#the answer is yes. it truly is

[baekuras]

I am still not over the wheel of time cancellation news bc if a critically acclaimed show bringing in over 300million and only getting better per season, is well liked by both fans and critics and stayed in at least the top 10 in MULTIPLE countries during and even after it's run-what hope if there for anything else?

[daemon-in-my-head]

At last, here it is. A while ago, I had the pleasure of commissioning the wonderful @lokorum to portray my beloved idiots in all of their tragic glory.

So without further ado, after months, here's the first chapter of my durgetash-centred, possibly very long, post-canon Genfic (cuz even if he's not featured in the picture, he's very much the one behind it, and yes, I said genfic but they do fuck, there's just also other themes that are more important than whatever it is those guys got going on).

https://archiveofourown.org/works/63147115

Rated M; further elaboration, summary etc behind the cut.

As per usual, please mind the tags. This is rated mature and may turn explicit depending on—let's be so fr—nothing but my mood. It IS a tragedy. I know how it ends. Trust me when I stress the tragedy part. I'm writing this story through tears at times. There's fluff, there is hurt comfort, there is true old man yaoi but there is just as much 'doves that aren't simply dead but rotten' and pain.

So to everyone who's not scared shitless yet (which is very valid), here's a summary:

The year is around 1530 DR. The once-revered and reformed Bhaalspawn returns to the city he had both saved and nearly doomed, emerging from his exile in the Underdark. Though he claims to seek only rest, the city's de facto ruler, Archduke Gortash, sees through the monster’s carefully crafted facade. Perhaps if the elf had never saved the Banite all those years ago—when he was little more than a blurred and distant memory—his own fate might have unfolded differently, perhaps even more mercifully. But regrets have long since lost their weight. The past is immutable, and all that remains—all that truly matters to him now—is the purpose that once again draws him into this treacherous den.

And on a personal note; I'm still squealing and shoving this artwork into the face of everyone I meet irl. I absolutely adore it. I'm not sure I'll be stopping with that soon. You will see reblogs.

Again. Tragedy. I mean it. There's fluffy moments, but I will absolutely exploit them to enhance the pain. I'm dead serious about Bhaal being able to learn from me. I caused his kid more agony than he could ever dream of delivering. And I haven't even shared the worst parts yet.

Edit: I also mean the psychological warfare tag. It's my guilty pleasure. And whatever over one year of obsession amounts to.

[chaos-has-theories]

This might just be my nonbinary polyamorous ass talking, but I think most Omegaverse fic severely underuses the concept of Betas. Societally recognized third gender, guys. The consequences of having a class of people who are either uninvolved in procreation or at least uninvolved in the hormone riddled drama of up to two-thirds of society. The potential for polyamory. Like - how does a society evolve to have that sort of third gender? Are they essentially worker bees? How does that affect them? What kind of culture do they have amongst themselves? These and many other questions keep me up some nights

[deadpoetsandlivinglegends]

Results are in:

Scrooge outfit: Neil, Todd, and Cameron

Heart Boxers: Knox, Charlie, and Pitts

Pink robe: Meeks and Keating

I will forever be indebted to anyone who draws fanarts of them in these outfits

[baconcolacan]

The eddsworld fandom is actually on fire rn. ITS JUST A UGLY PLUSH.

Ahhh eddsworld fandom, exploding in two different directions in a single day, I love all of you so much

[triglycercule]

Thoughts on mtt

they should travel the multiverse together and see and experience a more peaceful life than all of them ever have (⁎˃ᴗ˂⁎)

also they should get to gnaw at each other like rabies infected dogs 🧡🙏

[caeslxys]

Your tags...you're right and you should say it, honestly. Saying C3 deserved a few more episodes could sound like your average "I wish my show never ended" take, except...what was everything for, if BH don't get to exist in the aftermath? Their endgame choice, everything they've been working towards, was informed by them having been on the moon and met its people. Final episodes aside, if the Ruidus plot is The BH Thing, I really wish the first trip could've had them less in a rush to report back. I wish they had the opportunity to connect even more with Ruidians and, yeah, I wish they had fought the Weavemind. I'm also rambling, sorry! I just can't believe it's controversial or made to sound like hate to say we shouldn't be begging for Moon x BH crumbs in the Moon x BH campaign.

