#the best I can do is mitigate it

[carriesthewind]

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[deoidesign]

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[crimsonvulturestudios]

This is your PSA to never trust your rabbits with spicy hay while you go pee, I learn this lesson at least twice a year.

This little stinker just had his 3rd Gotcha Day with me yesterday.

I love you Dumplin’.

[daz4i]

hate the culture of "if you have x flaw you need to unlearn it" (i'm not talking bigotry, i'm talking personality stuff, like stubbornness hypocrisy etc). like as someone who is p manipulative and very obsessive by nature and bc of a personality disorder i don't think i'll ever be able to really iron these traits out of myself. what i CAN do is not act upon them, and work hard to not give into these reflexes, bc i have no choice if i don't wanna hurt people. i think that's better than trying to *be* someone i'm not and feeling like an awful person for failing at that.

if this type of behavior works out for you and you're able to replace toxic traits with something better, that's great and i'm very happy for you. but i think for other people like me, who at least for now don't have that ability, it's important to remember that it's okay if that's part of who you are, as long as you don't hurt people.

[here-there-were-dragons]

i have to wonder what super hardcore militant vegans think should be done about obligate carnivore animals, because in all my painfully-rapidly-approaching-30-years i've literally never actually seen anyone give a clear consistent much less halfway feasible answer on that

[trashiecat]

(re-)listening to TAZ and im on petals to the metal and it's just like god i wish it weren't so obvious that travis cheats his rolls !!!!!

like buddy just play the game forreal it's so much more interesting when failure happens you can't just punch pow your way into everything you want by "rolling" an 18

[sniperct]

In 2023, the hottest year ever recorded, preliminary findings by an international team of researchers show the amount of carbon absorbed by land has temporarily collapsed. The final result was that forest, plants and soil – as a net category – absorbed almost no carbon. There are warning signs at sea, too. Greenland’s glaciers and Arctic ice sheets are melting faster than expected, which is disrupting the Gulf Stream ocean current and slows the rate at which oceans absorb carbon. For the algae-eating zooplankton, melting sea ice is exposing them to more sunlight – a shift scientists say could keep them in the depths for longer, disrupting the vertical migration that stores carbon on the ocean floor.

The report found habitat degradation and loss was the biggest threat to wildlife, followed by overexploitation, invasive species, disease, climate change and pollution. Lead author and WWF chief scientific adviser Mike Barrett said through human action, "particularly the way that we produce and consume our food, we are increasingly losing natural habitat”. The report also warns nature loss and climate change are fast pushing the world towards irreversible tipping points, including the potential "collapse" of the Amazon rainforest, whereby it can no longer lock away planet-warming carbon and mitigate the impacts of climate change.

[ofcowardiceandkings]

all im saying is im gently making plans just in case my 10-year breakdown-iversary is on the cards

[aeide-thea]

(okay the crotch sashiko post is making me a little insane bc like. huge love and respect for visible mending but i gotta say i would Not personally wear a pair of pants out in public ft. a swathe of bright yellow Xs drawing onlookers' attention to my groin unless i really and truly had no other option????)

[rimouskis]

okay I've decided against pursuing any sort of diagnosis re: my growing suspicions I have ADHD/something of that ilk for a variety of reasons, but it will NEVER stop galling me how I lack object permanence. like a baby. I need to have clear storage containers because if I cannot see something I forget it exists. it's both a relief to know that there is a potential "explanation" for such behavior but also realizing that most other people can do convenient things (like: remembering the existence of stuff) is also FRUSTRATINGGGG because I wish that was me! imagine being able to remember things not only casually but well! imagine that! god!

[storm-of-feathers]

girl,

[madlori]

I see posts going "Okay, I'll vote for Kamala, I GUESS IF I HAVE TO" and "omg if that's the best we can do I suppose I'll support it" and I'm like...

What do you people fucking WANT?

Let's run down how she's rated politically by some organizations that we vibe with, kay?

