#the community might not be THAT big but there is still some of us

[falesten-iw]

When I first joined Tumblr, I had no idea what I was walking into. There’s no manual for navigating this wild, untamed corner of the internet. My first moment here? I was greeted by an image completely naked, no warning, no explanation. It was just there, bold and unapologetic. That’s when I realized: Tumblr is a place where anything can happen.

But for all its chaos, Tumblr has become something far greater than I ever expected. For us Palestinians, this platform isn’t just a space to scroll through memes or vent about life. It’s a lifeline, a place where we’ve taken the raw, messy energy of this site and turned it into a battleground for survival. Here, we tell our stories, raise funds, and fight for our lives.

I’ve seen campaigns soar past their goals, bringing hope to families barely holding on. But I’ve also seen campaigns like mine, ones that fight tooth and nail for every single dollar, every reblog, every addition, and every ounce of hope. My family’s lives depend on this.

It hasn’t been easy. Zionists flood all Palestinian words with hate, twisting truths and spreading lies. They aim to discredit us, to make people doubt us. It’s exhausting. Some nights, I sit with my phone in my hands, wondering if this fight is too big for me. But then something beautiful happens: a donation comes through, a kind message appears, or someone I’ve never met reblogs my story with words that feel like a warm embrace.

And through it all, people are starting to see the truth. The hate doesn’t drown us; it sharpens our voices. Every day, more people step forward to stand with us, to say, “I see you, I hear you, and I’m with you.” It’s those moments that keep me going.

To everyone who has already helped, whether through verification, donating, wrting post , reblogging, or simply sharing a kind word: thank you. You’ve done more for my family than I could ever put into words. But the reality is, we’re not there yet. My family is still waiting for a chance to breathe, to live without fear, to fill their empty stomachs with warm food, and to wrap themselves in clothes thick enough to keep out the bitter cold. They’re hungry, they’re freezing, and I can’t do this alone.

This fight is hard, but it’s not hopeless. Strangers have become friends, and friends have become family. Some of you have shown up in ways I never imagined, treating my family’s survival as if it were your own. That kind of solidarity? It’s powerful.

Tumblr might be chaotic, unpredictable, and sometimes downright bizarre, but it’s also the place where we’ve built something extraordinary: a community that refuses to look away from injustice. With your help, we can take this fight all the way. My family’s lives are within reach, and together, I know we’ll get there.

This campaign isn’t just about me. It supports 26 people, including two orphaned children and an injured family member suffering from hemiplegia after being hit by shrapnel during a bombing. Surgery is desperately needed to replace the infected and failing plates. The needs are urgent, and the future of 26 lives depends on your support.

The video showing the injured family member is shared before in this post: Link.

Please help us ! Donate and reblog this post to spread our story.

Vetted and shared by @90-ghost: Link.

Verified and shared by @el-shab-hussein: Link

Listed as number 282 in "The Vetted Gaza Evacuation Fundraiser Spreadsheet" compiled by @el-shab-hussein and @nabulsi : Link

Listed on the Butterfly Effect Project, number 957: Link

Additionally, Al Jazeera News has documented apart of my family's case: Link

If, for some reason, you couldn't donate via GoFundMe, you can donate via PayPal instead. Please keep the conversion rates in mind when donating through GoFundMe. Every 100 SEK is equivalent to 10 dollars, and 200 SEK equals 20 dollars and so on.

Note: There’s even a raffle for a handmade Palestinian thob if you want to participate : Link

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[rootspiral]

Agatha All Along deep dive: episode 4 part 6

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1])

(I can't believe I squeezed six entries out of this dang episode!!!)

agatha sees billy waking up and takes her usual moment to wipe all genuine emotion from her face and put on her mask. it's getting increasingly clear that this wretch of a woman is always wearing a mask and playing the larger-than-life uncaring witch she wishes she could be

not that she cares about you or anything.

billy does that thing children do. he doesn't say thank you or ask why she's crying, he asks about himself, his current troubles and fears, looking for guidance. that's the wonderful thing about a parent, they give a child a safe environment to grow and make mistakes and explore. A parent is, or should be, selfless. That billy feels safe doing this with agatha tells you he instinctively trusts her much more than he realizes.

agatha never lies to billy

and the way she's always drawn to teaching and explaining and guiding despite herself. deep, deep down agatha is a nurturing person who only ever got to nurture for a short time

I just realize agatha cannot actually say the name billy, can she? because of the sigil. so this is her going, I know it's still you kiddo, behind all that. I see some people arguing that agatha might actually think he's Nicky at first and personally I don't believe that's the case, the dialogue is muddy only to mislead the viewers before the big Wiccan reveal.

Two reasons agatha knew this was billy all along: she's had three centuries to sit with nicky's loss now. nicky is gone for good, no matter all her tricks and her pleading and her endless pit of sorrow, that is the one irrevocable fact that she will never be able to change. that is the cornerstone, the whole core of who agatha is today. she has lost nicky, she has committed unspeakable horrors to cope with that loss. she is afraid to die because nicky is on the other side and she cannot face him.

The second reason is that agatha loves billy for being billy, not just as a nicky stand-in. she was uniquely equipped to understand and empathize with wanda, and that's even truer for billy because he's a little boy and agatha's whole heart is wired and predisposed to reach out to him. she saw the miracle that was his birth, she saw first hand what chaos magic can do. this is a child flung out in the world carrying an immense power and no instructions on how to use it. he's capable of terrible things that could easily turn him into a monster and a pariah, and agatha is, besides wanda, the only person in the world who truly understands what that means. do you remember what happened to agatha at around the age billy is now? everything in her is demanding to guide and help. selfishly, because all that power would be hers to control. selfishly because he reminds her of herself and she wants to undo what her mother did to her. and selfishly because helping billy would in a way redeem what she did to nicky.

and also, selflessly. because she wants to help him grow and be successful and be happy.

billy created the Road to find tommy, sure. but what he's been doing on the Road is finding community. or rather, getting close to witchfolk to find out who he is in relationship to them, exploring the identity he was born with that he cannot express with his adoptive parents. he started with a lot of silly ideas on what witches should and shouldn't be and created trials that are, let's face it, rather stereotyped and demeaning. next trial is agatha and he is puzzling her out now, willing her to become the ideal witch and mentor he's looking for. he's doing it with the grace of an elephant in a china store, but that's just what being a kid is.

aaand the wall is all the way up and she runs away. but we made some progress there, didn't we?

oh to be a vampire and getting to bite patti lupone's neck

rio looks so engrossed and fascinated listening to lilia! rio just loves people, you know? she loves life in all its multifaceted forms, and that's not at odds with her job description at all. she is The Green Witch, she has embraced nature, which is to say life, so completely that all of it is important and precious to her. my headcanon is that as the original green witch she started ferrying souls because she deeply understood and accepted death as natural and organic and sought to help it along. it's funny, lilia is terrified of her but if asked, rio would have such a long list of things that make lilia special.

