an attendant, getting a much closer look at the proceedings.
So I’m feeling a little brave right now. I think my Mercar would try to do the bold approach to get better results, even if it means a higher risk. For this playthrough, I’m choosing to follow Tarquin and let myself be disguised. Neve begrudgingly follows along.
Entering the Coliseum
A few minutes later, Mercar, Neve, and Tarquin approach the Coliseum gates in disguise. Tarquin wears his Templar armour, while Mercar and Neve are dressed as mages of the Legion.
Once we enter the arena, we have the chance to explore it for a little while. Doing so allows us to encounter the following:
We can have an early chat with Magister Zara Renata, who will, of course, be very relevant later, along with her lackeys Felicia and Calivan, all of whom are prominent members of the Venatori. Neve is able to make that connection due to Felicia’s brother Livius having so notoriously attempted to corrupt the Wardens at Adamant Fortress in DAI.
We may encounter Magister Bataris, alongside his son Albin and get early hints of just how far the Venatori corruption runs.
If we make a good enough persuasion attempt at the Templar Captain guarding the entrance to a basement, we shall enter it and discover the prisoners and slaves intended for some heinous affair. Here, and only here, if we perform this correct dialogue choice, and being a human mage, unfortunately, certainly helps here, we get to see that our father, Charon Mercar, is among the imprisoned. And the worst of it all? He doesn’t even recognise you. Actually none of the slaves and prisoners react in any way, as all of them seem to be under some sort of spell. As we look closer, we can see that all of them have strange spiked collars around their necks, filled with blood. This is blood magic that keeps them entranced. If we want to risk it, we have time to break our father’s collar and ensure that perhaps, he can escape. So we do just that.
The Imperator
Following our exploration of the Coliseum, we get streamed into a crowd of onlookers as the Imperator of Tevinter’s legions, the Supreme Legatus himself, Magister Aemilianus Laskaris, enters the centre of the arena.
We know from DAV that Tevinter has an Imperator, and the Imperator is not the same as the Archon in this context. While the Archon is the overall ruler, the Imperator is the highest military commander. Think of this guy as Tevinter’s version of Loghain. Laskaris also happens to be one of the loudest voices responsible for forcing the Lucerni out of the Magisterium.
Laskaris delivers a speech in which he proclaims just how bad Tevinter is faring against the Antaam. Here we get some early insight into the fact that a large chunk of the Qunari army broke off and is now bearing down on Antiva and Rivain. However, a large part of it remained and is following the Arishok into battle against the Imperium. And even against this broken Antaam, the Legions are starting to fail.
Laskaris cites lost cities such as Ventus, Carastes, and Neromenian as evidence for the desperate situation Tevinter is now facing. Therefore, something must be done. Something drastic. He presents, to the gathered onlookers, the Salvatio Initiative. Basically, all unpurchased slaves and prisoners of war are to be given to Tevinter’s legions, where Laskaris and the Legates serving under him will perform blood magic rituals to turn them into mindless but ravaging soldiers against the Antaam. Dangerous cannon fodder essentially. He will use tonight’s demonstration to convince the gathered members of the Magisterium to pass a law that will officially permit Tevinter’s legions to use blood magic. Well, we know, Tevinter has always used blood magic behind closed doors, but this will mean that all safety measures are off, all precautions, all careful attempts at hiding it. And the worst part is: since slaves are considered nothing but tools, it won’t even be seen as unethical by the large portion of conservative Senate members. And prisoners of war? Qunari? Who cares about them anyway, right? This is the darkness and true corruption permeating Tevinter. This is exactly why the Shadow Dragons exist to bring back the light.
Several doors open and Laskaris directs all slaves and prisoners to be brought forth.  They are all wearing the blood collars. Upon the Imperator’s command, him and several blood mages under his leadership, activate the blood collars and turn the slaves and prisoners into an absolute frenzy. A battle erupts in which the sheer destructive power of the now-mindless fighters is demonstrated.
Mercar now has a choice to make, and it is the biggest one there is in the prologue:
Do we stealthily fight the blood mages and try to rescue the innocent mind-controlled people without blowing our cover? You do, however, risk your father dying.
Do we rush in headfirst and fight Laskaris head-on, saving your father but maybe dooming more innocents and risking exposure?
Do we put our personal emotional interest above the greater good or vice versa? Well, because we broke our father’s collar earlier, we can at least assume that he’s going to be able to fight for himself with a clear head, so let’s focus on the blood mages in a stealthy manner.
Neve and Tarquin quickly take us behind the scenes as the crowd watchers in apt interest. There are five blood mages, including Laskaris, who need to be dealt with. Neve takes one half, Tarquin the other, while you have a go at Laskaris himself. You are masked so he won’t know it’s you.
While Neve and Tarquin successfully dismantle two blood mages each, we sneak right up to Laskaris and try to either knock him out or backstab him altogether. This results in the same outcome but tells a lot about Mercar’s personality. Do we kill this guy and end it now? Or do we try and incapacitate him so that he can still be of use for the future?
Regardless, Laskaris sees it coming and engages in a boss battle against us. It’s a tough battle, one that we are logically meant to lose. If we get Laskaris down to 0HP, miraculously so unless we play on Storyteller mode, the cutscene will slightly change but the outcome remains largely the same.
Laskaris lashes out and wounds us, causing us to fall down, bleeding, losing our mask, exposing ourselves to Laskaris, while the slaves and prisoners stage a mad revolt around us, forcing the gathered magisters to flee the scene. But because we freed our father from his collar, he comes rushing in to save us, engaging Laskaris in a one-on-one duel. Despite “only” being Soporati, he puts up quite a fight with his huge two-hander. We want to help him, desperately so, but we are just too weak. Laskaris is impressed by Charon’s strength, but ultimately, deals him a mortal wound. Just before Laskaris turns to finish us off, he is struck in the shoulder by…Bianca!
Varric steps into the fray and fires off a row of bolts against the Imperator, allowing Neve and Tarquin to take us away as we pass out. As they do so, the Viper appears and casts a spell that shrouds the whole arena in fog.
Back at the Shadow Lair
We awaken in the Shadow Lair and are greeted by Varric. It turns out that he was using this whole mission to assess us from the background, to determine if we are the one he’s looking for. And he decides that, yes, we are. Laskaris, the Venatori, all of this is just one puzzle piece of something much greater. And that’s where Varric tells us about the Dread Wolf. That’s when we hear the little monologue from DAV’s opening. “I knew him as Solas.” The Dread Wolf has returned and is planning to tear down the Veil to restore the world of the ancient elves. Even if our own world must burn. “Someone’s gotta stop him. And that’s where you come in.”
What? We are supposed to accompany Varric on a quest to stop an ancient elven god? Obviously I’m going to refuse because hello? I’m a Shadow Dragon! I just discovered the biggest plot to endanger slaves ever since the Magister Sidereal tore open the Veil to reach the Golden City! I can’t just leave right now to pursue a fairy tale.
At this point, Maevaris joins us and tells us that the Dread Wolf is, indeed, a real threat. Besides, Mercar has to disappear for a while, now that Laskaris knows who we are. We can’t be seen with the Shadow Dragons for the time being. Doing so would just endanger the whole cause.
Reluctantly or readily, that depends on our personality, we concede that there is sense in Varric’s words. Varric advises us to adopt a codename as well, like so many agents of the Inquisition did back in the day. Mercar thinks for a moment, reflects on the most recent events, and decides on “Rook”. Varric approves. “The strongest piece on the chessboard, I like it.”
Afterwards we get a final chance to talk to the members of the Shadow Dragons before we depart, and get a last look at the Undercity. But not all is dire, for as it turns out, Neve is coming along too.
Yeah, so here’s the idea. When I learned that each companion would correspond to a faction, I thought that the faction we choose as our starting point would determine our first companion. So let us attempt this for this rewrite. In this case, we obviously get Neve. It took a lot of convincing from Varric to get her on board, as she loves her city, but she is also smart and realises that if Solas goes through with his plans, there won’t be a Minrathous to fight for.
What follows is a cutscene where Rook, Neve, and Varric depart the Shadow Lair and leave Minrathous altogether. One last time, Rook looks at the city he swore to fight for, then turns around and follows Varric into the unknown. And that’s where the screen turns black and we get our title card:
Dragon Age: Dreadwolf
Yeah…I personally feel like Dreadwolf was the better-sounding title. I totally get why Veilguard was ultimately chosen, but since this rewrite will have far more Solas in it, I think the original name is a bit more appropriate.
And that’s as far as we’ll go today! I hope you enjoyed my little hypothetical take on a potential Shadow Dragon origin mission. Of course, not everything is refined and perfect, but I hope you still got the overall gist of what I was going for! Next time, we shall focus on a potential prologue for the Grey Wardens! Stay tuned!
