#the characters are from my own imagination

[kiame-sama]

Humans Are Extinct (Yandere!TWST x Fem!Reader) Monster AU pt 33

(Rook is one of the few to actually swear himself as a Knight in service of the Human and he wears this title like a badge of honor. Rook doesn't need the actual armor part of his ensemble, but he likes the way they look on him and he appreciates the consistent theming of the Queendom garb. The Knight of Roses is actually a style in the Queendom reserved for royal guards. Most royal guards in the past were tasked with protecting the royal Humans and the royal family, so it is more tradition in the Queendom to dress the current day Human's guards in this armor.)

Warnings: yandere, yandere behavior, multiple yanderes, violently protective yanderes, poaching attempt, unnamed character injury, Queendom Citizens, speciest behavior, mention of weapons, mention of clothing of various kinds, dancing, Harpy, Alicorn, Dragon, Merfolk, Drider, Hellcat, Selkie,

(If you have trouble imagining songs for the ending scene, this is the song I imagine this one is playing:

~~~~~~~~

You were out with your guards once again to take in the sights and maybe even look for random souvenirs to bring back to Night Raven. If you were going to be visiting almost every country and countless cities within the countries, you may as well get random knickknacks to keep. Though you had no money of your own when you fell into this world, Crowley was sure to shove Thaumarks into your arms before you departed.

Apparently, during his extensive conversations about what you would be doing in the Queendom, he mentioned the many funds and grants NRC had been given. Most of those grants were from larger countries that wanted to financially support you and support Night Raven for as long as you called the campus home. As the reason for the grants coming in, no doubt Crowley decided that you deserved a fair portion of the Thaumarks.

Now you were visiting the many different stalls in the market side of the city, anything you bought quickly being carried by the men that guarded you. Ortho and Rook were continuing their usual scanning of the rooftops as you marveled over the craftsmanship of the trinkets before you.

Riddle had been in a noticeably better mood even around Alistair despite the tragedy of the day prior. If anything, he seemed saddened but not dragged down by the events as if he had been freed of the obligation. It certainly made him brighten up even more when you told him Papa Hades agreed to pay for his schooling so he was no longer tied to that cruel Unicorn woman.

It was while you were examining a rather lovely sun-catcher that a sudden warmth wrapped around you, darkening your vision. You were about to question Malleus as to why he had moved to shield you when a particularly loud eruption of screams sounded out.

"It was the Lion! I saw the Lion did it! Get that beast away from the Human!"

You saw several people seemed to be antagonizing Leona who was actually standing close by with his Knobkerrie drawn. Not far from Leona was what looked to be a Pigeon man laying face down in the gutter with arrows of a different make strewn about him. Rook was quick to step between Leona and the hounding onlookers with his bow raised.

"Non! Roi du Lion was not the one who took out the archer. I saw him take aim at Mademoiselle Trickster, he is not to blame."

"So you, some Drider from outside the Queendom, think I didn't see what I saw with my own two eyes? How dare you!"

Ortho stepped in next, his screens enlarging as a quick video played back over. The video was of Rook quickly drawing his bow and firing at the pigeon man. The man in question was clearly aiming towards your group with his own notched arrow before he was pieced through the shoulder by Rook's golden and red arrow.

"You are wrong! Video doesn't lie! Leona didn't do anything wrong, stop being speciest towards him! Even if he had shot the assassin, he would have been doing it to protect (Y/n)! He is within his legal rights to protect her!"

The onlookers- who had been up in arms- now looked somewhat sheepish at the clear evidence to the contrary of any wrong doing. They glanced at one another before the most outspoken of them- a woman with multi-colored fins on the side of her face crossed her arms.

"Well, he could have done it!"

That sentence set an anger burning in your heart as you pulled out of Malleus' protective embrace, turning on your heel to face the woman who looked so smug. It was as if she were saying he was guilty of association and therefore deserved punishment of some kind. No way were you going to stand for anyone treating Leona as lesser.

"How dare you?"

"W-well, I-"

"How dare you make such false and baseless accusations against my chosen guards!? What, because he is a Nemean Lion you think you are allowed to show cruelty to him? You think you can claim such a horrendous lie and be believed, even with evidence to the contrary? How dare you speak so loudly and so incorrectly about someone else like that? Shame on you! Shane on your whole family for your backwards way of thinking! A Lion he may be, but his hands are cleaner than your own as you are so keen to sling lies at someone who is not in the wrong. For shame!"

"I- but I thought he-"

"You thought wrong! He is a guest in your city- a Prince- and you deem it appropriate to lie about him because of your own fragile view of reality? How quick you are to assign blame when you should be ashamed of yourself for jumping to the conclusion he was out of line!"

The woman was now shrinking in on herself, despite being much taller than you and dwarfing you in height. Though you were small and weaker compared to the towering giants around you, you could still bare your teeth. Naturally, those around her- who had been on her side- turned on her like a pack of dogs and began snapping their own disappointment and disgust at her actions.

"Don't all of you jump in like you are innocent in this matter! You all blamed him too and were on her side until I started shaming her. Shame on all of you as well! Have you no honor, no pride? Is this the decorum I can expect from the citizens of the Queendom of Roses? You all are the citizens, the blood of this Queendom, I would expect you all to uphold the best qualities of the Queendom, not the worst!"

The group had shied back from your admonishment, none of them willing to look you in the eye. It was around this time the Pigeon man was coming back around, raising his bow with an arrow notched as it pointed directly at you. He was fast, but Floyd was faster.

The bow snapped under the grip of the Eel Merman who sneered with bared fangs at the pigeon. It was clear most hadn't expected him to try again, especially with an arrow sticking out of his shoulder, so they were quick to detain him. Even those you scolded were feverish to stop the Pigeon man as if they were vying for your approval.

It seems even those met in passing were impacted by your aura. Why did something like this always have to happen? The more important thought was when Idia planned to get back to you about a weapon to protect yourself. Though, it wouldn't protect you from someone shooting arrows from the rooftops.

You had suggested many ideas to Idia and he promised to have something soon. For now you had to rely on those who protected you and proclaimed themselves to be your knights. It was mildly concerning to you how little you were concerned with this attempt, as it was not supposed to be so common place.

"We should return to the castle, Mon Trickster. One attempt surely means there will be another. Roi du Selkie is to be arriving today as well, seeing as the execution is slated for tomorrow. Something tells me we should not encourage anything more today."

"If you say so, Rook."

You allowed the Drider to pick you up, thankful Grim was back at the Palace of Roses with Alistair. He had asked the Alicorn for a few of his colorful feathers and the Alicorn offered the Kit most of his collection, which was a beautiful assortment of prismatic feathers. The kit agreed to stay and choose his favorite feathers of the grouping and Alistair promised to keep an eye on the kit.

At least Grim being at the castle kept him from having to endure the assassination attempt. Thankfully this Pigeon Harpy man was not as skilled a marksman as Rook and the superior hunter won. The soft fur of the Drider beneath you was a comfort as Leona fell into step with the Drider you sat on the back of.

"Why do you care so much about how they treat me, Mousey? It's nothing new to me."

"Because, you're a good guy, Leona. A genuinely good guy, and I appreciate the hell you have gone through for me. I don't care how they stare at me, but to blame you as if you deserve poor treatment for being a Nemean Lion? Hell no. I'm not letting that happen."

Leona smiled slightly, a warm expression as he gazed at you affectionately. He was used to everyone outside of Sunset Savana treating him disdainfully but it still warmed his heart to know you saw more than his species. Maybe Falena was right in believing you could help end the hate towards his Kingdom.

"You're too good to us, Mousey. Never change."

"I thought only RSA was the do-gooders of Sage island?"

"Don't even joke about switching over to that school. I look best in black, not their white uniforms."

You chuckled softly noticing that Leona indicated he would switch schools to stay near you if you went to RSA instead. Slowly, you rest your head against Rook's shoulder, feeling protected by the lovely Drider as he walked back to the Palace. He ensured to wrap his cape over you to shield you from the onlookers just in case.

The guards of the Palace were quick to receive your group as you all were looked over for any potential injuries. Word had no doubt gotten back to them about what had happened and what had been done to the perpetrator of the crime. It was while everyone was being checked that a loud and familiar voice cut in.

"Puppy!"

A wave of relief washed over you as a familiar black and white coated Selkie with a worried expression stormed into the room. You were quick to run straight into his arms as the Selkie wrapped them around you, letting you burrow your face into his fur as he sighed in relief. He gently pet your hair as you rest your head on his shoulder and accepted the parental affection.

"My poor puppy, being attacked and hunted by the scum of the world. I'm here now and I'll keep you safe. I also brought some gifts for you."

You pulled back to see the bag he had set down, the Selkie picking it up to hand it to you with a warm smile. His hand gently rest on your head as he moved his hand in a petting motion to soothe you. Despite everything, you did feel relief at seeing the paternal Selkie that seemed to care for you with his entire heart. He was a good fatherly figure, if nothing else.

Digging through the bag you realized there was a blanket with instructions handwritten. Apparently, this was to be your heated blanket and Idia decided to gift you with it early. He must have sent it with Divus after word got back to NRC of the events in the marketplace.

Beneath the blanket was a fine leather box no longer than your phone. Attached was a note.

'Hey, Hellkitty, made that knife you wanted. It doesn't run on magic the way other things do, but it will absolutely get the job done. It uses DNA recognition software I coded, so there are only three it won't hurt; You, Grim, and Papa Hades. Goes without saying this thing is dangerous, so use it sparingly! By the way, you can change the color of the blade with the adjuster on the side if you want to.

-Gloomurai'

Inside was a handle that seemed to have grooves to fit your hand comfortably. It sat well in your hand and hummed under your touch as if waking up in your palm. Slowly it formed a bright blade that glowed in your hand and sparked with energy. It enraptured you quite a bit as it harmlessly passed over your skin and shined against your flesh. Divus seemed less than pleased to see you were now armed, but he also seemed to understand you needed to be able to protect yourself.

"Careful, pup. I'll teach you how to wield that if you need, but we can't be too hasty with something so dangerous."

You nodded, relaxing your grip as the blade faded from the handle in your palm, returning to a dormant state. It made you feel a little better with it, but now you had to check in on Grim. Though you trusted Alistair to not harm the Hellcat, that didn't mean they couldn't get up to trouble while out of sight.

"Welcome back, (Y/n)!"

The Alicorn happily trotted forward, a pleasantly pleased feline sitting on the equine back of the prince. Attached to his bow over his collar were three bright feathers that shined with rainbows of their own and you recognized them as Alistair's. Sitting in the arms of the Alicorn seemed to be a pile of his feathers which he proudly held up to you as he trotted up.

"I heard what happened, are you okay?"

"As okay as I can be, but Rook is a good watchman."

"Well, Grimmy and I sorted through all of my feathers so he could find some he liked and we got an idea! Since you both like my feathers so much, I decided to make you a cloak using them! I don't have much use for them, so I figure you may as well have them!"

He held up the cloak in his arms, showing you the beautiful arrangement of feathers that made it look like a crystalline waterfall. Though it really didn't match with the outfits you had been gifted by the Queendom, it was still a lovely piece. You allowed the Alicorn to place the cloak around your shoulders and it felt much lighter than you had expected it to.

"Thank you, Alistair, it's beautiful."

"Well, I didn't want to sound too proud of my own feathers, but I am glad to hear you like them. They should help you out too, in the event anything happens."

"What do you mean?"

"Well, Pegasus feathers- and Alicorn by extension- have certain characteristics to them that you don't find in a lot of species. For instance, if you fall off of something while wearing that cloak, you won't fall as fast due to the air magic properties of the feathers. Plus they are great at temperature regulation and impact absorption. Again, I don't really need them since I grow them, but they should help you."

You smiled at this, reaching out to gently pet the Alicorn's hair. He seemed somewhat surprised by the affectionate gesture, but leaned into your touch happily. Lilia did say petting was a good way to show affection and appreciation. Unbeknownst to you, several of your guards glared jealously at the Alicorn.

Grim was not bothered by their displeasure and instead was happy to leap into your arms, purring in elation. The kit seemed quite pleased with the feathers he added to his bow, likely having picked them himself.

"Clouds is so much fun, Mama!"

"I'm glad you had a fun time playing with Alistair today."

"I did, but Clouds said someone attacked you. Are you okay?"

"I'm okay. Rook is a good shot and an even better lookout, so I wasn't in any danger."

"I like Spooder!"

"I know you do, dear. I like him too."

The kit continued to ramble off about his day and you patiently listened to the excitable kit expound and chatter about how much he enjoyed. Though the day was only half over, he still had to tell you everything that happened because he adored you. Around you, your many guards waited for their own moment to be in the blessed spotlight of your attention. Perhaps they should try befriending Grim to earn your favor.

~•§•~

The evening was setting down and you stood out on the balcony of your room. It gave a lovely view of the Queendom and you couldn't help but admire the beauty of it all. Part of you was sad that the stars were somewhat blocked out by the lights of the bustling city and you longed for a moment beneath the stars.

Resting in your hands was the floating skull bot that Kalim had enchanted, a few songs playing in your head as the skull was dormant. Most of the songs were- oddly enough- slow trailing waltzes that would be best suited for a slow dance. Something about the Palace of Roses and the city lights had your mind focused elsewhere even with the execution looming overhead. The next day was going to be a bloody event indeed, with that kind and boyish Alicorn acting as the official headsman for the execution.

"Enjoying the evening?"

The smooth voice of Malleus drew your gaze over your shoulder as the Dragon approached. His outfit much like the others yet pursuing a certain air of regality that paired well with his ethereal beauty. He was a nocturnal creature of the night and it certainly was shaping up to be an auspicious evening.

"As well as I can."

"Are you worried for what tomorrow may bring?"

"Of course I am."

The Dragon leaned next to you against the railing and looked out at the gentle glowing lights of the city before him. Malleus had been a good ally to you and a very useful friend despite how clearly he was impacted by your aura. If you were going to have everyone you've ever met become obsessed with you, you would at least need to keep strong allies at hand.

"What troubles you? I will always be an ear to listen, should you need to lay your worries upon someone."

"I'm worried about everything. From outside poachers trying their luck, to an Overblot taking place during the height of the event. It seems like- no matter what I do- I am constantly in danger of some kind or put on some pedestal and expected to be some paragon of kindness. I can't always be the voice of reason among madness."

"It does seem like anything that can go wrong, will go wrong more days than not. You are a species others would kill to keep, and one many of us would kill to protect. I do wish this place were safer for you, especially given how much this country previously cared for the Humans among them. If it is of any comfort, we won't allow anything to happen to you."

You sighed, nodding and conceding to his words as you tried to keep your mind from running off with anxious stress. Naturally, you were well aware of your fragility compared to other species, but you hoped with your new weapon that you would be able to protect yourself from others. It was still nice to know that Malleus intended to keep you as safe as possible.

"It's just so hard to keep my mind off of it all, you know?"

Malleus stood in silence for a moment before he picked up the skull from your hands, setting it on the banister and turning towards you. You turned to face him as he caught your other hand, kissing the back gently as he guided you to place your first hand on his shoulder. He slowly began to sway with you as if in a small dance.

The enchanted skull seemed to sense the change in mood and began to softly play a slow rolling song similar to what had been on your mind before Malleus showed. He seemed to take the music in stride and began slowly leading you around the balcony to the gentle tune that turned rich and soulful. Something about the way his eyes gleamed in the dark seemed to enchant you as you allowed the Dragon to lead you slowly through the dance.

It became harder to focus on anything else excepting Malleus as your concern for the next day fell to the wayside. He was at least a very pleasant distraction from what was to come.

Each slow movement had you melting further into the Dragon's embrace as you trusted him to move you to the music. It was nice to forget about things for a while and slowly dance into unawareness with the powerful mage.

He even began to slowly try and hum with the tune of the song, as if he were enjoying the moment of time spent with just the two of you dancing beneath the moonlight. Slowly your eyes began to close as your head rest against his chest, listening to the Dragon hum and croon while he led you through the sweet dance. You didn't know exactly when you began to nod off in the Dragon's arms, but he was quick to bring you to your bed when you stopped dancing.

The last thing that occurred to your brain was the sensation of your clothes being magically changed to an outfit meant for sleep before you succumbed to the gentle embrace of sleep.

