#the descriptions/illustrations do not hold back

[lac3rta]

Just finished reading All Tomorrows by C.M. Kösemen… first off, an absolute masterpiece! Second, I do not recommend reading this book at night (like I did). It can get quite disturbing.

It’s only available as a pdf, so here’s the link, if you wanna give yourself nightmares!

[cjgladback]

For the first time in a long while, I got to go to a white elephant gift exchange this December! We had a low price ceiling and my practically wins out over any practical joke sensibilities every time, so on the designated shopping day I left my local overstock store with a nice chopstick set, some fancy (not at all mess-free) popcorn, and a dream.

When I was growing up, my mom was an intrepid homeschooling parent who loved event planning, valued cultural exploration, and had married into a Japanese family. Multiple times - sometimes in the setting of a multicultural fair, at least once as a kind of class party (with celebratory takeout at the end) - she faced teaching large groups of children how to use chopsticks quickly and with as little cost and cleanup as possible.

Her answer was popcorn! It's edible, so you get the full motion down, and lightweight but large enough for less coordinated sticks to pinch. It has tons of nubbins to grab and widely varied shapes to experiment with. Specifically, we used air-popped kernels, without oil or toppings, so when it gets overzealously crushed or bounces away and gets missed by a broom, it's basically biodegradable styrofoam.

What I'm saying is, this is my mom's fault. Other than the choice to draw so many hands in one afternoon on the same day as the party, while also baking a snack. That's all me. This primer was delivered in the format of a tiny booklet (if you look up an "eight page zine" that's also a method I learned from my mom, to turn single-sided misprints into notepads), with fewer jokes and tips than I'd have liked because I simply did not have time to transcribe a hashi rest fold or hairstyle. But reformatted (for Mastodon) it looks fairly respectable.

Lengthy image descriptions and full poster format under the cut.

[ID: A title page reads "How to Use Chopsticks" in all caps. The words "without too much mess" are between two straight, orange lines, which start with round points at the left, evoking chopsticks, and end in flared shapes of a silhouetted splash on the right. Below the lower line are the words "by CJ Gladback." All the text is in black, the background is white but appears light orange due to a repeating geometric watermark pattern of CJ's logo in orange overlaid on the whole image; her handle on most sites is included once on each of the following spreads: @cjgladback​

Next is the first spread of four illustrations with their instructions. On the left half of page are two line drawings of a right hand holding one and then two chopsticks, with the text, "The first stick rests on the side of your ring finger's nail and the flesh between your thumb and index finger. Your middle finger's pad holds it securely while it can slide against your thumb as your hand changes posture in use. The second stick is held between the knuckle of your thumb and the middle section of your index finger. This is the one you move to change angles; it may touch but doesn't really rest on the middle finger's tip." In orange, two arrows indicate the rest points for the first stick while small hashes emanate from the points pressed on the middle and ring fingertips and under the thumb's joint holding the top stick. On the right upper quadrant of the page is the text "Hold them close to parallel to scoop." A hand holds two sticks poked into a bowl of rice between the viewer and the palm; a series of parallel orange lines emphasize the space between the sticks. The remaining quadrant's text reads, "Press with your index finger to pinch firmly." This hand is holding an indistinct rounded shape in its chopsticks, with an orange arrow indicating the rotation of the index finger's tip to press the top stick's point toward the bottom's.

Next is the final spread of the pamphlet. The upper right text reads, "Practice with something medium sized and low mess like (air-popped) popcorn." A single piece of popcorn is held in disembodied chopsticks above a full popcorn bowl, with several kernels fallen to the surface below it. Text below reads, "Pick up your dishes to bring close to your mouth to scoop the harder to grab foods." An implied tilted bowl of food (fried rice or porridge with diced pieces) protrudes off the page, covering only the lower left corner. Close-up chopsticks have their points buried in the food and their lines fade out toward the right. The final black text, underlined by two orange chopstick shapes, reads, "but most of all, do what feels comfortable and eat well!" In orange in the lower right corner, the parenthetical "(and maybe knit a scarf)" is followed by a small orange drawing of a steaming bowl of noodles and sliced egg with a noodle line trailing toward two upward angled sticks with loopy hashes indicating knit fabric hanging from them.

The final image is the full booklet in its web format, with the three previous images from this post stacked vertically. Some orange lines have been added between what were pages in the print booklet, to aid reading flow. /end ID]

[cowsabungus]

Art Hacks for Physical Disabilities!!

I know art can be inaccessible to physically disabled people for a lot of reasons, and I think art should be accessible to everyone, so here’s a couple of the things I found to help for a few different issues you may face that stop you participating!

I have a link to all these items (UK) in my link tree!!

IMAGE DESCRIPTION

Slide one: illustration of a white woman with pink hair, wearing a pink outfit, sitting in a power wheelchair, looking at the viewer with thumbs up. Text Reese “hacks to make art more accessible”

Slide two: illustration of three different kinds, using three different types of pencil grips. One hand uses a circular grip. 100 is a large, rectangular grip. Another uses a grip that is ergonomic and fit into the hand. Main text reads “Paul, grip, strength and dexterity”. Subtext reads “there are loads of different types of pencil, grips or design for different disabilities and conditions. Increasing the width of the pencil can give more texture for a better grip using a pencil with a thicker with also reduces the amounts of pressure needed to hold a pencil you can make your own using items like pool noodles. KT tape an air dry clay. You can also put these groups on things like paint brushes.“

Slide three: illustration of a hand using a tool that looks like a wrist support with a paintbrush connected to it text next to it reads “this talk next a paintbrush to your hand in a way that means you don’t need to hold the paintbrush with your fingers and you will need to move your arm around“ on the bottom right hand corner is in photograph of a guided hand device. Text read “regarded hand as a tool designed to reduce the need for moving your hands and fingers and relies on the movement of your shoulder and upper arms and can be used with different materials like paintbrushes, pencils, pens and styluses.

Slide four: main header reads “when in bed“. Illustration of an iPad pillow with a iPad in it is next to text that reads “iPad pillows, put your tablet at an easier to access level when sitting or lying down“. In the bottom left hand corner is an illustration of a girl sitting in bed in her pyjamas with a pillow behind her and a bed table as she is drawing. On the left hand side is a photograph of a bed table with the text reading “bed tables are used to give you a flat tire up surface while in bed, and are often height adjustable”. In the bottom right hand side is a bedsit, a pillow with the text underneath, reading “ bedsitters of specially shaped pillows that you put behind you in bed to help you set up and give you a soft surface to lean back on”.

Slide five: maisie had a read out “at a desk left”. On the left hand side is a photograph of the document holder with the text “document holders put your paper at an angle to help prevent crane in your neck down”. On the right hand, middle side is an illustration of someone using a armrest and on the bottom left hand side is a photograph of the armrest. Text next to them reads “economic arm rests clip onto your table or desk and give you a surface you lean you’re forearms or elbows on. This can be used to steady your arm and reduce pain and fatigue while sitting at a desk”.

Slide six: maisie reads “foot and mouth painters” . on the right hand side is an photograph of swapping Augustine, an Indian woman with no arms, wearing a sari painting with her left foot. In the bottom left hand corner is an illustration of a woman with green hair painting using her mouth. Text reads “foot and mouth painting is a technique used by artists who do not have, or cannot use their arms so hold the paintbrush in their mouth or using their foot. Swapna Augustine is a foot painter who has painted with her feet and participated in multiple exhibitions of foot and mouth painters. Her art is stunning and I would definitely recommend checking some of help work out.“

Slide seven: main text reeds “art without brushes and pens”. On the left-hand side is a photograph of a spin art device. Text next to read it reads “spin out involves using bottles of ink and squirting them onto a spinning piece of paper to create spiral art. On the middle right hand side is a illustration of a laptop with coding art written on the screen. Text me next to it reads “coding art involves making programs that design and create art pieces digitally. This could be used in conjunction with an eye tracking software.“ On the bottom left hand side is a photograph of a child in a power wheelchair with paint on their wheels painting onto a large piece of paper. Next to this is text reading “wheelchair painting involves putting paint on your wheelchair wheels and moving around and large piece of paper. Sometimes you can connect a roller to create more marks.“

Slide eight: text reads “what do you do to make art accessible for you?”

End of ID.

[drawsmaddy]

[ID: A digital illustration of Orym and Dorian Storm from Critical Role. Orym is holding his sending stone in front of him and looking down at it with a concerned expression. Dorian stands behind Orym with his back to him. Dorian's head is turned slightly to the left but his face isn't visible. His cloak flows out behind him. They are in a tarot card-like frame that has a drawing of Exandria at the top and a drawing of Catha and Ruidus at the bottom. Around the edge of the frame is Orym's message via sending stone reading "Dorian, we're alive. Been to the moon. Going back. Find the Tempest. If I don't get the chance again... I've really missed you." End description.]

"Why do you think he didn't answer?"

[stevieschrodinger]

Just imagine how put out Dustin would be. He's spent months and months working on Steve, trying to get him to come and play. It had been a personal, ongoing campaign. He used every trick and manipulation and wasn't above just outright whining about it. All he asks is Steve try it; just once.

Just imagine how put out he is when Eddie gets out of the hospital, and he asks Steve one time, and Steve says yes. But of course Dustin can't complain OUT LOUD, because he got what he wanted, didn't he? Steve's going to play.

Dustin makes this as absolutely painless as possible; Steve doesn't even see his character sheet until it's done. Dustin has him roll for stats. They talk about race and class. They talk about what skills his character should have...but he doesn't go into detail. he wants to make this fun for Steve, so he lets Steve pick whatever the hell he wants and when Steve calls his gnome Trip Hazard, Dustin doesn't even bitch about it.

Dustin corners Eddie ten minutes before their one shot starts, and explicitly tells him to let Steve get away with absolutely any and all bullshit. The goal here is that Steve comes back.

Of course Dustin has no idea that Eddie has been making heart eyes at Steve for literally years and fully intends to do that, anyway.

It's a one off, so Eddie has some fun with it. He's generous with the XP and everyone has two levels before lunch, excitedly choosing new skills and spells. After a mini boss battle they come across a hoard of treasure; some of it magical.

It's a free for all and everyone walks away with a fun new powerful toy for their character; Eddie's even pre made little cards with illustrations, descriptions, and the magical abilities of each item. He does a whole array, more than they need, but everyone gets one thing each.

Steve, hilariously, chooses a seven foot spear.

Eddie holds it together and does not laugh. He lets Steve do whatever he wants, and when Steve has a moment of madness and acts out his tiny gnome suddenly getting his spear stuck in every single doorway, everyone looses their shit.

The final battle though, that evening, rapidly because serious; an acid spewing black dragon. Everyone rolls initiative. The Dragon, with advantage, goes first, and the battle goes back and forth for several turns before, "the great beast raises itself onto it's back legs, mighty wings spread, so massive they fill the cavern," Eddie climbs up on his chair, spreading his arms demonstrably, "the dragon draws in a mighty breath...Will the Wise, your move."

The party uses their turn to attack, moving their little people on the board appropriately. Steve's turn comes and everyone looks at him..."I'll, ah, move, I think."

"Attack Steve!" Dustin encourages him.

Steve moves his little gnome, with hilariously oversized cardboard accessory, to directly in front of the dragon, the air in the room grows heavy, intent, "no attack...I set to receive a charge."

Every turns to look at Eddie, who frowns down at the map.

"It's on here," Steve volunteers the little card that came with his spear. "This counts, right? Double damage because it's magic, then setting to receive a charge is double damage again..."

Everyone looks back to Eddie again who, solemnly, frowns...then nods.

The dragon unleashes it's attack, everyone in the party taking damage. The dragon falls forward, aiming to land on all of it's feet again.

"Does that...work?" Steve asks hesitantly.

Eddie nods. The damage is so great when Dustin works it out, they have to borrow dice from Will to combine with Dustin's so Steve can roll them all together. The combination enough to fill his cupped hands.

Steve kills the dragon. Everyone is up, screaming and cheering.

Steve is the only one to notice when Eddie rolls damage; Trip Hazard is instantly killed by the crushing force of a dragons corpse.

Steve doesn't care, especially not when Eddie gets real close to whisper in his ear, "that was so fucking clever, I'm furious."

[zarvasace]

Part 5/7 I think!

Day 22: forced to watch! Tame interpretation but hey! Image description under cut.

<<prev || next>>

Page One

Panel one: This is a shot of a stable from Breath of the Wild, lit from the side by white light. Text above says: “nearly dawn…”

Panel two: Twilight and Shadow sit on a bed inside the stable. Shadow holds Twilight’s wrist and messes with the red-colored Malice there. It’s already gone off of Twilight’s other hand. Shadow’s cheeks are still shaded, indicating that he still might not be feeling well. Twilight says: “So you’re [underlined] actually a shadow? Does Four know about you?”

Panel three: A closeup of Shadow in the same position, smiling. He says: “Well, he thought I was dead. But he talked to me, and I could hear him. …hope he’s okay. I’m gonna murder something, violently, if he isn’t.”

Panel four: Same position. Twilight looks at his arm, and Shadow has all the Malice in his hands. Shadow says: “That’s all of it. Weird stuff.”

Page Two

Panel one: We see the entrance of the stable as seen from inside. Warriors is closest, holding Not-Four in his hands, who doesn't look like he’s struggling. Warriors shouts, [all caps] “WE’RE BACK!” and adds, “...with a problem…” Legend is hurrying in in the background, and Wild is talking to someone off-screen. He’s saying, “Yes, sir, we’re just fine. Good thing nobody else is here, right?”