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keyaho · 3 days ago
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I sometimes get random scenes/dialogue in my head and have to write them down. A lot my stories are created this way, but not all ideas see the light of day, so I will just share what I think of to log it. Maybe use it later. I won't make them specific to anyone so there no assumption it will be made into a story.
ℝ𝕒𝕟𝕕𝕠𝕞 𝕄𝕦𝕤𝕚𝕟𝕘𝕤.𝟘𝟙 : 𝕄𝕒𝕥𝕔𝕙 𝕄𝕪 𝔽𝕣𝕖𝕒𝕜
It was guys night in and girls night out and Evelyn walked down the stairs to join her friends. There was music playing, a few shots for pregame, and the familiar haze of kush being smoked. Tonight was only a dinner and drinks type of night for them. They were celebrating her passing the bar at a swanky new bar and grille that had opened up downtown. Perfect for the evening. However, as she came around the corner into the kitchen she noticed that among the whistles and catcalls from her friends over her outfit, her boyfriend's eyes were a mixture of lust and question. It was a black mid thigh dress with cut outs on the side and a halter neckline top. The pair of So Kate's he just gifted her snugged her feet, putting her almost to his eye level.
He let her bake in the attention before he walked over and placed his hands on her sides. The bare skin beneath his fingertips was smoothed and he could smell her body oils and perfumes. A delicious layering of vanilla, bergamot, and bourbon. Sweet and seductive. Their celebration would start this weekend on a trip he planned for them.
"Cute,' he said.
Evelyn knew where this was going and rolled her eyes. "Just cute?" She stepped closer to him, as if they were alone in their place, and pressed her lips to his chin.
"You should go change before I change the way you walk."
"Oh shit,' one of his friends said, laughing, 'aye bruh, ya'll some freaks."
"Nothing is wrong with my outfit." Evelyn replied. "I'm not changing."
His hand flexed against her in a small nudge of a warning.
"Ev,' he says.
"You've never said anything before."
He shrugged. "I'm always with you."
Evelyn leaned back and knew the way she ended her night was in her hands. She could either go change and get one of the best dicking downs of her life, or, she could go change but into something that would make things worse and get fucked within an inch of her life.
Making up her mind she looks to her friends. "I'll be right back."
Ten minutes later, Evelyn returned to the living area where her best friend laughs.
"Oh you freaky bitch,' she giggled into her hands.
She grabbed her clutch from the counter and walked over to where he stood, back to her as he looked at the game playing on the screen. her friends left out the front door and after kissing his cheek she places a hand on his stomach and steps in front of him.
"Have fun,' he says while looking down at her and then back to her face. "Evelyn, don't play with me."
"I think you need to change the way I talk too. See you tonight Big Daddy."
Winking, Evelyn walked out of the house behind her friends, the new outfit was a leather mini skirt, the ones that look like they should be on cheerleader outfits, and the same top and heels, her hair slicked back into a high ponytail; heavily pinned to be secure.
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lara-cairncross · 3 days ago
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For no reason what are some prompts you’re craving rn? Can be dialogue, scenes, vague, specific, whatever you want
OOOO THIS IS SUCH A FUN QUESTION lemme think,,, uh well. arcane has influenced me too much shfhehfhhr so I've had doomed siblings on the mind a lot lately!! Im seriously feeling the urge to write a fic about Mikey and one of his bros like that :D
OR SMTH ABOUT MIKEY AND TIME TRAVEL UGHHHHHH THE BRAINWORMS i love time travelling characters I NEED MORE OF MIKEY MAKING PORTALS TO OTHER DIMENSIONS OR TO THE PAST OR S O M E T H I N G OMG. please i need this fandom to talk about his powers more. one of the writers confirmed during a QnA on twitter that mikey can basically do ANYTHING with his mystic abilities??? AND NOBODY TALKS ABOUT IT EVER LIKE CMON
tbh i have too many scenes i wanna write and/or draw out for an unholy number of random different aus. like whenever im bored i just daydream new cool stories or aus for the turtles and then proceed to never talk about them or write about them or draw them rip 💔
one specific idea i've been considering making a fic out of is smth about the "good" timeline starting to fall apart after the invasion-- something something that timeline wasn't supposed to exist, future mikey basically "cheated" by sending Junior back to change the past, timeline is now trying to correct itself, bigger and bigger disasters are occurring on a daily basis to accomplish this, present mikey has to figure out how stop that, ahchehfhehr listen its more of a very vague feeling than an actual plot but im having fun daydreaming about it thats all that matters
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tumblingxelian · 2 days ago
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Oh I have been looking FORWARD to this!!!
Excellent in media res opening, you get us into Fu's insecurities & head-space so smoothly and his ensuing logic, along with setting up Trixx's gambit which I am super curious about to say the least!
As before, more excellent in media res, flashbacks are hard to use but you set it up so smoothly without disrupting the frantic nature of the fight or how off balance Marinette is without a partner this early in her career. It makes sense Marinette's just been low key happy but also not noticing Chloe's absence from her life and is only keying in now, the little details are nice touches as Marinette is a very detail oriented person but one with a heavy reliance on her gut.  Chloe's continuing meltdown outside of the façade Purrge allows her to keep up came off really well, the "I know, I suck!" aspect was especially telling, I like Bustier making an effort though clearly being out of her depth given the circumstances. Also gosh, Chloe hissing XD
Adrien: So the Cat Miraculous does make us behave more like cats! Plagg: No, no I do not, don't pin this on me kid. Chloe: (Climbing to the highest place to hiss at people more)
Also nice to see the rest of the class showing some agency and activity on their own without prompting from the MCs, and that whole bit with Marinette nominating Alya only to realize Alya wasn't gonna nominate her was great, I loved their dialogue exchange they are so witty and fun and oooh the confused ball of Adrien feelings, I love it!
Solid break out from the flashback too, and a very smooth introduction with Fu, I love her not realizing his age due to the Miraculous mask effect and his dialogue. I dunno, I just really like how you write his manner of speech. Also more Adrien feels! Fu's method of just leaving Miraculous with people who's vibes are right may come back to bite him XD
"That which was not known could not be pursued, much less caught."
As before I love the distinct manner in which he comes off with, everyone has their own voices, but Fu's is perhaps the most distinct which makes sense given his age and life experience. Sewer Hat Boy, another victim of the Miraculous mask effect and I love the manner in which Chloe is described, very much feels like a feline in human form. The fight itself was awesome, Fu's general nervousness really did not serve him well (Overall) in this fight, constantly over-thinking and fretting and then losing himself in a flashback while Chloe's turned off everything but fight mode. The swapping of the Cataclysm was an inspired idea and gods:
“Five minutes left to show you just how big of a mistake you’ve made.”
Is such a badass line and mental image!!!
Great intro with Adrien's scene, smoothly setting up Nino's upcoming presence and I love the Marinette ramble slipping out as Ladybug! Also gosh his minimal self worth and wow, thinking he can get the Black Cat back even without a Miraculous of his own, optimism bordering on delusion there I'm afraid.
Very swift intro with the Snake and Aspik, it makes sense to skip it even if I was curious, also love Marinette oscillating between her LB person and Marinette vibes. Also oh dear, he went with the bald cap again and aaaah you fools why did you separate, that didn't work out last time now did it!?
Holy fuck that was brutal, easily her most heartbreaking Adrien chapter, this whole experience is borderline cosmic horror in terms of vibes as a thousand truths overlay and his perceptions crumble, heavy stuff! "Would that have been what made her give it back?" That is still your focus my boi?!
Nino is such a ride or die guy, I love him, great sensation work for Adrien and oooh setting up a future conversation that I really wanna see!
& Trixx is here, to make us all cheer, because oh so many questions now rear! I lost the rhyming scheme but suffice to say excellent lead out location, loved all of this! 
Crossing Blades: An ML Fanfic Chapter 1 of 3
Next installment in my Chloe goes back in time AU! Link to AO3, then full text of the chapter below the cut.
Crossing Blades
The warning continued to blare on the ancient radio. It almost overrode the sounds of panic coming through the thin windows and walls of the backroom apartment. Wang Fu paced like a caged animal, twisting the bracelet on his wrist over and over. Beside him Wayzz hung in the air, concerned but silent.
Master Fu stopped in place, eyes narrowed at some unseen ghosts of the past, or future. “I must act. Wayzz, shell on!”
In a flash of green, casual clothing was replaced with armor and mask. Jade Turtle stepped up to the gramophone with determination in his manner. Tap, taptap, tap. Out came the miracle box.
Ignoring the two that remained on the top layer, he reached into a side drawer and took out the snake miraculous. He paused only once, turning away with the green band in hand. Is this the correct path? A life of running had not prepared him for a fight.
Without looking back, Jade Turtle closed the miracle box. The snap of the lid renewed his flagging conviction. This was right. He could bring things back under control and set them in balance once more.
If only he had looked back, he might have seen the fox tail necklace judder and bounce. He might have seen it hop from the box and hook itself to the back of his belt. He might have seen the little fox kwami blinking into existence, the culprit behind the jewelry’s odd behavior, then blink out again.
