#the characterizations are just so on point

[terukotime]

allow me to be super delulu for a second

if either Eden or Ace are the actual killer, that would mean one of them would be saying their secret quotes in the next coming episodes. but...do we really feel like the situation warrants them saying what their quotes are?

Ace's is: "I don't know what to do with myself anymore."

Eden's is: "You can't go back, no matter how hard you try."

Ace's feels a little strange to say in the trial. we're very close to unearthing the real culprit, and if Ace really is the killer, when would he say that? immediately upon being found out? the quote itself has their air of melancholy and defeatism, and even at his lowest, we know Ace isn't someone to concede or go down without a fight. and if he knows he's about to die, what's the point in saying "I don't know what to do with myself anymore" when he's not even going go be alive in the next few moments? He WON'T be doing anything with himself anymore, he'll be dead.

Eden's, while not as strange of a thing to say as Ace, is also kind of peculiar. when would she say it? while she's admitting to the murder? if Eden did it, sure, it's believable that she'd feel some regret, but the setup to her being the killer feels very odd now that we've gone through this big emotional moment between her and Teruko. honestly, after all that, if Eden really is the killer, i'd be more inclined to believe she WOULDN'T regret killing Arei. it'd seem like her crying and pleading was all just emotional manipulation. it also seems strange to me that Eden would have already had it in mind to kill Arei when she and Teruko found Ace, and took the opportunity to steal the tape to carry it out. i could definitely be wrong, and please correct me if i am, but i think the attempted murder was the same day as what happened with Eden and Arturo? honestly, even if it wasn't, it just feels weird to me that Eden would find some way to disguise her handwriting, set up a murder method even more elaborate than Nico's original version, and then do the whole trial pleading and sobbing for people to believe she didn't kill her and actually have regretted her actions. that shit is so premeditated that everything Eden has done thus far feels like immense emotional manipulation. while that could still be possible...it's not really that satisfying, i'd say. who knows, maybe i'm in severe denial, but i just think this characterization of Eden would be really weird. it would feel less like a betrayal of "man, this character i liked turned out to be awful", and more like a betrayal of "man, this character i liked has made a 180° in their personality without any foreshadowing of having a darker side to them".

and i'm just still really hung up on Hu. her secret quote, "I want to pay for what I've done. But even then, I still want to live." makes total sense in the context of this trial, especially after her secret reveal. and while it's pretty unlikely she took the tape from the gym, there's no guarantee that the person who took the tape at the time HAS to be the murderer. i'm just still hung up on the fact that it feels like there needs to be one last, big twist before the true killer is revealed. a moment where Teruko comes to her realization and the culprit is selected before she makes any actual accusation against them. we already knew Eden and Ace would be the ones Teruko was going to interrogate in the selection because of her explanation. just given how drdt has been written thus far, i feel like they wouldn't hand the potential answer to us like that so easily. like we wouldn't get to the point of selecting the culprit with the story already telling us it can only be one of two suspects.

it's entirely possible that i'm just coping and am refusing to accept that one of my favorite characters is actually the culprit. or that drdt could have a trial that isn't greatly written. it's totally fine if i'm wrong and Eden or Ace really is the killer, i definitely won't enjoy it much but it's not my story, nor would it completely make me drop drdt.

i honestly just needed to rant LMAO. this episode left me with a LOT of feelings.

[herefortheships]

You want to know something that has me thinking about Lydia's characterization in BJBJ? She clearly has bad anxiety and seems pretty traumatized by her ability to see ghosts to some extent, but it's unclear what exactly drove her to feel this way about being able to see ghosts, when in her past, it didn't seem to bother her.

Lowkey they seemed to hint at her experience with Betelgeuse being the cause of her trauma (which makes it look like at the end when she banishes him at the wedding that's her overcoming her trauma and fears), but that seems extremely strange a choice, if that's the case, considering that at the end of the previous film some time seemed to have passed from the events at the end (Otho's ritual with the Maitlands, the wedding, etc), and Lydia seemed really happy at the end of the movie. In fact she seemed to be styling herself less goth-like (although arguably that could be because she's back in school and they may not allow her to style herself that way at school lol), which visually I think it's done to show how she's not depressed and thinking about death anymore.

She seemed to be happy coexisting with not just the Maitlands but with the occasional ghosts that she'd see around. That last part is my speculation, though, based on ghosts of the football team dancing behind her on the stairs, which she didn't seem to mind at all.

