#the art i wanted to add was simply Not Working so i had to change that

[altruistic-meme]

oh my fuck i think im just about ready for print. what the fuck. oh gods its happening.

[certified-bi]

Okay all my thoughts because some people have been saying that not supporting this change is not supporting artist and creators and as an artist fuck that.

1. Audiences owe you nothing. You have to convince them to engage with your creation not the other way around. This is something both the nonprofit theatre I work with recognizes and huge companies realize. It's just part of life. There are so many talented people in the world making amazing art, videos, music, writings, and on and on, and there's only so much time in the day. I'm not saying you shouldn't know your worth, just that being flippant about how little you care about those who can't pay isn't a good move. On that note...

2. PR is everything. If you haven't made a visible effort to push patreon, channel memberships or other avenues of making money, don't be suprised that your creation that was previously accessible to those without extra cash and to those who can't support foreign subscriptions due either to conversions or because it simply doesn't work, being made private isn't popular. There's a big leap from "We want to have more artistic control" to "We can't afford to make our content accessible to most of our audience," and people are smart enough to see this. You either have to make budget cuts or give into sponsors. This isn't unique to Watcher, it's part of literally every production from broadway, to Hollywood, to YouTube. Unless you can fund it yourself or get viewers to pay(which given how many are already strapped for cash...) that's life.

Not to mention they simply do not have enough followers to make the switch to a paid only site(dropping the first epsiode only on YouTube isn't going to draw people in, they're just going to say "oh why start if I'm not going to see the rest" and not watch) especially not one that is buggy and a security risk. Even if the switch had been supported its not going to end well. The only reason services like nebula and dropout work is because of the large amount of series and creators and the fact those creators still are partly on YouTube so new people are drawn in.

3. As for the price, 6 dollars a month is a not a good starting price for only their content and that's as someone who pays for nebula. I'd be paying the same amount for a fraction of the access to others work. Actually it'd be twice as much. And before someone says "it's only a coffee-" that's for you. Not everyone has your lifestyle. And with every other patreon and subscription service that says the same thing, it all adds up and I simply don't think 60 dollars for 48 videos a year on a subscription basis where you don't get to keep the videos if your situation changes, some of which don't appeal to every viewer is a good move. If you were able to buy physical copies of your favorite series they've made that'd be different, but that's not what this is.

4. I do believe that the employees deserve a livable wage. I also did not hire them. It is not on the viewers that they hired more people than they could afford to. They can charge that much if they want to to try and balance this out. They also shouldn't be suprised if not many can or will sign up. They also don't have to be based in L.A. L.A has ridiculous costs associated with it, and quite honestly it doesn't really add much to the content. I'm not saying they need to move to the middle of nowhere Kansas. Simply that living and basing your studio in a super expensive city and then being suprised money is tight is just weird.

5. Something that occurs to me is that they might get more views if their playlists were better set up. Only some series are given playlists. It'd be easier to find all of the series and binge them if they didn't just show off their more popular shows. Honestly the only draw the streaming site has to me is that the series are actually labeled well.

Do I think the weird ass energy towards Steven is necessary? No. He's not the only one at the company and they're all adults. I actually liked grocery run and homemade, and like to see them back. The parascoial attachment to Ryan and Shane is annoying in people's criticisms, but that doesn't make them completely wrong. If you're going to brand yourself as the anti capalist underdogs you can't get away with being dismissive of your poorer fans. The dissonance is what is causing this backlash and makes you look like hypocrites. I definitely think Steven is turning into the fall guy which is fucked up, his statement and the fact dish granted is one of those shows that make people uncomfortable about wealth flexs doesn't help matters.

[galedekarios]

plagiarism in the bg3 fandom

disclaimer: this post should not be taken as a springboard to harrass anyone involved.

-

as i've stated previously, i didn't want to make this post because i have a lot going on in real life, but i have been watching this being done to others and myself for months now and i can't not speak about my experience anymore.

laiostoudenn (prev urls: lathanderr/spellbooking/wizardblood) is a plagiarist and he has a history of stealing from other creators like @minthara, @mercymaker, @onewingedangels and others.

in this post, i, finally and after much and long deliberation, want to add my voice to theirs.

i'll try to give a chronological overview of what happened as i have come to experience it, through others and myself, and as condensed as possible and to make it easier for myself to tell:

the story

i became aware of this new blog after he @ me and he messaged me. he's been following me. i was slow to engage because i have a lot of things going on in my real life that cost me a lot of energy during the day. i have also grown cautious of too quickly becoming close to strangers online. i became aware, however, that he had been doing this with multiple bigger creators in this space, like my friend @hawke, who is also a creator in the bg3 space, and who has experienced the same behaviour. they asked me if i knew him and i replied that i did not.

that was it for me at that point and i didn't engage much beyond that because i didn't know him and i thought nothing of it - until later.

during that time, whenever i saw his creations pop up increasingly, either in the tags or on my dash, i noticed more and more that they looked familiar to the works of others, from @minthara, to @mercymaker, to @onewingedangels and other creators, including myself.

it was then confirmed that i wasn't simply imagining things when, months ago, two creators were brave enough to speak up about the fact that he has been plagiarising gifsets and edits from them:

@minthara and @mercymaker:

@onewingedangels original set posted on 31st december 2023:

his set posted on 29th january 2024 (now deleted):

this was done without consent, and after he had already copied prior sets from @onewingedangels.

i would greatly recommend reading the posts shared above, and looking at the examples provided in it, so that you get a clear picture of what's happening here. it's not one isolated incident.

if you take a look at the notes in the post, you can also see other creators speaking about their experiences.

@minthara has recently also uploaded a google docs with the screenshots of the sets stolen from them because they either have been deleted, or lead to nothing due to now multiple url changes.

i was made aware today that he, following the first posts detailing @minthara and @mercymaker's experiences, apologised at first and admitted to what he's been doing on 31st march 2024:

but sadly, this wasn't to last, and the opportunity to learn and grow wasn't taken.

instead what happened was now painted as "bullying" from other creators, as "clique" behaviour and as "gatekeeping", despite many of us operating independently from each other. i, myself, have only started speaking to one other creator involved now that i have noticed the stealing and copying still ongoing.

i have in my time on this website never gatekept anything. i have shared metas, gifsets, creations, mods, art, tutorials, and many other things freely.

but back to the matter at hand: after he has been trying to ingratiate himself to me for some time now, following me, unfollowing me, and refollowing me again until i blocked him for my own mental health, i tried to remain civil before this point, engaging rarely if at all, hoping everything would go away on its own - which was a mistake in hindsight, i realise - i noticed that once again he's been lifting entire concepts and frame-by-frame gifs and sets from me.

things that he now claims - likely after he has been made aware of my prior personal posts and @minthara and @mercymaker's post circulating again by being reblogged by other people who have been affected) - were simply "remade" or "expanded" upon, that he may have been "subconsciously" influenced, while simultaneously claiming that he didn't know these sets existed in the first place, that he came up with the ideas independently, and that it's simply inevitable to use the same scenes because it's a limited game.

this doesn't hold up under scrutiny, however.

i want to make clear that i very much understand and that i am acutely aware that i do not own scenes and i do not own mods or outfits. however, what i do like to pride myself on is coming up with concepts and scene choices and captions accompanying these concepts that are unique, inspired by my metas, headcanons pertaining to gale and my own ocs altonaufein and karl, all of which i have seen copied by him several times now.

this is not as simple as simply gifing the same lines of dialogue from a scene as he and others supporting him are now postulating and i want to make that very, very clear.

another reason why this statement doesn't hold up under any scrutiny and, what ultimately confirmed my suspicion that he has been copying me, was when he - after the first post exposing his behaviour by @minthara and @mercymaker was made - reached out to me, asking if it it's ok to copy a gifset i made (note: again, this happened after he was called out for plagiarising the first time):

i didn't respond quickly enough, so he went ahead and posted it without waiting for my response (the response i gave him is pictured above and for transparancy, i responded about a day later bc of work and irl obligations).

below you can see the stolen post and what i managed to save from it:

the set was a 1:1 copy. he wanted a version for his oc so bad that he went ahead and stole my concept anyhow, without even waiting for the permission he asked for.

he went to take it down after my reply, made cautious most likely by his still fresh callout done in march 2024 by @minthara and @mercymaker, and i thought the issue was resolved and it wouldn't happen again, that he wouldn't take again without asking, despite having been told not only by myself, but by other creators as well, no. we are not comfortable.

but no. he "remade" the set, switching out gifs while complaining about how he "had to make it original":

my set in question was made on 1st february 2024, he reached out to me on 22nd april 2024 to "remake" the set. he is well aware of the existence of these ideas and concepts and sets he wants to copy, underlined by the need to ask for permission when it's simply too obvious to otherwise deny.

it's no coincidence.

like others have had the experience, i too noticed that he often would not engage with content he planned on stealing or did go through with stealing. he would sometimes present it as his own "remake" of a set he did, of another he was "inspired" or wanted to "expand upon", sometimes crediting, sometimes crediting someone largely unrelated, sometimes and, more often, not crediting.

as i mentioned above, this was not the first and not the only set/concept, which he copied from me - whether that was before asking or after asking, or not asking at all, if it was ok to copy.

i use this example mainly to show a clear pattern of behaviour that exists across the board: he takes concepts from other creators and inserts his own oc and/or favourite character into it because he wants a version of it so very badly. it does not matter if said creator might be hurt, if they told him no, or if they exposed his behaviour before. it doesn't matter how old the set is or how recent.

it is still going on today, the only difference is that he has stopped asking at all once again.

my story completely echoes that of @minthara and @mercymaker's.

concrete examples

i will now go into more detail about the concept sets he's been copying, include the caption or quote attached to it. i'm sorry that these will not be in chronological fashion. i will add at a later point, just like @minthara has done, a google document to better do side by side comparisons, highlight the similarities visually even more, and preserve some of the sets, which have now been deleted by him as recently as today:

the theme of hands in gale's romance

-> mine posted on 23rd september 2023

versus

-> his 1 posted on 24th february 2024

-> his 2 posted on 17th june 2024

i want to preface this by saying that the theme of hands was and still is incredibly important to story of my oc altonaufein and has concept of romance with gale. again, while i do not own these scenes, i wished to highlight a theme that i identified as poignant and profound within the relationship context. it's also why i added the poetry and quotes accompanying the set.