But, he did not.
-----------------
Ladybug ducked between two buildings. She had no idea if the narrow alleyway was a dead end, she just needed breathing room. Squads of black armored knights marched up and down the streets, attacking anyone caught outside at will. Dark clouds painted the sky, casting everything into deep shadows.
She believed the source to be at city hall, a new akuma -of course- but she needed more to go on. She also needed a partner. She was *this* close to wishing for the Miraculous thief to show up, just to have someone watch her back against the legion of minions this akuma commanded.
To think, this morning had seemed like such a big deal only a few hours ago.
“Good morning everyone. Before we start for today, it’s time to elect your class representative.” Ms. Bustier had spoken in a chipper but uncertain tone. She gestured to Chloé in the front seat, “Chloé, I haven’t heard from Sabrina yet, but can we count on the two of you again this year?”
“What?” a muddled reply came, “No, ugh. I don’t want to be stupid representative anymore. Someone else do it.”
That had brought Marinette out of her own thoughts. Chloé had been weird lately, but Marinette had had her own problems to deal with. However, passing up prestige, not being the bigwig in the room? That was something else entirely. Marinette looked down at the back of Chloé’s head. Was the ponytail frizzed today? There was body language there that felt off, the set of her shoulders wasn’t right. Marinette had gotten good at reading Chloé’s moods in self defense.
Ms. Bustier’s lips made a surprised ‘oh’ and she looked up,”Well does anyone else want to run for the position?”
The kind of absolute silence that can only come from asking for a volunteer echoed back at her.
Ms. Bustier clasped her hands and tried again, “Chloé, why not be representative again this year? You know the most about it. You’re right here at the front of the room too. If things are a bit hectic, I’m sure we can work something out…”
“I said No!” Chloé slammed her palms down on the desk and stood up so fast Sabrina fell off the bench as it moved. “If being at the front means I have to do it, FINE!”
She grabbed her bag and stalked back to the rear of the room. All eyes followed her but no one dared say a word. Rose scooted closer to Juleka. Ivan’s brows lowered as she passed. Nathaniel’s eyes began to widen as she approached his desk.
*Thump* She shoved her bag onto it. Nathaniel’s eyes darted, he seemed paralyzed. Chloé’s face flushed for a moment then she grabbed his sketchbook from the desk.”You sit in the front now!”
The hurled sketchbook opened in mid-flight like a wounded bird, flapping and spinning until it landed on the front desk then skittered off the other side to the floor. Ms. Bustier’s eyes tracked its entire flight. There was one more beat of silence then she looked up.
“Ms. Bourgeois, that is no way to-”
“I know I know. I suck, whatever. Shut up. I’m in the back now, I can’t be the rep. Someone else do it.” Chloé dropped herself onto the bench beside Nathaniel, who fell off the other side, scrambling to escape.
He scuttled down to the front. Ms. Bustier met him and handed him his sketchbook with a gentle, ”Please put this away during the lesson, Nathaniel.” before looking up to the back. “Ms. Bourgeois, see me after class.”
An honest to God hiss was her answer to that.
Ms. Bustier quickly replaced the serene mask she normally wore, “So, it appears the field is indeed wide open. Would no one else like to take the reins and lead our class to the future?”
Alya’s elbow dug lightly into Marinette’s side. “You should do it,” her friend whispered.
Marinette bit her lip. It would be work, more work on top of Ladybug. She didn’t want to let anyone down either. She was always late, even before the miraculous. Surely someone else could do it, right?
“I don’t have time. Why don’t you try it?” Marinette whispered back.
“La-dy Blog,” Alya sing-songed. “Come on, maybe you could get Adrien to be your assistant.”
That sparked a whole ball of feelings. Imagined black cat ears popped into being atop Adrien’s head in Marinette’s mind. Adrien, Cat Noir, a chance to be partners again?
“Mylene!” Alix broke the silence that had settled again.
The redhead gave the girl beside her a friendly shove.
“You’re always into political stuff. Why don’t you do it?”
Mylene smiled for a second before shrinking in her seat. “I umm, don’t know. I’ve never actually been in charge of anything before.”
Alix leaned grinned down at Ms. Bustier, “I nominate Mylene! We can do that, right?”
The relief was clear on the teacher’s face, “Yes! Yes of course, nominations are allowed, though they need to be accepted.”
“Cool. Then that. I nominate. Come on, Mylene. Show us what you got.”
After a look towards Ivan, and another downcast fidget in her seat, Mylene finally nodded.
Marinette sagged with relief. That was taken care-
Alya’s voice, “Well, I nomi-”
A storm of images hit Marinette. Pressure, uncertainty, working with Adrien, not working with Adrien. Mylene working with Adrien, of all the oddball things.
She shot to her feet, “I nominate Alya!”
There was a general classwide blink.
Ms. Bustier nodded, “Alya, would you accept?”
Alya missed a beat, but recovered. “Yeah, sure. That way we get an election, right?” She leaned around Marinette, “We’ll highlight important issues with our speeches, right Mylene?”
Mylene brightened, “Yes, of course!”
There was a general murmur of excitement. Marinette took her seat again, giving Alya a smug look before whispering, “Beat you to it.”
Alya raised an eyebrow. “Girl, I was gonna nominate Adrien. You already said you didn’t want to. I figured it could work the other way too.”
Marinette’s triumphant smile melted into sadness. She slumped face first onto the desk. Alya patted her gently on the back.
“I dunno what about Mr. Modelpants does it for you, but I was trying to help.”
Marinette mumbled against the wood, “You got my vote.” She pushed herself upright and looked down to the row in front of them. “He just seems… nice. I think he deserves a chance.”
Alya’s snort was anything but subtle, “A chance with you, that is quite a reward.”
Marinette went instantly red. “I didn’t- I mean-”
Alya laid a hand on her shoulder, “Relax, girl. I got you.”
“You can speak at my funeral when I die of embarrassment,” Marinette groused.
“I will move the crowds to tears.” Alya nodded solemnly.
Much needed giggles slipped from Marinette’s lips. A sharply cleared throat cut her reply short though.
“Miss Cesaire, you will be ready to deliver your speech in the morning?” Ms. Bustier asked pointedly.
Alya saluted. “Yes Ma’am.”
At the time it had all seemed so important.
Breather over, Ladybug considered her options. She wasn’t even sure where the akuma was. City Hall seemed a good bet. The roving packs of armored warriors were a risk. One on one, she trusted her miraculous enhanced reflexes, but five on one? Ten? She wished for Cat Noir. In a moment of weakness she even felt she would settle for the thief. She needed someone to watch her back. She needed a partner.
A flash of motion -above!- Ladybug lashed out and dodged.
Spang!
Her yo-yo rebounded off the wide-brimmed metal hat of a green glad warrior. “Hold, Ladybug! I am ally, not foe!”
Ladybug kept her yo-yo at the ready. “Ally? Who are you?”
He raised his head, revealing the green mask and a smile. “I am the Guardian of the Miraculous. You may call me Jade Turtle.”
She sized him up quickly. Her height, her age? It was impossible to tell much from behind a mask. He held himself with poise, but also hunched like his namesake, as if awaiting a blow. “Guardian? What is that? Do you know what’s going on?”
He bowed his head a fraction, “I do, and I will share what I can with you once the crisis has passed. I have brought you the means to garner an ally in this battle.”
He unhooked a small box from his belt and opened it. Inside lay an unassuming bracelet of Jade.
“This is the Miraculous of the snake, which holds the power of intuition. It will allow the wearer to loop time, up to five minutes, to find the correct path to victory. Give it to one you trust.”
Adrien. The name popped instantly into Ladybug’s mind. She could have her partner back. She reached for the box but paused. “Will you be fighting with us too?”
Jade Turtle shook his head, “I am here to reclaim what is lost. I expect the black cat will make an appearance, and I will be ready. It is vital the miraculous not fall into the wrong hands.”
Ladybug took the box. Something nagged the back of her mind, but it didn’t translate properly and only, ��Are you sure?” left her lips.
Jade Turtle nodded and ran his fingers along the brim of his metal hat. “Yes, almost as sure as I was in choosing you to be Ladybug.”
With that he turned and vaulted up out of the alley to the rooftops.
The box was heavy in Ladybug’s hand as her eyes lingered after the only person with any answers to her questions. Adrien. I can get this to Adrien. No rooftops for me though. I can’t risk being seen and followed.
Ladybug checked the end of the alleyway and then scurried back towards school, and she hoped, an ally.
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Jade Turtle moved quickly as possible, keeping to the shadows. Avoiding being seen was still an ingrained habit. That which was not known could not be pursued, much less caught. The city swarmed with units of armored knights marching in formations. They were a concern, but also, he suspected, the perfect bait. His instincts proved correct. Commotion, running soldiers, and sounds of battle drew him to his quarry. 