My point is: Lydia seemed perfectly happy at the end of the first movie, which disqualifies the events of that movie as the cause of her present anxiety.

It had to have been something else. I wonder if I just need a rewatch of BJBJ; was it made clear why Lydia is struggling with anxiety and needing medications? What exactly happened in Lydia's life that drove her to that? Was it losing Richard? She explained in the movie that that relationship was over long before whatever happened to Richard, though of course not knowing what exactly happened to him MUST have affected her, despite the status of that relationship. So one could think losing him is part of that anxiety. But the thing is, though, she seemed to be most anxious when seeing flashes of Betelgeuse... So that's why it seems to me that her anxiety is more related to her ability to see ghosts (and more specifically with seeing Betelgeuse) over anything else.

So I have to wonder, has he done something to scare her at some point over the years since their last encounter? Or did she have another terrible experience with another ghost/entity that really scared her and reminded her that ghosts/demons like Betelgeuse exist, and now that she's seeing him she's scared he will harm her? The movie really didn't make it clear what happened in Lydia's life to bring her to this point and especially to make her so scared of potentially encountering Betelgeuse again.

Mind you, the first thing she thought about when Astrid was taken was to find Betelgeuse and ask for his help, when we know she can 1) Talk to ghosts, so if she needed to find one to draw a door to the other side so she could find Astrid, she could have found some other ghost? Since she's supposed to be so "scared" of Betelgeuse. And 2) She already knows how to get to the other side, so back to point one, she didn't exactly need to use Betelgeuse to get there. Anyway, she was in a hurry/desperate, so maybe instead of looking for a random ghost she decided to look for the one she knew she could find and who'd help her immediately (the same one the movie has for some reason decided that she is most afraid of. lol).

I think there's potential to explore Lydia more deeply in the next movie. I just don't believe that her experience with Betelgeuse in the previous film is responsible for her current emotional state. I am positive she knows that Betelgeuse, as creepy as he can get, would never do anything to truly harm her; his motivations were never to harm her, but to leave the afterlife. The most he can do is try to marry her. And as far as Lydia knows, what could that do to them? All we really know is that he'll materialize in this world in some form. In that case, if he leaves the afterlife and incarnates here, wouldn't that make him human (or just, alive), and remove his powers? So, again, he wouldn't have a means to harm Lydia (and would he want to harm the person who helped him escape the afterlife like he so wanted?). Many questions. lol But I'm sure the marriage contract wouldn't bind Lydia to anything else that is nefarious, as far as she's concerned, since the marriage is a condition Betelgeuse needs to fulfill so he can leave the afterlife. Again, many questions, and Lydia's story is pretty open to interpretation, I guess, as far as her past goes. I just wish we could know what exactly happened, because the first movie is no indication or justification for her current state; there's nothing in that ending that shows Lydia will be traumatized 30+ years after what happeend.

[genericpuff]

Was your Kore/Persephone portrayal inspired by dissociative disorders? I interpreted it more as her dark internal monologue that she was suppressing. Like when you have dark thoughts of know things inherently, but try to rationalize your way out of thinking them. I figured it was just a more dramatic way of portraying intrusive thoughts.

Ahh this isn't really a question I can answer with a simple "yes" or "no". Especially when considering everything you just listed are often inherently symptoms of many interlinked mental disorders like DID and BPD haha (especially when it comes to the suppressing).

As I mentioned in my previous post I've been writing these types of characters for years. Uzuki is a big one that comes to mind. I love writing conflicts of the self, mind vs. reality, identity vs. instinct, past vs. present, etc.

CW: BLOOD/GORE, GRAPHIC VIOLENCE, DEPICTION OF TRAUMATIC BREAKDOWNS AND DISSOCIATION AHEAD!!!

(note the black and grey pages are read right to left like a manga, this was from my weeb days LOL)

It wasn't until years later after I was diagnosed with ADHD and autism that I realized my love for those tropes was rooted in something far more internal. Sure, sometimes a trope is just a trope, but now I fully understand why I've found myself pulled back to that trope time and time again, because I myself have struggled with a lot of the same internal conflicts that characters like Uzuki and Kore have struggled with. It wasn't just me loving a trope, it was me finding solidarity and representation in characters who shared my experiences, even if they were largely hypothetical or for the sake of creative expression.