notice how even the caption format matches. the only thing lacking are my quotes / poems.

the format matches almost entirely: gifs from the same scenes (pulling gale out of the portal, the bench scene in an illusionary waterdeep, the astral sea scene, the boat scene, and more of the boat scene). the only thing that was added in this gifset are scenes that weren't available to me back then, namely the updated proposal scene, the kisses patches, and the epilogue as they came out well after i made my original gifset.

the second re-make even contains a gif that's not only the same minute detail of a larger scene - one that anyone who played gale's romance knows contains a multitude of other parts that could have been used - but also the same frames:

mine vs his:

i suppose adding that one to the original post with the same format i had chosen for mine would have made it too obvious, but that is only speculation.

gale + missing waterdeep/home

-> mine posted on 30th september 2023

versus

-> his (deleted on 18th july 2024) so i will have to include screenshots so you may compare:

same caption format, overlapping scenes chosen, only new additions are of content that wasn't available to me back when i first made my original set (the epilogue, kiss patches and proposal scene).

an attempt at "credit" even though he is only referencing my tags on an entirely separate set of a different creator, not the concept i came up with in my original set months prior.

and even though i have told him no before, just like others have told him no before.

i think it speaks volumes that this set is now, like some others, have been suddenly and coincidentally deleted.

gale of waterdeep vs gale dekarios

-> mine posted on 20th november 2023

versus

-> his posted on 13th may 2024

the concept is entirely the same, the scenes are largely overlapping, again, the caption format is almost entirely identical, with the sole difference of me including the full quote and devnotes as i'm wont to do.

gale + i love you

-> mine posted 16th september 2023

versus

-> his 2 (a "remake" of an "older" set of "his") posted on 13th may 2024

again, the concept is entirely the same, it's same caption format, the scenes largely overlap, some of the gifs added that were not available to me when i made my set (which, again, would include the epilogue, kisses patches, and the updated proposal scene).

mermay gale

-> mine posted on 13th may 2024

versus

-> his posted on 21st may 2024

it's the same concept again, the caption format is similar, it's the same setting (camp at baldur's gate), the same armour, the same armour tint, the same 3/4 pose except mirrored, and, this time, his tags were inspired too:

my tag: #i have the worst art block still and virtually no time but i still wanted to do smth for mermay so have this

his tag: #i can't do art so heres my mermay contribution i guess

copied oc post

-> mine posted on (likely) 30th september 2021

versus

-> his originally posted on may 7th 2024, which has also now been deleted on 18th july 2024:

the only thing different was the font. sadly, i deleted my oc post since i have redesigned some of them and wanted to make an updated version of it in the future.

thankfully i found the link on my friends blog, @ayrennaranaaldmeri.

as you can see, all of these happened after the first cases of plagiarism and after i personally told him that i'm not comfortable with him "remaking" my concept sets as his.

conclusion

there are many other sets that i suspect have been copied or plagiarised, i want to remain objective, however, and include the ones i feel are the most damning examples, supported by the fact that he has been deleting some of them today while again, trying to set up his narrative to his audience.

again, i want to highlight the pattern is here with him. my post is not the first, my suspicious are the first.

he knows what he is doing wrong, highlighted by the fact of trying to ask for permission, by deleting sets in question, by, at first, apologising, whilst now talking about "gatekeeping", "bullying", "inevitable repeats of scenes", "taking inspiration", "scrolling by", being "subconsciously" influenced, etc.

as a conclusion, i can say nothing more on this topic other than that i'm very sad. it doesn't give me joy. it stressed me immensely then and it still does now. i wish he'd have taken the already admitted wrong-doing to heart and grown from it, instead of attempting to change the narrative and doubling down on his past behaviour, not examining what he has done and is doing several times over by now.

i have blocked him now, as have done many others, and will not engage further with him. we have been through this before and at this point, i don't think he will change.

what i do very much hope, however, is that this is the last i hear of this happening.

edit:

updated the links to lead to his "archive" so you can access the stolen sets that he still hasn't deleted and seems to have no intentions of doing so.

[gummilutt]

Autonomous crafting for all teen+ Sims

I've never before been so happy to share a creation! Get ready to get crafting, because it's about to get autonomous! Released today in collaboration with the wonderful @joplayingthesims who has built a community lot for the mod, seen in the pictures below. Exciting!

In my game, I have a community lot with crafting stations for Sims who can't afford one, or don't have space for one. But as I visited it recently with one of my college students wanting to learn flower arrangement, I got a bit depressed by all the empty stations and the other visitors just standing around chatting. I wondered if anyone had added autonomy, and I came upon iCad's autonomy enabler. While neat, it only adds autonomy for the active household which is the opposite of what I wanted. So I made my own that enables it for visiting Sims as well, only to quickly realize how annoying that got. All these Sims asking me to pick a recolor for them, blergh! So I went on tweaking, fixing the annoyances as they came up, and here we are! Finally it is possible to have a lively crafting studio where all Sims participate, without being annoying for you the player! Are you excited? Because I am excited!

What does the mod do? - Enables autonomy on "make many" and "continue" (see readme for more info on why not make one) for all five original crafting types - Robots, toy making, flower arrangement, pottery and sewing - Does NOT charge your Sims money for background Sim crafting. Money sounds and visuals show for all Sims, but only your current households crafting charges household funds. - By default only autonomous on community lots. Has optional autonomy on residential/apartment lots, you can enable autonomy on those lot types by placing the Autonomy Toggler object somewhere on the lot (custom object made using parts of the FT crafting clutter, found in hobbies/misc for 1 simoleon). I set it up this way as residential autonomy sounds irritating to me, but I'm all about flexibility for the user. Perhaps you want to run arts classes at your residential playable school, or you simply like autonomy more than I do :) Please note that autonomy advertisement is tuned with community lot use in mind, so it might be higher than you'd want for residential. If there's interest I am happy to make a second version with lower advertising for those who primarily want residential use. If you are somewhat familiar with TTAB edits yourself, you can try changing attenuation code to low or medium to limit advertisement distance which will reduce appeal to Sims. VER 2: Toggler object now also works on community lots, turning off autonomy if present on community lot. Residential/apartment behavior remains the same as before. - Fixes annoyances with background crafting, such as selecting recolors and pop ups about progress - Changes inventory mechanics to allow for owned studio-type use, in case you'd like a friendly owner Sim present to provide instruction. Crafting now only goes to business lot owner if done by an employee, otherwise crafting Sim gets the object. Includes home business, so if it bothered you that family members don't get to keep their work, this also fixes that. If that part annoys you, see readme for how to remove this feature.

Download mod on simfileshare | Download ver 2 on simfileshare (New version out, fixing a bug reported by Nemertes. More info here)

You might say "Okay well fun for you Gummi, but I don't have a community lot with crafting stations, so why would I need this?". Well fortunately Joandsarah has the solution for that problem! Check out the cute crafting studio she built to give all of you a place to start community crafting! Available on MTS

Conflicts: Only known conflict is iCad's original autonomy enabler, you have to pick if you want hers version of autonomy, or mine :) Readme contains breakdown of the functionality of all parts, to help you decide a load order should you encounter conflicts. It should be possible to resolve conflicts though if there are any others, so please report them to me :)

Credits: @joplayingthesims for collaborating with me and providing a lot that you can get started with if you don't have one, iCad at @dramallamadingdang for the original autonomy enabling mod, @cityof2morrow who helped playtest the mod

If anyone else builds a community lot intended for autonomous use, I hope you let me know somehow so I can add links to it in my post :) If any other modders see ways to improve on what I did, please feel free to do so :) I am hoping to eventually post an update that sends all crafting to inventory to fix the make one issue, and the station clogging that happens over time.

[ssavaart]

Happy Friday All!

In early 2020 (before Covid), I was painting larger paintings like this with Acryla-Gouache. I was really enjoying the medium.

I was inspired by a couple of photos by Annie Bertram on Deviant Art and asked permission to use them for reference.

Since I was just doing these for myself... I had NO plan. No test drawings. No layouts. I just started drawing on a large piece of paper and figured it out as I went.

Because of this... I never really figured out what to do with the hand on the left.

So... it just kind of disappeared.

I may go back and add it in later, I think.

But, for now... it's always a reminder of a time where I just broke out the paints and... played.

A couple months later... Covid hit and it was 3 years until I did my next large painting (the Gothic Vampire).

(Note: I can't find a reply from the photographer regarding permission or not. My memory is I heard back. But I can't find it.)

I DID hear from the model Theresa Fractale, a couple of years later, who was VERY upset that I had sold some postcards of the painting without her permission.

I was mortified. I hadn't even considered reaching out to the model. I offered her and Annie Bertram all of the profits I made from the sales, but she wasn't satisfied... and we left it at that.

These things DO happen with artists. Sometimes people claim you've "stolen" their art or style or likeness. And sometimes they have legitimate reason to do so.

Me, personally... I believe that artists should use ALL of the world around them for inspiration and if it is HEAVILY influenced by one artist or work of art... CREDIT them.

But change it. Don't directly copy it (unless you're studying someone's work... in which case... copy away).

But always credit.

I believe I REFERENCED the photos above, but didn't copy them.

But, I DID heavily reference them and, honestly, had NO intention of selling it (I still own the painting) or prints (I had only sold a few postcards before being contacted by the model... then stopped).

In any case... if the model or the photographer is unhappy with me selling prints... I don't sell prints. It's that simple.

Their work directly inspired MY work and while I feel that I've changed it enough to be unique... I don't want to cause another artist harm in any way.

Every artist is different. Some are open to sharing their art (like me) and others are very protective of their art.

But, there are no RULES to art. There is no such thing as "cheating" in art. There IS copyright LAW. And that is theft.

But that law ONLY (as far as I know) works if you are SELLING a copy of someone else's work. Profiting from it.

Not for learning. Not for practice. And not for posting online.

Just please... PLEASE credit the artist you're copying. Tell people why you are copying.

Nowadays, if I'm going to do a painting I plan on making prints of, I either use stock photography I've paid for or I get permission and pay the rights holder.

But, this is ONLY for pieces I want to sell prints of.

You do NOT need permission to use photo reference or even copy another artist's work for your portfolio or to post online.