Outside of your sugar spun dreams of dancing to gentle music, the Dragon purred adoringly. His clawed hand gently dragging over the skin of your cheek as he smiled in response to your peaceful expression.

"May your dreams be pleasant, and your rest deep, my precious (Y/n). My most beautiful jewel..."

[raven-at-the-writing-desk]

Now don't throw tomatoes at me but I'm actually really excited to finally see malleus again— I've always loved malleus since we met him in the story, but I'm also sooo curious about what's gonna happen next,, I'm wondering the obvious thing, about whether or not we might get a parralel scenario like what happened with the KoD and silver will have to "slay" malleus or at least be the one to land a killing blow, but I also saw a really interesting post focusing on how magic is a manifestation of dreams and deep desires and imagination,,,, in that case, I may (VERY delusionally) hope that Yuu finally gets to be a major part of the story for once??? Even reading the novels, there HAS to be something bigger for yuu— while the idea of crowley simply being an incompetent airhead is fun and more comfortable, haven't you thought that meybe he pulled them into this world deliberately??

All to say, what if at some point, Yuu somehow manifests magic in a very dire moment ?? You know lol?? Agh idk. I just want yuu to finally make impactful choices but that IS too much to ask, as far as we can see for now,,, (but hey, that part leading up to ace getting is UM, and the convo between him and yuu,,, it *does* give one a sliver of hope, doesn't it? :') )

Don't worry, no tomato throwing here! 😅 I may not care for certain characters, but I’m not going to shame anyone that does. You’re free to think however you want about Malleus!

dbjsvsJcwhj My personal feelings about him aside, I am actually glad he’s finally relevant to the main story again. He’s missed out on so much of his own book OTL In the time he’s been gone, the fandom has been left to speculate about both his and Lilia’s potential death flags. I really doubt Twst will have the balls to kill off one of them, but it would be cool to at least see Silver delivering the final blow to knock some sense into (not necessarily kill) OB Malleus.

Yes, it’s true that Silver states in the recent update that magic was originally considered “a miracle borne of strong desires from the heart.” But 💦 I don’t think that means Yuu would randomly manifest magic in the final fight?? It feels more like a “let’s save the day with the power of friendship” to me, but I could of course be wrong.

I understand being frustrated that Yuu’s participation in the main story seems to fluctuate a lot, with most of their activity being books 3, 4, and segments of 1, 6, and 7. That’s not much, especially considering how long books 6 and 7 are. Sometimes (even in events) it feels like Yuu is barely there, as most dialogue options don’t involve different reactions from the characters. Even Yuu's quest to find a way home is barely addressed or taken seriously until early in book 7. Yuu hasn't gotten "real" development unless you count them realizing their Disney dreams are prophetic in book 5, taking the initiative to save Grim in book 6, and that dialogue option about them being worried they're not contributing + the related convo with Ace in book 7. All very short moments in the grand scheme of things. And honestly, I think that makes sense for the kind of character Yuu is. A blank slate, a self-insert, an outsider that's easy to exposit information to, someone with which to view the story, characters, and world through. Yuu is primarily there to be the POV character, the lenses, the camera that we see Twst through. They're not really meant to be a traditional "main character". It's possible that Twst gives them a slightly bigger role at the very end (especially with what went down in the dream in book 7), but I doubt it will be a huge triumphant moment where they and they alone save the day or deal the final blow in a crazy act of self-sacrifice. Twst has always been a story that puts the NRC boys first, while Yuu is the observer.

I've noticed that the complaint of Yuu not doing a lot in the story comes mainly from English speaking fans?? And I guess that makes sense, given how western culture tends to emphasize independence and standing out. They want Yuu to reflect that. They want to be the ones to make a difference. I don't even remember ever seeing these same comments from the Japanese speaking fans; it's definitely a less common sentiment for them. The Japanese fans seem pretty content with Yuu being an observer and taking on more of a minor or supporting role. Again, this fits in with what I understand of many eastern cultures. They're demurer, not wanting to stand out too much from the crowd and instead prioritizing group harmony. Very interesting cultural difference to note!

It's a common theory (with many variants) that Crowley intentionally summoned Yuu to Twisted Wonderland for his own nefarious motives. People found him pretty sus right away due to how he seems to not put in any real time or effort into investigating a way to send Yuu home. Plus, there's that ominous opening monologue of his to consider. However, I don't think he summoned Yuu because of their (potential) great magical capabilities. The Mirror of Darkness tells us that it doesn't sense a shred of magic in Yuu, and Leona smells zero magic on them (though that could be because it hasn't technically manifested yet, as some fans claim).

The idea is that Yuu is supposed to be plain. They are supposed to be magicless. Why? To humble the NRC students and to show them that asserting yourself violently or with great magical power ISN'T the way to go. To show them value in strategizing (which Yuu does in the prologue by helping Grim aim at the ghosts), of camaraderie. What does it say about the story's themes if Yuu, the person who is supposed to be showing them the worth of mundane things, is suddenly... "secretly ultra-strong, actually/“just like you guys” (even if it's only a temporary hope-fueled magic)? It might contradict what has already been set up. It also breaks the self-insert appeal of Yuu, since developing magic would also mean Yuu would later have to further develop things like proficiency in magic, best/worst subjects, and an unique magic/signature spell... meaning Yuu HAS to become better "defined", thus losing their blank slate nature. This would surely upset some fans who deeply project onto Yuu, have a Yuusona, etc.

Yuu can still make an impact on the characters and the world--and they have, judging by how much closer the boys are with each other--without having to be The Most Special One or like everyone else. I think it undermines what Yuu has already managed to achieve to say that they haven't made an impactful choice at ANY point in the main story when I believe they definitely have. Yuu made the choice to sign the contract with Azul. Yuu made the choice to approach Malleus. Yuu made the choice to go against Crowley's orders and go retrieve Grim from S.T.Y.X. Yuu made the choice to get Leona’s help with the contracts. Yuu made the choice to stand with Adeuce against Riddle in book 1. Yuu made the choice to let the VDC/SDC tribe train at Ramshackle. Yuu has done a lot, and all without needing to seize the spotlight or to do anything big and flashy. I don't think Yuu needs to be big and flashy. There is pride to be had in simplicity and being humble too. There is pride in representing the 90% of humans in Twisted Wonderland that are ordinary and without magic.

(An aside: so if Yuu wasn’t able to manifest magic in many other extreme instances, does that mean their desire to save Grim in book 6 wasn’t “enough”? That their desire to save Ramshackle, their one and only home in this world, wasn’t “enough”? It implies that Yuu didn’t wish hard enough for these other things they clearly care about and want.)

I think a good way to give Yuu a decent role while staying true to their design as a blank slate would be for Twst to really lean into the whole "beast tamer" aspect that was introduced all the way back in the prologue. This would work well with their deep connection to Grim as well. Assuming that Grim ends up being the final OB... We could easily have the NRC students and staff on the ropes, Malleus at his wit's end after exhausting himself with his own OB, a rampaging Grim about to end it all. And then... one lone figure shakily rises from the rubble and confronts Grim. One human. Magicless, defenseless. A human lost in an unfamiliar world, a human who believes they're useless and don't contribute much. A human who is always in need of being protected by others. But not anymore. This time, it's Yuu's turn to protect what they love--their friends, this world they've come to love, Grim. Ace and Deuce yelling at Yuu to not be stupid, to get back--but Yuu just advances, calling out to Grim and begging him to stop. And maybe it's Yuu's wish that rallies everyone and/or gets OB Grim to hesitate. That's when they can strike. Is that corny? Yeah. Does it sound like the ending to a Disney film? Sure. But it still grants Yuu, a magicless human that is supposed to be there to teach everyone about friendship, cooperation, and humility, their big moment to shine. The best of both worlds, I'd say.

[lacesoflove]

guess who’s back on tumblr after trying to unalive themselves 😍 i don’t really wanna talk about my absence and go into the depths of the reasoning why, so i’ll just talk about why this account was made - which was for hamzah and slushy noobz. i want to have my own little thinkpiece on the match as well as my place in the slushy community moving forward

i want to say the match and the production is the reason why i love them soo much. they have such an ability of creating cinema with their videos, hence why one of my favourite video from them is the camping video (i tend to watch this video more for comfort rather than for humour though) – and there’s an immense amount of payoff as a viewer watching their content, you can see all the layered inside iokes (i.e having aldo, and nettspend’s producers) and internet jokes culminate in something so carefully crafted (like the way chase’s commentary was genuinely good??). and then the obvious reasons as to why i liked it, hamzah looked so damn good, and he knows it too (i also find martin attractive too, i’d just prefer not to talk about it too much in respect to his relationship). there’s something so beautifully boyish about their content that i can’t find something else (as much as i love them and before anyone says it, no - the dancing gamers cannot replace hamzah and martin and that’s okay!)

however this video kind of cemented why i don’t think i’ll continue regularly engaging with their content. this video kind of felt like a bittersweet ending to one of my favourite eras in my life (watching them). and before i proceed, ik the reddit fans are gonna be annoying - on a side note of the reddit fans i feel like the reddit community is so pedantic over small stuff and because of the few, genuine bad eggs in the community, they over correct and just get so bitter and mad about everything (i.e them being so cruel to fanfic writers) and call everyone chronically online whilst they use the same old “*insert trending braintrot joke* 💜”. i feel so aged out in a fandom even though i’m 18 - i can’t imagine how the slushies who are actually around hamzah and martin’s age feel when their fandom is so reminiscent and full of the same 14 year olds that i’m convinced are the reincarnations of the 2021 14 year old dsmp fans. definitely more sane, i’ll give them that. but community aside, at least reddit community, i want to talk about something another one of my mutuals mentioned recently in their own post and it’s how money hungry they seem. two things can exist at once, let’s get that straight - hamzah and martin don’t get a lot of sponsorships but also being upset that so much of this well awaited come back was heavy promotion for the patreon which, mind you, had a decent amount of members subscribed (i do commend hamzah for encouraging people to unsubscribe over the break!) and also they get money off of ad revenue. i just personally find it egregious that their hoodies, the out of character ones, which are at least unique designs unlike them literally reselling temu shirts like the “find x” shirts, are the same price, in my currency, to the essentials fear of god hoodies.

for any south africans here, it was around like R900 for a hoodie! which is gross im sorry :)

there are also other reasons im distanced from them, and its their associations with chase and claire - i made a, now deleted, post about this before but chase has this annoying tendency i notice in white ‘queer’ (i think he’s queer lmao) men where they speak in blaccents, which was heavily highlighted to me when he was a commentator and he was able to speak in a ‘normal’ white accent, and claire made weird ass comments about black women. as well as having fucking idubzz (who im not sure why was even invited when like sm people are like “who even is he??”) who literally had to make an apology about the fact he created a racist culture with his platform, years after the damage was done. i also have other smaller issues with them that would definitely actually get me cancelled (not even over on the reddit but here). but idfk, what are yalls thoughts?

[worseandworsebytheday]

I had a whole long response typed out and I had to step away and I came back and it was gone so I’m going to have to abridge it because it was a masterpiece of a response and I can’t recreate it. In short elden ring lore is stupid it’s one selfcest god that crafted a bunch of incest demigods (curing mogh and the cursed half brother). The “dungeons” you speak of are mostly just caves and mines with a few legacy dungeons. Some of which are more annoying than interesting. Saying it’s “visually stunning” or whatever is stupid you’re comparing a current game to one over a decade old that honestly still looks great. But even so, simply comparing visuals is hardly a fair argument. Your pot man’s quest wasn’t sad it was stupid. Whack him out of a few holes and then shatter his ass in azula. I felt nothing doing it. Ranni and her ending were at least interesting and her as a character I actually liked. And she lead to the moonlight sword which is a staple of the games. Yes I know bloodborne and dark souls have insane lore but it’s actually good and worth looking into. Your beloved elden ring locations are big empty areas where you will either just wander around doing nothing or get annihilated by a rune bear or T. rex bird every 2 minutes. There’s no engagement. No imagination there. Skyrim had replayability. Multiple quest lines for factions or the open playability to just wander around and make your own story. I’m sorry you lack and and all ability to think outside of a stupidly structured game. The absolutely godawful takes I’ve been getting inundated with the past couple days are avail it’s bullshit I really expected better from all you stupid fucks. You remind me of when I was in highschool and idiots would say halo was better than Metroid because it “defined a genre” completely disregarding what came before. Or that master chief could ever take Samus in a fight simply because he was the newer guy and all they knew. You’re lucky my original reblog got deleted and I’m getting yelled at and this is all I could say back to you otherwise I’d have much better words than you’re a bumbling fucking moron with absolute shit tastes. Go choke on your shit opinions and enjoy your garbage ass fucking game. (I’ll update this post as I remember more things to add on if I do).

When I was mentioning the shitty locations I think I forgot to specifically name drop caelid. Can’t forget FUCKING CAELID SPECIFICALLY.

Also you think the only interesting location in DS1 is he dukes archive?! Motherfucker we got ash lake, the seat of the FUCKING MULTIVERSE. We’ve got, quite literally, hell, izalith. Oh and I don’t know how you got to the archives without passing through anor londo. Because you CAN NOT tell me that place wasn’t fucking stunning. And AND AND the way they BUILT the locations. Seeing izalith and ash lake from the tomb of giants. That not only has LORE REASONS but if you look at the 3D rendering of the maps IT ACTUALLY PHYSICALLY FUNCTIONS AS SUCH. Like literally the world building is top notch and you’re going to downplay ALL OF THIS?!?! Motherfucker get your fucking head out of your motherfucking anus and open your shit crusted eyes at the marvel you downplayed to “one interesting area”. And on top of that “oh boo hop the pot man was so sad” fucking SIF AND ARTORIAS. You want sad fucking...just fucking...now that I took a moment to re skim your response to me now I’m just fucking angry with you you fucking idiot among fucking idiots.

Like really your shit ass Fucking tastes about skyrim are bad enough but to lump bloodborne lore in with elden ring lore and then shit on dark souls world building?? Motherfucker I will physically fight you to the death over this one I’m not even messing around. That’s 3 real games you’ve dragged through the dirt defending the elden trash heap. Fuck all of you.

elder scrolls or elden ring. there is a right answer

Listen I love skyrim, but you have to be a bumbling fucking moron if you think it's better than Elden Ring!!!!

[averagewriter-inthedark]

The Flames of Love ❤️‍🔥 | Johnny Storm Imagine p.2

Link to my Marvel masterlist

continuation of this imagine 💌 The Widow's Bite of Love

Characters & Pairings: JosephQuinn!JohnnyStorm x black widow!reader (romantic), the Fantastic Four (platonic).

Content Warnings: fluff, profanity, flirtatious banter, mentions of violence, blood, inaccurate descriptions of surgery, canon divergence | female!reader (she/her) | wc: 3.3k

Requested 📨 yes/no

Premise: When it comes to his assassin turned agent girlfriend, Johnny Sorm is no stranger to her coming back from a mission a little banged up. This time, however, he's in for a shock when she arrives home following a simple infiltrate and recover operation with a more than a few stitches needed.

note: my mind is consumed with Johnny Storm 😩🥰

-----------------

A relieved Sue Storm rushed to her brothers' room the second she and Reed received word from the techs on the 15th floor that a Pogo-Plane breached their airspace and was approaching. While Reed and Ben went to the rooftop to wait for them, Sue took it upon herself to fetch the man who had been locked in his room the past 24 hours when they did not get an update the previous morning. All day she had to convince Johnny that whatever was going on with the team was out of their hands--that tracking them down on his own was not a good idea. 

Sue shared his worries. Y/n was her best friend, how could she not be anxious that something went wrong? But Sue trusted her friend, trusted the team she was with. They hadn’t failed a mission yet or had any casualties. At most, the team returns with minor injuries. 

Out of breath Sue reaches the room and bangs on the door when it doesn’t open. “Johnny!” she yells, hoping he wasn’t in the bathroom or fast asleep. “Johnny, open up! The techs spotted a jet--!” The door opens so fast it makes her stumble forward, catching herself on the frames to keep steady as she looks up to find Johnny’s wide eyes staring at her.

“Are they back?”

Sue smiles with an exhale, “They spotted a jet approaching off the coast. We think it’s them--Johnny!” She yelled when he pushed past her to run towards the elevator, grumbling as she sped off after him. “Wait for me!” 