and that such a being would fell in love with agatha of all people?? god that is amazing. that is how you write a beautifully doomed epic love story. billions and billions of humans throughout history, and agatha is who caught her eye. and not because agatha is a serial killer mind you, that's just foreplay. it's because she is the most intense, the most interesting human Death ever came across. while others saw a damaged girl, rio saw poetry in her extraordinary complexity

and then, through agatha and nicky, rio experienced grief from a new point of view. Death, no longer impartial.

a wiser future Lilia pays another brief visit

and she's gone. her puzzled little face!

from being awkward and fearing her oddities to laughing with her about it. another step toward a deeper understanding, and acceptance, and love.

look at agatha's body language when she approaches. uncertain, arms crossed. these people have seen her without her mask now, openly weeping about billy

and then she puts her hands in her pockets and postures, ready to underplay things. pppft, crying? moi? you guys must have dreamed it.

alice with her big compassionate heart will never be able to think of agatha as cruel and distant again

agatha picks up rio's flower

rio looks at her

pretends she wasn't looking when agatha looks back

you could cut the damn tension with a knife

jen trying to include agatha??? man they did really see her cying fr

look how interested lilia is! I wish shows could just be 15 hours of women hanging out and chatting, no plot, just vibes

agatha glances at rio as if saying, you know exactly which scar this is. and rio chuckles because she remembers the story. THE INTIMACY BETWEEN THESE TWO. I'm going feral again.

what is this, camaraderie? community? perhaps even, dare I say it, friendship???

agatha doesn't know what to do with herself!

behold the textbook definition of 'awkward turtle'

oh rio's DETERMINED

'no you don't' 'yes I do' STOP IT YOU STUPID GAYS

agatha all casual like honey I've seen every inch of that body

just... the way they fell into a rhythm. the doMESTICITY.

lol jen's and alice's gaydars pinging at the same time. like somETHING FRUITY IS AFOOT. AND WE WOULD KNOW.

and fuck fuck fuck fuck I cannot believe I've run out of space again and I need to do a part 7

LOOK WHAT THESE LESBIANS ARE DOING TO ME (it'll be up in like an hour guys don't worry)

go to episode 4 part 7

[jules-ln]

Ok, so I can't stop thinking about Viktor in Arcane lmao

Not so much because I like him (which I do lmao) but more because his arc seems like convoluted mess of knots at first glance, and I don't understand it completely and I need to put this puzzle together

Also, honestly Arcane it's the perfect case for why "show, don't tell" isn't always good as it left a lot of things incredibly vague, things I think they should've stopped and clarify more

So let me take his character apart from the beginning to understand him

Spoilers btw

First I want to talk about Viktor's disability because apparently it was a big deal

I say apparently because at first I thought it wasn't a big deal for Viktor, it was just part of who he was

Like the first time we see him, he's confident, he seems secure in himself and the show itself doesn't seem to make a big deal out of him using his cane

But turns out that getting rid of his disability it was actually a big deal for Viktor and I want to search for an explanation that isn't that the writers probably had a subconscious bias about disability

Tbh I always thought that it was kind of implied that Viktor's disability was a result of his parents being exposed to dangerous chemicals in Zaun, like it wasn't just his sickness that was a result of being born in Zaun, but also his leg, don't know if it's just me but anyway the author is dead moving on

I'm saying this because it would make sense at least for Viktor to think that way. Because in his mind it's his disability = his sickness = the problems in Zaun. These three things aren't different for him, is one and the same problem that needs to be solved

This is also shown when Viktor is experimenting in himself with the Hexcore and instead of doing something that might help him idk stop coughing blood, the first thing he does is trying to undo his disability. And I've seen some people ask why the hell is Viktor more worried about his disability than the thing that's actually killing him. It's because in Viktor's mind is the same thing

Now, we can actually see hints that Viktor might resent his disability (and Zaun by extension) in the boat scene when he's a child, where even though his genius is great, his disability stops him from reaching the boat, from reaching his full potential (at least in Viktor's mind)

He resents not being able to be who he wants, who he could be if he had been born in Piltover and puts the blame on his disability and Zaun

This actually makes sense with later scenes when Viktor and Jayce show off what they've been working on to Heimmerdinger, the gauntlets and the claw (arm?). If Viktor and Jayce were working on these two things separately, very telling that Viktor's project (the claw) focuses on artisans, who are still "a step above" than the miners Jayce is focusing on. But if they're working together on the projects, we see that Viktor actually doesn't really wants to help Zaun

Because, what are these? Gauntlets and a claw to make people work faster? These are the solutions Viktor (and Jayce) come up when confronted with Zaun's problems, not actually helping them attack the root of the the problem. Like Miners have to spent hours working in dangerous conditions that affect their health? Well, let's give them something so they can work faster. This is merely palliative care, not caring to actually solve the real problem

Which leads me to the next point, Viktor doesn't actually wants to help Zaun to become a better place, he wants to get rid of the Zaun of now and transform it in Piltover 2.0. In his mind this isn't about helping Zaun, but getting rid of the thing that caused his disability and sickness, metaphorically eliminating them both

We can see this in Viktor's commune

Because, Zaun, even when it looks dirty and dark, all in all doesn't look ugly, like any place where poor people live, it's also full of individuality and self expression, art that's fighting to exist. Compare it to Piltover's Art deco and art nouveau inspired architecture that while, yes, everything looks very beautiful, it also looks very same-y

Viktor's commune also looks very same-y and in a way a bit Piltover inspired. Contrast Viktor's commune to the alternative universe we see where things are better in Zaun, it looks brighter and cleaner, but it also didn't lose any of the self expression and individuality that Zaun has. Individuality that is lost in Viktor's perfect world

Because again, it wasn't about Zaun, or about helping people, it was about Viktor taking something, destroying it, and substituting it with something he believes to be perfect. Perfect without any kind of disabilities that might hold Viktor back (which isn't true but that's what Viktor believes)

This sentiment later comes back when he tries his glorious evolution

Now about Jayce

Part of why I didn't understand Viktor's characterization at first was because I wasn't seeing the whole, I was missing a crucial part of the puzzle, and that was Jayce

At first I thought that Viktor was only interested in Jayce because of his idea of Hextech. But no.