Prefacing this with reinforcing that I truly, deeply adore those final bells hells episodes and what they contain. They’re fantastic critical role episodes in general but more importantly to me they are fantastic bells hells episodes. In a vacuum, i’m extremely happy with what we got.

That said, yeah, c3’s ending on the grander scale of its narrative structure in totality was unbelievably (and, frankly, unnecessarily) rushed. Everything since episode 91 has been in a spiral towards a finish they simply could have chosen not to spiral into so quickly. And this is seen in several things: from how Delilah was “handled” with next to no actual processing or difficulty, to the nein’s inclusion not bearing any narrative weight beyond the vague feeling of having some “avengers assemble” moment i simply did not care for and think ultimately took from bells hell’s story rather than added to it (which, were it not all rushed, is something it could have been given to them and their inclusion in the way that vox machina’s inclusion did), to the hells not even actually being able to participate in what their own campaign was ultimately about beyond quick epilogue scenes and one political discussion that they didn’t even all need to participate in.

I think the decision to have c3 be “the end of an era” irt to critical role’s ten years deeply hurt both its structure and its narrative intent. I still remember them marketing this campaign as a good jumping in point for new critters, and yet the finale doesn’t even end with bells hells. It ends on vox machina. That, to me—and in addition to the vox machina and mighty nein solo episodes—showcases a clear shift in intent that happened way, way too late to feel at all fulfilling as an audience member looking in. I’m sure as players it rocked, which I point out because obviously the fun factor matters substantially as well, but that has no bearing on criticism of the narrative it produces.

All that said: it’s truly incredible to me how much of this would have been fixed very simply by just…having more episodes. You could say this of anything but I feel it’s extremely noticeable in this story—the one thing it needed to make the constant rushing pace of its forward plot land was a denouement that allowed the characters and story to breathe for more than one eight hour episode. Bells Hells needed to learn about the culture on Ruidus. They needed to spend more time with the volition—more time even with Liliana, I would argue. They should have had their story structured in such a way that they fought the weavemind and ludinus both (especially if matt knew ludinus would ultimately make it out). They should have actually had to delve into what the story had set them up to delve into.

I adore, to pieces, campaign 3 and bells hells. I think much of the ire thrown towards it is unwarranted at best and often misplaced. But I will likely also always be at least a little mad that their final act was so clearly rushed.

[hualian]

how does it feel to have that username

honestly it's a very wholesome feeling and everytime I look at my username I fall more in love with tgcf/hualian 😭😭😭

And I'm also incredibly grateful - quick story behind this but I paid actual money for this URL (sounds crazy BUT my love for tgcf has always been huge) I saw it not being used and I took a chance and messaged the previous owner - they were SO nice and agreed to selling the URL to me and boom I am now the proud owner of hualian.tumblr.com :')

[airenyah]

me all week:

#no but i need dunk to choke joong at some point ngl #if he could do it in hidden agenda he can do it in the heart killers (x)

#no truly!! i need dunk to grab joong's throat too in thk! (x)

#no but!! what i've also been thinking for a whole week now is: #as much as style is enjoying having fadel's hands around his neck... #i hope we'll get to see style choking fadel too at one point #like!! we KNOW dunk isn't opposed to choking joong 🤭🤭 #there's also that one shot during the ep8 make-out where zo's hand wanders along joke's throat #so yeah i'm hoping and praying he'll do it again for thk #let fadel and style choke EACH OTHER 🙏🙏🙏 (x)

dunk for me personally in today's episode:

[gingermintpepper]

Since you feel so strongly about Apollo in adaptations, you probably hate Lore Olympus' version 🤣

(or "Asspollo" like I call him, to distinguish the LO! Version from the actual deity)

Rightfully so btw, because he's a terrible character both morally, as a version of Apollo and even as a villain, his writing sucks.

Oh god; Lore Olympus.

Okay so full disclosure, I never finished LO because I do actually love myself and suffering through shitty greek myth adaptations is only fun for me if I can tell that the author has a point they're trying (and failing) to bring across. Lore Olympus was already failing on so many levels that by the time the Apollo assaulting Persephone thing came up and I realised it was going to be a recurring thing, I was so mentally checked out that I couldn't even be scandalised LOL

Nothing about him even remotely resembles the figure Smythe claimed him to be an interpretation of which honestly is a shame considering that I absolutely adore a villainous Apollo and he makes for an utterly terrifying antagonist when done correctly.