Panel two: A speech bubble says, “what problem?” We see Not-Four’s face peeking around the back of Warriors. Not-Four has wide eyes and looks frozen. One of his eyes is black, and one is red, both highlighted in white. Red squiggles surround him, indicating magic of some kind. Warriors says, “That.”

Panel three: Warriors approaches the bed with Four in his arms. Shadow tosses the red Malice aside, pulling himself back onto the bed. Warriors says, “It’s been a few minutes. We aren’t sure what’s wrong. Maybe he’s fighting it.”

Panels four and five: A closeup of the red Malice that Shadow tossed aside. There are white rays labeled “window light” above it, and the Malice hisses in the light and begins to dissolve.

Panel six: Four is laying in Shadow’s arms on the bed while Warriors and Twilight look on in worry. Four’s eyes are still one red and one black, and there are still red squiggles. Shadow says, “This magic feels weird.” Twilight says, “Fighting is good, right?”

Page Three

Panel one: We see the real Four standing in the black-shaded mindscape, looking determined. Red arrows point to him again in threat. Illustrated in red, a Yiga mask with fins on either side looks at him from the background, and one hand reaches toward him.

Panels two, three, and four are a sequence across the page.

Panel two: Four jumps on top of the Yiga figure (who is assumed to be Yntak, the possessing entity.)

Panel three: Four punches Yntak, but Yntak dodges.

Panel four: Yntak holds a struggling Four up by the throat.

Panel five: Warriors, Twilight, and Legend speak. Twilight is rolling his sleeves down.

Warriors says: “He threw some powder at Wild, but got it on himself instead.”

Legend says: “If he meant to possess Wild, then it might have shaken his control.”

Twilight says: “Do you think we can help?”

Legend says: “Well, the mystery seeds didn’t do anything, so I’m stumped.”

Page Four

Panel one: Shadow holds Four’s head in his lap and looks incensed. He says, “Are you saying that all we can do is [all caps] WATCH?”

Panel two: Twilight holds his arm up and looks like he has an idea. He says, “Wait—you healed the Malice off of me. Could you do it again for him?”

Panel three: Shadow looks down at Four, his cheeks still shaded as Four trembles with red. Shadow says: “I’d do [underlined] anything for him. But that wasn’t healing. I don’t heal. I just break things.”

Panel four: These lines evoke a shattered mirror, and this panel is very short.

Panel five: The real Four holds his hands up against the window in the mindscape again. He shouts, [all caps] “SHADOW! You’re alive!”

Panel six: Four falls away from the window as Yntak attacks him. Four says: “ACK—”

Panel seven: Back in the real world, Shadow looks surprised as he looks down at Four. He says: “I heard that… You’re in there!” 

Panel eight: Shadow smiles, and maybe he blushes a little. He says: “I can try. This time.”

[sare11aa11eras]

Daenerys Missandei Irri and Jhiqui!

[Image Description: A full-length drawing of four people, Daenerys Targaryen, Missandei of Naath, and Dany’s two Dothraki handmaidens, Irri and Jhiqui. They are standing progressively farther back from the viewer. Daenerys stands in profile, walking forward, talking to someone. Missandei and Jhiqui have their bodies facing the viewer, Irri is angled slightly to the right side of the drawing. Missandei, Irri, and Jhiqui look at Daenerys. They are standing on a red carpet against a blank background.

Daenerys wears a purple tokar with a gold fringe. She wears her dragon crown, a gold bangle, rings of various materials, a gold vambrace with purple stones, gold earrings with purple stones, and an elaborate necklace with purple stones. From the necklace and the crown dangle long strings of red and black beads. She wears an anklet and leather sandals. A few golden bells can be seen in her hair.

Missandei wears a knee-length light orchid-color dress. It hangs loosely around her. Her dress is trimmed at the hem with purple and blue beads of different lengths. She wears sandals similar to Dany’s. She wears a large V-shaped piece of jewelry similar to a collar around her neck and over her collarbones. It is gold, mostly decorated with purple stones, and a blue butterfly design. Missandei wears earrings with blue butterflies and purple, pink, and yellow stones. She wears a bracelet of alternating pink and yellow stones. Her hair is in braids to pull it away from her face, but is otherwise in an Afro-type style. She holds a tablet and writing utensil in front of her chest. She has an interested expression as she looks up from her writing towards Dany.

Irri wears Dothraki clothes. She wears long trousers, which are blue fabric with a fringed panel of leather along the inside of her leg and groin. She wears leather boots with green, white, and purple painted swirls on them. She wears a dark leather belt around her middle and a belt of gold discs over it. The central gold disc has a green stone. More blue fabric wraps around her chest, either pleated or wrappings. Over this is a painted vest, primarily decorated with blue, green, and white. On her upper arm is an armband with an illustration of a horse galloping in grass. She has leather wrappings on her wrist and opposite upper arm. She wears one visible ring. She wears a leather necklace with a triangular gold pendant and gold triangular earrings. Her hair is in at least three braids, tied off with gold beads. She has bangs. She wears a woven headband of green and blue, with jade stones. Her face is neutral.

Jhiqui also wears Dothraki clothes, although hers do not look practical for riding. Her clothes are primarily fabric of a deep raspberry color. Along the outer side of her trousers is a stripe of leather, fringed at the end, painted with pink and pale purple flowers. On her chest she wears a beaded brooch shaped like a flower, with pink petals and a green “stem”. She wears slippers, in the same material as the rest of her outfit, with a decoration of pink flowers on yellow around the heel. Her vest is laced closed over a green and gold under layer. Her vest is trimmed at the hem with gold discs. Around her middle is a dark leather belt, with a thin belt of gold discs over it. She wears a leather necklace similar to Irri’s, with a circular gold pendant with a garnet stone. Her earrings match this pendant. She wears two rings. Her arm band is gold and garnet. Her hair is worn similarly to Irri’s. She has a bracelet with chips of green jade set in silver on a leather cuff. She has a nose piercing with a gold chain that leads to her earring. She appears to be wearing rouge. She looks mildly interested in whatever is happening. End ID./]

[jliciousart]

the rose thorn triptych 🌹🦪💎

WIP from many years ago… happy 10th anniversary, steven universe!

i wanted to explore the relationships most affected by rose's life, passing and legacy, and packed in as much symbolism as I could! hope y'all appreciate it!

(also cross-posted on twitter)

(image description available in image, and also under the cut!)

[Image ID: "The Rose Thorn Triptych", a set of 3 illustrations featuring characters from Steven Universe examining the relationships most affected by Rose Quartz.

Left: Rose and Pearl have their hands intertwined in a dancer-like pose, but a tearful Pearl refuses to meet Rose's also tearful but hooded gaze. Rose has her free hand resting on the small of Pearl's back while Pearl is holding her cutlass in her free hand, but the cutlass is symbolically positioned in a way that impales Pearl's back and the sword tip directly pointed at Rose's stomach, at her gemstone.

Middle: Rose is gracefully holding Greg's chin in her hand, as Greg is jumping towards her, desperately gripping her wrist, looking at her tearfully… pleading Rose, begging her not to leave again. Rose also has her eyes hidden in this picture, but tears are obviously trailing down her cheeks.

Right: Steven is viewed from a top-down view surrounded by a bush of roses, crying as he has his head rested in Rose's lap. Rose is attempting to catch his tears with her hands, but is also crying herself. Steven is tightly gripping his chest, lifting his shirt and exposing his gemstone in place of Rose's. As he is doing this, both his hands are being held by an off-screen Greg and Pearl. End ID]

[externalmemorycomic]

Image description: A black and white illustration, designed to look like a book cover. On a decorative ribbon, the title at the top reads “External Memory”. A scroll work border of leaves and flowers divides the illustration into three rounded panels. The largest panel is in the center and shows a caravan surrounded by greenery, puddles and potted plants. The two smaller panels beneath it show a cartoon cat and mouse respectively, facing each other. At the bottom is another decorative ribbon with the text “a diary comic by My Murphy”. After the cover follows an 8 page comic. The style is cartoonish and the colours are soft pastels. Page one: An orange cat waves and says “Hello! I’m My.” The cat holds up a white mouse and says “This is Mouse, my girlfriend.” Caption: My name is actually My, but Mouse is a nickname for comic and privacy purposes. Caption: When I started this project, me and Mouse lived on a little island off the Swedish coast. The panel shows a stylised, tiny island with a lighthouse, spruce and birch trees, leaning houses and a little dock with a row boat tied to it. The cat and mouse are standing on the cliffs and a swan floats on the water in the foreground. Page two: Caption: Now we’ve moved to Ireland where we live in a caravan in the middle of nowhere. A small caravan, surrounded by greenery, overgrown trees, rocks, puddles and potted plants. The caravan has two windows and the cat and the mouse are looking out of one window each. Caption: We lived on the island to be close to my family. A ribbon with writing on it separates and labels four characters: “mom”, an ermine, “dad”, a wolverine, “brother”, a marmot and “step mom”, a squirrel. The ribbon has been torn in between “mom” and “dad”. Caption: and we moved to Ireland to be close to Mouse’s family. Three characters are shown, each with their own ribbon label. “mother-in-law”, a deer, “sister-in-law”, a jack russell terrier and “brother-in-law”, a hedgehog. Page three: Caption: Me and the mouse are currently in our thirties. The cat lounges on an antique fainting couch and the mouse sleeps on a cushion on the floor. On the floor is an open bag of “let’s” crisps and a laptop. Caption: We’re both pretty decrepit in various ways, so for this comic I draw couches and beds as often as I draw people. Caption: Disability isn’t especially interesting to me, but if a fish made an autobiographical comic… A fish under water paints a four panel comic with a brush held in its mouth. The panels the fish has painted show bubbles, waves and splashing water. Caption: …it’d probably be partly about water, whether the fish cared about water or not. Page four: Caption: My memory has always been pretty crappy. If a friend asks me: “do you remember when...” The question is shown asked by a red robin Caption: I usually have to answer: “no, I don’t.” The panel shows the cat giving this answer while looking away and blushing. Caption: There are many things in my life I’d like to remember. Mom the ermine watches as the cat opens a Christmas gift in front of a Christmas tree. The cat is much smaller than usual, its tail is bushy with excitement and it holds up a big book, “Mort”, with a skull on the cover. Caption: This comic is my EXTERNAL MEMORY so I can capture some of those moments… The cat admires a butterfly hovering above its outstretched paw Caption: …great or small. Page five: Caption: I try to make one strip per day, give or take. Pages with dates written on them blow off of a daily wall calendar by a strong breeze. As they turn over, comic pages are revealed to be drawn on the back. One comic shows the mouse with long fangs, biting the face of the cat and then hissing behind a bat wing. One comic is a pastiche of Tim Buckley’s “Loss” comic and one features a portrait of Frasier Crane and the Seattle skyline. Caption: and on the days when nothing interesting happens A close up shows the cat’s paw drawing a comic panel. In this panel a smaller, rounder version of the cat runs happily in the sunshine carrying a backpack. Caption: I reach back and draw something from my past. Caption: If you read this comic and wonder: A coyote looks at the comic on its phone, strokes its chin suspiciously and asks “did that really happen?” Caption: the answer is always yes. Caption: If you read this comic and wonder: A monkey reads the comic in zine form and think “did they really say that?” Caption: the answer is usually yes. Page six: Caption: When a specific phrase is the point of the strip, it’s recorded verbatim. The mouse says “you’re marching to the beat of the potato drum.” Caption: is a direct quote. Caption: When the point is something else, I sometimes take small liberties to make the memory fit well inside four panels. The cat sits at its drawing table, holding a pair of scissors in one hand and a paper with two comic panels in the other. Caption: Usually that means I make myself or the mouse play the part of the straight man because it will improve a joke. The cat and the mouse, dressed as clowns, stand in a circus tent. The cat pulls the clown nose from the mouse’s face and holds up a pie, ready to strike. Caption: In reality, neither of us is much of a straight man, but all art demands some sacrifices. Caption: In every way that matters, this comic always tells the truth. The cat looks up at a large, glowing, winged sphinx statue version of itself. The statue and framing is a reference to the all knowing Southern Oracle from the film adaptation of “The Neverending Story”. Caption: I am doing this to aid my memory after all, so it wouldn’t be very helpful to make my life seem more funny, interesting or relatable than it really is. The cat draws a comic while watching paint dry on the wall. Caption: That would be a pretty cruel joke to play on my future, more confused self. The cat scratches its head at a drawing of themselves as the winner of a beauty contest, wearing a sash and crown, waving to the crowd and holding flowers. Caption: She’ll probably have enough to contend with… The cat looks suspiciously at its own reflection in the mirror, not recognising it. The drawing is a pastiche of a panel from the webcomic “Gunshow” by KC Green. Caption: Maybe some of my comics will be funny or interesting or relatable to you anyway. That would make me very happy. The cat smiles and presses its paws to its face in joy, seeing that a bear and a horse are reading the comic together and laughing. Cartoon hearts float over the cat. Caption: Some of the comics probably won’t do much for anybody but me, but that’s okay too. The cat presses a page of the comic to its chest, looking contented and protective. In the last panel, the cat and the mouse are floating on air with a blue sky and white clouds behind them. The cat is smiling and twirling around, holding a paint brush out like a wand. From the brush flows paint that swirls around the two figures and making shapes of green leaves and orange and yellow flowers. On two looping blue ribbons appear the last captions: This is a record of my silly little life. Good or bad, I’m glad I get to share it. End ID.

