#the base sketch was yet another thing I did at work

[neztune]

I STILL HAVE A FEW HOURS OF CHRISTMAS, SO HERE’S THE CHRISTMAS DOODLE

I spent more time on it than I should have…. But Christmas stuff needs to be special (even if I’m not putting in full effort)

[wholoveseggs]

Kinktober - {Day Thirteen} {<- kinktober masterlist}

18+ ---- {Masterlist} {Tag-List} {Kinktober}

{Klaus Mikaelson x F!Reader} Request {@hiddledede-heddlededo}: I have this idea for kinktober about Klaus teaching the inexperienced reader all the ways she can pleasure her self how to do a BJ, ridding, alllll the lessons an the reader is so overwhelmed by the feelings and good sex that she squirts and is so embarrassed but Klaus is pleased with what he managed he starts laughing because he didn’t know she had it in her. She gets very insecure but he assured her he loved it by doing it all over again.

♡♡♡ This idea??? HOT. {Just like the man himself} ♡♡♡

2.6k words - Kinks: Klaus bring sweet, art studio flirting, inexperience, teaching && squirtinggg....

Your boyfriend's art studio was your favorite place in his house. It felt the most like him, a place where you could see his personality on every wall. The best times were when he allowed you to watch him work. You loved listening to him hum under his breath while he sketched, the soft sound of his pencil moving on the paper, and his concentrated frown as he worked.

He encouraged you to try and create something yourself, but you were nervous about ruining his nice canvases and paints.

You had sketched out a simple landscape with a pencil, and were using paint to fill it in, trying your best to match the colors of the sky and trees.

It was going terribly, and you had been working at it for hours. You groaned and put down your paintbrush, leaning back to stretch your sore muscles.

He could see your frustration, a feeling he knew all too well. He came up to you and wrapped his arms around your waist, taking your hand and guiding the paintbrush back to the canvas.

"Just go slow, love," he murmured into your ear. "Take your time."

You nodded and leaned back into him, letting him control your hand.

"The trick is to go from the outside in," he told you. "You have to let the color blend into each other, don't force the brush. Don't worry about the details yet, just get the base layer down."

His lips trailed down your neck and he sucked lightly on the sensitive spot just below your ear. You giggled and the brush slipped out of your fingers, splattering paint across the canvas.

"Shit," you muttered. "I don't think I'm very good at this."

"It takes practice," he said, pressing another kiss to the back of your neck. "You'll get better with time. I have faith in you."

He took the paintbrush and placed it in the jar of water next to your palette. He turned you around in his arms and cupped your cheek, his blue eyes warm and full of love.

"Maybe we should take a break," you said, giving him a shy smile. "I'm not really in the mood to paint anymore."

"What did you have in mind?"

"Well," you bit your lip and looked up at him through your lashes. "I... you know how we haven't? done it ... yet?"

His lips twitched and he ran his thumb across your bottom lip. "You want to have sex?"

You nodded and glanced away. You were blushing hard, feeling a little embarrassed at having to ask.

He chuckled at your shyness, so sweet and innocent. He had been waiting patiently for you to be ready. He had taken things slow, wanting to make sure you were comfortable before taking the next step.

"We can have sex if you're sure," he said.

"I am," you replied quickly, a little too eager. "I mean, only if you want to."

He let out a hearty laugh, then lifted you up, causing you to squeal. You wrapped your legs around his waist and threw your arms around his neck.

"What do you think, love?" he asked. "Here, on my desk, or should I carry you upstairs?"

"Your bed," you replied, leaning forward and brushing your lips against his. "Please."

He carried you out of his studio, not breaking the kiss. He kept his hands under your thighs to support you. His lips were soft and his tongue was warm as it met yours. You were a little embarrassed by how much noise you were making, moans and whimpers spilling from your lips. You didn't know if that was something he liked or not.

When you reached his room, he tossed you onto the bed, sending you into a fit of giggles. You watched as he removed his shirt, tossing it on the floor, followed by his pants, leaving him in just his boxers. You blushed, not used to seeing him so exposed.

You nervously reached for the buttons on your dress and began undoing them, slowly revealing the lace lingerie underneath. He grinned as he saw the white babydoll top, his eyes trailing down your body, taking in the sight of you.

"Oh, so you planned this, didn't you?" He asked, pointing to your white panties. "You came here today hoping we'd end up like this."

"I may have had something like this in mind," you admitted, giving him a small smile. "Do you like it?"

"I love it," he said, pulling you towards him.

You squealed as your body was pulled under his, his weight a pleasurable warmth against you. You let him take control as he kissed you deeply, his lips never leaving yours. He shifted so he was lying next to you, his hand resting on your lower belly.

"Wait," you murmured against his lips, pulling away. Everything was moving so fast and you needed a moment to breathe. "I... I don't know what I'm doing."

"I'll teach you," he said, his finger tracing the straps of your top. "If you'd like."

"Yes, please," you nodded and he leaned forward to give you another kiss.

He took your hand and guided it toward the band of his boxers. You grasped the elastic, looked him in the eye, then began pulling down. Your fingers fumbled, trying to figure out what you were doing, and you let out a nervous laugh.

He stared down at you, watching you struggle with a slight smile on his face. He was amused by how unsure you were. He enjoyed that you needed his guidance.

He guided your hand into his underwear and brought you to his hardening cock. Your eyes widened as you felt it for the first time, the thickness of him, his silky skin.

"Have you ever been touched before?" He whispered, eyes half closed as your hand explored.

"Just by myself," you admitted, face heating up from the admission.

His mouth curved up into a smirk and his eyes sparkled. "Show me," he told you. "I want to see the way you do it."

You nodded, letting his cock go and moving your hand into your panties, keeping your eyes on him. You liked how he was looking at you, it gave you confidence.

You started off with gentle movements, finding your clit easily. You had never managed to bring yourself over the edge, not even close, but with him watching everything was more intense. You lifted your hips and let out a moan, feeling your pussy getting wetter. You could hear the soft squelch as your fingers began to slide faster, your clit starting to swell from the attention.

He took your other hand and placed it back on his cock, encouraging you to keep stroking him. He enjoyed your little moans, watching as you worked yourself up.

Your moans became louder, and your pace quickened. You arched up and grinded against your hand, the sensation so much more intense than before, but you couldn't reach that peak, no matter how close you got.

You finally broke, panting and pulling your fingers away from your clit, face bright red in frustration.

"I-I can't," you told him, and looked away. "I've tried so many times before and I just can't."

He tilted your chin, making you look back at him. His thumb stroked your cheek and he gave you a reassuring smile.

"May I?" He asked, his fingers trailing over the lace of your panties.

You nodded, too nervous to even speak.

He pulled the lace aside, humming at the wetness he found. He pressed one finger inside, and you gasped, surprised by the intrusion.

"Nik," you moaned, reaching for him, gripping his shoulders.

He kissed your neck and moved his finger deeper, slowly fucking you. Your eyes were closed, head thrown back, and he could see how flushed your face was.

"Sometimes, just touching your clit isn't enough," he told you, sliding a second finger inside. "Some people need a little bit more. Like this."

He curled his fingers and hit a spot inside of you that made your whole body jolt. You cried out, nails digging into his shoulder.

"Ahh," you whimpered. "Klaus, what...?"

"There we are," he smirked and continued rubbing that same spot, over and over. "Does that feel good?"

"Y-Yes," you nodded, gasping and clinging to him.

You were panting now, the pressure inside of you building and building. Your hips were bucking against his hand and you felt tears prickling the corner of your eyes.

"That's it," he praised, watching you. "Fuck, you look beautiful like this. Cum for me, love."

You didn't have time to reply before your orgasm slammed into you, your whole body tensing and trembling. You squeezed around his fingers and you felt your pussy pulsing, clenching and releasing. It was an incredible sensation, unlike anything you had experienced before.

You were gasping for air, trying to catch your breath. You had no idea orgasms could be that intense, you had never felt anything like it.

"See? All you needed was a little guidance," he said, smiling at your wide-eyed expression. "Now, are you ready for the main event?"

"Um," you hesitated, suddenly feeling anxious.

"If you're not ready, we can wait," he assured you.

"No, I want to," you nodded. "But... can I try something first?"

"Of course," he sat back on the bed and waited for you to tell him what to do.

You blushed, and took a deep breath, kneeling in front of him.

"Can I..." You licked your lips. "Can I taste you?"

His cock twitched at the suggestion, and he nodded. "You don't have to ask, love."

You gave him a shy smile and leaned forward, gently pulling his cock from his underwear. You looked up at him, unsure of exactly what to do, then placed a kiss on the tip.

"Go slow," he told you. "There's no rush."

You wrapped your lips around the head and began sucking. His breath hitched and his hand came to rest on your head, but he didn't push you further.

You moved further down his cock, using your tongue to taste him, to get a feel for him. The weight of him on your tongue was new, and not entirely unpleasant.

You used your hands to stroke what you couldn't fit into your mouth and he seemed to like that. You continued sucking, listening to the sounds he made. They were low grunts and sighs, and you liked that you were the cause of them.

"Good girl," he praised, his fingers tangled in your hair. "Go a little slower, use your tongue more. Yes, just like that. So good, darling."

The praise made you moan, and you wanted to do everything in your power to keep hearing those words. You bobbed your head faster, and you heard him mutter something under his breath. You felt him twitch and then his hand was on your shoulder, pulling you off his cock.

You looked up at him, wondering if you did something wrong.

"I'm sorry, I-,"

"You're perfect," he said, cutting you off. "But if you keep going I won't be able to last."

"Oh," you smiled, happy with the compliment.

He leaned forward and kissed you. You let him maneuver you until your back was flat on the bed, his body over yours.

He tugged your panties down your legs, tossing them behind him.

"Are you ready?" He asked.

"I think so," you nodded.

"Just tell me if it hurts," he told you.

You gave him another nod and he placed himself at your entrance. He pushed inside, the head popping past the ring of muscles.

"Breathe, sweetheart," he said, seeing how tense you were.

You took a deep breath and he pushed forward, sliding in the rest of the way. It felt a little strange, and uncomfortable.

"Are you okay?" He asked.

"I'm fine," you said.

He slowly pulled out and thrust back in. You felt a spark of pleasure, and he smirked when he saw your reaction. He kept his thrusts slow and gentle, and after a few minutes the discomfort had faded and was replaced with pleasure.

"How's that?" He asked.

"Feels good," you replied, and he picked up his pace.

You gasped, your fingers gripping the sheets beneath you. You were a little overwhelmed. He was bigger than you expected, and you were feeling so many things. It was amazing, but also a lot.

