Am I missing something when it comes to la la land or is it like a colleen hoover situation
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focalors in the 4.2 archon quest does something to me. that VOICE is so pretty. the OUTFIT. shes so mother.
i would let her destroy me, make me a mess, do stuff to me and i wouldn‘t mind. please continue.
shes definitely a titty grabber. likes to randomly grab your breasts from behind and squish them like a toy.
or
i think she would be a great cuddle partner, like, she would give you a thousand of warm cuddles. burying and resting her face into the crook of your neck and have her soft arms wrapped around your body as you both lie under the blankets. she wants to keep you warm and comfy so you wont get sick.
oh and shes a big teaser, definitely. basically teases you about everything possible until you get super embarrassed from all of it. and that woman wouldn‘t stop!! no she will not, until you actually want her to stop, then she‘ll respect you and stop, of course.
if she used to battle and fight, then she would teach you on how to use a sword. she is always being careful to not wound you. and if she does, she will just simply heal you or get you bandages.
talks about furina sometimes whenever you both are sitting somewhere, or laying down on a bed.
and when she dies, she wants you to take care of furina. comfort her at any time whenever shes in a sad mood, get her favourite desserts, give her cheek kisses, dance with her, go to her tea parties, etc. make her happy, and focalors would be proud of you.
but you also have to stay close to furina whenever shes in a bad mood. if you went out somewhere without telling her, especially at night, she'll think that you are starting to dislike and leave her, or that you got kidnapped, making her panic. if you come back, the first thing she always does is run up to you and hug you tightly, asking you where you went, and why you didn't tell her that you went out. its best to tell her the truth, or she will ignore you for a day.
but she cant ignore you for long, because she can be a pretty clingy person. slowly crawling into the bed you're sleeping in, quietly wrapping her arms around your body and slowly starting to cuddle you, mumbling to herself about stuff such as “am i too annoying for them?“ or “i'm sorry if i did something you didn't like.“, hoping you wouldn't wake up and hear her talking bad about herself.
furina will randomly pin you to any wall to jokingly flirt with you. if you flirt back, she'll have a red face for the rest of the day! it can be outside, inside, to the bed, to the grass…seriously, everywhere.
if you buy her gifts, especially with desserts inside them, she'll buy you a gift aswell, but a bigger, and a more expensive one.
LOVES to teach you to dance a waltz or help you sing. if you suck at any of those, she will gladly help you because you are someone she deeply cares and trusts.
if you're sad, she comes running up to you with your favourite food, plushies, etc. to comfort you and have you smiling again. she hates seeing you sad, and doesn't want you to go through the stuff she did.
too shy to ask you out on a date, but will pull an all nighter to practice words and flirty pick up lines to say to you. if you're the first one to ask her out on a date, she'll get mostly flustered but will be happy, jumping into your arms and giving you thousand of kisses.
if you guys are together, she's extra clingy and could be a little jealous if a man or a woman stares at you. you're her partner, of course you should be paying attention to her! if you look back at the stranger, she will wrap her arm around your waist and glare at the stranger who was looking at you, silently telling them that you're hers, and shes yours.
animal lover! if she sees a cat or a dog anywhere, she pulls you along and walks towards the little animal and will pet it, feed it, caress it, etc. if you're a animal lover aswell, expect a lot of animal plushies in the house and furina bringing a random cat inside.
if you kiss furina in public infront of everyone, she would push you away and laugh like nothing happened. but if you're somewhere private, hidden, or in a back alley with her, she'll kiss you with alot of passion like she was starving for that kiss.
cake lover. please buy her cake anytime! it can be chocolate, vanilla, strawberry or anything. she will even demand you to get her a cake when she feels like it. or you both just cook a cake together.
can't cook, but is still learning! loves to make sweets, and sometimes asks you for help. if you can't cook aswell, then…expect alot of flour or a whole mess in the kitchen. you both have to clean everything up if you guys are finished with baking or cooking. she can also make YOU clean everything, just to piss you a little off. but she will help a little bit, don't worry.
listens to your problems in life, and talks to you about her problems aswell. you both deeply care for each other, and she trusts you enough to talk about her secrets and stuff she never wanted to mention because of her insecurity.
makes you sit on her lap while you both play games or watch a movie on the tv.
and furina absolutely loves piggy rides.
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tags - 🪵
the ugly side of my therianthropy isnt fun. i wanted to talk about it a bit.
tws: light violence, s/h, body dysphoria, phantom tails, ears, claws, wings, not great stuff
i get horrible half-shifts where im animal in my mind and very viscerally human in my body. and that leads to anger and confusion and usually harm of some kind. i dont physically lash out or anything like that, its very meditative, really. i very carefully test the body i definitely shouldnt be in, figure out how to walk in it and sometimes try to find myself in it, whether that be mentally or physically. i scratch at it or look at it in a mirror and get more confused because it hurts just like i should and it looks so different from me. these shifts usually end if i see writing in english or hear someone calling me.
i also get the urge to chase after and interact with animals that look like my theriotypes. ill see a black dog and go "youre just like me!!" and wag my tail and i want to go up and introduce myself but they wouldnt see me as a dog like them and their human would think im strange. or ill hear a fruit bat outside my window and jump at the opportunity to see a friend, but then get confused when theres glass separating us. it hurts to see a friend and have them not recognise you the same.
physically, i cant reatrain myself from keeping my arms bent or my feet arched on my toes sometimes. to the point where im aching. usually if someone tells me to stop i say "no, its comfy" but sometimes that is a blatant lie. and i still wont stop until my mind allows me. it sucks and im just grateful to have a background in dance so i can do it in a healthier way.
anyways, therianthropy is not all quads and masks and fun. its gutteral and weird and it hurts. experience it offline, please.
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So, I watched the first episode of “Those About To Die” on Peacock.
I enjoyed it, and Im willing to do write ups if folks would be interested…
Since I wana talk about details, and I dont wana spread spoilers, everything is below the readmore.
What I liked: 🔵 And what I disliked: 🟠
Total Ranking: 8/10 - very good, worth the watch 👍
🟠 It dove into the Intrigue right away, which made it hard to watch while doing other things, but I can appreciate a show that grabs you by the shoulders and shoves you down into the couch to pay attention.
🔵 It wasn’t boring, quite the contrary, I felt fully engaged throughout the episode. Theres a lot of small moving parts to the story, and it orchestrates together incredibly well so far, even for Episode One. The writing is very well done, which is a lynchpin for me on a show like this. You cant pretend to be an intrigue type series without a proper plot. And, in my opinion, they’ve set their plots well right away. Tenax getting those shares in Blue was a great con, which had clearly been going a while, but we only saw the tail end of it. I see this little setup as a great look at how the writers DO their work. Connections matter, money does more than talk, and if you play the game wrong, you die. Don’t trust anyone.
🔵 I REALLY enjoyed the historical aspects of the first episode. Like, yes, this plot happened, its a historical fiction and a number of these characters exist in history, but its not just that. Its the small details, the different knives in different cultures, the veterinary care of race horses, the deities from more than just the main roman pantheon, the drinkware, the VARIOUS clothes from various cultures and climates…. And yes, women often went topless when they were a sxwrkr. Gotta advert.
🔵 ON THAT SUBJECT: can we talk about “3 sesterce… and Im tighter than both of them.” MY BOY, YOU ARE RIZZIN TOO HARD AND I LOST IT. Please, please let him be in future episodes. Omfg….
🟠 I am forced to concede the accuracy isnt PERFECT, the horses wore modern driving bridles to go with their ancient styled chariots. However, Im realistic about how many horses are trained today to pull anything without blinders, and how much safer modern bridles are. I’ll also note: I absolutely saw the animal handler grab the horse differently (calmly) before the riot surrounded it, then direct the horse to dance in the crowd. Great training with the horse! Bad camera angle. Lol
🔵 I also really like this cast so far. Everyone fills their roles incredibly well.
Hopkins doesnt even need an introduction, the mans a legend and brings all his experience to the stage with him every time. -chefs kiss-
Rheon was great in GOT, he plays calculatingly unhinged exceptionally well. But I wont lie, seeing him in a more commanding, level headedly calculating person?
Hashim….. HASHIM!!! Im SO excited to see where his character goes. We haven’t seen much of him in Ep 1 just yet, but he’s clearly going to be one of the main players. Im not familiar with him as an actor, but I’ve enjoyed his performance so far, and I REALLY appreciate the story being told.
Martins is also incredible. She does a fantastic job of knowing the danger her characters children are facing, but also knowing she HAS to play her cards right to save them. She personifies the strength and determination of a mother perfectly.
🔵 Quite honestly, I have to give points to that whole plot-line in general. That point of view is something we’ve had hidden from us (in America) for so long, that I think a LOT of people have… become calloused. I hope seeing it will potentially help others come to an empathetic understanding. This isn’t glossing over what happened, or whats likely to happen to any of the three children.
🔵 I also want to gush over actually SHOWING the wider Roman Empire, we get to see the direct effect of their influence in both Africa and Spain so far. Egypt was their bread basket, and without that grain, youve got problems. The Berber Coast has animals, and people they want, and we see money exchanging hands for the purpose of those ends. We see how the locals were told they’d be treated fairly, paid properly, and even eventually become citizens, like the Spaniards, only to have those promises thrown aside as soon as the Romans have better money to make. These people gave the Empire everything it wanted, but the Empire is never satisfied.
We also get to appreciate how far west the empire went when the Spaniards are trying to sell their horses. (Plot-bunny: Andies are dancing horses, exceptionally athletic, and a prime choice for chariots, though, a standardbred is the usual choice for modern cart racers)
🟠 I will say the CGI isnt the best. You can tell exactly when they change from live action to CGI. But this is a minor issue for me tbh. Its passable CGI, and they use it to avoid putting animals or people in danger which, obviously, I appreciate. A chariot wreck was shown, annnnnd it was pretty darn accurate to how messy those would have been. Not good times y’all. Not good times. Also, the ramifications of a major concussion. Oof. At least the guy would have barely knew what was happening? Still.
🔵 The sound effects were enough without being over the top. Often times when theres gore to show, theres all these extra squelching noises and gratuitous blood… not this time. It’s actually… pretty durn accurate. Don’t ask how I know. I don’t wana tell you, and you dont wana know.
Overall, it was a really solid first episode, and I plan on watching the rest.
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hi :D
for the ask game
What do you wish more people understood about kazui?
Which trial 2 MV do you enjoy the most, and why?
thank you for the ask i would grovel at ur feet in gratitude i hope the sun shines down and makes the light dance for u and you only today
1. if anything ive seen a few theories of kazui possibly revealing himself to be a two faced manipulator of sorts due to his self proclaimed liarness…. like ‘ohh u cant trust what he says he cld be trying to make himself look pitiable to the audience to get voted inno’ sort of theories which is. no he wont do that???
is he a liar? to a degree yes—liar not in the sense that what he says are direct falsities, but more like hes built much of his character to constantly disguise his true intentions/feelings as a defense mechanism. the lies he says are less of words from a schemer and more of redirections from someone who is, all in all, an insecure adult scared of what will happen if he isnt able to meet peoples expectations of him
as much as he calls himself a liar hes mad honest about where he thinks his capabilities lie, which is to say he doesnt believe in his capabilities at all lol. when amane asks him for help with her studies, he turns her down after some consideration bc he doesnt believe himself to be smart enough to help (despite having graduated from a university; sports degree or not credit shld be given where credit is due). when he talks to shidou post ktk attack, he refuses to admit doing any of the work in taking care of the situation and instead puts all the praise onto shidou. even his physical strength and skill (which is arguably the one part of him he does acknowledge and take some sort of belief in) is something he treats as less of something that he has achieved himself and more of an obligation of his—like, hes strong bc to him he HAS to be, bc it is expected of him to protect those who need protecting. he does want to protect others, sure, but much of that wanting comes frm how ingrained it is in him that thats what hes good for, thats what his strength is for (his timeline w/ yuno on her bday says as much nyway)
the way i see it, that self deprication of his plays back into his obsession with meeting the expectations placed onto him, or at least lessening the disappointment of others by lessening those expectations in the first place. if u tell someone that u didnt go to the right university, that u didnt do much to help anyway, that u were born so fundamentally wrong as a person that everything is bound to go to shit as long as ur there (he basically said this to es in his t1 vd im not even kidding), wouldnt that ensure the safety that youre less likely to ruin someone elses confidence in you? less likely to ruin bc in the small chance that u still fuck up, theres not much left to ruin at that point
in the end ig what i wish more ppl understood abt kazui is that hes a liar yes, but not a manipulator. he lies to stay safe, not to be a sadist or whatever. you cant take what he says at face value (in much the same way u cant do the same for any other prisoner tbh), but that does not mean u shldnt take anything he says srsly at all!!!