Here’s a little introduction to External Memory! It was fun to make a proper neat and full colour comic - it’s been a while ^^

(If you like this project, please reblog this post! You can also subscribe to my patreon where I post one comic every day ^^)

[s3thwrit3sstuff]

❝ you make me feel like I am clean again ❞

yandere!mob leaders x gn!reader | how you met | not proofread

warnings: graphic description of violence, guns, power imbalance (r! is part of the gang but they are a low-ranking member), yandere tendencies, mentions of drug dealings, very brief mention of r! getting felt up by someone in JH's section

masterlist ;

authors note: doing some oc writing feels lowkey daunting but I hope you guys enjoy it, I wasn't exactly sure how to format this aaaa but! I hope it isn't too confusing. I wanted to go more into depth but I suppose this serves as an introductory post to them??? IDK, I've never written this kinda thing before. * here is the better-quality post of the illustration * song on repeat: Love Song by Mariee Sioux

Kim Seo-Yun —

Seo-Yun would be unimpressed the first time she laid her eyes on you. It wouldn't be due to your looks, mannerisms, voice; she's just been hardwired that way.

Wants and needs are hard to convey when you're running one of the most dangerous businesses one could run. Drugs, gambling, skin, weapons — Seo-Yun's a busy woman.

Over time, however, she'll let her gaze linger on you.

Have you always looked so good in that colour? It really does bring out the shine in your eyes, and the suppleness of your lips. Seo-Yun's gaze is intimidating but seeing you squirm is all a part of your charm.

That's right. You're only dressing and acting this way to grab her attention, correct? Why else would she find it so hard to rip her sights from you?

Honestly, she shouldn't be making such frequent trips to the lower ring of her gang. This warehouse was meant to weed out the weakest of her guard dogs. It reeked of sweat and blood and cigarettes and cheap booze. The constant sounds of wrapped knuckles beating down on sandbags and bodies falling on thin mats gave her a headache.

Yet. She stands here on the second floor, gazing down at the sweaty men, a handful of women, and most importantly; you.

Favoritism comes slower than her interests. Seo-Yun will shove her feelings down until it bursts like a fucking volcano. All of a sudden, it's as if she's a hound that's caught the scent of their kill.

"What?" The man before you is wearing an expensive suit, luxury adorning him from the shimmering cuffs to the stitching that holds it together. "Madam Kim is requesting your transfer," he says curtly.

The transfer promotes you from doing grunt work near a polluted harbor to one of Seoul's most expensive penthouses in Gangnam.

It's jarring. She does not give you time to adjust. One moment you're setting down your duffel bag of things and the next you're in the back of a luxury car driving through Seoul's wealthiest district.

The guards (who are double your size and proudly show off their facial scars) push you toward the door of a seamstress. The very air you breathe smells like money.

When you see Seo-Yun, your eyes widen and you kneel to bow.

She muffles her amusement with a slow drag of her cigarette.

"They're very pretty, Madam Seo-Yun," a kindly old lady says from behind her. Her hands were bony and delicate, and the pin cushion she wore around her wrist looked heavy. Everything about her seemed deliberate and put together.

Despite that, despite the glamorous patterns she had on her and the jewelry hanging from her ears; Seo-Yun called for eyes on her with no more than a simple wave of her hand, flicking the ashes away from the cigarette.

"Aren't they? Such a gem."

Seo-Yun orders you to be a part of her security team. Dresses you in custom-made suits to blend in with the rest of the capable men and women. She gives you new weapons and arranges for you to have an apartment near hers. New fake IDs in store, local beat cops turning their gaze away as you smoke in alleyways with an obvious bulk under your jacket.

A gem she called you. And like a gem, she cannot keep her eyes off you.

Stares at you as if you were put on display. Relishes in the way you keep your gaze down, squaring your shoulders, straightening your posture — squirming under her gaze.

"Come inside," you freeze at her words. The other security guards stand stoically in the private entryway of her penthouse and she stands on the threshold of that obscenely large and heavy door.

"Madam?" you squeak out. She narrows her upturned eyes, like a goddess with no mood to be asked twice.

This is a nightly occurrence. It becomes a routine.

She invites you into her home, leaving the door open for you to close on your way in. She sits on the tufted leather sofa, and her grin is expectant.

You kneel. Then, you bring your palms to the floor and crawl towards her. Only stopping when your chin is on her knee and you bring your eyes to meet hers.

"Sweet thing," she'll coo. Her palm is soft and cared for, but there is the slightest bit of callousness here and there. That roughness that comes with holding a gun to someone's head.

The first time she had told you to kneel, you'd been so confused you stood there like a statue. Seo-Yun gives you a minute to let it click, and she tilts her head as you jerkily kneel on her expensive floors.

"Crawl to me."

"Sweet darling," she continues. Your eyes flutter close as she traces your cheekbones with her thumb. "So good for me, so obedient, aren't you?"

How could you not be?

In the weeks you'd been with her, your life took such a drastic turn. Well-fed, well-cared for, and pampered in little but big ways. You were the runt of the litter, a stray, she told you.

She had seen you, she said. She had seen your potential, your drive, your passion.

"I was...I just, I just needed the money, Madam," you sheepishly admit that first night, balancing your chin on her knee.

Who would choose to become the grunt of a dangerous gang? Miniscule soldiers with dreams of dying a movie-worthy death, of brotherly bonds between hardened criminals — Please. You were at the end of your rope, this was the only option before the noose.

"Money is life," Seo-Yun strokes over your cheeks. "You fought to live, climbed through the muddy filth of the pier, and here you are. In my lap."

"I see you, (Y/N)."

"Are you tired?" the shake of your head earns a firm squeeze on your jaw. Your eyes flutter open so she grins sweetly.

"Bathe with me." She lifts your chin and you stand, taking her into your arms as she tugs on the shoulder gun strap you wore, leading you along like a leash. A security guard's job does not include such tasks. You're aware. But how could you say no to the most powerful woman in Seoul?

Your relationship starts off with a clear dynamic. You belong to Seo-Yun, no ifs or buts. No matter how dubious your feelings towards her are, you cannot deny there is such a lovely prospect of being a powerful person's beloved.

Or gem. Or pet. Or...whatever it is Seo-Yun considers you as.

All you know is you are hers and she expects nothing but loyalty and excellence from you. She dresses you in the best, feeds you the best foods, your mattress is hers and therefore it is fit for a Queen.

How spoiled are you, (Y/N)?

So spoiled you do not even realise the pretty cage she's put around you. Don't realise that those pearly white gates are her own teeth as she closes her jaws; too distracted by the gifts, the love, she showers you in.

Exactly how she wants you to be. Pliant, demure, and hers.

So what if your old friends suddenly never contact you again? Or your financial dependence has suddenly been transferred to her? If you never hold a gun in your hands ever again.

"Crawl to me, baby."

And you do. And she grins as she holds your face.

"Good pet."

Kim Jeong-Hyun —

Jeong-Hyun is a peculiar man. Some would argue he's barely a man; others would chime that he's barely human. The sight of the deep scars on his body; the mutilated side of his face. His left ear was chewed off, his left eye cloudy, and a good chunk of his lips ripped off to reveal gums and teeth.

Even if he wasn't a monster; he looked it. That was enough to set people on edge. Seemingly unaware of how he plants the fear of God within people, Jeong-Hyun stares at everyone with a dark gaze that could make the devil shiver.

Unlike his older sister, who hides her emotions until they spill over the edge, he makes his interest known from the beginning.

His good eye, lighter than any brown you've ever seen; a molten hazel that flashes gold in sunlight, devours you as he stands before you.

Although Madam Seo-Yun attends the funerals of her fallen men, she does not linger for the drinking and eating. Jeong-Hyun does.

You'd excused yourself from your circle, the drinks making your body warm enough to endure the cold night air as you light up a cigarette.

The clicking of nails on the brick ground forces you to look at the whimpering dog. Mangy, fur matted, and with its stubby legs like rubber as it paws at your shoe. It was someone's pet, left on the streets. Judging from the overgrown fur, it's been a while since someone's given it any kindness.

Jeong-Hyun had just walked out for a breather (he enjoys spending time with his men, but the noises and the scent of booze could get overwhelming), a bag of meat in hand as he set his sights on feeding the local strays.

But then he sees you crouched by an alleyway, pouring some cheap kibble you bought from a nearby convenience store onto some newspaper. Jeong-Hyun's footsteps are ghostlike, you don't even notice he's there until you feel his breath whisper along your ear and when you spin he's statue-like.

"B — Boss!" He's not the boss — he's just her brother. He still outranked you (by a whole league) so, he doesn't correct you as you bow your head so far down it's between your knees.

He looks silly crouched down in his two-piece suit. You're dressed formally, though the two of you were in different financial brackets. Jeong-Hyun does not speak. The pinkish scar that runs across his neck peeks from the collar of his button-up. It has your toes curling just imagining what had caused it.

He nudges the plastic bag your way, and you cautiously take it from him. To your surprise, he squishes his eyes into crescent moons, and despite his scarred cheek lifting from behind the black surgical mask he wore he looked so...innocent.

The rounded shape of his eyes, the deep crease of his eyelid, and his brows - it all makes him look boyish.

You turn your attention to the strips of expensive beef he had gotten, feeding the poor puppy in silence.

Jeong-Hyun's interest begins with him accompanying your crew as you were tasked to make a show of a traitor. He shoves the blade your way, hilt tilted your way as he connects his gaze with you.

The leader of your crew informs him you are new. He does not even pretend to hear him.

You took the blade, the forged metal heavier than you expected it to be but not impossibly so. It seemed as though it was his favorite, a little longer than a dagger but still small enough to hide under your clothes. Weighing it on your palm, you test the balance of it before gripping it tightly and Jeong-Hyun is entranced by the casual dominance you have over it.

The man before you, on his knees with his cut lip hanging heavily and his eyes so bruised you wonder how he can still see you enough to squeak in fear; he shivers and bows desperately.

"How do you want him, boss?" You glance at him, the grip on the blade strong and confident. He narrows his eyes then closes his eyes, jerking his chin forward.

' However you see fit. '

Jeong-Hyun falls in love with your violence.

Asking for you, always. Giving you food to bring back, giving you new knives and even transferring you to his personal squad of men and women. He'd even invited you into his home. Which, apparently, was not unusual but no one had ever had the pleasure of being able to see the pack of dogs he had.

He starts hanging around you more. His favoritism is hard to mask and it causes you more issues than you'd like to admit.

"You're his little bitch now, huh?" or "His cock tastes good, (Y/N)?"

But who can say no when their boss tells them they want you to follow him around, be his shadow, do nothing more than observe boring meetings and itching for the usual vulgarity of mobsters while you're stood by the wall or behind him?

The madam is not impressed by you. Whenever she speaks to her brother, she will cast a glance filled with nothing more than mild bemusement and disgust.

"Hey, boss," he tilts his head in your direction. You're sat in a barbeque restaurant, and he's watching you intently as you flip the meat, licking his exposed teeth with an almost canine-like attribute.

"...Can I ask you a question?" Jeong-Hyun nods, tearing his eyes away to now look at you. They're almost golden, you think to yourself, the colour of his eyes is so bright.

"Why do you favour me?"

Jeong-Hyung, you come to find out, does not speak. The scar you see peeking from his high collars was apparently a wound that had gone so deep, it took the ability for him to speak comfortably. So Jeong-Hyun signs; "What does that mean?"

"Favour?" You ask and he nods.

"Well, it means, why do you...like me...?"

Jeong-Hyung blinks for a few seconds then tells you to flip the meat. The conversation seemingly ends. That is until you find yourself in his home and he has invited you to his basement.

The dogs bark from behind the doggy gate, a hallway away feeling like a stretch of land as their noises echo. In the basement, you find yourself surrounded by crusted blood and metal. He lifts a dagger and shows it to you. It takes a moment for you to recognize it, it's been weeks since you've held it, but then your brows furrow.

"You kill good. Like me, I like that. I like you," he signs while you hold the dagger. "You like me?" He nods, pulling his black mask away from his face, and grins. It's surreal to see, not exactly grotesque but an unusual sight.

"I like you," he signs.

When his enthusiasm is met with confusion, Jeong-Hyun's face contorts into worry.

He takes the dagger from your hand, places it down, then holds your hands in his. He's tall, towering easily over you as he brings your knuckles to his lips.

He has essentially muted himself. Focusing his strength on keeping your hands hostage as he walks forward until your back meets the smoothed limewash walls of his basement.

"Boss? I'm flattered, but this is a lot to take in....!"

His cloudy eye is in a perpetual squint, healed scars tugging on the skin so it looks almost uncomfortable stretched. They have so much sadness that you feel guilt sprout in you.

'Love me,' they say, 'Love me, love me, lovemelovemelovemelovemelovemeloveme'

Your relationship is dubious. The jeers from your comrades make you feel more flustered than before and Jeong-Hyun is not shy about his affections.

He holds your hands in meetings and traces the shapes of your fingers and joints.

When a snake requires a beheading, Jeong-Hyun takes off your jacket for you and hands you a weapon of his choice. The men who snicker at the sight? Jeong-Hyun is not fond of guns but he so does love it when his sister presses her Beretta to the back of their necks and makes them gasp and sputter.

Madam Seo-Yun may not like you but you matter too much to her little brother for her to allow their insubordinate to make fun of you.

Jeong-Hyun is like a touch-starved puppy. Despite his towering size, he crumbles under your touch, your gaze.

"My brother, he is naive to relationships," Seo-Yun informs you during a lunch meeting. "I noticed, Madam," you shrink under her gaze. How is it she has the same shade of eyes and hers are so, so, so cold?