The new holder of the black cat stood in a swath of carnage. Fallen knights littered the ground like leaves, but there was a lull. Only one knight still stood, sword held robotically en garde against her.
Jade Turtle's eyes scanned the scene quickly. He broke cover, “No! Wait!”
Too late. The black cat moved, slipping the knight's stiff guard and lashing out. Claws tore metal and everything beneath with equal ease. The knight crumpled into the pile.
“You! You! They are being controlled by the akuma! They are innocent people!”
She seemed to register only slowly. Feline disinterest painted across her sharp features. “Who are you supposed to be? Sewer Hat Boy?”
He raised his own guard as he approached. He knew better than to trust the languid curiosity in those mismatched eyes. “My name is unimportant. My purpose is to reclaim the black cat from you. You are not the one destined to hold it.” He directed a pointed glance down to the fallen bodies. “And you paint yourself unworthy by deed as well.”
She tilted her head slowly, then kicked the body at her feet. “They’ll be fine once stupid Ladybug does her thing. As for my miraculous, oh just you try to take it.”
Jade Turtle steeled himself and dropped into a fighting stance. “As you wish. These bones may be old, but they know many secrets.”
With the moment at hand Jade Turtle hesitated, how best to attack? He must strip the ring from her hand. Protection would be the key. He cou-
There was no warning in her eyes, no tension in her stance, none of the things he had learned to look for. She dropped into a hunched run, legs powering her into a lurching drunken charge that devoured the space between them.
Jade turtle jerked backwards. A clawed swipe slashed through the air where his throat had been. Another lunged for his eyes.
Block. Block. Redirect. Turn. Clear roo- no she was on him again. Catch. Twist. Her whole body moved as bonelessly as her namesake, spinning her whole body in the air around the pivot of his wristlock. Her claw toed boot scored lines in his metal hat.
Jade Turtle tried to disengage. He just needed space, time. She dogged his every move. He was being chased again, chased across the street just as he had been chased his whole life. Flashbacks warred with reality. His foe lunged and it wasn’t a child, it was a grown man in a black leather uniform with a very different meaning. Jade Turtle had been helpless then, he wasn’t now.
He lashed out and struck the man a deeply deserved killing blow to the sternum. Contact evaporated the memory. The child collapsed the ground in its place, but rebounded impossibly.
“So that’s how it is…” She gritted through clenched fangs. “Cataclysm!”
He’d lost control! Dodge. Dodge. Stagger. Dodge. Dodge. Backpedal. Something in that heterochromic gaze dredged up every fear from his two centuries of running. He couldn’t- he needed- She wouldn’t give him room.
“Protection!”
Instinct took over when reason fled. He met her next swipe and caught her just inside the wrist. The turtle Miraculous did the rest. A bubble of Green around that black death-clad hand.
He panted, keeping her wrist held firmly. ”Now… I’ve got you. Surrender. You can not-”
The Cataclysm vanished.
Motion.
Jade Turtle flinched and it saved his life.
Her free hand came around, sparking with destruction. It met the dipping edge of his shield hat and blasted it apart in an instant. The feedback robbed him of his senses and strength. Jade turtle fell. He sensed more than saw the shadow looming over him.
“Five minutes left to show you just how big of a mistake you’ve made.”
----------------------------------------------------------
The difference five minutes could make; a million times over.
“Adrien!”
Adrien skidded to a stop at the sound of that voice. He cast a quick glance back over his shoulder, it looked like he had finally lost them. He turns his gaze skyward just as Ladybug landed beside him.
She unclipped a small box from her hip as she straightened up, holding it out.  “Am I glad to see you! I looked at your house first and you weren’t there, so then I checked the school. You weren't there either, so I tried all the streets in between and-”
She paused, withdrawing the box slightly.
“What are you doing out here?”
Adrien looked down, rubbing the back of his head. “Well, I thought, I mean I hoped, maybe I might still be useful. If I could, maybe at least find the akuma and report back.”
Or find Chloé and get the cat back. Or anything just to not be a disappointment. Well, not a disappointment to her. He was pretty sure Alya and Nino wouldn’t be happy with him for running off. He had glimpsed Nino running after him, even.
Ladybug made a soft sound in her throat, “Adrien, you’re amazing,” his heart swelled, “I don’t want you to be running around without a miraculous though. It’s dangerous out here. It’s a miracle you haven’t been caught and turned into one of these knight-zombie things. That’s why-”
Adrien looked up, sure the axe would fall now. He couldn’t account for the color on Ladybug’s cheeks, or the softness when she held the box out again.
“That’s why I’ve got something for you. It’s the snake Miraculous. With it you can help me again. We can defeat this akuma, get back your miraculous, and stop Hawkmoth!”
She’d laid out the snake’s powers. Sass had been more reserved than Plagg, but polite. When Adrien had transformed into Aspik he’d thought he’d caught Ladybug giggling behind her hand, but she flashed him a big smile nonetheless. She even rubbed his new costume’s smooth head ‘for Luck’. The plan was simple, split up and circle City Hall north and south. See what could be seen and meet up on the other side.
That had been less than ten minutes ago.
It had been months ago.
Aspik had spotted Chloé midway through his sweep. She ran on rooftops, wielding the power of the black cat, his power. The power he’d lost. He had the perfect chance to get it back, as many chances as needed. Aspik had activated Second Chance and altered his course. He couldn’t fail.
Reset. Come from the right. Reset. Try the left. Reset. Try reasoning. Reset. Threatening. Reset. Bargaining. Reset. Fight. Reset. Angry. Reset. Screaming. Reset. Go for the ring. Reset. Go for a knockout. Reset. Try to call Ladybug. Reset. Ladybug arrives on her own and catches a cataclysm. Reset. Reveal who he is. Reset. Again. Reset. Again. Reset. Reset. Reset. He’s hanging over the edge of a roof, danglinging from her grip on his wrist. The last light is blinking on the bracelet. He can’t reach- She smirks and twists the bracelet for him. Reset. Reset. Reset. Something is happening. Reset. The world feels thin. Reset. Spots at the edges of his vision. Reset. No, spots in the sky. Reset. Destruction. Reset. Cataclysm lingering. Reset. Wearing away these five minutes like a thread pulled back and forth through the eye of a needle too many times. Reset. He can’t fail! Reset. He has to prove- Reset. To Ladybug. Reset. He is-
Falling…
He can’t remember what he said this time. He can’t remember who threw the first punch. A thousand thousand truths overlap and spill out, covering his senses.  There’s only one consistency. He lost, again.
Aspik hits the pavement hard. A storm of black lightning tears at the sky for three, two, one. The snake Miraculous chirps one last warning and powers down. The storm vanishes. Time, no longer abused, marches on. It leaves him behind again. Chloé didn’t even spare him the benefit of a backward glance this time. Would it have even mattered if she did? Would seeing him defeated by her hand again have been the right or wrong thing to do? Would it have made her pause? Would that have been what made her give it back?
He feels numb. The street is a too-hard bed but he feels like he could sleep for a decade if he just closed his eyes. The overcast clouds no longer threaten the end, but are still a reminder of the akuma at large.
“Adrien!” Nino’s voice is so out of place it takes a moment for Adrien to recognize it.
Adrien turns his head, still not ready to move beyond that, to watch his friend rushing headlong down the empty street. Nino? Why are you here? It’s dangerous. Too dangerous.
“Dude! Are you okay? Can you stand?” Nino drops to one knee and tries to haul Adrien to his feet.
The answers quickly present themselves. No, and No. Adrien is beyond exhausted. His legs won’t hold him. He stumbles into Nino. His throat feels like sandpaper. “What are you doing here?”
“Looking for you, dude.” Nino loops Adrien’s arm over his shoulders and tries to take on more of the weight. Adrien’s legs still aren’t cooperating.
Ha. Hero saved by a civilian. But then, what’s the difference? Adrien found the strength to push Nino off gently, but not the strength to keep standing once he had. He sat down hard, but pulled the Snake Miraculous off his wrist.  A weary Sass sprang into being, hovering low in the air.
Nino blinked, ”Dude?”
Adrien waved him off with a floppy hand. “No time. Ladybug needs help. Defeat the Akuma. Tell Sass ‘Scales Slither.’ Bracelet resets things. Five minutes tops. Help Ladybug.”
Nino’s eyes darted between Sass and the bracelet Adrien was holding out in a trembling hand. Shock and fear each had a turn, but determination was right on their heels. He took the bracelet from Adrien’s hand, “I’ll try.”
Adrien remembered, “Get the cat back for Ladybug, if you can.”
Sass managed to perk some, and the transformation worked. Snake-clad Nino turned in the direction Adrien pointed, but before leaping away called back over his shoulder, “You have so much explaining to do, dude.”
And with that, he was gone.
Adrien fell back onto his back, ready to let the darkness of sleep take him, hopefully before more knights showed up.  Instead a new, high pitched, scratchy voice reached his ears.