"Nik," you panted, moaning as he hit a particularly sensitive spot.

He reached down, grabbing your waist and lifting you into his lap. The angle was different, and it felt even better. You could feel yourself clenching around him, the heat in your belly beginning to burn hotter.

"Move your hips for me darling, like this," he murmured, showing you how to grind against him.

You rolled your hips, moaning as he hit deeper than before. Your arms wrapped around his neck, holding onto him as you tried to keep the same pace he had set.

"There, use your knees and bounce on my cock," he told you. "That's it, sweetheart. Just like that."

He gripped your hips, helping you stay steady as you moved. Your nails scratched his shoulders and the sting only made him want you more. Another orgasm was quickly approaching, but it felt different, somehow. Bigger.

"N-Nik, I'm-," you panted, unable to finish the sentence.

"Me too, love," he told you, his breath heavy and uneven.

You bounced harder and faster, and then he hit something inside you, sending a jolt through your entire body. It was like an explosion, and you felt every nerve in your body light up. Wetness gushed out from between your legs, soaking his thighs and the sheets below you. You couldn't stop shaking, it felt like there was an earthquake happening inside your body.

You felt him still and tense beneath you, his arms wrapping tightly around your waist and pulling you closer. He buried his face into your neck and groaned, filling you with his cum.

The two of you stayed still, holding each other and trying to catch your breaths. It was quiet, and neither of you spoke, your cheeks were burning hot with embarrassment. Had you just lost control of your bladder? You wanted to crawl into a hole and die, you couldn't even look him in the eye.

"Did I hurt you?" He asked, voice filled with concern.

"No," you shook your head, eyes focused on the bedsheets. "I just... I-I didn't know that could happen."

"Neither did I," he said, giving you a grin.

"Oh God, I'm so embarrassed," you hid your face in his neck, hoping the world would just swallow you up.

"Why? That was amazing, love."

"But it was... It was all over the place, I'm sorry."

"I'm not," he kissed your neck and pulled back so he could look at you.

You were sure your face couldn't get any warmer. You felt a little better, knowing he was impressed and not disgusted, but you were still mortified.

"It's not... not normal, right?" You asked.

He shook his head and laughed, pushing you back onto the bed and hovering above you. He pressed his lips against yours, kissing you slowly.

"It's normal," he assured you. "And it's very, very hot," he whispered in your ear, sending a shiver down your spine. "I hope you're not too tired because I want to make you do that again."

You bit your lip, nodding at him, eager for him to continue.

"And again, and again, and again..."

{<- kinktober masterlist}

[eerna]

can you explain your art techniques a little bit further? I just saw your post about arcane helping you drop line art and stuff, and I wanted to understand better (as someone trying to get into digital art)

Sureee, ty for asking! :)

For the first 7 years of my digital art journey I imitated the comicbook-style art tutorials and techniques artists I liked used. This means that I would start out with a sketch, draw the lineart on another layer on top of the sketch, hide the sketch, use solid blocks of color on separate layers for the coloring, and add lighting effects on top of it all. I was never really happy with how it turned out, and I often felt like I shouldn't have gone past the colored sketch phase because the full render would lose so much life. I used pretty much the same brushes I use now, aside from some textured ones, but not to their full potential because they were painting brushes being used for flat shading. Here's a few examples of fully rendered stuff from 2020-2021:

Then, I realized I do NOT have to do things I don't wanna do, and I can totally remove any steps from the process that I wish! I experimented for a while until I settled on a new thing that worked for me. And so my current process is: draw a sketch, color it all on one layer (base colors), add light effects if needed, add another layer on top of everything, and paint until satisfied with the level of rendering. Then I add optional effects, such as fires or patterns. This means I leave the sketch layer visible, so I have to clean it and base colors with erasers as I work, but it enables me to preserve the sketchy energy. The "all rendering on one layer" approach frees my hand and I don't feel pressure to render everything separately and perfectly, which in turn, ironically, makes my art look more detailed because the eye compensates for unfinished bits. In addition, the line between a colored sketch and a fully rendered piece is much thinner, which means I don't have to commit to completing anything, and that is a big deal for an insecure person prone to artblocks. If I lose interest halfway through the lineart-and-blocks-of-color process, I am left with an unusable piece. If I do it halfway through the painting process, I get a charming, messy piece a la my recent Chappell Roan art (I left the armor unfinished, and yet it doesn't clash with the rest of the art). Here's a recreation I did to show what a big difference the different approach makes:

So why didn't I stop doing lineart sooner? I did try, but my attempts tried to replicate what I did when painting traditionally, instead of adjusting to my digital abilities, so it usually looked whack. I remember showing my friends the Rito Village piece back in 2019, which was painted based on a screenshot from the game, and one of them telling me "Don't go back to lineart!" I was like "YEAH I am NOT going back to lineart!!! I will keep painting!!!" Only to realize that painting landscapes with already stylized references and painting portraits were completely different. Here's a painting portrait from one of those trial and error attempts. Later I realized the mistake was working on TOP of the sketch, as I would have done for traditional work, instead of both below AND on top of it - after all, my intention was to preserve the life of the sketch, which was impossible when I couldn't even see it. I also didn't understand color values (or honestly, any color aspects) very well, resulting in some low-contrast, unappealing blobs.

So yeah, my advice to any beginner digital artist is: experiment and figure out what works for you. Think about what makes you happy when creating, and build your process around it. Also, keep researching art theory and applying it to your work. Good luck to you and all other digital artists~

[uva124]

So yeah, I finished the drawing of Asha's redesign from Wish :D, maybe I'll make some changes in the future, but I'm happy to have finished it, it should be noted that I haven't seen the movie. , so I can't give my opinion on it yet, but I found it very interesting that their fandom is mainly made up of people who rewrote or made their own version of the movie, they are all very creative and it got me out of an artistic block. that I had a few months ago, but above all I found the rewriting of @annymation which is the one I have been most hooked on, so I wanted to do some redesigns of the characters coming out of its rewriting, that's why everything that has to do with the story of this version of Asha, as well as her personality and her world on which I base my drawing are the ideas and work of this account: @annymation

I'm just making a drawing of her character and how I would design her as well as sharing part of the process I had to do to draw her because, why not?

BOARD:

The first thing I had to do was put together a table full of references that reminded me of the character and things that I would like to add to her design, so I used milanote to do it:

-Looked for some Asha's concept art and save the ones I liked the most, and add the main colors that I used in the design. -I also created notes to write down the personality of the character and some of his data to have a better guide, I did a little research and found publications that talked a lot about Asha's discarded designs and how Disney workers had put that she had tribe ancestry Amazigh on his mother's side and since his father was from the Iberian Peninsula, that's why the next thing I wanted to do is research more about their culture. -I am not an expert on this topic, nor do I belong to the cultures from which Asha has ancestry, so you can comment on any correction regarding this topic, I wanted to implement details of this culture to her design and I would really like to give a correct representation :)

HAIRSTYLE

Continuing with the theme, I saw that the hairstyles in the Amazigh culture mostly had this type of colorful decorations on their braids and dreadlocks, that's why I also posted these reference photos for Asha's hairstyle.

-Finally I decided that Asha would not have all her hair full of braids or dreadlocks, but only a few accompanied by these decorations with a great variation of colors, although it was fun to sketch the many hairstyle options that I had in mind based on these concept art and other photos that I had saved

TATTOOS:

-Another detail that I liked was giving Asha some tattoos with designs from the Amazigh culture, because I saw that it was quite common for women to get them, the tattoo on her forehead is a symbol of protection against bad influences, that's why the The middle symbol is responsible for deflecting it in the 4 directions, I also added a similar one in Asha's right hand.

ASTROLOGY AND THE SPACE:

-An important part of Asha's rewrite is her knowledge of astronomy inherited from her father, especially with the stars for obvious reasons xd, so in addition to adding constellations to her dresses, research the meaning (or something like that) of the planets. Only 3 really reminded me of the character, which were: -Mars: Symbolization of the internal conquering function of moving forward, independent, self-determined, enduring failures with new energy, courage and energy to fight for your desires. -Saturn: Maturity, effort to solidly build realistic criteria, frustrations are transformed into objectives to continue growing, critical and realistic, far from getting frustrated when an objective does not work, you strive to move forward and obtain even more resistant and solid achievements, perseverance , and tenacity (I feel like yhis it the most similar to Asha :D) -Moon: protective role, feeling very vulnerable outside your known areas, feeling of security with your ties, importance of family ties. The one that reminded me the most of Asha was Saturn, that's why I drew those Saturn-shaped earrings :).

SUITS:

I looked for references and placed some on milanote, I noticed that the concept art was mainly divided into whether the dresses have lilac colors or warm colors, I decided to draw 2 models based on the discarded designs, although at first I thought of using only one color palette lilac and bluish, I realized that the reddish colors of her dress reminded me of Mars which has certain meanings that in my opinion coincide with Asha's personality. In the end I didn't decide what wardrobe she would primarily have 😅, but I like to think that in this version of Wish, Asha would have wardrobe and hairstyle changes like in some older Disney movies.

-These are some of the concepts that I mainly used for my version of the dresses

FINAL COMMENTS:

I am satisfied with the result, it was fun to make all this, although what I researched mostly seems little, it actually cost me several hours and I did it at night, so as a funny fact the next day I was explaining all this information to my mother and I felt like I looked like that:

(Make this drawing was so funny LMAO)

(Apologies if there are errors in my writing, English is not my first language and my writing is very basic)

[gastersreturn]

YOU HAVE FOUND HIM

by : tinybrainboy READ IT ON : ComicFury - DeviantArt

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GASTER'S RETURN MASTERPOST

┗━━━━━━━━━━━━━━━┛

PROLOGUE

1/2/3/4/5/6/7/8/9/10/11/12/13/14/15/16/17/18/19/20/21/22/23/24/25/26/27/28

CHAPTER 1

Scene 1 : 1/5- 6/10 - 11/15 - 16/20

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GASTER'S RETURN - FAQ

What is the plot ?

Everything is in the title, it's a story about Gaster returning from wherever he was after his accident that broke him between time and space. This story is set after the Pacifist ending, months after monsters have been freed from the Underground

What are the main themes of this story ?

I would say it's main focus is about letting go, like the original game in a way

Is it an AU (Alternative Universe ?) ? And how close it is from Undertale ?

Yep, it is. I want to keep it as close of the canon as possible, in order to really tell a story based on the game. But it won't be exactly the same as the canon.