"But he likes you, favours you I think is the word he used. He has never liked someone before. Not as strongly as this. I suppose I should advise you to take some caution."

"My brother's love comes with a storm of violence. It runs in the family, I'm afraid. Please, don't be frightened by his displays."

You didn't quite understand what she meant.

He'd never been violent to you. You had witnessed him kill before, torture, maim — it was not an unusual sight in your line of work.

You didn't understand until you saw it.

Another funeral, more drinks, more meat. Jeong-Hyun has you beside him, eagerly awaiting your metal chopsticks to place more grilled beef onto his plate.

No one laughs at the sight anymore, they treat you as an extension of Jeong-Hyun which, considering how he monopolies your time, you might as well be. It's rare to see you without him.

But as you got up to wash your hands — someone had spilled their drinks and your hand became sticky — an inebriated man had pressed himself against you.

"You must be a good lay if *hic* Jeong-Hyun-ssi keeps you around, riiight? C'mon, just a quickie, c'mon," "Fuck! Get away from me!"

Jeong-Hyun's hand grabs the back of the man's head, rears it backward, and slams it right into the sink. It shatters, the man yells, people around you scream; but Jeong-Hyun tightens his grip, rears his hand back, and slams him down again.

By the end of that public fiasco, the man's head was obliterated so badly, his face was no longer there. Just shredded skin, muscle, and shattered bone and brain matter.

Madam Seo-Yun's gaze on you is heavy in the car. Jeong-Hyun lumbers in, his hand covered with tissues and you immediately pull the bloody fist to your lap. Approval shines in her eyes as you apply pressure and ask if it hurts.

Well, you couldn't say she didn't warn you now, could you?

[mothiir]

story time with isaiah

I can’t stop writing for these boys I love them.

Cw for caning, descriptions of blood.

—

—

It has been just under a month, and the Emperor — in His most glorious and unending mercy — has seen fit to continue to conceal your existence from the rest of Isaiah’s battle brothers. He and Reuben benefit from your redemptive labour, as you atone for your extensive sins by darning their socks, polishing their armour, and keeping their dormitory spotless.

With a little satisfied sound, you set aside your mending. You have been piecing Brother Reuben’s hair shirt back together, and your fingers are raw from handling the tough wool. Isaiah smells the iron tang of your blood.

You stretch your arms up over, closing your eyes as your joints click. Isaiah looks up from his current dedication — transcribing the life and times of Saint Celestine onto fresh parchment in his neatest handwriting — and sees that you are relaxing back into your bunk. His brow furrows a little. It is not time for you to sleep, and you show no signs of engaging in contemplation of the Emperor’s many noble deeds — though perhaps you are doing this internally? 

“Free time is an affront to the Emperor, little mortal,” he says, dipping his quill into ochre-red ink to outline the title of the newest segment, wherein Saint Celestine engaged in combat with a daemonette of Slaanesh and defeated it. This segment is an especially lengthy one, and well-illustrated, and he wants to do it justice. “Ensure at all times you keep Him in your thoughts.”

”Yes, my lord,” you say, eyes snapping open — a sure sign of guilt. One of your hands protectively rests over the hair shirt, probably recalling the last time that Isaiah had seen fit to bless you with more work. “No need to tear this, lord, I am more than happy to keep the Emperor in my thoughts while uh —“

Isaiah sighs, setting the quill down. Since the dormitory now only holds two Templars, he and Reuben have been able to redecorate, hammering the unused bunks into a workstation, pushed up against the wall. Their trunks serve as an adequate chair, tough durasteel enough to support the bulk of an Astartes — providing the Astartes in question is not armoured. 

“I am not going to tear the shirt, girl. I tore those socks because you showed an uncouth amount of joy in finishing your work for the day. And — besides, that is not the subject of discussion,” he says, thankful that Brother Reuben is not here, otherwise he would once again find himself rehashing an old absurd argument. Brother Reuben had objected to ‘his underwear being used as part of a pointless lesson and now she is upset and my feet are cold’. 

You had, admittedly, been a little upset — uttering little hitching squeaks, like you were swallowing back sobs — but Isaiah maintains it was an important chance to practice the virtue of patience, and you had restitched all of the socks in record time, so what was the harm done?

Still. Perhaps this is a chance to impart a gentler kind of lesson. Good relations with lesser mortals is an essential part of serving the Emperor. 

“Have you ever heard the tale of Saint Celestine?” he says instead. To his surprise, you brighten up. 

“Yes, my lord! I saw the latest holo about her before uh — before my world was cleansed in Holy Fire. Though of course it may have been a corrupted version of the story and uh—“

You are babbling. You often do this, and Brother Reuben has assured him that it is not a fault in your genetics, but a natural consequence of your human frailty. Isaiah cuts you off.

”I will teach you one of her many victories,” he says, “and of how her undying faith in the Emperor brought glory to both her and those who fought beside her.”

He turns away from his manuscript, folds his hands in his lap, and begins the tale. Saint Celestine was once a member of the Adepta Sororitas’ Order of Our Martyred Lady…

—

Just over an hour later, he finishes up the tale of how she appeared in glorious golden raiment to the beleaguered defenders of the city of Karlstadt, who were standing proud against the hideous assembled forces of heresy and ruin. How she had drawn her blessed blade and sliced apart the daemons arrayed before her. How she had blessed the inhabitants of the city, before fading into the rising sun like a dream of better times.

“That was beautiful,” you say. Isaiah had been staring off into the middle distance, allowing his eidetic memory to take hold of his tongue — but at your voice he focuses on you, gratified by the adoration in your eyes. The Living Saint is a balm to the faithful, and a scourge to the heretic.

“It is, is it not? Now, you recite it.”

Silence. You blink at him in puzzlement.

”You recite it,” he prompts. “So that you may tell the story to others.”

”Oh — uh — well, once there was…”

”No, no, no,” he says. “That is not correct. You must recite it exactly as I did, with the same words — this is how it was taught to me, and it is how it must be taught to you.”

”The — the exact same words?” you say, starting to grow flustered, your hands twisting into the hair shirt. The movement agitates the wounds on your hands, filling the air once more with the fragrance of your blood, and it gives Isaiah a splendid idea. 

“Yes. Do not worry, I will help with your memory — I understand that it is far inferior to mine.”

He looks around for a suitable implement. His warhammer is too heavy; his bolter far too precious. He reaches up to one of the unused wooden shelves and, with very little effort, rips it out of the metal brackets, before splintering it with a single crushing fist. 

“…my lord?” you say, sounding nervous. Isaiah smiles in what he hopes is a soothing way. 

“Do not be worried. I understand that your lapses in memory are not a sign of heresy, only of your own feeble genetics. This is a method that I was blessed to experience as a neophyte, before my implants worked fully, and it worked very well.”

He extracts the longest piece of wood, and uses his thumbnail to polish it, turning ragged pulp into a more suitable smoothness. He swishes it experimentally. Perfect.

“Now,” he says sunnily. “I will say a segment of the tale; you will repeat it. Every time you get it wrong, I shall give you a little tap with this. The pain focuses your mind, and ensures that next time you will not forget!”

”Uh — I do not think that is necessary my lord —“

You are hunched like a Jerboa about to bolt, smelling of fear. Isaiah sighs. 

“Girl, please do not be ungrateful. I am trying to bestow the Emperor’s kindness upon you. Now give me your hand.”

Your arm trembles, but you still extend your palm, fingers curled protectively over it. Just as he is about to begin the exercise, he recalls Brother Reuben’s fury at his torn socks. Ah. Yes. Anything that will hinder your ability to work is probably going to cause issues with his battle brother — and baseline humans take so long to heal. 

The soles of your feet? No, he cannot have you unable to stand. Your back? No — you need to hunch over your mending. Your face? Some of the serfs ritually scar themselves as part of their penance.

No. Not your face. That is a little dramatic for something as trivial as learning a story. 

And then it occurs to him in a lightning flash — of course! 

“Kindly lift your skirt up and bend over the bed,” he says, thanking the Emperor for His guidance. If you struggle to sit down then that is no problem — you can sew standing up! And you can sleep on your front, so it will not even affect your lengthy and inefficient spells of rest. 

You make a strange strangled sound. 

“My — my lord?” you manage, and that warm feeling kindles once more in his belly. Bringing a waif to the Emperor’s light; imparting unto you stories normally reserved for Astartes. It makes him feel all happy and tingly in a way he usually associates with a battle hard won, or an especially entertaining heretic burning. 

“Hurry up now,” he says, indicating the bunk. You look behind you, as if expecting Brother Reuben to materialise with his usual rebukes, but he is busy in the chapel (though Isaiah cannot imagine what possible issue his brother could have with this plan). 

Trembling like a new fawn, you bend over the bunk, propping your elbows on it. 

“Your skirt too,” Isaiah says, helpfully. “If fabric gets into the wounds it can cause infection, and that is a serious matter for a baseline.”

You inch your skirt up in little shuddering movements that Isaiah finds absolutely hypnotic for reasons he cannot quite understand. You bare plump, tender flesh — thighs sweeping up to the curve of your buttocks, which quiver under his gaze. 

“Do you not have any undergarments?” he says. 

“I did,” you say, after a moment. “They uh. They vanished.”

How baffling. Humans are absentminded to the extreme — perhaps you mislaid them? He will have to ask Brother Reuben of their whereabouts. 

“Now,” he says. His mouth feels odd — a little too dry. He swallows a few times, rolling his tongue against the soft insides of his cheeks, wondering briefly — absurdly — if your skin would feel as soft against the press of his fingers. ”Let us begin.”

—

You start off so well, parroting back the first few sentences he recites for you almost down to his intonation. Alas, you are still only a human, and the mistakes soon begin —

“…for Saint Celestine appeared in —“

Wssshhh goes the instrument, and you squeal. Your buttocks jiggle in a way that would definitely distract a lesser man; but Isaiah is completely devoted to the Emperor’s word, and thus does not take more than forty five seconds to watch them move as you squirm in pain. He thought the strike was gentle, but your flesh is softer than butter, slicing open with the least touch. 

“You missed something out,” he says, after his momentary pause. “Try again.”

”I am sorry — ow that hurts — uh — “

This time, you get the phrasing right (‘miraculously appeared’ not just ‘appeared’), and proceed until —

“—her hair of gold — “

Another strike. The flesh of your rear splits like ripened fruit, and you yowl. 

“Hair of black, eyes of gold,” Isaiah corrects patiently. It is just as well he has taken you under his wing. The way you squirm and squeak is most immodest, and he is certain that none of the other serfs take discipline with the same lack of dignity. 

“Hair of — hair of black, eyes of — eyes of gold —“

He forgives you the stammer, but he cannot forgive the lapse that follows, as you describe Saint Celestine’s armour as ‘radiant’ rather than ‘luminous’. This time, Isaiah is most careful with his blow, and your skin only flares bright pink, rather than splitting asunder. You still whimper and wriggle as though he has made you bleed, which is most unbecoming. 

“Do try and endure the pain,” he tells you. “There is no need to be so…squirmy.”

Once again, he thanks the Emperor for guiding you to him, and not to a man with less moral fortitude, because the way the blood slicks over the curve of your rump and glistens would almost certainly lead a lesser man to sinful contemplation. 

The next lashes — earned through forgetting four of Saint Celestine’s thirty eight titles — have you blubbering, your face pressed into the blankets. Your buttocks, and the upper parts of your thighs, are streaked purple and pink with bruising, and blood drips down towards the backs of your knees. It smells bright and fresh — somehow more pleasing than the foul blood of xenos or heretics. Perhaps because it was shed by a penitent in service to the Emperor, not one of His enemies? Though Osric and Jean’s blood never smelled quite so…delicious. 

Hm. When did he last eat? Maybe he has been fasting overly much. That must be the reason his stomach tightens so.

You burble a slurry of sound into the mattress — even to his trained ear it barely resembles Gothic. 

“You’re not even halfway through memorising this,” he chides, and you manage another hiccuping attempt at repeating the conversation between Saint Celestine and her former Battle Sister Augusta. It is a most touching soliloquy on the importance of placing your faith in the Emperor, but —

“—and I will — I will do I must and take Him inside me, and let His will fill me like a flood — nay, like an ocean. His Holy Fire will spill deep inside my body —“

— for some reason it sounds a little different when you say it. His cheeks warm. 

Still, the technique is working. He finds he has to hit you less and less as you continue; the pain sharpening your mind, clearing the fog of doubt, permitting the Emperor’s words to penetrate. 

Finally, your approach the denouement, where Saint Celestine addresses the Emperor directly in prayer —

“My Lord, I beg of you to fill my humble body up —“

He strikes you without thinking.

“Wha — what did I get wrong?” you squeal, and it takes a moment for Isaiah to focus. He is staring at the jiggle of your thighs as you heave in desperate, pained breaths — by the Emperor’s light, clearly he has not done his job in teaching you how to best conduct yourself, because you are responding to proper discipline like a whore. Your spine arches as you try fruitlessly to escape; your eyes are wet and red-rimmed; your lips slick with spittle. Do you realise what you are doing? Ignorance is no defence against judgement; Isaiah could build a new monastery with the bones of those he has slain whose only crime was ignorance. 

Isaiah presses one hand on the small of your back, pressing down just enough to calm your twitching. He feels your heartbeat echo up through his palm; the scent of your blood fills his nose, and saliva puddles on his tongue. He is a Black Templar. His purpose is to slay the enemies of the Emperor; to crush them beneath his boots, to lay waste to their cities and hear the lamentations of their children, before they too are cast onto the pyre to ensure the rot does at the root. He is stronger than you. He is better than you, and your mewling is not effecting him, it cannot be effecting him —

”Keep going,” he says, his voice a low, hungry growl. “Finish the tale.”