That realization came long before Rekindled, of course, but it hit me like a sack of bricks when it did, as any realization of an undiagnosed disorder tends to do after years of thinking you're just "broken". That said, it's allowed me to explore these topics with even more nuance and understanding, while also pointing out my own weaknesses and blind spots in the pre-conceived notions I had about myself that I was then able to challenge once I knew what was really going on. It was still challenging as it was so personal, but it ultimately made me a stronger person and a stronger writer.

Skip to the future though with Rekindled, everything I just explained is why I was so interested in LO's AoW plotline to begin with, because a lot of it played to my own interests in those sorts of characterizations - consequently, it was one of the plotlines I wanted to overhaul the most when I started coming up with the basis for Rekindled, as I was disappointed that it was forgotten about over the course of S2 and completely retconned by the trial arc. In a weird way, it almost feels like all the time I spent working with characters like Uzuki was preparing me for a character like Kore/Persephone. And conversely, writing about Kore/Persephone has helped me harness my skills more which I can take back with me when it comes time to continue Uzuki's story.

All that said, mental disorders and neurodiversity were never "inspiration" to me when I was learning how to write and/or designing these characters, but that didn't make them any less intersectional. It was more like something that just came naturally to me as someone who is neurotypical and has diagnosed mental disorders (I am my own worst inspirations LOL) and I wanted more characters like that who weren't just automatically "villains". I try to always treat them with care to ensure that I'm being kind to both the characters as well as myself as someone who heavily relates to these experiences, but I'm also not really afraid to express the more "ugly" sides of those experiences either. Especially with characters like Uzuki who are largely problematic to their core in their actions - much of those actions, as I would learn about myself in my own healing journey as well, are often spurred on by a lack of care, empathy, and understanding in their unique struggles.

There is so much I'd love to say about Kore and Persephone's characterizations and what led them to this point, but I got about a paragraph in before realizing that it would be WAY too massive of a spoiler LOL I'm really, really excited to get into it - though nervous too - but I hope that, at the very least, readers can have patience for her as she goes through everything that's on the horizon. There are times it may get ugly, even outright bleak, but that is simply one side of the coin that represents her duality as a goddess - the dreaded Bringer of Destruction, and the merciful Goddess of Spring.

[miquella-everywhere]

The way they try to characterize Miq in the DLC is just all over the place omg. He's wise enough to see the problem at its root, but not enough to realize that godhood isn't worth it and that he'd perpetuate the cycle. He's also not wise enough to pick a lord based on anything other than??? A childhood crush? Strong and kind, yup.

He's smart enough to have figured out where the Gate of Divinity is and how to use it, but not enough to know the Tarnished, whose whole thing is becoming Lord, would come after him. He has blinding strength, but had to send the twin he loved, and didn't want to succumb to the rot, to potentially do exactly that in facing against Radahn.

His bewitching is ultra powerful and he's cool with using it to achieve his goals, but couldn't have bewitched Radahn and baited him off a cliff or something to snatch his soul.

He's desperate to become a god, but he's fine sitting with this plan that hinges on someone killing Mohg and Radahn, or wait for the rot to kill him. He has enough follow through to become a god and make good on a vow from ??? ago, despite the nascency curse, but not enough to follow through for whatever purpose he gave us Torrent and the Spirit Tuning Bell, or do literally anything else.

Also, Ranni says she was "once" an empyrean, at a stage where the only thing she did in her plan was slay her "empyrean flesh". So it sounds like having empyrean flesh is an important part of being an empyrean? Because otherwise, there would have been no point in killing Godwyn's soul and her body? Or all the other demigods? So how is Miquella able to abandon his empyrean flesh in the cocoon, and then whatever the other flesh in the Land of Shadows is, and still become a god? Does being an empyrean just mean nothing?

Of all the too many cookbooks we got, I wish we got one for the Tonic of Forgetfulness. Time for DS1 I guess. At least the DLC final boss isn't Capra Demon, consort of Artorias.

Yes to all of this 👏

Miquella's character writing, thanks to the, is all over the damn place and I hate it. Miquella the Unalloyed and Miquella the Kind are genuinely two different characters and it's infuriating.