Several details change in this story and this is why I call it a "AU", the main ones being :

Gaster : My interpretation of Gaster resemble the general interpretation of the fandom about him a lot, but not completely. It will be fun to play with what you know, or what you think you know about him :)

Sans and Papyrus's origins : In the original game, I strongly think that Sans and Papyrus don't come from Undertale, but from Deltarune (I won't elaborate more on that subject, you can make your own researches on this theory if you're interested), however it's not the case in this AU. In this story, Sans and Papyrus really come from the Undertale universe. It will change their characters, especially Sans, but I'll do my best to show them accurately (at least more accurately than the general fandom's representation of them)

Frisk : Frisk's personality have been imagined and adapted to this story. I wanted Frisk to be like a fusion of their actual personality in the game (because, yes, they have one even if it's really subtle) and the one of the player. So, you get it, the player in itself isn't really a thing in this universe (But it doesn't mean you won't have a role to play...)

How did you get the idea of making this AU ?

At the very beginning, I just started to make some random drawings of Gaster, and some KingDings (AsgorexGaster) sketches, then other Gaster related things, and a story began to form into my mind. I decided that I wanted to make something out of it.

So does that mean there will there be KingDings in this AU ? :0

Well, not really. the main focus of this story won't be romance. At this point of their lives, neither of them are ready for a relationship (if I want it to be healthy). I have thought about making a KingDings mini serie after the main one to develop their relationship, but I don't know if I really will, I didn't even wrote anything for it yet.

When will the next pages come out ?

I try to make approximatively 5 pages every two weeks (I have another Undertale so I'm working on one and the other every week)

How long is this going to take to complete the story ?

Long as hell, I have written a prologue and 3 chapters to finish the story, wish me luck

Am I allowed to make a dub of the comic ?

I honestly don't know if anyone would ever want to make one, but if you do, sure you can ! (as long that you credit me of course)

You are also allowed to make fanarts, or any fanwork based on this AU, again I'm not sure if anyone would, but just in case x)

Am I allowed to repost this AU somewhere else ? Or to make a translation ?

Mmmh….I would allow it, but I want to be informed of it before you do. DM me to ask me, and if you see someone else than me reposting it somewhere, please tell me ^^

The only places I post this AU in here, on DeviantArt and on ComicFury, anywhere else isn't me

Russian translation just here !!

I have other questions !!!

Then you can ask them ! I will answer the ones who are interesting/doesn't require me to spoil my own story

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WILL YOU KEEP SEARCHING ?

[justsomewritingblog]

Unrequited Love (Part 3)

Request:  None

Requested By:  Nobody

Pairing:  Adrien/Cat Noir x reader (unreciprocated)

Summary:  Adrien and Y/n draw.

Warnings:  None?

A/N:  *dramatic music*

Word Count:  1K+

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Y/n wandered over to her locker, replacing her books.  She let out a breath through her mouth in a sigh.  She bowed her head and closed her eyes in defeat, shutting the locker door.

“There you are.”

Her head shot upwards, eyes growing wide.  She turned to her left, being met with green eyes.

“Oh, it’s you.”  Y/n whispered, more relaxed.

“Who else would it be?”  Adrien asked.  Y/n let out a small humorless laugh.

“Yeah.  Who else?”  She muttered under her breath.  She knew he didn’t mean it as an insult, but he could have worded it better.

“What?”  Adrien asked, cocking his head to the side.

“Nothing.  How’s Marinette?”  Y/n asked, trying to change the subject.

“Oh, she’s fine; just very clumsy.”

It seemed to work.

“I see.”  The two became silent for a moment.

“So, I’ll see if I can talk my father into letting you come over to practice piano.”  Adrien announced, breaking the slight tension.

“I don’t want to inconvenience you, or your father.”  Y/n admitted.

“I’m sure it’ll be fine.”

~Plagg, claws out~

“Absolutely not.”

“But, father-” Adrien started to protest.

“I will not have a near stranger in this establishment.”

“But I told her I would teach her piano.”

“Well you’ll just have to tell her no, or figure something else out.”

Adrien sighed in defeat, hanging his head.

“Yes, father.”  He said, walking out and closing the door behind him.  He walked to his room and collapsed on the bed.

“Now what?”

Plagg flew out from his jacket.

“I don’t know.  He said she was a near stranger.”  The kwami noted.

“So I’ll just have to get to know her better!”  Adrien exclaimed, a huge smile on his face.  His face fell.  “How do I tell her I can’t teach her yet?”

“Be honest.”  Plagg advised.  Adrien sighed.

“But I feel like I’d be cheating her.  What if she insists on teaching me to draw when I can’t teach her piano?”

The kwami shrugged unhelpfully.  “I’m sure you’ll figure something out.”  He remarked, stuffing another piece of cheese down his throat.  Adrien rolled his eyes.

“Helpful.”  He remarked sarcastically.

~Claws in~

Adrien walked up the steps to the school the next day.  He wandered around looking for any sign of Y/n.

“Where could she be?”  Adrien wondered aloud.  Plagg stuck his head out of Adrien’s jacket.

“Where does she usually hang out?”

“I don’t know.  I only met her yesterday.”

“Well, good luck.”  Plagg offered.  Adrien sighed and shook his head.  He wandered all over the school until he entered the classroom.  He looked around and saw Y/n sitting in her seat in the back, sketching.  Adrien smiled and made his way up to her.

Y/n saw his shadow and looked up, pulling the earbuds out of her ears.

“Hey.”  He greeted.

“Hello.”  She answered quietly, smiling.  Adrien sighed.

“Look, I’m sorry, but my father thinks I should get to know you better before you enter our ‘establishment’.  How lame is that?”  He explained, using quotation marks, sitting down next to her.  She smirked.

“I don’t blame him.”

Adrien looked up at her in confusion.

“Would you like a stranger in your big, expensive house with expensive things in it?”  She asked.  Adrien smiled.

“I never thought of it like that.”  He said, folding his arms on the desk in front of him.  Y/n smiled.

“Your dad’s probably just taking precautions.  We can’t be mad at him for it.”

Adrien smiled.

“You’re so understanding.”  He noted.  Her cheeks turned a shade of scarlet, but she pretended not to notice.  She hoped if she didn’t notice, he wouldn’t either.

“I’m observant.”  She clarified.  “I see things, and based on what I see, and know about that person, or thing, make a reasonable guess.  It’s really not that special.”

“If you say so.”  He said.

“So, what did you want to draw?”  She asked him.

“Oh, uh.  I don’t know.  I didn’t really think about it.”  He confessed.  Y/n looked out the window and saw a small creature fly by.

“How about a ladybug?  That’s a pretty easy start.”

Adrien looked to her and shrugged, slightly pink.

“Sure.”  He chuckled nervously.  Y/n smirked and playfully rolled her eyes.

“So, start with a circle.  For a perfect circle, place your finger and pencil down, and turn the paper.  Like this.”  Y/n advised, showing him.  He nodded and followed her guidance.  It wasn’t a perfect circle, but it was close.

“Good.”  Y/n complimented.  “Now draw a semi-circle for the head, using the same method, just don’t turn the paper all the way around.”  She showed again, and Adrien did as instructed.  Y/n looked over at his paper and smiled.

“Perfect!”  She exclaimed.  Adrien smiled down at the paper in pride.

“You think so?”

“Of course!  Now we draw spots using more circles.”  She said, drawing spots.  Adrien followed and he drew spots.  They weren’t perfect circles, but they were close enough.

“Now we draw the line for the wings when they open them.”  She explained drawing a simple line down the back of the ladybug.  Again, Adrien followed.

“Now the legs and shading.”  They drew the legs, but when it came time for shading Adrien’s pencil stopped an inch above the paper.  Y/n looked over at him.

“What’s wrong?”  She questioned.

“Just nervous.”  He admitted.  Y/n smiled softly at him.  She reached over and placed her hand atop his, pressing it gently onto the paper.

“You can’t get better if you don’t take risks.”  She advised.  Adrien nodded and began shading in the dots, head, and legs first.  Y/n smiled and glanced up at the clock, seeing 7 minutes till class.  A few people were just starting to enter.  Y/n quickly shaded in her ladybug, and shaded the paper beneath it.

2 minutes till class.  Adrien sat his pencil down and looked proudly at his paper.  He looked to Y/n’s and his eyes grew wide.

“Wow, that’s amazing, Y/n.  It looks like it’s coming off the page!”  He commented.  Y/n looked down at it and observed her own piece.

“It’s just shading below it.  Yours looks good, too.”

“Not nearly as good as yours.”

“Practice.  You’ll get better.”  She said, smiling.  She quickly glanced at the clock again.

“You’d better get to your seat.  Class is about to start.”

Adrien looked up at the clock and his eyes widened.  He quickly picked up his stuff.

“Thanks, Y/n.”  He said, holding his things.  She smiled and nodded at him.  “No problem.”

He smiled back and headed to his seat.  Y/n slid her drawing things back into her bag and pulled out her literature book, ready for class.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A/n:  Repost!

Tag List:  @hitsugayarose, @pokengirl2, @lovableah, @1-800-starkindustrie, @jesssssmaybankk, @meikoo, @yunho-leeknow

[sammylbir]

Behind the OC: Nui Yoshikane

Nui Yoshikane.

Probably my most popular OC, all of you loved Nui. To my surprise too, considering that her character isn't that remarkable. But I am happy you liked her anyway. And because of this, since Nui is officially over a year old, I decided to make this post. To explain the character's creation process and the many changes that they went through.

I hope you'll enjoy it. ^^

Origin

Now, why did I create her? Well, you see a year ago I was planning a new fanfic. One where Tsumugi would wake up after the death and find herself in a non-despair universe with her classmates and herself attending Hope's Peak Academy. With none of them remembering anything from their time of the game.

Given that the story was supposed to be as mind-screwing and ambiguous than the actual V3 game, I knew I needed to add something to distort the truth even further.

And what better way to confuse Tsumugi, is by meeting herself? Or someone that looks oddly familiar to her, in a way.

And that's, how I decided to create the OC who would be in the future known as Nui Yoshikane.

Creation Process

When I created Nui, I was inspired by a certain character from a series that I just got into, around last year. Said series inspired me to write the above aforementioned fic to begin with.

I am talking about the series "Don't Hug Me I'm Scared." And the character I am referring to, is her.

Lesley. (Spoilers below)

The moment I saw her, I was obsessed with the character for a variety of reasons. One, her demeanor was so oddly comforting and I especially loved that accent of hers (Not sure if it's a British one, considering the actress of the character is welsh. Oh well.)