Together they reached the top floor and climbed the stairs to the rooftop, Johnny pushing the door open with great force that it almost ricocheted off the wall and hit them but then caught it and mumbled a ‘sorry’ to his sister. On the launchpad they were met with a chaotic sight that made their stomachs drop. The Pogo-Plane was flanked by a crowd of people--technicians, paramedics, agents--barking orders that Johnny could barely make out a word over the noise. 

“Reed!!” Sue shouted, waving him down when she spotted the man and Ben trying to push through the crowd. The siblings hurried over, anxiety rising when they approached just in time for Ben to get inside the plane, “Out of my way!” 

“Where’s Y/n?” Johnny swallowed, gaze pinned on Ben’s orange form the entire time. A group of paramedics were hovering around something, or better yet someone, inside the jet, and Johnny felt the bile in his stomach rise as his gut told him it was Y/n they were working on. “Oh God.” 

“She’s gonna be okay, Johnny,” Sue placed a hand on his shoulder despite her own fear, scanning the pad to find several members of Y/n’s team being treated by paramedics. They were placing one agent on a stretcher, two were receiving stitches, and another was getting their hands wrapped. ‘What the hell happened out there?’

Johnny stiffened, causing Reed and Sue to look up and find Ben carrying Y/n in his arms, ignoring the shouts of paramedics ordering him to stop. The three backed up, allowing space between them and the crowd so Ben could safely place Y/n on the stretcher a medic had rushed in front of him to lay down. 

Upon seeing the state of his girlfriend Johnny felt all the blood drain from his face, kneeling beside her to cup her cheek in his hand while a medic went to her other side. “Oh, God, Y/n.” 

Squinting, or wincing considering her face was covered in bruises and cuts, Y/n offered a pained smile. “Oh hey, babe. What are you doing up here? You usually wait for me in the conference room.”

Johnny stared at her like she had two heads, unsure how to respond given he had just spent the last 24 hours losing his mind and now the love of his life was laying in front of him in the worst state she’s ever returned in. Most of the blood was dried, but it spilled from her nose, lips and forehead with some nasty abrasions to her ears and jaw. One of her eyes was completely so red he barely made out the white, the skin around it dark and swollen. 

God knows what injuries were hidden beneath her suit. But as his eyes drew downward, Johnny’s breath hitched, expression riddled with fear, “You’ve been shot.” Two bullet wounds stared back at the hero, one on her side where the paramedic was working on, the other tearing through her right forearm. 

“Just a graze,” Y/n brushed off with a light groan, but Johnny wasn’t fooled. The bullet that clipped her side may have been a graze, as it tore through the skin and there was no evident entry/exit wound, but her arm was in bad condition.

The medic, reading Johnny’s mind, gave the woman a displeased look, “One inch to the right and we’d be dealing with a different scenario, Agent L/n.” such as a ruptured spleen or the bullet bouncing in her body and causing more damage. “And your arm is completely shattered. We’re going to have to take you to surgery to see if any fragments were left behind and reconstruct whatever we can.”

Y/n let out a grunted sound, not delighted at having to go under the knife yet again. In her twenty plus years of service the former assassin turned agent was critically injured only a handful of times. Yeah she bruised a rib or took a knife to the shoulder, but she was pretty good at dodging bullets and keeping injuries superficial. It’s what made her the best Black Widow, she rarely got dealt a hand she couldn’t handle. This was the first since becoming an associate of the Fantastic Four that it happened. “Fuck.” 

Johnny, feeling relieved the bullets didn’t hit anything fatal, places a hand on Y/n’s cheek as he gently leans down to kiss her forehead, “You’re gonna be fine, baby.” His touch lingered before pulling away when the medic said they needed to move Y/n inside. 

The entire journey Johnny held her hand, not once letting go even after they were in the infirmary waiting for the OR to be prepped. And Johnny was grateful his family stuck around and offered their support by staying with them. Nurses flanked Y/n to treat the superficial wounds to her face and neck, the woman huffing when they said they needed to stitch the one to her temple, ear, and eyebrow. 

“The OR should be prepped soon, Agent L/n,” a doctor approached with a clipboard. “We’re gonna have to take some X-rays before sending you off just to see what damage was done to your arm--and a CAT scan to be safe.” 

Y/n squinted against the light, her usual relaxed demeanor tensing and Johnny felt the way her hand tightened around his. “You’re not putting me asleep.” By asleep she meant the anesthesia. The doctor frowned, taken aback by the statement. 

“Agent, I can assure you there’s nothing to worry about. The anesthesia is perfectly safe and it’s to help you--.” 

“You can give me a nerve blocker or sedate me,” she harshly cut him off, not leaving any room to argue. “But you’re not putting me asleep. I’ve been awake for procedures much worse than a bullet to the arm--this is nothing.” 

Johnny saw the doctor open his mouth to dispute, so he stepped in, “She doesn’t want the anesthesia, doctor. I’m sure you have an alternative that’s available to do what you need.” 

The doctor withdrew whatever it was he was going to say, firmly nodding before excusing himself with, “of course. I’ll go make sure everything’s in order.” He turned on his heel and left the room, resulting in Y/n to let out a sigh as her head fell back onto the pillow before tilting it to the side to look at Johnny. 

“Thank you.” She was gifted a kiss on the cheek. 

“No need to thank me, my love,” he murmured in her ear before pulling away. “Want to tell us what happened while we wait.” He heard her huff, moving to the top of the bed so Sue, Reed, and Ben could have room to hear the conversation. 

Sue offered Y/n a smile, patting her shoulder gently like a scolding sister, “We were awfully worried about you guys when you didn’t check in on Tuesday.”

“And then no word yesterday,” Reed pitched in. 

The team of agents, led by the Black Widow herself, were sent to retrieve a hard drive containing a list of arms dealers, power brokers, and all their subordinates that the government were desperate to have. The Four were occupied with another assignment, leaving the mission to Y/n who had way more experience infiltrating and recovering. But what was supposed to be pretty simple and last less than a week had escalated. Their coms went down on Tuesday with no agent confirming their status at the check in point. 

“Yeah, things went a little sideways when we got to the warehouse.” Y/n explained, closing her eyes as the nurse began to stitch her eyebrow. “We expected an ambush, but they had a little surprise waiting for us. Blasted some kind of gas to knock us,” she paused with a wince. Johnny began stroking her hair in hopes to comfort her. “The gas threw us off, made everything delirious and gave them the advantage. They locked us in some bunker below ground.”

Johnny mentally cursed. That’s why their coms were down. The whole team had been knocked unconscious and trapped for God knows how long. Judging by the looks of his friends, they were thinking the same. 

“How’d you escape?” Ben was the one to ask as Johnny quietly asked the nurse for a wet rag so he could start wiping away the dried blood on his girlfriend. 

“The bastard in charge--the one with the package I should say--came down eventually. Wanted answers I of course wasn’t going to give him. That’s when he let his goons ‘beat some sense into me.’” Johnny tightened his grip on the rag, face visibly consorting to one of fury, but he held himself together. The thought of someone laying their hands on Y/n consumed him with outrage and Johnny wanted nothing more than to find the bastard and beat some sense into him. 

“I let them get their licks in,” She chuckled with a knowing look, ignoring the disapproving ones from Johnny and Sue. They knew Y/n enjoyed a fight as much as a chase. She’d easily let an adversary think they got the upper hand until the right moment for her to put them down. They didn’t enjoy it when she did, as she often came back from a mission all bruised, but nothing could stop the Black Widow. ���They were so occupied with it they didn’t realize our team had untied their ropes.” Y/n made a face of disgust, “Talk about amateurs at tying knots. You guys definitely wouldn’t need your powers to escape.” 

Johnny let out a snort, while others gave amused smiles. Y/n thanked the nurse when she was done stitching her face, accepting the cold compress that Johnny immediately snatched out of her hands. “Allow me,” he pressed it against her swollen eye, ignoring the playful glare she sent him. 

“Anyways, I got shot on our way out,” the coolness of the compress was delightful, making her sigh in content but not missing the concerned gazes of the Four. “The newbie had their hands full and didn’t realize a stray was lurking. I pushed them out of the way, got hit, took the stray out and then hauled us back to the jet.” 

“That was very heroic of you,” Sue praises, and Y/n’s lips curl up in a smirk.

“Says the hero out of the two of us.” Y/n tended to tease the Four whenever they attempted to call her a hero like them. She didn’t see herself as one, and part of her never believed she would be able to. Unlike the Four who immediately used their powers for good upon gaining them, Y/n’s ledger bleed red. The government didn’t completely trust her after four years, so how could she call herself a hero? At the end of the day, she was still the deadly Black Widow. 

Johnny went to back up Sue knowing Y/n was deflecting the claim but was interrupted by the doctor returning to take Y/n to the scans. Then the OR. “Will you stay with me?” She said to Johnny as he removed the compress. 

“Of course I will,” he stared at her with so much devotion it made her heart flutter. Leaning down to press his lips to her temple, Johnny added, “who else is gonna keep you entertained while they're working?” Y/n smirked mischievously. 

“Ben.”

Ben’s laugh echoed against the walls, making a few nurses flinch from the sound. “Don’t worry, Widow. I’ve been told I’m great company to keep.” 

Johnny shot him a scowl, not amused by the joke, “Not funny, Ben.” The rock giant shrugged. 

“I think it was funny.” 

They wheeled Y/n to a separate room from the infirmary where they conducted X-rays on her arms, chest, and stomach, before completing a CAT scan of her head. All the weapons on the suit were removed and when it came time to operate Y/n, not really in the mood for the doctors to cut the damn thing off to put her in a hospital gown, told them to just cut the section on her arm they needed to work with. 

A sheet was hung up to section off the area of Y/n’s right shoulder from the rest of her body. Johnny propped a chair next to the table they propped her on, taking her hand in his to sooth her knuckles with his thumb. The doctor injected Y/n with a light sedative that wouldn’t put her to sleep, as well as a nerve blocker as they began the procedure. 

“God, I hate that I can’t have a bath when this is over,” Y/n complained, voice slightly slurred from the sedative. Luckily she felt nothing below her elbow. The nerve blocker working overtime. “That sucks the most about this.”

Johnny snickered, using his free hand to caress her hairline. “Once you get the all clear, baby, I’ll draw you the best bath ever drawn.” A light giggle left her causing his grin to widen, “I even picked up some bath bombs the other day.” 

“Oh really,” She replied intrigued, “What kind of bath bombs?” It warmed her chest that Johnny spent what little time he had to himself to get bath bombs for her. Especially since she’d been meaning to after using the last one two weeks prior. 

“Well I got your favorite ones of course. No shimmer since I know you hated the glitter getting everywhere. Grabbed a few shower steamers. Then I saw this cool one with rose petals--.”

“Sounds romantic.” 

“Exactly,” he winked, “thought that can be for the both of us.” He tried to hold back his blush and was doing really well until Y/n seductively bit her lip and said, “Looking forward to it,” making him hide his face in the crook of her neck. 

About halfway through the surgery, they were rudely interrupted by the Director of the CIA storming through the doors of the OR. Not far behind was Sue and Reed chasing after him. Johnny jolted from his chair in shock, staring at his sister who was in the middle of yelling at the man while fighting against the hold of his bodyguards. 

“You can’t just march your way in here! She’s in the middle of surgery for Christ’s sake!” Sue grunted, pushing away an agent with ease as he tried to pull her back. Reed doing the same to the guy on him before moving to his wife. “Can’t you wait until they’re done before you interrogate her?”

The Director ignored the woman, telling the doctors to keep working despite their aghast reactions as he approached the table, “Agent L/n.”

Johnny’s jaw dropped, appalled at the nonchalantly the Director displayed. “This is ridiculous--!” A hand came up to silence him. 

“Son, this doesn’t concern you.”

“The hell it does!” He shouted, feeling the heat rise in his veins. How dare this man waltz in like he owned the place and demand Y/n to report the mission details mid operation. Johnny was about to continue berating him, but felt Y/n grasp the end of his jacket. When he peered down, he found her staring back at him with a look that read, ‘I got this, don’t worry.’

“Well damn, Jenkins, you sure know how to make an entrance.” 

“Did you get the drive?” He cut right to the chase. The Four didn’t hide their reactions, visibly fuming at the audacity the Director had. Does he not see the doctors openly working on Y/n’s limb? Was the drive that important? Apparently so. 

“Are you fucking serious?” she seethed, offended by the question. When has she ever failed? Using her uninjured arm not being pricked and pulled apart to reach into the breast pocket, she withdrew a sleek black object and held it up. “Of course I fucking got it.” 

Jenkins extended his hand, silently ordering her to hand it over. Reluctantly, Johnny grabbed the drive from Y/n and placed it in Jenkin’s open palm. His scowl not once leaving as he observed the Director inspect the drive before placing it in his pocket. 

“Well done, Agent,” his compliment meant nothing to her. Y/n already couldn’t stand Jenkins since he took over as CIA Director. Now him bursting into her surgery while she was half drugged was the last straw. “I expect a full report by the end of the week.”

“Yeah, yeah, now fuck off,” she spat, causing Johnny, Sue, and Reed to smirk, pleased with the look of irritation overcoming Jenkins. Thankfully he didn’t try to get the last word as he was used to Y/n’s sharp tongue and simply ordered his men to follow him out. 

Sue was the first to speak once he was out of sight, “God, I hate that man.” Y/n hummed in agreement, reaching for Johnny’s hand when he sat back down.

“You and me both.” She smiled when he squeezed her hand, leaning down to prop his chin on her shoulder. 

“Is he always like that?” Reed questioned from beside Sue. Of the Four, he and Ben had the least amount of interactions with Y/n’s ‘boss’ so witnessing this ordeal was mind boggling. 

Y/n answered with a light scoff, “You’d be surprised. Him coming to the infirmary while I’m being stitched up for a debrief is common. But this….this takes the cake.”

Sue gently squeezed Y/n’s knee, “We’re sorry you had to endure that. I was tempted to block him with a forcefield.” That got a snort out of the agent.

“Now that would’ve been a sight to see.” 

The couple departed, but not before informing the two that family dinner was to take place that night. No ifs, ands, or buts. Y/n ensured her attendance, even though she’d love nothing more than to jump in her bed and sleep. 

“When we get to bed,” she murmured over the sound of the Doctor’s praising themselves for a job well done, beginning to close Y/n’s arm up. “Do not wake me for twenty-four hours.” 

Johnny beamed, attaching his lips to Y/n’s jaw as slowly trailing them up until his mouth hovered over hers, “whatever my love wants, my love gets.” 

[sorry-not-feeling-it-right-now]

Ohohoho, I see more stp related character ask games. In which case, thoughts on Hunted? Could always use more Hunted content out here

(Ooooo Hunted!!! The silliest of fellas)

(And as I’m writing this my appreciation for him just skyrockets ten fold. He makes me. Let’s just say. Feral.)

(Ask is here!!! vvvvvv Sorry that it looks like this, I’m on IPad🗿)

(Also the reply is getting too long (again), sooo gonna put a cut somewhere here…)

FAVORITE THING ABOUT THEM

Probably how reliable he is in general. I feel like he’s probably the voice that is the most loyal to Quiet alongside Hero. He just really doesn’t seem like the type of character to have any hidden agenda underneath his actions. He’s just, when he thinks of something, he’d just do it instinctively. I love how he just focuses on the now and what’s happening around him, and doesn’t rely on what he sees only. He’s a really simple guy and all he really wants is safety. And I really like that about him. (The contrast between him and Oppy is glaring here)

And also despite the fact that instinct is a big part that makes him “him”, he’s not completely feral and still holds that humanity inside of him. I think he’s pretty darn neat.

LEAST FAVORITE THING ABOUT THEM

It’s how little he had appeared 😭😭😭

He needs more chapter 3 appearances aside from his own

Both him and Skeptic need more chapters actually.

(And honestly I don’t have much “””bad””” stuff to say about him. He’s just overall a very likeable character to me)

FAVORITE LINE

“Does a cat lie to a cornered mouse just to play with its freedom, or is it acting out its own nature?” (You’ll see this line again)

“The Look. We’ve all used it.”

“Looking at her makes me sad.”

BROtp

Gotta say Hunted and Witch. Hunted pairs well with many other voices and vessels, but the thought of two semi-feral characters interacting with each other is kind of adorable to me. Just. Similar brain wave signals. Vrrrrrrrr. Y’know.