ACLU = 93% on civil liberties

AFL-CIO = 100% on trade unions

Human Rights Campaign = 100% on queer rights

League of Conservation Voters = 91% on environmentalism

NARAL = 100% on reproductive rights

NRA Fund = 7% on gun rights (we LIKE a low score on this one)

NEA = 100% on education

Planned Parenthoos = 100% on reproductive rights

In addition, GovTrack (which is a nonpartisan tracker) places her in the MOST politically left-leaning categories of Senators. So we've got a very liberal, woman of color who's spent her career trying to mitigate draconian tough-on-crime laws to benefit the accused and keep black people out of prison and decrease recidivism and that's somehow...just barely tolerable.

So I ask again...what is that you're dissatisfied with? Is it Palestine? as recently as March she was calling for a ceasefire and demanding aid to Gaza. Keep in mind she's pretty constrained as to what's possible to do in this situation.

Is it just that she was a prosecutor? That is an important job that needs to be done and we WANT people doing it who aren't rah-rah tough-on-crime Gestapo types, which she is not. We need prosecutors who are addressing the root causes of crime and looking for ways to help people escape the cycle, which she has done to the point that she was often called SOFT on crime.

So what is your objection here? Is it that her politics aren't 100% aligned with a bunch of Tumblr socialists? I got news for you...we Tumblr socialists DO NOT REPRESENT THE ELECTORATE. If such a candidate existed, they would not win.

Democrats struggle sometimes because our tent is large. Republicans just want you if you're a straight white man and preferably rich. There's room for a lot more types in the lefty side, but sadly that means a lot of room also for dissention among the ranks. This is how they get us. Let's not let them, huh? Just a suggestion.

[orcelito]

Unfortunate to say but with my eyebrow bandaid and the red splotches on my nose, I kinda look like I've been in an accident. Or perhaps a fight.

Unfortunate. Considering I have class in the morning.

[cabbybaby]

x

[cyeayt]

I'm never going to be able to watch every movie, or listen to every song, or read every book. i am fine with this.

[Crying screaming throwing up wondering what the point is contemplating abandoning my life for this futile pursuit]

it's fine, and i will learn to live with it.

[flanaganfilm]

Mr. Flanagan, I’d like to ask a question and I deeply hope that it does not offend or upset you. I am strongly considering canceling my Netflix subscription due to their new password sharing policy. However, Midnight Mass is one of my favorite shows of all time and I know it isn’t available on DVD, and I’m also profoundly anticipating your take on my favorite Edgar Allen Poe story. So I wanted to ask your take on people accessing your work through, uh, other means. If it’s something that’s offensive to you or will harm you or the other people who work so hard on these shows, I’ll happily keep my Netflix just so that I can keep supporting your work. I respect you far too much as an artist to do otherwise.

Again, I really hope I’m not upsetting you by asking this question. Thank you for everything, and I hope you��re having a great day!

(NOTE 6/4/2024: I'm editing this entry because, well over a year since it was posted, some journalists dug this up and used it to create click-bait headlines that are misleading, out of context and artificially combative. While I was of course disappointed over the years that Netflix opted not to release my work on physical media, I never experienced any hostility or aggression in those discussions, and I sincerely regret the manner in which this post was used in the press this week.)

Hi there - no offense taken whatsoever, in fact I think this is a very interesting and important question.

So. If you asked me this a few years ago, I would have said "I hate piracy and it is hurting creators, especially in the independent space." I used to get in Facebook arguments with fans early in my career when people would post about seeing my work on torrent sites, especially when that work was readily available for rent and purchase on VOD.

Back in 2014, my movie Before I Wake was pirated and leaked prior to any domestic release, and that was devastating to the project. It actually made it harder to find distribution for the film. By the time we were able to get distribution in the US, the film had already been so exposed online that the best we could hope for was a Netflix release. Netflix stepped in and saved that movie, and for that I will always be grateful to them.

However...

Working in streaming for the past few years has made me reconsider my position on piracy.