Either way, when I created Nui, I wanted to go for a similar character concept. Someone who takes Tsumugi's faux kindness up to the max, which would make her even creepier. The stitches on Nui's face are also a reference to Lesley in that regard.

Another inspiration for Nui's character, was the Beldam from Coraline.

In general, the sewing motif and her status as a seamstress, were inspired by the Beldam in that regard. Her pale skin and darker clothing colors were also inspired by the Beldam, especially her true form as seen above.

Another thing that was inspired by the Beldam regarding Nui's character, where the needle hands. I gave Nui some very thin and long fingers and sharp nails, to give her more of a terrifying look. And to tie in with the sewing motif.

The last character who inspired Nui Yoshikane, is a somewhat surprising choice. But that inspiration was none other than "The Most".

I am talking about Wally Darling.

When I first learned of Welcome Home, Wally Darling stuck to me. His friendly nature and yet his off-putting behavior on the Welcome Home Website instantly made me fall in love with him, as a character.

Due to this, Nui's slow and monotone speech pattern, her curious and almost child-like demeanor. And the general affable demeanor. Of course, since Welcome Home is still ongoing, Wally may develop differently and I am excited to see, how his character will develop.

But I digress. Those were the three main inspirations for Nui's character. Let's go over the design process.

Design

When I designed Nui, my major inspiration was her beta design. In particular this one right here, created by Nona Nightingale.

Her more subdued and darker colors really fit well and I decided to base Nui's design off that beta design. Of course, I couldn't copy it 1 to 1 for obvious reasons, so I went on and tried to work on some different designs for Nui.

And believe me, she went through a lot of changes.

This was one of the first sketches for Nui's character. As you can see, she had a lot more stitches and had a much more disturbing overall appearance. I scrapped the design in the end, because it was just too terrifying and because I wanted Nui to look a bit friendly, if not a tad uncanny. So, I made another sketch.

This beta designs, does look a bit more similar to the final product. But again, I was not satisfied with the hair because I wanted to give her a bit more of a sophisticated look. So, I moved on to her first "official" design.

Here's another earlier design of Nui. You can see that unlike the final product, she lacks her green bow tie and her skin is much shorter. Not only that, but the stitches are less noticeable and her overall appearance is a lot less creepy than in the final product. So, I revised yet again.

This design for Nui looks very similar to the final product. As you can see, the stitches are a lot more pronounced and the crossed eyes are vertical and not horizontal, unlike the final version. I was initially happy with Nui's designs, but eventually I gave her a different design yet again.

In this comic that I drew based on the fic where she first appeared in "Welcome To your Paradise", I changed Nui's design a bit more, to reflect her final appearance. However the crosses are still vertical and her blazer is much more lighter, than in the final version.

Now then. This next one was a commission I bought from the lovely @waveglox back in May, I believe. They drew Nui extremely well with a good price and I recommend you, to check their account out. Because they are an incredible artist and a huge inspiration of mine.

Incredible, isn't it? I jsut love this comission so much and although her hair is a lot longer than in the final version, I am still very happy about it and think her design is absolutely awesome.

But of course, I changed it yet again.

This design looks extremely familiar and simmilar to the final product and the only thing that's different is the overall anatomy and the fact that she looks a lot thinner. But I wasn't satisfied with that design either, so....

This, is her present design

As you can see here, I made the blazer much much darker and I also made the stitches in her eyes horizontal, while giving her a bit of a paler color. And I decided to make the stitches on her neck reflect her current mood. Because, why not?

I am personally happy with the design, since it reflects everything I envisioned about her character. Creepy, yet polite and friendly. However the other versions of Nui's designs, were based on some earlier character concepts of hers. Which leads me to:

Personality and Mannerisms

Originally, Nui was conceived as a pure villainous character. One that would be similar to Junko Enoshima in some aspects, like a faux-affably evil persona and a general manipulative nature. However, as time went on, I decided to flesh her out more. Because I wanted her to be much more complex. Which is why, I added the following.

As I mentioned previously, Nui was inspired by The Beldam from Coraline. In order to differentiate her more from her, I made Nui extremely protective and caring towards children. She would never hurt them and actively hurts those, who harm and endanger children in any malicious way.

Another thing I added, was to make her a bit more dorky. For that, I decided to give her a pianist hobby. But unlike Kaede, Nui's piano skills range from atrocious to just abysmal. Not only that, but I also gave her an affinity for tea. Because Nui's overall appearance was supposed to give off the vibes of a British Lady, sophisticated and polite. To contrast with Junko's hammy and vulgar personality.

Also, when I fleshed her out a bit more, I also gave her a habit of her humming and singing. Something she is a bit better at than playing the piano, but not by much.

The last quirk I added, was that she likes to sew all kinds of stuff. Originally, her specialty was only supposed to be in crafting clothing for dolls, but then I made her more of a general sewing specialist, ranging from fixing clothing and making sweaters among other things.

Other Inspirations

Nui's character is partially based on the concept, of Liminal Spaces. By that I mean, is that she is supposed to give of a familiar and harmless, yet overall strange feeling.

Like...something is off. But you cannot put your finger on it. For this, I even made a Spotify playlist for her, which you can view here.

Lastly, I wanna stress that Nui is not 100% human. What is she really?

You'd love to know that....wouldn't you?

Closing Thoughts

Overall, to say that Nui developed this much over the entire year surprised me. But it does show, how characters can go through a variety of changes, before settling in on their final form. Whether Nui will go through other changes is unknown as of now, but I hope you will stick around.

Lastly, here is some of Nui's voice. Enjoy ^^

Listen.

Thank you for reading and have a good day!

[kay-then-i-guess]

So, I had this idea as I'm getting close to finishing the Election arc of my Roleshuffle AU to go through my previous comic pages and point out everything I did wrong :) This is all for funsies, and I feel like my art has gotten a lot better with the Election arc. Plus, I think it's very important to go back and critique yourself to 1: see how far you've come and 2: to better understand where you tend to make mistakes. So, let's get critiquing!

Soooo starting off, I really didn't know how to make a comic. I had only done very brief, minor comic making before, so this was a completely new field of art that I wasn't used to. You can immediately see that problem in the first and second panel, since they. They aren't a panel. Nothing about them (minus the speech bubbles) indicates that this is a comic. I think the first would have benefited from each item being properly separated, and the other would have benefited from an actual image behind it; not a gradient. Speaking of the items, that's supposed to be Sam's hand at the top, and it is freckle-less (no clue why I forgot to add those lol). Some other consistency things that are weird is that L'manberg has no tower entrance, and there aren't any trees surrounding it in any other drawing. On notes of consistency, the sword there is supposed to be Techno's, but the design changed later to have a gold hilt. I guess that change never reached this panel, so now that just looks like a random sword stuck in the ground. Nobody's sword in the comic looks like that haha. Similar deal with Techno's crown: the spacing of jewels is not consistent with how I draw it in the rest of the comic.

Moving on! The next two panels of Connor aren't bad, per se, they just aren't good. (I'm mainly bothered by the fact that he doesn't have teeth in the first one.) Also, because I didn't want to draw hands and cut his arms off, it just looks like the framing of the panel is all wrong. Plus, I don't think I've seen anyone pose like that in real life. He looks like he's about to hug you, which is not the vibe I was going for. In both of these panels, we have what will become a reoccurring problem throughout: loooooong neck because I didn't draw a base figure before drawing the clothes. Connor's face should either be longer in these panels, or his shoulders should be higher. Either way, the neck does not look right. Another reoccurring problem you'll see is dull coloring/shading. I'm still working on this, to be frank, but these images all look rather dull. There's nothing unique about the lighting/colors, so it doesn't really pop like it should. Either I needed to add more dynamic lighting or be better at highlights.

Yet another case of long neck. Oh, and weird positioning on the facial features. The eyes feel stretched across his face instead of, well, where they should be. I also think in these opening panels I really fail to encapsulate Connor's personality. I was really banking on the fact that he's a silly little comic relief character in the canon dsmp, but his delivery is very dry/flat whenever I watch old clips of him. Therefore, in the early bits, he just seems a bit off because of the high energy I gave him. Next up we have a bad case of something that looked good in the sketch but did not come across after coloring. What I wanted to happen was his face to gain some anime-type shading that screams "oh no", but it just wasn't strong enough, so the end result just seems like I copied and pasted the same panel for no reason. Also, in the lower image, Connor's face does not look right. I can't really put my finger on why, but it's either because his eyes are uneven or that the facial features, once again, kind of stretch across the face.

aaaaand I originally wanted to go through the whole first part of my comic, but this is turning out to be very long. So that's a tomorrow project. Hope you enjoyed my critique!

[quibbs126]

hi hi! could I request a Pitaya Dragon x Dark Cacao fan child? an example of a name might be dragonfruit choco, which my friend came up with for this ship they came up with. their dynamic is two big guys with swords and anger issues that are besties but also maybe more??? :000

oh and snapcube sonic and shadow

I only realized now that there was a suggestion for the character. Sorry about that. Anyways, this here is Dark Sapote Cookie

Also one thing to note, I basically had Dark Sapote finished months ago. I think you can tell by the way their lineart doesn’t entirely match what I do now. Literally all that was left was the sketch, which I did today. There’s another fankid in that boat, so she might get posted today too (among others that I just have forgotten to post)

But also on top of that, it’s been a good while since I’ve thought about Dark Sapote, so I may miss some stuff

Anyways, on to Dark Sapote. They’re half dragon and live in the Dark Cacao Kingdom. They have a more dragon like form they can transform into, though it’s more of a drake than a dragon, and they don’t turn into it often. They’re technically an heir to the Dark Cacao Kingdom throne, but they don’t do much of anything, so they aren’t really considered such. They also choose to live outside of the Citadel in a cave somewhere

Dark Sapote is extremely chill and often very sleepy, to the point where they’re pretty lazy. However, this isn’t entirely due to their nature, but rather due to the temperature. Because the kingdom is so cold, their body’s essentially in a low power state, as they subconsciously are in a brumation state, but also aren’t reptilian enough to actually go into it, so they’re just stuck like this. And they specifically have this problem because Pitaya is from a tropical and more fiery climate, and Dark Sapote inherited biology for a warmer climate, not a colder one. No one is really aware that this is the reason Dark Sapote is like this, not even Dark Sapote themself

In higher temperatures, they become more active and energetic, and in addition they become more powerful. But because they live where their power is dampened pretty much all the time, they don’t have the best grasp on their full power. If they were to go to say, Dragon’s Valley, they’d likely unleash mayhem with their uncontrollable power. Not quite sure how they haven’t encountered this problem yet, but whatever