” —yes. Of course. Saint Celestine thus spoke to the Emperor: “Fill my humble body up with Your Grace and Your Judgement, and let me then be a vessel for Your Will, bringing Your light to the dark and Your hope to the hopeless. Amen.” 

“Amen,” he echoes. 

—

He helps you clean up, for he would be a poor teacher indeed if he left you in a puddle of your own blood to contemplate your lesson. He waves away your protests that you can take care of yourself — it is a small matter for him, just requiring a little water and a clean rag. Your flesh is already swelling, puffy and tender, and when he runs his palm from your calf to your back he can feel the difference in temperature: from cool thighs to fever-warm buttocks. 

The apothecary insists that Astartes be thorough in their care of themselves. Thus, Isaiah takes care to repeat the gesture a few times, his large hands — each of which easily encircle your thighs — skimming with utmost consideration over your bruised flesh. 

“There,” he says, when he has attended to your wounds to his satisfaction. He tugs your skirt down to cover your modesty, pleased that he has fufilled his duty of care to you. “Is it not wonderful to learn the Emperor’s word?”

You prop yourself up on your forearms, turning back to look at him. “Yes,” you echo. “Simply wonderful.”

Isaiah beams at you, absent-mindedly lifting his fingers to his mouth to lick them clean. He has probably been fasting too much; a Templar must remain well fed to best serve the Emperor. 

“You can have the afternoon to recover,” he says, magnanimously. “We can commence your next lesson in a ten day — or whenever your schedule allows.”

”Yes, my lord. Thank you my lord,” you say. “All hail the Emperor and His most bounteous mercy.”

”All hail,” Isaiah says, already planning how to best explain this to Brother Reuben — while also making it excruciatingly clear that Brother Reuben needn’t trouble himself with the serf’s continued holy education. No, Brother Reuben can focus his considerable energy in locating the poor thing’s missing undergarments — a role far more befitting his station. “And next time,” he adds, licking the last of the blood from the back of his hand. “Refrain from squirming and mewling like a slattern. Have some self control.”

[lostcauses-noregrets]

Bad Boy

A few meta-type thoughts about Bad Boy, now the dust has started to settle.  There could hardly have been more hype in the run up to the release of Shingeki FLY, but Bad Boy certainly delivered.  It’s classic Isayama; for such a short chapter it really packs an emotional punch, blending real pathos and tragedy with shockingly graphic violence and body horror.  It doesn't really add anything to the over all plot, which is to be expected, but it does provide insight into Levi’s character and answers one question that fans have been speculating about for years.

The story of why Levi holds his tea cup in such a peculiar way isn’t new. Isayama mentioned this in a magazine interview (I think?) way back in 2014

Q: …why he has such way of holding cup? Isayama: About that, I was thinking of drawing this one day. When he was a kid, Levi was living in slums and poverty. He was yearning for a life in clean & neat environment (not rich life). When he finally obtained the tea and tea set those he has been desperately wanted, he was rejoicing that finally he can drink it. But when he started to grip on the handle and lift up the cup, the handle came off and his cup was shattered. He was so traumatised by this experience and that’s why he changed his way of holding cups to not using the handle.

However we now know that the cup belonged to his mother and the extraordinary lengths Levi went to recover it. What is new is that we finally have confirmation of when Levi’s Ackerpowers were awakened.  Fans have been arguing about this for years; some thought it was when he killed the man with the knife immediately before Kenny left, others suggested it was when Farlan and Isabel were killed. Now we finally have an answer.  It’s not exactly clear how much time has lapsed between Kenny taking Levi in, his powers awakening, and Kenny leaving, however the fact that Kuchel’s tea set hadn’t yet made its way to the surface suggests that not much time had passed at all. 

Levi’s description of his powers awakening is fascinating;  

“Strangely enough I didn’t doubt what was happening to me at that moment. The pain had vanished, my head was calm, as if it had been immersed in water. Clear instructions on what to do came to my mind. I simply followed them one by one.”

This is the most information we’ve ever had about the famous Ackerpowers and goes some way to explaining Levi and Mikasa’s preternatural calm and focus when they're fighting.   They really only succumb to panic and despair when their loved ones are threatened.  Think of Mikasa in Shiganshina and at Fort Salta, and Levi when Farlan and Isabel die and when he allows Zeke to escape after Erwin rode out to his death. 

The panel illustrating Levi’s powers awakening is also interesting as it looks very like a Titan transformation. This suggests there is more than a grain of truth in what the Yeagers said about Ackermans being a by-product of Titan science, who were able to access the power of the Titans without becoming Titans themselves.   

It’s not difficult to draw a direct line between the abuse and persecution Levi suffered as a child, with his determination to use his power to protect those in need.  Initially he used his strength to protect the vulnerable people of the Underground, such as Isabel, however once he met Erwin he was able to exert his power to serve an even higher goal - saving humanity. Isayama discussed this in the Answers Guidebook way back in 2006 and I think his comments are worth repeating here. 

Isayama With the heroes of American comics, conflicts dealing with the situation “with great power, comes great responsibility” have been depicted. In Levi’s case, if he had no power, he would probably have been an ordinary person with no responsibilities but, as a consequence of having power, that he became a person excessively burdened with responsibility. Kenny talked about “everyone… was a slave to something…”, when he put the question to Levi “what is yours!?”, Levi himself too perceived it. That he himself too was a slave in regard to his own strength. The sense of duty that “I must become a hero”. …the same thing can be said of Mikasa too but…, for the Ackerman family, in the service of their master, there are many people who are able to manifest their power to its maximum.

[Translation by @tsuki-no-ura]

I think it's also very in keeping with Levi's character that he remained devoted to saving humanity after the Rumbling; providing succour to the children in the refugee camp, and working to renew the environment destroyed by Eren's genocide, despite his injuries and regardless of whether he retained his Ackerpowers.

The title of the chapter, Bad Boy, is also interesting. No one actually calls Levi a “bad boy” in the chapter (though he is called worse) which suggests that this is how Levi sees himself.  It makes me wonder how much he internalised the thug’s insinuation that his mother would have been disappointed in him, and it also recalls Levi’s speech to Historia and the 104th, where he says he’s fine playing the role of the violent lunatic.  Poor baby.

Another point the chapter clarifies is the origin of Levi’s belief that Kenny was his father.  To be honest, it’s hardly surprising that Levi assumed this considering Kenny clearly had some kind of relationship with his mother and took him in without question. Still, knowing that the seed of that belief was planted by a thug who was willing to torture and kill a child, or sell him into sexual slavery, really twists the knife. 

[Translation by krtk.]

I am a little sad that we didn’t see more of Kenny in the chapter, but his presence certainly looms large.

I had expected to see more of Kuchel but at the same time I’m almost glad we didn’t.  Her life was brutal beyond measure and we’ve already seen her tragic death. Several fans have suggested that the reason we only see Kuchel in partial profile is because Levi’s memories of her are so hazy, all he really recalls is her grace 😢

It’s remarkable that Kuchel was able to retain such poise and grace despite living in such desperate squalor.  @momtaku has made the point that Kuchel appears to have been born into at least modest comfort, judging from Grandpa Ackermans’ home, which would explain where her elegance and also her fancy china came from.  It’s heartbreaking that both she and Levi clung on to this small memento of a better life. 

Levi’s devotion to his mother, his desire to emulate her grace and cling on to her belongings is devastating, is very much in keeping with everything we know about his character.  Levi has boundless compassion, is deeply loyal, and never forgets those he loves, whether it’s Farlan and Isabel, Erwin, or his squad.  He’s also very sentimental; saving his mother’s tea set, and drinking tea evokes a direct connection to Kuchel and the only good thing he remembers from the squalor and cruelty of his childhood. This makes Erwin’s willingness to indulge his sentimentality and bend the rules to procure a steady supply of high quality tea for Levi all the more poignant. 

There's been some debate about Gabi's reaction to Levi's story in the final panel...

Some people have interpreted her expression as holding back tears, while others have suggested she's trying not to laugh. I'm definitely in the stifled laughter camp. It just seems so very typical of Gabi and her relationship with Levi...

Gabi: - winds Levi up - Levi: - trauma dumps - Gabi: - stifled laughter / more wind up - Falco: - actually upset - "Would you guys stop??" Onyankopon: - shade -

It's also very typical of Isayama to poke fun at his characters like this, and it stops the story from tipping over into bathos.

There is one burning question that Bad Boy doesn’t answer and it’s this - what tf was kid Levi doing in Mr Smith’s classroom?? 

Despite hoping against hope, I never really expected Isayama to answer this, because he does love to troll his readers.  Is it too much to hope that sometime down the line he’ll reappear with another chapter called School Boy?? 

[fantasy-anatomy-analyst]

How do you (personally) balance designs looking cool and practical/realistic? I feel like I get stuck on my spec bio that I lose the fun in designing. Or I can't find anything neat from the animals I use for inspiration to add and don't know where to look for other ideas.

you gotta add life and whimsy. sounds kinda weird and maybe doesn't make sense, but it's true. you can spend all sorts of time making a perfected realistic looking design and if there's no life and whimsy in it, it feels flat. you can practice this by drawing very fast gestural poses, putting your character/creature designs in Situations and drawing how they'd react, and just practicing expressive faces.

Make a whole character out of your creation. doesn't have to be a character you give a name to and keep around forever as a new story protagonist or dnd character or whatever. you just have to breathe some individuality and life into it for a bit.

I'll try to illustrate what I mean.

(image description: two sketch pages of an orc and an elf. on the first page, they are drawn beneath reference images of a wild boar head and a macaque. here, the orc and elf have more realistic facial proportions and match their reference animals better, but they look a little dull. on the second page, the orc and elf have been redrawn. at the top of the page are sketches of each of them laughing. the orc's mouth is wide open, making their snout wrinkle a lot as they lift it in their laugh. the elf's mouth is only a little open, with the lips pushed forward in an O shape, and they are squinting happily. below this are full body sketches of the orc and elf, fully dressed in casual outfits, crouching to snarl at each other. the orc is baring their tusks but keeping their mouth closed, while the elf has their mouth wide open, putting their long canine teeth on display and also holding their tail straight up. end description.)

body language and facial expression are so important! you gotta be loose with it to learn how to create more dynamic and lively designs. and for characters, it's also important to explore things like culture and personality so you can individualize them.

I don't know exactly what your art style looks like or what it means for you to be hitting roadblocks in the design process as you try to find that balance between looking both cool and realistic. My art style is semi-realism, and I do think stylization plays a key role in crating interesting designs. the closer you get to photorealism, the more difficult it is to create dynamic designs, in my experience. it's not impossible! but getting to that skill level in realism is harder than i think some people assume it is.

I have seen a lot of photorealism art that was clearly done by skilled artists who know all the technical things about making art, but couldn't bring out the life in their subjects. it's easy to get stuck on the technical skills, to fuss over making the shadows of a portrait match the photo reference, to get so skilled at texture that you forget about gestural posing. maybe getting so invested in realistic and practical design you neglect the whimsy. fantasy is inherently whimsical! I know this blog is all about making fantasy anatomy more believable, which often means curtailing the whimsy if it gets out of hand. but the whimsy is essential! it just needs to be cultivated and pruned occasionally if it's getting in the way of your goals. and on the other hand, so does the realism! perfect realism can't really exist in fantasy, or it would already be reality, you know what I mean? if the realism is a roadblock to designs you truly enjoy, prune it back. cut the realism down to size and make room for some whimsy. that's the balance.

[drawsmaddy]

[ID: A digital illustration of Phoenix Wright and Trucy Wright from Ace Attorney. Phoenix is doing Trucy's hair as she stands in front of him, his tongue sticks out as he focuses on braiding. Trucy holds her top hat in both hands and smiles, with sparkles around her as she looks back at her dad. There is a drawing of Trucy's finished braid to their right, showing a simple braid tied at both the top and bottom with red hair ties with heart, star, and round beads attached. The braid is a little messy, with some small pieces of hair sticking out of different sections. End description.]

The Wrights <3

[the-kr8tor]

Where the River Flows

Pairing: Cowboy! Hobie Brown x Fem! Reader

Word count: 7.4k

Tags: Use of Y/N sparsely, no specific physical description of the reader (except for her clothing), CW food mentions, TW Blood and violence, TW death, CW injury, CW guns, CW alcohol. Old west AU, cowboy AU

Our Place in the Middle of Nowhere Masterlist

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CHAPTER 4 >>> CHAPTER 5

You haven't slept this well in years, the last time you had was back when you've last slept next to him on the same lumpy mattress of his flat that you've once called home. Your eyes blink awake, cheek pressed against a pillow, it's soft, so soft that for a second you thought it was Hobie's arm. You stare at the ceiling, a carved magnolia tree stares back. Its branches are full of blossoms, perfectly carved just like the illustrations in your books. It's so vivid that you could practically see its pinkish hue. It's weird, you think, the carving, when the rest of the room is sparsely decorated; filled with drab oak, and cheap lamps. The room smells old, lived in by hundreds of travelers before you.

A creak echoes out at the far end of the bed, prompting you to look upon Hobie's bareback. Healed bullet wounds litter all over his flesh that you once held on. Raised scars dotted along his lower back like stars, stars that were once drenched in ruby. You wonder if it still hurts, the stars, like how the hole he left in your heart five years ago. You hope it doesn't hurt as much for him, you'll never wish agony upon him; even if a part of you thinks he deserves it.