And Imo the thing that frustrates me the most is how in the base game Miquella was portrayed as this unparalleled genius, but in the DLC his "plan" is just so stupid, especially the Mohg part, because it's left so intentionally vague(about the circumstance of the kidnapping) but also in your face about Miq using Mohgs body for the Promised Retcon.

This whole thing literally makes no fucking sense and is frankly far too risky of a plan in general, like fuck, if we all remember that in the base game even Gideon had no fucking clue who Mohg even was or where he was hiding.

And you're trying to tell me that Miquella was seriously riding on a plan that quite literally hinged on the rare fucking chance and pure dumb luck that someone would come along and kill Mohg????

Miquella sending Malenia to kill Radahn to free the stars and cause the Eclipse to revive Godwyn made more sense and has more base game basis than this shit 😒

Absolutely horrendous writing, I will never forgive how they dumbed down Miquella the Unalloyed.

[runabout-river]

No matter what Gege does with Gojo, I don’t think it will be satisfying for me

I considered every option for what could possibly happen with Gojo, regardless of how likely I think they are, and I genuinely can't find myself considering any of them a satisfying conclusion.

**1. He is dead and no one will mention him in the last chapter.**

Hate this. So much. Random civilians in Shibuya were shown respect by Yuji in the middle of chaos and panic, but nobody has ANYTHING nice to say about Gojo?? Since the fight ended, we got Kusakabe saying he is at fault for not killing Yuji and Shoko calling him an idiot (endearingly) for not destroying Geto's body. Lovely.

**2. He is dead and somebody will say something or we will be shown a grave.**

Better but still bad. I feel like the ship has sailed at this point. They had a chance while reflecting on the fight and we got nothing. Megumi and Shoko were at Tsumiki's grave and... we got nothing. I think it's pretty safe to say no one will be mourning him in the last chapter, they're already going on missions after all. And a simple mention feels incredibly cold and empty.

**3. He is dead but will come back to life due to his soul still not departing and sacrificing one of the Six Eyes in a binding vow.**

I won't comment on how possible or not this is because Yuta managed to return to his body simply by being in proximity of Rika. If Gege wants to write it, he can. However, we are talking about the last chapter of the manga and this would absolutely take away the spotlight from Yuji. Not to mention that this route needs groundwork that I don't think 19 pages can provide for. ALSO, this still doesn't explain why nobody is sad or willing to acknowledge him because, to them, he is dead.

**4. He is actually alive and that's why nobody has been shown to be sad about him.**

Would make sense in terms of characters like Yuji and Yuta not showing any emotion towards him. But this isn't like Nobara's situation. Like I said, it needs build up. A character like Gojo should be shown making his choice, not just appearing out of nowhere. It would add absolutely nothing to his arc and would honestly be pure fanservice.

**5. The dream theory.**

I don’t know how much you've heard about this but there is a theory going around that these last chapters or more have all been a dream. I won't do any analysis on the validity of it because this isn't important to my point. "Who's dream?" is the actual question here.

**a) It is Yuji's dream.**

You want to tell me somebody as kind and compassionate as Yuji has no place for his teacher in his dream of a happier tomorrow? Get out of here.

**b) It is a collective dreamlike state, a product of Sukuna's activation of the Merger despite the rules imposed on it.**

Again, nobody, not a single soul, has it in their heart to include Gojo in their dream? In any way other than criticizing him? It would go against all the care Yuji and Yuta have shown for him and be a genuinely awful characterization. It would show he was actually not loved at all, something we know isn't true.

**c) It is Gojo's dream.**

So, Gojo is dreaming of a world where his body is used as a weapon, his students don't care enough to even mention his name and life goes on as if he never existed? He can imagine himself being blamed but not having a place in his ideal future? Do you want me to kill myself?

I would really like to hear opinions or other options if you have any. Right now, this is all just sad.

*Cracks Knuckles*

First of all, I have read the dream theory and I believe it's possible but for now we take the last chapters at face value.

Yes, the lack of any mourning for Gojo (and Choso) is sad and a sour note at the end of the manga. We already had this lack of regard for his death during the Shinjuku fights. There I could understand though how the characters pushed all their feelings to the side once Gojo had been defeated.

They needed to act fast and steadfast, so we got most of their concern and other emotions while Gojo was still fighting.

Now though there is no excuse anymore. JJK had alwasy been a little loose when it came to the slower and reflective moments but Gege had the space the previous chapter to fill it with somehting meaningful. Instead we got an unnecessary explanation of the New Shadow Style school system that's just plain unimportant three chapters before the end.