They grew up in the Dark Cacao Kingdom simply because they liked Dark Cacao more than Pitaya, but they kind of all unwittingly created this giant problem for Dark Sapote, leaving them in this state

Anyways, on to the design

So Dark Sapote is a name I’ve had on file for a long time, after I discovered the existence of black sapotes, which is what they’re based on. Black sapotes are a tropical fruit like pitaya, and apparently when ripe, they taste similar to chocolate pudding

Black sapote:

So to look for things to say on their design, I watched the time lapse video Procreate makes, and now I remember, Dark Sapote was hell to design. And if I’m being honest, I think the rough sketch is the best version of them

They were apparently originally going to have horns or a crown of sorts, but I decided against it or it just didn’t work. Side note, but I need to give my characters more accessories, especially in the hair. That’s how they end up looking so plain

Their hair is supposed to be the same between the sketch and the final design, but you can’t really see it with the pose. Apparently I tried other hairstyles that would make it visible but for some reason I decided against them

Their side hair thing is supposed to be from Pitaya, with their side bang things, but I don’t think I executed it super well

The colors on the armor were such a pain, mostly because Dark Sapote has so many dark colors, making them all blend in with each other and the black lineart (I only color it at the end once colors are finalized). That was what made me shelve them for so long, because I couldn’t get them to look right, until one day I came back and was like “yeah good enough” and colored the lines, and then left because I was out at the time

Also the colors themselves aren’t the most appealing. The green and brown come from the fruit itself, but they aren’t the nicest to look at

To be honest, I think Dark Sapote needs another shot at a design. The final product isn’t the worst, but it definitely could have turned out better. And also, I like their character

And yeah, that’s Dark Sapote. If you see a redesign of them later on, don’t be too surprised. But regardless, I hope you can enjoy them in some capacity

[suffarustuffaru]

Looking at your past art has me really loving your drag king Natsumi, do you have any more thoughts on them? I'd love to hear them. Also just your genderbend ideas in general. They are very interesting!

for future reference, here is where i drew some drag king natsumi + sapphic ottosuba :) i definitely plan on making more genderbend au content in the future thats for sure! :o i have another older art post on this here also (i am. too lazy to find it rn but its there somewhere!!) but i have some in depth thoughts about fembaru for sure yes :3 ty for finding my genderbend ideas interesting!! :D !! id be happy to talk about them more :o

im gonna start with outward design stuff / gender presentation first!! :D bc in my head, afab subaru probably looks almost exactly the same. in general, canon subaru’s most likely at least a little androgynous (and i think he probably is judging off of how much he passes as the opposite sex!!), and we know hes got his dad’s spiky black hair and his mom’s mean eyes and general facial shape, has a long torso, that sort of thing, so i think afab subaru would look similar :o

plus i like to treat fembaru as basically just the mirror/foil/inverse of canon amab subaru anyway, so yep natsumi schwartz is gonna be her male persona!! canon amab subaru was mistaken as a girl when he was a child, and he also went to high school (iirc it was high school but at the very least he was about the same age he is during arc 1) for three days as natsumi yes and passed for three days. iirc he would put on the girl’s uniform and wig and stuff on the way to school and out of his parents’ view and then put on the male uniform and take off the wig before he got home!! plus you know he’d generally practice makeup most likely and wig styling and all sorts of things in private.

so definitely afab subaru is doing similar stuff but in the opposite direction now—looking more masc and presenting as a boy. while amab subaru can put on and take off a wig, in my head, afab subaru would probably have to have shorter hair. so one day she just got a haircut thats short enough to where she could style it masculinely but longer enough to where it could still be kinda considered feminine enough!!

im not 100% sure how to draw her hair yet but in my earlier post and a few of my sketches it kinda looks like either a long mullet/wolfcut or a messy bob :3 i think you could probably say that her hair looks more like a wacky bob when shes more feminine and a wolfcut when shes styling it more masculinely?

(^^ my take on fem wrathbaru is here also LMAO)

i also base my fembaru design off of canon natsumi!! with the side bang (though i sometimes draw it on the wrong side akdnd)!! meanwhile fembaru’s male natsumi would have canon amab subaru’s hair :) (which you can see in my earlier post as well!!)

(i like this illustration actually <3)

i also like to hc that on top of subaru wanting to look and act more like his dad in canon, he did also kinda want to resemble his mom when hes presenting more femininely :o also for genderbend aus it depends on whether you ONLY want to genderbend subaru or if you wanna genderbend everyone along with subaru too, that sort of thing. i like to play with both possibilities :o

but in general, i like the idea of subaru either way trying to honor both her mom and dad. maybe to subaru her mom is what an ideal woman should be perhaps, and her dad is the ideal man, bc subarus parents are her biggest role models, so she tries to emulate both at different points in her life. she tries to be the perfect soft sweet girl like her mom and it doesnt work. she leans into being a bit of a delinquent and it doesnt work. then she cuts her hair and learns to present more masculinely and tries to copy her dad only to fail again. :((( then she gets isekaied……

i feel like afab subaru might get a bit more shit for getting into trouble too :(( or for being too loud. shes not very traditionally ladylike, i think!! boys will be boys and of course your daughter takes after you, kenichi, but dont you think shes a little too rough around the edges now?

anyway otherwise in general, i also like the idea that over the course of each arc in the fantasy world, subaru grows her hair out!! and once its long enough she can put it into a ponytail like her mom again :,)))

(male rem is here too <3)

also i like to give fembaru the maid dress instead of the butler outfit!!! probably not with the garter and stuff but 😭😭 its a pretty dress and fembaru should get to express herself both masculinely and femininely :3 in my head, i think subaru would be shy bc AGHH THIS DRESS IS SO REVEALING THERES NO WAY ID LOOK GOOD IN THIS IM NOT PRETTY AT ALL and rem and ram (genderbent or not) are probably like nonsense just try the dress. its your uniform to work here. and subaru does and huhhhh. maybe i dont look half bad ? :,) (bc of course subaru’s insecurities either present themselves the same or slightly different when genderbended). and of course when rem and ram warm up to subaru eventually ram can be like “you dont look as bad as i thought youd look” or something and rem can be like “subaru-kun youre very beautiful anyways!!!! <3”

and also i do think subaru would cut her hair a bit again or style it different for natsumi adventures later in arc 7 <3 just to have that symmetry again. the situation probably might go a little different but yep this is how id handle it 👍

and of course you can give subaru the canon natsumi hair bow sometimes when shes feeling fancy :3

OKAY and now im gonna talk about more character stuff!! lets talk about subarus whole thing with isekai and genre savviness and all that.

one of canon subaru’s many many Many parts making him up as a character and making up his story in general is a deconstruction of the isekai genre!! power fantasy and characters being cardboard cutouts for the male mc to triumph without a struggle—that sort of thing. but afab subaru is a female lead now, and female isekai is different.

id have to do way more research into this and watch more female isekai and shoujo and stuff (ive been Really wanting to watch im in love with the villainess…… someday i will…..). buuut from what ive noticed so far it seems like for male lead isekai the fantasy here is the Power and Prestige, but female lead isekai’s fantasy seems to be the Romance!! not that you cant have OP abilities in female lead isekais and not that every isekai is 100% the same of course. but that seems to be the common tropes from what ive seen so far? male isekai protags have girls throwing themselves at him as trophies, female lead isekais have their male romantic interests and the evil evil villainesses are defeated somehow and perfectly out of the way <3 the fantasy is that youll be loved by The One—the perfect boy(s) <3

and i think amab subaru is less likely to check out much female lead isekai but i think itd be fun if afab subaru would probably focus on female lead isekai but also a bit on male lead isekai as well!! she wants that absolute path to glory AND love. (and ahahhahahaha please ignore the gazillion ikemen anime figurines in her room hahahahahhahhahahahah AND DEFINITELY IGNORE THE SILVER HAIRED ONES. ESPECIALLY THE ONLY GIRL FIGURINE SHE HAS THATS BEEN GATHERING DUST UNDER HER BED—)

but also bc i think amab subarus more likely to go nah i wont look at girly media while maybe afab subarus like godddddddd i want instant OP abilitiessssssssssss and godddddddd i want hot girls around m—WHAT. WHAT. WHO SAID THAT WHO SAID THAT—

anyway so subaru gets isekaied and shes like SWEEETTT A NEW BEGINNING AWAY FROM NOT BEING ABLE TO MEET EXPECTATIONS HAHAHAHAHA IM THE ISEKAI PROTAG!!! THIS IS AWESOME!!! (is about to get her shit rocked). and shes like ooooh do i have any abilities (nope) and oooohhhhhh shit do i have a villainess. AM I THE VILLAINESS???? no way right. anyway lol wheres the ikemen who’ll ill marry one day. the ikemen that falls in love….. with a commoner……… like myself teehee… and they get married…… and the villainess is CONQUERED….

anyway so what im saying is. ………….fembaru is a femcel. AND a pick me. AND a disaster bisexual. you could practically imagine a vine boom after each of those.

i think the biggest most important to me with genderbend aus is keeping the humanity of the characters the same the best i can!! and fembaru is STILL subaru, of course shes fucking cringe!! of course shes got a heart of gold but its under layers of cringe!!! of course shes a nerd who doesnt have any friends at first and trips and stumbles through all the shit being thrown her way!!

also if male subaru is bi then so is fem subaru okay. we’re equal opportunity here. and also amab subaru has issues with his masculinity and uhhhh slight things with women (see: his boob comments in season 1…….. subaru i love you but cmon man). so. afab subaru i think has got a terrible case of internalized misogyny / homophobia / PROBABLY SOME COMPHET TOO LMFAO 😭😭

i think general plot beats (whether its only genderbending subaru or genderbending everyone) goes mostly the same but again, slight differences. im gonna go with only subaru being genderbent atm bc thatd have more differences i think :o

yes ok so subaru’s gonna see reinhard and go GASPPP oh my god. pretty ikemen. ohhhhhh oughhhhh hes so pretty. hes clearly main lead material… ohhhh what do i do ive never talked to people in so long and hes so PRETTY FUUUCKKKKK BUT I DONT WANNA BOTHER HIM EITHER AND PUT HIM IN DANGER. um um um um mmumimimm HE CLOSED THE DISTANCE BETWEEN US TOO???? what the hell what the fuck what the fuck shit shit um think THINK SUBARU THINK YOU HAVE CHARM RIGHT?? YOU CAN DO THIS. YOU CAN CHARM A HOT GUY. ARGGHHH— *explodes*

but also subaru sees emilia and gets that “do i wanna be her or be with her” feeling 😭😭 bc emilias so….. cute…. pretty… and NICE TOO?? WITH A FUN PERSONALITY??? SHIT SHES GOT EVERYTHING!! she went out of her way to save me 🥺🥺 and im just dragging her down 😔😔 BUT FUCKKKK I HATEEEE HOW GOOD SHE IS. and then :,)))) theyre both dying in the warehouse… and the first time subaru feels the touch of another girl in a more intimate light is her and emilia holding hands as they die…………….