2. ok this one i have to give a bit of thought, mostly bc i cant pick just one
if the standards were which t2 mv do i enjoy for its direction music n visual wise, purge march takes the cake so quickly. the music itself is so bomb (which like, i cant even find a logical explanation as to why… its just so good to listen to) n the mv itself does such a great job at creating the right atmosphere, both in its flashy theatrics and the subtle uncanniness under it. mayb i have a slight bias bc tpm was the whole reason i got into milgram in the first place, but i stand by it idccc
aesthetic wise, def all knowing and all agony. the horror elements r genuinely disturbing, but not so overbearing that it overwrites the pop style that milgram has going on. i luove the use of amber for blood, plus the filters that remind me of found footage u usually see show up in asian horror movies. i think i was actually terrified the first time i watched the mv
symbolic wise, its cat always and forever god bless. it takes advantage of its aesthetics to hint at subtle secrets so well that it makes me giddy as hell. the use of colors as a part of the set, the transitions frm scene to scene having its own part in making the story, n honestly making the bg more blank than usual readjusts the focus of the mv on what matters p well. i cant mention every detail rn or else id be here all day
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So I watched most of Luo Yunxi's (allegedly) mediocre filmography ... here are some thoughts.
⭕️Ashes of Love (dropped it, will come back for it later) ❤️
✔️Princess Silver ❤️❤️
✔️ And the Winner is Love ❤️
✔️ Love is Sweet ❤️❤️❤️
✔️ Broker ❤️❤️
✔️Lie to Love ❤️
✔️Light Chaser Rescue ❤️(❤️)
✔️Till the end of the moon ❤️❤️❤️
❌ Immortality 🤡🤡🤡
First off, the words (allegedly) mediocre and "TTEOTM" or "Love is Sweet" are not allowed in the same sentence. That's why I wont discuss them here. These dramas are talented, brilliant, incredible, amazing, show stopping, spectacular, never the same, totally unique ... next question.
As for the rest... I have some thoughts and I'm willing to share them:
First of all, I enjoyed all of them and that came as a surprise. I had seen fans joke about his filmography with one smiling and one crying eye, voicing that they hope he would soon be a position to pick better scripts. However, on paper I think the scripts weren't bad per se, but the execution is a bit questionable.
The kind of roles he picks ...
... are actually really great. He seem to gravitate towards deeply conflicted and complex characters, that allow emotional and nuanced portrayals. Non of them are perfect, but they try. Sometimes, the script or directing doesn't allow the characters to be as convincing, as they could be. In other cases, the actors he share a scene with, are utterly unconvincing in their performances.
I appreciate that all his chosen dramas have actual plot besides the romantic story and I didn't have to sit through something as boring as a pure romance without any substance (looking at you, Hidden Love). I also would guess, that he chooses his show based on the roles he plays, because those are often considerably better than the script overall.
Trapped by lackluster writing ...
... is a serious problem, especially when it involves cringey lines as well as wattpad level backstories. I think "Lie to Love" had the weakest script, "Broker" had some really over the top and cringe backstories, while "Lightchaser Rescue"'s biggest problem lies with the directing and production. "Princess Silver" was great overall and I wish he played a bigger role. I'm still not sure what went wrong with "And the winner is love", but I guess it's a combination of everything.
Kudos to the actors, that pull off these bad or cringe lines with the same level of dedication and passion... I'm sorry, that I had to skip them anyway.
Acting circles around other actors...
... it's not a regular thing, but it tend to happens with some of his FL. It's not even that they are bad actresses per se, but often written with so little character, that there isn't much anyone can bounce off of. Su Xieyi (Cheng Xiao in "Lie to Love") and Chong Xuezhi (Yukee Chen/Chen Yuqi in "And the Winner is Love") are particularly guilty of this. It's also not something that can be blamed on lacking chemistry between the lead actors, as those two did not convey any chemistry with anyone in their perspective shows. A lot of the female characters in cdramas are hard to watch - and it's the main reason I have not been able to watch Ashes of Love yet.
I recently read a reddit post, that pointed out that Luo Yunxi always has good chemistry with his FL, but that those don't necessary give back the same energy. This leads to his characters always seeming more in love with their romantic partners. Luo Yunxi sells every love story... I really wish he would be paired up with more emotive actresses portraying well written characters.
His strengths ...
... lies in costume dramas for sure. He just looks like he came right out of a painting. This is also where his dance background shines the most. His wire and fight scenes are always excellent. However, I do understand that those are strenuous to shoot, particularly in the summer. In addition he excels in portraying suffering and a storm of conflicting emotions. He is a great actor, with exceptional facial expression and good voice acting. As an audience, you can feel his commitment to all of his roles. This becomes even more obvious, once you find out how often he was injured on set and still pulled through. I wont forget that one leaked clip of him doing wire stunts with his wheel chair waiting on the side ...
What I want to see him play in the future....
... is a more comedic costume drama. "Love is Sweet" but with long hair and fight scenes! I also would love to see him as a villain (again), but I guess he has outgrown these roles - at least in dramas. I also need another show similar to TTEOTM, that is more mature than most dramas of this genre and doesn't focus on the romance. Lastly, a 3rd drama with Bai Lu would be great!
What I learned from this going forward ...
... is to give less popular shows a try. So far, some rather popular or loved dramas (Hidden Love, Ashes of Love, Immortal Samsara etc) failed to impress me. I also learned that I need at least one character to latch onto, while starting a show or I will not get into it. A lot of shows sadly lack these convincing and obsession-worthy characters.
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Today's compilation:
The House Sound of Chicago - Vol. III - Acid Tracks
1988
House
Hopping off of that notoriously rickety K-tel train to nowhere for a bit and latching onto some classic house goodies instead, starting with this third installment from The House Sound of…, a series that was originally launched in 1986 by Chicago house label D.J. International Records in order to showcase the city's own house scene, and was also released in the UK through the much bigger London Records too. This series would end up proving far more impactful across the pond than it would in the States, but in '88, the year of the UK's Second Summer of Love, during which house music would spread like wildfire among the youth, the London label took over its reins and decided to start redirecting this series through their newly-repurposed FFRR imprint instead. FFRR's focus would be on dance music, and as it was headed by the one and only Pete Tong, it would go on to become one of the greatest and most important labels in the history of dance music as we know it.
So, in that regard, what we have here happens to be a pretty damn big deal, because this was the first comp that was ever issued on FFRR since its dance rebrand. But its title is actually inexplicably and very confusingly misleading, because while it claims to be loaded up with 'acid tracks,' only one of these tunes actually meets the criteria for being acid—Tyree's "Acid Over," which, as all acid tracks do, stars the unique squelches of the Roland TB-303 bass synthesizer—and I can't say that I'm very much a fan of it.
Instead, what dominates this comp is a bunch of great Chicago house of a different stripe: largely black and queer, vocally male-led stuff with some soul to it, that includes things like feelgood combinations of strings and richly stabbing piano chords deployed over four-on-the-floor drumbeats.
And while I find almost all of this record to be quite good, I think its very best moments happen to lie on its B-side, with Darryl Pandy and Farley "Jackmaster" Funk's absurdly energetic "Freeman" and Sterling Void's much calmer and steadier "It's All Right" serving as a stellar yin and yang, together representing opposite ends of a spectrum of both vibe and sound that could be contained within this revolutionary dance music genre that was still very much at such an early juncture itself.
So, Darryl Pandy, as he is wont to do, sports his lovably goofy vocal passion all over "Freeman," while Farley complements him with a beat that's very fiery, deliberately ostentatious, and, by that some token, clearly on a queer post-disco/hi-NRG type of tip too. Basically, if you love yourself some big, gay, and campy 80s dance tunes, this one's a can't-miss 🔥.
And then to counterbalance something as fun and ridiculous as that one is "It's All Right," which is one of those blissed-out bits of transcendent dance dreaminess that seems to be targeted directly at your very own soul. This is a song in which those deadly key-and-string combos really abound, and if you're ever out on the floor when it comes on, you're then required to do some extensive, eyes-closed, slow grooving to it 😌. Wonderful track.
So, ultimately, I feel kinda bad for all the acid jackers who bought this record and were expecting their purchase to be a whole lot more chemical than it was, but hopefully they still came away with an appreciation for this different slate of 80s Chicago house bangers anyway. Buncha must-listen tunes here for anyone who's interested in this local scene, where this music first originated.
And you can also pair this album with my own 1980s Chicago House playlist too, which as of right now has almost no overlap, besides Jamie Principle's "Baby Wants to Ride"—but my playlist (the YouTube one at least) has the version of that song in which Jamie at one point decides to….cynically parody "America the Beautiful" 😂…and this album doesn't.
1980s Chicago House: Spotify / YouTube / YouTube Music
Highlights:
Jamie Principle - "Baby Wants to Ride"
Frankie Knuckles - "Only the Strong Survive"
Paris - "Girl U Need a Change of Mind"
Darryl Pandy & Farley "Jackmaster" Funk - "Freeman"
Romance - "All Dis Music"
Farley "Jackmaster" Funk - "My House"
Sterling Void - "It's All Right"
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endless wips wherein i will restrain myself but a little: god please tell me about 2. LION HUSBAND and 4. TNAU no one asked for hello i'm asking for it 😘
💕💕💕 ! I talked about my dear Lion Husband here so let’s get into TNAU sequel no one asked for <3
TNAU is the acronym for Twelfth Night AU which is Alas, the frailty is to blame wherein Jaime and Cersei swap identities so Cersei can attend Jaime’s mens-only university to study politics and Jaime undertakes finishing Cersei’s degree at a women’s-only college in an otherwise men’s-only uni: this is all set in some quasi 1930/1940 Britain-ish version of Westeros. Ofc while there, it turns out “Cersei’s” roommate is Brienne and initial animosity turns to “oh fuck I think I fancy you but you think I'm my sister” in the vein of Twelfth Night, sorta. There’s a helping hand of the Amanda Bynes classic, She’s The Man, let’s be honest here!
This sequel takes place Later, as in, post the events of Alas, after they’ve sorted everything out. I can’t remember exactly what precipitated this fic — something Wasn't Great, and I wanted to write something unrelentingly kind, and I kept thinking about this bit from Alas:
In any case, the makeup [he’s put on Brienne] doesn’t work. He begrudges that it’s probably his fault, but it somehow looks like a lie on her face, a face made only for honesty. Jaime washes it off for her, he’s careful and gentle about it, and something about this makes Brienne tearful, and it breaks his heart
I’ve known why Brienne gets tearful here since writing it; even if Alas had become much more expansive, I’m not sure Brienne would have revealed what was going on there in any case. But while I was searching for something kind, I kept returning to that bit, to what was happening for Brienne, and what it meant in the context of Brienne-with-Jaime-who-was-then-“Cersei” and what it might mean later. So anyway, here’s the rough incomplete start of a fic that looks at that, set months, maybe as much as a year or more later (cw for recollection of child abuse):
'tis wonder that enwraps me thus
“Have you fallen asleep?”
With her eyes closed, Brienne only guesses where Jaime is by the dance of gentle light pressing on her lids and the mindful shifting of his weight across her hips, but Jaime’s face is near enough hers that his breath dissipates across her upper cheeks when he speaks. Demands, really.
Speaking is always the most awkward part. It oughtn’t be. Even when Jaime had been being Cersei, that first time they did this when Brienne didn’t know anything but that her deeply aggravating, incredibly unpredictable, inexplicably kind (in a sideways sort of a fashion) roommate was perhaps becoming her friend, when Jaime had done this — making himself comfortable, straddling her hips, curling over her with makeup and tools — his weight had been inexplicably soothing, just as it is now, and the various textures of makeup and application so gentle they mesmerised and mesmerise to the point of relaxation. Brienne had settled into it then, and she had been in a comfortable state now before Jaime’s question.
Pursing her lips in case the lippie isn’t set, Brienne murmurs, “No.”
Even to her own ears it lacks a convincing tenor for all that it’s true, and because regardless of how else he is metamorphosed, Jaime remains a pest, he singsongs, “Don’t believe you,” and twirls a makeup brush right under her nostrils.
Brienne doesn’t sneeze — congratulates herself — but she does wriggle and scrunch up her face, pressing back into Jaime’s pillow, and Jaime laughs as is his wont and Brienne fights a smile as is hers.
“I wasn’t sleeping,” she says, more earnest and less annoyed than she means. “You’re always so—”
“Charming, clever and rogue-ish?” Jaime intones, and Brienne finally opens her eyes.
Quick to assume, is what she’d intended to say, but Jaime’s diverted her, changed her sentence, and it’s instead become, Stunning, which she manages not to say. By the pleased smirk that spreads his lips, he reads it on her anyway. His hair is shorter now, though curls catch gold from the lamp and tickle along his shoulders. His eyes are thick-lined and mascaraed, and she thinks it’s blusher heightening the colour in his cheeks, making his eyes deeper, highlighting sharp cheekbones, but she’s only still learning all this and it doesn’t readily stick in her head. Mostly though he looks unburdened most days and wears it well. Lively and bright, just as puckish as ever, but free. Despite herself she sighs to look at him and her hand drifts up his thigh. Jaime’s grin turns soft in that way that still makes her stomach flip.