Credit them. Share your inspiration with others. Tell them why you copied the works

But you don't need permission simply to make art. Ever.

Art should be shared. Copied. Studied. And most of all... enjoyed.

Sending Big Hugs from the Hobbit Hole. ♥♥♥

Scott

[plumpybread]

Asking because of the previous ask, are you not a fan of Ethan anymore? If so, why?

It's complicated, I suppose (rant where i talk abt ethan but then also my OCs in general)

I really do not like the first version of Ethan I made like 3 years ago. Obviously I like indulging in devilish ideas but I don't know, it ended up turning into something I didn't really end up liking too much.

Then I revisited and sort of rewrote his story a bit a while back when making the OC archive site (I'm aware the site is not available anymore for the people who asked, I took it down myself) and was much happier with it for a while.

Don't get me wrong, I like Ethan, I know he's the OC people seem to like the most, but it's still like a personal mental battle of like maybe it's too effed up? Even when I draw characters going through unwilling/accidental extreme weight gain, I make them either ambivalent or accepting of their situation, but for Ethan it's kind of like torture, and I can't bring myself to get like..aroused and excited to draw more of that *personally*.

Changing up his lore wouldn't really work either since his story is based on helplessness and stuff, and it'd be disingenuous to make him be happy with his situation, so I've just sort of subconsciously decided to leave him as is and treat his content as its self contained story more than nsfw art to goon to, if that makes sense. I don't know, maybe I'm just thinking about it too much, but just wanted to say what goes through my head.

I also don't really revisit Ethan for the same reason I don't tend to draw much of all the past OCs I've made, as I see each of them as a way to explore different facets of how weight gain can manifest and adapt into a character's life to create a story around it, and I feel like I've covered most of the ground around them already.

All of my OCs come from a sudden short prompt that pops up in my head, usually out of nowhere. I suddenly wanted to make a big-hearted southern farm guy who was super massive and I immediately ran to draw Rudy, for example.

I draw them a little reference, with my typical bullet points next to them with basic info to get an idea of what their dynamic is like, and a more lengthily written backstory or description if I'm feeling fancy under it, and then for the next week or two it's all art of them and answering questions about them... and then another idea pops up, and a new OC comes in.

It's not that I get tired of them, but I just simply do not know what to draw with them. Ethan is the biggest outlier in this case, since he is my fattest OC and half immobile, you just don't really know how else to bring something new that's not him laying on his bed at a slightly different angle.

I guess that's why I always do OC asks, I sort of need them to be able to know what to draw with them, since I struggle coming with things like that by myself, and you know I always like avoiding drawing a character in a void with no context.

The Genshin Obesity AU is my longest running like "project"?? thing just because there is an endless amount of content I can pull from since there's all these characters, places and possibilities I can write from. My OCs are obviously much more self-contained and moreso serve as individual experiments to explore different people and scenarios, so after the 10th drawing of them... I genuinely do not know what else I can add to them.

I hope that was a bit insightful. I know most of you guys love Ethan, and I love him too! But I don't know, I guess this is why I don't tend to have immobile/near immobile OCs, since the potential art ideas for them drop to just them sitting on a mattress or sitting on the floor and I'm just left confused on what to do with them.

Maybe Ethan in his college days is something you guys might be interested in? Or I don't know, I'm just writing this post as my thoughts enter my head.

Sorry for the rant, I sure do love typing, hope this clears up some questions people might've had

[lornaka]

My five cents on Tech’s fate in TBB

It’s been over three weeks since the show ended and I’ve been writing this in my head ever since, mostly to have it summed up in one post for posterity lol. I considered letting it go at this point but I know it’ll drive me crazy if I don’t get it out of my system so might as well.

So here we go, some of my rambly post-finale thoughts on Tech’s death (and a few other issues) under the cut!

Disclaimer: while this post is in critical spirit (because that’s how my brain works), I want to make clear that I have nothing but respect and gratitude towards everyone who’s worked on the show. My criticisms are of the final story as a whole as I interpret it (art is art, everything is subjective, you know the drill), but one never knows what goes into the process of making it behind the scenes, so I’m not holding anything against the creative team. I love this show dearly and am in awe of how good it is at its best, despite certain things I wish they did differently.

To begin, if I had to sum up the biggest problem that TBB writing suffers from, it would be lack of closure, and too many red herrings. Not just for Tech, but many things. Major plot threads as well as little character moments are cultivated or thrown in just to never culminate in anything or to be immediately discarded after serving the plot, some of them incredibly misleading. Some of the top examples:

- Crosshair’s chip. We never get an exploration of how the trauma of his chip activating and being left behind not only affected his motivation and choice to stay with the Empire, but his relationship with his brothers. While it was made fairly obvious, if subtly, that Crosshair became free of the chip’s influence after getting hit by the ion engine on Bracca, the narrative treated this change as if it didn’t matter at that point, while it obviously mattered a lot within the context of Crosshair’s character. Add to that all these little details with him clutching his head in s1 finale, Omega expressing her disappointment in him, and Tech’s comment on how “it is just his nature” (as if it matters!!! See what I mean about the narrative treating Cross’s chip as if it didn’t play the key part in his trajectory? They throw in this line, like we are supposed to take away that it’s simply Crosshair being Crosshair and not like, the results of brainwashing and abandonment), Wrecker blaming Crosshair for not going back to them, all while we as the audience have been shown and told repeatedly how these chips work (and so were the Batch), we ended up with an incredibly confusing situation with lots of mixed signals from the writers. And once Crosshair makes his choice to stay with the Empire in s1 finale, his chip and the confusion it brought to his relationship with his brothers is never brought up again, because the plot simply moves on.

- Cid’s betrayal. After her being a major character for two seasons with a continuous relationship build-up with Omega in particular, she is discarded as soon as her betrayal serves the plot, with all that character development getting thrown out of the window. You can be mad at Cid all you want, but to me it’s incredibly weird and wasteful to end two seasons worth of build up on that note without it having any closure for the characters, especially Omega whose whole theme is trusting people and bringing out the best in them. It’s fine if they decided to make Cid exactly what she appeared on the surface (untrustworthy and self-serving) after playing around with her potentially growing through her fondness of Omega, but then at the very least the betrayal should’ve had an impact on the characters, Omega most of all. Even just one casual line from Omega in s3 about how Cid’s betrayal impacted her emotionally, however minimally, would have solved that problem. And no, CX-2 mentioning how he extracted info on Phee from her off screen absolutely doesn’t count as closure, because I’m talking about emotional closure for the main pov characters as well as the audience. Cid had a presence for two seasons, then as soon as she executed her role as a traitor to further the plot, she was discarded like she was a random extra.

- Emerie’s relationship with Hemlock. We are led to believe that he basically raised her, instilling in her the idea that she had no chance without him and owed her purpose and “safety” to him. You can’t tell me that this didn’t deeply affect her struggle and eventual decision to break away from all that and choose to help the kids, basically betraying Hemlock. I get that the show only had so much screen time and Emerie is a supporting character in season 3 at best, but common, she has more tension with Dr. Scalder than Hemlock while the potential for this rich deep conflict between them is right there.

I can probably list more smaller examples but this is getting long and I don’t want to go on any more tangents, so, finally, the biggest example of lack of closure and tendency of TBB writing to display foreshadowing that leads nowhere:

Tech’s death.

First of all, I’ll die on the hill that it wasn’t denial or delusion that led to such a big portion of the audience to believe that Tech didn’t really die in s2. If we look at the facts:

- there was no body

- it’s the finale of season 2 out of 3, pretty early for one of the main titular characters to get killed off

- the only/last character to allegedly see Tech after his fall is a villainous scientist who is known to experiment on clones specifically

- not a fact but: the whole scene with Hemlock presenting Tech’s goggles to Hunter was incredibly suspicious. In hindsight, I think the whole purpose of it was so that the Batch got Tech’s goggles back in their possession as a memento (and to show how evil Hemlock is to rub it into Hunter’s face like that) but it was executed in a way that read as something much more. It read as if Hemlock was going out of his way to convince us/Hunter of Tech’s death, but with us knowing who Hemlock is, his background in experimenting on clones, everything screams at us to not trust a word he says. Is it really so surprising that so many of the viewers immediately jumped at the conclusion that something more was going on there?

- Hunter’s (lack of) reaction/immediate narrative fall-out. More on that later as I address lack of emotional impact of Tech’s death in s3.

- it’s Star Wars. And there was no body.

So yeah, to me, it is completely justified that so many people read that whole thing as open to speculation at the very least, foreshadowing Tech’s survival at most.

Personally, I was 70% sure Tech was truly dead prior to s3, but not because the text told me so, but because at that point I was used to the show’s writing regularly sending out mixed signals, and a part of me was resigned to Tech’s death becoming another example of the writer’s intent clashing with their accidental empty foreshadowing.

As season 3 aired and the whole CX-2 plot was unfolding alongside continued lack of closure for Tech’s fate, my hope for Tech Lives reveal grew and grew, but in the end my initial doubt was proven right, unfortunately.

Oh, CX-2.. what a mess. You can’t tell me the creators went over all of these scenes, all of these lines, looked at the whole picture and *didn’t* see how it was incredibly easy to interpret CX-2 as potentially being Tech with all these little potential parallels. “Domicile” alone.

If they didn’t want us to entertain the idea that it could be Tech, they could’ve done it differently, but for some reason, they chose to leave that space for speculation. My question is, why?

If they truly wanted us to believe Plan 99 was it, Tech’s Noble End that we were supposed to take as this dramatic super emotional ultimate sacrifice and all that, then why would they not make it clear that CX-2 couldn’t be Tech? Why breed confusion? And breed confusion they did. It’s hard for me to believe they didn’t foresee the “ohh is it Tech?” speculation.

When so many members of the audience immediately and individually jump at a theory or have the same take away from the story they are being told, yet the authors say it wasn’t meant to be taken that way, something went seriously wrong with the writing.

I don’t like to speculate on such things because we will probably never know for certain, but I wouldn’t be surprised if they had at some point considered CX-2 being Tech or at least something more for the whole CX plot thread, but changed and reshuffled things at the last minute for whatever reasons.

Which is fine and understandable. But it brings me to the heart of my biggest issue with how Tech’s fate was handled:

lack of impact and closure.