SO YEAH THEN SUBARU RBDS :,,)))) so like. do you get what im saying. emisuba and remsuba and satella are subaru’s first sapphic heartbreaks and heartaches. muahahaha!!!! insert more evil laughter here!!!! bc since subarus a girl her relationships with emisuba and remsuba are definitely gonna be perceived (both by other people and rem emilia subaru) more so as friendships first and foremost.

so….. subarus getting the codependent homoerotic teenage friendship bright and early HAH. but i cannot blame her!! i too would go insane if i was put in a new unfamiliar world and i met this cute girl i was both jealous of and a little into and then we both died and the last thing i felt was searing pain and her soft fingertips!!! i too would go insane if i thought this maid was my friend but then she tortured me and—and—

but yeah you know how amab subaru has his whole weird complex bromances with reinhard and julius and otto?? now itll be like that but with emilia (the julius and reinhard…) and rem (the otto….). emilias the girl subaru’s having “do i wanna be her or be with her” weird rivalry shit with (subaru’s internalized misogyny probably also adding to this bc Obviously theyre rivals) and rem’s the girl who brutally betrays subaru personally (worlds worst homoerotic teenage friendship breakup of all time 😭😭) but then she later becomes subaru’s loyal best friend???? crazy shit.

and like emilia and rem are totaaally villainesses in subaru’s way (except emilias sweet af and misjudged by the entire world and subaru doesnt have the heart to fight rem and also shes chugging copium and trying not to think about failed loops. or about her gay feelings). toxic yuri is toxic yuri-ing. subaru doesnt wanna be explicit about it….. emilia isnt sure of her feelings other than stuff like caring a lot abt subaru… and rem is. Rem. so theyre all in gay situationship limbo HAH.

also as an afab person too rip subaru for also having periods while the whole world is ending on repeat 😭😭 LMFAOO. im sure theres medieval fantasy remedies though (and rem is 1000% spoiling subaru on her period)

also no one can tell me that echidna and rem WOULDNT still be into subaru as much as they are in canon. subaru regardless of gender fascinates echidna and her greed. subaru regardless of gender is someone rem will grow very very attached to. and if anything, rem would get way more bold with afab subaru.

bc the thing with female relationships is that i feel like theres a higher level of intimacy that you gotta go to for it to be considered more romantic or homoerotic. with guys it could be like holding hands and other people might be like WOAH THATS GAY, but if girls do the same thing its like aww youre such good friends. i think rem would take advantage of her and subaru being the same sex and she’d probably keep trying like “hey um um wanna cuddle together?? in the same bed?? and bathe together teehee?? i can help do your hair and dress you up? and make lots of cute dresses for you ? :) <3 🥰 and i can even massage your bo—I MEAN YOUR BACK. YOUR BACK!!” or it’ll be like. rem gets a little too happy that her and subaru’s periods get synced up or something 😭😭 shes Not Normal (and unfortunately subarus probably a little too into that)

also unfortunately the other time a girl touched subaru intimately was satella squeezing her heart :(((( and hahahah between that and rem and emilia and later echidna…. ohhhh poor subaru and her terrible toxic yuri 😭😭 her sapphic experiences and experiences with women have not been 1000% great.

but also of course subaru is so very not normal. you have the canon typical “lol every memory is a good one <3 even rem torturing me teehee <33” and also i just think itd be funny if you as an audience is lead to believe subarus jealous of emilia and rem’s boob sizes and no. no shes just gay. shes GAY.

and stuff like everything going on with julius and otto gets recharacterized too. bc subarus a girl and the guys are guys its probably gonna get perceived more both in and out of universe in a more. Quite Literally Straightforward light. esp bc subaru’s still gonna be into reinhard and julius lbr HAH.

i want arc 3 to still be an absolute fucking disaster with fembaru. let fembaru be flawed and ugly!!!! so in my au thoughts here itd be like. subaru feels jealous and threatened by lots of people. emilia, though its subsided a bit after becoming friends and after learning a bit more abt emilia as a person. but also i think subaru could feel so so jealous of the royal candidates!! esp crusch priscilla anastasia even though subaru will 1000% think theyre bitches at first during arc 3. bc theyre such strong determined women who seem way more confident than subaru herself is…. and also im sure there’ll be complex thoughts from her on felix too bc crossdressing… gender presentation… is a complex thing for subaru.

and subaru with julius is like. “get away from emilia!!!! shes mine!!! shes MY best friend that im homoerotically codependent on and obsessive of!!!! and also youre just trying to steal reinhard’s ikemen male lead spot huh!!!!! bastard!!!! (i hate that youre so pretty too)” and everything of course blows up in subaru’s face. im sure at some point in the story subaru might get slutshamed for having all these connections to people and romantic threads (especially since shes afab) but also its like. wow shes such a stupid girl lol causing a racket.

and uh being a man beating up a girl looks a little worse due to gender roles and stuff but lot of the knights are still gonna want to go after subaru and julius is still gonna want to save subaru. :,,)))) arc 3 emisuba breakup….. worlds worst sapphic breakup of all time…. and later rem will be the one that got away also :(((((

but yeah i think in general this subaru’s connections would be a little more. subtexty with the girls bc she’d be more hesitant to be explicit. but a bit more explicit with the guys bc itll be easily perceived as romantic in and out of universe. and of course subaru i think will be flustered in different ways between the girls vs guys—with the girls its OHH GOD I CANT BE GAY I CANT BE GAY NOOOOO I HAVE A RIVALRY!!! IM SO JEALOUS OF THEM!! BUT. BUT I LIKE THEM!! OHH GOD. with the guys its OH NO. GOOD LOOKING GUYS???? FML. FML!!!!! WHERES MY MAIN CHARACTER CHARM??? HOW DO I TALK TO GUYS???? JULIUS STOP MAKING FUNNOF ME!!! >:(((

also brief note on otto bc things are probably gonna go different here qkdnd. like i definitely am of course of the opinion that otto fell in love with subaru. in every damn arc in every damn main route otto side content hes getting unhinged over subaru in a way that i think makes a little less sense if you dont view it as otto just Not Being Normal About Subaru in a perhaps vaguely homoerotic way. Possibly? Maybe? Schrodinger's relationship blues.

but subarus afab now!! and ottos still a guy!!! and reinhard and julius are friendly with subaru right, but at around arc 4 things they dont show explicit romantic interest. (i think arc 5-6+ julisuba and juliemisuba would be 👀👀👀 though.) but otto?? in a universe where subaru is a girl??? well now its more acceptable for him to be grow openly head over heels for subaru. but also its probably also more pathetic bc now its probably gonna be more obviously taken by others as otto having a Romantic crush on subaru. regardless of whatever otto's feelings are.

and subarus had her arc 3 development right. but here its like. you wanted a male character who’d fall in love with you and be loyal to you and do Anything for you???? here you go!!! but also given otto is Like That and gets worse by arc 7-8 i think hes gonna seem a bit more sinister. not that canon otto with canon subaru isnt sinister but theres different connotations to male otto paired with female subaru. bc it sort of follows straight dark romance rules, right, with the cunning possessive male love interest and the female protagonist…

i doubt anything explicit would go on between otto and subaru in an au like this bc 1. otto and his avoidant attachment LMFAO and 2. subaru and her issues also and 3. subaru in main route is Not as into otto to the same extent or degree otto is HAH.

and fembarus probably like. i think itd be funny if she was a little disappointed otto wasnt a girl 😭😭😭 but then later hes weird about crossdressing and shes like why dont you wanna do it huh 👁👁👁👁 why are you weird about it 👁👁👁👁 im staring at your glass closet right now—

and also its like. “WHY ARE YOU THE FIRST BOY TO ACTUALLY BE IN LOVE WITH ME WHAT???” which i think is hilarious but i also think it could be fascinating in terms of playing with gender!! bc otto may want to be in control of things, but hes also so subservient to subaru anyway. otto and subaru are both androgynous; otto can pass as a girl and subaru can pass as a boy. if you wanna simplify things further you could also explain this as—otto is a man who looks like a woman who’s pledged his servitude to a woman who looks like a man. very intriguing imo!!

but of course ottosuba power dynamics are Always shifting over and over like a game of tug of war, but the most common thing is that otto will bow his head to subaru but under the surface ottos trying to be in charge. that sort of thing!! and the idea of male otto servicing female subaru is an idea rezero ao3 seems to like also but :,) lets just say its not fully to my taste haha :,,))

and otto is definitely not gonna beat up subaru’s ass so easily this time around bc itd look so bad and he’d know that lmfao 😭😭

but i think theres a lot of potential to play around with gender roles and such with all of these dynamics!! im very passionate about making my genderbend au ideas as wild and layered as possible :o !!

this is all my main ideas atm (and id love to draw stuff like more drag king natsumi or fem reinsuba :) ) but yes i hope this all makes sense :D !! thanks for reading this far and thanks for the ask!!

[heartshapedcreaturefromcriptoon]

I can't believe there is a "Cursed Cat Alastor Controversy" and that once again I had to have the evil lepreconartist who lords over the fandom making his gold off of Medrano's despair explain to me in order to understand what the fuck is going in on the fandom, yet again ... But I kind of hate you all so here's my hot take...

It's actual petty bullshit.

It's the equivalent of a fanartist calling out an AMV maker for "art theft" and demanding that a video they worked hard on be taken down because they used a piece of fanart for a character in an AMV tribute to the character that both the fanartist and the AMV maker (who is already an artist in their own right) already do not actually fucking own. Like, regardless if the AMV maker gives the fanartist credit. Instead of being honored by it, when they should know better that neither of them ever actually even own the shit to begin with, yet they still demand "credit" for fanwork.