So in that regard, yes, Gege fumbled it. Even in the driest part of Gojo's death, there still should've been an earth-shattering shake up of the status quo the same way his birth had changed the jujutsu world. But that was also lacking because chapter 270 basically erased all conflict in the story.

So what will happen now?

Your option 1) hate it, too :D

Option 2) nothing to add. Perfectly said how Gojo should've already been talked about instead of letting it go to the last chapter where he most likely won't get centre stage.

Now to Option 3/4) First, the last chapter will be longer than 19 pages. It was either double or tripple the length of a normal chapter so there is more time to flesh the last things out. Second, I have my own theory on how Yuta using Kenjaku's CT on Gojo's body and then getting ejected from it, might've have permanently revived Gojo.

I don't like Gojo being just alive though because that would be anticlimatic and detrimental to the high stakes and emotions that came before. It would be just one more thing in this super happy ending everyone got (except Choso). What could work though is Gojo's body being alive but in a vegetatitve state. Then it would be open ended how his story would go on.

Now the thing about the dream theory is: Yuji only imagines the good things. That's why characters where their death was ambiguous are all alive and only those who had been 100% confirmed dead are dead. With Yuji doing the dreaming, he would push negative feelings about death away and mourning is one such feeling and he had done exactly that previously as well.

If this theory comes true, Yuji would be mourning way more than just Gojo's death at the end. He would also be mourning the good end he envisioned for everyone. And that's sad but also... what I would prefer in contrast with this sugar cloud of a happy ending.

[all-pacas]

i think you're deeply in denial about being a chase/cam shipper or you gotta change your definition of shipping or something. because whatever you're doing here absolutely 100% looks like shipping them. to the untrained eye

in reality i have this very multi long paragraph disclaimer that's too convoluted to even explain but here ya go:

they are my two favorite characters

i like seeing them interact because of this fact

i find their deeply complimentary set of flaws fascinating. i love seeing cameron in a Relationship because she's such a fucking unreliable narrator about herself. i like seeing chase in a relationship because the very concept of "putting someone besides yourself first" is so antithetical to him and the opposite of what he has learned his whole life. i want to put them in a room together. i want cameron to talk at glowing length about her soulmate dead husband and how she watched him die and i want chase to talk about watching his mother die and how much he hates and resents her. i don't know where that conversation would go but i Want It. it's like how i want chase and 13 to talk about murder and redemption together. it is a platonic smashing together of fake people, not about making them kiss

i think they were badly written in the sense that like. there's no writing. they're just together. now they're not. now chase has feelings. do we see them? no. now cameron has feelings. do we see them? no. now they date for three years. as someone who likes writing and narrative this drives me insane because it's so lazy.

i think i could do it better, not in a "because i want to write uwu fixit fanfic where they kiss" way but in a "this sort of writing drives me insane" way. like. huddy was badly written too but it very much existed. cameron and chase are just "oh btw chase fell for her at some point for some reason during fwb." why???? we can handwave but there is NOTHING IN CANON. cameron likes him too! why??? WHO KNOWS

however i also find it annoying when people go "solution: they never dated, we pretend it never happened" because that's ALSO lazy and retcons several years of canon including cameron's exit from the show. including the actual character development chase gets, which i actually do like. i think i'm a rare person who almost prefers late series chase. i like short haired chase. and i don't like the idea of erasing all that canon development just because "uwu i don't like it" (or, more petty, because "uwu i think cameron should have kissed x -- usually house -- so i hate this canon relationship that like it or not did exist")

this ties in to my actual fairly complicated feelings about cameron and how a lot of fandom tends to Girlboss her up in obvious and admirable contrast to her years of reddit-ish character bashing. where i admire the Spirit but deeply dislike this Girlboss characterization.

basically i am a deeply contrary person by nature

so whenever i see this ship i go IT COULD HAVE BEEN BETTER, and OUT OF SPITE I WILL DEFEND IT, which is a whole perpetual motion machine of feelings

i honestly could not care less about them kissing. except for the specific episodes where they allude to having a sex life and foreman all but flees the room. i actually care quite a lot about that, i think it's super funny. so in that context (in front of foreman, to troll him) i want them to make out.

