#the cottage is waiting
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lydiablackblade · 3 days ago
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I'm losing my mind 😱😱😱
Feeling very normal about the construction company responsible for the Good Omens sets including this cottage under the “Prop and speciality builds” section in its portfolio.
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allysketches · 1 year ago
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✨first time trying to draw camp pioneers and soho's resident queer cryptids bc I've been obsessed with them lately 😌✨
based on that classic photoshoot of david tennant and michael sheen from season 1! probably done before (and better!!) but I wanted to figure out how to draw their faces and outfits (ngl harder than I thought, still not perfect 🫠)
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bixels · 1 year ago
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What's K.O. CRISIS?
Hey all. Over the past couple months, I've gotten a lot of followers who probably don't know about my OCs and portfolio projects that I'm also working on, so I'm making a quick master-post for it!
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K.O. CRISIS is a series of artwork––character designs, illustrations, sketches, and animations––inspired by late-90s/early-2000s anime and Y2K culture.
Set in an alternate-history Los Angeles in the year 2001, the story follows disabled Taiwanese-American Ashley Tang as she fights her way to the top of the bracket in the national augmented boxing championship.
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As the youngest female fighter in the championship, she'll have to fight tooth-and-nail to defend her place amongst the heavy-weights. While her rare dual arm prosthetics help even the playing fields, it'll take more than brute strength to prove her worth.
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But this isn't a story about an underdog triumphing against all odds. Throughout the story, Ashley will push herself to the limit for the sake of validating her existence under the grinding heel of the sports media machine, in a world that values disabled bodies more than their lives. As the championship rages on, one question seems to linger through the roar: Is Ash strong enough to win, or is she brave enough to quit?
Through the project, I'm hoping to explore representations of prosthetic-users in pop culture as "enhanced superheroes," as well as discussions of trans-humanism under medical capitalism, the fetishization of new technology, and the commodification of disabled people as entertainment.
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Accompanying her journey include characters like Noora Balakrishnan, a local transfem prosthetics engineer who doubles as Ashley's ringside mechanical cutwoman.
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The project is still in its early stages, especially since I sorta rebooted it earlier this year (meaning I'm no longer using past, outdated art for the project). If you enjoy it, you can find more artwork for the project under the #ko crisis tag!
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bluberryfields · 8 days ago
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Awww I love this interpretation! 🥰
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A couple of months ago I had a dream where Aziraphale fell and Crowley had to save him. Given all the news about S3, I decided it was time to share it.
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scandalousadventures · 7 months ago
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Chamomile or chai? Sweet rabbit doll; I think she'd appreciate it if you joined her for tea 🫖
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hamletshoeratio · 5 months ago
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In season 4, I demand more Benedict and Hyacinth interactions. Gregory's off to school, Anthony and Kate are off to India, Eloise and Francesca are off to Scotland, the other two have married and moved out, so these two are the last ones under Violet's roof, I love what we've gotten of them but I need more bonding scenes. They're both hilarious and completely unhinged at times, I need more of this chaotic sibling duo.
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hirosboard · 1 year ago
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WIP in honour of C3e65.
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ms-cornucopia · 2 months ago
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Days decrease, and autumn grows, autumn in everything.
Robert Browning
Art by Julianna Swaney
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halljavalge · 8 months ago
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Source: pinterest.com
ℍ𝐚𝓵l נ𝐀 𝔳คĻǤẸ
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mispelled · 1 month ago
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Yall already KNOW I'm back on my wizard city bullshit. This time with background wizards
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cottaegecore · 28 days ago
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not a lot, just forever
intertwined, sewn together
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queer-reader-07 · 1 year ago
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ok i want to talk about aziraphale’s reaction to The Kiss. (yes i’m talking about The Kiss again, it lives rent free in my head)
he looks both desperately confused and angry. he’s upset in ways he can’t fully express to crowley or honestly, even to himself.
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and i think what’s happening here is that azi can’t handle the fact that crowley’s actually leaving.
because crowley always comes back. after the bandstand breakup, he comes back. after saying he won’t help hide gabriel jim, he comes back. in multiple minisodes where they say they don’t need each other or it’s been decades apart, crowley always comes back.
and this is the crux of the issue, crowley is always the one to come back. crowley goes back to the bookshop, crowley shows up to save aziraphale in azi’s damsel in distress moments. crowley is always the one coming back. never aziraphale.
yes of course azi loves crowley. i think, in some ways, he understands that love more than crowley does for most of the story (even if it’s HEAVILY repressed, and that’s on religious trauma). but azi never does the coming back. he does the waiting. he waits for crowley to realize he was wrong. he waits for crowley to save him (because saving azi makes him so happy).
i think. maybe just a little. aziraphale thought that crowley’s Kiss was him coming back. that it was crowley realizing he was wrong and that he should come back. (also, just throwing this out there. AZI KISSED BACK. AZI HELD CROWLEY AS CLOSE AS HE COULD. HE LEANED INTO IT.) but The Kiss wasn’t crowley coming back. it was a last goodbye. a last “we could’ve been Us. do you see what we’re losing? DO YOU?!”
obviously there was a lot going through his (and crowley’s) minds. a lot of emotions, a lot of pent up anger and frustration, a lot of everything honestly.
but i think part of azi’s anger and sadness post Kiss is because he genuinely thought crowley would come back. because crowley ALWAYS comes back. azi can’t admit that he’s wrong (and if i’m being honest, i don’t think either of them is really wrong per say but that’s a topic for another day)
and the thing is. crowley didn’t come back but he didn’t leave either. yes he walked out of the bookshop but he stood there waiting for azi right up until he was sure azi was actually gone.
for once he gave azi the chance to come back.
crowley didn’t hide in his car. he didn’t drive off before aziraphale could say something else. he stood outside the bentley in clear view. crowley wanted azi to be the one to come back for once. he would’ve been so elated if azi had come back and gotten in the bentley. but azi didn’t. because azi doesn’t do the coming back… at least not yet.
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earththings · 1 year ago
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pink-alchemy · 3 months ago
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avoicebehindthestars · 5 months ago
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Who'd like a fluffy Good Omens colouring page? Like, with flowers, a South Downs cottage porch and everything? :D
@phoen1xr0se What say you? ;>
Edit: Here it is!
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cryptifrog · 11 months ago
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Dear Santa,
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Please give good omens season 3 a happy ending.
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