I once saw a popular Asian artist in the svtfoe fandom demanding a boycott of the popular fan run merch store TheMysteryShack just as the beautiful fan made artbook Tales of Rebel Princess was about to launch exclusively through there because she alleged that the shop owner had stolen one of her friends fanart designs on a goddamn fucking Steven Universe tarot card pack of all things but I still really liked her Star fanart, so when I tried to respectfully explain to her that I wouldn't be boycotting the shop because of Tales of Rebel Princes launching and how I thought it was personally in very poor taste to not just contact the shop owner privately about the matter and instead making a big stink in public about boycotting his shop when she knew that one of her other artist friends that we knew she had also collaborated with in the past was just about to debut another big collaborative art tribute book dedicated to Daron and Star vs. there through this guys shop! And essentially it would be sad to see her knowingly taking business away from her other friend like that and demanding others in her following do the same and over something as small as a deck of Steven Universe cards, especially in understanding how little love svtfoe gets, since she was also a well known svtfoe fanartist ... All I got in response was "Well I'm happy for my friend but I'm Korean and you're just a Filthy American who couldn't possibly understand how disrespectful something like this is in my culture and blah blah blah if you instant on further harassing me about this I'll block you!"

And I was basically like "suit yourself being fake and having a stick up your butt honey I'm still getting my Star vs. artbook!"

And then she blocked me.

Good riddance. As if Miss Heinous would honestly ever head bang to Ruberiot...

But I guess what I'm trying to get here is that like...Oh, I'm sorry? You wanna make fanart for western cartoons? You gotta play by western rules then. Like it's late night here and I'm sorry if that sounds harsh. But it's true.

If Aurelio Voltaire honestly deserves to have a deal be cut in my opinion so he can finally officially own his share of the "Vampair" series after Daria Cohen stole his voice to make it (half dry humor, half serious here, to be quite frank about this) then coma0423 deserves to cut a deal so that Amir Talai can have a bit of financial comprehension and his percentage of whatever kind of (I'm guessing financial) ~"credit'~ that Coma is now demanding from other fanartists who make Cursed Cat Alastor fan merch since Talai , after all, did design the original concept sketch that would become Cursed Cat Alastor that Coma saw and then decided to just runaway with when they made the meme ...

Listen to me... Fanart belongs to everyone and no one by nature of it being made by fans and no one can truly own a "fan concept" expect for the true creator of the thing that it's based on. Unless that thing is already in the public domain. And if it is it becomes Schrodinger's Cheshire Cat.

Schrodinger's Cursed Cat Alastor belongs to everyone and no one, babe. He belongs to The Hazbin Hotel Fandom and The Hazbin Hotel. If he actually becomes canon in the show somehow, then he'll belong to Amir and Viv, actually, maybe Coma will get proper credit then, but the concept won't even really be theirs anymore, just as it even isn't really officially theirs now, even if they officially do get hired.

First you're telling me that I'm not allowed to fuck the radio demon ... Now you're telling me that I'm apparently not even allowed to kiss a cute wittle kitty cat plushie of him between the space on his head between his ears if said plush wasn't crafted by or sold explicitly by the fanartist who again, stole the concept sketch of him from Amir Talai in the first place?

No. This is nonsense.

Stop making all these petty dramas off someone else's work that only feed the evil leprechaun more gold off of someone else's work or start making you're own original work from your own original concept that you can actually claim your own copyright to I'm exhausted.

Ever hear the phrase once something leaves your brain it belongs to everyone, not just you anymore?

This goes triple for anyone making fanart of someone else's work and that's a fact. Especially if it's only ever an extremely memed up version of an already canonically existing character that you were only so lucky went viral.

Stop the bullying. No one fanwork is that special. Just do your best to honor the source material and be flattered by other fanartists imitations of your fanartist imitation... It's the circle of cursed kitties and it feeds us all. *smacks paw down*

[akai-anna]

Rambling post about The Art TM

Firstly, a special thank you to @livmadart who fuelled my motivation with her lovely tags on my art to finish making this post as soon as I could (life just likes to get in my way). You are such an amazing person and artist (by the way, everyone should totally check out Liv's BDay piece for our favourite little menace BECAUSE IT'S GORGEOUS), and your words always mean a lot to me (even if I'm not the best at communication, for which I apologize, still love and adore you, despite the awkwardness and sporadic talks).

The Idea

My art was inspired by the amazing @detshin's piece. Ever since I've seen it, I felt the urge to make a companion piece for it; I adore the composition and the symbolism in it to bits.

The Concept

I also wanted to take my own spin on the piece. From the start I wanted:

Conan's eyes not being covered (because he can see)

Conan looking at the viewer like he is looking straight into your soul. No thoughts, head empty why, it just felt right.

His mouth to be the one that is covered in some way. The sheer symbolism of his mouth being obstructed (but cannot speak) just made my heart ache so badly.

Changing the outfit based on this musing of mine.

As for the rest, it came about when sketching around, and waiting for that CLICK in my brain. And the forget-me-nots covering his mouth was that CLICK: SYMBOLISM IS MY LIFEBLOOD.

The Materials

I had 2 techniques in mind: watercolours and soft pastels. Ultimately I decided on soft pastels because

I haven't worked with pastels in YEARS, yet I adore the technique

I haven't used these pastels since I got them from an attic cleaning that we did for an old lady last year-ish (they would have been thrown away, after YEARS OF DISUSE and my heart couldn't take it, SUCH BEAUTIFUL MATERIALS TO WASTE AWAY)

I felt that what the material has to offer suited this particular piece: the vibrant colours offering a certain contrast to the original piece, and a certain feel (especially on the right paper) to the texture.

After some testing, I decided that going with a dark background works better: it made the colours more vibrant, and the slight texture of the paper did its magic. + Dark VS Light background colour was another nice contrast between the two pieces.

The Making

At first I didn't know what to use to sketch with, so I tested a couple things, and ultimately went with a white pencil: easy enough to erase if needed but also visible enough to see on this particular paper I had.

Looking up and studying tons of reference pictures for various things (sometimes with more, sometimes with less luck): the pose, facial features, the flowers... I have a whole folder of 'em LMAO

Actually drawing that sketch LOL

Then came the colours, which I tested on a separate piece of paper, to see which ones I want to use... After that I added the main blocks of colours.

And when I liked it, proceeding with the actual colouring: mixing all the different colours and layering them. In some places I used 4-6 colours (or more, depending how you look at it), while I used only 2, but mostly 3 in others.

Lastly: I used hairspray as a fixative, which slightly changed the quality and texture of the pastels and colours. (See below.)

The Feelings

As mentioned above, it has been years (I think around a decade actually, what the fck) since I used soft pastels, so it was a bit of a challenge to get back into using the material (and I'm not as experimental and confident I want to be yet, and likely fried my brain a little in the process). Also tons of fun, though! I forgot how much fun is there in the process of creation, and this piece brought that back into my life.

[j4m3s-b4k3r]

MONKEYBONE

Here are some pre-production drawings done for MONKEYBONE, a film directed by Henry Selick. I worked on the film very briefly, perhaps only a week or two, helping with story beat boards. It was a fun gig, in part due to the location in The Presidio.

Nowadays The Presidio is one of the jewels of San Francisco - a truly beautiful parkland for residents to play in - but when I first arrived in San Francisco, it was still a functioning military base. It was already known that it would soon close, however. So discussion about what was next for the site bubbled for the first few years that I lived here. Would it become low income housing? Or yet another swanky property development, as seemed likely. Who else but big money could pay for the cleanup required after the military had left so many toxic cooties (asbestos etc) behind? 

Anyway, while such things were being decided, some of the abandoned buildings would be rented out for short term projects, one being an animated/live action comedy, that was in pre-production circa 1998 (adapted from a graphic novel - DARKTOWN  by Kaja Blackley & Vanessa Chong). I worked on MONKEYBONE in the early, eager, happy, anything-is-possible phase. It may have been so early that our work was merely a proposal, before a ‘green light’. 

Henry himself was in a great spirits, now that he was out of the shadow of Tim Burton, and Chris Columbus was his exec producer. Many of the crew were Henry’s old cronies from Nightmare Before Christmas, such as production designer Bill Boes. He’d already built models of some of the sets & locations, and these were great reference. With a tiny lipstick camera we could shoot the models from all kinds of angles, and this was enormously helpful, allowing myself & Lawrence Marvitt to bang out panels relatively quickly, under the guidance of Mike Cachuela.

Many things had not yet been decided on, such as casting. The protagonist in my sketches here was based on Nicolas Cage, but of course Brendan Fraser got the role of of Stu. Other roles were played by Rose McGowan, Dave Foley, Bob Odenkirk, John Turturro, Whoopi Goldberg, Chris Kattan and even Breaking Bad’s Giancarlo Esposito. The final film really had an amazing cast.

The Presidio was not yet full of dining options, but our workspace wasn’t far from the Presidio gates, where we’d have lunch at Liverpool Lil’s, a great little pub (that has recently burned down, sadly). I also remember a really fun swanky dinner (I forget now where) with the entire tiny pre-pro crew, where Henry was in a jovial mood and writer Sam Hamm was too. Both hilariously regaling us with their Hollywood horror stories (and comparing their scars inflicted by Tim Burton). Best of all, someone else picked up the exorbitant check! (I think it was Sam Hamm?)

Years after my brief stint on MONKEYBONE I got an invite to a preview screening in early 2001. The film was madcap, weird, & even disturbing at times. Much of what I’d thought would be animated was actually handled with costumed humans in the final film, surprisingly. But it was exciting to have worked on a feature film that actually got made. This was a period where I worked on many great projects that collapsed before making it to the screen. I remember enjoying it until the very end, when I saw that I hadn't got a credit (I hadn't worked on it long enough apparently). In the lobby after the screening, there were a lot of concerned/worried/disappointed faces. Whereas I was bummed that my name was was not in the credits, many people seemed unhappy that their names were.

Ha ha!

Sure enough, the film was a financial & critical flop and has low score to this very day (despite a tiny subset of viewers who still love it, and look back on it fondly). I learned that there had been much tussling along the way to the screen. Perhaps the guy who'd done Home Alone was not the right choice to ‘mentor’ Henry? Did things go sideways after Rupert Murdoch fired Bill Mechanic? Or was it merely typical studio meddling? My guess is it was another case of AOTA: all of the above.

Henry himself sums up MONKEYBONE this way:

"I have two thoughts: it never would have been a big hit. It certainly would have done better if they advertised it a little... I would still like to do a Director's Cut because there's a lot of cool stuff that was removed... my main lesson learned is, I don't really do well in the live-action universe... I love my world of stop-motion... I went down a slippery slope to make Monkeybone, but the film that came out it's not my vision of what the film could've been, and I just don't thrive in that.”

Not long after I worked there, the fate of The Presidio was finally decided when George Lucas’ proposal to develop The Letterman hospital into a media centre was accepted in 1999. And it became the mixed-use space SF residents play in today.