Witch would just sniff Hunted and be like “hmmm he doesn’t smell like a liar to me” and she would just be chilling with him with half an eye closed and half of it open. Just in case. And Hunted just sees her as someone who’s gotten hurt. And had to fight back like a scared animal. So I think he would empathise with her. Idk.

Stubborn and Hunted is a good one too. I could imagine Stubborn and Hunted just sparring with each other whenever they could. The battle always ends in a stalemate though, since Hunted just dodges Stubborn’s attacks most of the time. And by the time Hunted is tired dodging Stubborn is tired as well. But knowing Stubborn he would try to throw a punch at him anyway. And then failing cause they have bodies now. Stubborn takes it as a challenge and is thrilled to see what other stuff Hunted could do. Unstoppable force vs Immovable object.

And the mental thought of Stubborn throwing Hunted like a Pokeball and be like “Hunted I choose you” is just so funny to me. And. Just. Hunted riding on Stubborn’s shoulder. So cute.

OTP

He honestly pairs well with a lot of them tbh, so I don’t think I can choose an exact one.

NOtp

I have none hehe

RANDOM HEADCANON

He would sometimes bite the other voices to show affection. If he is feeling really bite-y that day he would just find something to chew on just so he won’t accidentally hurt the others.

Also, the current smaller form you see of him is not his full form. That’s just him holding back his more feral side, and hence why he looks so tiny. He’s way taller and stronger than he looks.

(Sneak peak of his feral form!!!)

A more antsy head canon I’ve got for him is that a part of him always have this urge to consume the other voices since they are technically parts of the same guy. He feels really guilty about feeling this way. When that feeling is too strong he would lock himself away from the flock until it passes.

UNPOPULAR OPINION

(This is becoming less of an unpopular opinion and more of a ramble as I’m writing this, but I’m just gonna keep this here because I think this is pretty interesting)

I feel like he would take an integral role in helping the other voices in fighting against their nature, since he is so used to doing that himself. Many of the fics I’ve read where the voices are starting to become more complex and more than their nature often doesn’t mention Hunted at all. He would definitely take a role in helping the voices manage their own urges in a way that doesn’t hurt anyone, knowing how he empathises with Den despite everything she has done to them.

He shines the most when he is paired with Oppy regarding this. Oppy embraces his own nature, and often times to his own detriment. Hunted wouldn’t trust him, but he would still protect and look after him anyway since he is still a part of the flock. If Oppy ever shows an ounce of genuine interest in fighting against his urge to betray people for his own benefit, Hunted would be one of the first ones to help and encourage him.

“Does a cat lie to a cornered mouse just to play with its freedom, or is it acting out its own nature?”

Nature vs Nurture baby!!!!

SONG I ASSOCIATE WITH THEM

Butcher Vanity, specifically him in Den where he goes completely feral

And also Kaibutsu/怪物. It can be a shared song between Hunted and Oppy, but mostly Hunted.

FAVOURITE PICTURE OF THEM

(I love it when I just draw him like a fu@king creature)

(He’s so derpy-looking here)

[laurelwen]

Sorry, it's me again. There's this thing that has been...whispering in the back of mind since I read this post for the first time. Nigel wrote: "... I removed a rat's heart and pretended to be disgusted" Why on earth would he feel the necessity to PRETEND to be disgusted in front of Alex?

I've taken a minute to answer this because it's a very good question but difficult and complicated to answer within the context of the film. For those who aren't sure what you're referring to, please see this post transcribing Nigel's notes.

The short answer is: I don't think the people making the props were entirely consistent with the character as scripted. I think most likely they were given some general directives (such as "make sure it highlights the words "egocentric megalomaniac with delusions of grandeur") Outside those few directives, they just sort of let their poetic license run free, injecting their own ideas of a what a "fucked up weird guy who dissects animals" would say into the text, and creating a different version of Nigel than the movie presents us with. The worst example of that is the newspaper article in Alex's book--which doesn't make ANY sense in the context of the film. No one really expected crazy fans to obsessively pause the movie and use photo enhancing techniques frame by frame to determine what was written in his journals or the text of the article, so I think there was a lot of leeway and perhaps some laziness when it came to the props.

It's hard for me to come up with an IN character justification for Nigel to have written that, because it doesn't gel with my observations of him as presented in the film. The journal entry itself is written before he is kidnapped by Alex and the dynamic of their relationship shifts. This IS the entry that made Alex angry enough to kidnap him and teach him a lesson in the first place. This is the Nigel who barely responds to Alex's confrontational anger over the dissection in the dorm room, the Nigel who seems to be completely unmoved by or even very aware of how his actions might impact others. He doesn't care enough to even consider what effect he has on others, and even if/when he is aware, I sincerely doubt he'd bother to *pretend* anything. Nigel doesn't seem interested in pretending to be anything other than what he is, a defining trait that causes him a lot of problems.

Later in the movie, Nigel does shift a bit into a more puckish role. He fucks with Alex in a variety of ways, very noticeably in the train scene when they're going to visit his secret room. He's playful, mischievously antagonistic, poking and prodding Alex and seeming to enjoy his discomfort. This demeanor is more in line with the kind of guy who might write about deliberately messing with his roommate's head. But I still don't know why he would feign disgust in the middle of the dissection given that he's been dissecting animals regularly and Alex would have no reason to think he's grossed out by it.

I suppose if we apply that puckish attitude backward and say that Nigel was already trying to mess with Alex even before the kidnapping, we could sort of squint our eyes and imagine him being very over the top Fake Disgusted as he waves the heart around in Alex's direction. I still don't find that very likely, but it's the best I've got.

If you wanted to, you could use this as part of a theory that Nigel was the real instigator all along and had been intending/planning to manipulate Alex from the moment he was transferred to the school and forced to share a room. In such a reading of the film, all of his behavior could be seen as pretense in some way, including his initial lack of reaction to Alex--calculated to rile Alex up, put him off balance, etc.

I don't personally buy in to that interpretation, just as I don't buy into Alex being the sole instigator. I think either reading ascribes far too much power and control to these teenagers, however intelligent and manipulative they may be. But if you want to go that route, here's a supporting piece to add to your puzzle.

Thanks for the ask and I hope this rambling mess makes at least some sense!

EDIT: please read my reblog of this post. @silhioutte pointed out the very obvious mis-read of this line.

[Like Minds Masterpost - Main]

[dragonologist-phd]

ooh i'll always take an opportunity to promo my DAO longfic:

Rating: T Status: Work in Progress (48/?) Characters: Marja Aeducan, Darvis Brosca, All Companions Ships: Marja/Leliana, Darvis/Morrigan, Minor Alistair/Zevran

Summary:

Marja Aeducan and Darvis Brosca lead lives as different as one could possibly imagine. Marja Aeducan, a member of the nobility and second in line for the throne, has spent her life maneuvering the dangerous political machinations of the Diamond Quarter. Meanwhile, Darvis Brosca, a Casteless dwarf rejected by society, does whatever it takes to survive on the streets of Dust Town. When a Grey Warden arrives in Orzammar, the lives of Marja and Darvis are forever changed. Driven from the city by misfortune and betrayal, the two must join the ranks of the Wardens in order to save their own lives. But the surface has far greater dangers than they realize. The noble and the thief will need to stand together if they’re going to fight against the oncoming Blight, the brewing civil war, and the strange surface malady called “sunburn”.

Bio(ware)feedback 2/8/25

If you are: 1) in a Bioware fandom, 2) want fic comments/engagement, this event is for you!

Directions:

Reblog this post with a link to your fic

I will reblog that for exposure, and I will leave kudos & comment on your fic. It will probably take several days to get through everyone. Thank you for your patience!

This will start at noon MST and go until midnight MST. Check the time here!

That's it! If you're looking for a longer explanation & guidelines, they're here, but I'm trying to keep things short and simple today!

Thanks for sharing your work!

[girlinthemirrorbluenight-library]

My art for the first ever @destielaureversebb. You can check out the fic here by @ravenfuchs who wrote a beautiful story about queer joy and finding community and also saving the bees.

Sharing some details under the cut.

So for the first piece which is what I submitted for claims, I really wanted a Dean who was just so comfortable with himself and happy and queer. In my head that means tons of tattoos and jewelry. The idea is these tattoos started out sort of impulsively with random flash like the little pizza and mom heart, but eventually he started putting more thought into it and got larger pieces like the solar system and the ocean. His jewelry is also all cosmic themed with stars, moons, suns, and the aquarius symbol which is his star sign. The bracelets I also imagine were made by a friend or maybe someone who came into the center where he works.

Confession, I've never actually been to a Pride parade, I know. I have been to different pride events though including queer bingo hosted by a drag queen. But I thought about both tables I've seen at events and looking up different LGBTQ center websites to see what resources they had. I probably didn't need to type an actual list out but as you can probably tell I really went for the details with these pieces so we have a full list of real services and original pamphlets.

From the second piece, we have some fun details with Dean's jewelry where he has this fun little charm bracelet a little inspired by Lucky Charms and earrings that match his frog t-shirt.

So these guys along with the Yoda plush are things Charlie actually owns in the show. The Pez dispensers are at her desk at Roman Enterprises. I showed these to my dad who is a huge Tolkien fan to see if he recognized them and it was a success.

Scooby Doo Clue is a real board game variant of Clue that Dean would 100% own. Drawing this board game with the actual details for all the rooms along with all the accurate game pieces took an insane amount of time but hopefully it was worth it? This is definitely the most detailed digital background I've ever done but it was very fun if time consuming.

Some Charlie house details. The board games are all either common ones or ones I thought she'd enjoy. She does canonically enjoy TTRPGs but most of these are more traditional board games. I actually own a couple of Star Wars games including Star Wars Risk and Star Wars Life, but not Outer Rim or Rebellion. The books are all canon references. Charlie canonically is a fan of the Game of Thrones/Song of Ice and Fire series and of course The Hobbit is very important to her and is what she used to read with her parents before the car accident. The rest of the books are all based on her aliases. She uses a combination of a Stephen King character + a sci-fi/fantasy author. So we have The Left Hand of Darkness by Ursula K Le Guin, The Halloween Tree, Fahrenheit 451 (which yes I did misspell oops), and The Martian Chronicles by Ray Bradbury, and a couple Stephen King books including Carrie and Fire Starter which is where Charlene comes from. These book titles actually took a really long time because Krita does not have the most robust text tool yet but oh well.

[bestworstcase]

Genuine question, but where did you pick up "the Brother cult is a common religion in modern day Remnant" from? At least, I'm pretty sure you've said this before on here; my memory is pretty bad lol.

I'm just curious since I've been rewatching RWBY lately, and i remembered that, and I thought it was interesting bc I never once saw or picked up on anything that would suggest that in canon (unless it's like, a headcanon on your part, in which case feel free to ignore me, I'm not here to needlessly criticize a fun headcanon if that's the case loll, i have my own fantasy religion headcanons bc I'm unhinged abt worldbuilding).

If you don't mind, I want to explain my reasoning/thoughts on why I don't think the Brothers are worshipped on modern Remnant (feel free to pick them apart):

-> Qrow says that "not many people are super religious these days". Mind you, I don't take much stock at all in what characters say, especially not in RWBY (i frequently side-eye characters who speak on the Oz merge who aren't Ozpin himself, Light, or Jinn), but i feel like this would be an odd thing to say if it wasn't true. This is supported by The Shallow Sea fading into just a 'fanciful creation myth', as well as none of the main or even side characters being religious (though it could be bc it's just not important) nor discussing religion. Churches don't seem to be common (aside from the one in v4), and imagery of what seem to be altars are scattered and infrequent. Religion is also never brought up when discussing the kingdoms' governments either. So, so far, Qrows line holds true.

-> When Qrow talks about the Brothers, RNJR never really shows that they recognize the story, or at least that they don't put weight on it, unlike finding out the Maidens are real. They're just like "...okay so why is that important", unlike how I imagine religious people would react to finding out their God(s) are real. Plus, Qrow has to explain it to them; if it was a well known religious story, I'm sure the writers would have written it more like "So, you know [insert religion name]? Yeah, according to Ozpin, that story is real. In case you aren't familiar, let me explain it for you... [insert convenient lore dump for the audience]". Plus, the way Qrow phrases it gives me the impression that it's an obscure story. Weaker point, though, I'll admit.

-> In any of the times that we see what *might* be evidence of religion (i.e. the candles/altar in the White Fang in v4, the church in Ruby's v4 short), there's no religious iconography depicting the Brothers (at least, nothing that I've caught). In general, there doesn't seem to be any dragon imagery in modern Remnant (again, nothing that I've caught yet).

-> It's depicted as a fairytale. When Ozpin asks for Pyrrha's favorite fairytales, the first thing she says is The Tale of the Two Brothers. It's also in his fairytale book, something i feel would've been a controversial (if extremely funny) decision if it was a popular religious story (like if you put Jesus' crucifixion in a book including rapunzel and Cinderella).

-> Also, there's no common sayings including the Brothers (like how fics like to have the characters say "Oh Brothers" and other variations).

-> And, in general, Oz's inner circle really wasn't at all concerned with the Gods or really even the Divine Mandate. All they knew was that the Gods created Remnant, humanity, the Grimm, and the Relics and promptly abandoned Remnant, and that "If someone were to collect all four [Relics], they'd be able to change the world." And that that's "exactly what the enemy wants." So they only know the absolute basics of the Mandate, and the way it's worded implies (to me, anyways) that Oz worded it in such a way that cautioned against collecting the Relics (which is very interesting to me. This also tracks with how he depicts the Mandate in TTOTTB). So in general not even the inner circle feels like Brother/Light followers to me, just Oz followers (in general i imagine the events of the infinite man made him learn that bringing up judgement day is a Bad Thing, considering before bringing it up the Circle flourished, but after spreading the message, it was immediately destroyed. Instant karma. Poor dude). Though this starts leaning into the territory of my theory that Oz actually gave up on his mission (which like, could be wrong, but I'm holding onto it until I'm proven wrong), and I'm sure you don't wanna hear that one lol.

In general it seems to me like there isn't a Brothers-centric religion so far, even though Remnant still has organized religion (albeit uncommon). But I'm honestly not sure if I missed anything? I'm sure as hell not the type to comb through every background to see if I did lol.

Sorry for the long ass ask. Take your time answering, and have fun picking apart my reasoning. Please be nice abt it tho 👉👈 I just want to know your thoughts and if i missed anything that proves it's a modern day religion :)

-🌙

okay. first, at the risk of being condescending: religious people believe that their gods are real. you know that, right? religion is not a big game of play pretend. people who practice religion do so because they believe in it.

yes, religious people can and do experience doubt. but a religious person whose doubting and questioning leads them to conclude their god(s) aren't real don't continue to practice the religion they don't believe in. i mean, they might make an outward performance of doing so if it's unsafe for them to leave and they're likely to keep cultural practices and even moral frameworks--see: ex-christians who are exactly as dogmatic and puritanical about whatever new belief system they've adopted--but people who don't believe in gods don't practice religion. 

this:

They're just like "...okay so why is that important", unlike how I imagine religious people would react to finding out their God(s) are real.

is a fallacy you're making because (i presume) you aren't religious and have never been so; i suspect you just don't have any frame of reference and consequently you're projecting your own skepticism onto the hypothetical religious people in your imagination. to be clear, i don't mean this as a personal attack on you--this is a very normal thing for people to do when we're trying to conceptualize experiences that are profoundly different from our own.

my background though is evangelical christian. i was raised in a staunchly religious household attending church 2-3 times a week; i attended a christian school until transferring to public school in fifth grade; i've been to bible camps and conferences where they teach you how to evangelize to nonbelievers and that kind of thing. i'm not talking fundie cult here, to be clear--this was a relatively-by-evangelical-standards socially liberal and theologically mainstream nondenominational protestant church--but christianity was the central organizing structure of my life until i left home. i'm agnostic and fundamentally disagree with the moral framework of christianity but i know a lot of very devout christians and i'm very familiar with the religious praxis. 