“Hey. Hey you. I’ve got a proposition for you. We can both help each other out.”
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bi-disastersoup · 2 months ago
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Shifters - Part 5
The finale of the Shifters series, in which some of the Scions get roped into the potion experiments...
For reference, R'alma and Thancred historically do not get along very well at all. R'alma is holding on to a nasty grudge.
Also, maybe pay attention to the dialogue tags in this one.... 😏
Part 1 Part 2 Part 3 Part 4
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And that is the end of the Shifters series! There are several more VNs to come that springboard off of this bit of lore established here, tho, so I hope you are looking forward to it.
Also the final pose for this set was really good but didn't fit in the frame, so I was unfortunately unable to include it in the VN proper, but please enjoy these alternate angles...
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geezmarty · 10 months ago
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happy wyllstarion wednesday! here's a short comic I drew for a server gift exchange 🤍❤️
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qweenofurheart · 1 year ago
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a couple of people told me the comic i made reminded them of A Meditation on Railroading by eggmacmuffin, so i had to draw a scene from it
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the-meme-monarch · 1 year ago
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I’m a big proporter of “k_k isn’t stupid he just likes to act like it bc he thinks it funny to make people mad or confused”. and other such doodles of him
if you ship scc go away👍
references for the last one under the cut
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kenjakusbraincum · 1 year ago
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Hi, i can’t help but request this because you write so beautifully.
So I just had the idea of a former ballerina being sacrificed to Sukuna. She does her work good and gracefully but she longs for old times where she was able to dance and feel like she’s flying again. So she does it in the evening in Sukunas garden. He of course notices and as culture lover he is he makes her his personal dancer. And a cute lil love story forms from this scenario.
I would be so thankful if you form this to a proper story because i don’t have enough imagination. Love your work
Thank you for the compliment! I apologize in advance for my butchered descriptions of dance scenes and hope you like what I came up with anyways <3
Swan Lake
Sukuna x Reader
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Word count: 6.3k
Tags/warnings: gn! reader but the words maid, whore and bitch are used, true form! sukuna, bullying, fluff with a very brief and soft smut scene at the end!
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Sukuna doesn't care where his servants come from. People get offered to him all the time, and he takes them when he feels his palace is understaffed. And that happens quite often, considering how eagerly Sukuna gets rid of his servants for the smallest inconveniences. His staff is disposable to him, having no value beyond the services they provide him with.
So he doesn't know about your past. He doesn't know you were once an esteemed entertainer. He doesn't know that you were touring the world, sharing your art with audiences of all different classes and ranks in society. He doesn't know you were once the star of the stage, hypnotizing people with the fluidity of your movements in rhythm with the music. He doesn't know you were snatched from fame, taken against your will and brought to him to pay your capturer's debt. You're not sure he's even properly looked at you, much less heard your capturer tell him who you are. You were that worthless to him.
Now you are but a maid. You spend your days on your knees, mopping blood soaked floors. At night, you share chambers with dozens of other servants. Privacy is a foreign concept in Sukuna's palace. You are not entitled to it even in the bathroom. Everything is shared for the servants. There's no space for you to even try to indulge in your beloved profession, even as a hobby. Except...
The garden. Most servants are in bed, prepared to sleep, but your eyes linger on the windows. In every way, going to the garden would be to your own detriment. Losing sleep was dangerous, it could lead to getting caught slacking off, or being ratted out about it. And the consequences for that... well. One could only imagine it wouldn't be a simple slap on the wrist.
Still, you longed for this. The work you did during the day drained you, it was repetitive and soulless. You weren't made to clean floors. You were made to dance, it was your destiny. Since childhood, you don't remember a period of time as long as this one, where you haven't had the opportunity to enjoy your passion. Tears stung your eyes as this revelation found you. Every day, you could feel your life slipping through your fingers. You were alive, but your energy, your liveliness, your personality, all of it was dissipating in the pools of blood you were forced to clean.
''Can you be quiet? Some of us are trying to sleep.'', a servant who sleeps in the bed next to yours snaps you out of your thoughts. You are sobbing. You apologize quickly, and snuggle in bed, trying to muffle the noises against your deflated pillow.
But sleep just doesn't take you that night. You grow more and more frustrated, as time passes and you toss and turn in bed. Eyes wide open, fixed to the window across you. The garden lures you, calls for you. Damn it. You have to try. This is not much of a life anyways, you think. Sooner or later Sukuna or Uraume would find faults in what you're doing anyways, and you'd be served for dinner. You don't exactly have a lot to lose.
Sneaking out of the chambers is easy. You spent your whole life on your tippy toes. No one moves in their sleep as you cross the room, open the door and slide through the crack. Quietly, you make your way around the mansion. Outside, you're greeted by a light summer breeze. The garden is eerily peaceful, lit by the moonlight in this late hour.
You start to warm up, hopping, circling your neck, swinging your legs. Feeling the stretches in muscles you forgot you had. The grass tickles your legs as you splay across the ground and reach for your feet. Then stand and shift your weight to your toes, feeling out how rusty you've gotten in the time you've missed out on practicing. It's not too bad.
So you start out slow. The music plays in your head and you mouth silently, counting the rhythm. Your eyes are glued to the ground, you're trying not to trip and fall on the uneven surface. Your movement feels as smooth as it did before, but you can't see yourself in the mirror to check your form. You close your eyes, surrendering to the cadence of your motions. The music carries you, and as you turn into a poised second arabesque, time seems to slow. It's only a moment, but when you turn back to continue...
Slam. So hard you start to fall back, but his arms catch you around the waist. If you weren't scared out of your mind you would've wondered how did he even show up there without you noticing. But of course, he's Sukuna. You look at him with eyes so wide you think they may fall out, and he stares back with an amused smirk. Then he bites the air in front of you, clanking his sharp teeth together, and you scream in response. His hand flies to your mouth in an instant and he shuts you up.
"Quiet now. You wouldn't want to wake your colleagues up, would you?", he tilts his head, observing your terrified expression. "Or do you want everyone to slack off with you tomorrow?"
"I-I won't slack off I promise!!!", you panic, hands shaking as you bring them up in a defensive stance. Tears pool in your eyes as you stare death in the face. He is... weirdly beautiful, lit by the moonlight. And he holds you sturdily, but gently. It doesn't hurt. And he doesn't seem particularly mad.
"Is that so?", he asks. There's a smile on his face, but it feels dangerous, threatening. Like everything else about him. "Then just what do you think you're doing outside at this hour?"
"I was- I was dancing -", you stutter, struggling to form coherent sentences. Why are you so close to him? You're pulled flush against him. You can almost feel his -
"I didn't know I had a dancer in my ranks. Why didn't you say so?", he says, and surprisingly lets go of you.
You're so sure he's playing with his food. You're so sure he's going to slice you into pieces. You've already crossed so many lines, broken so many rules. You look to the ground, only now remembering eye contact with him was strictly forbidden.
"Speak.", he growls, audibly irritated by your refusal to reply.
You didn't think he was genuinely asking. What the hell are you supposed to say? Why didn't you say so? Maybe because you wanted to see the light of day again? "I ... A lowlife such as myself has no place speaking to your Highness.", you duck your head low in an apologetic manner. And he seems satisfied, smiling playfully again. Except you don't see it, you feel it. Sukuna's presence pulls the most demeaning, self-depricating things out of people's mouths.
"Humble.", he comments and walks a couple steps around you. He's huge. "Go on then, dance for me."
You stand frozen. It's not that you're ashamed... you've performed for audiences bigger than you ever could've imagined. But the weight of his stare is harder to bear than that of hundreds. And the stakes are higher than ever. He has to like it, or else...
"Dance!", he orders sternly, and crosses his arms over his chest. So you give it your all. Remembering where he interrupted you, you get back into position and start. Dance. Your life depends on it, doesn't it? Well if there's one thing you can do to save your life it should be this.
But it's not like before. Fear seeps into every muscle in your body, and your movements are unsure. Every jump is fleeting, every landing shaky. Tears blur your vision, and it's so hard to keep your breathing steady when you're struggling not to cry. But you're a ballet dancer, you were trained to endure. You finish the variation, cross your legs and gracefully bow.
Sukuna watches intently with narrowed eyes, like a predator stalking his prey. You can't see the sly smile on his face, but you can feel it.
"I apologize, your Highness.", your voice trembles. "It wasn't my best."
Sukuna huffs in amusement and waves his hand dismissively. "Go to sleep.", he orders.
You bow before him again, and quickly turn back towards the mansion. You don't feel relief from his piercing stare until you disappear behind a corner in the hallway.
You can't shake the feeling when you're back in your bed, snuggled in the sheets up to your eyes. You just survived a close encounter with Sukuna. And he must've liked what he saw at least a little bit, if you're still alive.
The next morning, you wake up and start getting ready for work with the other servants. The bathroom is busy, and as there's little else to do in the servant circles, gossiping starts immediately.