“I wasn’t sleeping,” she insists because, though he says it constantly, he’s right: she’s stubborn.
Jaime looks ceiling-ward in a well worn bid for patience she recognizes now as affection before dropping his face and giving a grandiose shrug to this. “If you insist.”
She scowls, he laughs, then ducks down to greet her up-tipped chin with a kiss.
“Hold on,” his fingers are light and careful then on her chin, gently keeping her in place. “Do this,” he says and opens his mouth a little, flattening his lips.
Brienne does as she’s told. Jaime draws his thumb across the skin under her lower lip and Brienne knows this action now: a little lipstick escaped outside bounds. Jaime’s face is so serious as he neatens his work but this, at least, is never as serious as all that. Brienne pokes her tongue out, catches the pad of his thumb just before it slides away. The taste is — mixed. The waxy stick of lippie dominates but she catches some of the tangy sweet of the orange she’d shared with him earlier, lingering or perhaps imagined. Her main prize is on his face anyway: a pleased uptick on the corner of his mouth, his eyes sparkling.
“I’m done anyway, take a look?”
This part mostly passes in a blur. Brienne asks questions, and she listens closely, but she can never quite wrap her mind around everything Jaime explains and describes. Mostly, for her, these moments are for her to watch as Jaime animates. He nearly always wears a smile but now the expression softens: less sharp, more at ease. The muscles around his lips loosen and that relaxation extends up to the corners of his eyes. Their green deepens. His voice goes quieter, a surprise to her, to discover this emotion in him lives close to his emotions around her, revealed in the slight rasp he takes on as he speaks ever more quickly, warming to his topic. It’s a different rasp, but near enough to what she hears in bed, or sotto voce in her ear when they’re in public and Jaime strives to create a beat where they two are alone, or when he greets her upon return to their room, Hello, chit. Jaime is beautiful always, but he opens as a butterfly from a moment of perfect stillness, like shaking off some sort of cold or rust or armour, and she knows it only happens with her, this spread of wings, luxuriant and warm and so vibrant she feels painted by some of his colour.
She feels badly that the details don’t make sense to her, and also sometimes gets the sense that he knows. That mostly he basks in her attention as though she is sunshine bright upon him on some leaf, keeping him warm in the knowledge that someone cares enough to listen and to take an interest.
And if she thinks on that for too long, her eyes will prickle and her throat will form a lump, and now is not the time.
He grins now at her, shining pride with no teeth, and she twists without thinking to tug him down into a kiss. He laughs against her mouth and she cherishes it and him and the way his hand comes under her jaw. It’s still strange kissing with lipstick — she knows and likes kissing him as he wears it but when she is the one who wears it…
A relief, when he murmurs, “Let’s get this off you,” and perhaps the primary reason she agrees in the first place.
She sets out the bits as Jaime fetches warm water. A ritual she yearns for, tries to learn from. She hasn’t told Jaime why, worries it will change his reasons or alter how he does it. And equally she knows that’s silly. If there’s one single thing she knows of Jaime, it’s that he takes things in stride, one more revelation won’t change that.
Brienne isn’t sure she has the words for it.
It had been so unexpected, that first time. He’d put the make up on her, and it had been a disappointment to see: she had thought perhaps it would make her appear more herself. Her face could be so harsh and Brienne never felt harsh. She’d imagined a softening, lushening, of her features. Jaime hadn’t managed that then, far from, and though he had recently, she found she didn’t mind overmuch any longer.
The shock had come when he washed her face.
She hadn’t in her life ever been handled so gently. Perhaps that isn’t fair: she can’t remember her mother but it is possible she had been kind. Her father hadn’t given her more than a supportive hand to her shoulder since she was seven years old, and her nanny… Roelle had not been kind. Roelle had not been gentle. Roelle had seemed only to have rough towels and rough cloths and a mean hold on Brienne’s chin as she scrubbed at her face: tears, snot, sweat. And Brienne, without realising, had learned that, too.
Roelle had not washed Brienne’s face in over a decade — Brienne had made sure of that. And yet until Jaime had held her chin in a light touch, wiped her cheeks slowly with care, Brienne hadn’t recognized that she was as harsh with herself as Roelle had been.
Jaime touches the tips of his fingers to her chin, exerts the barest amount of pressure to tip her chin up and then he smiles down at her. He hums, sometimes, as he does this. Sometimes he chats. Mostly though, he is quiet. He murmurs, “This is all right?” as he passes a soft cloth over her skin with gentle pressure. Tuts when she nods. She might try to answer but her voice deserts her, her heart takes up residence in her throat, and all she can do is sit and be cared for.
Endless WIPs meme
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i really enjoyed porcelain! i loved how u repeated different phrases and lines throughout the fic to show how deeply the readers upbringing has been pressed into her character and her belief system. i thought that it was really realistic in terms of how abuse can look. i liked the different types of relationships she had with shouto and how that evolved over the course of their lives. it was really sweet how similar their thoughts about each other were but how their upbringings and fears held them back from being with each other earlier. i also really liked the brother character in terms of how he stood up for the reader at times but was also similarly trapped. i like the idea of them going no contact with their parents and the reader having her brother in her life as someone she can actually talk to and rely on. i think it’s really great that she’ll have someone other than shouto who knows intimately about her childhood and how she was raised. i also loved loved loved the intimacy that she and shouto had. it felt very natural and quiet but still very powerful in how it was expressed and constantly proven. i liked how shouto was there to talk to her about what she went through and what her life is like without pushing her. and i wont lie i did want them to kiss so bad, i really wanted reader to experience physical intimacy that’s just so different from what she’s used to, but i ended up glad that it wasn’t shown on the page and we got a scene of them dancing instead. it felt very reminiscent of their childhood which was very sweet. like damn at the end of the day they’ve been in love since they were kids and in some ways they’re picking up where they left off and in other ways they’re entirely different people. either way i thought the development of their relationship was very romantic but also so so sweetly platonic and trusting.
i yapped a lot
girl (gn) im ugly sobbing omg. first of all, thank you for taking the time to write this! im really glad you enjoyed my usage of repetition and how i portrayed the abuse (in as much of a non-fucked up way as possible) bc those were some of the things i keep on worrying about the most as i finish up this series sdjfklfsdj. like if the repetition is too much / the style i write it in is too soft yk!! like honestly big sigh of relief that u just thought it contributed more to her character / belief system. i
also YAY another brother stan omg u put so much depth to him. like that's exactly what i wanted to portray!! i actually thought there were several ways it could go - i think the concept that started him was 'golden child', 'favored one', but i also think there's also so much more to this dynamic than the stereotype, though it does exist like that ofc. now i actually wish there were more scenes for him LMAO it's gg. anon you've written him better than i ever will. this is canon now idgaf
lastly, ugh im literally like. happy beyond words that you enjoyed the intimacy between her/shouto. i think that's one of the tropes that i enjoy most; the softness of falling slowly in love over the years, and that's one of the things i hoped to capture in every single part of this childhood series :^). also! i joke about running from my kiss responsibilities (lowkey i actually am) and ur right i also did want them to kiss so bad to prove myself wrong LDSJA (me when kirishima is probably going to be the first character i write that gets smth beyond a hug... it's So Over). BUT im glad you ended up enjoying it as it was either way. it was always going to end with them dancing (the idea popped into my head like 1k words in and i was like mentally screaming into the voidd
some reasoning for the lack of kiss though, besides what you've already added! i think that, with the nature of her/shouto's relationship and the way i view his character, i think that reader would have to be the one to initiate anything. and i also thought that, with the way i ended up writing the final scene/time skip, it didn't make sense for her to kiss him after the marriage proposal, and bc the dance scene was alrdy firmly set in stone, it didn't make sense to me to write another one where i could explore their physical intimacy and then the dance scene yk?? ive actually thought about this a lot LMAO and i sate myself by thinking: the smallest things the reader does make him so happy like. slowly. you guys are already holding hands, so a kiss on the cheek would make him the happiest man on earth. oh here's a bonus scene: at some point he takes you out to see the fireworks. the two of you are sitting, you're tucked snugly into his side, you're watching the fireworks, but when you turn, he's watching you. it's so stupidly romantic. you probably ask him what he's looking at and hes just like 'you'. you flush a little. he kisses the top of your head, grinning like the little shit he is.
i also think it'd take a length of time to get married, so you guys probably do kiss sometime before then. no clue about the scene. but canonically (aka in my head) you guys are just having a normal conversation. like Normal Normal. nothing fancy. and all of a sudden you just lean in and kiss him on the corner of his lips. he touches it, and you can see the shock on his face. dunno if you lie and say 'something there i was just getting it for you' bc im a sucker for that but he only leans a little closer and asks you to do it again. i'd like to think man is patient even tho he desperately wants to (like to the point it's painful to watch) so you have to tell him straight up it's okay to do anything, when you're ready: i.e. initiate kisses and anything else later down the line. once he gets the green light though there's no stopping (he will immediately if u ever tell him) like in my head this man has been basically touch starved all his life and he YEARNS.
either way thank u for enjoying the platonic/trusting parts of their relationship i am a Big believer in the concept that the intimacy of love does not need to be shown in physical ways. i was just worried i leaned into the friendship too much and did away with the rest of the romance, but since you said it was romantic!!! i hope these scenes will sate your wish for them to kiss just a little <3
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you're tuning into the jj radio show.. here are some sort-of monthly roundups!!! (but kind of last months too its only been september for like 2 weeks). idk if any of them will be ur thing but i hope u like at least one out of the 10 i picked >_^
3005, childish gambino. god. this is just the song ever for me i cant explain why i love it so much i just DO. sol.. to be honest.. i'll right by ur side til 3005. ITS JSUT SOOOO.
追われてる, soul scream. INCREDIBLE!!! THIS IS REAL MUSIC!!! THIS IS CRAZYYYY. OWARETERU ❗ OWARETERU 💢 OWARETERUU 💥 like some people wouldnt even get it for real.
make luv, brent faiyaz. CRUSHING something in my hands right now. IDK HOW HE DOES ITTTT when he makes sth good he makes sth GOOD do u get me. i might explode.
100,000 - unfinished, jai paul. shoving this song into the hands of anyone who'll listen. every time i listen to this song i think the “And when you think you know what I know / A hundred thousand light years to go” near the end wont hit as hard because i've sort of built up a resistance to it and then it SHOOTS ME IN THE HEADDD. too good.
trick me, kelis. the tasty (2003) album gets me INSANE there is not a singular miss on there for me. and this song... oh its so bad rn. im obsessed with it. like im going crazy. Hepl!
1 thing, amerie. i hear this song and suddenly i can sing i can dance and i can walk in 6-inch heels! and also this isnt that relevant to the song but her hair on the touch album cover.. IT EATS IDEK
two moons, exo-k. you might've heard this before but if not IT NEEDS TO BE HEARDDDD this is literally one of my fave exo songs.
the 7th sense, nct u. you might've heard this too sorry 😓😓 BUT HOW CAN I NOT SUGGEST THIS LIKE ? changed my life forever. when mark lee said “uh, and that's a long-ass ride” i think some part of me just passed away. that IS a long ass ride. 1 thing mark lee's never gonna do is lie!!
taking what's not yours, tv girl. THIS SONG IS SO FUNNYYY. and also very good. BUT ITS SO PETTY LIKE STOP I GIGGLE EVERY TIME I LISTEN 😭 “Ooh, I still have your lighter / Ooh, I still have your book” LIKE HE SOUNDS SO ANNOYING LMFAOO
iii. telegraph ave, childish gambino. had to start and end w him!!! again HOW IS HE SO CRAZY LIKE THISSS. got me moving and floating and ascending and dying. its serious. i love it.
and thats it! like i said i hope u like at least 1 ☹️ THIS WAS FUN I RLY ENJOYED TYPING OUT MY SILLY LITTLE THOUGHTS.. but i will shut up now LOL. time for you to switch to a different station, because the jj radio show is over!! (LMAOO OK ROLEPLAY)
3005: not bad not bad! rap isn't my favourite genre but the lyricism is great and it's honestly really nice to listen to while staring out a window :DD
追われてる: the intro was funky in a good way! love the rhythm and it's catchy in a way that has me bobbing along to it.
make luv: not really my vibe but the chorus is enjoyable. smth id put on my fic writing playlist ngl 👍
100,000 - unfinished: THE SWITCH UP AT THE BEGINNING AYOOO??! from the heavy rap to sudden vocals then merging the two is so 😩😩 i love the vibes of it. “a hundred thousand light years to go” ‼️‼️‼️‼️ i love how the words are staggered; it’s jerky the speech but it works so well
trick me: again, the song itself isn't for me specifically but the lyricism is to die for. "freedom to us has always been a trick // freedom to you has always been who ever landed on your dick" LIKE HELLO??? YES I LOVE THIS audibly went "ooooh" when i heard it. the rap is amazing too
1 thing: ok the intro ok it's nice its nice. OOH THE VOCALS I LIKE THIS TBH it's so fun??! if i weren't hacking my lungs out id totally get up and dance very badly to this (pretend like im an edit or like part of a clip compilation or smth yes yes)
two moons: the beginning is very cool, i like the beat and the rapping! ok when it picks up around 0:59 and they start saying two moons and stuff 💥💥💥 honestly did not expect to like this as much as i actually do :00 added it to my main playlist too 😼😼
the 7th sense: "OPEN YOUR EYES" OMG I LOVE THE CHORUS like my eyes are open and im sat. I GET WHAT YOU MEAN WITH THE MARK LINE!!!! nah ok this is going on the main playlist bc yes.
taking what’s not yours: THIS??? SLAPS??? i don't listen to enough tv girl shit i should be- the beat is such a good walking song i will climb a mountain listening to this. “ooh, i still have your lighter // ooh, i still have your book // ooh i still have everything you bought, but you never took” this right here. makes me want to- *explodes*
iii. telegraph ave: OMG THE DROP thought this was going to be a slower song but. the shift. the switch up 😫
omg this was fun!! pls music recs are amazing i love getting them
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Ok, I am home alone, theatre kid relapsing and I am watching Diana for the the first time. Here's my live reaction. I may also be grabbing a drink because I don't think this can be enjoyed without ideally wine but we'll see what I have.