The first time Viktor and Jayce meet, Viktor seems only mildly interested in Jayce's idea, but not enough to actually do something to help him, he was there because he had a job to do, he had to make sure that Jayce was arrested, only that

It wasn't until the judgement that Viktor actually takes an interest in Jayce, but not because of his idea

Viktor was attracted by Jayce's willingness to defend what he thought was right even when everyone else went against him. His personality and fierceness was the thing that later made Viktor take another look at Jayce's investigation

Compare it to how Mel first approached Jayce

Mel and Viktor are very similar in that both want to make something perfect (Mel wants a perfect Piltover, Viktor wants a perfect Zaun and later a perfect world), but they have different motivations. Mel wants to make a perfect city so that she later can gift it to her mother and prove that she's worthy of her love and affection, and that she's worthy of being part of her family

So in the judgment, Mel first sees and is interested by Jayce's idea, because it's something that can get her closer to her goal of being back with her family. Later she's interested in the inventor

But with Viktor is the opposite, he first is interested in Jayce as a man, that's what later attracts him to his dream

(Side note It's also worth noting that I think Arcane takes away Jayce's role in LoL of being Viktor's rival and gives it to Mel. More than that, with both Mel and Viktor being mages and Mel's magic being the thing that stops Viktor during the first fight between him and Jayce. I think that if Mel was more powerful, or Viktor was less overpowered [what the fuck arcane's writers, he's literally a freaking God] she could've stopped him)

Now this is important because I truly don't think Viktor's characterization makes sense unless he genuinely likes/loves Jayce without ulterior motives

In the rest of the first season, we see how Viktor slowly self isolates, in part because Jayce is leaving him behind to be with Mel, so that leads to Viktor taking more and more risks in a bit of a self destructive way, and I think this is in part because Jayce isn't with him. He probably also thinks it's his sickness the thing that's making Jayce go away, that's why he's trying to hide it in the beginning but I'm not to sure about that lmao

This later causes Sky's death, and I think her death is very important for Viktor. Not because he actually feels something for her, but because it's something that makes him feel very guilty

Because, if in the first season Viktor's actions were motivated in part because Jayce went away, then why Viktor's first instinct is to go away in the second season?

It's because of the guilt

In Viktor's mind he not only killed Sky, he's now the thing that killed sky. That plus the fact of how Jayce's acted during the bridge, hating on the zaunites. He probably thinks that Jayce doesn't care about him anymore

When he says "it was affection that held us together" he probably didn't mean it in a "I don't care about you anymore" but more in a "you don't care about me anymore, and you probably shouldn't anyway because there's no reason for you to do so"

When he goes away and creates a cult in Zaun, it's because Viktor is trying to redeem himself and make their dream come true. Viktor's commune is his version of their dream, a little bubble of perfection in an imperfect world

Of course that's not what Jayce wanted or meant when he thought about their dream, but that's just how Viktor misinterpreted it

That's why he's so insistent that Jayce go to see him after he's back from the future, because their dream wouldn't be complete unless it was both of them in it

So when Jayce shoot him, Viktor didn't think that maybe what he was doing was wrong, or that maybe he was crossing a line he shouldn't. When Jayce shoot him, he took it as Jayce rejecting not only their dream, but also Viktor himself

So he was hurt, he was angry. And in his hurt, the first thing he did was trying to justify his emotions by logic. The problem wasn't that what Viktor wanted was wrong. The problem was those pesky emotions messed everything up and if he just could get rid of them then their dream would become true and truly perfect (and Jayce wouldn't reject him). So he needed to get rid of emotions it didn't matter if he hurt the entire world (and Jayce) in his path to do so, more than that it was justified in his mind

I see what Viktor did after Jayce shoot him as he basically saying "I was trying to do this in the nice way, but now I'm angry and I'll show you what I'm truly capable of"

Ironically, his speech about what motivates humanity's greatest good is also what makes them do their greatest evil applies to Viktor 100%, his affection for Jayce is the thing that motivates him to help and to hurt everyone else

I also think that Viktor knew he was in part taking away some of the free will of the people in the commune, he probably just thought it wasn't doing them any harm, just taking away their "disability"

Now, in the future, Viktor realized that perfection, getting rid of humanity's mistakes, and getting rid of his disability; wasn't what he truly wanted, the thing that he truly wanted was to not be alone, and to be worthy of love, and Jayce was the only one who didn't make Viktor feel alone. So when Jayce hugged Viktor and showed him what he saw, I actually think it was like Viktor of the future telling his past self "this is not what you want, this is a mistake"

I also don't think Viktor learned to accept his disabilities in the end; because a heartfelt speech about loving yourself isn't going to make you forget a life of prejudice just like that lmao

But I do think that in that moment when Jayce showed him the future, he recognized that what he was doing was a mistake and stopped

In the end he got what he truly wanted, which was not being alone, being loved, and to be with Jayce, even if their dream of making the world a better place didn't become true

I read somewhere that Viktor in the game was inspired by Doctor Doom, and Idk if that's true. But if I had to compare Arcane Viktor to somebody in Marvel, it would be the Scarlet Witch (here I am thinking about fanart of Viktor dressed as the Scarlet Witch lmao), an extremely powerful being that gets carried away by their emotions, and ends up doing horrible things with good intentions

Yeah, I understand him a bit better now lmao

[deadboydetectives-confessions]

I’ve seen people talking about the season 2 spoilers and I think the one thing that irks me the most are the people talking about Edwin being a “party gay.”

I mean no offence to the people who genuinely take to that interpretation of his character, but I just can’t get behind it.

So much queer culture is built around parties, and bars, and clubs, and performances (drag or no) - events with crowded spaces with lots of people and noise and lights. I get why it’s that way, but it makes connecting with other queer people more difficult for those of us who can’t, or won’t, participate in these functions.

Would I have liked to see Edwin, as someone just recently coming to terms with himself, explore these spaces? Absolutely. Would I have liked to see him immediately fit into them? Hell no.

He is still partially caught up in the etiquette of his time. He spent seventy years in Hell, and from what we’ve seen of it, it’s overcrowded and overwhelming. He still struggles with touching Crystal, even though he loves her. I think a big event with lots of people could easily trigger his experiences with Hell, or be very off-putting at the very least. I’d like to see him come to terms with that, and the fact that a lot of queer events are too much for him. I’d like to see that disconnect from the community, and how he struggles to accept that it’s just not his scene, because, as a queer person, it’s almost expected to be his scene. At the end, I’d like for him to find other queer spaces he can be himself in. Maybe he finds connection to the past in a queer museum, maybe a love interest (though I don’t really care about him getting a love interest besides Charles, I know some people do) in a queer bookshop he frequents, maybe it’s not even a queer space at all, but he finds people who he feels seen by, and develops quiet relationships with, where there’s no pressure to perform surrounded by alcohol and lights and loud noises.

Maybe, by the end, he slowly works his way up to gay bars and drag shows and genuinely enjoys them. First, though, I’d like to see a bit of struggle, and acknowledgments that the “party gay” side of the community isn’t for everyone.