"Did you hear the scream last night?", the servant taking up the sink next to yours says, tapping foundation into her skin.
"Screams come from Sukuna's chambers all the time. It must be a new pet getting used to him.", another one replies. You shiver.
"Everyone knows how that sounds. This was different!", the two maids exchange a look.
The second rolls her eyes. "So, he killed someone. Nothing new.", she shakes her head.
"No. Uraume would've called someone to clean it up immediately.", the first servant continues. You really, really wish they would just drop it, until... "Hey you.", she turns to you. "Your bed was empty last night, did you hear anything?"
Your blood runs cold. "I was... feeling sick. And went to the bathroom.", you say quickly. "I probably couldn't hear... over the sound of throwing up."
"Hm.", both of them look at you now. "Well you look sick too.", one of them says. "Be careful with work today.", then they finish up and leave. You breathe a sigh of relief and finish up getting ready.
The next few days pass spotlessly. You don't cross paths with Sukuna. But some nights, you feel his presence in the garden. You stretch and practice simple movements in the bathroom, when no one's around. And the variations, you save them for the garden. At night. The only time you feel alive, the only time you feel like yourself. Human. Free. You think you might just get away with no one knowing, but then...
He walks past you and another maid while you're scrubbing the floors in the hallway. Both of you freeze as he passes by, assuming a submissive position and greeting him. You pray he won't notice, pray he won't know you by your voice, but he stops. Right by you, and then there's a moment of silence. He lifts his foot, touching your chin, and nudges you to look at him.
"Oh.", you watch his stern expression soften. "It's a shame for a talent like yourself to waste away on their knees.", he says. You look to the servant next to you, and she mouths a silent 'what?' as she turns her head in your direction.
You swallow your shame. It's not the first time you had to in front of Sukuna. "Its an honor to serve you, your Highness, even if it's on my knees.", you say.
Sukuna hums. "What a good servant you are.", an amused smile graces his face once again. "Well, get to rubbing then.", he nudges your face back downwards with his foot, and walks away.
You and the servants keep rubbing intensively, until he's out of sight and a couple minutes have passed. Then she grabs you by your shoulders and gives you a look that is both terrified and angry. "You did what with Sukuna?", she asks.
You frown, offended. Why does everyone in this mansion immediately think of that? "He knows I'm a dancer.", you say simply and look back to the floor, rage brewing in your chest.
"When did you do it. Was it you screaming? Oh my god it was!", the revelation hits the servant and she puts her hands on her cheeks, looking at you in shock.
"It wasn't me!!", you lie, agitation showing in your voice.
"Does he really have two dicks?", she asks.
You drain the washing rug and smack her in the face with it. "You disgusting pervert, how dare you ask that about your master!"
"You hit me! Whore!", she smacks you back, but harder, and her rag is full of dirty water.
"I'm not a whore!!", you cry, and wipe your face with your dirty, wet hands.
"Dancer. Yeah right, I can only imagine!", she throws the wet rag on you, and it sits on your lap, soaking you in the nasty liquid. "And you're a liar too! How shameless!"
"What is this commotion about?", a voice calls from the back of the hallway, and you turn around with teary eyes. Uraume looks like a blob of white in your vision, nonetheless they're recognizable.
"Tell them! You hit me, you little bitch!", the servant slaps your shoulder. You don't have it in you to fight back. The injustice pains your heart, and you can't bear the embarrassment.
Uraume smirks, noting your disheveled appearance. Your whole uniform is soaked now, even your hair. There's a pool of water forming around you as the liquid seeps out of the rags. "Clean this mess immediately. Master will be notified of this issue.", they say, and walk past the two of you.
The servant looks at you with contempt burning in her eyes. Then spits in front of you. "Clean.", she says, takes the rag you hit her with and starts cleaning.
Sukuna sees you that evening. He sits on his throne, head in his hand, and looks down on you and the other servant. He hides his inner smile, the joy he takes in executing power over others. And it's you again. He asks what this is about, and the servant wastes no time pointing her finger at you, saying you hit her first.
Sukuna's critical stare turns to you. ''Is that true?'', he asks, scanning you from head to toe, noting the state you're in. He's not particularly happy to see you like that.
You timidly nod, admitting your fault in the situation. Your stare is fixed to the ground, where dirty water drips down from your soaked clothes. You smell, and look like a rat, all of that in front of Sukuna. You wish the ground would swallow you whole and spare you this humiliation.
But he knows you. You've captivated him. Otherwise he wouldn't have cared to ask if you have anything to say in your defense. You tell him, omitting the details of her perverse question, you simply say she was slandering his holy name.
Sukuna moves, leaning his elbows on his knees. You care about his name? How lovely. So what is this slanderous thing his servants fought about?
Silence. You and the servant exchange uncomfortable looks. If there was one thing the both of you could agree on for the day, it was that repeating it in front of him was too vulgar. With that, Sukuna quickly grows bored with the situation. When he raises his hand, both of you flinch, expecting immediate punishment. However, nothing happens when he flicks his fingers. You're dismissed.
Quickly, both of you scurry away, leaving the throne room and going back to your jobs. The rest of the day is harrowing. The rumor spreads among the servants quickly, and you are the butt of every joke. You hear whispering and giggling behind your back, and everyone's stares linger on you as you go about your day. The culmination happens next morning, when the servants are getting ready in the bathroom, and the insults start getting more direct.
''Show us how you dance for Sukuna, why don't you?''
''Did you take both at the same time?''
''He didn't like you very much if you're still working as a servant.''
And then everyone goes quiet. When you turn around, you see Uraume at the door, their eyes fixed on you. ''Come.'', they say quietly, and leave without waiting for you to catch up. Well, it seems your punishment is due. You gladly leave the bathroom and follow them down the hall, anything is better than spending another second with the other servants. But now that you think of it, where is the servant that shares your punishment? Have you even seen her this morning? Or after the meeting with Sukuna at all?
You turn a couple corners, and stop at the end of the hallway. Uraume opens the doors to a room, and ushers you inside. What is this? It's furnished. Modestly, but... You open your mouth to ask a question, but you're quickly cut off.
''Make yourself at home.'', they say, and turn their attention to you.
''What about my things?'', you ask, looking around the room, then back to Uraume.
''You won't need them. Do you have good table manners?''
''Uhh.. yeah... I think.''
''Great. You dine with Master Sukuna tonight.''
''Huh!?''
''Your outfit is on the bed, be ready by sunset. I'll come to pick you up.''
Then the door closes and you're left alone in your new room. This isn't what a punishment should look like. Not when a beautiful kimono waits on your bed. Not when there's a barre fixed onto a mirrored wall, and there's a box on the ground, and when you open it, you find pointe shoes. Multiple pairs. He didn't know what size to get you. Ribbons, a sewing kit, glue, scissors... everything you need to break them in. Under that, a simple black leotard and a wrap skirt. By all means... this looks more like a reward.
You try everything on, find the perfect pair of shoes, and test them. It's not a big room, but there's enough space for you to practice with the bar. For the first time in so long, time passes quick. You're doing something you enjoy. It feels like in a blink of an eye, your shadow gets long on the wall opposing the window, and you have to get ready for dinner. You put the kimono on to the best of your ability - you don't have the opportunity to wear it often as a servant, being usually restrained in a uniform. And then reality hits you. Sukuna wants to have you over for dinner. This... is this a date? Unless he was planning to eat you, but you suppose he wouldn't have bought you shoes and furnished a room specially for you if that was the case... Come to think of it, what are you eating tonight?
Uraume knocks on the door, and takes a long look at you when you open. They fix your collar and nod, taking off down the hallway and expecting you to follow. They lead you to the dining room, vast and expensively furnished. You hear your heartbeat drumming in your ears. You only let your eyes explore for a second, before you fix them back to the ground and lower your head in Sukuna's presence.
''Your Highness.'', you bow in his direction.
''Master from now on.'', he says, and stands up to greet you. Master. You've only heard Uraume, and occasionally his pets, when he'd walk by with them, call him this by this... less formal title. He towers over you as his hand touches your shoulder, urging you to turn around. You follow obediently, making a circle and displaying your outfit.
He hums in approval. "Suits you much better than a cleaning uniform.", he says, and pulls your chair out for you to sit. You mutter a quiet thank you and sit down, already overwhelmed by the interaction.
He sits on the other side of the table, facing you. You can't bear the intense eye contact, and the silence that spreads across the room. Your eyes are fixed to your hands in your lap. ''Don't be shy now. I didn't invite you to sit there and be quiet. I reserve such duties for my pets.'', he breaks the silence.
''Master. Sharing a meal with you is a privilege, and I want to thank you for that. I'm not sure I'm deserving of it, though, and how my company may be of use to you.''. The kitchen servants scatter around the table, bringing food and pouring drinks. Various appetizers decorate the table, and only now do you notice you're hungry. You shyly pick the foods that catch your eye the most.