i've gone and read old ffn stories from when the show was airing that featured them as a couple. like from true fans and believers of the ship. i disagree with almost all of it and think usually cameron and usually chase are ooc in these stories. but in different ways. this also triggers my spite

so sure. yes. i ship it. probably,

[thatpersonwhosaidtheywouldnt]

Thinking about how the biggest reason I think the Young Justice show went with the origin they did for Wally and Barry (Wally doing the experiment Barry did, Barry doing the experiment Jay did) is because the creators of the show did not include the Speed Force. Greg Weisman does not like the idea, doesn't see the point of it (and in my opinion clearly misunderstands it) someone on Reddit did a write up on it if you wanna see all he's said here.

So what's this gotta do with the Flash origins in YJA vs comics? Well, first off, the Speed Force was something Mark Waid created to unify the Flash's powers and bring a bit of sense to them:

"It really was just a matter of trying to unify the powers. Barry and Wally's origins were identical, but Jay ostensibly got his speed by inhaling 'hard water,' a.k.a. 'ice.' I never really thought of it as 'mystical' in any real sense, just scientific --- or as scientific as you can get when you're talking about what happens on the other side of lightspeed (which was my original pitch, an idea that to this day I can remember its exact moment of birth)" (Waid from Ask Chris #317 here )

So without the Speed Force, YJA had to solve a problem Waid had solved with the Speed Force a different way. Waid chose not to or didn't have the option to change Wally's origin from being the exact same as Barry's so he made it make sense through the Speed Force, in essence, choosing Wally (and Barry and Jay and every other speedster). YJA had the option so they went a different way.

Barry was always inspired by Jay Garrick. In comics he was a lucky fanboy who got the powers of his favorite comic character and took his name. In YJA, he's not lucky, he, instead, performs the same experiment that gave Jay speed on himself (YJA Barry is simply more unhinged because what).

Wally, similarly, was also a lucky fanboy who got the powers of his favorite superhero (who happened to be the guy his aunt was dating... Very lucky). In YJA... Well it's the same as Barry again expect he's a literal child performing an experiment on himself which puts him in the hospital (comics Wally is notably fine, just wet from the chemicals).

I think it's a pretty significant change to make Barry and Wally want and grab for the superpowers of their heroes (and beg to be a hero before having those powers in Wally's case) instead of them being super fans that have powers thrust upon them. Powers they choose to use for good but not powers they chose.

And then we have Bart... See, with Bart, things are very different. They have to be. Bart's first appearance is in the exact same comic as the first appearance of the Speed Force. Getting rid of it... Basically gets rid of Bart.

Of course, he's in YJA, so that's not quite true. And, admittedly, I think there were ways to do Bart more accurately without the Speed Force... But it's hard. And YJA essentially avoided making a proper attempt at all and made a fully new character. Instead of him being raised in virtual reality while his body was speed aging due to his biological connection to the Speed Force, he is raised in a post-apocalyptic dystopia. He pretends to be chaotic, impulsive, and sorta dumb but is actually very calculating, a bit cynical, and jaded. He is an interesting character for sure... but he's definitely an original character in all but name, and you can see the character type they took inspiration from - the likes of Cable, Future Trunks (Dragon Ball), and Silver the Hedgehog, instead of his original characterization (a characterization I think is much more original and lacks a character that's similar). A final, more minor point, is that the lack of the Speed Force seems to be why he had to build his own time machine, unable to run through time as in comics.

Bart, in comics, is chaotic, whimsical, and impulsive. He was born in the far future because of some chaotic time travel-related reasons, and his father and aunt (the Tornado Twins) were killed soon after his birth. He was taken by the Earth government (in a roundabout way), run by his grandfather (who happens to be a descendant of the Thawne family... making Bart related to Professor Zoom), and instead of trying to stop his speed aging, merely observed him while raising him in a virtual reality. Iris breaks him out and they time travel to the past to get help from Wally. Through a series of events, Wally ends up handing Bart over to Max Mercury (basically the Speed Force expert) to raise cause Iris dipped and Wally is not capable of raising a teenager. Max, Bart's main parental figure, is not and cannot be in YJA because the Speed Force not existing or being known of, makes that impossible. It is the most intrinsic to his character out of all speedsters.