(including what genuine, good faith evangelical proselytization looks like--not door-to-door like what e.g. mormons do, or street corner chick tract fundie cult behavior, which is what non-christians typically think of as evangelism. but that stuff is a tactic high-control religious groups use to strengthen identification with the in-group through rejection and alienation by the out-group--evangelical churches that aren't culty don't do that, and in fact the idea that door-to-door and street corner preaching is an isolation tactic used by predatory religious groups is something that was first explained to me in sunday school by the people who taught me how to evangelize. put a pin in this for now.)

so: i'm not imagining hypothetical religious people when i say this, i'm imagining a few hundred specific religious people whom i personally know and how they would react in an equivalent situation. 

what qrow does in 'a much needed talk' is he sit the kids down, goes "not many people are super religious these days… there's a lot of (false) gods people have made up throughout history, but y'know, these two are real. here's the truth…" and then tells them a simplified version of the two brothers creation myth. 

he doesn't do anything to prove that these two gods, in particular, are real. he gives zero evidence. he doesn't even demonstrate that magic is real. this isn't "finding out" that the gods are real, this is uncle qrow doing a little impromptu sunday school lesson like that's an explanation for why some lunatic attacked us earlier. this is like if some rando tried to grab you on the street and pull you into an unmarked van and i saved you and me and the van guy clearly had some sort of history because he knew my full name so you asked me "WHO WAS THAT GUY. WHAT THE FUCK" and i said okay sit down, the first thing you need to know is that in the beginning, god created the heavens and the earth…

regardless of your personal religious beliefs or lack thereof, you would probably go "…what. does this have to do. with the van guy who ATTACKED ME" because that's like, truly a bizarre non-sequitur. but it's not like God Himself is descending from the heavens in a flaming whirlwind to demonstrate his existence. it's just me telling you he's real. 

if you're a christian, in this scenario, that is not in any way a revelation to you. that's akin to, like, "the king of england is real." BIG IF TRUE?--you know this. you already know this. if you are a christian then you believe that the christian god exists and is the one true god. in this hypothetical scenario i'm telling you things you already know and believe foundationally to be true. a devout christian would probably respond more in the vein of "amen! god is good!" but one whose practice is casual--the christmas-and-easter christians--and secular christians would absolutely be "okay and…?" in an equivalent situation to 'a much needed talk.' 

hell, come to that, i'd be asking what this has to do with the crazy guy who tried to kidnap me if i were in that situation. who cares that my dead headmaster was a true believer or whatever i want to know about the guy with the knife! you feel me?

the type of person whom i can imagine making a big deal out of qrow's little creation myth are:

reddit atheist types who cry and scream and shit bricks if they have to talk to somebody who believes in a god; you know. the kind of person categorically incapable of talking about religion in any capacity without at least one sneering "sky daddy"?

someone with no previous exposure to this religious tradition or anything remotely like it. imagine if i were to sit you down and earnestly tell you that the only Real Gods were, like, the hero twins who descended into the underworld to challenge the lords of death to a ballgame. you'd probably be like "HUH??" because hunahpú and xbalanqué are not a cultural reference point you're familiar with in the way that you're familiar with the crucifixion of jesus christ.

like, all religions are fucking weird. the christian gospels are not remotely less weird than the popol vuh, or whatever. you're just familiar with the essentials of the gospel story--even if you're not and have never been christian--because christianity is culturally dominant in the west. and the familiarity makes it normal. unremarkable.

invisible, in a way. 

this is something the writers of rwby really get. if something is normal and ordinary in the world of remnant, the characters don't pay attention to it, even if it's bizarre to the audience. to use a non-religious example, civilians don't know what aura is! it's not common knowledge! we know that because jaune's never heard of it, civilians in vale are shocked and confused when penny stops a truck with her bare hands, and oscar (who has dealt with "occasional grimm" before) has no aura training and doesn't know what a semblance is. but to the rest of the characters, aura is a completely mundane aspect of their day to day lives and they're a little taken aback by characters like jaune and oscar who don't know about it. 

with that in mind, i want to really underscore something about the things qrow tells RNJR in 'a much needed talk' and the way the kids react. 

because. first, qrow gives them the same intro level rundown on the maidens that pyrrha got in v3--offscreen because that's shit the audience has already heard and don't need to be rehashed. the kids are like, "that's a lot to take in," and jaune in particular is like "this is all very sketchy, what the fuck is actually going on." 

THEN, apropos nothing, qrow drops "not many people are super religious but These Two gods are actually real btw" and an abbreviated creation story, with NO proof and NO apparent connection to the maniacal cultist who ranted and raved about his body and soul belonging to his goddess-queen who sent him to "retrieve" ruby for her. and none of the kids express the slightest bit of skepticism about this super out of left field sunday school story, no one is like "what the fuck" or "are you drunk"--ren just goes "okay but how. is that relevant." 

whereupon qrow finally tells them about the relics hidden under the schools and salem wanting them and that BAD THINGS will happen if she gets them. and then, jaune the skeptic goes: "alright, so let's say we believe all this--there really is this crazy evil being behind these attacks, not just some thugs trying to become powerful. why doesn't the world know?"

THAT'S the part he finds outrageous and difficult to believe. not that the two brothers are real, but that SALEM exists. salem. these kids literally JUST got attacked by a lunatic cultist who kept babbling about MY GODDESS HER GRACE THE QUEEN and directly stated that he is cinder's associate and referred to the white fang and torchwick as pawns, but the thing that makes them go "wait but this is crazy and makes no sense" is qrow explaining that there's a malevolent entity called salem who orchestrated the attack on beacon and sent that guy to capture ruby. like, objectively, from a purely logical standpoint, that's the least unbelievable thing that qrow tells them. 

but people aren't rational agents. and one thing this scene does very effectively is establish the relative normality of each major chunk of information through the way the kids react:

maidens? "there are four special people who can do magic without dust? and when they die that power passes on to someone new? that's. well that's a lot to process but. sure."

brothers? "and this is relevant how?"

salem? "that's crazy how could someone like that possibly exist without everybody knowing about it? why should we believe any of this!?"

salem is so fucking far out of their previous understanding of how the world works that they all kind of have a kneejerk "that! can't be real!" response even though tyrian shouted from the literal rooftops that he's working for a 'goddess' who was behind the attack on beacon.

but the maidens? they have a frame of reference for magic--magic is what anyone can do with dust, and ruby…petrified a massive grimm with her eyes somehow a few months ago, so like, it's not THAT unbelievable to accept that an old story about four maidens who can do magic without dust is true, apparently. 

whereas the stuff about brothers… nothing. not one of these kids so much as blinks even though. again, from a purely logical standpoint, the creation of remnant by the brothers is the most fantastical part of qrow's explanation. but the kids don't react that way, because it's normal to them. ergo they're either casual practitioners of brother-worship or brother-worship has cultural hegemony in vale and mistral, where RNJR grew up.

now! it's actually a simple matter of text whether the second possibility is true or not and this is the part of the answer where i have to just say: you're factually incorrect actually. 

-> In any of the times that we see what *might* be evidence of religion (i.e. the candles/altar in the White Fang in v4, the church in Ruby's v4 short), there's no religious iconography depicting the Brothers (at least, nothing that I've caught). In general, there doesn't seem to be any dragon imagery in modern Remnant (again, nothing that I've caught yet).

there is a big statue of the dragon brothers smack in the middle of the train station in mistral. one gold, one dark. very unmistakably a depiction of Those Two. this is in v6 so if you're only up to v4 on your rewatch you can't uh, be expected to remember. (<- i am just unhinged enough about fictional religion i can tell you off the top of my head that yang and ruby swear by God in v1 but the ship captain in v4 swears "by the gods" and i think that church in ruby's character short implies maiden-worship on the basis of the statue of the cloaked young woman in front, details of this kind just stick in my memory for nerd reasons.)

[as an aside why would… the white fang… have an altar to mankind's gods… like. there are no faunus in 'the two brothers' and the culturally dominant religion among faunus is worship of the god of animals, as ozpin notes in his commentaries on 'shallow sea' & 'judgment.' the trappings of religion that we see in the white fang's private spaces are… obviously… god of animals-worship. this feels half a step shy of saying "well the altar in salem's war room doesn't have any draconic iconography, so therefore brother-worship isn't a thing." brother-worship is explicitly not the only religion in existence!]

-> Also, there's no common sayings including the Brothers (like how fics like to have the characters say "Oh Brothers" and other variations).

in v7, 'pomp and circumstance' specifically, ironwood says "brothers know you deserve it" in reference to RWBYJNR receiving their huntsman licenses. and a quick round up from the novels:

after the fall: "thank the brothers you found us," said by a bit character.

before the dawn: "thank the brothers," said by octavia; "by the brothers," said by finn asturias when he learns what his kids are planning

roman holiday: "thank the brothers," said once by neo's mother and once by a bit character. 

there are also general exclamations of "my gods" or "by the gods" and general references to "the gods" both in rwby proper and ancillary materials, with "gods" being in far more frequent use than the singular "God"--gods, plural, doesn't necessarily mean the brothers every time, because qrow does make a point of noting that remnant's people, collectively, worship "dozens" of gods. but it is pretty evident that the dominant religion across the four human kingdoms has more than one god, and the coincidence of that with, taking the novels into consideration, characters from literally every kingdom except mistral which has a honking big statue of the brothers in its train station swear by the brothers… yeah the dominant religion globally is brother-worship. probably not in menagerie. but in the four human kingdoms, yeah. 

-> It's depicted as a fairytale. When Ozpin asks for Pyrrha's favorite fairytales, the first thing she says is The Tale of the Two Brothers. It's also in his fairytale book, something i feel would've been a controversial (if extremely funny) decision if it was a popular religious story (like if you put Jesus' crucifixion in a book including rapunzel and Cinderella).

…and the second is 'the shallow sea,' which is also a religious myth. 'the story of the seasons' is alsowhat we'd call a myth, not a fairytale. 'the girl in the tower' is the only story pyrrha names in that scene that is actually a fairytale per se. in general the delineation we make between "fairytale" and "myth" in the real world, as discrete genres of folklore, doesn't seem to exist in remnant--legends and fairytales scattered in time, and all that. the conceit of rwby is about engaging with fairytale-as-myth, so this is a very intentional blurring; like, this is a narrative where maiden-in-tower IS the creation story, fundamentally. rapunzel is orpheus is prometheus and that's how the world was made.

and that's the kind of thing that we as the audience have to just accept as a fact of the fictional reality, because… like… gestures at 'the shallow sea.' 

ozpin included THAT one in his book of fairytales, too, and in his commentary he explicitly describes it as part of a closed(!) oral tradition whose inclusion he deliberated for fear of being disrespectful. he devotes more than half of his commentary to justifying the choice to include it, and the rest to describing the myth's cultural context to his (presumed human) readers. he asks forgiveness for "overstepping himself." 

and it is very obvious, in the way ozpin talks about 'the shallow sea' in particular and the book generally in his forward and afterward, that his concern is not "it is grotesquely horribly disrespectful to place this profoundly meaningful and important creation myth (of a culture that is not my own) in a collection of frivolous fairytales" but rather "this book is meant to be a collection of profoundly meaningful tales drawn from all of remnant's cultures and i believe this one is too important not to include, but i am also acutely aware that it is a closed tradition to which i do not belong." the latter is still out of pocket, but the simple fact is that a character who so obviously knows that publishing a story from a closed tradition without permission is Not Okay and so obviously feels immensely conflicted and guilty about doing so isn't a character who would blithely denigrate a myth like this by publishing it in a book of trivial fairytales. and a character who would denigrate the myth that way wouldn't agonize over whether it was important enough to be worth violating the closed tradition. 

and then you consider that, out of the twelve stories ozpin put in this book, three are explicitly religious creation myths ('the shallow sea,' 'the judgment of faunus,' and 'the two brothers'), two others are myths describing the origin of natural phenomena ('the story of the seasons' and 'the gift of the moon'), and one is a mythical culture hero ('the infinite man')… so fully half the stories in this book aren't actually fairytales. they're myths. 

so the inclusion of 'the two brothers' is less cinderella-and-christ than it is "here is an eclectic collection of folklore from around the world" in terms of what would be equivalent in the real world; and… like, 'the shallow sea,' 'judgment of faunus,' and 'the two brothers,' the plain text of these stories is clearly and unambiguously religious in nature, and ozpin explicitly discusses them as such. 

his commentary on 'the two brothers,' in particular: "there are many versions of our creation story […] but certain elements are always consistent: they arrived from a realm outside of our own and together created the universe from nothing. and then they left us on our own." and "whether or not you believe in the brothers, or in this story in particular […] like the twin gods, we are intricately connected to each other" and, um:

Even if the gods aren’t real, even if they don’t return to judge us for our deeds, we should act each day as though they are arriving tomorrow. In the end, we will be the arbiters of our fates. We will either create a beautiful, peaceful world and live in harmony together or destroy ourselves and our planet, and the gods will judge what we have chosen.

remember how i said i'm intimately familiar with, specifically, evangelical christianity and what actual evangelism entails? not the deliberately off-putting door-to-door shit but proselytization for the purpose of bringing new people into a church that isn't a predatory high-control group?

the way ozpin talks about the brothers here, and the way qrow talks about them in 'a much needed talk,' is christian evangelism 101.

"not many people are super religious, these days." you know who says this type of thing? like, fucking constantly? evangelical christians. never mind that christianity is the majority religion in the US by a significant margin (66%!)--evangelical christians inhabit a constructed alternate reality wherein they're an embattled minority shining candlelight into a sea of darkness. (many of them accomplish this by deciding that most other christians aren't real christians; the classic protestant move of course being "catholics aren't christian" but your average evangelical takes a dim view of like. any denomination that isn't their denomination and when i tell you the nondenominationals are the worst offenders in this regard... lmao. anyways)

"not many people are super religious [christian] nowadays. people believe in all kinds of different gods and creeds, but there is only one true God"--this is literally just how evangelicals talk. both to each other and to non-believers they're hoping to interest in the church, although the tone depends on who's listening. internal discussions of this nature are strategic in nature--how do we reach people and speak to them effectively in these godless times? what is the right balance between presenting ourselves and our faith honestly while still creating a welcoming and accessible space for people who don't know jesus? how do we share what we believe with people who just don't care? and so forth--whereas the framing with nonbelievers is that it's innate in human nature to crave purpose and meaning and that everyone seeks fulfillment but few ever manage to find it because none of us are born knowing where to look, etc. 

meanwhile in his commentary ozpin is doing a fantasy repackaging of the pascal's wager tactic, which like. i have sat through literal educational films on the rhetorical use of pascal's wager in effective evangelism. "well, if i believe in god and i'm wrong, i'll have lived a good, moral life and lost nothing; if you don't believe in god and you're wrong, hell" is one of THEEEE evangelist talking points. ideally, one used to open a conversation with friends and/or people who have indicated interest in talking about your faith in some way, especially if they ask "what if you're wrong?" because then the idea is to demonstrate that you're not rigidly dogmatic in your faith but instead you've given serious thought to the possibility that you might be wrong, and thus show that you understand and empathize with the nonbeliever's skepticism so as to build a genuine rapport. (whether it *works* that way in practice is highly dependent on like. charisma and actual meaningful ability to click with non-christians, which a lot of devout evangelicals… just can't even when they really earnestly do try, but ozpin as a character does have the charisma and the knack for connecting with people that can make this approach effective at getting irreligious people to give "hey, come to this church thing with me?" a shot.)

i cannot emphasize enough that after the obvious one of "directly openly stated religious beliefs," the reason ozpin and qrow specifically read to me as highly religious characters is because they talk exactly like evangelicals in secular company. they talk about and share their beliefs about the brothers the way i was taught in church to talk about christianity. 

you don't go banging on people's doors or harassing them in the streets. nobody fucking likes that and it makes people not want to go to church. you don't go around with a stick up your butt about the non-christian people in your life not being christian. what you do is treat people with kindness and respect and draw firm boundaries for yourself to keep yourself safe (<- unironically growing up in an evangelical christian household is a huge part of the reason i am SO comfortable just fucking saying no to things i don't want to do and i think this is the one thing that evangelicals really have on a LOCK) while being open and honest and unapologetic about your own faith. you save the bitchy judgmental gossip and fire and brimstone garbage and like, talking about the eschaton for when it's just true believers. 