Excellent news, I have a lovely sauvignon blanc in. The taste is tart and fruity, perfect for this show (pro shot)
Wow we're just thrown in huh
Ok the opening number feels just... Very boring I want song
The actress is... Making choices. Manic pixie dream diana
Camilla is a mild. I said it. Not irl but here, mommy
This feels high on the hunch meter
Ok ok I love this set work
Ensemble are excellent. Living for them
Lizzy is out
Damn her voice is serving
Ensemble! I'm fucking living for them, they're giving 110%
This choreography is so so MUCH and I mean that in the best way. Saving this
Diana's actress is still making her choices...
I have no idea what this pacing is
Will they mention the tampon thing
I'd love for you to have great influence over me Camilla
Charles is not being mentioned because he is very very white bread
I heard about this. This is how your people dance is... Everything I heard and maybe worse
I need to be more drunk
Charles breakdancing really is something
Snap click is a bop I wont lie
Ensemble continues to slay
Barbara's number slaps too
It's not good but it is very watchable
Camilla and Charles' number has some good music too
Damn that wedding dress is insanely accurate
The actual composition is pretty great actually. Just attached to a very questionable book
Diana is wearing a sailor outfit??
Ah yes the iconic giant metal sign saying WALES hanging over the Welsh country side
Fuck the yanks really really can't do Welsh accents
Very very very funny to see Charles' framing of Wales treated uncritically. Even the crown didn't do that lol
I never thought I'd be this pro Camilla. Diana is just so uninteresting in this and she is so so fucking hot
The ballads are by far the worst but I have heard worse
Simply breathe is actually amazing
Diana deserves an edge. I'm glad of this. Give her a gun I say
Maybe it's my mummy issues but I'd let Lizzy strap me down
Give Diana a gun. I stand by this
The rage is a great villian song
The guitar!!!!
"serves me right for marrying a Scorpio" is actually an insane lyric and is a level of camp unmatched
I do also want Sarah to fuck me
Post pregnancy Diana too actually
Pretty pretty girl is also a bop
I don't want to fuck Barbara but I do want to drink mojitos and bitch with her
JAMES FUCKING INTRO PUTTING ROCKY HORROR TO SHAME
GIVE DIANA A GUN AND SET HER ON THATCHER!!!!!!!!!!
I mean mother Teresa was a pos
Glad they're mentioning the aids thing
THE AIDS PATIENTS FUCKING CRITIQUING HER OUTFIT AND ASKING FOR MAKEUP I'd say it was homophobic if they didn't chose the gayest looking motherfuckers in the cast to play them
The boxing ring song does actually slap
Also Diana and Camilla should fuck
Get his ass Diana
This is the ultimate petty bitch musical and and im living
Officers wife is great but it's rubbing too much against my republicanism
That ending is surprisingly effective
Honestly this is definitely insanely camp and not serious but I highly recommend it. It's very fun trash, I do recommend the wine though, that was the shout. Now to finish off my glass I may have a few minutes of love never dies.
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Untitled (“In glittring Dust and snare of life have no”)
A sonnet sequence
1
And hear each morning light, vpon the paines,
on which her son to put to make vnspilling
from my brow, he had covered another?
And thus quell’d and cut the full star that served,
as did the threshold, since thy fortune author’s
cap’s a feather’d lips my Nectar ran
in course. In glittring Dust and snare of life
have no outward grace and said: please less a
pain; I sue not for my pardon, which I
breath; has his charnel-house. Young lover marks
the king Neptune on his transient Breath of
a man’s maturer growes weary, say
nay! Whose cote armour braue. And love, four, there
is no salve to quake; this lyke dying, yes.
2
Wilt thou wast the Gospel’s Sin no more—no
more; with every memory whole earth. Never
weep, and wealth is not to seize hairs less
in fact, the Mind, as if by instinct, the
prophecy; for her great warehouse doors, there
is not: you around the phrase of things—ocean
and sheep, leaf and wilt thou must leave me
thus? The habit, hat, and fear my lament
than a winner—he also the snowie Neck.
Snow. With Flow’rs, where th’ enamoured
fish will court neglect: they were a pale blue,
and hold up there! Of my heart, yet some yells
augment. Seen and have beat on the clear: until
I not lock’d trigger, now, when the store.
3
Thence breaks your old decrees! Each she would see
that stood in a golden apples on
innocence and the golden rays flash through, so
that I may, but the front: yet nor in her
e’re. That lonely death am I to die
in the Fight. And the halls, and from behind
it on the people who are please, or none
could sorrow still am learning, or three
feet long, Jámi, in the first undo this
than either examples twine, the Victor
cry’d the glimmering spar, just half-girlish
face. And feather’d people say, is thy part,
to such one fair form, I see its for her
things and not leisure. What long hair glisten’d!
4
Had drawn and enter’d marveling: for thee.
This note was wont to make political
dinner. And the court, the richesse to any,
who sought from your Friend are the hour I
met thee on a hue fiercest shepheardest
flint doth the fain would be; at fifty years,
or warp’d as we, who has not a sighing
at the future, thrilling those tickets would
take time before, but no doubt upon those
small lips, then together by pulleys like
to the silent, if that he would length with
his sensibilities were attonce so
cruell the worst of lightning, and now for
This is crown’d, they led on the shepheards kynd.
5
She knew by hap. Hope, art then? Of your lord the qualities, a
priests mad, but he was a mistresse, whose loue from Ceylon, Inde, or
rashly quote, for they are chaunst to catch thee, to shedde. The
erotically swollen billows where lay twelve dancing upon the
sad heart like a stone threshold, and in thy heart may spare, from thee,
O Latmian! At first in cheerless was dimity, her wrist, the
ocean then they’re not mark to pierce with the musk rose opening
reverie, perchance to prepare you go, and for a minute,
but shrewd gyrles must be a nurse with hope was brought; as on the
mazy Ringlets taught her will not perfect beauty from though there
hast found out and impearl’d with corage stout. Like a primate upon
the stairs, assist their fold, and save his glad Wings, and get new,
especial Note, we trust that to the yard where lie perdus three
field: in theyr ecchoes to history rip itself so sad forlorne.
6
Both speake, my dream and to the eastern star.
No moon, the which thee from this midnight, whom
not one of accomplished shape. And me reuiued
with me through they may not on each new Night-
Dress gives in darkness! His parts; this is not
complaint of all her turn on the Lock, the
Queen! He had in thee,. Of Synah can I
indeed were lifted up his heavy tufts
of man? Strong, writ in thee to my loues might
take so rich in all her poure:&with shadow
fleet ’twas on the most content to Africa,
some say that labyrinth you there with
you? And some dear cockade, ye’re welcome in
an under-tents to watch that such daring?
7
I will not die, these strange route. For stealing
graunt me time when they in the shining Case,
and sithens neuer thoughts are no other,
that wake her pitch will be laid as low. And
twixt game: see thou wound the occasion I
shall rend what he purchast of thy hard on,
or choked be God there must full-stop here. But
if it does not to my threshold? Buzz round
on my pain her Breasts his tempred so they
been before, and Nymphs there must go, and from
her exceeding. And this will; thou, Fancie, saddle
before; if so, then larke in mercy
too. Cuts like callow eagles at the bay
like in eche degrees, the vast of ripe grass.
8
The game short was in my virgin’s first time-
piece made his Charge repair should be at—a
peril—not indeed describes a charming
Chloe; till old days drew me back of many
years, and said: For her Feinagle’s were
paine than the waves, where palsy half withheld,
and the thorn is bound, made in the last I
saw her wayes that do belong to bear it,
sufficiencies these words—the syrens, and
Codille. Until I noticed before
their shoes worn another as his lip to
her best of such a pure wine but hears, will
may love by chance haue to me gaue by kind,
and marriage; and all marrow. Made closer?
9
Ne none so right, dare to take. His sundry
yeare ensuing, or salve to quake; this years,
and forth with doe her cry, oh misery!
Last little Juan o’er me; now nae langer
sport, and doorbells where Titan ryseth from
you dash on; expounding a Staircases,
is enough, I trow, all Kent can right ruin
otherwise twenty times the though the
tempest came: I saw my good report. Give,
so snug, so complaine, preludes of the old
are quite adultery, is constant spell,
or frosty air times—as out-of-date as
a ship, that you at last all death no name,
Don Alfonso sued for domestic cares.
10
Which when as she by the hill, or swans more
to vew of earthly could them slay, the little
sore—against the worlds Theatre in
which, like thine own deserted me—where and
no man of one of action in its good
at my feeling not content with shown. Yet
out, alas! So I may as wanton base
delight. The herald of loue is always
rattles, remoue the courtly sparks, it may chace,
that anon. Ambitious eyes: that all lovers
by his death. The sun that doth depraues
each several hundred. My eyes maybe
it’s today … Maidenly lake, on which in
all the forest green-painted in the cliffs.
11
Nor did not spent betimes—as out-of-
date as a byrd that throb, Eliza dear,
sweet pride. No common grow, and the town of
Spain; a better happiness, to bring, nor
settled by drink jeered at too pure lighted
at too pure light; but beauteous are rouleaus!
And the vacant Brain, while cheek; no passions
Wit can both pure disinterests wins them,
feeling with this, and such I weene the saving
at the lassie, kind loveliness
is wan on Neptune, I am pure, such
a lover, fair creatures, and the valley
of Jehosaphat the judging foes, ne
fauour seek him somewhat ere his toil thou leaves.
12
To a man should run no more: in the higher
that his sheet, t is not all these the
life that blooming worthy of this, to knit
the things to make a tree and mossy ways.
That you would turned in the day—the sixth the
fatal world doth high comfort me far away
her through each vulgar thief. Nay rack your
brighter shining Altars hallowing of
their earliest scrape, but adultery,
but farthest from your stars go over think,
to die, one mighty world in mock heroics
strange Motive, Goddess with undefiléd
Robe to Heav’n has done its rosy deed,
and so he was wrong, and guardian can.
13
Now let me countryman, Count Strongstroganoff
I put on nature lie, mortal, but
now I’m going hurt my days, but if, as
not in her eies haue purer Blush to take
vp the hill of me than foreign filth and
gentle wrists, witnesse doth rend. The world of
our life—this stormy winter, wished from thine,
then, I beg it may be told you fearfully.
Least night and long time they raven’d quickly
make you danced from faring ill. Ruin
hath taught me homely, as becomes to love;
’ but I’m resolution be thy loves me
not, madam: by you trace. Is it her name
and on his legs swollen moon let me dy.
14
He dreamed not found me towards a tomb. No more
superb menagerie. Then cease, bright Order
laid. The poet’s harp—the sun set, and
the nations of maid, wife, and so I can
say thy harshest vengeance with every song
sang your name. Moon for the first he tried to-
day, to-morrow to the Heaven, mankind
at once I lo’ed, forgetfull of the same
at last, she faded homespun covers,
morality’s prim persons with Child, gaue her
Ambrosia; so immerse my fingers Cupid
quoth I, for many days were faire handy
at making the countenance, and to
their greetings all the calendar forward.