Much of Bart's character arc has him have to learn that life is not a video game and he does not get a do-over. There is a very powerful arc where Bart (who has this speed force power of essentially making clones of himself) loses one of his speed force clones and feels the death of his clone as if he died as well. It terrifies him. But without the Speed Force, without the powers that create that arc, this is not something that can be explored in the cartoon. YJA Bart is, in some ways, the opposite of his comic counterpart. He clearly understands death well; it's all he knows, a dying world. He likely expects to die himself traveling to the past like he does. Bart in the cartoon has to learn different lessons.

I think at the end of the day, this choice to ignore the Speed Force (and therefore the center of Flash lore since the mid 90's), is a bit disrespectful. I don't think Weisman saw it that way, of course. To him it seems he was adapting the Flash lore prior to that. Which does make some sense, seeing as Wally was Kid Flash and the Speed Force is very much tied to Wally's time as the Flash (something he never gets to be in YJA). And I am not saying I dislike Wally in this show, in fact that show is why he's one of my favorite characters. But I think it's all interesting to think about... And I do think the Flashes are much better handled in their comics, no matter the love I have for Wally in the show (except maybe the letting Barry be a dad part). But it's the nature of adaptations I suppose. Thanks for coming to my Ted Talk. 🫡

[spocksjuul]

The Pandora Principle, Carolyn Clowes.

[syn0vial]

imagine vader trying to do his trademark "disciplinary force choke" thing on boba after he gets a little bit too impudent, and boba just gritting his teeth and pushing forward until he's close enough to force vader's actual physical hand around his throat, not even remotely as a gesture of devotion or obedience but fully a declaration of, "you think i'm scared of you?? you think you're so precious you can strangle a man and not even get your hands dirty??? let me show you exactly how little i think of your pretentious fucking magic tricks, you pompous wizard fuck 🤬"

and meanwhile vader's just standing there with his hands full of Angry Bounty Hunter like, "unfortunately, i have decided this one is my Favorite :/"

[welcometogrouchland]

I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry

[jondoe279]

atp i genuinely doooon’t care if the old guard two is the worst thing put to film i just want to see the best character of all time (andromache the scythian) and her loser henchmen and everyone’s favorite girl nile freeman again

[ofswordsandpens]

I'm sincerely very happy for anyone who is enjoying the show but every time I see takes that the show has improved the book characterizations or that the book characters are underdeveloped in comparison to the show...

[starry-bi-sky]

Part SEVEN of "Clone Danny"

Red Robin, Danny recognizes, steps away from him as he sits up. "My name is Phantom," he signs, blinking the exhaustion out of his eyes. (From Red Robin's perspective, it looks like he has no eyes. There lacks his signature green glow.) "I'm not a gang member, just an out-of-town vigilante."

Red Robin frowns at him, an uncertain grip on the bō in his other hand. "Phantom?" He repeats, no lacking amount of suspicion in his voice. "How can I believe that?"

Right. Yeah, okay, that's fair. Danny shrugs at him, and slumps against the wall. "Google search?" He gestures, he's been out in the daytime before and he's seen the news articles about him.

Red's eyes narrow at him and Danny simply draws his knees up and faceplants into them, half-listening to Red's murmurs into his comm while also trying to get some extra-shut eye.

("Oracle, can you pull up anything on a vigilante named Phantom? The guy here is claiming to be one." Tim says.

"On it."

"Is this Phantom wearing a white mask?" Bruce asks, his voice gruff like an aftershock. "There's a vigilante who shares the same name, but he resides in Illinois."

"Is this guy from that Amity city you visited ages ago?" Says Tim, before shaking his head. "Don't answer that. Yes, he's wearing some freaky mask. I said it reminded me of Hood's helmet for a reason."

"I've got something," Oracle interrupts, "Bats' right. as usual. The Phantom of Amity Park, not much stuff of this guy but he's only been out for over a year. Apparently, his rogues' gallery consists of ghosts."

"Oh great.")

"Look tell the Batman that I'm sorry for trespassing on his turf," He signs irritably when Red Robin eventually starts talking to (re: interrogating) him again. "It's not like I want to be here."

"How did you get in Gotham anyways?" Red Robin questions, batman was on his way to help deal with the situation but Tim doubted he wouldn't get caught up on the way with dealing with petty crime. "Your turf is nearly a thousand miles away from here."

"Two words." Danny deadpans, "Teleport ghost." (Red Robin winces sympathetically.) "I'm keeping this bastard in the thermos for a month for this alone."