And your humility draws out a smile from him. ''You are an artist. And I am a man who takes great joy in consuming art.'', he says, and taps his finger against his glass, watching you pick. He's getting to know you, through your taste in food.
''I didn't know that about you.'', you say and look to your plate. You feel your hand shaking as you reach for the cutlery. You know Sukuna is judging every move. He was in your territory when you were dancing, now you're on his. And he will recognize the smallest mistake.
''Oh.'', his tone changes. It sounds like he didn't particularly like that comment. He finishes chewing. ''Did you take me for a savage?'', he narrows his eyes. More food is brought to the table, plates come and go quickly as the conversation progresses, and the tension grows.
You stutter, reading his volatile mood. ''I've only heard rumors.''.
He huffs in amusement again. ''I've heard rumors about you too.'', he says, leaning into the table. ''To be fair, I was asking around.''. So he took interest in you. ''They say you were the best there was, until you got captured.''
You chew slowly, taking his story in. He continues. ''They asked about you. Asked if I knew where you are. I said no.''. Sukuna watches as you grow visibly distressed by the mentions of your team. ''The best there is? What a wonderful prize. I'd rather keep you to myself.''. Oh. So that's what this is about. He gets off on the thought of owning you, the best there is, just for himself. You curse whoever told him about you. ''You showed me your worst, and mesmerized me. I want you to show me your best. Dance for me. Convince me you're worth my patronage.''.
The servants bring the main dish, and your head droops, stare fixed into the finely decorated red meat. You touch it with your cutlery, feeling it's texture. Sukuna eyes you as you cut a slice and bring it to your mouth, expectantly waiting for your reaction. You chew slowly, savoring the taste, but your expression is puzzled. ''What is this?'', you ask. And to make sure it doesn't sound like you're unhappy, you cut another slice. Truthfully, the food is incredible, but... you can't quite place the meat.
Sukuna bares his sharp teeth in a grin. ''Veal.''.
The conversation steers into a different direction then, and you quickly forget about how powerless you felt just moments ago. Sukuna is nothing like you've imagined him. He's right, you did take him for a savage. After all, everything you've heard about him pointed to a monster, who only took pleasure in wreaking havoc and destruction. Now, you find him to be eloquent, knowledgeable, and quite sophisticated. In a way, he appears similar to the other people you've met through your job. But way more powerful, and with it, way more intriguing.
Once again, time passes quickly, slipping through your fingers. The dinner is over, and you're facing Sukuna at the door. He seems to be pleased with your company, if you can read his face at all. ''Should I consider my offer accepted?'', he inquires. ''Everything will be provided for you. You just have to dance.''.
Well, it doesn't sound half bad, does it? You're not sure if the terms of the offers convinced you, or his presentation during the dinner. It might just be him. He made you feel you wouldn't be a jester, but a respected entertainer. And not for just anyone, but for a man as thoughtful and cultured as Sukuna proved himself to be. ''For you, gladly. Master.'', you smile at him. And he smiles back, taking your small hand into his, and planting a soft kiss to your fingers. You bow to him, wish him a good night, and you part ways.
Later, in your new bed, you find yourself replaying the interaction. Tracing his features in your memory. It's the first time you've had the chance to observe him, without fear of consequences. And he was beautiful. So elegant in the way he dressed and carried himself. Like a true king.
From then on, life in Sukuna's mansion is a game. Sukuna courts you in his dining room, feeding you delicacies from all around the world Foods that are hard and expensive to come by, that you've never heard of before. He courts you with the things he allows you to do, and the gifts he gives you. You dance and eat and walk around his garden and library. You don't dine with him every night, but when you do, rest assured that a new outfit is waiting for you in your room when you get back from practice.
And you court him on the floor, with feathery leaps that leave him on the edge of his seat, and dizzying turns that force him to focus all four eyes on you. You court him when you finish the variation by bowing before him, on one knee, a breath away from where he's sitting. And when you look up at him, he sees a lover rather than a personal dancer. Even though he's never touched you, or pressed his lips to yours.
There is love in the foods he picks for you specifically to enjoy, and there is love in the way you let him watch you practice. Even if you mess up, misstep and fall out of rhythm. Even if you stumble and fall in the most unceremonious of ways. There is vulnerability in letting him see you fail. It only happens a handful of times, but when you slip before him, you feel more naked than you would ever feel with your clothes off. And the relationship that the two of you foster grows intimate, despite the formal distance you keep from each other.
And that distance closes in, one day when Sukuna is there during a particularly nasty fall. You yelp when you hit the ground, and reach for your ankle, checking for injury. You only notice Sukuna when you feel his hand on your shoulder, and his brows furrowed in worry as his head looms over you. Your eyes meet for a moment, and you're hypnotized. Then you look away quickly, feeling your face heat up from the closeness.
''It's nothing.'', you say, and look down.
''Sure?'', Sukuna asks and stands up. You nod, and he offers you a pair of his hands, to help you stand. You take them, and he hoists you up effortlessly. And now you're face to face with his chest, and you're still holding his hands... ''That should to for today.'', he says, and when you look at him, there's a tender smile on his face. It sounds like a suggestion, but you've learned Sukuna is subtle about giving you orders. You nod, dust yourself off and untie your shoes.
That night, you recall his touch on your skin. Long fingernails ghosting over your shoulder, sending shivers through your whole body. You never expected Sukuna to have it in him to be gentle. But, that wouldn't be the first time he's broken the mold you thought he fit. And now in the cold of night, you find yourself craving him.
The next time you're invited to dinner, the tension is almost unbearable. ''Aren't you a sight to behold?'', he tells you when he welcomes you into the room. He always gives you compliments, but tonight they weigh heavy on your heart. You look across the table and curse every plate and glass that stands between the two of you. You look at him with quiet longing, and you think he knows. Because his smile is victorious, almost teasing. And when you accidentally hit his leg under the table, you start to credit it less to his size, and more to him deliberately crossing into your space. Subtlety is not a word you ever thought you'd attribute to Sukuna, but it seems this is the way you've established communication. You resist the instinct to remove your leg apologetically. So they stay touching.
Unfortunately, this little interaction slowly turns your brain into mush. By the last bite, your hand is trembling and you know you don't have the precision to pick up the last piece of food with your chopsticks. So you leave it on the plate, and wait for a moment when Sukuna is at least a little bit distracted, to attempt eating it again.
But such a thing doesn't happen. Today, he looks at you like you're the food on his plate. "Come on, eat it.", he nods in your direction. You can't read his expression, but it seems benevolent.
"I'm so full.", you make up an excuse.
"Just one strip.", he nudges your leg under the table, and you flinch, cheeks heating up.
"I.. I think I'll combust.", lies.
"I'll be offended.", Sukuna plays along with your game.
"Ah...", he wins, and you pick up your chopsticks with shaky hands. But as hard as you try, the little piece of food keeps escaping you, traveling through the plate.
"What makes you so flustered today?", he asks. "Is it the leg?". You blink at the plate, and feel your face going as red as the wine in your glass. "Come.", he waves his finger at you. You lean into the table, used to following his commands. And in no time, he is looming over your plate, one hand picking the last piece of your food with his chopsticks, and the other gently taking hold of your chin, nudging your mouth open. You part your lips obediently, and he places the bit onto your tongue, never breaking eye contact. His face is mere centimeters away from yours, observing you as you chew.
And the moment you've swallowed, and opened your mouth for air, he seizes you in a kiss. Slow, as he tastes your lips, and lets you adjust and catch up with him. He feels you go tense with the initial shock, then relax in his hold and kiss him back. His tongue brushes past your lips, and you think you'll sink right through your chair, and into the earth beneath the floor. The taste, the smell of him, so expensive and intoxicating. If this moment could last forever -
Foolish you. So much stress and tension, and you barely notice how quickly it passes. , how quickly his lips leave yours. His eyes scan your face, making sure you're alright, and then he's back in his chair. "There.", he says, "Have something to be flustered about."
That night, you think about his lips, slipping away from yours and moving to your neck, collarbones, shoulders. Not stopping until they've explored your whole body and touched your soul.
In the meantime, you practice your chosen choreography to perfection. And when you're standing in his throne room and awaiting the music, and your deciding performance to start, it's the first time in a while that you recognize feeling nervous. Uraume is there too, and his other disciples and guests. But he is the only one that matters. The only one your life depends on. Although the times when your life was truly on the line are long gone, Sukuna is still your patron, and now it's your turn to either satisfy or disappoint him.
The music starts, and the nervousness wanes as you start dancing. Sukuna's gaze is heavy, critical. He's seen you do this times and times already, but now it's final. Now, he's telling you, ''Bewitch me.''. Now, you're joining it together, one seamless show just for his enjoyment. And with every spin, you keep your eyes fixed on him. Enticing him with your movement, seducing him.