In the years I worked at Netflix, I tried very hard to get them to release my work on blu-ray and DVD.

It became clear very fast that their priority was subscriptions, and that they were not particularly interested in physical media releases of their originals, with a few exceptions.

While companies like Netflix pride themselves on being disruptors, and have proven that they can affect great change in the industry, they sometimes fail to see the difference between disruption and damage. So much that they can find themselves, intentionally or not, doing harm to the concept of film preservation.

The danger comes when a title is only available on one platform, and then - for whatever reason - is removed.

We have already seen this happen. And it is only going to happen more and more. Titles exclusively available on streaming services have essentially been erased from the world. If those titles existed on the marketplace on physical media, like HBO's Westworld, the loss is somewhat mitigated (though only somewhat.) But when titles do not exist elsewhere, they are potentially gone forever.

The list of titles that have been removed from streaming services is growing.

I still believe that where we put our dollars matters. Renting or buying a piece of work that you like is essential. It is casting a vote, encouraging studios - who only speak the language of money - to invest more effort into similar work. If we show up to support distinct, unique, exciting work, it encourages them to make more of it. It's as simple as that. If we don't show up, or if they can't hear our voice because we are casing our vote "silently" through torrent sites or other means - it makes it unlikely that they will take a chance to create that kind of work again.

Which is why I typically suggest that if you like a movie you've seen through - uh - other means, throw a few dollars at that title on a legitimate platform. Rent it. Purchase it. Support it.

But if some studios offer no avenue for that kind of support, and can (and will) remove content from their platform forever... frankly, I think that changes the rules.

Netflix will likely never release the work I created for them on physical media, though I'll always hold out hope.

Some of you may say "wait, aren't The Haunting of Hill House and The Haunting of Bly Manor available on blu-ray and DVD?" Yes, they are, because they were co-produced with Paramount, and I'm grateful that Paramount was able to release and protect those titles. (I'm also grateful that those releases include extended cuts, deleted scenes, and commentary tracks. There are a number of fantastic benefits to physical media releases.)

But a lot of the other work I did there are Netflix originals, without any other studio involvement. Those titles - like Midnight Mass, The Midnight Club, and the upcoming Fall of the House of Usher - along with my Netflix exclusive and/or original movies Before I Wake and Gerald's Game - have no such protections. The physical media releases of those titles are entirely at Netflix's discretion, and don't appear to be priority for the studio at this time.

At the moment, Netflix seems content to leave Before I Wake, Gerald's Game, Midnight Mass, and The Midnight Club on the service, where they still draw audiences. I don't think there is a plan to remove any of them anytime soon. But plans change, the industry changes.

The point is things change, and each of those titles - should they be removed from the service for any reason - are not available anywhere else. If that day comes - if Netflix's servers are destroyed, if a meteor hits the building, if they are bought out by a competitor and their library is liquidated - I don't know what the circumstances might be, I just know that if that day comes, some of the work that means the most to me in the world would be entirely erased.

Or, what if we aren't so catastrophic in our thinking? What if it the change isn't so total? What if Netflix simply bumps into an issue with the license they paid for music (like the Neil Diamond songs that play such a crucial role in Midnight Mass), and decide to leave the show up but replace the songs?

This has happened before as well - fans of Northern Exposure can get the show on DVD and blu-ray, but the music they heard when the series aired has been replaced due to the licensing issues. And the replacements - chosen for their low cost, not for creative reasons - are not improvements. What if the shows are just changed, and not by creatives, but by business affairs executives?

All to say that physical media is critically important. Having redundancy in the marketplace is critically important. The more platforms a piece of work is available on, the more likely it is to survive and grow its audience.

As for Netflix, I hope sincerely that their thinking on this issue evolves, and that they value the content they spend so much money creating enough to protect it for posterity. That's up to them, it's their studio, it's their rules. But I like to think they may see that light eventually, and realize that exclusivity in a certain window is very cool... but exclusivity in perpetuity could potentially limit the audience and endanger the work itself.