----

Just last weekend, we spent a day in The Presidio, enjoying its restaurants & bars and exploring the new Tunnel Tops park. As we strolled around, I tried to figure out which of The Presidio's many buildings we worked in in 1998, but couldn't pin it down (of course, the Letterman hospital complex was levelled to build what became ILM/Lucasfilm, so perhaps the buildings we worked in are gone).

[beltransadie]

Small tidbits about my Still Into You 2ha animatic

Coz it's April, exactly one year from now was when I started completing it and I'm in the mood now. + I don't think I made a proper one + it won the twitter poll

Check it out if you're interested... or not! I just want to dump my thoughts and fun facts that I thought of while making this.

To preface this, check them out if you haven't seen it yet: (Still Into You & Please Don't Leave Me)

If you've been hanging around my blog for a while, it's kinda evident that I did post a promo post for Still Into You back in January 2023. And that first part does have an in-depth explanation about what it covers (which is from the start to the first chorus).

If you're wondering why: TL;DR I can't work on An Act of Kindness coz I was back home from school for vacation and I thought of the idea during a trip.

Anyway, I ramble. Time to get to the actual discussion.

(spoilers!!) The Actual Discussion

Making the rest of Still Into You, unlike Mo Ran's feelings for CWN, was actually just straightforward. I already knew that it'd cover the rest of the book, given that I intentionally focused heavily on book 1 while making part 1.

Like part 1, part 2 was that type of animatic that just naturally flowed during the storyboarding and rough sketch process. The whole animatic is divided into three phases which covers the following: Book 1, Book 2 and 3, and lastly the Epilogue.

Book 1 I've already discussed in an earlier post here but I did find this interesting tidbit I wrote to my cousin:

Anyways the discussion:

Yeah I really wish I have a funny image to put here. I'm really enjoying looking back at my stuff and seeing my initial plans though.

Order at which I made each part.

One thing of note (and actually a common oversight I experience while doing storyboards coz I don't do timings) was that I storyboarded the frames when the vocals started and forgot the timings in between.

So I kinda had to fill the parts between part 1 and 2 last-ish? (don't really remember the proper timings).

Oh, oh! And another fun fact:

Still Into You Part 2 (Rough Draft)

Part 2 was initially done on my tablet in CSP so there's a whole different and rougher version of it. (pls lower the volume if you're wearing earphones)

Funnily enough, this took me like one sitting to finish and a whole lot of sessions to clean up. I do like this process though given that, around the time I drew this, I started leaning heavily into animation and prioritizing getting my thoughts across without care for cleanliness. (Something I felt held me back too much while making Please Don't Leave Me).

In fact, there are some obvious frames that I didn't really bother polishing up (mostly because they're too hard for me or they just flash by quickly). A glaring example is this frame from the third part:

Another fun fact about the scene where TXJ shows CWN the plant he's been raising is it's actually inspired off of a doodle I made for someone in the Two Lifetimes CSE back in April 16 2023.

I just really think that it's super adorable for them. Mo Ran in the the epilogue section alternates between TXJ and 2.0.

Aside from the plant, TXJ also appears in this frame which is inspired from one of the extras. Another silly intentional decision I did is to have him pour alcohol onto a cup and drink from the bottle.

Meanwhile 2.0 appears here:

The one on the left is also from (you guessed it) an extra! It's based from an offhand mention that CWN makes in one of them. (Let me know what your guesses are haha)

I kinda just jumped into the 3rd half of the song, huh? I hope my ramblings aren't too much! I just wanna let it flow naturally.

Returning to the topic of the storyboard, I really only had a rough idea of what I wanted for the 3rd half. The references to the extras and even Goutou's appearance just came when I was already putting it into frame. Like, this was what I initially had in mind for the 2nd chorus to the end.

I think one of the notable differences is that I initially planned on doing the half MR half CWN screen transition the same way i did with chorus 1 and 2 but decided against it. In retrospect, I think it fits a lot because both aren't divided anymore.

Something about the second verse + chorus of the song

Like in chorus 1 and chorus 3, this section of the song takes on a darker tone since it covers book 2 going into book 3. It's a lot to talk about so I'm gonna select a couple that I personally like that's worth mentioning and leave the rest to the viewers to guess.

Also sorry not sorry for those who got spoiled by the animatic lmao.

The confession scene

Another fun fact: The confession scene in Still Into You and Please Don't Leave Me are intentionally connected through the color palette.

It's just that Still Into You takes a dump at how it treats it. Yes, the stick figures are intentional. It adds to the funny and tbh Still Into You really is just a feel good animatic. The comedy also serves as a whiplash to the angst hell that is the chorus 🥰.

(Insert obligatory CWN running at a tree meme here)

My Favorite 2ha Moment

Gotta insert my favorite chapter here (ch 184) which I think is one of 2ha's peaks because it resolves CWN's doubts about MR's feelings all this times.

And I'm just soo glad I could incorporate it in an animatic because it's so important to me. AND Like, 'yknow, I think it echoes the song very well because guess what MR tells CWN then?

“It has always been you."

That one frame before the chorus

There's like this moment before the second chorus starts where MR tells CWN something. I wanted it to echo ch 207 where MR felt the pressure of having to reveal that he actually is reborn and has memories of his past life.

If this were animated I'd have had MR match the song and tell CWN "I'm still into you".

Anyways, here's the frame before it zooms in. Physically it's still at ch 207, but I wanted the shadows to imply what happens next which is the chorus.

Other Bonus stuff

Ran out of stuff I wanna gush about so Imma talk about cut content.

XM and the MHX twins are supposed to have more frames (I didn't include it because it felt like it had too much energy)

2. Ling'er and the village ranwan visits during farm arc is also supposed to make an appearance

3. I forgot to animate the butterflies

4. I was supposed to polish the sequence at 2:41 - 2:51 at one point.

5. Fuck ow

6. CWN was supposed to glomp MR at the reunion scene

7. You and I

anyways go watch it

[orb-weaving]

Your art is so beautiful! It’s like you somehow dug into my mind and retrieved my dream art style, coloring style, and anatomy style and mastered it all. The way you draw Kai, spinner, and chrono is perfectly soft yet has the perfect amount of saturation! Please, keep posting your god-like art, the world needs to see this!

(Any tips/ tutorials?)

Ah thank you!! I can do my best to show you my process with a doodle I just did for another ask and explain what helped me get there as a I go along

I like to have reference pictures up from the first sketch, even if I don’t need details yet they help me envision the posture and stuff. I’m not the best at anatomy myself but I would absolutely recommend trying to learn, it’s really satisfying when you start to figure it out and helps make everything more natural

In the next part I add firmer details like hair, facial details, etc. fabric folds is another good thing to learn and don’t be afraid to shift base components in this step, for example I changed the face shape and size of the hands and feet. Flipping the canvas is a huge help in this stage

At this point I don’t really need references besides the character I’m drawing, and I like to fill in the lineart with a solid color. This helps keep the palette more cohesive

Then I block in the flat colors, using the base color as a sort of guideline for the palette but honestly I just go with my eye for what looks good and what doesn’t as opposed to logic, use complimentary colors I guess?

I add blush to the skin and airbrush a couple other areas to start suggesting shadows and light. Picking two colors on opposite sides of the color wheel can help this step stick out more

Then I add shadows and blotches of light, using the airbrushed color as a guide of sorts as I add more saturated versions of that as the shadows/light. I also start changing the lineart color and going over things to clean them up

Then if I don’t like how the colors look I multiply the layer select “gradient map” (or anime background if you’re working with ibis paint and don’t want to pay for anything extra like me) lower the opacity, and merge the layers. I add background shadows if needed, then add a little of the grain filter and chromatic aberration to tie things together! Also I flipped the canvas here because I had chronostasis facing the wrong direction.

[oz-qwin]

AYYYYYY!! Alright, let's get this started! Big art dump!

These 3, names are created out of letters already in their og names, and no this pic is not up to the correct size. (I think)

From left to right,

Silow- Shadow and Silver (2nd shortest, 3'6 ft)

They had the hardest design changes in color and overall vibes. But they used to be based off of rusting (from the red stripes from Shadow) metal (from Silver's- yknow silver). But that didn't work out how I wanted it to :(

Mutation- They have two mouths; it was better than the other idea that I had.

Personality- Think of a kid who loves the people they know, but isn't open to outsiders even looking at them. While still being soft-spoken and overthinks things 24/7/12/365.

Sivni- Silver and Sonic (2nd tallest, 4')

I had the easiest time designing and choosing colors for them. They're based off of clouds by just a little.

Mutation- Eyes and ears are a little funky on purpose.

Personality- Very 'air-headed', but loves playing games. Aka, Pov: ADHD if it was a person.

Sadhno- Sonic and Shadow (shortest, 3'1 ft (rip))

They are the first one I made, and have been through a lot of different changes. But they are black-light themed now.

Mutation- "Doubled eye'd", they used to have four arms, four ears, and three eyes but I decided to change/swap it out with the 'All three' fusion.

Personality- Nice and sweet with new people but is a little hot-headed when it comes to people touching their stuff.

Lavindir- Sonic, Shadow, Silver (Tallest, nearly 5'3 ft)

Add blue, red, and white together? Yeah, that's purple. And what's a fitting name for it that you can also spell out with their names? Lavender!

Gave them brown boots and gloves so that their shoes won't become off-putting colors that I don't like. I adore the colors I made for the three eyes tho.

Mutations- Six arms, a long bent tail, three eyes, and four ears.

Personality- Responsible adult who can get distracted easily.

Mainly has Shadows smarts, Silvers determination, and Sonics attachment issues. /j

And below is a bunch of older drawings of them :)

Silow used to be Silowd, but you'll be suprized what their names actually used to be.

You can see the old 'rustic' idea I had for Silow too. And Sivni used to have the double ear thing for only this drawing.

Older drawing of the 3,

for some reason I drew Sadhno's ears big, I still don't know why, and Silow had double ears, IDK why I did that either lol.

THE BIG ONE!

With all of their old names and designs,

Like nearly the beta of Betas if I didn't include the old first drawings of Sadhno. Apparently, they're named Andso in this drawing; I do like the Nilvor and Verow names but I wanted to stick with the S starts in all of the names besides Lavindir.

This was a sketch I made right after to figure out their personalities a lot more, but I don't think Sadhno's and Lavindir's work out as well as I wanted them to.

Here's one of the beginning drawings of Sadhno, needed something to draw for dramatic lighting and now there it was.

Here's another dermatic lighting one, one of the first designs of Sadhno too.

Their gloves and shoes are horrifying.

And now last but maybe not least:

The oldest drawing of Sadhno that I have my hands on.

And yet their fit is still horrible ToT

I hope y'all liked these drawings!