And for once, time passes quick for Sukuna as well. He finds himself lost in your dance. In your quick glances, in the way your body moves, contorts, withstands your weight on your tippy toes with so much grace and fluidity. You make it look easy. You nail the landing you failed so many times before his very eyes, perfectly, effortlessly. He almost wonders if you fell intentionally when he was watching you. And he's captivated. By the end of your performance, you earn his smile. You earn the clap of his hands, you even earn his standing ovation. The king himself, honoring you with the highest form of praise.
''It takes quite a performer, to entertain a crowd all by oneself.'', he comments later, over dinner. ''You've convinced me. You're worth keeping.''
''And when I can't dance anymore?'', you ask.
''You'll still be able to eat with me.'', he says.
At the doors, he bends down to kiss you again. You anticipate it, and accept it, kneading your hands through his hair. He asks if you're tired, and you shake your head no. He asks if you want to come with him. Yes, please yes, you've wanted to for so long. You almost thought he'd never ask. Again, his face lights up in a victorious smile.
He walks you through the halls, to his quarters of the mansion. Vast, and decorated with various works of art. They hang on the wall, or stand on the cupboards in forms of statues of various sizes. Sukuna likes to collect things, if that wasn't evident by your presence in the mansion.
''You're dragging behind. Did you have a change of heart?'', he asks, and extends his hand towards you. You step closer, and he wraps his arms around you, pulling you closer. You're standing at the doors of his bedroom.
''I was just admiring the interior.'', you smile at him, and take it upon yourself to cross the doorstep. His bedroom overlooks the garden, through a tall set of windows, little plants sitting on his windowsill. And his bed is massive. You think it could fit four people of your size. But then again, Sukuna is not a normal sized person. Your hand finds the mattress, testing it's sturdiness. And when you turn around, he's right behind you. Towering over you, and forcing you to look up at him, like the king he is. But you're not scared. You have no reason to be.
''Lay down.'', he orders, but his voice doesn't sound stern. Still, you obey, climbing into the bed. And he follows, letting you ease into the pillows only for a moment, before he settles above you, urging your legs apart. You welcome him, finally feeling the closeness you've been craving for so long. His body, big enough to enclose you completely under him, so carefully pressed against yours. Light enough not to hurt, but heavy enough to establish power. To give you what you want, what you've craved for a very long time.
He never lets you forget whose grasp you're in. He folds your smaller body with ease, adjusting you to his liking. And you let him, trusting him with your body and pleasure. He takes you gently, slowly, making sure you're comfortable in the process. You feel so full of him, but it's not enough, not enough until all of your senses are overwhelmed with him. You feel up his muscled arms and back, wrap around him, pull him closer with every stroke, every swipe of his lips against yours. Sukuna draws the moans out of you with practiced thrust of his hips, hitting spots inside you you didn't know existed. In no time you're seeing stars - his four eyes, never leaving yours as you come apart.
And Sukuna is stoic for the most part, but by the end of it, even he is loosing his composure. Hungry moans slip past his lips, his brows furrowing as he concentrates, trying not to let out too soon. You encourage him, babbling sweet nonsense into his ear. This flustered Sukuna, completely engulfed in the chase of his own pleasure, is as close as you've come to seeing a god. Moments later, his hips still, and you feel his muscles tense as he reaches completion, deep grunts filling your ears like the sweetest music.
You lay in his embrace, and trace your fingertips over his tattoos. Your stare is fixed on him, as he tells you various anecdotes from his long lifetime. You enjoy the opportunity to admire his beauty from up close. His eyes, so unusually benevolent as they stare outside the window and turn to you from time to time, to check if you're awake. The curve of his nose, the glimpses of his sharp teeth, his strong, masculine jawline. He is an art piece on his own.
After a while, he notices you struggling to stay awake. His hand on the back of your head nudges you to lay on his chest. He whispers you a good night, and runs his hand through your hair as you drift off. It's been a long day you've dedicated entirely to him, so he finds you worthy of this special treatment. After all, it isn't often that someone claims the title of both Sukuna's personal dancer and his lover, much less in the same day.
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essektheylyss · 7 months ago
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Fearne had, in true Fearne fashion, wrapped herself like a personal pashmina around Dorian, which left Orym to curl into his chest.
They had slept this way dozens of times before. Fearne’s blackened fingers wrapped tightly around his forearm as she snored loudly into Dorian’s ear. Orym’s head rested on Dorian’s bicep, his arms folded together between them, and his bare feet were gingerly resting upon Dorian’s thighs just above the knees, as Dorian had coiled enough to let Fearne’s fuzzy leg stretch over his hip. They were exhausted, and this was familiar, and he should’ve been fast asleep.
But Orym’s mind buzzed.
Fearne had always been a strong source of heat, but now she was a furnace, and even without covers it was too warm. But Fearne was not the reason why Orym’s skin burned where it met Dorian’s.
He was a fucking grown man. He was fully capable of admitting that.
Admitting it didn’t change it.
Neither did it change his awareness that Dorian had been too still for the past hour, his breath too precise and measured to be natural as it fell upon Orym’s hair. Orym was not going to presume that the cause of this was the same thing afflicting him; there were plenty of other reasons Dorian would be lying awake tonight.
“My family will find your brother,” he murmured finally, and Dorian’s breath wavered for just an instant before he regained his composure and returned to his measured, singer’s breathing. It was so slight that no one else could’ve noticed it, but Orym noticed. “You said there’s a body— the Tempest can bring him back, or Fearne, honestly—“
“I know,” Dorian answered, and this too was so faint that no one but Orym could’ve heard. “I know,” he said again, as though this one was only to appease himself.
“Do you think… do you think any of Opal is still in there?”
“I don’t know. I could barely tell what was in there—“ he cut himself off. “I couldn’t even help my brother. I think Fy’ra Rai might’ve… she must’ve seen something. I hope so,” he added, inhaling, trying to capture an airy tone that he didn’t fully manage. “The Spider Queen doesn’t deserve her. She doesn’t deserve anything.”
Orym had nothing to say to this. He hadn’t cared what the gods did or didn’t deserve in weeks, but now he could see the vein of fury that sharpened Dorian’s edges. It didn’t frighten him the way it had frightened him months ago, when things had been simpler, when there was not a war to be fought. It simply saddened him. “I’m so sorry about Opal,” he said, after the silence had lingered. “But I’m,” he breathed out a single dark laugh at himself, his selfishness, “I’m real glad it wasn’t you.”
Dorian’s laugh matched his own. “I suppose that is a silver lining.”
“I’m so glad you’re here,” Orym admitted. It was easier to keep his voice from cracking at a whisper. “I’ve thought about seeing you again so many times— I wish the circumstances were better—“
“I’m here,” Dorian said, for the second time today. “The circumstances tried very hard to make even that impossible, but— I’m here.”
Orym pulled his arm gently out of Fearne’s grasp and raised his hand to Dorian’s cheek. It was too dark to see the tinge of lavender against his skin, but Orym could feel the warmth bloom beneath his fingers. He still couldn’t bring himself to attribute his friend’s insomnia to anything so self-serving as his own, but perhaps it was one factor.
He pulled his hand back. Was there a flash of disappointment in Dorian’s eyes? He couldn’t tell in the dark. But he brushed his fingers together, drawing upon the wellspring of life within the ground beneath this hastily-erected encampment. The Hellcatch looked like a barren wasteland to most, but that life was still present even here.
Perhaps not now, but after a rainy season, the valley would bloom with wildflowers. The seeds waited in the earth for their time to sprout. Life went on, even in the darkest of places.
He produced a small stalk of life from his hands, and held out the tiny bundle of forget-me-nots to Dorian.
He should’ve said that they were for Cyrus, to remember him by. He wanted to say that they were for Dorian himself, that a day hadn’t gone by that he hadn’t thought of him. He didn’t speak at all as Dorian’s hand wrapped around Orym’s, pinching the stem beneath his fingers but not letting go.
“Orym,” Dorian breathed, looking from the flowers to his face. Then a strange expression came over his face, a wrinkle of consternation as he stared into the middle distance. “Fearne, are you braiding my hair?”
Orym lifted his head an inch to peer past Dorian’s ear. He had noticed that the snoring had stopped, but he’d been too caught up in the conversation to process it. Fearne’s wide eyes stared back with perfect innocence, her hands indeed weaving Dorian’s hair into a loose braid.
“Just pretend I’m not here,” she whispered quickly. “I’m totally not here.”
When Orym dropped his head back to Dorian’s arm, he was met with a crooked smile. It was not meant to be disarming, but it disarmed him anyway.
“Just like old times, eh?” he said, but his hand was still around Orym’s.
Carefully, Orym moved to tuck the flower behind Dorian’s ear, bringing both of their hands with him, and then laced their fingers together instead. “No,” he said, and tucked his head so that his brow rested against Dorian’s chin, and pressed their entwined hands to his lips. “But I think that’s okay.”
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