Let’s disregard all the Tech Lives theories for a moment and focus on what we did get: Tech, one of the main characters, getting killed off at the end of s2 out of 3, for stakes and consequences and NOTHING else. When I say nothing, I mean nothing.

Imagine, for a moment, he survived and stayed with the Batch. Nothing would have changed, in the grand scheme of things. Nothing. We wouldn’t have had a few obligatory “Tech mention, everyone feel sad now” throwaway lines/goggle shots and whatnot, sure, but that’s it.

Tech dying didn’t change the trajectory of the plot in any way, nor did it affect any of the other characters in a way that changed their trajectory. And anything less is simply not enough to justify killing one of your main characters. Stakes and consequences ain’t it.

Consider Mayday, for example: a supporting character, but his death in s2 affected Crosshair in such a way it completely redirected his journey, AND in s3 we got an episode that cemented the impact Mayday had on Crosshair and provided emotional closure for them. That’s a narratively meaningful death.

Tech’s death was not meaningful to the narrative beyond removing him from it. That’s why so many Tech fans insist he deserved better treatment: not only was he not present in one third of the show physically, but he lacked any sort of presence even in death. His absence was never processed or grieved by any of the main characters and so by extension by the audience.

And before anyone starts with the whole ‘they are soldiers/they had no time to grieve/etc’ arguments, it is the responsibility of the writers to provide the space for all of that emotional impact. It they don’t, there is no impact.

A few reactions here and there, moments of missing Tech as a person and a brother, not an asset, anything would have made this whole thing easier to accept.

The lines that we did get, from Omega mentioning the stuff Tech taught her to Echo commenting on how decryption would be easier if Tech was with them to “Clone Force 99 died with Tech” from Crosshair - each and every single one of those lines linked to Tech’s functions as part of the squad, his usefulness, but we didn’t get a single line in remembrance of him as a person of his own, no one missed or remembered him for himself or his personal impact on them.

Just one line from Omega about how he taught her about change being a constant part of life or whatever, or Wrecker making a comment on how Tech used to info dump about stuff, anything would have instantly provided that much needed sense of “he was here, he was a person and is still a part of us”. Instead, Tech was killed off to show that messing with the Empire is dangerous and risks are real, I guess, and immediately lost any and all presence within the story.

We never even got to see Crosshair’s or Phee’s reactions to losing him.

Speaking of Crosshair, that’s a whole other example of complete lack of closure: they never closed the loop on the family being reunited again after initially leaving Crosshair behind, and with Tech dead, it’ll forever stay broken.

They could’ve given this a bittersweet yet meaningful spin if they developed the angle of Tech dying on a mission to bring Crosshair home, making a sacrifice so Crosshair had a chance.

Instead, the moment Tech dies, we get Hunter (and through him, the narrative) immediately abandon the idea/plot thread of going to rescue Cross all while saying “let’s not waste Tech’s sacrifice”. Sacrifice for what? Clearly Hunter doesn’t see it as a sacrifice for Crosshair’s sake, so, what, to make sure the rest of them makes it from the mission? The mission to save Crosshair. That mission. Right.

I see people talking about Tech’s noble sacrifice that ensured his family got to live and eventually have their happy ending, but all I can think about is how the creators chose to have him die on a mission that was immediately abandoned and the only take away from that whole sub plot was Tech’s own demise.

And after Crosshair is back with the Batch, his reaction to Tech’s death is never explored at all.

So yes, to me Tech deserved so much better. If you are going to kill off a major character, it must be necessary to be compelling. The way I see it, Tech’s death was not necessary at all because it didn’t change anything. And if it was meant to, the creators failed to communicate that by choosing not to explore the emotional impact of it and not structuring certain story beats in a more precise manner.

To wrap this up, if the way Tech’s death was handled was satisfying for you, that’s valid and I’m glad for you. For me, unfortunately, it’s completely the opposite and will forever remain the biggest and most unfortunate low point in the story.

And while I welcome anyone to share their own perspective if they wish, please don’t take this post as an invitation for debate, since there is no one right or wrong way to interpret or be affected by art.

[iid-smile]

#06 ୨ৎ ⸝⸝ @berryzai ⋆

how did i COMPLETELY skip over this ask omg this is adorbs! the amount of dazai lovers ive got is crazy 3, 20 and 21 are all headcanons, but 21 has a realllyyyy short drabble 🤗 (can you tell my brain started to fart the further down you go? im not proud of it but i legit have no idea what else to add)

#3 🍰 | your anniversary

he brings you to an art museum! dazai always gets interested in what you're interested in, so don't be surprised when you lose him half way through and he's on the other side of the building

treats it like a birthday and buys a cake for the two of you to share + he brings some to work the next day <3 (only for him, he doesn't share)

also buys the clothes/accessories of your dreams, and he does it every time. sometimes he just knows what you want

definitely the type to buy jewellery on an anniversary. sometimes he likes to scare you with a ring, but it's usually a bracelet or necklace.

changes his ringtone every anniversary to your favourite song at the time. he loves hearing you hum along whenever somebody calls him

#20 🍦| love language

acts of service

he learns how to do laundry for your clothes so none of the dresses get ruined. he reads every single care label and has separate hampers for separate conditions

shoos off weird guys trying to flirt with you before they even approach. he doesn't want you to close off yourself when you're already having fun, so no strangers are going to ruin that!

carries you to bed when you overwork yourself. he's half debating between letting you sleep at a desk/table with his coat draped over you, or making sure you're comfortable and won't be sore the next morning

always makes sure ingredients are stocked and goes grocery shopping for you. he does get into a bit of trouble, but he does the job

quality time

dancing. dazai loves big dresses, and is 100% convinced that he has to dance with you every time you put one on.

back and forth banter. he banters with literally every person he knows, but it's special when it's you.

physical touch

you're affectionate, so he's affectionate too.

a big hugger, and also the type to massage. he puts his hands to good use all the time, and your shoulders are within easy reach, so...

randomly touches your waist if he's just walking past, or playfully taps your forehead when you're laying around

#21 🍦 | where they like to kiss you

hands

admires the fact that you can create lovely work with your hands

he kisses them as if you're actual royalty, so he gets on one knee and everything.

he also massages them if they cramp up

forehead

it feels right

an easy spot if your hands are too busy, and isn't complicated to kiss. basically it's a good spot no matter what you're doing

he likes kissing your forehead a lot in public or if you visit him while working. it's not too showy, but not too closed off either, if you know what i mean

you've had your gaze trained on the light pencil sketches in front of you for an unimaginable about of time. perhaps dazai had been walking around you for a bit, but you really didn't notice. "i'm busy, osamu." you say without looking up, feeling his fingers graze and tug at your ear.

"i know, i just wanted to kiss you first."

just that comment manages to make you draw your eyes away from the paper you were so focused on. "but i'm—"

"your other hand doesn't seem so busy to me..." he muses, his fingers sneaking up underneath your palm and seizing it in his grasp. "what's with you and avoiding my kisses? do you not like them?"

for a little while, you look conflicted, then a smile overcomes your features. "you distract me." you respond simply, a teasing lilt to your voice.

damn him for being such a good actor, as he almost had you fooled, his face looking so disheartened as he stared down at you. it only takes under a second for him to softly grin, kissing all over your knuckles. "as i should."

event masterlist

[rachelfloof]

Caramel Arrow being Dark Cacao’s daughter is a bad headcanon.

I’ve been keeping this to myself for a long time, but there are so many things about this headcanon that bother me, both obvious and less obvious things. There’s certain things about it that I’m surprised people don’t consider and don't realize. I can tolerate it because I can totally understand why people would hc this, but the more I thought about it, the more problems I found with it. I feel like they need to finally be pointed out because, in my opinion, this headcanon does not deserve the popularity it has.

Before I start explaining my thoughts, I want to emphasize that this is JUST MY OPINION. you DO NOT have to change your own opinion after reading this. These are simply my PERSONAL thoughts on this, and you DO NOT have to agree with me. Also, if you DO agree, I DO NOT condone sending hate to or attacking those who disagree with me and/or continue to use this headcanon.

The family headcanon directly conflicts with Caramel Arrow’s character in two major ways. The first is in regard to her ancestors. Following in her ancestors footsteps and honoring their legacy is one of Caramel Arrow’s main motivations. Caramel Arrow currently has one piece of cutscene art, depicting her praying to her fallen ancestors, as well as several quotes where she mentions defending the kingdom, just like her ancestors did (1 star promotion quote). If Dark Cacao is her father, then what ancestors is she talking about? because I know damn well it’s not Mystic Flour.

The only way this headcanon works without conflicting with the canon is if you ship Dark Cacao with a mortal who has a long history of serving the Dark Cacao kingdom (like the Second Watcher, for example). Despite this, Caramel Arrow being biologically related to Dark Cacao in any way brings up the second major issue and, in my opinion, the most damaging issue.

Caramel Arrow’s loading screen trivia states, "Caramel Arrow Cookie became the First Watcher at a young age…" Which is something I feel like has to be one of Caramel Arrow’s biggest achievements in her life. First Watcher is a really highly esteemed role; she’s essentially the top general of Dark Cacao’s most elite troops. Therefore, she likely had to work really hard to be able to become First Watcher, especially at so young.

However, with the added context of Dark Cacao being her father, I feel that it heavily reduces the gravity of this achievement. Dark Cacao is the king; he could’ve easily been biased in Caramel Arrow’s favor when deciding who to make First Watcher since she’d be his daughter. Dark Cacao’s kid being in such a high position at such a young age makes the earning of that role seem like a blatant display of nepotism.

Yesss, why not add taking away positions from people who actually deserve it more to the list of reasons why Dark Cacao is a bad person? /s

By making Caramel Arrow seem more undeserving of her position, you’re essentially weakening the strong woman character. Turning her from “hard-working girl boss” into “daddy’s girl.”

Speaking of Dark Cacao being a bad person, Dark Cacao treating Caramel Arrow like a daughter makes him look even worse when you factor in what he did to Dark Choco. So essentially, what’s happening is that Dark Cacao emotionally neglects Dark Choco while at the same time treating his younger child with the love that Dark Choco originally deserved.