Like, in a vacuum, I don't even mind an 'Apollo who wishes to usurp Zeus as king' story! There's a legitimate case to be made for Apollo being born before Ares and therefore being Zeus' firstborn son. There is a legitimate conflict to be dug into about Zeus' two most favoured counsels being children from relationships outside of the one with his wife. And Apollo was honestly a massive asshole when he was a young god! He was rash and impulsive, he ran about treating the world like it already belonged to him and didn't particularly care about the people he displaced or inconvenienced in his rush to establish himself. He was insulting his fellow gods, had a ton of pride and was enough of a terror that I genuinely think the islands and coves had the right idea refusing Leto sanctuary because they were afraid Apollo would trash the place the moment he was born LMAO

If Lore Olympus meant to channel this rowdy Apollo into their mess of a character, then they also did a terrible job of that because, vitally, LO's Apollo isn't intimidating. He's written to be pathetic, self agrandising, cowardly and foolish - the kind of person that's meant to look bad in order for the protagonists to look good. Apollo as a villain should be so destructive so as to inspire fear - the kind of ruthless, focused destroyer that makes you remember that he's named not for light but for the very destruction that he's now bringing.

So like, yeah, I don't like LO! Apollo 😂 Frankly, I think of him more as like someone's pet who was named after the god rather than something that's meant to actually share any qualities with him. The actual worst thing about that little freak is that it introduced a ton of people to the concept of Apollo and now there's people who cannot divorce the image of Apollo from a vile, pathetic, idiotic rapist who cannot even gaslight, gatekeep, girlboss his way into a decent succession plot.

Also he's not pretty, not handsome, and has short hair. Waste of my damn time is what he is 🤨

[setaflow]

The ending of Arcane:

[ohwhatagloomyshow]

decided to revisit the hunger games series bc I wasn’t that into it as it’s intended audience when it was released and wondered if being an adult woman would change my outlook - reading the ballad of songbirds & snakes and incredibly mad about how perfectly written Snow is. He sucks in such specific, detailed ways that are both crystal clear and a smidge subtle. Like. Fuck. Was hunger games good this whole time.

[oyeixcher]

Every SandRay Scene (62 ¦ ??) 

S: "Alright, I heard it. Damn it. Don't knock so hard. You're going to destroy my door. Damn you. You are ruining my door. What the heck. What's wrong now? Why are you so frustrated? Is it a withdrawal symptom?" R: "You pushed me to go to rehab because my dad hired you to, right? Tell me. Did he hire you? How much did he pay you? Was it a big pay? Tell me. Say it! Well, say it!" S: "Ray, will you calm down?" R: "Calm down, my ass! Did he pay you? Tell me! Just tell me! Just f*cking tell me!!" S: "Yes! He hired me." R: "When?" S: "The day you crashed your car." R: "So you've been deceiving me. All these times we've been happy together. Everything was a lie, right? Actually, you just want my dad's money." S: "It has nothing to do with the money. Everything I've done is because I care about you." R: "That's bullshit!! You do anything for money." S: "Seriously, Ray? Do you really think so? Do you think I'm a man with no dignity?" R: "Damn right, you are. You duped me into trusting you. You tricked me into believing you. You slept with me. You did all that because you wanted my dad's money." S: "Ray. Is that what you think, go ahead. But I want you to know that I did everything because I truly care about you." R: "You care about me? You care about me? Are you crying? Really? Are you crying? You don't have the right to cry. I'm the one who should cry. I'm the one who should be upset! Not you. You care about me, huh? Those are the liquor you make. You want me to quit drinking but you are selling liquor. Do you think my life is going to be better if I'm with you? No. It's f*cking going down to hell!"

[gomzdrawfr]

In the spirit of you getting a rude customer (I've been there, it sucks and I am cursing their entire bloodline, that bastard), I think Nik would be the kind of person to be extremely polite to people working in any job that involves dealing with customers. He always smiles, doesn't hesitate to talk with them for a bit, leaves generous tips and best of all, he will threaten any other customer who happen to be rude to them.

Like imagine some asshole being a real bastard with a barista at Nik's favorite café. Nik would just place one of his big bear hand on the guy's shoulder, towering over him, and tell him that this is no way of talking to another person and order, straight up order him to apologize. Or else :3c.

Anyway all this to say that Nik would hunt the rude customers you had to deal with for sport. Drop them from his helo in the middle of Siberia.