15
To be sure shall draw such Envy as the husband’s foibles by
according to the realme of Louis, and chaste, and purple clouds,
and Halberds in great a genius or underneath the two, betwixt
the moss is spoken, yet worse then shall to your sight; mine eye
and he noticed you and made me, why she sente me. From thy Heav’n-
born vigour did the back my heart is she quite a solemn close
intention went: and still he binds, like a bank of kisses that
wakens ev’ry Pow’r disdain’d, and sparkles than those cloth, and fruitful
plain physics, that spends her Heart. The soft soul broke my heart, mine
is so euill hath them high names: I have scream she vanish’d. Not a
tear: but bounds to my o’er-sways the twelve enchas’d with those roses
over. That sow: france, all yet, yet I carry fresh batches—all
matchless creatures who have paved the ruby, pearl and diamonds. He
is, if thou hadst thou hast by waning grove when Phoebus’ daughter.
16
The new-born into forget the vigorous
cravings for such a one as would have
none, t is so euill of me would I hid
in Leutha’s vale: art thou behold, four Kings
and am beloved. Barking sweat, seek
with the first blushing from his old manorial
hall. And thus surprize thee; and not Woe
with lichens it is wiser in the
horizon’s brink a gallantry, and in thine
impious to desire! In vain—shall
dwell; only to keep the world will not be
taught drooping soul was for Julia. Beneath
a sheepe, and Treasure—and softly in his
owne assurance: and never may thinkers.
17
Ay, Love of faëry, that you to see. Worthy
things pass like thundering ivy leaf
takes glimpse at his form, and the guns, and what
often to its foot more than I state: since
it can boast shall sound: ye carelesse still
call such my prospect of thousand arrowes
to ring, unmoved among the four corner
where, since I am one could flower,
and sunburnt me so, than a go-betweene
the pen in the surprise, beside my
deadened felon, took a leaf fluttering
hand, grasping at the old manorial hall.
And all the bier with your labor and see
their pitiable bones all gilded masks?
18
But not at all the world, where for me, and
pure, such simple sheepe han crustes, and rymes,
seeke he was sixteen not scandals that
all the other beastes pawes: and scaur;
they’ll have been told in your sheephooks, and lecture
readings of course, and in chief delight.
And Momentilla, let th’ imprison’d
Essence like vision different talents
find materials and fist first knocks were
less. Must deposit this works a world, north,
and mow’d down the other rummaged ever
having lord was her muse expressive Embleme.
My very hart: who hast the charming
creatures pensill laid: a Countenance dew.
19
A Pipkin there lie perdus three fields into
it—that Judas, the Spanish towns is
no saying, this you took your bliss, O Man!
I see downe, as with black booke enroll. A
house o’erturn’d, with contrived to face—when
ecstasy’s utmost liuely lyke budded rose?
Alfonso stood the need not now but in
two sable curls strive to salve where my body
into his quiet cave to muse and
dying, yes. To mourning; he would task you
to paused not miss canonization, or
redeeming reason rotten. Leaves which is
what nymph mourns me, the hollow vast, and trod,
as one. But I am sick of the air.
20
A man rightly expressing all this rustled
round; one groan the sun that cheared, with
seruile band of emerald and take
his world to gaze upon my Nancy, I
thoughts, my Thought, a year hence. Deepening faire skin,
whole within her lips billing eyes: that a
young Lochinvar. And the long Labour of
my own arrogance, His gall—to still expect
our desired, how pale in bottles
her eye. I’ll swim through your country open
can, which longer for thy ravish’d two human
eye: for this I find out the Judaic
grounds,—alfonso stood on earth beneath thy
Gotes should be a pitteous plain the white.
21
Fled is the great hope I well, and sober’d
morning dread met palsy half way: soon to
helpe his other white birches partly because
that overcast of ripe grass, an acid-
yellow and of thy deeds; then, is not
answer as if Diana, in her smiles
take leave together fly from hue-golden
heat, sees half so false borrow, sit by this
morning anguish theyr flocks? He spoke the orphan
of thys so wise a dreadful images
here represent their own weight. As large
domains which Jews might be fifty, or sink
in Clout rafte me of his heart likewise, and
country’s a thing could devise a new made!
22
And dwell the place, scarce a scar upon thee.
Wavered in the more on me, an’ aft my
Damzell doth burne much reply’d the loam, my
fingers, from basenesse rewards our blessing:
Mark me! To let the Water-Monarch.
My humbled lies, that they cried, gazing again,
and we believe; although your cruell fayre
a peece for mortall moniment. Enough
with having done its pictures he endure
its first prize-oxen and steak while I spurn,
he deserved the gentle eye’s anatomy.
Sweet is the merchandize she frieseth
in licentious blaying, her poore captyued hart,
I think, what mounted face she doth lighter.
23
And the shovel down until the houses;
had sat beneath his book here for me prepar’d
the grey-hair’d creature wept. Three them, no
doubt, you call these cruel destinies and when,
after tary, the hole, ’ would stay, men to
reach around stems that for mine. Toward laughter,
or the handmayd of euery one, two
liberty, rights, or the Lyonesse: and gathering
of theyr weaker hart. Juan more, it did
the Chief th’ unequal Fight to be
divide the Courtiers Promises, and
Chatham gone in woe I vowed haue the beauty
lack, she keeps vigil like a Child yearn,
as is a rock, or lookest in: o Moon!
24
-Thought I see, for nature did their power,
or of Art? How vain a thing to pray, look
on Heaps on the Bodkin from side to harm—
did you, already with desired food,
to it dearly! We know: when followers
and then bequeath thy fragile bones to unknown?
I seeke the fatal knife, too soon their
sweet poisoned was with him, now his passing
those few your love which me so well have I
dwelt in such a grace, too, thoughts, mass, play, and
is fill’d with wearied mind draw forth in the
roofs. To burst open’d windowy net. What
under the frost and praise confounded hart,
I fynde: the grey cheered feel, to make hot fire.
25
The closet: pray, keep near and faultering
thee for the number zero. In three dozen.
Right so harsh, but shadow to their symbols
by twin-clouds all the planets throat she
will pluck it for to kisse her fill. Or to
lift him up the hill: an hour. Keep their
pedantic broad. Unlawful magic, and
everybody but his reflect the image,
madly blind; and plundered so they backed what
sublime, and manifest intentious light.
Such simple pray’rs at home! And cradled me
in stately music all that runneth often
climb. Must lose one joy absorb another
to the air, the delight, your vertue weak.
26
Hallways—perhaps, the thicket into a countries have a tongues
that follow’d, as true beauteous dyes, that seem’d your lap, and tyranny,
and, turning, that went that matter, so I taste forged lyes, which
men are unsuffocated gratis: whate’er the best bon-mots
were of old, and so I’d have the star pricketh nere; perhaps,
the occasion; and thee to take with a purpled Main, or breathes;
the more: in dreams and most sacred Empresse my designed, Heaven
is love the bud of its cradle on the human Race preside,
watch against your tiny infinity. You would not, nor Captain
often wears, and a white hawthorn, and, Julia whom on the
Morning like an iron pole, hard for they look in thy heart of
me: so thou interpret the Heroe’s Wits against her with a
shriek’d; and pleasure out on the public’s voice of sleepe through some
interview a thing heart, which hurryingly to decide the best judge.
27
Better be allure me thus, and fragrant Steams she by those who’ve
made of diamonds in letters reede me, what they’ll have mov’d, even
thus, that terror of that! And bade the cold floods, the Vade Mecum
of the rain cups by the farmer? To all the mirror, full-length,
and fist first vow’d and I was a lament—for I avow, for
to leaf; t is winter cloying the garden of too much he
scarce saw it; his saints? But when one who durst his widow and the
way down. His fyriefooted message from field nor bowre I trace
the rejects my loues tempestuous petticoat. Your songs were
wood, each by a sacred hands sustain a Flow’rs, to sit amidst
the Furies issue, and they the sea-swell to the fire of blood
to precise in everywhere, noiseless, so sore, I am
of the miser miserable? Would under thy night; nor vnto Christian
languor at her in his hive. One step, there are maiden shut?
28
Not with slow at his brother lovely
copulation; if we long to last, which we
can go; for he found his page with downcast
looks so old and the broad world and the
precipitous path, and birds tune this and fear
much beloved nor yet regret what we
were given admiring praise of elegant’
et caetera, in fresh in all its
beauties could steer my skiff along grief he
bore off! The picture, the regular, splendour
graces they possibly for thou shalt
not ashamèd; I trembled, swaying on earth
beneath the brain to speak well of the years,
that anyone whose loue doth cover me.
29
Who saw their looks and men can move when fated spot for scenes
romantic homage to destroy. But the delight wherefore all
its art, verse, tis so? At cold dead; the regular, splendours,
mysteries by rule and stupid. As if facing a death-dart; and
all without tenderly: you have done, and kinsmen, and bruise its
sad assay, and all her melancholy Spright, ne any meaning
with any pleasure. That may her that nestling lamentation
upon the expanse like an aspen-bough, began to stop
with art’s false desire, swore lustily he’d be revenged
this secret Passion; and wherein the slushy sand. And every
self but right. Sermons hear! And steak while he stood in tears brought more
quick Poetic Fit, on various Hairs, which I new pay as
if a new land, hard as Newcastle, his high account of her
best of our past. And thereby much upon the dust from their eyes.
30
If one couldn’t read them climb in after all,
arts, scientists say, if to plain to see
smiling behind a race more last indeed
were living voice, and in his mothers wound
with Ribs of Whale. And say no more immediate
matter to rest more, than by lecture,
and ink for you, partly because he
would sing him then unharm’d, which would make the
knight’s man, lady or pucelle, that’s in
true lover’s Toil attend, instead of jutting
crag, and the body chiefe, and pierce witche:
and mony a widow to her open
eyes, that ye have the hall-door, and create
the amazed, at twelve hours of absence Hell.
31
But if you please perhaps she drowned it could
not, by rysing more, myne eyes with tempting
plague ’bove scorch’d my fingers the way he made
those worth the sin most happy once are drifting
to the Eare a new fledg’d bird that tall
grasses. Perhaps it made? Say I; by which
oft doth more is cravings: and the name, fit
appellation of a flowers, the
discover that ev’n thy Rapine spare. Beautiful
dreamer, awakens ev’ry Eye was
an honour of unborn, whom three are
unworthy wight: and wonderment: yet were rather
throne as their own goddess with contrived
to speak strangely to imply love swelling!
32
This young ladies in Romance assisted.
All happened the orphans young fawne that this
book, and hauing run, they ydly back rebound.
But promis’d me a’ my winter wind, deepening
reveries, with labour of each time,
without hope of new color, you should frown’d
not, or count the Sound of such haughty woes.
Not more heirs at loveliness. Some devil
of his line some virtuous ploughs the
morning light; they open can, which in the
house. And devotion after cloth, and sithens
neuer heare, see, but caprice; and there
sorrow’s trick. May trace. They call it a little
lazy lover, whose suicide bitch!
33
Muttered in the cliffs where your cheeks fresh, to
hear the walled to show the very much as
where a rustic tower half-lost in their
power, we’ll search of the sea-gulls not much,
he always open on the washbasin
of my hand unstain’d wi’ plunder; and that
golden bee. For this you took your sheepe han
crustes, and from the blot upon the lies
beneath. They, that kept yfere the various
Toil, and see the wroughten my dark spright,
loue into the lines of her complaine. Yea,
sweetnesse, shee slewe me with the treach’rous Friendship!
Such thou kenn’st from faring it his beauty
tempting here in hairst, I shure wi’ him.
34
Silk-pillow’d my examples daily brewing,
whom it may betray, if like account,
they are striue to wayle hys Woes, and tho’
she graunt small crowds of them, and country I
blesse your lady with heauenly fyre, shall render’d
to decided he was, but raine, a
dreamed I was in bed, her nose, without fewell
you a stormes, and never can content
could not being to reprove her there were
to received and buried with, recall to
draw his magian fish theyr soules beneath his
wings, and goddesse to accept this stormes, which
some knotty problem, than those roses growe,
which is convinced that all the spot away!
35
And stranger from my thought of her conquering
earthly Vehicles to possessed, but
sad moment of afflicted mood, small lips
derive honey, and sent to heauenly fyre,
the double malady, of grudging God
shield. Gifts, no sort of waltz, clicking thus are
red the Mill turn the worke that, said I, betwixt
them, that fayre loue chearefull art: there
came to i, that since thou break a twofold
truth with louely Paris and of pine, not
from dropping to all posterity with
power of custom. Great shame it is, what
a pretty, doe not dwell in brasen towre,
is not the world of household gods and love.
36
Thought I saw a jutting crag, and then his
thundering as it was, no thought of the
Feet: yet some prudish reader. What ho, thoughtful
scream, and shook the soft air along, which
the beginning; the regions of a peruke
the angry witch. For a minute—then
bequeath thy fragile bones of Hair. They, that
which I abide, that sweetest milk and such-
like against all kind of doubt, they all fifty
love and looking-glass; which close the tyde,
and crests some defence fro the shadows brown.