Anyway, this might just be me projecting onto a character I like too much, but I think it would be nice to see an experience like that reflected onto DBDA, which has done so well with exploring queer themes already.

.

[anomalymon]

I did do a bit of research into subpersonalities and I'll admit I'm not an expert, but what's described here seems different to me. What I saw about subpersonalities they don't seem to have that level of identity to actually be different species or fictional characters like I saw. When I looked into genders I couldn't find anything about them being able to be different genders either besides in a sort of metaphorical way.

This seems a lot closer to median systems (other source with some better clarification) from how I've seen it described in polymind resources vs. how I've seen it described in subpersonalities, actually to the point polymind seems to unintentionally have borrowed a term structure from it with -ling. While it might not be, I think that's where I and most other systems see the similarities.

I think active as a parallel to fronting, at least for me, is because of how there's terms in the carrd for active, co-active, and activestuck, which seem like they're meant to parallel front. The same goes for swap and swappy being just switch and switchy.

Also for me at least I was getting my information from the wiki that I saw linked and I assumed the Carrds that kept being cited were either created by the coiner or created with the coiner's feedback. The Carrds aren't reliable, I know this one has straight up misinformation, but I was taking them as something reflective of the community and community terminology since it was cited on the wiki. I understand if that's not the case but that's why I referenced it.

Either way if it's genuinely not plurality, I'd say a good way to beat those allegations would be to write about your experiences. Especially with posts in the tag furthering that misinformation, like calling it a "less harmful alternative to endos" (it's not an alternative if that's not what it is in the first place, since endogenic systems are separate individuals, not personalities and not really anything close to subpersonalities).

I think a lot of people would be interested in reading any essays you'd write on your experiences too. The alterhuman community especially is big into that, and I'd love to read it myself too. A lot of communities got their start with people just writing and sharing their experiences. If you try to make the whole term structure before others know your experiences and vice versa, that's how misunderstandings can happen.

It's worth mentioning too that there are system and plural community resources that might still be applicable to you, and there's nothing wrong with using or reading these if you aren't of these experiences or don't identify as such. I'd highly recommend Healthy Multiplicity as a starting point since it's a long time link collection and has a lot of relevant articles. I'd also recommend learning what plurality and systems actually are, since that might give you more insight into how your experience compares and differs.

(Also re: little, I know it's an age regression term but little and ageling as far as that glossary goes seemed redundant to me, hence why I included it, but admittedly that was done without thinking)

Polymind is a bit fascinating because it ends up unintentionally showing why system terminology ends up not being exclusive to any one specific group.

Like when you try to describe plural experiences in a way that tries not to use an existing plural definitions, it shows a lot more blatantly that at its core we do all have the same experience of being more than one. Any term you make has a high chance of applying to the other group.

Then when you get into the terminology needed to actually describe those experiences, you find you kind of need most of the shared terminology otherwise you need to recreate the whole damn lexicon.

Like the reason terms get shared is more like "We have DID need a fast and easy way to describe fictional alters. Oh, soulbonders have a lot of terminology for this already that fits what we need, we'll start using fictive and source."

Or "We're a non-disordered system and need a way to describe one headmate taking over. Oh, medically there's switching and front, that's a fast and simple way to describe it."

And like a lot of subcultures online are like that and when you try to fight it you end up with complicated and not very practical terms. Especially when there's terms that have been used for over 30 goddamn years that are simpler and easier to use.

Hell even trying not to use any existing plural terminology, Polymind ended taking a lot of them unintentionally (i.e. part, ageling, little, protector).

It also highlights an issue where unless you do deeper introspection, which is not always practical for... obvious reasons, you probably won't know exactly what you fall under. Expecting people to look in depth trauma history to figure out what terminology they're allowed to use is despicable.

Also that the problem is at its core that people don't think we should exist at all and that the terminology stink ends up being more of a way to make harassment and fakeclaiming seem "justified" and also a method of erasing history and separating systems from resources/making them harder to find but eh

[teoft]

It's like Tumblr has become almost a diary for me, thanks to no character limit and a read more button. This atmosphere of acceptance and understanding helps a lot too.

I'll get back to posting actual art, juggling with Twitter and Bluesky along with commissions is taking up a lot of my time.

Anyway, thoughts about art community and being social

For the longest time I've had this feeling of being an outsider in this vague community of artists that see as colleagues of sorts. Like I meet all the "criteria" of being in the group, and yet don't really feel like I'm part of it. Well, it seems I am right in some way, and the reason is that they interact with each other, while I sit here drawing alone.

Unfortunately I've always been prone to isolate myself from others. I grew up feeling like I should be ashamed of loving to draw, since it was always fanart monsters, creatures and cool guys instead of "proper art" like animals and portraits. Before social media, I only drew for myself and never showed anything to anybody. I hid my art from my family, from the world, so that I wouldn't be judged. I think it is one of the biggest reasons why I have trouble interacting with people in the context of art (tbh I'm shit at being social anyway but that's a whole another problem).

Even when I had a scanner and means to post my art online, I never did, due to the whole "if you put something online it'll be there forever" mindset. My first actual account anywhere online must've been Facebook in 2010ish, where I only had a few friends. It was the perfect place for me to finally post anything online, and so I did: I used to post pretty much everything I drew on there. Slowly gaining courage, I eventually made my original Tumblr account, then Deviantart, Twitter, etc.

Still, all I did was throw my art out there in hopes of somebody liking it. I didn't really know how to interact with the people who commented on my posts, so instead I mostly just... made more art. I did have some friend groups here and there, but either they ended up falling apart or my social battery drained in such a way that I slowly drifted away. I had gotten used to just being by myself and relying only on myself in the online art world.

During my design studies, I started putting more thought and work on promoting myself, so that it could be one career path for me to take. My mindset was that I'll work hard and become "big", even if it meant that one post gained me just one follower. In 2020 I ended up going viral with a meme and suddenly getting tens of thousands of followers. It was great and a welcome boost of morale, but unfortunately 2020 was otherwise one of the worst years in my life.

Throughout the years people have come and gone, so the only constant for me has been myself, and my drive to develop my skills. Thus it's been too easy for me to just isolate myself. In a way it has been my strength with regards to art, but sometimes I wish I knew how to make lasting connections. I think/know I might be autistic to some degree, which adds to the difficulty of being social. Though, to be honest, I don't know if I'd gotten this far without my autistic hyperfixations.

I guess the thing I need to do now to fix this problem of loneliness and isolation is to just... slowly try and be more social. To reply to comments and talk to people. All of which is easier said than done. Still, just gotta take that first step and then keep going.

Despite lacking the kind of community I yearn for, it seems I've made a name for myself, enough so that people seem to take pride in knowing me. Or at least that's the impression I've gotten a few times. But still, I am happy that I've had a positive effect on people. After all, my two main motivators in art are that I like doing it, and I like when people enjoy my art.