Maybe you should tell him, tell him what agony has befallen you since he left. The pile of letters sewn into your skirt remains to be read by his viridescent eyes; its wax seal remains closed, the words of longing and hate are still scribbled upon the yellowed paper.

Your eyes dart along the expanse of his skin, frown getting deeper and deeper with every new scar you find. Hobie puts on his shirt, buttoning each one, the cloth hiding his own misfortune from your weary eyes.

“You talk in your sleep.” He finally breaks his silence. Looking over his shoulder, he regrets it immediately. The simple sight of your bed head and puffy eyes brings back memories of when you'd wake up next to him.

“I know,” I've been told. You grunt as you lift yourself off the pillow, elbow propping you whilst you watch him put on his cowboy boots and clinking spurs.

He blinks, hand pausing along the buckles. “It's new, you've never done that before.”

“Just like you said, a lot of things can change in five years.” Sitting up, you place your chin atop your knees, legs tucked under the covers, arms holding your legs in place. “What was I saying? In my sleep, I mean.”

“You were mumbling…” my name, he sighs at the thought of telling you the truth. “Someone's name I think, and egg soup for some reason.”

“I'm hungry.” You ignore whose name you might've been saying in your sleep. And you think it's not his.

“We need new clothes first, people must've gotten our descriptions by now. So we need to change.” Hobie puts on his leather vest, the metals of it clinking against one another. Then the hat comes after, he stands up, walking towards his gun belt.

“Okay, breakfast after?” You fight a yawn, palms rubbing harshly on your eyelids.

“Yes, breakfast after.” He secures his belt on his hip, silver guns shining in the early morning sun. “I don't think they have egg soup though.”

You crack a small smile. “It doesn't matter, anything will do.”

“The saloon has pumpkin soup I think, does that sound good?” Hobie has no idea why he's prolonging the conversation about soup out of all the things he could discuss with you.

You nod, staring at him through fond eyes. “Mm-hmm, sounds good.”

“Good, we need something warm to eat.” He realizes that he's been standing awkwardly at the doorway. Clearing his throat, you fight a smile. “Get dressed.” With the door shutting close behind him, he slaps his cheeks to wake himself. He needs coffee, or something stronger for that matter.

Meanwhile, you watch the space he just left with hope in your heart.

—

The dress shop smells nicer than the inn, it's elegant, looking like it doesn't belong in the middle of the dingy town. Every pile of clothing is neatly folded over the other, different outfits are displayed over the windows and display cases. Both leather and cotton are the most prominent ones, but there are a few chiffon dresses, lace and silks placed alongside the rougher fabrics. They're all wonderfully made, each having their own brand of beauty in every stitch.

You watch yourself in the floor length mirror. Dark trousers instead of a skirt hangs around your waist. A nice crisp white dress shirt on your torso fits perfectly on you thanks to the friendly tailor.

“You need a vest, or you'll get cold during your travels.” She taps your shoulder, genuinely smiling at you through the mirror. “Are you sure you don't want to wear a corset and skirt? You'd look just as marvellous.” Her eyes shine just like the dainty rings around her fingers.

“I'm sure, skirts and corsets are an inconvenience.”

“Well, you've given me a proper challenge then. But is it a challenge if everything looks good on you?” Her long dark hair sways behind her as she peruses her own shop, dozens of embroidered cloth folded neatly on tables.

“You're good,” you watch her sashay along her shop, colourful vests piled on her arm. “Just as good as the tailors back at home.”

Yuri, you learned her name just a few minutes ago, returns to you with her arm full of vests. “‘Just as good?’ oh sweetheart, I'm better.” She grins mischievously at you, red lips curled into a smug smile. Yuri would be friends with Hobie, you think, maybe in another life. “Arms up, my darling.” She holds up numerous different vests upon your body until she settles for a royal blue leather vest that has hydrangeas embroidered on it. “This is it!” Gasping excitedly, you let her help put the vest on. “Fucking beautiful! If I was your husband I'd be jumping your bones.” Grasping your shoulders, she places her chin atop it, smiling at you.

Your heart thumps loudly at the word ‘husband.’ “Thank you, Yuri.” You fiddle with the empty gun belt around your hips.

“Now for a coat or a jacket befitting a glorious woman like yourself.” She winks, twisting around in search of another dozen or so outerwear in her stock.

“Oh I think this is enough.” You don't want to use up all of Hobie's money, especially when he's still in the dressing room, none the wiser.

Yuri turns towards you abruptly, hand on her chest, feigning hurt. “Enough? Do you like prancing around town in your birthday suit?”

“No—”

“Then you shall have a jacket. The best one I've got.”

You bite your lip, a nervous tick of yours that Hobie once pointed out after kissing it off you. “I just don't want to spend too much.”

“You mean you don't want him to spend too much?” Yuri saunters over to you, boots clacking on the worn out floorboards. “What are husbands good for if not for spending their money for your own gain, hmm?” There it is again, your heart thundering loudly inside your chest. “Besides, you'd look marvelous in this coat. I'll give you a discount because you're the nicest customer I've had in years.” She leans closer to you, draping the leather coat on your shoulders for you to see. You beam at her, thankful. “It's similar to the one I gave to him, you'd be matching. Well, except this one is in a lighter shade.”

The coat reaches down to your knees, cream coloured with little fringes up front right where the front pockets are. It's beautiful with its white threads weaving around its seams. If you look closer at the bottom, you see that it gets darker as it gets closer to the hem. An almost brown shade that reminds you of the oak tree back home.

You inhale, staring at your reflection that you barely recognize in the new clothes. “Do you think it suits me?” Your voice is small, Yuri watches your expression, understanding what you truly meant.

Her playful voice lowers to a softer one, hands rubbing along your arms comfortably. “Of course, sweetheart. You're more than ready for the badlands.” You smile at her, nodding along to her encouraging words.

She twirls you around to face her, you chuckle at the sudden good hearted movement. “Now, my favourite part, the boots!”

—

You pick lint off the armchair while you wait for him to exit out of the dressing room. You're comfortable in your new clothes, it snuggles you cozily, you've never felt like this in any clothing at all; whether it be silk or velvet, all the dresses back home don't compare to what you have on. You look at your dark cowboy boots once again with a faint smile, its gorgeous spider web-like design has your heart bouncing in glee. It's a stark contrast to the threadbare shoes you had on. You make the shiny spurs clink on the floor, chuckling to yourself.

“Careful, don't scruff my floors.” Yuri appears next to you, handing you a small messenger bag.

“What's this?”

“A bag, every woman needs one to store her belongings.” She gestures towards the worn out skirt on your lap. “Especially the important ones.”

“I—”

“It's on the house, just this one though.” She chuckles before handing it to you.

“Thank you, Yuri. That's awfully kind of you.” The leather is rough against your bare hands.

“No worries, darling.” She shrugs, “after all the things you've bought it's only normal that I'd give you a little freebie.”

A door suddenly creaks open, and out comes Hobie in his new outfit. A light airy dress shirt fits perfectly on his torso, the same black bandana still hangs around his neck, hiding the large scar. He fixes the fit of his dark blue vest even though it clearly doesn't need fixing. It has a typical western embroidery on it, saved for the almost invisible peonies dotted along the buttons. His gloves are the same, lighter around the palms where friction is usually present. You flick your eyes over to his coat, Yuri's right, it's almost the same as yours. The length is shorter to accommodate for the warmer weather coming in. The shade is in this mahogany brown, warm in the eyes, a hue lighter around the hem, almost as light as your own coat. Frills are lined around the arms, the silver spikes placed atop the shoulders makes it more unique. His belt buckle this time is different, a spider trapped in amber in place of the deadly scorpion. It's cradled in silver, laurels weaving around the corpse of the spider like an elegant coffin.

Your eyes shine at his handsome appearance. “My, don't you look dapper.” You drink him up, every new thing satisfying your need. Roaming your eyes downward, you tilt your head at the odd material on his legs. His boots are the same, even the spurs, but you can't quite place the new fangled blue thing around his legs. “What's that?”

Both Yuri and Hobie follow your gaze. But Yuri seems to be the only one who could form a coherent sentence. “They're blue jeans, or work pants. Much more comfortable than the old pants. Looks nicer on the behind, eh?” She nudges you, winking at your flustered expression. “Or enhances what's lacking.” Her last comment trails off as you unabashedly ogle him.

“Fuckin' hell.” Hobie finally speaks, his eyes avoid your form. Especially the vest that cinches you right where it matters. “Why do you have a bag?”

You stand up, slinging the bag over your shoulder. Yuri watches the whole thing with amused eyes. “For my things.”

He furrows his brows, “you don't have things, Y/N.”

Eyeing the riding gloves on the table, you cross the small distance, taking it, but before you place it inside the bag, you spot a pretty pink lace ribbon next to it. You also take it for good measure and to annoy him further. Putting it inside your bag, you teasingly smile at him. “Now I've got things.”

Yuri gives you a nod and a thumbs up whilst Hobie takes out bills to pay for everything.

“Pleasure doing business with you.” She victoriously smiles, counting the money.

“Not a pleasure on my part.” Hobie grumbles, you clamp your mouth shut to prevent a laugh from coming out.

—

The saloon is bustling with people even though it's still early in the morning. Some drink their fill next to you at the bar, some are just like you, looking for something warm to fill their bellies with to survive the rest of the day. The whole place smells of hard liquor and broken dreams. You have no idea which smells worse, the sticky floors or the lavatory at the far end of the place. The wide windows help brighten up the place at least, sunlight streaming into the carved establishment. Animal heads stare down at you, an elk’s and a buffalo's empty beady eyes look over yonder the drunkard's solace.

A piano sits just behind you, its stool is currently empty, maybe you should put all the lessons drilled into you to good use. It's better to wait for your meal there than sit right next to a stranger who looks like he's about to expel his breakfast onto your new clothes. Besides, some good music could tamp down all the drunken mumbling and the annoying scrapping of plates.

Hobie notices your heavy look, abandoning his coffee, he taps your shoulder and you almost jump in your skin.

“You still play?” He asks, eyes flicking between you and the old piano.

“I dabble, but I'm a bit rusty. I prefer gardening nowadays.” You lock eyes with him, “and shooting.”

Hobie chuckles in his seat, eyes avoiding your own smile. “You should play, I'll call you when our food is ‘ere.”

“Are you sure?” A soft smile spreads across your lips.

“I’ll watch your back, don't worry.”

Hope weighs you down again. You leave the bar stool, walking the distance towards the familiar black and white keys. Sitting down, you wrack your brain for the notes you've made a long time ago. A song that you've written yourself for the man who watches your back.

Hobie watches you intently, ears perking up at the unfamiliar music. Your hands move precisely, fingers pressing quickly as the song quickens. He smiles, glass now lay forgotten on the bar to watch you play your music. The rest of the bar quiets down a smidge, even the drunkards pause their lips at the mouth of their glass to listen to you play. The song crescendos, from a fast happy beat to a tone that is slower, a forlorn one. All in all, you play it with grace, and weaved with so much emotion.

Hobie scoffs, yet the fond smile stays. “Rusty my arse.”

The bartender appears behind him, plates in hand. “Your girl plays well.” The man places your meals on the bar, pumpkin soup sloshing on the sides of the bowl. Hobie turns towards him, not fully so he could still see you in his peripheral vision. ���Is she for hire? Our player retired a few weeks ago, the saloon has never been this drab.”

“No, we're just passin’ by.”

The bartender leaves with a nod. “Too bad.”

Hobie takes his sandwich, twisting around to continue watching you. His eyes zeroes in on the sudden presence next to you. The brim of the stranger's hat hides his face, yet, Hobie knows exactly who he is based on his confident stance. Or who he was before Hobie single handedly destroyed his gang.

You finish the song with a flair, chest heaving, grinning from ear to ear.

“Bravo!” The man leaning towards the piano claps, then a chorus of scattered applause follows right after. “Amazing, sweetheart! Where'd ya learn how to play?”

“A tutor.” You smile shyly.

“Ah, what's the song called? I don't think I've heard of it before.” His long beard moves while he makes casual conversation.

“I-I made it actually.”

“Oh? I didn't know we had a composer in our humble establishment.” He taps the old piano with his gloved hand, his other hand rests on his gun belt, golden pistol shining in the sun. “What's the story behind it, eh? My ears picked up some sad depressing story through the notes.”

“I'm not a composer, a-and yeah, I made it for somebody.”

“Well, I—”

“Culver!” Hobie's booming voice echoes out in the entire saloon, everyone stops what they're doing. “You want to talk to me? Come over ‘ere instead of pestering her.” He has had enough of the conversation, and the danger that you've unknowingly put yourself into.

“Mr. Brown.” Culver says through gritted teeth, standing up straight, flicking the brim of his hat to reveal his face. “Fancy seein’ you here. You're in my territory, spider.”

You notice every single patrons’ faces turning into something akin to a person seeing a ghost, or the reaper itself. Slyly, you move your eyes over to the man, Culver, his name is familiar, you're sure you've heard of it before. Inhaling, you look back at Hobie, whose hand is placed on his gun belt, ready to whip it out if needed. He silently communicates with you, run, his eyes says, but you're paralyzed by fear when you finally remember where you heard the name Culver. It was what that old man Arthur said back then, he's the man whose men were killed by Hobie in a single night.

Heaviness hangs in the air, tension so thick that you can't even poke a hole right through it with a bullet.