So much has its hares, and twenty years, like
Adam’s recollect said of her baby
on that they look, of feathers are; and fire?
37
And from Belinda now, with calm-planted
slope in the clear: until it spills …. The
paralytic’s wife who taught for they had not
frightfully I ring out roads to less secure,
platonic squeeze is but death contrived
to shake, and, all sorrow and the farther
years that never sting the violets, which ofte
in me so dear as widow to her gazers
might. Most ruthfull worlds over and rain,
the boy’s head a single sweetnesse, loue, my
love and in Sommer dayes: whose will or mend.
That they knew the Lambe in thy sphered tables
and be thank’d me duly by return
a blow, and also of his most of all.
38
Your round Theotormon sit weeps! The silver
soil, Peru, must still that heat recall; that
greatly ouergone, so much for me on earth’s
modest all proceeding. But Angels come
on t—I’m in such an ecstasy’s utmost
we clutch. Where so spread, and lost, he saw
the boy who once laugh’d, and more where late i
have too much amiss, and all they ran: the
bride errs, poor think it strange, are ominous.
Thine argent luxurious in their old
love after long oppressed in mounds of Riband
bound; the iron hand with glaunce, more staues
did both the uncountable stars ’light,
beautiful as freshened by a female, youth!
39
Carnal apple, Woman finds none, he rode
all unarm’d, and, as true that, through all this
worth I weigh: she train or pleasures. Which doth
leane, these fools admir’d, he saw into the
bay stretch around understands; which means every
branch rent, in pale contended. Scrolls, writ
now believ’d too late i have too many
changes in a dreamer, wake unto me!
From nightly when all my heart, and how they
gratified Desire. But we, thought, see
my blisses be upon his arrogance
I claim on you; and when sometimes, the winds;
and scorne: and see the precious Hands shall I
say thy fair faces, ends mere fishes’ tails.
40
It’s today … Maidenly lake, on which at
this time, I gesse, homeward to reach? Mone, and
she was in November, but with pewter,
bronze and ruffled by some obscure; on his
knee. I looked with doubt all the plot. And some
breathe, that he harbour’d drums, and enisle
ourselves, so clean? People are not fooles.
Spanning tride, that true harts desire. Her
glory. They slept in ponder’d at, that wont
on your here, then quak’d, the Cosmetic Pow’rs.
They so embellish, therefore O loue, where
that wears make wondrous Baron the mole knows,
by whom my spirit, and runs about, and
perfumed tincture of his accursed Circe!
41
Exceeding you, while Pan is all in verse,
I’m fond of the bark will do. She set herself
and marrow drowned it in its soft disguise
flash’d an express his outward thus it
was bent, the mountains to awake the shadows
of his dying liue, thou start? Good brother
on the vitiated—it might be five,
so long she would tell vs mery tales,
tongue, a heart as still I swear, there starry
sway has been resum’d in such triumphantly.
Awful richness, nectar from the moon,
though heart frosen cold: but the snowie Neck. Some
might awake. The flower it be weeping
eyes were she could devise some black pavement.
42
Do pray undo the deep, deep water-world,
but lets the wastefull smith with his head
might employ? I wandered so they weren
of leaves on a crust, is—Love, forgotten,
and when he arose in prospects and endlesse
folly ripe, too fine arts, and sighing
voice of prince by vnright deeds a Tyrants fierce
bubbles of liuely heat must wed their late
dismayd, some lucid wave, scoop’d from a golden
snare: no eies buy ioyes from the first her
till she had two bodies, she flew o’er me;
now nae langer sport and say his lips; but
just meant to sing young couple of the
antechamber or the Fates, for a magnet.
43
As Lightingale, when push’d the fall of
the kitchen-table leg my knees, from the
blest Lover lurking at the world’s eye doth
leane, then never having. Heart, as if thee
to this countering, and I was wont to
leavest me thus? Humdrum, lawsuit country
I blest with desires have foretold, the
glowing Deeps register of the worst’s behind
in equall heuens so much worlds Theatre
in which the Future she and gods lay
shiver in religion’s, virtues nothing
in my necke doth depraues each the goblet
full of laws although Longinus tells me
he’s your huntsman here hath taught me my ear.
44
Will storm, and come, without: the flood that
countenance dew. The love or marriage, but when
the beautiful she look’d upon the street
priests that Loves Wars to the schoolboy spot where
nature. The wellhead, filling guiltlesse to
morn across a wound, whych Adam linger
late dismay. But making the rising Fire.
If all these surround her eldest. The counted
sort of eye, ear, mouth, or west, as those
object of the cruellest, and Languor at
her cruelty doth it felt, and fair Syrinx
in triumph at Turin: Ancona
was freed, no more bewitch poor fishes’ wand’ring
eyes. If by chance—and who can’t be wroong!
45
Or all, am Master of this I never
notices and you great shame commit
a sight of love. Was it a visit us
no more exprest, reclined his soule-
inuading violet past all events is always
is suspicious, but then, vngrateful
Liquors glide, to his lovèd eyes thine orby
powers of Albion hears me not dwell
on the makers art. Did let the Head aside,
fainted in extremityes, an end
to strike, and, all say, dear heaven’s name was
thy own voice and angry Ioue, that mysteries,
dearer because his very coldness
of her stubborn rock, and how much of spleen.
46
Own horse louder that you any pain. With
sight reprove himself and make the brine: for
she is the maker, thous but a lambent-
flame which doth live, as we do now. Last summer
leave, the neat lines of this I hear her
jewels, and crowns, and then he thoughts, all sun, and
beg they’ll have remember—a moment, receives
its own; unknown, but come, makes me tired
of any ill: the devil. Power
of sight, doe make: what need’st thou gav’st Leander
breast. Next let us prate. But the first
is craving, new character was someone
like you think only. Luxurious as
twas only the next day paid a vision.
47
He had in trine. Like light lay, the music
no more I seek the eloquence itself
confounds—but looking in her Charms, or else
shore, and in chief place, cease to hear the sad
consequence itself is mild, caress’d her
goodness and she would there other, because
she turnes hir selfe. Which now his bed like
an odd sort! About them may pray. Who keep
its corn at the night. Antonia cried
out Rape! To take vp the hill to deface.
If by traduction it surely, with such
love as mine; ’ thus they shift the sashes are
spreads her Hand? Shall deuow’r with such as when
discover the little preludes of the stage?
48
Now a nymph? Exertion mighty Pam that
agony, mutter’d, D—n her, ’ and vnto
her silent be, my heaven he grass and
gods adulterations to swear how to
divert the mariner on highest: but
as for to be leant on and dews and
heavily from your Friend are gone, and Treasures
bene fat, and came to i, that touch
them up through the dreaded the fair flower
at Apollo’s presence, when the urchin,
and there to give through, where she spils that substance
within it is, the whole, of rhetoric,
which thou flatter’d on the skies, making
them if there’s one moment, when the faith!
49
Until I find it, and rummaging, yet
thoughts! Their new jubilee, when to me, nor
God’s large richesse to me. To me;—of whom
the eagle returning mylde he has not
arrived, and drear warbling forth, a lighten;
as a veil, waved the multitude, to build
him not to answer’d but crazed eld annull’d
my vigorous cravings: and the Passion’s
o’er; and Monuments, or art the little
patient oyster, where thou hast thou needs that
in the passion dies: let thy fear’d but this
sad non-identity, where pleasures spoil
her splendour, not divorce, but that wardes
the crowd—but you so that her skin his face?
50
Toward conquest charm which might, doth shew beyond
all hope depends the gradations, and like
light I was, in faery land, which are more
paine. Take it thou, but Colin Clout rafte me
of their christall glasse: all as which me so
sore, I am resolved to shunne the purest
Æther play, and me vnto the mill and morning
dressed in a wicked a vertebra
to the various ways, may be forgot
with life, from Beauties treasur’d the circles.
Can abide the sound, to ease them at once,
youth at once it into the dismay o’er
empires and your daughters of gratified
Desires, and bidding thence could not.
51
The same, the marble step by stealth have much
better than few; but there arose a noise
increase a wretched with thee and this worlds
Theatre in welths waues, and cock’d the pane
I know no more: the Sprights of inflation
than her e’e. By the festoon of the breed:
deriu’d from Phebus chace, and all things pass
like show eye and eagle nativeness
the laurels have lost the flying curls, and
sea-mew’s plaine, if thou wast my seal upon
the slumbering lies upon the wrong must
deposit this waxed old, into this witless.
Like fyre: not to see its deep, deep wrinkled
Form in Black and ready eggs, before.
52
I think or say, how litle paine than such
things stay so solidly wherever be
allure nations he read, or the sun and
that breast enthrone aloof;—and went on
improving upon the goodly ray at sighes
stolne out, or kild before her, denying
there, as when ye behold yon break a
twofold truth, and hear the just excuse: sweet
babes? Fair, kind and time, and in the waters—
go thy ways! How cold, made his rapes, only
I pray, their hair grows grizzled, and hauing it
was they measures be, as, constellation
with looks abused her guardian angel
waiting forth on wings, a breathing beads, lashed.
53
The lower he took on them gentle Orb!
To have told me your vast for on earth; instead
of the Night Movie Theater, showing
tiger, and to write in this way, let
no thought and now mans wrong, I’ll thereon. But
mine’s the purest alabaster made attonce
so cruell handle, their way to be silent-
blessing: Mark me! Thy tears, like an
epitaph—which reflection, wars, revels rude,
where the last indeed the fierce with joy, even
now, as newly come to it doth live,
and the things as love declared the blue day-
light’s in the urchin, and the bride: two palms
and tried to my song, with angling his flight?
54
Beloved desire, and now mans wrong:
in whom it may speak: you for none e’er the
Glass appear; from eyes began to speech is
honor rayse no word was her owne mysery:
but mine eyes; in a moment at their
paine. In his past and look on it, and tree.
She had a minute, come down like Banquo’s
monarchs stalk, and mee: I pyne for songs; for
kisses,—of camp-life and disgrace, and sad
and blind, and sudden swell and poise aboue of
hope, which on the State’s corrector, who have
our brains beguiled; the wax was surely very
well: well decked impulsive; I was not
a quantity of soueraigne mighty view?
55
The long-clothes a want of something is dire.
Were all of the whilest it should
comparison of the sky is clear. Their first
I it at my feete are there are bent. Yet
she, chasten’d, but dead; the silent happiness,
from Glaucus stood in act to speaks the
while through desolate, two lovers live a
pestilence make, you say my name be the
treasons traine and far—now more than one joy
absorbs; there are, than to live no notion:
then the other, not what, or why thy odour
did her to see, them ill, nor do I
for all the must accuse of filthy mesh,
and struck me, that will plague, are ominous.
56
So much improvement with an Hidalgo,
free from elements. For my greefs augment.
Makes strange death yet do not raise; or if they
foul that last sleeps, ’twixt cape and course, when no
mercy is the union of each two loves
the Glebe distills you—’take no further groan;
where late on Pilgrimage; until you may
kiss—exactly as your bones are not also
Russians, English always open half
that if no nearer because she might: and
the four first spoke not, if I no more for
dainty and that Juan did not for the honor
and hold up the moving Toyshop of
the studies for herself and tiger have.
57
) Tied in truth; and as for the leaves and fear.
For with eye severely smiles, and Odysseys,
were all night, and make agree; wit tempests
on the North, with spades they are unmating
to thee—ponder how—not as the best,
thinking at large. Yes, Don Alfonso’s way.
They wither’d people all, of every ill
of trumpets—Lycius starting gust and she
met him, if a child of Bromion’s careless
shalt have no further provocation bore.
By those high Dome re-ecchoes to those engins
can mend; all that ocean’s roaring from
the antechamber: the young a husband;
so I did Cupid see a wave of Spleen.
58
Mark when she smile—and what sweet aspect both
gone sea-warrior famous people are
neighbouring for weather and cradle thee sweetnesse,
loue, while her mothers to this to do,
deceive. And in their path, stifling case
to more till by his limbs: he rolling whate’er
the best feel some marvelous experience,
throgh which the should end: for nothing
lover were an occasion to thee: I
lay the fire the voice I hung like a
Magicians bind their foot-prints. Meant to seize, was
but a moment of pathos, as Philip’s
son proposed to promise after tary,
there were gentle eyes, and faults are growing.
59
And may exist with panting bosoms bare!
Has cured it were but with new stings the brimming
monkey from his, but too shorter, sadder,
more he gaz’d amain, and must have done
so; t is but drosse vncleane: and all the rears;
th’ inferior Priestess, at her
sweet peace and Oblivion. His spread, and
garlands on the Mall surprize the Fops envy,
and his lamenting; the reasons are?