All of the previously mentioned problems go away if you just interpret Dark Cacao and Caramel Arrow’s relationship for what it is. Which is NOT BIOLOGICALLY RELATED. By making them family, you’re heavily simplifying her character; her motivations for standing by the king and the prince go from “this is my sworn duty, and I want to honor my ancestors.” to “oh, it’s because the royal family is my family too.” So it makes her motives seem more like an empty obligation and expectation rather than something she’s worked for and voluntarily committed to because she’s genuinely just that passionate and dedicated about the homeland that her ancestors have fought and died for over generations.

The only way this headcanon works is if Caramel Arrow becomes Dark Cacao’s daughter AFTER everything is said and done with her becoming First Watcher and Dark Choco taking the sword. Which can only really happen if you ship Dark Cacao x Second Watcher or Dark Cacao x Dark Cacaoian OC while having the two characters fall in love AFTER Dark Choco leaves, making Caramel Arrow his stepdaughter. Or if you headcanon Caramel Arrow as his ADOPTED daughter rather than biological, of course with the adoption happening after Dark Choco leaves.

Even then, Dark Cacao adopting his First watcher after everything already happens would just be super random and weird. That’s like if a worker climbs the ranks in the company they work at, becomes COO, and then the CEO just decides to adopt their COO because they become close. Based on the Cookies of Darkness flashback, Caramel Arrow would likely be a full-grown adult by the time Dark Choco leaves with the sword, so Dark Cacao adopting this grown woman would just be kind of weird and unnecessary.

Despite everything I just said, Dark Cacao CAN still see Caramel Arrow like a daughter, and Caramel Arrow CAN still see Crunchy Chip like a brother WITHOUT any of them actually being on each other’s family tree. They can just have a close platonic relationship with each other where they kind of see each other as like a second family, except, of course, they’re not actually related. Rather, they're almost like a family-like friend group or in other words, a friend group with a family-like bond.

This is the end of my little ramble, in case you forgot about the disclaimer at the top, this is just my opinion. Re-read the disclaimer in big red text if you need to. you don't need to agree with me. and I hope everyone has a good day. <3

Also, remember to never be a hater to anyone, hating is cringe ngl.

[amerricanartwork]

I saw your lilypad art post, and I got curious: why do you enjoy lilypad? it's not a common RW ship, so I'd be interesting to hear what about it you enjoy!

Hear me out, guys... I must explain myself before I get onto the Lilypad essay.

I made that original comment because, at the time, I wanted to just get the aforementioned headcanons out as soon as possible. Understand, my reluctance wasn't because I didn't want to talk about Lilypad, but rather the exact opposite: I had so many feelings about it, yet had put so little effort into expressing them in a coherent, presentable format that I just knew it'd distract me for the next week or two if I let it rent too much space in my conscious thoughts. But now that little comment has left me with several people asking me to share those thoughts, and, both thankfully and unfortunately, I simply can't resist indulging in thoughts about the characters I love—!

Keep in mind, I haven’t finished Saint campaign yet, and even then I’ve found like less than half the broadcasts in Spearmaster campaign yet, so there’s likely some extra canon info I may be missing that could add to or change some of what I say here. I also apologize if some of what I write here seems really out-of-character. I try not to let my passion for my little headcanons and scenarios make me disregard the canon, but even so, I might slip and think up some weird things occasionally. Nonetheless, I feel like I’ve got enough of the picture to start confidently enjoying this ship, so I’ll talk about it anyway! 

As always, feel free to add to these ideas if you can! Without further delay, enjoy this 3381-word essay, with a few initial headcanons sprinkled in, on why I adore Lilypad!

Oh, and just in case, if you couldn’t already tell, major Hunter campaign spoilers below.

Quetzalli on Loving Lilypad

I’m gonna start this out with a preface: I can generally find the appeal in a lot of different ships and the art other fans make for them, but for me to ship something enough to actively draw it and make my own headcanons about it and such (outside of, perhaps, gifts for other people), it usually has to contain a variety of “ship tropes” that I personally fancy. Many of my most-favorite ship tropes tend to be the ones that aren’t just cute, but that carry narrative significance and seem poetic in some way, usually because they can facilitate character arcs in the involved characters. The more of these a ship has, or the more ship tropes I can portray it with without it seeming too out-of-character, and the more I like those specific tropes, the better. This principle is a major reason why I’ve gravitated towards Artimand as my main slugcat ship, but for now, I’m going to focus on which of these I see in Lilypad — in canon content, other fan-portrayals, and my personal headcanons — that, as opposed to other iterator ships, has currently won me over.

I’m gonna describe the main general things I like seeing in this ship. Some of them are more due to fandom portrayals than what’s in the canon, but they all play a big role in my current love for Lilypad. 

Synergy

I’ll begin with how I really appreciate just how much synergy Looks to the Moon and No Significant Harassment are shown to have, at least in fan content! I always like seeing pairings where the characters aren’t just romantic, but also work really well together as a team or even just as friends. After all, just because the characters may be romantically in love doesn’t mean they must only show it in explicitly romantic ways. To me, Lilypad strikes me as a relationship where Sig and Moon would make an amazing team in many aspects of their lives, whether it's collaborating on projects, sharing their interests, or trying to maintain order in the rest of their group. And their compliment is just really sweet to me, though I’ll get to that later.

A Shoulder to Lean On/The Lady

One of my favorite ship tropes is “character with a lot of weight on their shoulder who finally gets to lift it off and be ‘normal’ for once when around the other”. I’ve always found it sweet when characters like this, especially ones who are normally very selfless, finally get a chance to indulge and enjoy themselves for once! And once again, this is another thing I imagine in Artimand too, and you could project this onto Trafficlights given Suns’s implied high status, but I think it works especially with Lilypad, given Moon’s role as group senior means she objectively has a lot to manage all the time with no permanent escape from it. Even beyond the whole Five Pebbles rot drama, Moon probably had a lot on her plate just in terms of maintaining order between the rest of the group and setting a good example to the younger generations, especially as the group expanded over time, not to mention trying to find the solution herself. Combine this with how I picture her to be the kind of person who cares a lot about her image as a “proper” and  “dignified” leader, and someone who often sacrifices her own desires to promote the group’s welfare, I just find it really soft for her to have someone to lean on, metaphorically (and in a worm-off-the-string scenario, literally), and who better to go to than her best teammate, who knows the power of a good laugh and will stop at nothing to have fun with those he loves? Not to mention, since I headcanon Sig as slightly younger than Moon (2nd gen, specifically), I just find it rather cute in an ironic sense that the older, more serious Moon is soft around the younger, far more chaotic Sig, especially as Moon would go through the realization that she actually kinda likes this little troublemaker! 

This also comes back to something I mentioned in the tags of that beepsnort post, which is that one of my other favorite ship tropes is “guy who loves/is good at making people laugh x girl who has a REALLY weird/embarrassing laugh”, and that just works so well with Lilypad! It’s admittedly a very headcanon-based thing for me, but given how I’ve already explained my perception of Moon as very proper and serious, I imagine one of the best ways Sig takes the weight off her shoulders is by being the only person who can consistently make her laugh so hard! And with the beepsnort headcanon it’s even cuter, because of course Moon would be super embarrassed every time she even so much as gives a half-chuckle at one of his jokes, because Sig is relentless when it comes to getting the giggles out of her, and he won’t stop until she’s rolling and shaking on the floor of her chamber, her beepy-snorts filling the room! My GODDD I love this trope so much, and for beings who are inherently such workaholics, I think getting to genuinely relax and have fun for a bit, once she gets over the initial shock and embarrassment, would be something Moon would really come to value.

Inverses Attract/The Tramp

I’ve mentioned it in my last Artimand headcanons post, but one of my absolute all-time favorite ship tropes is the classic “opposites attract”, although I prefer the name “inverses attract”. As I like to portray it, the trope not only involves characters who are opposites personality-wise, but those being opposites of the same core aspect, and ultimately helping balance each other out by offering the other half of the equation to each other (hence the name “inverses”). The trope I just wrote about above is how Sig helps Moon to relax and have fun, but as I try to do with all ships, how does it work the other way too? Well, I really like to imagine Sig learning to be more openly serious and dedicated! Don’t get me wrong, Sig is a hard worker (it’s pretty much the nature of all iterators), but given he seems to pretty strongly reject the quest for the Triple Affirmative, I imagine the next problem would be in him finding a new purpose to strive for. And what better new purpose than in standing by and protecting the group senior he thinks he just might wanna be more than friends with?

It already works because Moon, of course, would work to keep Sig in check and make sure he doesn’t go too overboard with his shenanigans. But just imagine how inspired he’d grow over time seeing Moon work so hard to keep the group together and keep them striving for their purpose, even if he doesn’t agree with it. I imagine it’s why Sig’s methods are still rather controlled rather than purely chaotic, and there’s a reason to his rebellion. Thanks to Moon, rather than slaving away at a seemingly impossible solution until his mind collapses with his structure, he’ll use his talents to, at the very least, keep the local group together as long as possible, because even if they’ll all be gone one day, that doesn’t mean they have to go alone!

It’s why I’m also labeling these two tropes together as “the Lady and the Tramp”, yet another ship dynamic that gets me every time! It’s a specific instance of “inverses attract” where the noble, proper lady finds a taste of freedom and courage from the dangerously charming tramp, who from her finds a new sense of purpose and honor! And in my opinion, Lilypad is most definitely the best opportunity for this dynamic among Rain World ships!

The Fated Couple

Slow-burn couples seem to be pretty popular in many fandoms, but what about a really slow-burn? There’s something just so romantic to me about the idea that Moon and Sig, from the moment they met, have always just clicked so perfectly, and have been by each other’s side so constantly ever since, to the point it seems practically inevitable to everyone (except them of course) that they’ll eventually get together romantically. Of course, there are two main roadblocks to their romance being 1.) their whole objective and purpose for being created is kind-of fundamentally opposed to strong attachments like love (I mean, if Karma 3 is Companionship, wouldn’t romantic love be considered the worst example of that?), and 2.) even if they did reject this purpose, being massive immovable structures with the only humanoid part stuck deep inside a box, a budding romance seemingly couldn’t really go anywhere anyway. In fact, because of these roadblocks much of my Lilypad imaginings take place in the ever-popular “worm-off-the-string” scenario, especially since the next couple of reasons for why I like the ship play a lot into the themes I like to incorporate in this story concept. 