evangelical christianity is an eschatological religion, by the way. in case you didn't know that. evangelicals believe that we are living in or on the cusp of the end times and the political action of evangelical christians in the united states is motivated in large part by a desire to enact the prophesied conditions that will herald the second coming of christ. for example a lot of evangelicals like trump because they think he's a divine implement of the great tribulation. evangelicals are obsessed with and actively trying to enact the apocalypse. and rwby is straight up the only fictional story i've ever encountered that understands how an eschatological cult operates because you can NOT advertise that shit. it FREAKS PEOPLE OUT. you keep the "i want the world to be riven by unprecedented catastrophe and suffering so i can be taken up to heaven in the rapture while the wrath of almighty god crushes what remains as grapes in a winepress" between yourself and the other doomsday cultists. 

it's not like. SECRET. it's in the bible. but very few non-christians bother to actually read the bible and the ones who do are just not going to have the cultural context to know how very deadly serious evangelicals in particular are about the book of revelation or how much of a core pillar the eschatology is to evangelicalism; meanwhile american evangelicals are knowingly deliberately voting for the apocalypse. similarly,

“We must take back our gifts,” the God of Darkness said. “Reclaim our power and wipe this experiment from existence.”

“I disagree,” the God of Light said. “And we promised to share in the fate of our joint creation.” He gave a mighty yawn. “Let us rest, and when the time comes, we will see what Humanity has become in our absence. At that point, we will judge them. If they are worthy, we will take their forms and walk among them as equals. If not, we will take back our gifts and start over elsewhere. What do you say?”

“Who will decide whether they are worthy?” the God of Darkness said.

“Humanity will make it plain. If they come together in unity and find a way to destroy the evil in the world and within themselves, then they are worthy. If not … we will let them burn,” the God of Light said.

“So shall it be.” The two brothers agreed. But even in rest, they needed some distance from each other. Each dragon transformed himself into a new continent at one end of their world.

And there the dragons still sleep, until the day that the gods will waken, rise, and judge.

ozma's mandate is not a secret. the apocalyptic final judgment is clearly and emphatically spelled out in the myth of the two brothers, which he included in an anthology of tales intended for the general public and annotated to the effect of "i believe this one is true and even if you don't you should act like you do. btw. because it's true" YEAH MAN WE GET IT. 

(he also asserts apropos nothing in his commentary on 'the gift of the moon'--a myth that does not mention the brothers at all--that the sun is a "celestial gift from the all-powerful god of light," so either 'the gift of the moon' is brother-cult doctrine or ozpin is pointing at a myth from another tradition and making it about his god.)

the main difference between ozpin and your average evangelical is that ozpin fears the end times because he doesn't believe anyone will be spared. but his behavior is the same. his way of presenting his religiosity in a way that minimizes and obfuscates the eschatological intention at the core is the same, if not more intense because the material reality of his situation, as the accursed chosen one literally commanded by God Himself to immanentize the eschaton, is a lot more terrifying and desperate. 'the infinite man' is quite literally a veiled autobiographical story about how he figured out that he CAN'T… go around just… TELLING EVERYBODY… that he's MAKING READY FOR THE FINAL JUDGMENT.... because people don't fucking like that and will kill him and put his cult to the sword about it.

that emphatically does not mean that he doesn't still believe in it; it means that he has, in the same way that evangelical christians in real life have, figured out how to code-switch. there's the public face for mixed company where you're friendly and humble and make a concerted effort to live by the virtues of your faith while being open and unapologetic about your religious identity while maintaining a posture of respectful invitation toward everyone else and engaging in meaningful ways with people you personally know to gently encourage them to explore your faith…

…and there's the private face for when it's just you and your fellow true believers and you're talking in intricate detail about how current world events line up with this or that prophesy about the end times. ozpin in public is the mixed-company evangelical to a T. and ozpin in private with people who have been informed of the whole situation re: maidens, relics, salem is like "i am the divinely-ordained champion of the gods and we must stop her from getting her hands on the relics that My Schools were built as fortresses to defend."

in 'the lost fable' these kids literally hear the god of light say with his whole chest that mankind will be found irredeemable and destroyed if they are "unchanged," and they do not even blink. 3.75 volumes spanning months later, they STILL haven't really registered that the god of light holds the view that not a single person alive on the planet RIGHT NOW TODAY deserves to live. why?

because they knew that part already. not the precise detail of ozma being the one who's meant to decide when the world is fit for divine judgment and actively invite the brothers back, but the final judgment and the need for humans to be United when the day of judgment comes lest they be burned to ashes? They Knew That. it is invisible to them except inasmuch as salem embodies, to them, the danger that mankind will be condemned, because it's normal. regardless of their personal religious beliefs or degree of religiosity, they're all familiar with this story to the point that hearing God Himself promise to exterminate everybody didn't even mildly startle them. they knew. 

like. fundamentally. the story as-written and the way the characters present in the lost fable do not react whatsoever to the divine ultimatum does not make sense unless every single one of them already knew the story about the dragon-brothers who created the world and then departed and will return to judge humanity's worth, to either reward them with completion or wipe them from existence. and because the kids seem to fall in the zone of irreligious to casually religious the simplest and most likely explanation is that there is a global hegemony of brother-worship, akin to christianity in the west. 

taps the sign. and this sign too.

like. in one sense it's a question of your frame of reference and specifically whether you know what deeply religious people are like and how an eschatological religion actually functions in the real world or if your mental model for what this looks like is drawn from, like, pop culture fundamentalist caricatures. i can tell you that the way qrow segues into and tells the brothers creation myth is something i can imagine almost verbatim coming out of the mouths of elders in my parents' church and that ozpin's commentary on the same myth is a point-for-point translation of christian evangelism into his fictional religion. i can tell you that your presupposition that a religious person "finding out" the god(s) they believe in really do exist would feel any kind of surprise or revelation about it is baldly incorrect in a way that leads me to believe you have zero real personal experience with religion or religious people. i can tell you that your presupposition that the secular democratic institutions of government in the kingdoms means there can't be a religious cultural hegemony of brother-worship (or any other religion) is, again, just factually not correct.

but in another and, in many ways, more important sense: rwby is a story about a religious conflict. there are two gods who destroyed the last world and a promised day of judgment that will be ushered in by four divine relics, each guarded by fortresses that act as the central hub for each plot arc, and the overarching narrative conflict is about a power struggle between two people--the immortal agent of rebellion against the gods and the divinely-appointed chosen one tasked with preparing for the final judgment--fighting for control of these relics. that's the plot. 

why are you reading scenes where the characters intricately involved in this power struggle talk about religious matters like the existence of gods and divine relics and divinely-ordained tasks as evidence that these characters… aren't religious? why are you reading actual myths that are textually presented as religious stories as… not a religion? why are you looking at a character commanded by God Himself to unite mankind, who in the present day speaks incessantly of the importance of unity and existential threat of division, who annotates the aforementioned explicitly religious myth with an exhortation to act each day as if the gods will return to judge you tomorrow, and concluding that he… is not religious and does not fundamentally believe in any of it?

what do you think a religion is?

and in this story, of all stories--when the central narrative conflict is overtly a war over divine relics left behind by the gods for the sole purpose of bringing about the final day of divine judgment--why in the world is it your baseline assumption that religion is not something that matters very much within the world of the story? why do you take qrow saying "not many people are super religious these days" completely at face value to mean "most people are agnostic/atheist and religion has no cultural relevance whatsoever" even though the next thing out of his mouth is "but these two gods are REAL" and even though, a single volume prior, his colleague said "what we're telling you goes against hundreds of years of human history, religion" and insinuate that consequently the truth would cause uproar and panic to justify keeping the maidens a secret?

i think that ozpin and his inner circle are religious because they speak and act like it and the core purpose of their "brotherhood" (as they call it) is to safeguard the divine relics while they publish religious myths about their gods and talk about how those gods are real and nothing is more important than keeping the divine relics safe. if it acts and looks and quacks like a duck and repeatedly turns to the audience to say that it believes in ducks, i believe it's a duck. i am not going to say "well it complained one time that there aren't a lot of ducks left in the world, so i think it's actually a chicken." that's nonsense. 

[luckymousey]

Thoughts about Ace’s dreams (parts 249-256) (mostly things I liked)

⚠️English is not my first language and there will be SPOILERS if you haven't seen Ace's dream⚠️

THEY UPLOADED BOTH ACE AND TREY’S ENTIRE DREAMS, LETS FUCKING GOOOOOOOOOOOO

Ehhhh, well, I was planning to also write about Trey’s dream, but I felt this was getting too long, so maybe the day after tomorrow I guess?

Warnings?: swearing and possible gramatical mistakes

Soooooo, we left it when Grim was shaking Ace like a soft drink, let’s start!

Ace telling them to stop pranking him is ironic considering he’s the one who pranks everyone everytime (I bet he once pranked Deuce by giving him a store bought egg and told him a chick would appear from it if he gave him enough warmth)

SEBEK STARTING TO EXPLAIN EVERYTHING TO ACE, I ALREADY LOVE HIM SO MUCH, I know he is just doing it for COMPLETELY different reasons, but yeah (tbh, I started loving him more when he admitted liking reading books, I’m also a bookworm :3)

And he’s so determined to fight Malleus, awww, he loves him, but he also knows that they can’t let Malleus’ negative emotions take over him.

The part where Ace asks Sebek if it’s something bad to live in a dream that you can be happy in, is like ( ; _ ; ), so fucking sad and selfish, he is like accepting the fact that it was not reality what he was living, but he was so fucking scared to accept reality itself and he really didn’t consider other people’s opinions (personally, I feel I would LOVE living my dream life, but I’m sure that with time, I would feel that everything around me is fake, beause my real friends wouldn’t be there, my real family would’ve be there, everything I love wouldn’t be there, and that would make feel me so miserable)

Ace saying that if Malleus is left alone in the real world because of his own fault reminds me a lot of the time he told Riddle that he had no friends because of himself, it might have sound cruel, but really, Malleus, my boy, what you’re doing is not good 😭 (and he’s, I do think that Ace’s comment to Malleus was also unnecessary, but let’s be realistic, they’re both doin wrong things)

For some reason, I feel Ace would be GREAT as a lawyer, maybe some rude comments about the other party, something that’s not tolerated in trials, yes, but he’s quick when it comes to biting back.

Ace not wanting to fight Malleus because he calls themselves “ordinary students”?? EXCUSE ME!? That’s not my Ace! My Ace fucking fought against his dorm leader knowing he was way weaker than him (I repeat, he’s so fucking scared of accepting the reality, like, we can see it thanks to these little things, the little changes in the character, he prefers to be a coward than to lose his friend 🥲)

I want to say this again, there are some parts and lines of Ace that reminds us of the Heartslabyul Arc (like when he said he won he listening to someone who looks down at others), but there’s a big difference: Ace was not scared to fight against Riddle, but he’s now scared to fight against Malleus, and yes, Malleus is one of the 5 best mages in the world, but this is not about the opponent, it’s about the fact that he will change his whole personality to get what he wants, in Heartslabyul Arc’s case: beating Riddle and becoming dorm leader (that was out of pure rage tho), in the Diasomnia Arc’s: hiding in his dream, because there, Yuu can stay with them forever.

ACE RAN, I KNOW IT WAS SUPPOSED TO BE A DRAMATIC EXIT, BUT I COULDN’T STOP IMAGINING HIM RUNNING LIKE AN ANIME CHARACTER WHO’S EMBARRASSED AND RUNNING AWAY WITH A VERY NOTICEABLE BLUSH ON THEIR FACE

Sebek not understanding Ace’s words and desire to stay in the dream is understandable for me, he had no friends before, and in this point of the story, he is still not very close to his classmates, so he doesn’t understand why a friend is so important for Ace (and Malleus is more like a person who he admires, but he idolizes him so much that I doubt he calls him “his friend”, while Lilia is seen as his master and Silver more like a competitor).

I don’t know if you noticed this, but I love imagining different scenarios when something happens, so when everyone was explaining to Sebek why Ace got angry and why it was (partly) his fault, I imagined them trying to explain something to a baby.

ORTHO ADMITTING HE WOULN’T BE AS WORRIED AS HE’S BECAUSE OF IDIA, HE’S THE BEST LITTLE BROTHER ONE CAN HAVE 🥹🥹🥹🥹

And Sebek realizing that Ortho is right, awwww, I can understand why some people hate him, he is constantly shouting and being kind of rude, but I see him like a kiddo who’s still learning.

I used to watch the episodes without sound because I usually watch them at night, but how that I got wireless headphones I can’t unheard the way they said “Cater Diamond”, they’re like, “KeiTO DaiAMonDo”, I know that's how they pronounce it, but I really can’t not laugh everytime I think about it.

Idia and Leona agreeing they’re just helping because they want revenge!?!? That’s so funny for me, they’re straight up insulting Malleus in front of Sebek.

And after that, the moment where Silver scolds Sebek arrives.

THAT'S RIGHT SILVER, YOU TELL HIM, YOU TELL HIM, SHOW HIM WHAT YOU LEARNT FROM YOUR HANDSOME FATHER, I LOVE YA SEBEK, BUT YOU NEED TO CALM DOWN

Honestly, the reason I'm so excited is because I’m trying to prepare myself for that part.

Silver LITERALLY rubbing on Sebek’s face the fact that he reacted like Ace when he told him everything was a dream is something I didn’t know I needed to hear, it was so satisfying. (I’m going to admit it, I just love people getting scolded because of something they did that was clearly bad)

“REFLECT ON YOUR ACTIONS!” Is something I feel Lilia usually said when he punished them as kids and then Silver learnt it (i bet all my money that Lilia constantly used that phrase when the kids didn’t want to eat his nutritious food)

Some of the characters being surprised by Sebek sudden lowering of tone is something that will always make me at least chuckle, it doesn’t matter if it’s in the manga, the game, the novel, fanfics, fanmade comics…; it’s just so fucking funny for me.

When Silver said it was better to have Ace as a friend so he can help the, in defeating Malleus sounded so bad, like he was already planning how to become Ace’s friend to use him (don’t hate on me, I know he didn’t intend to, but if you read that phrase without context, you will definitely think he’s a villain)

LEONA, WHAT THE HELL DO YOU MEAN WITH LEAVING ACE BEHIND BECAUSE HE WON'T BE OF MUCH HELP, ARE YOU FUCKING WITH ME!? YOU DONT GET TO LEAVE MY BOY BEHIND.

AND YOU TOO, CATER!? YOU TOO!? I THOUGHT YOU WERE A GOOD SENPAI BECAUSE YOU PROTECTED DEUCE AND GRIM IN YOUR DREAM, FUCK THIS AND HE WANTS TO MESS UP WITH ACE, DONT, LEAVE MY BOY, WELL, DONT, DON'T LEAVE MY BOY, WAKE HIM UP

Deuce doing his delinquent pose when he got frustrated of thinking to much, hehehe, I love that pose

YESYESYES, DEUCE, GRIM, YUU, GO GET YOUR TSUNDERE-ORANGE-BOY

Ortho don’t worry about them, Yuu and Grimm have gone through 6 overblots together (I’m going to cry so fucking hard if Grim ends up over blotting because of all those fucking black stones he eats), and now they’re with the seventh one

Oh, damn, Cater should be an actor, I really thought he was going to leave Ace behind.

FORGET WHAT I SAID ABOUT YOU, CATER, I LOVE YA SO MUCH

Cater like a proud older brother 😭: “I’m happy Ace got such good friends”

Omg, Cater is so intelligent, by just having contact with ‘darkness’ once he already knows how it works (but he’s really putting the hand in the fire just for his junior, Trey is one of the most understood characters, but he’s also so underrated when it comes to his relationships)

Wait, wait, wait, I just thought about this, it might be something dumb, but it really just appeared in my mind: Cater doesn’t want to get very close to anyone because of his trauma of constantly having to move and, as a consequence, he has to cut off all his relationships done in the place: and now, he’s literally doing anything possible to save his friends (if he now can consider them as friends), I don’t know if he started to open up, but it would be so heartwarming to see 😭🥰

I love when the characters say: “eh?” Yes, buddy, eh, eh, eh 🦆

All the Caters saying: “Aye, Aye, sir!” It’s soooooooooooo peeeeerfect

“It might hurt a little, but be patient, Acey~” -KeiTO DaiAMonDo, 2025

NAURRR GIRL, THE SUDDEN FIRE!? That was too fast, both Riddle and Trey would be way more dissimulated if they were trying to discover if there’s really a fake Cater.