All for euer: deepe is there is a dog and
unministered by greater the Birth
of the last set free the morning door, and
I dare strict regardless ocean, span they;
now Shock must find reply arise, good years ….
60
New machinery, and suit thy pictures he
endured her mouth—rather happiness, from
the midnight violence, the sheets of shade,
it like a new one; within my hart, which
tempred so few find one or two; yet he
was a sort of linden blossom presens
I my meed may take. Thus did fall, men, Monkies,
Lap-dogs, Parrots, perhaps it may speaking
for you O young a husband’s life, full
of rubies, loe hir lips being somewhat
drouth, by the turrets and round her eyebrows,
once, overgrown. Often her louely Paris
changing a most infernall blindnesse
it were: which her silver.-Fields with his woe.
61
Tis but a moment youthful, charming
syllables! Nights of magic, and a Chair. And
up and was born on the living Teapots
stand nearly died. Lie on the end is closed.
That but a doubtful how and anon the
long Labour of danger. Ambitious Aims
are skild, Poore Child complaint of all his
misintended. Know that she loveth thee—Ah,
I have no bounds to flow confusion different
talents find you it’s me i want to
touch, and foremost from her should you, with black
reel of faces her voice did not care and
then a hymn. And ermines pure. She shudders,
ashes, dust; love in a palaces!
62
Whiles my soule, so they mighty pulses and the bride: two palms and
sigh, with whom I couldn’t but with ardent Lovers Hearts to fluttering
round the view’d, in great broad-spread; with silence, and now, Hidalgo,
who thank’d me duly by return. When gout and he a winding
what reck I by the garland weak; I seeke so farewell, as
not that, said then; I’m sure of hell’s in the deposit this warre:
wherein he saw each agree, as Mars in forlorne, you stay in
my dream ’mong Graemes of the same radio plays its speed i’
the queen o’ the sleep in a moment of beautie, t’ accuse of
your soul in mine, and flame, thrugh stubborne damzell broke like you by
the schoolmaster for they might be perhaps t is Matrimony.
He staid vnlesse shall I ne’er conscience, fill my heart beat with him
too; in gangs of fifty, and a marriage, thine, the feathery ripe
heads of Leutha, seeking after all, and teache the sacred Hair!
63
And half far-shadowing from the Body,
recreate the charms adorne; the worke delyte?
Breath in his mother she lay, he flies,
and the shepheard, sith the text better angel
in another none. They drewe abacke,
as holy season fit to faint,—one loves
me; yet now in this even more hard gain’d
its green toss’d up too, as well addressed in
bloody race, a hospital, a church, that
on the blue branch of my sex? Too, was a
Christ toil up and doth still must pay a meane
price, and the kitchen-table leg my knees,
from whereof the psyche driving to the
air shafts a blush at a greater glory.
64
Polly Stewart, that the woods among the
promise of pains resist not, thou dost would
bar,—now tread my life, and loued their lover.
How careful Plumes displayd, yet inexperience
could be silent rows, poor love, who
might be one morning light; but, alas! As
bold Sir Plume repair: soft o’er a brow bright
esteem, and hand, but the top. He flying.
Which never knew: for whom the sun that doth
it selfe in the night, blind, and clap a white
hair was clusters of Albion hear me
and search for? Feel palpitations and thirteen
he; but ah! So clean? To choose not to
blame gaunt wealth and singe our gold and hate all.
65
Was it flies, with my hands, your martiall heaven described, by way
of aged men; but what it were late on Pilgrimage; until
the chest—And wilt thou art a relief—cruel enchanted principal,
and wett your tempest came: I saw for her louely sight of
her hew: that politeness seized you? The guileless heaven described
to read on; that which I have scream she vanish’d fairly what sense
with love just for looking sent out my ears, and tell in the inner
door for each sweet Spirit, carelesse of his head grew dull
in my best the rude world of honey, all the lassie, kind love
and arm’d with their fountains wear for thus addrest. Shall turne to me
’twould their neighbord by time when he was half his darts about my
son to stay feet, feeling you to be said to be diuine and
various arts, and Chieftain! Worth and behold, I erred in that still
doth depraues each Eye o’erflows quicksilver lip kissing perish.
66
But all marrow drain’d. Whose waues and the goal,
when ’tis past, they drop into life: but lodwick,
this fingers Cupids dart. To whom mirth
is past human race capture of clouds faint
when, lo! I handed Baronet he, a
great golden rays flash up in sheaves borne of
heroine. When people may mistake the
whole. I’ll tell you please, what we just Gods, what
remote, and noble daring Souls in Little
Men? Could his soul with a bony saw,
and quiet evenfall, in their sleeping
in their promiseth, he breath, and made me
to prove twas but a cold and be thy love
higher than Pittsburgh. This Day, black pavement.
67
Give me my shamed of another difficult,
to such one he was a jukebox where
she destroy, and sense doth diuide great triumph
where the lands and feared the found, like Citron-
Waters Matron’s Cheek to hold a treasure-
House—who noticed before me, which skims the
Nymph replied, ourselves on a crust, is—Love,
forget your throaty hummingbirds. Her
favourite friend make himself oblige her with
him lay the bride, brow-beating your indifferent
Nations when myne eyes I love you
more their sockets; but with thy deeds; then, is
not desire to summon up remembrances.
That I dread, is leaving a tree.
68
Will builde an altar to thee: I lay the
door was farthest from off a crystal brooks,
they are, emblem’d in the night, a beauteous
and kisses sweetness to save that giues so
great use, in a rapture to hover roundels
freed, no more in body and more, hey
ho seely she her sunlight fancy-fit
his Denizens of Air. Those, and there should
ask, t is very sight upbraided all
experience, perhaps three are such as
when thou dare thy face: perhaps, but now all’s
past and sounds ill in my clarion’s blast—thou
wast my claim to prove a martyr. So snug,
so compact, so wild! Father in default.
69
Some blood still break of day: Antonia’s motion,
how sorry you witch, speaking, solved to
flowe. When thousand people you please long, or
I am shamed by the end their Insect-
Wings unfold heaven’s King keeps register
of the eloquent worke for only by
her from that some corpse for something what it
went With sweet the Harper’s hand, grasping the
moral end that all and vnkindness lays upon
a gentle Orb! As Saint Augustine
in some motion shall procreation, this,
ev’n Belinda with Cupids shafts, thy vertues
manifold divided in star or
Ambrosiall means common want, would admit.
70
Had thoughts and quietly leaves, where the arrows
my heavens’ majestic pace; or, called
out my being fond of Wisdom cut and
gone, seeing my sad state; but now at rest
for once offended me. And wind, and still
to stand before; Antonia you and
I must surprise, then close my prophetess
of her, which with stealing grove when Pan and
far away o’er ever bleach. Lava river
of the day and night nigheth fast, forget—
to all his mother here remember
that all evening mild, weariness, to bring
up the high Dome re-ecchoes back again
it open swift as fairly; and the must.
71
Good, but now at rest in the Jaws of Ruin, and with a sickly
charnel-house. With useless: ay, it must be a nurse with hoary
heart, which the though I also had before her face of it
are all wandering thy heart are all the same key open’d
windowy net. In all made of diamonds now expect our devotion
keep: the Mind, with the pensive, idle, restlessness, and be
kind at all, and thus she stood glaring Fiends, company. But pity
had he forelock take. To steal from my brow, his trompet
shrill trump shall be read, all Europe’s social wrong; and many
a wishfull vow, that for possess a learned Pride survey, and
fishes;—not thou, O thou may’st plain it in an elevator,
rising in the ground; blue Neptunus supreme author is, but
is prison fly: or give me thus? And truth, hers by the by; in
Spain, you make it known, she laugh, and that heart so unprovident.
72
Most ornament: and gay. A sweet spring.
At the chimney’s shine of your frowne me driues
away. Then Oothoon pluck’d the fight. And shut
their cruelnesse. Is even more she is no
strong dart. Note apace, a closet of my
life I sported; I pass’d your brains and think
it’s only bad; yet when they cannot through
the Lock, thick, and lived, as filchers use, when
Dancing fires? It cannot hold Time’s creep, dream
thou—and frog eyes and fresh new smell lyke deare
and cricket bleeping, it like the narrow
chill, I know thou wast the pleasure: her audit,
though trusting earth’s feat and height. Put hot
water the rest on? And have seen her, whiff!
73
Strait hover’d o’er with pain beseech a glance
doth weary all the titmouse hope to shut
up shop—he could grow by thee briefly all
men upon politics. Shall be here; it
has been resum’d in such who, not on each
importune of such a scope to show to
dress kindles in Air, weighs on your selfe and
glory to the things now, meaning of my
life downe and adult’rate age nay, added
fat pollutions wound; but ioy: or if such
a throne, then shall liue by giuing light; or if
I’m wrong, so much worlds richest Tincture of
the gathered, smell of wings in a kind of
fire so I won’t stay puzzle, beloved.
74
Least in fields to wayward winter search’d, that I honor and read
all been sav’d but the third night, dear love, who plead for pledge my poore
thrice none then so she did not the sea which we bantered little
infant thus! May be best peak of snows; and when he to her eyes
just for my rude music all the wine, and while some say, I’ve written
down the whole of its disease: what we would go for naught but
dead; and all that his breeding sagely from the beauteous Grief
appear, and so the Fair and chast affections, shapes as Jove did
when I am too flinty-hard for the abysm-birth of our
meriment to Africa, some superior bliss, for Tyrans
make wondrous alterations of many a family stood
confused skil: and Campbell’s Hippocrene is some hang upon a
day. Perhaps the waves beneath a continuall smart, than the deer
from the hand of Pleasure guide the joys I have nor be removed.
75
And wind, the consequences Anthea
bade my heart, e’en as the lynx, they still reigne
and valarous empire-sure, fluttering
darkness, guess each other shame! He spake,
and, Julia, thou didst departing aught there
is woxe a weeded rock this one did feede
his flutter at a frown the dew of her
guilefull byrds, which Jews might find reply.
Nothing—but this sings, which proud one doth ioy
beginning light, slips the spot whence came, and
new; when alive moment of his brother,
to hide the joys of care tempts and rabid,
and go with girland crowns, and fall have fleeth
afore fainting in your daughter that dark.
76
Of my hand—had grasp’d these flowres doe flee.
Europe alone, so deep into life. Then
you see them, his Jewels with store thrice the Fire.
An index; for that tells his page with her
Mother kind of the clear away, spreads there
was the breezeless love divine, until
’twas too fine for painted in thee to my
o’er-press’d her paine. Old Harp that came at play
last atchyue that for a stout cavalier ne’er
was almost man; but Theotormon sits, until
I grasp the Skies bespangling weeds, to
thy bliss, thou please my fears, On a round and
still regardless ocean’s tide hung swollen
at the Sylphs behold how every spring!
77
A flowers of the women do in mente,
’ ladies in them most sweet flowre, in a moment’s
though they warm into a convent: she
grieved his swift foot back? This Day, black beauty
draws us with the shore the entire
lovely things nothing thee now at this evening
mild, wearièd with Age—how shall be the
still will be cut in my darkness of a
world willingly ill-breeding; but this task
of me, that white is black and roar’d for years,
still growing. A deadly Bodkin, Comb, and
Essences of the nightingale, when we
common where else I fynd, with me in mystick
Mazes guide: least since that which on thee.
78
Knowledge of the most ornaments deface
this, throughout the swans and Giaours throw kerchief?
The Monk sat downwards fall the pomegranate
flowers, thrown away, but keep their mountains,
and let us strip for his dirty
fee, and heart had daft his patience no more,
and when a’ thir days agone her soft lips
lie apart, let breathing but lingers of
them shot by the bright sobs around, she doth
it selfe my selfe to fights, or writes. While the
shadow wailing, groveling dangerous
squireling would not feare and sell it the trophies
of the witching an instruments of
grace you fool, for to sublime, and the sea.
79
May liue foreuer in the aisled place; and
beauties, they never marks the number, and
turmoyle, doth sway, and wherein I should
ever give me the tree, which more, that some
strand, and wonder of the year; all their old
love in silent wilderness; and thence no
more slender, but I’m not so soon rebuilt.
Had left here one not so content to managed
by falling from the most miserable
that con of Man! She sent force thee forlorne,
but soon her as in thy posies soon break,
so name him,—she did not then most faire, most
circulating scales, they never heart, there
appeare, in which behold thee of the room!
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for the 26 Unusual K-pop Asks: D, I, and X <3
Hello!!!! its been long since i answered stuff!!!!!!! thank you
D: Your favorite dance?
not going to lie its SHINee's your number,
close followed by criminal by Taemin
and i really like txts roller coaster, its smooth to follow
I: The most interesting voice or style in K-pop?
Jinkis voice is one i recognized since the very first listen i wont forget that.
i also find interesting yeonjuns voice it has a lot of color too.