[urmomslonelycryptid69]

There needs to be an app or website or something like letterboxd or Goodreads but for audio dramas instead

[atomiclace]

who knew that some agere people would be the worst type of people to exist (talking about you spinny)

[icewindandboringhorror]

Recent things.. mostly just writing screenshots lol

[diathadevil]

hi can I just say you seeing itsuomi as bi-coded is so big brained . we love bi itsuomi in this household <3 you're right and you SHOULD say it

All my current fav anime guys have had a Bisexual tone to them, it's only a given (just look at Fakir from Princess Tutu and Kyo Sohma from Fruits Basket and Ryuuji Takasu from Toradora and-----).

But what sets Itsuomi so much from them all is not just how open he is about complimenting and joking with the people around him, it's that he is also so so so active about talking things out and starting up a conversation. He doesn't want any misgivings or misunderstanding, the man WANTS to communicate because he's always wanted to reach out to people and to understand them and likewise have them understand him when the topics arise.

Itsuomi is not only Bi and Acespec coded he is also SO open-minded and a natural at genuine human connection. He travels not just to help the people around him but to also understand them as well and he doesn't shy away from starting up a conversation with them.

Fuck I love him. I have to continue Yubisaki fan arts someday.....

[libraford]

The word 'rural' is in the public consciousness again and every time people start going in about the 'rural values' 'rural way of life' I remember just how subjective that word is.

I have a friend that lives in LA. He considers Columbus, OH to be 'rural.' A population of over 900k. Thriving arts community, tons of culture festivals, every kind of restaurant you can think of, one of the most annoying college campuses ever, several smaller colleges, lots of queer spaces, comic book conventions, huge concerts... rural.

The town I live in considers itself 'rural.' 38k population. Arts festival every year, a small pride celebration, monthly gallery hop, big Halloween festival. Five ice cream shops, three coffee shops, a couple fancy bars, so many grocery stores. Huge library, conservation and sustainability advocates, queer spaces, a hospital, one private college. Rural.

The town we nearly annexed, but lost the deal considers us 'urban' compared to them. Less than 5k. They have a limited hospital, often send their surgeries here. Downtown has hardware store, bars, craft supply store, a couple grocery stores, pizza places. There's some farmland, but much of the square acreage is golf. Mega churches. The houses here are 500k. Most people drive ATVs. They have a handful of festivals in the summer.

A town I would often get sent to to cover their high school sports- a little over 2k. There's a Subway, a Domino's, Family Dollar. Some bars, some corner stores. Some local crafts. All the students grow up knowing each other, most of them stay there. But they have craft fairs and art galleries, still.

Less rural still than the town I go through to get there, population of around 600. Houses, farmland, post office, general store.

Who would still look down upon the town of about 400 that I would go to sometimes- post office. Gas station. Bar. The school is the only big thing there.

And yet still, I have seen towns with population in the double digits that have a church and a post office.

Even just looking at the numbers doesn't lend accuracy to what 'rural' actually looks like. Because this is what it looks like in ohio, but it's different in West Virginia- where your closest neighbor might be a mile down a hill. Or in Montana, where your town might be planned very tightly and your neighbors are very close, but the nearest grocery store is an hour and a half away. These are places I've been, friends that I've talked to. I've never been to Missouri or Alabama or Louisiana- I'm sure they have a unique experience of being 'rural.'

So my point is that when people talk about 'the rural experience' or 'rural values,' they are talking about millions of people across the entire country who all have lived unique lives- and who may not even agree on what 'rural' is.

Think about who is talking, and who is being talked over, and who isn't even being asked to join the conversation.

[sttoru]

your boyfriend sleeps on the couch after an argument you both had earlier that day. after calming your nerves and taking time for yourself, you realise that you might have been a bit too harsh on him.

☀︎｜tags. older bf!gojo satoru x female reader. fluff / angst / hurt + comfort. age gap (reader early 20’s & satoru early 30’s). nicknames used; ‘(little) baby’. he’s honestly just the perfect combination of gentle and teasing. subtle mentions of size difference.

satoru shifts on the couch whilst letting out an inaudible yawn. he was tired after an entire day at work and finally had the chance to settle down in the comfort of his apartment.

though, he couldn’t really relax just yet. the reason why being the undeniable tension hanging in the air. he was in fact home, but it didn’t feel like it. not when you were missing.

you had holed yourself up in the master bedroom after an earlier argument the two of you had. it wasn’t a big fight — just a little squabble between lovers. satoru didn’t rush after you when you had decided to walk away midst argument. you clearly weren’t in the right headspace to properly articulate nor communicate your feelings.

he figured that you just needed some time alone and thus decided to leave you be. he didn’t want to risk losing you by annoying you any further.

satoru scrolls on his phone out of boredom. the light radiating off the screen starts to bother his already sensitive eyes. with a sigh, he shuts off the device and puts it down on the coffee table.

it was dead silent in the apartment that was usually filled with your lively chatter. the sorcerer wants nothing more than to cuddle up with you under the covers and fall asleep. but, you needed space and he wasn’t going to disturb you.

he drapes an arm over his eyes and pulls the thin blanket over his chest. his breaths were steady and his thoughts were surprisingly calm. satoru almost drifts off to sleep, however his body lightly jolts awake once he hears the creaking of a door.

careful footsteps echo throughout the hallway and stop right at the doorstep of the living room.

satoru moves his arm to the side so his vision wouldn’t be obstructed. his eyes land on the figure standing at the doorframe — one he could recognise instantly.

it was you, standing there with your head held low and your fingers curled around the hem of your nightgown. you didn’t take another step forwards and just lingered in your spot for a few seconds without saying anything.

“hey, baby.” satoru breaks the silence. his voice was as soft as it could be, not an ounce of annoyance or frustration in it. even if he had all the reason to be upset according to you.

you remember just how childish you acted earlier; you had lost all rationality, shouted at your boyfriend out of frustration and ran off mid sentence instead of properly addressing the issue at hand. the way you handled that situation was wrong and immature.

in contrast to your immature behaviour, satoru had stayed calm and collected throughout the entirety of your argument. he hadn’t raised his voice at you even once nor did he blame you for anything. you felt bad for acting like a bratty kid who didn’t get her way.

you eventually move towards the couch, still not making eye contact with your boyfriend. he sits up and simply watches you with a raised eyebrow—curious as to what you were about to do.

you knew you had to apologise for your behaviour, but what you needed first was his validation. you wordlessly climb onto the couch and under the blanket satoru was using.

your arms wrap around his torso and you hug him tightly to your body, face buried in his shirt to cover your embarrassed and remorseful expression.

satoru’s eyes widen a bit at the sudden show of affection, though he wasn’t complaining. he reciprocates the gesture and nuzzles his cheek against the top of your head.