However, these issues towards such a romance are also what make it so sweet in the end! Just think of Moon, alone in her chamber, beginning to worry about how she’s actually kinda sorta, maybe, hypothetically, possibly, just a little bit starting to like the carefree and charismatic Gen 2 in the local group as even more than just a work partner and a dear friend, but oh no, that’s indulging in a Karmic Sin, and as group senior she can’t just throw away their purpose like that and set such a bad example to the rest! What’s she gonna do?? And then on the other side, Sig puzzling in his chamber, pining so hard for the group senior yet seemingly unable to confess, because, even disregarding Karma 3 and the fact that giant immobile calculators aren’t about to be snuggling any time soon, why would someone as perfect and powerful as her want someone like him, so dismissive of their core purpose and unorthodox in his methods? Is there even a point in having these feelings at all, when they might very well end up simply fading to dust along with the rest of his structure?

Maybe, they both think, it’d be better to just keep these feelings to themselves and quietly love from a distance. That is, until…

Moon’s Collapse and the Slag Reset Keys

The fourth reason is, of course, the most steeped in canon. It goes back a bit to the “shoulder to lean on” concept, but even aside from that, there is something just so romantic about this on both sides.

Firstly, from Moon’s perspective. There’s no doubt that the collapse must have been very traumatic for Looks to the Moon physically, but I like to think about just how much it’d affect her emotionally, too. I mean, being so painfully destroyed by your own brother, with seemingly nothing that can be done to stop it and no one to help you? And then consider how lonely it must have been in her final moments. The only comfort she does get is from Spearmaster’s visit, and even then she sends him off to go deliver her final words, which has still got to be really depressing. And finally, think about how betrayed she must have felt, trying so hard throughout her operation to help her citizens and the local group and be kind to everyone, only to have it be repaid like this, forced to collapse in on herself, being buried under her own body, unfathomable pain all around, and with not a soul to help her.

So then, think about just how shocking and heartwarming (literally, if you think about it) it must be when that lovable Gen 2, always so playful and carefree normally, is the one to give her a second chance and being her back when all hope seems lost, and using such a unique delivery method no less! I mean COME ON, Sig literally brought her back to life, how could one NOT fall in love with someone who did that for them? It links back to the “shoulder to lean on” idea, in that, for once, someone finally looked out for Moon and gave back to her for all the kindness she gave to the world. Think about this as the moment she truly realizes she’s in love with No Significant Harassment, and how tragic it’d be knowing now, it’s too late to say it. But, even so, if he’s willing to go this far to make sure she’s okay, then maybe, just maybe, there’s a chance her love at least wasn’t alone.

Now, my thoughts about this from No Significant Harassment’s side (which also kinda turned into a mini NSH appreciation paragraph that links back to the earlier Inverses Attract and Lady and the Tramp segment), I think it’s very poetic to see him going out of his way to take his messenger concept, originally used for no more than a trivial prank and at most a very experimental and unfinished alternative communication method, and turning it into a noble last-ditch effort to rescue the one he loves. It doesn’t just clearly show how much he cares for Moon that he worked to save her when no one else did (and if that’s because the odds of being able to do anything seemed very low to the rest of them, that makes it even more sweet) I think it shows off a lot of Sig’s character beyond just being a jokester. Like, I’d seen this kind of personality for Sig in the fandom content before, but this action and the other broadcasts are what first made me truly realize not just that it is based in canon, but that, more importantly he’s not just stupid or unfocused, he’s rebellious. He doesn’t joke around because he just doesn’t care, it’s because he’s independent, he’s got other places he wants to go and plans that don’t fit into what most of his peers are used to. He makes light of the world because he sees what others don’t, and it’s honestly pretty frickin’ funny how blind others can be most of the time (case-in-point: him making a slugcat from a messenger, which no one else thought to do because those creatures seemed too “dull” and “primitive” to ever be capable of such a thing). So think about how significant it must be when he’s openly taking something seriously. This is where that dynamic of the Tramp, and how Sig would benefit from this relationship is really highlighted. I just adore it when the easygoing, carefree character finally finds purpose in their lover, and springs into serious action like they never were before! And it makes sense too given what I said about them not getting together before: seeing Moon collapse would show him directly that even beings as durable as iterators don’t last forever, so if he’s got these feelings for Moon, he’s got to make a move while there’s still a chance! And what better way to show his love than to bring her back when all hope seems lost? Which brings me to the final aspects I’ll talk about here, first of which is…

True Love’s Kiss

Yes, you read that right. The real reason I love the slag reset keys as a plot element so much is not just because it shows Sig’s secret strength of character, not just because it finally gives reward to Moon’s kindness, but because it is a real fairytale come true! 

I know this sounds crazy and probably totally unrelated to Rain World, but think about it! You guys have probably seen Snow White and Sleeping Beauty before, or at least one of the two? Isn’t the whole trope that the beautiful princess, fairest maiden in the land, gets cursed through some means or another to die (or in Aurora’s case, fall into an indefinite sleep), which is only undone when the strong and brave prince, riding upon his noble steed, awakens the princess by giving her true love’s kiss? I already love both those movies on their own for various other reasons, but after my description, is this starting to sound familiar in another way?

I mean, with everything I’ve said about Moon in this post so far, there’s no doubt you could perceive her as the “fair princess”, who through unfortunate circumstances is put to a premature and indefinite death. And there’s no doubt Sig fills the role of the brave prince by working to save her with the slag reset keys, which in this metaphor are undoubtedly the “true love’s kiss” that ultimately conquers all, always longed for, and finally delivered! And hey, given Hunter is the one to carry the keys to Moon, a small yet courageous beast who stops at nothing to meet his goals, Sig even has his own “noble steed”! And even if Hunter is technically the one to actually deliver the green neuron, and the death the “princess” succumbs to wasn’t out of genuine malice towards her, I think the sentiment is still there and the parallel is close enough! 

But yes, as strange as it may sound, the fairytale parallel is the main reason Lilypad resonates with me so much! Those classic fairytale-esque romance tropes and that poetic storytelling found in Disney’s first feature-length animated films has always been dear to my heart, and is even more so now that I’m older and can truly appreciate the beauty of them. So now, even in my fandom experiences, ships that win my appreciation over all others are often those that manage to embody those classic romance tropes and themes as best as possible, and frankly, even Artimand loses ever-so-slightly to Lilypad in this regard! Or, as I also enjoy calling them, “Lifeline”, for reasons that are probably obvious now. 

And it’s even better when you consider…

Some Things Never Change

Another trope I’ve recently begun to love is the idea that some phenomena in the world never truly disappear, but simply manifest in different ways, sometimes unexpected ones. And given the whole Triple Affirmative quest and the Ancients’ mass ascension philosophy, this idea is something I especially love seeing in Rain World content. Even the canon events show this idea, but think about how wonderfully it would work with Lilypad beyond just the slag reset keys, especially taking up that “worm off the string” iterator AU concept some have explored in this fandom already.

Just think about how sweet it would be when Moon and Sig, operating primarily through their puppets now, get to finally hug and kiss and be with each other so directly now! Think of the way Sig would speak to Moon about how, even after her collapse, she's still somehow beautiful as ever, and Moon returning with how even all the trouble the group has faced hasn't put a dent in his charm! And it's even sweeter when you consider it’s against everything their creators stood for! Think of Moon, after everything she’s been through and how much she’s probably changed at this point, now willing to give some of these “worldly attachments” a chance, because you can never truly get rid of them, but she knows better than anyone that you won’t be around to experience them forever, so why not enjoy it while you’ve got the chance? And it’d make sense too, not just for her own benefit, but for Pebbles and the rest of the group’s sake too! She’s always strove to set a good example for them, and since their original quest has left them with nothing but pain and trauma, why not show them that maybe all these attachments aren’t so bad after all?

I just think it’d be really interesting to see Moon joining Sig in that rejection of the Triple Affirmative, and what better way to do that than by finally embracing that love they’ve felt for each other for so long? Because love never truly dies, it just appears in new people. And maybe they don’t have to spend their whole lives as grand iterators, the vast infinitely-advanced mechanical deities who embody perfection in almost every way. Maybe, even just for a bit, they can just be people, falling in love just as their creators did all over again!

-.-.-.-.-.-.-.-.-

And with that, I think I’m FINALLY done here. HOLY COW, this is easily my longest post yet, and I hope it doesn’t disappoint! Part of the reason it took so long was because I was trying to find the perfect way to express all these ideas without it just spilling out onto the page in some weird half-coherent mess. But eventually I just said “ah screw it, let’s just ramble about this ship and see where it goes!” and my god, did it go far! And I still managed to somewhat organize it, so yay!

But aside from that, thank you SO MUCH to everyone who asked for my thoughts on Lilypad, and everyone who made it to the bottom of this essay! I’ve never really gotten a chance to openly ramble about one of my favorite ships to the rest of the fandom like this, so seeing that some fans, even if it’s ultimately not a huge amount, actually wanted me to do it was such a welcome surprise!

I hope you all enjoyed the drawings and the art! I’ll be around in case someone wants me to write another ship essay or something! And who knows, it’s likely I’ll find more reasons I like Lilypad as time goes on and I see more fan-content and find the rest of those broadcasts! But at least this was a starting point! 

Expect more LIlypad content to come in the future, but until now, thanks again for the opportunity!

[k-s-morgan]

Hello! I sincerely hope everything goes well for you in the future. The reason I am sending this ask is that I am taking a class in Stanford called “Genocide and Humanitarian Intervention” currently, and while we haven’t gotten to the part in the course where we talk about current events, my professor said that there is a very clear case to be made that Russia is committing genocide against Ukraine. I was wondering if, as a Ukrainian, you had anything you wanted/would be willing to add. I know you talk about your experiences in Ukraine quite frequently, but I don’t remember if you ever touched on this specific topic. Sorry if I am making you repeat yourself or if this is formatted or worded poorly.

Hi! Thank you for your ask, I'm more than willing to share my thoughts!

Of course, there are large things. Russia is committing genocide by murdering Ukrainian men, women, and children (we have so many new cemeteries now), stealing and burning our land, bombing historical sights and churches, attacking fields with crops, factories, etc. It's eliminating our language and culture in the placed it occupies, and it's been doing it for decades. Most ex-Soviet countries have Russian as their pre-dominant language. Not because they lack their own language, but because USSR spent a lot of effort on turning everyone Russian and making people forget where they come from. Ukraine is not an exception, although it's incredibly resilient, especially now, after the full-scale war.