(Hope you're okay Gomz, I know how hard it is, it's tough to not let those assholes get to you but you're awesome and fuck them <3)

uuuuuuuu *sniffles* thank you for dropping this in my ask JAJKDADKSJKKJ absolutely Nik would give em hell

the type that gentle turns the customer around and give em a smile that's going to haunt them in their dreams or the type that pushes the customer down to their knees and make em apologize to the worker. If that all doesn't stop the rude ass MTF- well he knows a few ways to set their bones right :3

[necrotic-nephilim]

Hello! New to comics and I don't really feel like the New-52 comics are for me and would really like to read and understand Pre-flashpoint and all the dark and good stuff there. Is there an order or starting point you would recommend? Thanks for your time, and I hope you have a great day!

hi! i'm so glad you want to get into comics! i'd love to help with some recs! since you're here, i'm going to assume you're a Batfamily fan and most of my recs will cater to that, but i will try to encompass a bit of everything to help you just understand some big moments and all this mess that is DC canon. adding a cut bc jesus this got long.

so your starting point for pre-Flashpoint is going to be Crisis on Infinite Earths. the TLDR of this event is: DC had a big multiverse in the 70s and early 80s that wasn't friendly to new readers. to try to push their titles more and become a proper competitor to Marvel, they created an in-universe storyline that nuked the multiverse and gave a solid entry point for new fans going forward. this is why you hear terms like Pre-Crisis and Post-Crisis. it refers to the comics canon before and after this event, in 1985. some characters had some big changes (for example: pre-Crisis Jason Todd was a circus kid whose parents were killed by Killer Croc) but most remained largely the same, just simplified. you don't *have* to start with Crisis on Infinite Earths if you don't want to. it's a *good* storyline, but it's a big one and a lot of big multiverse-scale stuff happens. so as long as you understand it as "big event that nuked DC's multiverse and gave the world a clean slate in 1985", then you've basically got the gist. also Barry Allen dies during it, but he comes back so don't worry about it.

in general, if DC has some big timeline/canon-altering event, they're going to call it a Crisis Event. the only Crisis Events that will matter to you, trying to get into pre-Flashpoint are

Crisis On Infinite Earths - the above, starts the Post-Crisis/pre-Flashpoint timeline

Zero Hour: Crisis In Time - an event in the 90s that sought to fix some of the kinks that the above Crisis caused, like fixing the origins of the Legion of Superheroes and other Golden/Silver Age characters, not *super* important tbh

Infinite Crisis - this was a big event that brought back some characters who got nuked by Crisis on Infinite Earths, unfucked Power Girl's backstory, and set the groundwork to bring back the multiverse. if you've heard "Superboy Prime punched a hole in reality and it brought back Jason Todd" yeah, this is the story where it happened

Final Crisis - a big event that was partly meta commentary but heroes fought Darkseid, Batman died for a hot second, it was all a big deal about evil winning and all that

Flashpoint - the event that nuked this timeline, a big storyline to do with Flash and the timeline that would result in the New-52 in 2011

are you confused yet? good embrace the confusion it's going to become second nature of a comic fan. you don't need to read these events as a beginner. you really don't i promise. they'll sound big and important, but besides Crisis On Infinite Earths and Flashpoint, the start and end of this era, the rest you can just kind of breeze by so long as you understand the big plot points like Batman dying or Superboy Prime punching reality. unless you really care about a character central to these stories, skip 'em for now.

now for any character, if they have a Year One comic? that is a very safe bet as a place to start. it is what it sounds like. Batman: Year One is going to be Bruce's first year as Batman. same as Green Arrow: Year One, Batgirl: Year One, etc. when in doubt, if there's a Year One, start with Year One. (note: for Superman, his "year one" type story is called Superman: Birthright and it is worth reading if you like Superman)

for Batman, i am holding you by the shoulders when i say this: people will tell you to read The Killing Joke. they're liars. do not listen to them. it's a bad story. you don't need it. do not let the Joker fanboys lie to you. people will also say Dark Knight Returns. don't listen to *them* either. i *like* DKR, i talk about it a lot here. it's not a good intro to Batman. it's an AU story, it's not canon, ignore it for now.

now where you *should* start with Batman, imo, is as followed

Batman: Year One - as said above, Year Ones are good, this is solid to start with

Batman: The Long Halloween - this is an iconic story and it's a followup to year One