“my little baby.” he chuckles, hands rubbing your back in attempt to reassure you that everything was and will be fine, “i’m happy you decided to come back to me — thank you.”

again. that tender tone satoru uses only with you and for you. the guilt from earlier hits you like a truck and your eyes well up with tears before you could stop the process.

“sorry,” your voice cracks once you finally muster out an apology. the warmth engulfing your cold body was enough to make you sob in his comforting embrace. satoru sighs and closes his eyes. he rests his chin on top of your head whilst holding you like his life depended on it.

no words were exchanged between you two for a good minute. satoru silently encourages you to cry it out and so you do. after calming down, you sniffle and pull your head away from his chest. your eyes were watery and a bit red.

the pad of his thumb sweeps the stray tears away from your cheeks, his touch precise and careful. he smiles softly at the sight of his teary-eyed girlfriend. you were so adorable and precious to him. even when you looked like a mess — a pretty mess.

“i just..” you start off, small hiccups interrupting your sentence, “i wanted to apologise for acting so childish. i shouldn’t have said nor did any of those hurtful things. i apologise for that as well.”

your lover nods along to your words. he hums in delight and kisses your forehead, his lips lingering there for longer than intended, “don’t worry, baby. i understand. thank you for apologising, though.”

you mutter a small ‘of course’ in-between sniffles. that was all the reassurance you had needed to hear from your boyfriend. though, you still felt bad and the guilt of your immature actions seemed to linger in the back of your mind.

you lay your head back on satoru’s chest and listen to his heartbeat — hoping that the constant sound would drown out any other thoughts. your lover lays on his back and pulls you down on top of him. his hands rub your sides, slender fingers toying with the silky material of your nightgown.

“i’m sorry for being immature sometimes. i’m sure it must be troubling to deal with.” you whisper as you enjoy the feeling of being back in satoru’s arms.

he grins and shakes his head in response. he loves every side of yours — even your immature one. if he didn’t, he wouldn’t be here right now. he truly loves all of you.

the older man places another soft kiss on top of your head and closes his eyes afterwards, “heh, i’d be lying if i said that you trying to act all tough earlier wasn’t cute.”

satoru snickers at the memory. he remembers how you pointed that little finger of yours in front of his face and how you tried to subtly stand on the tips of your toes so you could look him in the eyes properly. your attempts at looking intimidating were quite endearing.

it’s not like he was invalidating your feelings with that comment — he was genuinely trying to lighten your mood. and it wasn’t like it didn’t work.

“whatever.” you huff, playfully swatting his biceps and gaining an over exaggerated ‘ow!’ in response. you’re glad that things have gone back to normal between you two. if the situation had continued for any longer, you’d have lost your mind.

you aren’t the only one who is extremely relieved. satoru is beaming with joy because he gets to hold and talk to you again. that small period of silence between the both of you felt like an eternity to him.

no matter how many times you have those little arguments, satoru will still love you all the same.

[borderlinereminders]

If you’re someone who needs reassurance from loved ones that they love you, that’s really valid. But the way you ask for it matters. Hinting at it with comments like “nobody loves me” can actually be hurtful to your loved ones. It’s also a good idea to try and reassure yourself first!

The truth is that for a lot of people, giving reassurance constantly is exhausting. It can lead to issues in a relationship over time, and negative feelings on both sides because they may end up avoiding the other person. This is especially true if someone doesn't ask for reassurance directly but hints at it with things like "No one cares about me."

My advice is if you are finding yourself struggling is to first try and self soothe either with skills or things that have helped in the past. Here is my post on self-soothing ideas! And if that doesn’t work, then ask for it in a healthy way.

Some other examples.

Keep screenshots, letters, cards etc that affirm you are cared about by your loved ones. You can even ask someone to give you a recording of them saying it that you can listen to. Bonus: Keep these things in a self-care box that you can use in times of crisis and pull out that has other things in like affirmation cards, favourite treats, self care items, etc.

Examine the evidence. By this I mean try and keep a list of things they've done to show they care about you. For example, I have a list of things my partner has done for me besides saying "I love you" of both big things and little things that I can read when my brain decides to be rude to me and make me doubt he cares.

If the other person has done something specifically to make you feel they don't care, it's important to step back and look at the situation and check the facts. There's a difference between someone lying to you or doing something intentional and someone not replying to you because they got busy. Here’s my post on checking the facts!

Here’s a post on Challenging Irrational Thoughts!

ACCEPTS is a really good skill for distractions! Here's a post on it.

TIPP is a good skill if you are needing to calm down in immediate crisis. Here's a post on it.

If you're having urges to accuse your loved one of not caring, consider Urge Surfing (here's a post on it) and then using a skill or plan that helps you.

If you aren't able to self-soothe that's so valid! It really is. I recommend trying it because sometimes you will be able to. But then sometimes you won't be able to and that's okay. In this case, if you need to get it from someone, ask directly for it instead of doing it in a guilting/passive aggressive/hinting way. You might say "Hey. I know you care about me, but my brain is being rude. Can you please give me some reassurance?" instead of "Sorry I'm such a bad friend/person/burden/etc".

It might also be worth having a conversation when calm with the other person to establish some boundaries and ideas for communication.

For example, if your friend regularly feels drained by you asking for reassurance, they could set boundaries on how often they're okay for you to ask for it.

You both might decide that they will try and message you randomly to offer reassurance because it can mean a lot when that happens.

This might be where they send you messages/recordings/etc that you can read in times of need.

If the friend is doing something specifically, even unintentionally, that makes you question things then it's really valid to have a discussion about it! I recommend using some I-Statements or other communicative skills to talk about it. Even if they aren't doing something wrong, it's still valid to talk about your feelings and see if you can come up with a solution. For example, maybe it's really hard on you that they disappear randomly for a couple days when their energy levels plummet. And this causes you to spiral and think they're ghosting you or etc. In this situation, maybe you and your friend come up with a solution where you establish a single emoji (specific for this purpose) that the friend can send with low energy that says "Hey. It's not you but I'm feeling drained and need to not reply for a bit."

[scentedpeachlandcreator]

You want to manifest your dream life?

I gotcha! This post is right here to make you stop over-consuming content about LOA and finally be able to manifest your dream reality!

Decide:

Okay, so you first need to decide what you want to manifest.

You want to live in a penthouse and in a Big mansion with your family or sp? you Can! You want to wake up in a magical world you created Guess what? Yes, you Can!

Do you want to wake up with your desired appearance from head to toe? Yes, you Can. And when I say you Can that means you're fucking limitless don't let anybody limit you, 'cause you’re the creator of your own reality, not theirs but yours, and you create the rules here!

throw logic out the window! cause it won’t get you anywhere if you still ask “if i can manifest that and that..”