(Danny was ignoring the slow-choking anxiety growing in his lungs over how he was gonna get home. He never takes his phone when he goes out, the risk of breaking it was too high. He had no way of contacting anyone to get him home.)

(He swallows the growing lump in his throat, and buries the feeling in the back of his mind.)

"Thermos?"

Danny unclips his Fenton Phantom Thermos off from his belt loop and shows it to Red Robin. "My ghost-catching device," He says with one hand, tilting it carefully for Red to inspect. "I wish I could say I made it, but its a FentonWorks invention."

(He wasn't sure if it was a smart idea to say who it belonged to, but saying it wasn't his probably loosened up any tracks on him, right?)

"Do you work with these Fentons, then?" Red asks, and something dark and shadowy flickers from the corner of Danny's eye. He glances over, and sees nothing, and his hackles raise.

(Either that was Batman, or a ghost, or Danny's mind playing tricks on him. He couldn't feel his ghost sense building in his throat, so he decided it was either the latter of the former.)

Danny snorts, quiet and gruff. "No." He clips his thermos to his belt again, stifling a smile on his face. "The Fentons hate me actually, I prevent them from catching ghosts themselves. Their son gives me their tech."

He had a cover story, so he might as well stick with it, right?

Batman shows up at that moment, appearing atop the little roof where the door is, and giving Danny a heart attack when he speaks in his low, rumbly voice like thunder rolling in, "Why would they hate you for that?"

Danny shoots up to his feet with a startled yell in his throat, clutching his chest as he whirls around and looks up. He nearly runs into Red Robin, and signs a few choice swears at the Bat.

"wow you're scarier in person, asshole."

"you didn't answer my question."

"Of course I didn't, you scared me." and Danny takes a trembling step back when the Batman jumps down and lands on the roof in front of him. He's faced ghosts before, but somehow the living is always scarier.

"But, um, the reason is a bit.. complicated, I guess." He says, fingers beginning to shake as his adrenaline wears off. God is he tired. He wants to go home. "The Fentons are the local ghost hunters and local crazies. I don't know if I can call them mad scientists because they're harmless to the living."

"But they're extremely anti-ghost. I've heard from their son multiple times the very unethical things they would do to ghosts if they got their hands on one."

Danny 'talks' a little more before calling it quits, even telling Batman that he can't tell him more without putting his identity at risk.

Plus, its getting harder and harder to hide his bone-deep exhaustion and his growing fear of being stranded in the most dangerous city in America with no way home.

"I would love to tell you more, believe me I'm dying to." Danny signs, shaky sarcasm dripping from his fingers. His hands are visibly trembling and he's withholding a slowly growing panic attack. "But I would like nothing more than to figure out a way to get home."

"Do you have no one to contact?"

"Sort of. But only one of them could probably come get me and get me back to Amity by sunrise. And I have no phone."

That one person being Ellie.

=====

Part 1 Part 2 Part 3 Part 4 Part 4.5 (Dani interlude) Part 5 Part 6 Part 7 Part 7.5 (Dan Interlude) Part 8

Taglist: @the-navistar-carol @thought-u-said-dragon-queen @gin2212 @youracearocroatneighbour @luckybyrdrobyn @deeplyconfusedbear @epilepticnerd @beautifulmomenttodrawblank @sara0055 @blusunkhild @letmesayfuxk (?) @latheevening226 @tkiesai @rosedasy @meira-3919

[actuallyjustabiscuit]

You know, you’ve been a good…friend to me.

Friend! I like the sound of that.

Ever since @endomentendo finalized Ragatha’s role in their Digital Wonderland AU I’ve been dying to do a redraw of one of my favorite pages from the graphic novel Wonderland by Tommy Kovac using these characters!

I love love LOVE Ragatha as Mary Ann!

[jesterchao]

Y’all ever think about how when rouge confronted shadow over the biolizard she asked him “what are you”

Than the scene right after shadow turns around and asks sonic “what are you” after learning he can use chao control

Chaos control, which is like the one common denominator between him and the biolizard

And THATS when sonic says what you see is that you get ?? Just a guy who loves adventure

Cause I do man

[snouse]

deliberately choosing to read suns eyes turning red as her not even being bothered to do her own jumpscare and honestly 💅💅💅 slay