But Russia is also committing genocide in smaller ways. It bombs our critical infrastructure. We have a severe lack of electricity as a result. What does it entail? Much more than people normally think. As an example, right now, it's over 40 degrees Celsius outside. When there is no electricity, the elevators and air conditioners don't work. Just recently, I was taking a walk, and I saw an old man sitting on the bench, asking people what time it was with increasing desperation. It was already dark outside, and he couldn't get home because he lives on one of the top floors. He can't use the stairs, so he's dependent on the electricity to simply get home.

During the winter 2023, multiple Ukrainians froze to death, mostly those who weren't able to leave their apartments due to the lack of heating and working elevators, the consequence of bombing.

Sick people, disabled people, those with fragile health are all being slowly killed by the situation Ukraine is in. I barely function in such a heat, and I'm a young woman. What about people with heart diseases? What about the elderly?

Hospitals and vet clinics can't perform surgeries with certainty that the generator isn't going to break at the most critical moment. Small business close down because they can't afford to work.

Russia has made bombing a gruesome art. When the bombing is coming, first, it turns on the connection on a combat range. Usually, it happens around 20:00. From then on, we know that the whole country is about to be bombed and people and animals are going to die - we just don't know who's going to bear the worst impact. At around 22:00-23:00, Russian bombers fly out. It takes them about 4 hours to approach our borders and send their missiles. Then another 1 or 2 hours. Sometimes they are faking it. Most often, they are not.

Imagine how it affects every Ukrainian. To know what's coming hours in advance and to be unable to do anything about it. How many nerve endings are being destroyed. How many stress-related diseases are brewing already inside us, waiting to kill us months, years, or decades later.

Fearing for our lives, for the lives of our loved ones. Fearing losing our apartments - regular people like me will be homeless if the missile targets our houses. Fearing dying in the war. Fearing Russians burning down and occupying our cities, towns, and villages.

Russia is killing us in many ways, some instant, some not. And if nothing changes drastically, if the world continues to condemn Russia on words and play nice with it in actions because it's beneficial to them, I think Russia will succeed. We are a very small country compared to it. It will simply overwhelm us at some point, killing and injuring hundreds of thousands and displacing millions of Ukrainians.

Another short video. Note that it's just some scenes from some bombings in some regions in Ukraine, all taken this week. This week alone, Russia sent over 700 bombs, 170 drones, and 80 missiles against my country, including my city, killing many people. And this happens every. Single. Day. For two and a half years.

We are surviving against all odds. For now.

[gottagetshiver]

I don't usually add my two cents on anything but I simply cannot understand writers deleting their works. Like... ever. At all.

Orphaning or anoning your fics is a feature that exists for a reason. It's there specifically for the event that you no longer want to be associated with a fic/fandom/whatever else, and choosing to forego it in favour of deleting is something that I will never agree with.

Not only is writing fic, no matter how big or small or many or few, a massive accomplishment that is always worth being proud of, but (and I cannot stress this enough) fics mean things to people.

Fics get people through tough times. Fics bring people joy. Fics help people understand that they are not alone. Fics help people grieve and process difficult emotions. Fics are things people look forward to at the end of long days.

Fics can change people's lives, and I say that with 100% certainty because fics changed MY life. The fic that changed my life was deleted and thank fuck I had a downloaded copy already because otherwise, I would have grieved it.

So sure, maybe you no longer like your fic or like the fandom or like the people or characters you're writing about, but to me it's incredibly selfish to purge the world of what you've created and burn your library. There is already a critical shortage of art and snippets of actual humanity that isn't being capitalised upon or pumped out for maximum profit (or created by AI), let's not help make the situation more dire than it already is.

[lumi-istortured-byengstars]

why you must have faith in KoHii/HiiKoha

gonna go on a little ramble, my mind can't stop thinking about this duo specifically (all the time, but this time, i have the power to gush on people about it)

So a little bit of spoiler warning before you go on ahead :3

If you want to add more onto this, don't be shy, I'd love to discuss this with someone

This will be very long i think, so yeah.. ;3

Gonna put a basic symbol line-break everytime i change topics in this post so...

Table of contents on this post's analysis:

Amagi Hiiro

Oukawa Kohaku

In-context HiiKoha/KoHii

Shameless fic promotion

.............♤❀.............

Both of them are seen as pure and precious (by their closest family members, at the very least) who were born and raised in the most fucked up scenario

Hiiro was seen and raised as nothing but an aide (for his brother, the future monarch) in his hometown, so much so that he wasn't even taught common sense or self-worth. He was raised to specifically only act on instinct and to do as instructed, aka he wasn't treated humanly, which he thought was normal. It still shook me when Hiiro said something that basically implied "if I weren't apart of the Amagi family, I might have died when I was little" i forgot which episode it's in but i specifically remember Hiiro saying that fondly after Aira asking him how he can be this annoying without dropping dead (chapter 1).

Maybe that's why Mayoi specifically said something along the lines of "he has a scent similar to mine, how interesting" when alkaloid was made. They have that similarity in which the both of them were treated as less of a human, so they believed it. They just reacted and lower themselves differently. Mayoi trying to avoid people so they don't have to be burdened by him to the point of believing he's nothing but filth and Hiiro, who, as I said, thought it was normal and think of it as basic etiquette to be treated like a stepping stone. (I shall stop myself here before this post digresses to a HiiMayo post lol)

He was even taught on to be a shield for his brother and he definitely knows how to kill someone using his bare hands with that martial art he always trained for. His pure, innocent, and kind mind never saw any of those as wrong. He thought it was right since everyone (the adults specifically) around him acts like it's normal. To put it simply: he was brainwashed since he was little and he's trying his best to think for himself ever since he got out of his homwtown.

.............♤❀.............

The other one, Kohaku, grew up in a family branch specifically treated as a beating stick to the main family tree. A disposable bloody stick, tainting a glorious garden to be precise. A garden called the Suou family. Hell, he wasn't even supposed to be alive. His humanity was denied of him so much so that his family had to hid him for years to keep him alive. His only friend being his cousin Tsukasa and his SNS buddy "Love." He grew up fairly "normal", he worked his dream job for COS PRO, a rising idol agency and even have a place in the Reimei dormitory, a school affiliated to COS PRO.

Maybe he was trained to and have assassinated some people and know the most painful way to effectively torture someone. But he's still most definitely an adolescent. Yknow, the kind to have sweet tooth, getting scared of zombies, and being a sassy teen who roasts people without fail.

.............♤❀.............

These two barely have interactions which is so so painful because of how well their dynamic is between every rare interaction they have. And Kohaku's newest idol story with Hiiro have shed the brightest light of a possibility that they'll add on some more story with them <-me being hopeful.

Now i shall enlighten you with how these two see each other in the story.

Hiiro sees Kohaku as Aira's friend and his brother's unitmate. Despite being older than him, he always tries to be polite with him (as he does to almost everyone) and refers to him by his family name and even put an honorific on it (which would no doubt make him sound a little distant). They barely talked or interact with one another, but it was Hiiro's friendliness that made them to be good enough acquaintances. Being the low-SQ guy he is, of course he doesn't see that as awkward. He simply thought of Kohaku as a friend since he's also Aira's friend. (Please HappyEle i need more Hiiro's POV of their relationship :"v)

Kohaku is pretty much in a similar situation as Hiiro but he thought of it through more (as much as he could at least). He refers to Hiiro like how the rest of crazy: b call him: "Otouto-han" / "Rinne's little brother." He started calling him "Hiiro-Han" after a couple of meet-ups which I can only assume is a result of hearing Aira's stories about him and how he isn't used to be treated with the kind of respect Hiiro gives out to people (Hiiro keeps finding ways to feel inferior to people in a logical way that icks him but Kohaku can't really tell what it is that he feels bad about, do you understand what I'm saying).

To put it simply, he thought that Hiiro was the total opposite of Rinne: way too innocent and naive for his own good. He considered Hiiro as a simple acquaintance until he began to realise that Hiiro seems to be friendlier than other acquaintances he knew (dude the crumbs HappyEle give on Kohaku's POV makes me go insane)

This made Kohaku became more confused about their relationship status (lol) especially after the events in Matrix (will talk about soon) where Kohaku sees for the first time how the Amagi(s) aren't so different from one another in terms of their stubbornness. He saw with his own eyes how Hiiro would go all out to do what he believes to be right, so much so that it scares him how Hiiro can still look so innocent despite of his capabilities. That fear got him thinking "are we friends or not?" Because of how Hiiro seems to be even friendlier after that event. And eventually the two losers (affectionately) finally start to be actually friends and not a mere acquaintance.

(I need more of them please)

.............♤❀.............

P.s. if you haven't caught onto it yet, both of them are idiots (in their own way) and i believe they'll both be perfect for each other once the two actually opens up about how fucked up their upbringing is.

Can you just imagine how Hiiro would casually talk about what happened to him in his childhood and Kohaku just looked at him with mixed feelings between pity and judgement and surprise? I can and shall use it to the best of my ability :3

Coming soon to AO3 (as soon as my account got approved) it'll focus more on the slices of life for these two + aira because aihiiko is perfection. I shall anounce and post the fic there as immediately as I can. If you're interested, I'm planning to name it as "Estranged Youths" so.. :3

[1moreff-creator]

Now that you've had some time to cool down from the Fuckfest of Friday Night, I'm a little curious on what you think of MonoTV's whole deal, because I haven't seen anyone actually talk about it much and that makes me so upset because wow Dev somehow managed to get me to care about this piece of steel

Spoilers up to the end of CH2

Hey! Yeah, MonoTV, huh? With everything else going on, this thing kinda got pushed aside, but there's been some really interesting developments indeed. I agree though, it's genuinely pretty incredible dev managed to get me to care about what up to this point had been nothing but a device for plot and humor.

You know, I originally wanted to keep this brief to give my full thoughts on the full part 2 analysis I'm working on, but maybe it's better if I just talk about it in full here and just link to this post from that one. Let me start by the theory side, because that's easier for me to write about :v

While MonoTV's creation being connected to XF-Ture Tech was always a very real possibility, the confirmation that at least its personality drivers come from them is nice. And there doesn't seem to be any type of repurposing going on:

MonoTV: Whenever I make a decision, ultimately, I must make the choice that fulfills my purpose [to run the killing game until the death of every participant]. After all, that was why I was created.