Okay, so when you decide what you want to manifest you might wonder what will you do next?

Well, it's simple really. just decide that you already have it.

But how?

By simply deciding that you already have your desires/dream life in your 4D/imagination.

using methods:

Now you might need to use methods and by methods that means techniques that will help you achieve your desires and that make you fulfilled, you Can Also create your own method that suits you well.

Note: you don't need to do a certain method that everyone uses and that doesn’t resonate with you.

You Can click here and here you will find all the methods that were used in the LOA community.

my favorite: affirming and this method (click here!).

Then when you start affirming for your Desires or use methods to manifest your Desires you might encounter some issues with the 3d.

Things start going the opposite and you’ll start giving up and doubting yourself and the law.

And that when it comes to the important thing to do and it is called persisting.

Persist:

when you see things start going up the opposite way (in the 3d) and that is when you need to do your job by persisting in the idea of already having your desires in the 4d, by being consistent and stubborn in your assumption.

that it! easy right?

you might have some questions about all of this and how to react in certain situations with the 3d I advice you to read these posts and documents:

This one , this , this , this , this one, this, this.

and lastly, stop it like really stop consuming info and not applying the law, you can stay on this app but just don’t be obsessively always here, always waiting for a new post to make you realize what method or technique or what it is will make you manifest your desires.

remember the key is self, and yes you, the reader who is reading my post, you have such infinite power inside you that could change your whole world 360 degree.

remember to trust yourself and to have faith in the unseen, you can do it I have my trust in you, and always remember that some people were in extremely difficult circumstances and they did what? yes succeed, by having faith in the unseen and persisting in their imagination and now they’re living their best life.

be gentle with yourself, take care of yourself, and prioritize your mental health.

Summary:

: ̗̀➛ decide what you want to manifest.

: ̗̀➛ affirm (or use any methods).

: ̗̀➛persist.

chao chao!

xoxo, Eli.

© Scentedpeachlandcreator.

[icemankazansky]

A Simple Guide to Not Being Afraid to Write Comments to Fic You Read

I've seen a lot of posts about the current state of fanfiction comments. Writers, especially writers who have been in fandom for a decade or more, are frustrated by the lack of comments, and have noticed a definite decline in comments (and all other forms of reader interaction) in the past ten years or so. Many readers feel daunted by the expectation of leaving comments, afraid they'll do something wrong. As a fandom old maid, the latter confused me for a while, until I realized that most of the people who feel that way probably have not been taught this form of communication.

But your loving fandom elders are here for you. Come along as your auntie tumblr user icemankazansky makes this shit easy.

The easiest way to think of fanfiction comment etiquette is to compare it to something you likely already know: Gift Receiving Etiquette.

Fanfiction began as largely a gift economy. And a lot of it still is! You'll see authors participate in exchanges like Yuletide and Id Pro Quo; those are ficswaps in which authors write for a specific person to specific prompts. And even outside that, fanfiction is not written for money; authors write and post it simply for the joy of creation and community with fellow fans. Fic is posted free for anyone to enjoy. Is that not a gift?

So. When you as a reader finish the chapter or story you're reading and you are faced with the comment box, try to follow the same etiquette you would when receiving a gift. (And even if you didn't love this gift and it's not your favorite gift ever, we already know that it's more useful than the products from your cousin's MLM that they're passing off as gifts, because you read the story. At the very least, it entertained you for the time you took to read it.)

The big rule of gift receiving etiquette is not to insult the person who gave you the gift, either directly or indirectly. That's it. Full stop.

I've been seeing a lot of comments lately that are just along the lines of, "Thank you for writing this story and sharing it with us." A+, top of the class, full marks, you're doing amazing. If you don't feel comfortable commenting on the story itself, that is perfect feedback. And that's the most basic way you respond to a gift, yes? Thank you for the gift. Thank you for thinking of me. Thank you for sharing.

Does this rule mean that you cannot say anything at all that might be negative about anything? No, absolutely not. What you want to avoid is saying something that is, at its core, a negative evaluation of the author or their work. Let's do some examples.

Character A's obliviousness about Character B's MASSIVE crush on them made me so frustrated! I was tearing my hair out internally screaming, "JUST LET HIM LOVE YOU."

✔️ Excellent comment! You're allowed to have all sorts of feelings about things that happen in the story, and in fact authors LOVE to hear about any emotions they made you feel. Yes, frustration is not a positive emotion, but the thing you are expressing frustration about is not the author themselves or their shortcomings.

Contrast that to:

I was really frustrated that it took you so long to post this chapter. The cliffhanger at the end of the previous chapter had me tearing my hair out, and then you just left us hanging FOREVER!

❌ Nope! Here what you are expressing is frustration with the author and how fast they come out with new chapters. Imagine your sister buys you a gift for your birthday, but she isn't able to give it to you until the next week, and you respond with: "What took you so long?" I think Emily Post would frown on that.

Reframing

The way you say something and the point of view from which you give feedback can have a HUGE impact on the message you're sending. Let's take the last comment (the one about wanting an update) and see what happens when we reframe the same sentiment as a positive:

I was SO EXCITED to see that you updated this story! I have really been looking forward to seeing what happened after the cliffhanger in the last chapter.

✔️ Now it's not an insult. The author will be happy to know that you are happy to see new work from them.

This idea extends beyond the story itself: to the fandom, the characters, the pairing, the tropes, etc. Let's do some examples.

I looooove reading about these sexy boys SO IN LOVE even though the movie you're writing about is SOOOOO problematic.

❌ Nope! Assume that the author enjoys the canon, characters, pairing, etc. in the stories they write. This comment is insulting to the author because it basically says, "That thing you love is not great, and you should probably feel bad for liking it." Imagine your aunt gifts you a sweater from a popular retailer, and you respond with, "This is so cute, I love it! It's a shame that it was made in a sweatshop." Do you have a valid point about the canon or the retailer's business practices? You very well might. Is this the proper time and place to talk about it? Absolutely not.

Let's do a reframing exercise. You should be very careful about how you approach commenting negatively on anything in the story that appears in the tags list, but you can make it a compliment and good feedback if you have the right perspective. See the difference with these two approaches:

I kind of think frottage is disgusting, but I liked it in this story.

❌ Nope! You just told the author you think their kink is disgusting. That's like telling your poor aunt who is just trying to keep you warm this winter that she has awful taste in knitwear. Try again.