“Is she someone precious to ya?” Culver says, suddenly gripping you by the scruff of your blouse, your back hitting the piano keys harshly. You yelp, and Hobie abruptly stands up, eyes aflame. The bearded man smiles, blackened teeth in full display. “She is, isn't she?” He wiggles your head in his hand. You sit there frozen, unable to even breathe. “What if I do the exact thing you did to my men, eh?” You hear chairs scraping against hardwood floors and boots frantically running towards the back exit. It's just you three in the saloon. He taps his finger in between your eyes, flaking leather on your soft skin. “A bullet in between her eyes would look lovely on her, don't you agree?”

“Your quarrel is with me. Let's take this outside, shall we?” Like a strike of lightning, Hobie cracks his bullwhip towards Culver. Dust in your eyes, the high pitched sound ringing in your ears. You then see Culver getting dragged away from you by his arm. The whip wraps around his flesh, threatening to skin him from the force Hobie pulls him towards the swinging doors of the saloon.

You inhale the gunpowder like scent it left, standing up, you quickly follow Hobie out into the sun. As the light hits your eyes, you watch Hobie cracks his bullwhip again. Culver yells in pain as Hobie releases him in the whip's clutches before placing it neatly back on his belt. He stands ways away from him, just across the screaming Culver.

“Painful, innit? This is what you did to two of my mates.” You walk to Hobie's side, he spares you a glance, roaming his jade eyes over you to check for injuries. Satisfied, he then returns his attention towards his target. “Remember that fuckin' pain, because my bullet hitting your heart would hurt much more than this.”

Culver holds his aching arm, kneeling on the muddy ground, hat fallen next to him, revealing a shiny head. “You lettin’ me go?” He cackles, you don't hide behind Hobie. “Just like that? Oh that woman has softened you up, Mr. Brown.”

“D’you want to keep talking or do you want to fuckin' start?”

You knit your eyebrows, fear encompasses you. “W-what’s about to start?” Your hand finds his bicep, holding on to him tightly like he's about to leave you. Again.

“A showdown, go to the side, love, I don't want you ‘ere when the bullets start flyin’” He watches Culver slowly stand up in the corner of his eyes.

“A fucking duel? Are you crazy?” You grip tighter.

Hobie gives you a smile, the same smile he lets you see every night before you head home. It's a boyish smile, innocence hidden behind it. “Go, I'll be fine.”

“And if not? He looks like he's a gunslinger. What if he wins and you die?”

“Then I can't burden you anymore.” He whispers, green eyes glimmering in the sunlight.

“Burden—? What are you talking about?”

“Go, I'll win, don't worry about it.”

“Hobie—!”

“Go, Y/N!”

You move without question after he yells at you. Your hands trembles, knees going weak, tears brimming in your eyes, and he can't even look at you.

As the two men move further away without turning their backs towards each other, you hold onto the saloon's pillar lest you crumble from fear of losing him. Again.

Bystanders look on, watching the spectacle unfold right in front of their eyes. Some hide behind windows, children hide behind their mother's skirts. While you have nowhere to hide. Your nails dig into the wood, Hobie squares his shoulders, fingers brushing along his holster. You spare a look towards his target, his hand already resting next to his yellow-gold gun.

Silence hangs in the air. Death waits for the loser.

Hobie squints his eyes, attention fully on the man before him. He leans back slightly, right foot stepped forward, silver gun shining in the sun; you can even see your reflection on it.

With a single breath, it's all over.

Culver was too slow to quickdraw, probably from his still aching arm. He drops his gun before he could fully draw it out. Hobie's bullet has left a sizable hole in his dominant palm, a gaping, bleeding wound that you can see through if you stare long enough.

Culver screams, a gutteral shriek that worms into your mind. He drops to his knees, eyes wide in panic and shock, trousers drenched in his own blood. Gunpowder still lingers in the air when you run towards Hobie's side. Your hands grip his shoulders, breath stuck in your throat, as you check for any bullet wounds.

“Are you hurt?!” You scream, ears ringing from the loud shot.

“‘m fine,” your wandering hands find reprieve on his jaw. “Love, ‘m fine.”

He sees fear in your eyes like never before, not even when you get punished, cheeks stained with tears from whatever they've thrown at you. You've never looked like this terrified. Scared like a starving doe caught in a bear trap.

“Remember what I told you?” You can't speak or even think. “Breathe, Y/N.” Hobie takes your hand off his skin, there's a reluctance that you're not privy to. “Just breathe, inhale and exhale.” He holds your hand, squeezing once before leaving your side. “I need to finish the job.”

You exhale and he's gone, the golden gun kicked far away, aiming the still warm barrel against Culver's head. “No…” Running after Hobie, you refuse to see another dead man. “Stop! Please.” Gripping his gun once again, you plead with him. “Don't kill him.”

“Step aside, Y/N. If I don't—” he can't fathom what Culver would do to him, to *you if he doesn't end it right there and then. The cycle must stop, he can't accomplish it if you're standing in between his gun and Culver's soft head. “Don't get involved.”

“Please.” You breathe out, warm hands placed around his shooting hand. “Take him to the sheriff, let justice take its course. He's backing down, I don't want to see you kill another one.”

“The sheriff won't do shit. Just like now,” he nudges his head towards the man amidst the crowd. “Let me do this, or he'll follow us and hunt us down.”

“I won't!” Culver suddenly yells, even louder than his painful screams. “I won't follow! I'm tired, Mr. Brown. I don't want to do this no more.” He looks up at the two of you, remourse evident on his face. “I'm sorry about your friends, I really am! But we're already even, you've taken mine too. Every single one I've got.”

“Promise to never exact revenge,” you tell the groveling man as you watch his salty tears mix in with the warm crimson.

“I promise,” Culver cries. “I promise, miss.”

You look back at Hobie, your eyes meet his own. Anger subsides in those emerald eyes, face turning soft. “He promises, Hobie.”

“An outlaw's promise doesn't mean shit—”

“You’ll have to shoot through me to get to him.” You point the barrel right on top of your chest, its warmth seeps through you.

“He wanted to hurt you.” Hobie softly says, fingers wrapping around your own.

“I’m not hurt. It takes more than threats to hurt me, Hobs.” You both stare at each other, hearts beating together. “Can you holster your gun please?”

Together, you help him lower his gun. Together, you let Culver go.

—

You need to leave town immediately. Strawberry's sheriff might've been easily placated with a good duel, but other lawmen pursuing Hobie might not be. Bucky neighs loudly at the sight of you, moreso when he sees your intertwined hands.

“Hi, Bucky.” You start to place your foot on the stirrups but Hobie stops you halfway.

“You need a horse. Might as well put your new gloves to good use, hmm?” You smile as Hobie whistles for the stable hand for help. A teenage boy with worn out blue jeans appears. “She needs a horse. Anythin' fast, or hell, anythin' you have available. What do you have?”

Their conversation drifts into the background. Your attention and breath is taken away by the gorgeous mare that stands behind a stable door. Her shining blue eyes watch you as you approach, hair as white as snow, the same hue as her body, she glimmers in the sunlight that filters through the wooden cracks. She huffs, head leaning away when you hold out your hand. You could only wait for her to make the move, watching you with peculiar eyes like she's sizing you up.

The stable boy does a double take, “wait, ma'am, that's not—!” When he says it, the white mare leanes closer to your touch. “Well I'll be. She never lets anyone touch her except my boss. She's as fine as cream gravy that one is.”

“I think she likes me.” You tilt your head as she sniffs your hand.

“That's a fuckin' arabian, love.” Hobie says breathlessly, watching you and the hot tempered horse interact like you've been her rider for years. “Can't you pick another horse that doesn't cost three horses combined?”

You laugh, feeding the mare hay. “I could, but I really think she's the one for me.” Hobie scratches the back of his neck. “I can choose another one, Hobie.” As if understanding your words, the mare nudges your shoulder. Hobie feels like he's being robbed in broad daylight. But he'll spend a million for you if you ask.

The stable boy pipes up from the side. “You can't actually, ma'am, I was just tellin’ your husband here that we only have her available. The rest already have owners you see. She was abandoned six months ago.”

“How could anyone abandon you?” You whisper towards the horse, petting her head as she welcomes your touch.

“I think her last owner died, and no one has since picked her up, or bought her. My boss is more than willing to get rid of her now to make space.”

“We'll take her, on a discounted fee of course, since she's second hand. And a saddle too.” You grin at Hobie's words.

The stable hand sighs. “At half price too I bet?”

“Now you're speakin’ my language.” Hobie pats the boy's shoulder as he negotiates prices. The mare huffs again, asking for more hay while you are distracted by Hobie's wink thrown your way.

—

“She still doesn't have a name.” Hobie finally breaks his silence, he rides alongside your horse, making sure that your ill tempered mare doesn't buck you off. His hands guide Buckeye, but his eyes are completely on your form.

The road is long and empty, save for a herd of bison roaming just below the mountain you're both trudging. There are small graves littered around the road, worn out crosses, wood eaten by termites. Etched names forgotten, lives scattered in the wind amidst the dirt and blazing sun. You wonder how they died without getting to their final destination. The sun has completely risen, humidity making your lips dry, heat stuck in between your skin and the leather of your gloves. The canopy shields you from the rays, luscious greenery everywhere, trees and grass littered all over the mountain side. You can hear wild horses neighing far away from where you are, their hooves thumping freely on the soil.

You pause from braiding your horse's hair, securing the braid with the pink lace ribbon. Your eyes meet with familiar emerald eyes. “I've been thinking about it actually.”

“Well? What are your options?”

Your lips curl into a mischievous smile. “‘Blue jeans’”

“Oh fuck off.” He rides ahead to hide his growing smile.

You quickly follow, pulling the reins, clicking your tongue to make your horse trot alongside Hobie. “Why not? I like it, I think it fits her.”

“No it does not. You're fucking with me, lovie, and my blue jeans.”

You like him like this, bathed in the sun, in warmth as he smiles back at you; just like the days when you were still just friends, friends with lingering feelings that you're both too afraid to confess. If he doesn't love you back just as before, you'd settle for this, just friends who laugh and talk, and tease each other. It's better this way because friendship means that he still cares for you, that there's still a space for you in his heart no matter how small it is, that you're not forgotten.

“Oh you and your precious blue jeans!” Your laughter echoes around.

“Will you be like this the entire time?” You both turn a corner, where no trees shield you from the sun. He notices you narrow your eyes, palm above your eyes to see him better. “‘ere.”

“W-what?” There's suddenly a hat atop your head, his hat. “Oh!” You run your fingers along the brim that shields you from the light. The leather is soft, a few bumps here and there but you can feel that it's been taken care of. Hobie clears his throat, and your cheeks run warmer than the summer sun. “T-thank you.” You're not an idiot, you've been here for weeks so of course you've heard of the ‘hat rule’ in passing. But you don't know what to do, or what he wants to do when it's in reverse.

“No problem, you've already taken my money, might as well hand you my hat, eh?” Hobie inhales, the mere sight of you wearing his beloved hat sends his heart into overdrive. Maybe he shouldn't have given it to you.

“You make it sound like I'm robbing you blind. I was alright with my old clothes.”

Hobie has the opportunity to say either of the two things that popped up in his mind. One, tell you that you've only robbed him of his heart. And two, make a joke about how much Bucky disdained carrying you with your musty clothes. So he does neither.

“We had to, or we'll be recognized faster than a mother recognizes her child.” You both finally reach the foot of the mountain, successfully surviving without anyone shooting at you, kidnapping you; or hell, getting eaten by a bear. With both of your luck, it's possible.

“Weird analogy but okay.” Your stomach grumbles when you two come to a stop at a fork in the road. One goes to the right, the other on the left. There's nothing else distinguishable on either one of them. The signage is long gone, taken by strong winds, or just time itself. You wince, hoping that he didn't hear the sound your stomach made.

He raises a brow, chuckling deeply at the sight of you hiding your face with the brim of his hat. “I forgot we didn't get to eat. That sandwich smelt really fuckin' good.”

“I really want that pumpkin soup now.” You groan, leaning forward to rest your head on top of your horse who barely notices your movement.

“C’mon, I know a place.” He taps your boot with his own.

“Where?”

“On the left, it's not that far but it'll delay us on our journey.” It's not a bad deal, he thinks to himself.

You suddenly perk up, this is what you were asking for back in that cave, the road less traveled, the road where you get to just spend more time with him. And postpone your homecoming.

“What are we waiting for then, cowboy?” With a kick, and a laugh in your throat, you bolt over to the direction he pointed out.

“‘Cowboy?’ bloody hell.” He really regrets giving you his hat because now he doesn't have anything to hide his flustered face anymore.

—

“You said it was a restaurant,” you huff at the wide river before you, hands on your hips, stomach growling. “Not that we have to catch our own meal!”

Hobie can't help but laugh, a hearty, genuine one that also has you smiling. This suits him, just happy and without a gun in his hand. You like him in every conceivable way possible, even if you're still getting used to his new self. “I just said, ‘I know a place.’ I ain't no liar. Did you expect a café in the middle of nowhere?”

“Yes! And no— I'm hungry now, Hobs!” Your horse agrees, hoof digging into the dirt. Buckeye stands hitched next to her, eyes glued on her white mane. Weird, you thought. “Look, even blue jeans agree!”

“Instant gratification,” Hobie pulls his jacket off and places it on the saddle; he then takes out a folding fishing rod from Bucky's saddle bag. “You should work on that because it's not gonna work well ‘ere, love.” He walks towards the river bank, toeing off his boots, folding up the same trousers you love to see him in. And also folding the sleeves of his shirt to reveal his toned arms. “And her name can't be ‘blue jeans!’” Yelling back, he trudges the rushing cool water that goes up to just below his knees.