Leona said they weren’t going to help Cater because he didn’t ask for it, but I like to think he’s trusting him (I know that wasn’t the case, let me be delulu)

And Leona calling Cater “Heartslabyul’s number 3”??? THIS IS GOING STRAIGHT TO MY MAFIA AU

Riddle’s change of tone from rude and strict for Cater and sweet and kind for Ace!? 😂, yeah, that’s definitely not happening irl

“You can have a happy life here, blahblahbla” oh, shut up, I know you’re darkness, but shut up

Ok, Leona, I know you trust Cater and everything, but please, let Silver and the rest help him, he’s going to disappear with the darkness

*right in the other part of the island*: Cater saying how ugly everything looks, not giving a fuck about the danger he’s in 😃👍

ACE ADMITTING HIS INSECURITIES, NOOOOOOO, MY BOY, YOU'RE PERFECT THE WAY YOU ARE, YOU ALL WILL DEFEAT MALLEUS WITH THE POWER OF FRIENDSHIP (or not)

Like, I don’t know how the hell the darkness manage to say the most contradictory things 🤣, Deuce would never say he’ll learn from Ace, over his dead body

Awww, Leona trying to break Idia’s tablet just because he asked if he was talking about himself (he was right)

HJKSJKHKHJHKJSHKJ, EVERYONE IS BEING SO ✨SLAY✨, SILVER SCOLDING SEBEK, CATER SMACKING ACE WITH THE TRUTH, WHAT'S NEXT!?!? TREY FINALLY GIVING MRS. ROSEHEARTS WHAT SHE DESERVES IN RIDDLE’S DREAM!?!?

“At that time, I couldn’t say anything properly…thank you.” “It’s too lame to only challenge those who you can win against!” “Cater-senpai…this is so unfair…isn’t it!?” “I only have to wake up, right!?” You heard that? That’s the sound of my hearts breaking, and the fact that he’s crying while trying to smile??? ANIPLEX, YANA TONOSO AND TWST, YOU BETTER PAY FOR THE REST OF MY THERAPY SESSIONS 😭😭😭😭😭

The fact that both Ace and Deuce’s last memory to wake up is their reunion in book 6 is so special, so tears-flooding-down-my-cheek reaction from me 🥹

ACE IS BACK MY PEOPLE, HE HAS FINALLY WOKEN UUUUUUP

Cater saying: “Leona, guys! Help us!” In such a princess and cheerful way, he would nail it in EAH’s Damsel in Distress class

Ace first words to his friends was literally about Deuce’s way of talking…that’s so him ✨🥹✨

Deuce and Grim hitting Ace, yes my people, those are my little stupid boys

And Cater’s excuse for using magic against Ace was literally: the ends DOES justify the means

And Ace telling Yuu that next time they wake him up it needs to be more gentle!? I don’t know if that was romantic or not, but Ace is definitely someone worthy to be Malleus’ love rival; he was the only one who directly dreamed with Yuu!

My first reaction when Ace reminded Leona of what he did at the Magift Tournament was: “don’t talk to me or my man like that again”

“I wasn’t crying! And you all came running to me looking pretty happy!”…OF COURSE WE WOULD BE HAPPY, YOU DUMBASS, OHANA MEANS FAMILY AND FAMILY MEANS NO ONE IS LEFT BEHIND

And then Cater takes a photo of Yuu, Adeuce and Grim to celebrate they’re back together, yessssss

For the third time, Ace’s lines are like a reflection of what he said in the Heartslabyul Arc: he told Trey it was his fault Riddle became like that, because he constant spoiled him; and now, bam, he tells Silver he and Lilia pamper him too much

As usual, Ortho snitches on everyone because he is a pure angel who doesn’t want to get bitches, so he tells the truth about Sebek 😈, let’s go, Ortho, you’re doing great, who will be your next victim?

Near to the end of his dream, Cater uses the good old one: if you bother us too much, I’ll tell Riddle😈

“Red demon”!? HAHAHAH, LEONA KNOWS ABOUT NICKNAMES, LET LEONA GIVE YOU A NEW NAME TO YALL

Then we’ve Idia: “Actually 🤓, we’ve to visit the red demon, BUT, I plan to wake his best pacifier.” (Man, Idia is just slaying with anything he’s saying)

ADEUCE STUTTERING AND THEN SHOUTING LIKE MAGICAL GIRLS TO CHANGE CLOTHES IS MY TOP 1 FAV MOMENT IN THE WHOLE DREAM

And, of course, Idia’s new line: “This is! The fresh scream filled with torture feels so good!”

(Unpopular opinion: Cater should’ve been filming the WHOLE time)

Another mirror-reflection-scene: Ace wanted to make Malleus apologize, just like in the Heartslabyul Arc with Riddle.

And last but not least, Ortho snitched on Sebek for the SECOND time, that smirk of his, he knows what he’s doing, that boy, that boy is so dangerously intelligent.

And in the end, we didn't get Ace's brother's face reveal 🥹

I'm going to do a satanic ritual

This is the end of my opinions on Ace’s dream, hope you enjoyed it!

[sewer-sermon-rb]

really thought this post was gonna have a point until you had to pull the "autistic and gay" card. like what the fuck is the harm in imagining a character like 049 as either of those things? just bc you personally don't see the point in projecting those traits onto a character doesn't mean it's a pointless thing to do, or that it has no basis. sometimes people, especially kids, just want to see underrepresented things in their favorite characters. literally nothing wrong with that.

i don't think ive ever seen anyone insinuate that 049 is a brainless bimbo honestly, especially not anyone that also imagines him to be gay, his intelligence is a pretty glaring part of his character and it's pretty fucking hard to just discard that. if anything i usually see 035 depicted as the less intelligent one (which i have my own beef with, but that has nothing to do with the subject at hand). i think you have some internal issues you need to work through if you think drawing a character in heels or depicting them as gay automatically makes the portrayal vapid and stupid.

i do think 049 deserves deeper analysis than they get from a lot of fans but....this is absolutely Not the way to encourage that. this kind of just makes you sound like a proudboy. "grrr why are STUPID CHILDREN headcanoning my favorite character as a MARGINALIZED PERSON!!!! this is such a SHALLOW READ OF THEM!!!" like.. Okay Buddy!

id like to know what exactly was meant by "fetishes" here, also? like what, was it the men-in-heels thing? or the fact that people headcanon him as gay? none of what you mentioned in this post is really a 'fetish' and it was kind of crazy to bring that so completely out of left field

side note i DO agree that drawing characters as twinks is annoying as fuck but i don't see you making them fat so. put yo money where yo mouth is or don't complain at all ¯\_(ツ)_/¯

And this is a sad life.

SCP-049 is literally a dangerous mysterious anomaly, wants to heal the world. He's incredibly smart, strong, he's 500+ years old, serious personality. I don't like the headcanons on him that are baselessly hung on him by mostly children. It ruins the initial concept and meaning of the character.

It's just as sad when people project their fetishes and desires on character they like only in appearance or image

[lucysarah-c]

So abt Levi and body types, IG as a gym freak you would be hatin if a plus size girl wants commissions of their fat selfinsert w Levi? I meannnn we don't even know if he likes women 🤷🏾‍♀️ so how y'all knowing he ain't a chubby chaser!?

Hi!

You know, haha, I actually found your ask funny. There are so many assumptions packed into one paragraph that it's kind of impressive. I’ve never once talked about body types on this blog—nor in my stories—unless it’s plot-relevant (like Twiggy in HG because her illness is part of the story). So assuming I think Levi wouldn’t like chubby girls is a bit wild.

For example, I’ve mentioned multiple times that I imagine the girl from Mounting Spring as chubby—like a renaissance painting. In my mind, Omega genetics lean toward fat accumulation for pregnancy and muscle growth, so she has a soft, roundish body. And honestly? She looks like a goddess in my head. Her arms and shoulders aren’t bony, they’re cute, and I’ve made at least 2-3 posts about how much I love that visual.

Also, I’ve done art commissions for all kinds of self-inserts—POC girls, chubby girls, thick girls, skinny girls. I’ve even drawn Levi with men, or with characters I don’t personally ship him with. I’ve drawn Hange with a chubby man, Reiner with a girl who had scars. So…I really don’t know where you got the idea that I "hate" certain body types?

And last but certainly not least—just because I hit the gym doesn’t mean I’m a "gym freak." And even if I were, why assume I’d hate on someone’s body? I work out for myself, for my own reasons. Or are you assuming gym-goers can’t be chubby or thick? And more importantly—why assume I’m not? You’ve never even seen my face, lol.

And let me make this very clear: this blog will never tolerate any form of body shaming or racism. I do my best to write reader-inserts with as little physical description as possible so that anyone can feel included. In fact, I have three asks sitting in my drafts right now about Levi with a chubby girl or dealing with weight gain. I’ve been giving those extra care to make sure my responses aren’t just worth the wait, but also meaningful. I want the anons who sent them to read my replies and feel loved.

[mariamariquinha]

I saw a post on Instagram, well before the Superbowl, that involved Beyoncé and Kendrick Lamar's positions in the music industry. Furthermore, it was said that their activism was biased, since they profited a lot from these statements (or manifestos).

I'm a big fan of Beyoncé; even though I'm not 100% into the world of rap, Kendrick is one of my favourites. Maybe what I reflect here comes a little from an opinion built based on my personal taste, but I understand that beyond whether we like their music or not, they have an impact, and that's what I wanted to say.

Two things happened in these two weeks: Beyoncé won the first AOTY of her career with Cowboy Carter and Kendrick Lamar performed at the Superbowl. Let's start with Beyoncé.

Beyoncé has had COUNTLESS valid AOTY albums (ESPECIALLY Lemonade, sorry Adele), and she is the BIGGEST Grammy WINNER IN HISTORY. Like it or hate it, she is THE INDUSTRY. She made it. And she deserves it.

I saw people saying that she didn't deserve it because Billie Eilish deserved more. This always happens, but when people justify this discontent, you hear things like 'lyricism' or 'impact on the charts', which are valid arguments, but when we're talking about Album of the Year, shouldn't we also think about the social impact that this work has? Guys, I loved Billie's album, but it wasn't AOTY material with Cowboy Carter on the way.

CMAs

In 2016, in the midst of promoting Lemonade, she performed with the Dixies at the CMAs. Do you know what happened? In addition to her being boycotted (with her performance excluded from the awards platforms), SEVERAL country artists were visibly uncomfortable with her presence there, singing an AUTHORAL country song, with the, so to speak, 'personas non gratas' of the country industry.

This influenced the acts she is currently doing. Beyoncé, with all the influence she has, could come with the speech of white people who deny the existence of racism or opine on how black people should react to racism with indifference, but she decided to show how people of color have been carrying entertainment and art on their shoulders, and how the boycott at the CMAs only reinforced that 'veiled' r*cist artists were bothered by people of color who claim authorship of their own culture; then, they are a threat.

She made a country album. In references, Linda Martell, Chuck Berry, Willie Nelson, Dolly Parton, Sister Rosetta Tharpe and, among other people, black country artists who are new to the scene. Do you know the social impact of this? Do you understand that, no matter how many years pass, Beyoncé will also be remembered for using her influence to raise an issue that she might otherwise have been indifferent about (because she has money, success and people love her), and winning a Grammy for a mostly white and biased genre?

I think my point is clear. I love Billie and I think she's a great artist, but in the current context, in the middle of 2025, there was someone putting uncomfortable things in the light, and that person was Beyoncé.

Now, let's go over Kendrick.

2024 was a year in which he was on the top, among other things, for his beef with Drake. Look, I'm not even going to get into the merits of the diss, I never liked Drake (Brazilians in particular have some problems with him) and I've always really admired Kendrick as an artist, so I don't especially want to talk about how he just massacred Drake's reputation and career: everyone knows that.

Again, he could focus the entire intention of that Superbowl on the fight, and gain more prominence beyond the Grammys he won in relation to it. He did that too. Heavens, it was divine. But he (and his team) looked at the guest list in the VIP area, and focused on the type of person on one of the teams competing in that championship (I don't know a thing about that sport, but imagine my lack of surprise when I discovered the character of certain… names from that institution), and said "we should address that".

Some of the biggest, most talented and successful black artists in the US was there. With what justification, full of discrimination, can people on the other side turn around and say that Kendrick is irrelevant? Or that Samuel L. Jackson isn't important? Or that, fuck, Serena Williams isn't just badass? Of course her presence at the performance had more to do with Drake, but she was there, and she embraced the message.

Kendrick looked at the face of the country, at the largest audience in America, and said: why don't you all go fuck yourselves while I rub it in your face that we made this happen? I don't use middle ground when it comes to this, and we know that fire is met with fire.

What do I mean by all this?

Distractions from our culture are welcome and help us keep going, but this is a time of revolution, and this time the right people have the right platforms. At a time of uncertainty, explicit discrimination and the rebirth of a very specific movement, having powerful voices that enhance the people's speeches is more than a nod to the struggles of the lower classes, but a poke at the higher classes.

It's about shouting out what's wrong. It's about saying 'you're an idiot who thinks you're going to win'. It's about saying that you don't hit someone thinking that they won't hit you back. It's about reinforcing how dumb, insignificant and politically limited they are, who rely on conspiracy theories versus a community that has facts and history on its side.

But more than that, we are clearly reinforced that, regardless of anything, they cannot win.

And if you still have any doubts:

[thewadapan]

School Days review

Yeah, School Days is actually pretty good after all.

When you google "School Days", on the first page of results there's a reddit thread asking "hey, why do people hate this show?" OP gives a succinct summary of the show's themes and praises it for its tight focus and psychological depth.

The comments in that thread are fucking crazy. The top-voted comment includes this absolute gem: "Sekai is an emotionally manipulative bitch". Some users gesture towards a faint understanding that School Days is a deconstruction of harem anime, but almost to a one they claim the character writing is unrealistic. Nobody seems able to look past the show's metatextual meaning to just look at it on a straightup subtextual level—that is to say, it's not just being different to other anime for the sake of contrarianism, it's making a serious point about misogyny and toxic masculinity. Describing Makoto as a "character" at all is almost missing the point; he's practically a force of nature, and the vast majority of the show is concerned with the psychological manoeuvring of the girls in his class trying to manage and shape his behaviour.

I only know about School Days because @weaselandfriends is constantly banging a drum about it being a secret masterpiece. Gee, I wonder who the OP of that thread was! Cannot imagine being on a "School Days slaps" grindset for eight fucking years now.

(CW: discussion of underage sex, full spoilers follow)

I'm going to take a cowardly centrist route and say that School Days does in fact slap on a conceptual level, but that the execution in many places leaves a bit to be desired. It often feels repetitive. I watched the thing on 1.5x speed because, as someone who reads fast, watching subbed anime is like watching paint dry. The dialogue often feels awkward (unintentionally so, as in), which I'm willing to partially chalk up to the translation; maybe some of the clunkier lines feel more natural in the original Japanese. The imagery is often kind of laughably blunt: in some cases it works, like Kotonoha's red yarn like she's pulling her own fucking arteries out of her body, and in other cases it feels derivative and hackneyed, like the whistling kettle in the final episode. Maybe that was more original in 2007, I don't know—I would've seen the same thing in Harry Potter and the Goblet of Fire two years prior.

School Days does set out to pull the wool over the eyes of its presumably-mostly-young-men audience, by putting them in Makoto's POV. The show is adapted from an eroge, where the player literally would have inhabited Makoto and made his choices for him, and the "objective" of the game would have been to unlock sex scenes with all the schoolgirls. The trick with the anime is that it removes the possibility of choice, creating an impactful dissonance as Makoto's actions become increasingly alien and harmful. Inversely, as Makoto's sexual exploits escalate, we see less and less of them; by the end, the whole thing is routine, not eroticised in the slightest, we see people putting clothes on afterwards, sneaking around darkened rooms.

At the start, though, it's all panty shots and boobs. And like, how do you depict the objectification of women, from an internal perspective, without just... objectifying women? This has basically always been the classic problem with satire. If there is a way of doing it, School Days hasn't figured it out, so it just rolls up its sleeves and gets on with it. Where School Days stumbles, in my opinion, is that the fanservice shots leak out of Makoto's POV and into the scenes where it's just the girls on their own. Nevertheless, I think that even pretty early on School Days is unmistakably saying, "this is a bad thing". There's a discordant note to everything, a threat of another shoe waiting to drop. At the start, it takes the form of these innocuous remarks as the characters try to interact in good faith: Sekai is constantly like, "There's nothing wrong with feeling attracted to a girl! But maybe she doesn't feel comfortable with it! Have you thought about how she might feel?"