While we don't fully understand how this all fits together yet, I'm glad XF is being brought up because that might mean Min content in the future? For me, please? :,D

Anyways. Having a clearly stated goal for the killing game (killing all the participants) is also pretty useful for theory-crafting purposes, so look forward to seeing that line referenced in mastermind discussions moving forward. Not to mention, the secondary purpose of MonoTV playing the villain, with the reasoning:

MonoTV: This so-called TV show is more about appearances than you'd think.

So... ignoring the weird phrasing of "so-called TV show" as opposed to just "TV show," because I will go crazy if I look too deep into that, the confirmation that the appearances of the killing game are important seem to confirm a suspicion Teruko had back in CH2 Ep2.

Teruko: And also, [MonoTV is designed the way it is] as a way to reference that "past killing game," right?

Assuming via context that she's talking about THH, MonoTV being specifically created and programmed to look and act sorta like Monokuma could have some interesting implications moving forward, especially given things like Duke Spurling being alive to see the Tragedy and maybe wanting a recreation of the THH killing game. Thankfully there's no character with a talent for recreating things, such as art, an art forger of some kind, because if there was this could realistically point to them as the mastermind. :)

Final note about theories: I... called it? Sort of?

[Extract from Vivisection of the David MV] What I think is the best idea [regarding the multi-colored "original"] is that all the characters [which includes MonoTV] got the word. [...] I think it makes more sense to relate them to the meaning of "original style" under my interpretation, where "original style" means a change of heart.

Well, MonoTV sure had a change of personality, albeit briefly, now didn't it? (Please ignore the fact that I dismissed the possibility of MonoTV changing in the lines following that one :p) Admittedly "characters in DRDT will have character development" is possibly my least wild theory ever, but a W is a W (?).

Alright but screw theorizing that's for insane people. Let's go for character analysis, because the fact that MonoTV has become a genuinely interesting creature to study is possibly even wilder than the XF-Ture Tech name drop.

Now, a lot of what we hear character wise is similar to stuff we heard in MonoTV's previous character building moment; CH2 EP3.

MonoTV: Does a toaster know why it toasts? Does a calculator know why it adds and subtracts? They are simply machines that do their job without needing to understand why. To that end, I don't know who made this TV show and why. All I do is carry out the directives programmed into me.

MonoTV: I have no conscience, no sense of morality, no will at all. I am merely a robot, subject to the laws of my code. I have no choice but to perform the actions that my creator dictated I must. [...] All the decisions I make were already decided by whatever entity created me, because I am a robot.

It's stated in a much more melancholic tone, given the music in the background, the sprite pose, and the generally less silly "default personality," but it's nothing really new. MonoTV is a machine, it follows programming.

Except.

MonoTV: Even if I feel pain or guilt, I cannot stop. That is the fate that I have, to make others suffer. And there is no diverging from that fate.

Hey MonoTV what the fuck does this mean.

"Even if I feel pain or guilt"? Instead of "I can't feel pain or guilt"? The choice of wording here is very interesting, because it seems to imply that MonoTV does feel pain and guilt over the killing game, regardless of how impossible that should be. The "fate" drop is pretty huge for thematic reasons, as I'm sure you're aware; Teruko explains her own feelings about it in the rest of the scene, there's Xander's speech to Teruko before he attempted to stab her, Ace talking about how he was too much of a coward to fight his fate, Arei actually defying a similar fate in a way, David with the LGI lyrics, Whit and J and Rose and so many other people, all interconnected by this damn concept. I think it'd be fine if this is all we hear about MonoTV in relation to it, but there's definitely fun parallels to explore regardless.

Given how little we have of these particular character details so far, there's not much I can say about it other than I love the concept of an AI being forced to do something it doesn't "want" to because of code, and I'm interested to see if MonoTV will act differently in the future. It's supposed to reset to its previous personality in the full reset, I imagine, but it's not like we can just ignore all the shit it said here. I'm very curious to see where dev takes this.

That said, I also wanted to point out how this vague allusion to feeling pain and guilt and possibly hopelessness against fate aren't the only feelings MonoTV exhibits. Because for some unfathomable reason, it seems to care about Teruko to an extent?

MonoTV: Is something the matter, Teruko? Everyone else has already left.

Like, maybe I'm misreading because the personality change is fucking with me, but this feels like a concern more genuine than I would expect from pre-2-16 MonoTV. And...

MonoTV: You have to decide the answer for yourself.

This, along with the little speech about Teruko's humanity that precedes it, again comes off as MonoTV genuinely trying to help her through her emotions. I don't see how this correlates with its purpose, unless it somehow "believes" that giving Teruko advice on this will somehow lead to Teruko killing someone or something to that effect, which makes no sense.

If it doesn't help kill the participants, isn't necessary for the killing game, and doesn't make MonoTV seem like a villain, then it's not related to any of its purposes. It isn't code making MonoTV say this things. It's MonoTV's... consciousness? I guess? It's very, very interesting.

I am genuinely super interested in where dev is taking MonoTV, and if you told me that was a sentence I would unironically type before this episode, I would have called you insane. The writing in this series is genuinely immaculate, I can't believe we're getting genuine basis for MonoTV angst and it's compelling. Dev does it again!

Thanks for the ask, this was fun to ramble about!

[mechstims]

How I make stimboards!

hi! i had a couple of messages asking how i make boards, so i thought i'd make a pretty elaborate breakdown on my methods!! ive been doing this since... probably around 2016/2017 ;w;

may be slightly image heavy and long! but... lets get into it!

Step one: Decide your theme! this part is super easy lol just figure out what your theme is! characters (or objects or whatever) usually go in the middle of the board. if you're using someone elses art PLEASE dont forget to link the source!! directly, not just pinterest!! I try and use official art as much as possible.

Step two: Plan your colours! I use a 3x3 grid for this if im making a traditional sized board!

here it is empty and a filled in example! feel free to save my empty one if you want lol you can just edit it in paint. keeping it balanced is for the best! it makes it more pleasing

some more examples of colour schemes! balance is key!

Step three: finding gifs and setting the board up

DO NOT USE PINTEREST!!! AND DO NOT PUT YOUR SOURCES DOWN AS PINTEREST

and for the love of primus dont put "credit to the gif makers" or "credit to the owners". please.

okay. now ive said that lets get into it. id say tumblr and tenor are two of the places i use the most. its as simple as looking up the type of gif or the colour you want. example would be: pink stim, red stim, food stim, slime stim etc!

dont forget to save the sources!!! try your best to go back to the source as much as possible. this usually means clicking through stim boards which is VERY annoying. but go back to the original gif poster if possible, unless the gif or blog has been deleted :(

this is much easier on PC. i just drag the gifs into a little grid directly on my desktop with the coloured grid above it as a guide for sources i keep a .txt file open to save the sources. the "x" marks spots where i havent filled in a gif yet

lol sneak peek to the skids board im working on for a request >w>"

pro tip: if you're using multiple of the same kind of gifs, make sure to put them on opposite sides for balance.

example! if the yellow square is a slime gif make sure to put it like the grid on the left. the grid on the right is unbalanced and makes it look awkward

does this make sense? basically, balance is key.

also dont be afraid to colour shift if you cant find stuff in the right colour :p speaking of! to crop gifs into squares, edit, change size and colour shift use ezgif.com!

Step four: posting!

upload all your gifs, make sure theyre in order and add sources! the easiest part! to add sources simply highlight the text and click the "inline link" button!

make sure to tag! you can copy and paste these tags if you want a baseline!

stimboard#stim#stimblr#stimmy#stim gifs#visual stim#stim blog

i also tend to add the colours and character names, as well as fandom tags!

i hope this is helpful to anyone whos just learning to make boards!

[aces-to-apples]

Extremely random question that you can ignore! So as a cook, when you work somewhere does that place like, give you specific recipes to follow? Because I always figured that they'd want their food standardized, but also it made SUCH a difference when the cook at my favorite breakfast place left, but if they were following the same recipes shouldn't it have been the same?? Or is there just a massive level of skill difference that can happen there?

Most places have a certain level of standardization with regards to recipes and ingredients, yes, but also how you cook something, and for how long, and what else you may add can make a massive difference. Cooking something on the flat top vs. a grill vs. the oven vs. the fryer vs. a steamer can all massively change how something comes out, and yeah it's sometimes a skill thing too. Some people don't put oil down, or drench everything in it even when that's a crazy thing to do; some people don't season, or massively over-season; some people (especially older cooks) kind of go by vibes and don't, for instance, actually temp the fucking meats they're cooking; some people never even look at the fucking recipes and just vibe their way through everything based on previous training, making all of their food taste different than everyone elses'.

Adding to that, there's also the matter of who's doing the prep: depending on the place, some (a lot, really) line cooks are also part-time prep cooks and that'll have an effect as well. If your favorite cook all did all the prep work for the specials, or made sure everything was flipped and stocked on the line, or had a special recipe for sauces and marinades that wasn't written down, or was the person responsible for proper rotation, or always timed and temped their cooking properly, etc. etc., then them leaving likely had ripple effects and left holes in the system that nobody had thought to fill yet.

And on top of that, yeah, skill and experience make a big difference too. New cooks for instance often learn everything on the line and piecemeal across different jobs, which will affect their cooking each time they go somewhere new. My very first job was at a fucking Subway, but since it was all fresh ingredients and no actual cooking, the main thing I was taught to focus on was proper rotation (FIFO: First In, First Out), accurate labeling (contents, date made, use-by, initials), and keeping everything stocked, which is literally always the first thing that new bosses compliment because of how, uhhhhh, lax a lot of line cooks can be about all that; on the flip side, I've been a line cook for several years and just learned at this latest place to check the internal temp of steaks to determine how cooked they are (rare: 120ish, mid-rare: 130ish, medium: 140, mid-well: 150, well done: +155) simply because I never worked anywhere that did a lot of steak work.

So yeah it's sort of a grab bag in kitchens of where the disconnect may be lol, very much an art rather than a science, especially in kitchens that aren't terribly fussed about having everything exactly the same every time. Plus, not gonna lie, some "official" recipes are absolutely wack and everyone in the kitchen just tacitly agrees that We Are Not Doing That and does their own thing.