“Okay, fine!” You start to strip, taking off your coat and his hat— folding your trousers and sleeves, you follow him to the rocky river bank. “How about ‘trout’ then.”

He hears your voice closer, he laughs at you when you almost slip on a rock. “Careful, it's slippery. You can't name her ‘trout,’ she's too pretty for that.”

“Now you tell me,” you roll your eyes at him as he casts the line. The bait and hook plops in the deeper water, now the waiting game begins. “‘Too pretty?’ you once nicknamed me beetle just because it bit me once!” Warmth spreads across your chest at his laugh. You feel at home in that cold river.

“And? You callin' yourself pretty?” His smirk takes you back at that oak tree.

You have an urge to kiss it off him. You don't, it's not the time yet, or you may ruin everything. “Yeah, you did, I remember you calling me pretty…” you lean closer, face dangerously close to his own. Breaths mixing in together, but you still give him enough space to move away. He doesn't. You don't mention it. He thinks about your lips upon his. “And gorgeous, and then absolutely stunnin’!” You copy his drawl, but before he could even laugh at your teasing, the fishing rod starts to move, yanking him forward.

“Oh fuck!” Hobie reels it in, and you gasp in disbelief at the sheer strength the fish has. “Help me or we'll starve!”

“You don't have to tell me twice!” You embrace him from the back, arms squeezing him, face smothered by his shoulder. He feels warm, he still feels the same. You dig your heels in while he fights with lunch. “Come on, cowboy!”

He almost let go of the rod. “Shit!” You laugh into his shirt and he almost falters once again. “Come on you little—!” With one hard yank, he finally sees the fish fly up, the sun hits its scales, body frantically flopping around. But he pulled too hard, and down he goes on the river bank, with you catching him. “Fuck—!” With a splash, you get a face full of river water.

Hobie immediately jumps to the side to not squash you and drown you in two feet of water. His eyes are full of worry when you emerge coughing. He almost lets go of the rod to tend to you, but your smile and guffaw has relief flowing through him.

“How big is it?!” You ask, entirely drenched.

He gently wipes your face, calloused palms over your soft skin, fingers carefully wiping away a piece of grass stuck on your cheek. You close your eyes, letting him hold you.

Hobie inhales and drinks you in— he still loves you. It's always been there, his love for you, but he refuses to acknowledge it with what he knows just before he left, with what *he said before he took a slice at his neck. Hobie still dreams of you, still dreams of saying those three words again, he's a fool to bury the feeling, especially when you're in front of him again— close to him again, loving him again.

He has no idea what to do now, other than to stand up and give you a helping hand.

—

Hobie's been silent and you have no idea why. You warm yourself on the fire he built, the fish you both caught is now cooking wonderfully on the open fire. The river's currents are a lot stronger now, so it's a lot harder to catch anything without getting carried by it. Your clothes are slowly drying as you wring your sleeves free of water.

“Cherry.” You suddenly break the silence. “I think I'll name her cherry.”

Hobie sits across you again, gazing at you through warmer eyes. “Why cherry?”

“Because horses love fruit, and cherry is a fruit.”

“Brilliant thinkin’ love, horses definitely eat cherries.” He says in a sarcastic tone.

You furrow your brows, “wait, they don't?”

He blinks, “Huh, ‘m actually not sure. Maybe if you take out the pits and cut it in half?”

“That’s…that's plausible, they contain cyanide though.”

“Maybe we should ask them?”

“What?” You chortle, and Hobie cups his hands to yell at the horses.

“Oi! D’you lot eat cherries?” They only stare at him. “Guess not.” You laugh, he finds it infectious so he also does.

“Horses can't talk, Hobs.” You say in between giggles.

“You never know, I might be a horse whisperer.” His smile falters, and you frown at the sudden shift. “‘m sorry for yellin’ at you.” His voice is soft under the cackle of the fire. “I shouldn't have yelled.”

“Apology accepted.” Your nerves calm down, beaming at him, scooching closer to him until your knees grazes his own. He doesn't move away, even nudging your shoulder with a faint smile. “I'm sorry for making you spend so much. But thank you for the nice clothes, and being— just…kind.”

Hobie reaches for your hand slowly, your breath is in your throat, freezing you un place. His pinky brushes along your palm when a twig snaps Hobie quickdraws his gun.

“Who's there?! Show yourself or I'll fuckin' shoot.” Standing up, he hides you with his own body.

You also stand up, hand wrapping around the barrel of the rifle that was leaning next to you. Both yours and Hobie's hearts thump loudly with trepidation. The bush moves and out comes two men brandishing their own weapons. They dress like gentlemen, but their sneers say they are not.

“We came out to piss and we find the spider of the west, guess we're just lucky.” The one with a scar across his nose says, voice scratchy, nudging his companion. “And would you look at that?”

“You’ve found yourself a pretty companion, Hobart, one that has a very high bounty on her head.” The other finishes his partner's sentence. His mustache is all twirly at the end, golden tooth shining in the sun. “Y’know, sweetheart, the whole country's after ya.” You don't falter in your stance.

“With both of your bounties combined, we're aimin’ at ten thousand dollars right now.” The scarred man chuckles.

“Ten thousand?” Hobie whistles, “Can we bring ourselves in instead?” You snort, still aiming at the man's head.

“If only that was possible, Hobart.” The man gives you a twisted smile.

“Are you lawmen?” You ask, “Or pinkertons? You two don't look like either of them.”

“What do we look like then, sweetheart?” The mustachioed man taunts with a toothy smile. “A couple of handsome cowboys?”

“A bunch of dead men.” You push Hobie away, kicking hot coals in their faces, embers flying, smoke filling their lungs. While they're both distracted and yelling at the searing heat— Hobie fans the hammer of his gun, shooting all six bullets into each man's bodies until their lifeless corpses fall atop each other.

“I've seen better.” You stand next to Hobie as he checks for something in their pockets. Their blood slowly spread to the tips of his boots. “What are you doing?”

Hobie rubs a hand across his face, “Lawmen,” he raises the identification papers he found. “We need to go. Pack the fish.”

“But they're dead?” You ask but you still do what you're told.

“Lawmen are like rats, if there's two ‘ere, there's a dozen more near us, hidden under the crevices.” He walks near the banks, head downturned, eyes scanning the plants. “And they've got their noses on us now.”

“Where are you going?” You stand, wrapped fish in your arms. “Hobie!” You start to yell when he has walked a few ways away from you.

Hobie crouches down, hunting knife digging into the soil. You watch him take a bushel of grass, he walks back and now you get a closer look at what he's carrying. You thought your eyes are deceiving you, instead of the familiar green hue, the plant is pink, a very bright shade. There's still dirt clinging to the stems when Hobie carefully covers it with a handkerchief.

“That's oleander, Hobie.” You stare at him, concerned. “And that many could kill a fucking elephant.”

“I know, you taught me, remember?” You nod as shoves it inside your messenger bag. He pauses at the sight of the bundle of letters, then he dismisses them, closing the bag. “It might come in handy.”

“What's your plan?” You're terrified.

“We head to a train station.” He sighs, completely winded, and worried for your safety. “Bounty hunters and outlaws I can manage, but them?” He points at the two bodies. “They've got more resources than either group, and more people in their pocket.”

“Wouldn't that be obvious? Riding the train? We can handle them, just like we always have—”

“They hate my guts more than anyone, Y/N, and they don't fear me as much as bounty hunters or outlaws.”

“But a train…” you shudder. “We'll be in the south in a few days instead of weeks— that's quick, too quick…I don't—” I don't want to leave. “I can't.”

“You wanted the scenic route, right?” He starts to unhitch the horses. “It's the last place they'll look for thinking that we'll be traveling by our lonesome out on the backroads.”

“Yes, but—”

“Nothing’s more scenic than a train ride. C’mon, love, get on Cherry. Before more come out of hidin’”

You nod, tears threatening to spill out. Walking around the corpses, you get on Cherry with a far away look in your eyes. “To the train station then.”

[aggro-my-beloved]

I Bleed For You (And Now I'm Gushing)

note: you've heard of tooth-rotting fluff, now get ready for jaw-clenching angst >:)

pairing: quinn x gn!tank, sam x gn!tank

summary: a glimpse of one of tank's many nightmares centered around quinn. in this particular universe, they were unable to escape him...

warnings: manipulation, non-consent biting, graphic descriptions of blood and violence and an almost character death.

word count: 1.1k

estimated read time: 5.5 mins

Tank wasn’t sure they had ever fallen victim to an adrenaline rush this powerful, when Quinn’s teeth sunk into the vulnerable flesh of their thigh. The pleasure masking the pain remained incomparable to all of their tattoos combined. A buzzing flooded their brain and their heart rate kept climbing, unable to find a rhythm. Quinn became giddy at their sporadic pulse humming against his jaw and was urged by their hands in his hair to bite harder. 

When he did, the squeak Tank emitted caught both of them to a great surprise. He released their femoral artery from the reign of his fangs with a chuckle, scooping up the droplets escaping from their wound with his finger and a chuckle, and bringing it to their mouth. Tentatively, their lips parted open, imploring him to drag the pad of his thumb down their bottom lip. It wobbled as his digit grazed the interior of their mouth, and his eyes scanned over their canines. Sharp, he observed, but missing potential. 

“That’s it, precious.” He praised them through the closing of their mouth. “Can’t let a drop go to waste now, can we?” Tank’s poker face had become an art form since knowing Quinn, and him ravishing them in their private moments, The metallic taste still urges for their tongue to curl and drool to form–a psychological preparation for their oral cavity spit and hack and get rid of the substance. Their mind tells them to purge it, but they swallow it to witness his smile. Whether or not Tank has realized, their comfort is worth vastly less than his satisfaction. 

“Good.” His sultry voice guides their eyes to stare deep into his. Simultaneously, the hand clamping down their thigh–which will no doubt be littered with bruises in the morning–slithers up to take purchase on their neck. His thumb (no longer blood-soaked) caressed their collarbone with a delighted hum. 

“Precious, have I told you what a great mate you make for me?” His eyes crawled down their face and stopped at the gap beneath their ears. Tank only pondered the question, unbothered by the wandering stare. They’ve heard Milo mention the term a time or two in past meetings when illustrating the latest adventures between him and a department investigator. Albeit the notion of being bound with Quinn had been swirling subconsciously around their mind, Tank was still unsure of where they stood with him but refused to voice their concern. Like blood, they’ll swallow this down too.

“What do you want?” They inquired with a smirk. All at once, his gaze darkened, and Tank’s eyes grew. The blood rushing through their system picked up pace once more, but they and Quinn both knew it was from trepidation rather than excitement. 

“I want to be more intimate with you.” The hold on their neck grew firm. “We could take our relationship to a level much deeper than mates. We could be maker and progeny. You would belong to me, and I, you.” It wouldn’t be the first time Quinn’s brought the subject to light. The last time he did, he made transforming Tank’s entire shifter DNA to be a different species sound like a fun fact, as opposed to a pressing suggestion. But the act of succumbing to him completely, let alone as a disloyal member of David’s pack, was not agreed upon prior to this rendezvous. The metallic taste was back, marrying an unpleasant churning in their stomach and curling toes. As much as they yearned to, Tank couldn’t bottle those words up even if Quinn shoved them down Tank’s mouth himself. 

“I don’t want that.” A few beats of silence followed. Immediately, it became clear how displeased Quinn was by the answer. Tank wants to cut out their tongue. They want to rewind to a minute ago when the endorphins were still high and the tension between them and the vampire was all sexual. They want the pain to be masked by the pleasure of his teeth buried in their skin, tangling with their muscle and veins–not just the searing anguish of his stare peering into them.

 

“Oh, precious.” His grip on their neck never loosened. “I thought you would’ve been smart enough to understand the whole dynamic of this relationship by now…” He rolled his eyes with a sinister chuckle. “I take what I want, permission be damned. You take what I give you and like it.” The end of his declaration morphed into a snarl as the same fangs that dangled heaven in front of Tank’s face threatened their demise in a matter of seconds.

He ripped into his mate’s throat unapologetically and ravenous, no longer savoring the taste of them but picturing what a poised thrall they would become beneath him. Tank screamed and writhed at the feeling of skin and muscle breaking in the wake of his pearly daggers, vision turning crimson from the utter mess he was making of their body. As they brought both hands to claw at the one chained to their neck, Tank thought back to their conversation earlier in the day, where they brought up the idea of learning healing magic to clean up the more vicious wounds Quinn would leave on them. Something about the way the ceiling fan keeps sounding more distorted, and the weak feeling overcoming them tells Tank that this session may not be one they could bounce back from without Quinn’s empowered ministrations. 

“Please,” they manage to choke out, nails clawing at his unrelenting hand. “Don’t, don’t do this.” 

This is the universe where they don’t walk away. One that has tormented their subconscious several nights, and left them to wake up alone in a pool of sweat and blood-curdling screams. Tonight was no exception if you pay no mind to the Solaire Clan vamp urging her awake. 

“Come on, Darlin, open those pretty eyes for me,” he pleads incessantly. Moments later, they shoot up from where they are lying, gulping sharp breaths of oxygen down like it's the last ones they will take. It sure felt like it a few seconds ago.

“Hey, you.” Sam greets them with a relieved sigh. Tanks felt a stinging sensation on their neck, no doubt from where they were clawing themselves in their sleep. They silently pray the next round of scabs heal over without interference, but aren't sure if they’ve landed on the side of good karma with all of the luck this past year has brought them. “You scared me for a second, looks like one hell of a nightmare you just woke up from…you get those a lot?” 

Their throat feels like sandpaper as they swallow, and shake their head. "Never."