Batman: Dark Legacy - the followup to Long Halloween, also a very good story

Batman: Hush - this story is a solid starter if you want to understand the general vibe of Gotham, the typical characters you see in the Batfamily, and a good Batman villain

once you've got the basics down, you *can* get into the big boy storylines like Batman: Knightfall and Batman: No Man's Land, but don't worry about those right now. they're long and complicated and shouldn't really be your starting point no matter how good they are.

other very good pre-Flashpoint comics that are easy to pick up and iconic storylines

Death of Superman - this is a long arc in the Superman run that if you collect in trades, goes Death of Superman, Funeral For A Friend, Reign of the Supermen, Return of Superman, Doomsday. it's long, but a very iconic storyline

Wonder Woman by George Perez - this the run that helped define modern Wonder Woman within the pre-Flashpoint era

JLA: Year One - if you want a good Justice League story where you get characters besides Batman, Wonder Woman, and Superman taking the shine, this is a great place to start

Green Arrow by Mike Grell - start with Green Arrow: The Longbow Hunters and then go into Green Arrow (1988). this has the darker, very 80s vibes that gets a bit gritty and very realistic with the issues it faces bc Green Arrow comics tend to be more rooted

The New Teen Titans by Marv Wolfman - this technically starts before pre-Flashpoint, don't worry about it it's fine. a good run for all of these characters, can get a little confusing, it is okay to be confused do not be afraid to google shit

so, some big stories out of the way i'm just. honestly going to run down the line of the major pre-Flashpoint Batfamily members and give you comic recs for them that you can start with. (besides Bruce obviously, bc well. see above)

Dick Grayson

NIghtwing: Year One

Robin: Year One

Nightwing (1995)

Tim Drake

Batman: A Lonely Place of Dying

Robin (1990)

Robin II: Joker's Wild

Robin III: Cry of the Huntress

Robin (1993)

Barbara Gordon

Batgirl: Year One

Birds of Prey (1999)

Jason Todd

Batman: The Cult (as Robin)

Batman: Death in the Family (as Robin)

Batman: Under The Red Hood

Red Hood: Lost Days

Cassandra Cain

Batgirl (2000)

Batman: No Man's Land

Jean-Paul Valley

Batman: Sword of Azrael

Batman: Knightfall

Stephanie Brown

Huntress/Spoiler: Blunt Trauma

Batgirl (2009)

Selina Kyle

Catwoman by Ed Brubaker

Helena Bertinelli

Batman/Huntress: Cry For Blood

Huntress: Year One

Birds of Prey: Manhunt

Damian Wayne

Batman & Robin (2009)

there are other very important pre-Flashpoint stories for all of these characters, but these are starting points more than anything. figure out what characters you're interested and go from there. understanding the universe at large helps, do not get me wrong. but at the end of the day, comics are a choose your own adventure of who you want to give a shit about. you're *never* going to read everything "important" and you're probably not going to understand everything. that's okay. don't treat it like a media you need to "complete" like a tv show or a movie, but more like an open world game where you decide what characters/teams/stories you like the most.

pre-Flashpoint covers a lot of ground. some stuff will be darker and grittier, some stuff will be more light-hearted. it will all be about what titles you pick up and what characters you decide you want to read about. you're obviously going to get a much more grounded storyline out of Green Arrow than you are say, a JLA comic. i prefer the more grounded, "street level" sorts of characters. (if you like gritty detective stories, i will be biased and highly recommend the Question (1987) just because. i love him okay.) but you might find you like sometimes more worldly and big scale. at the end of the day: don't force yourself to love a comic you're not enjoying, even if you like that character. you can put that shit down. sometimes, "important stories" are by shitty writers that you won't enjoy reading and you shouldn't make this hobby a chore. i don't care how "critically acclaimed" it is, you don't have to like it if it doesn't click for you. and on the flipside, a comic might be considered "bad" but you may enjoy it (a personal example: Robin III: Cry of the Huntress is considered a very weak comic. don't care. i love it anyway.) accept the cringe, have fun, and enjoy yourself at the end of the day. none of it will make sense anyway so just read what sounds cool to you.

this was all over the place and rambly, but i hope it helps at least a little! welcome to comics anon! if you or anyone else would like more character-specific recs, feel free to ask! if i don't know, i can at the very least hopefully point you in the right direction <3

[surreal-duck]

is this anything (x)