That's the great tension of Sekai, and indeed of much of the show's conflict: there is a world where Makoto and Sekai are just friends, and where Makoto is faithful to Kotonoha, and everyone lives happily ever after. Maybe Sekai really is earnestly trying to cross this gulf between genders, and wants to just make Makoto understand, so everyone can be happy. But from the start, there's a question of Sekai's motives; embodied by Sekai's friend Setsuna, who trails after her constantly asking, "But do you like him really?"

Setsuna is an interesting character with her own motives. There's a reading where she has a crush on Sekai, but can't pursue it because of her family's impending emigration; she ends up hanging around Makoto and desperately attempting to protect him from the consequences of his actions to preserve his relationship with Sekai, expressly stating that she wants Makoto to be a proxy for her after she's gone (though leaving any romantic feelings unspoken, that's just my interpretation). This escalates to the point of her having sex with Makoto on the condition that he breaks off another engagement with Otome, which is such a self-defeatingly doomed gambit that it becomes tragically clear Setsuna has lost all control over the situation. I got the impression that Setsuna somewhat envied the other girls' entanglements with Makoto: the bit where she kisses him while he's asleep, in an attempt to create a personal memory before she leaves forever, is haunting. Like Sekai, Setsuna ends up manufacturing a romance between herself and Makoto as a way to be with him "by proxy", without earnestly confronting her own feelings.

Anyway, my point is that early on, everyone is treating Makoto like a person, which is sort of their mistake. They're like, oh, a boy with a crush, how cute! What's the worst that could come of this? He's a bit clumsy, but I'm sure he means well! And progressively, mercilessly, the show is like: no, he does not mean well. This dude has absolutely nothing in his life except sex. Girls only exist to him as people to have sex with. Guys practically don't exist, as he can't have sex with them. And for these teenagers who are discovering their sexuality, the very fact that Makoto soon starts having these rumours circulating around him is what gives him some allure: he's a sexual entity, he can be thought of in that way, there must be some reason all these girls are acting so crazy over him. Even a character like Hikari, who early on was crushing heavily on the anime's one (1) other male character, Taisuke, ends up taking her turn with Makoto; whatever feelings she had for Taisuke are forgotten, the anime doesn't even bother establishing how that romance works, because it doesn't need to, we've already seen Makoto use his exact same wiles on like three girls already.

School Days has aged well not just because the years since have yielded a better cultural understanding of its subject matter, but for its "production design": what would have been a timely present-day setting at the point of its release ends up turning the whole thing into an early-2000s period-piece. The fashion and environments are distinctly noughties. Perhaps the most consistent bit of visual symbolism in the whole thing is the flip-phone: whenever a character is holding their phone, you can think of them holding their heart in their hands. They're like the fucking soul gems from Madoka Magica. Sometimes, people leave their hearts in the other room, or block each others' hearts, or search their hearts for good memories. The "cell phone charm" from the first episode is brought up towards the very end, seeming bitterly quaint in retrospect. Right before she kills him, Sekai sends Makoto a text which just reads "sorry" copied and pasted hundreds of times. And of course, the ED shows a propped-open cellphone with a slideshow of photos of the girls.

I think in terms of its place in history, School Days speaks to this information age where young girls are being bombarded with cultural messaging that the best way to get ahead is to sexualise oneself while simultaneously slamming everyone else for their sexuality. Girls aren't just competing with one another for the attention of boys; now, they're competing with online pornography. Sekai works as a waitress at a maid cafe (?), and sometimes wears the outfit for Makoto when they have sex. During the School Festival, the girls theme their class as a maid cafe (drawing on Sekai's experience, I think?), and are shown using "absolute territory" as a last-ditch resort to steal people from the other classes. As part of the festival, they have a secluded area curtained off with a bed, encouraging couples to go there for sex acts—but later, it turns out some of the girls have set up a camcorder, and they use the footage to reveal how everyone is cheating on everyone else. While the exact events are obviously taken to an extreme, subtextually everything in School Days tracks 100% with my own experience growing up in a Bri'ish high school, and it feels like things have only gotten worse since social media really tightened its grip on our society.

The most common talking point I see regarding this show is that the characters are "stupid". And it's like, no, they're not stupid, what planet are you on, they're fucking children! (They're children, fucking!) Most of them have probably never been in a relationship before! Everyone in the show is pursuing their own interests; it's just that often, they're in denial about the reality of the situation, because to acknowledge the reality would run against those interests. It's funny, Makoto hardly changes his behaviour throughout the whole show—it just becomes more extreme—but the only thing that affects whether or not his behaviour with Sekai is good or not is whether or not Kotonoha is his girlfriend. The use of "girlfriend" as a role is weaponised by both Kotonoha and Sekai against the other constantly; like declaring "you're It!" At once point while cooking for the school festival, Makoto starts groping Sekai's ass, and she goes, "Geez, stop it! Stop it I said! What'll you do if someone sees us?", only for Makoto to reply, "Then it's okay if no-one sees us?"; this motif of a private sin recurs with Setsuna's character, particularly in the masked play that crops up a couple of times. In what context is an act of desire okay, or not okay?

Halfway through the show, I remembered Emily is Away, a short Western indie visual novel. Released in 2015, Emily is Away is very consciously an early-2000s period piece, wearing the whole time period as an affectation. The whole game is a series of text conversations on an IM client with a girl; after key choices, you are told "emily will remember that".

I fucking hated Emily is Away when I played it. It made me so, so cross. Because after I finished my first playthrough, and got a miserable, unsatisfying end, I naturally started the whole thing over and tried again. I picked different favourite bands. I acted completely differently. And yet, no matter what I picked, during the timeskips between sections, my viewpoint character would do the exact same shit and the relationship fell apart in exactly the same way. The second playthrough was a complete waste of time. It seemed like I, the player, was being railroaded, that the writer simply hadn't the imagination to conceive of a truly interactive narrative with a wildly diverging chain of events.

But of course, that's the whole point, obviously. Emily is Away plays a mean trick on the player, where it outright lies that "you" are making meaningful choices, when in fact "you" are merely spectating the actions of the viewpoint character, a specific guy who is, by nature, a certain way. It posits that all this shit on the computer just doesn't fucking matter, it has nothing to do with how we feel about each other, that it's only our actions in the real world that matter. The thesis of Emily is Away is that sometimes, for some immutable reason, shit just doesn't work out between two people, and there's nothing you could have done differently that would have changed that.

In the timeline where you go the party, you regret going to the party. In the timeline where you don't go, you regret not going. So, the game says, what's the point in regretting at all?

I totally understood this, after finishing the game. But, fuck, I was still pissed about it. The game lied to my face. It put me in the position of being a shitty person, and I didn't like that. It left a bad taste in my mouth. I'm still not sure if Emily is Away is actually any good; I think I like it conceptually, but maybe the writing sucks, I played it eight years ago. My point is that I think School Days is trying to pull the same trick as this one game, but in a much more mean-spirited way, to much more devastating effect, and I suppose I can't be too surprised that it pissed off a lot of people. If I hadn't known upfront what to expect- well, I wouldn't be watching ecchi anime in the first place, but you get the point, maybe I would've been pissed too.

If you break out of the "anime" mindset for even a second, and allow yourself to think that what you're watching is a frank portrayal of events, rather than some hyperreal cartoon, then Makoto is obviously just a little sexual predator. He's constantly pushing the girls past their limits, groping tits, going in for kisses, often against their express wishes. He initiates all the sex we see, and while in a certain sense it's all consensual, everyone involved is under the age of consent, and the show is making a very strong case for why underaged sex is a problem. When Sekai gets pregnant, Makoto wants nothing to do with her—"It's not my fault!"—but it's made clear he wasn't using any contraception, so, c'mon.

School Days is very deliberate in omitting adult characters entirely. Teachers mostly exist in the form of textbooks being read offscreen. I think we get a line of dialogue from Sekai's mom, if I remember right? It presents this world where Makoto basically has free reign to do whatever he wants to the girls, and everybody knows about it, but nobody is doing anything about it. When Sekai murders Makoto, there isn't a scene where anyone notices his absence, finds out. Kotonoha carries his severed head across town without anyone noticing, kills Sekai, and makes it onto the boat without getting caught. The show ends on a montage of idyllic school scenes, as if to say, "nobody noticed, everything just carried on". And again, to a certain kind of guy, I think this would stretch plausibility to the point of causing offence. For me, I think it's speaking to something very real.

Makoto's bedroom is barren except for his computer and magazines: porn, and porn. In the back half of the show, the void left by the absence of adults is filled by Makoto, Sekai, and Kotonoha, who are thrust into this horrible domestic drama, as everyone else in their class blocks Makoto. Makoto relays Kotonoha's recommendation for an abortion clinic to Sekai. He and Sekai sit diagonally across a table in a living room, and suddenly Makoto's school uniform looks like a salaryman's suit, a size too big for him, like he's walking around in his dad's clothes. Sekai tries to prepare a big meal for him, in a fucked-up parody of domesticity, but ends up destroying the whole thing after Makoto spits in her face yet again; later, she sees the remnants in the trash, an uneaten chicken leg poking out, and sees a little of herself in there, and that's basically when she decides to take the knife and kill Makoto. She stabs him in the belly, which is what Kotonoha will later do to her; both are imitating the original sin of the pregnancy.

Kotonoha explicitly chooses to kill Sekai this way because she believes Sekai is lying about the pregnancy—which we can pretty safely say isn't true, based on the scenes where Sekai is on her own. There's this horrible, horrible shot where the camera is looking out at Kotonoha from inside the gut wound, and she observes, "Just as I thought. There's no-one in there." And it's like, is she talking about this baby, still so early in the gestation that it's scarcely even an idea? Is she talking about Sekai, or Makoto, these two people who turned out not to care about her at all? Or is she peering straight through the screen at the viewer, complicit in this atrocity? The shot mirrors the bag containing Makoto's head earlier in the same scene; when Sekai unzips it, the inside is just a black void, and we aren't shown the contents. It's honestly more unsettling to infer it—that bag's not big enough for all of Makoto—and have it "made real" by that final shot of Kotonoha pressing the severed head into her chest on the boat. The memes were more right than they knew: "Nice boat."

Overall, I think School Days extends a lot of empathy towards its female characters. Or, if nothing else, it takes care to give them complex and distinctive internality, which is more than I can say for a lot of anime. Kotonoha initially represses her feelings for Makoto, and then when she feels pressured into reciprocating his intimacy, she soon gets turned into a social pariah for it. Early on, there's this eye-roll-inducing scene where Kotonoha is like "the other girls used to make fun of me because of my huge boobs", and from Makoto's perspective it's like "great, you've got huge boobs!", but then from Kotonoha's perspective, she spends the whole show getting slut-shamed, doesn't she? As a coping mechanism, she builds up elaborate delusions around Makoto—Makoto wouldn't let this happen to her, would he!?—which make it impossible for her to see how he's harming Sekai at the same time, culminating in the "I think you've made up your pregnancy for attention" beat. Their own internalised misogyny prevents the girls from identifying their common enemy.

If I'm being totally blunt, I feel like I can pretty safely put most of the comments regarding School Days I've seen online into a big bucket labelled "HAS NEVER HAD MORE THAN ONE GIRL INTERESTED IN HIM AT ONCE". Like, "I can't believe this Makoto guy! Why doesn't he just dump Kotonoha and date Sekai, who he's obviously more compatible with?" Bucket. "Makoto is so spineless and needs to stop letting these girls manipulate him!" Bucket. "There's no way the teachers would let him get away with this!" Bucket. "What do these girls see in Makoto anyway?" Bucket. "Sekai is such a bitch!" A new, bigger bucket labelled "NO BITCHES".

What I'm interested in is takes from School Days haters who aren't brainpoisoned anime fans, who might even nod along to all my analysis of the show's themes here, but who nevertheless think it's a bad show that deserves to be reviled. What part didn't you like? Is it the part in the OP where you see every female character naked one after the other? Yeah that part's pretty bad. Is it that windowpane-shattering digital transition that gets used once or twice? Is it the utter self-seriousness with which it tackles its ludicrous melodrama? I can see how, if you don't let yourself start to think "oh, those poor girls!", if you don't have that emotional buy-in, the whole thing might just feel comically edgy, sophomoric. I don't think there's any level on which School Days is fun to watch, and I'm not saying it's a secret masterpiece either, but I guess it more-or-less landed for me.

[worth-this-and-more]

[TW: sh mentions, violence] [spoilers for legendborn and bloodmarked, read at your own caution ;)]

so i've been rereading and trying to cover up all the legendborn content that happened while i pufff disappeared, and pardon me it is taking more time than i imagined, however i just wanted to start off with one pet peeve of mine

*rant incoming*

this might just be my unorganised thoughts or maybe just common sense, but sometimes you dont fully understand why a character did something; you have to sometimes to come back and read it again once you have that epiphany. it doesn't matter whatever tf they are doing, it sometimes just doesnt make that effect, especially on first read.

when i first read bree lashing out on greer and sar when they touched her hair, i didnt quite understand it. i thought its a cultural thing and moved on. now something about me, im a little fair, by indian standards. not completely clear skin and shit but im on the lighter side. so if im in my village, if im anywhere else wearing something with a bit of skin showing, i automatically get the comments "you're so fair" "what's your skincare" "so lucky" "you'd marry so soon" all that typa shit. and then come the unwanted touches, touching me on any exposed skin. and by any i genuinely mean any exposed skin. that's when i kind of realised why bree was so irritated when they tocuhed her hair, because people sometimes see our nicer features as free estate. and its annoying. and that is when her reaction fully made sense.

when i first read selwyn mesmered bree, i was so angry. i did not want bree to forgive him without him grovelling, ofc, but i also could not understand why he did that. what was his motive?? and why hide it from bree only?? nobody else?? now i've been in my low times since like years, not a big deal. got a lot of scars, some too visible, some not. i dont bother hiding it if im out in public where there's nobody who knows me or nobody who would care enough to ask. but if im with my friends, close people, i hide them all. and its just like valec said, its not to hide something its because of the fear of judgement. and that's when it kind of made sense why selwyn would hide his descent specifically from bree. she has bad experiences with mesmer, no doubt, but even worse with demons. it was a bad call through and through but one that is not unfamiliar. i dont hide my scars for my safety, i hide them because im ashamed.

and when nick killed max and then promptly disappeared into the woods, that was also somehow so out of character in my eyes from him. during grief and in the moments of crushing hopelessness, doesn't everyone want someone?? isnt the obvious reaction supposed to be him coming to bree, and not running away from her?? but that's not what happens yk. i once had a classmate who was not generally the type of person you'd want to be around. he was the type of person who has "trouble" spelt on him in flashing neon red. but after all, we were young, wanted to keep the peace, so i kept the decent communication. he would constantly invade my personal space, unwanted touches, unsolicited comments, it gets annoying. the last straw was when he tried to touch my best friend's schoolbag. i, in a moment of pure rage, threw him against the wall and actually started choking him. when the class managed to get me off of him, he was unconscious. in that moment my bestfriend came to put a hand on my shoulder, i visibly flinched and ran away from there and stayed in the washroom until school was over. this isnt as bad as beheading someone, but the response is familiar. of course he is going to go away rather than come closer; people whose love language is physical touch often have their hate language as isolation. i didnt hurt him purely because he tried to take my bestie's bag, i hurt him because i wanted to. nick didnt kill max purely because he killed his father, he killed him because he wanted to.

there's more of the events where we just kind of make this internal bias that we know what the character is going through and that we would definitely make better decisions, but can you?? do you really think you can or you're just overestimating yourself or underestimating the actual thing going on with the character??

i have made this mistake too, i know. i have taken some time to reflect back though and now i can say that yes i have made harsh judgements too. i am changing that tho because i've got a lottt of time to sit down and think and yeah i guess we all need it time to time.

what im trying to say is, things are not black and white. its a spectrum, there's dark grey light grey. it's a lot. and until and unless you are capable of putting yourself in that type of situation or closer, it's better to not make concrete opinions. shit happens and people do things, real life people are just that, people.

anyways this was a long rant i probably lost my point halfway through but okay whateva