Frottage normally isn't my kink, but I love your other stories with this pairing, so I decided to give it a try, and I'm SOOOOO GLAD that I did! This story was 🔥🔥🔥

✔️ "This normally isn't my thing, but you made me expand my horizons!" Authors love to hear that. That's like telling your aunt, "I never thought this color looked good on me, but I look so cute in this sweater! I'm so glad you helped me step outside my comfort zone, because I'm the better for it."

thank u, next

The last thing I want to address is this new trend I've seen in commenting lately: placing an order. If your mom surprises you with new headphones, you don't respond with, "I wanted the white ones 🙁," or, "You should get me a new phone, too." It's easy to see why that isn't appropriate in a gifting situation, and it's also not appropriate when commenting on fanfiction.

Let's do some examples:

This fic was soooo cute, but it would have been a million times better if Character A had been with Character C instead of Character B.

❌ There are a few things going on here. Number one, you're telling your mom you wanted the white headphones, not the ones she actually bought you. You're also disparaging the A/B pairing that the author chose to write about, and as we discussed, we can assume that the author wrote the pairing because they liked it. Even if it's not their favorite and/or they also write A/C, they made a choice for this story to be A/B, and the comments section of a fic is not the place to question choices the author made in their own work.

You should write a story where Character Z who is not even in this story does [thing that is vaguely referenced in the B plot].

❌ "You should get me a new phone, too."

I want a sequel. 😞

❌ "Thank you, next!"

You can reframe this kind of sentiment if you are careful about it, and it's not all you say.

I really loved this story. I would be so interested to see these ideas explored further if you ever decide to write more in this universe.

✔️ Not "gimme." Not "more." This is, "If you build it, I will come." It is a HUGE difference.

You already know how to do this. You know how to graciously accept a gift; just use that same etiquette, and boom! Now you know how to fearlessly write a comment to fic you read. You're doing amazing. Go forth and comment.

[fixomnia-scribble]

WOW.

Scientists found an amazingly well-preserved village from 3,000 years ago

Text below, in case article access dries up:

LONDON — A half-eaten bowl of porridge complete with wooden spoon, communal rubbish bins, and a decorative necklace made with amber and glass beads are just a handful of the extraordinarily well-preserved remnants of a late Bronze Age hamlet unearthed in eastern England that’s been dubbed “Britain’s Pompeii” and a “time capsule” into village life almost 3,000 years ago.

The findings from the site, excavated in 2015 to 2016, are now the subject of two reports, complete with previously unseen photos, published this week by University of Cambridge archaeologists, who said they cast light onto the “cosy domesticity” of ancient settlement life.

“It might be the best prehistoric settlement that we’ve found in Britain,” Mark Knight, the excavation director and a co-author of the reports, said in an interviewThursday. “We took the roofs off and inside was pretty much the contents,” he said. “It’s so comprehensive and so coherent.”

The reason for the rare preservation: disaster.

The settlement, thought to have originally consisted of several large roundhouses made of wood and constructed on stilts above a slow-moving river, was engulfed by a fire less than a year after being built.

During the blaze, the buildings and much of their contents collapsed into a muddy river below that “cushioned the scorched remains where they fell,” the university said of the findings. This combination of charring from the fire and waterlogging led to “exceptional preservation,” the researchers found.

“Because of the nature of the settlement, that it was burned down and its abandonment unplanned, everything was captured,” Knight added.

“As we excavated it, there was that feeling that we were picking over someone else’s tragedy,” he said of the eerie site in the swampy fenland of East Anglia. “I don’t think we could smell the fire but the amount of ash around us — it felt close.”

Researchers said they eventually unearthed four large wooden roundhouses and an entranceway structure, but the original settlement was probably “twice as big.”

The site at Must Farm dates to about 850 B.C., eight centuries before Romans came to Britain. Archaeologists have been shocked at “just how clear the picture is” of late Bronze Age life based on the level of detail uncovered, Knight said.

The findings also showed that the communities lived “a way of life that was more sophisticated than we could have imagined,” Duncan Wilson, head of Historic England, the public body responsible for preserving England’s historic environment, said in a statement.

The findings unearthed include a stack of spears, possibly for hunting or defense; a decorative necklace “with beads from as far away as Denmark and Iran”; clothes of fine flax linen; and a female adult skull rendered smooth, “perhaps a memento of a lost loved one,” the research found.

The inhabitants’ diet was also rich and varied, including boar, pike and bream, along with wheat and barley.

A pottery bowl with the finger marks of its maker in the clay was also unearthed, researchers said, still containing its final meal — “a wheat-grain porridge mixed with animal fats” — with a wooden spatula resting inside the bowl.

“It appears the occupants saved their meat juices to use as toppings for porridge,” project archaeologist Chris Wakefield said in the university’s news release. “Chemical analyses of the bowls and jars showed traces of honey along with ruminant meats such as deer, suggesting these ingredients were combined to create a form of prehistoric honey-glazed venison,” he added.

Skulls of dogs — probably kept as pets and to help with hunting — were also uncovered, and the dogs’ fossilized feces showed they fed on scraps from their owners’ meals, the research found.

The buildings, some connected by walkways, may have had up to 60 people living there all together, Knight said, along with animals.

Although no intact sets of human remains were found at the site, indicating that the inhabitants probably fled the fire safely, several sheep bones were found burned indoors. “Skeletal remains showed the lambs were three to six months old, suggesting the settlement was destroyed sometime in late summer or early autumn,” according to the university’s news release.

Ceramic and wooden vessels including tiny cups, bowls and large storage jars were also found. Some pots were even designed to nest, stacked inside one another, Knight said — evidence of an interest in aesthetics as well as practicality.

A lot of similar items were found replicated in each home, Knight added, painting the picture of completely independent homesteads for each family unit rather than distinct buildings for shared tasks — much like we live today.

Household inventories often included metal tools, loom weights, sickles for crop harvesting, axes and even handheld razors for cutting hair.

The roundhouses — one of which had almost 50 square meters (nearly 540 square feet) of floor space — had hearths and insulated straw and clay roofs. Some featured activity zones for cooking, sleeping and working akin to modern-day rooms.

The Must Farm settlement has produced the largest collection of everyday Bronze Age artifacts ever discovered in the United Kingdom, according to Historic England, which partly funded the 1.1 million pound ($1.4 million) excavation project.

The public body labeled the site a “time capsule,” including almost 200 wooden artifacts, over 150 fiber and textile items, 128 pottery vessels and more than 90 pieces of metalwork. Some items will go on display at the nearby Peterborough Museum next month.

Archaeologists never found a “smoking gun” cause for the fire, Knight said. Instead, they suspect it was either an attack from “outside forces,” which may explain why the inhabitants never returned to collect their possessions from the debris, or an accidental blaze that spread rapidly across the tightly nestled homes.

“Probably all that was left was the people and what they were wearing; everything else was left behind,” Knight said of the fire.

But the preservation has left a window for people to look back through in the future. “You could almost see and smell their world,” he said.

“The only thing that was missing was the inhabitants,” Knight added. “And yet … I think they were there — you certainly got glimpses.”