#the chokehold this scene has on me

[yang-png]

i'm not going anywhere, yang

[afternoonblues]

*notices the s2 folder downloaded & catching dust while re-arranging some folders on the laptop*

suddenly decides that if i have to start watching tgcf s2 (after which i'll re-read the novel) right now, i need to go back & rewatch s1 to get into the vibe & tell me WHY i just slapped both of my hands upon my face as soon as I SAW THIS

[teddytheartist]

Zukka for the win my guys

[ficcerspam]

Tim has noticed something odd, about the Demon Brat.

Sometimes, the Demon Brat would look to his left, as if to start a conversation, or as if anticipating someone saying something, only to freeze. Just for a moment, a half second, because nobody was there, before looking away with painful expression. 

Months later, Tim decided to stand there, just to see what would happen. The brat didn’t look at him once, and Tim found that curious, and odd.

Another odd thing about his new, murderous brother, is that he refuses to look into the mirror. That’s not true, exactly: he would look in the mirror for basics, for necessities. 

Tim realized, months of observations later, that the brat didn’t look himself in the eyes. 

Strange. 

Tim had asked him, once, why he didn’t. As expected, all he got was a “It’s none of your business Drake.”

But that didn’t stop Tim from wondering. Tim is, if nothing else, curious to a fault and persistent to an illegal degree. 

And so the strangeness would continue, and Tim would wonder.  

The brat would look to his left, pause, and then look away. He would deftly avoid mirrors, and when asked why he would sneer and avoid those questions, too. 

Until he didn’t. 

Until he came back to the Cave battered and beaten, some dreary autumn day, the Demon Brat unusually sullen and quiet and off his game. He had sat through the lecture Bruce had given him, and sat through the quiet reaching out from Dick, and sat through the cajoling teasing meant to rile him up, to get him to say or do anything per the norm, with an unusual aplomb.

The brat apologized, said he was fine, and ignored the rest. He told Bruce he wouldn’t patrol tomorrow, and would stay home from school, because clearly he wasn’t feeling well. 

 It was like Damian wasn’t there, fully. 

So when Tim saw that the brat’s door was open, the next day, he peeked in. 

Of course he did. 

And there the brat was, sitting in front of the full length mirror he usually had covered with a cloth when it wasn’t in use, reaching up and staring directly into his own reflection’s eyes. 

“Demon Brat?” Tim asked, stepping in and concerned about the look in the other’s face. There was no answer. 

“Damian. What’s wrong.” Tim stood behind the boy, watching as Damian touched the corner of his own reflection’s eye. 

“The color’s wrong, Drake.” Damian finally said, matter of fact and almost broken, absent-minded. 

“What?” Tim asked, trying to see what he was talking about. Nothing was wrong, nothing was changed. Damian met his eyes through the mirror for a long moment, but Tim didn’t understand. 

“The color.” Damian reiterated, looking at his own reflection again. 

“The color? Of what?” Tim and Damian were never close, not really, but he was starting to feel like something was slipping away, in this moment. Damian dropped his hand, and finally looked away. 

Without answering, the boy got up and carefully draped a cloth over the mirror, ushering Tim out of his room silent as the dead. 

“Leave me be for today, Drake.” Tim reached, opened his mouth to try and say something, because something was wrong, but what? 

But Damian simply shut the door softly. 

The sound of the lock engaging felt strangely, and utterly, final in a Manor full of lockpicking detectives.

Tim laid a hand on the door, and mourned. 

[somedayillbepeterpan]

God bless you, Luke, for kneeling for however long it took to film the carriage scene.

[they-them-pussy]

geniune recs if you want Dark and Gritty scooby-doo entries:

the Mystery Incorporated TV series

the Scoobynatural episode

the Shag and Scoob webcomic

[lambmotifz]

they were half a second away from kissing

[ditzyevie]

Gnashing my teeth😭(*´Д｀*)🥺💕

Them dancing (in different universes)

[alibeehaw]

Starry starry night 🌌✨

[steveahoi]

[pareris]

You know this scene?

Ofc you do.

Now please look at Val's face:

and at Vox's:

Idk but yall but this is all the proof I need to say that these two were making out before this.

BECAUSE LOOK OKAY, SURE THE LINES ARE KINDA INCONSISTENT IT FLICK IN AND OUT OF VOXS DESIGN BUT WE DONT SEE VALENTINO WITH THAT LINE ANY OTHER TIME

NO LINE.

BUT HERE?????

LINE. LINE. LINE.

[manderleyfire]

'How many times you been caught with your hand where it doesn't belong?'

PICKUP ON SOUTH STREET (1953), written and directed by Samuel Fuller

[sweepingboy]

little girl: are you a prince?

xie lian: yes, i am

little girl: please don't marry mu qing

xie lian: //////eh????

little girl: mum says that mu qing is so pretty someone from the palace is going to take him soon and he promised me he'll marry me when i grow up :(

feng xin: hahaha imagine wanting to marry mu qing hahahhahaha

feng xin 800 years later: ... well

[wordsmith30]

I also just have to talk about this GIF from the training scene because it gets me every single time. It’s different from the other comfort scenes we’ve seen so far (the hug in 1×03, the “Can you feel my hand?” in Shannon’s room, and the smile in the back of the van) because Ava is just stunned.

She was starting to panic inside the wall, begging for Beatrice to “bring [her] out.” Then, when it seems she’s gotten stuck, Ava hits the ground hard and lies hunkered down on her elbows, eyes closed and just trying to catch her breath. A moment later, Beatrice’s hands are on her shoulders and Ava flinches.

Given the way Frances abused and manhandled her in the orphanage, Ava is likely expecting something similar here – for Beatrice to haul her upright and tell her to try again (or worse, lecture her on her performance). But then Beatrice is cupping her face like a child’s, comforting her, soothing her. “It’s okay,” she says. “You did it.”

And Ava just looks up at her in astonishment, like she doesn’t know what she’s seeing. She blinks, processing, as Beatrice strokes her hair, and it’s like you can see the fear leave her eyes.

Because in those words, in that gesture, is “I’ve got you”, “You’re safe”, and “You can trust me.” It’s an affirmation of faith given and faith proven – of Beatrice’s trust in Ava’s success and Ava’s trust in Bea to see her through.

“Thank you,” Ava breathes.

It’s the only thing she can say because Beatrice has come to her aid again, is taking care of her again, and that feeling is still so new and strange, and overwhelming, but it’s also the tenderest thing in the world.

Ava’s gotten a glimpse of Beatrice’s combat skills – she knows the damage she’s capable of inflicting – but in the cradle of Beatrice’s hands is the safest she’s ever been.

Beatrice will not hurt her.

(GIF credit: @avassharpe)

[russellradio]

out of all the mind-blowing, reassuring, loving things eddie has said to buck, why does [he doesn't think I'm ready] "hm. what do you think?" crack my heart wide open

[julia-loves-cupcakes]

I'm not saying everyone should watch Revue Starlight, but I'm definitely saying everyone should watch it.