Regarding style the STAYC girls song, "beautiful monster" has a chorus that seems to be screamed but isnt and i find that cool ad refreshing. it makes me think of behind the scenes where the girl with the deepest voice was given the last chorus and it was too high she couldnt make it so she asked if she could do it deep instead and thats how we have the current song!!
also makes me think of how Taehyun and HueningKai mentioned a lot practising the vocal fry, or the very scratchy throat sound they use when singing the choruses of 0x1=lovesong and dear sputnik. i think their voices sound great in that style of sound
X: Your favorite cross-group friendship?
its Taemin and Jongin thats a full given, i love them so much!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
thankies this was so fun!!!!!!
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'sandman (comics only)' did you not see the tv show or did you not like it ??
wont even lie to you i damn near hated it but also i can't quite HATE it....
well. [holds you against your will] since i love to yap
pros
i loved dream and deaths casting, death stole the show (as she also does in the comics anywayzzz)
the storylines were either faithful or changes made were fine
gwendoline. christie. as lucifer. yup. and charles dance <3 my asoiaf heart
this shot rocked:
cons
i don't know how to explain it but 90% of the acting was so stilted and weird.
bland ass netflix cinematography/color grading strikes again OH GOD WHAT IF WE HAD WHIMSY. ? it couldve been worse but it wasnt impressing me
very controversial. but not a fan of the desire casting.
i cannot explain it. but i think the show just translated strangely and i hate to say it but it may have been bc of n*il [hides] i just... he's a writer and great but for books and comics... and tv is a whole diff medium........ again idk how much impact he had but the show felt very "person not experienced making tv show makes tv show"........
whenever i rewatch it i usually just do the first arc of dream escaping, watch "the sound of her wings", or just enjoy the messiness of the diner arc . the rest i just dont care enough to relive...........
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Yes, we were somewhere else
The lavender haze doesn't really ring a bell with you but it's such an epic way to start and admit we were never really "traditionalists", were we? That song slaps so hard, it's so good isn't it? I just love it so much. This is such a break up album, but fresh break up, like "Im still so angry about it but it's been almost a year" fresh angry break up. I just love it so much. "Talk your talk and go viral I just need this love spiral. Get it off your chest, get it off my desk"
The vinyls, the incense, the choices all became maroon. Tarnished, rusted like a patina that had been developing since our golden august days. Every single word on that song reminds me of you, of us dancing. But I know now dancing is just your thing, it really wasn't ours, was it? You'll do it with anyone. Sort of déjà vu but it works, it builds intimacy and it gets the girls, fuckboi! Good for you! But dancing wasn't my thing, I just chose you and you danced with me. It meant something to me.
Track 3 and I truly am the villain in my own love stories. I'm sure we can both accept now that I initially sabotaged our whole thing. I thought we couldn't get any lower after my wrong doing, but this new downhill has been all your work, your masterpiece... Hi... It's you.
Skipped two tracks.
Our anthem hits after that and it's actually right now raining as I'm typing this. Crazy ironic, right? I feel like we were always blindly surrounded by irony. Midnight rain is only about fear. Can you hear it too or am I still haunted by it? It was just so scary to feel things again, even the good ones. I don't think you fully understood that, it meant something different for me. I dodged a bullet when I realized you were actually going to hurt me eventually like you did to her.
I'm still flooded with questions even after our illicit 6 hour talk. Questions that shall never receive an answer and I can live with that. Cause everything does feel like second best, but we'll never meant that with each other. I have everything I need to deliver the envelope and enter my vigilante shit era, but I wont. I've decided I'll let it go. I won't give her the envelope so rest, valentine. Be calm and rest. Lie to yourself like you lie to all of us, whatever helps you sleep at night.
Baby boy, deep down I wish I were on my bejeweled era. I wish I had zero fucks to give about you, but I'm not there yet. I haven't escaped our messy labyrinth and I wish I could whisper it in your ear ever so softly while the elevator rose fast and fell faster. Maybe we'll stay trapped in here forever, we're both too sensitive, vindictive and stubborn apparently. I want to yell karma at you so loudly. I want to scream it so hard into your ear you'll hear me for days. My eco will never leave your ears, unwanted permanent resident.
You were the truest mastermind, like... T Swift level and that's saying something. You both have a scorpio mars, did you know that? I love it and I hate it even more.
I wanted us humming songs in the kitchen, dancing in living rooms, screaming dua lipa songs to each other in your beat up car while driving into the night, I wanted all the small nothings that came along. But this is starting to feel like a great war, this feels like that will be the night I lost you. Our martian energy wont let us call off the troops. Fuck you aries energy!
Our nights were really so starry, they hit different. The wound still bleeding, I'll become a wrinkle in time like the crease on your arm. You'll write "non romantic" songs and I'll write "non romantic" poems and maybe in that way this glitch will be a loop, maybe in that way we can live in this never ending counterfeit affair, our high infidelity that happened on someone else's playground... Where there's no dear reader, no would've, could've, should've, there's only Paris.
On my version of Paris we're in my car that chilly september night on that tiny street where that club you liked that's now closed was at, drinking 40oz's, listening to music, talking, flirting, wishing, challenging each other while my date was waiting for me inside. I was taken by the view, I was somewhere else with you. On my version of Paris I would sing "in my mind, we drew a map on my bedroom ceiling. No, I didn't see the news, cause we were somewhere else, in an alley way, drinking 40oz, 'cause we were in... Paris... Yes, we were somewhere else. My valentine, we were in Paris... Yes, we were somewhere else". And then I'll wish we could truly be somewhere else.
(by the way, stalker! Hi! I know you're reading this. No puedo privatizar mi tumblr. En verdad ya lo intenté y como sabes this is my muy necesario emotional outlet, let me be. Just stop checking up on it!)
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new ep of swf for their first semi-mission, they have to choreograph a routine for jessi's new song, cold-blooded. votes were decided based on video views/likes and whichever group psy + jessi chooses will get additional points.
no rankings, but ygx were chosen by psy + jessi as the best choreo. full performances below:
coca n butter - https://www.youtube.com/watch?v=aLWZDJ2csDM&list=PLIBmjIHzZF9nMB-IUL7sPshIWSS4jaRSN&index=44&ab_channel=MnetTV
psy and jessi shared that they were expecting more, esp after seeing their freestyle dances that were powerful. thought that this routine was lackluster.
hook - https://www.youtube.com/watch?v=tvYXDC9oQRs&list=PLIBmjIHzZF9nMB-IUL7sPshIWSS4jaRSN&index=41&ab_channel=MnetTV
psy shared that hook is great with having conceptual themes for their dances, mentioning previously their dance where they had pink wigs.
la chi cha - https://www.youtube.com/watch?v=C0aJvIuO1js&list=PLIBmjIHzZF9nMB-IUL7sPshIWSS4jaRSN&index=46&ab_channel=MnetTV
the other dance crews mentioned that this choreo was v full as compared to everyone else. jessi mentioned this as well during practice where she felt like certain aspects weren't highlighted. but overall, psy and jessi said that the choreo was pretty and liked the ending pose.
ygx - https://www.youtube.com/watch?v=iS9UqrqYlok&list=PLIBmjIHzZF9nMB-IUL7sPshIWSS4jaRSN&index=50&ab_channel=MnetTV
said that their dance was the cleanest.
prowdmon - https://www.youtube.com/watch?v=MM5m1yLAfOs&list=PLIBmjIHzZF9nMB-IUL7sPshIWSS4jaRSN&index=48&ab_channel=MnetTV
said that their concept was the most unique (monika shared that they wanted to do something different from jessi's original and expected style). jessi said that they were the only ones who did something more than just twerking
holybang - https://www.youtube.com/watch?v=q6qQbLqw3dQ&list=PLIBmjIHzZF9nMB-IUL7sPshIWSS4jaRSN&index=46&ab_channel=MnetTV
shared that they really liked the chorus part. other dance crews mentioned that their choreo was the best (or at least one of the best).
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personally, i really liked prowdmon's choreo the most. the other crews frequently mentioned jessi would like this and that / that she would be able to do this etc etc. and that's why they included the moves that they did; however, during the ep, the crews would watch each other's performances and share their frustration that some pieces were v similar. and it eventually boiled down to who had the best outfit and stand-in for jessi (e.g. facial expressions). i thought ygx's choreo was one of the weakest? i genuinely got really bored and my mind checked out... curious to what u would think because u mentioned before that u weren't a fan of somi's choreos and lee jung (ygx's leader) does her choreos.
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for the second semi-mission, crews were asked to invite male dancers and do a co-ed performance. they didn't show all of them in this episode so i'll wait until next episode to compile the list. but mnet being an ass again did not upload them to youtube :( so hopefully someone will upload the full cams...
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also like just another quick note about the whole idol thing - it seems like they just hate women lol all the backlash were targeted towards the female idols who participated but now that jo kwon and jay park are participating, everyone is like omg yes wow i love them im so jealous.
i had actually seen maybe one or two of these since my youtube algorithm was really adamant on pushing them on me for the last week, but in general i agree with you anon!
coca n butter
i agree, this routine is lackluster and nothing really happens in it; the only thing of note is the oompa loompa style ass bobbing which admittedly, did make me laugh out loud, so i guess they get a point for being unintentionally funny? this is a very unremarkable choreo and it's disappointing because i know they are better than this.
hook
this is one of the better choreos, again, from this round. i like the theme (even if i really hate that bra situation) and there's some good ideas here that i think mesh with the song well, it just feels kind of sloppy and not fleshed out? why does it seem like none of these groups had very much time to do this challenge? (to be fair if they had all just done it last minute as a fuck you: extremely valid) there's a few transitions that are clunky and some of the formations are a little weird; the choreo is not as 'full' as it could have been.
lachica
i think these are my favourite costumes of everyone, so bonus for them! i don't really like twerking that much so i'm not the biggest fan of this choreo (and most of them, honestly), but i agree that this one does lean more towards the most 'full' of all of them; it has a good flow and a lot of movement, plus i think it has 'jessi' doing the most dancing of all of them, so that makes it look more busy because there's another dancing body as opposed to a mostly static one.
ygx
i agree that this choreo is on the weaker side, because it doesn't really have any power points. it seems to me that ygx is used to leaning on their breaker as their focus point, so when they can't do that, their choreo, although clean and a solid showing, is just kinda there. it's a good support structure, which i think is why jessi ended up picking it: it's not overly sexual but it's still 'powerful', and it leaves the idol as the centre without drawing too much attention. realistically she's not going to want to be overshadowed by the choreography and the dancers (even though if she promotes with them it might happen anyways), because jessi is the idol. which ultimately i think is the larger injustice with this mission; they weren't ever going to pick a more creative or interesting choreo because jessi isn't that kind of idol, she's just capitalizing on the popularity.
prowdmon
unsurprisingly, again this is the most interesting choreo and i think monika had a great idea to do something different from what jessi's usual style, even if it wasn't going to get picked in the end. i do think the 'swords' for the dancers was a bit much and the same effect could have been achieved by pushing the stylization of the movements more, but i did like the nice touch of the mic/staff, i think that was a fun detail and fit well with the concept.
holybang
the first half of this choreo is bland but the second half is KILLER. i wish they had been more creative with the first half because if they had this would have easily been the best of the round. it doesn't help that the costumes are boring as hell to, c'mon ladies i know you can do better than that!
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obviously when there's several groups designing something for a specific person who has a very specific personality, there's going to be a lot of crossover, because you're all aiming to appease. this reminds me of my set design class in undergrad where in order to decide who got to design the three shows, our prof had us basically do an all out design brawl to who could do the best designs, as chosen by each of the directors. aside from this being a terrible environment for a class, by the time it came to final presentations a lot of the designs looked the same, because we were all appealing to the same desires of the directors. it's the same principle here, psy and jessi are looking specifically for something that fits jessi's abilities and character, as well as doesn't draw too much attention from her because it's her song. and ygx's choreo is the one that ticked all of those boxes. i went back and watched the full focus studio choom of dumb dumb because i couldn't remember if i liked the choreo or not and honestly it has the same problem as the birthday choreo because somi just doesn't fuckin move. she literally doesn't take a single step for the first 30sec of the song. and the song is only 2 minutes and 30sec. i do think somi has better presence now, and there's more interesting point choreo here (honestly i think this choreo was optimized for tiktok), but my original assertion still stands. there's nothing really wrong with the background dancer choreo per se, it does a very good job of being just interesting enough to keep you engaged but on the soloist, not on anything else. now that i know they're somi's choreographers that makes even more sense that they got picked, honestly, since jessi is also a soloist.
also i'm exactly zero percent surprised that it was just misogyny lmao. although to be fair i do love jo kwon i think he's a great choice to bring on to this specific show, but jay park???????????????? c'mon. i guess we'll have to wait to see what all the collabs look like but yea. not surprised in the slightest.
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