#the animation so satisfying and novel to me

[sincerely-sofie]

What are some ideas you've wanted to draw/write but haven't?

Oh man. I've got so many. A handful of ideas include:

A semi-animated series titled "My Pal the Paladin" about a kidnapped princess and the final boss who join forces to track down the legendary hero who's failed to slay even a single mook months after the plot kicking off and yell at him for taking so long. It's based on my oldest original characters and has a lot of sentimental worth to me as a result. Idris, Pal, and Katherine are my babies. I've considered making it similar in production to Dingo Doodle's Fool's Gold series, but I haven't actually made it because I'm really nervous about it turning out poorly ^^; I'd love to post a pitch bible for it someday!

A gothic picture book tentatively titled "Cover the Mirrors" about a woman killing a monster that has haunted her since girlhood, and inheriting the curse that turned the monster from a normal man into his current twisted looks. It would end with the monster's appearance going from being seen as a Boogeyman figure that stalks kids who play outside after sundown while the original monster was around, to a vengeful beast that hunts people who prey on children once the woman inherits the curse. It would play with the idea of trauma giving you unique abilities to help those who have gone through similar terrors, while also warping you into something you can't recognize and find inherently repulsive. I haven't made it because I don't know how to render the painterly style I envision for it.

A mixed media visual novel titled "Cradlehead" about a woman who finds herself serving as the unwilling vessel for an eldritch entity that will destroy her mind when it finishes germinating within and exits her body. She has to escape the pocket dimension it trapped her in to develop within the optimal conditions in order to save herself. The visuals would incorporate clay, digital art, traditional art, 3D models, pixel art, and photography. The game would center around the woman's desperation as she tries to escape while her ability to perceive the new world around her decays more and more over time. I haven't made it because I doubt my artistic abilities to make something like I have in my head come to life.

An untitled magical girl webcomic about an unwilling magical girl with a giant bee familiar named Queenie and issues controlling her powers because of her insecurities. She feels bad about being a not very girly individual while surrounded by hyper-feminine young women who have a handle on their powers she could never dream of. It revolves around her character arc where she eventually stops worrying about meeting the arbitrary standards she imposes on herself to be "girly enough" and decides to just be herself, whoever that is, unlocking her true powers and entering her ultimate form during a climactic battle— taking on a design less like a queen holding a scepter like she'd been dreading, and more like a princely knight holding a stinger-like spear. Her rejection of others' expectations as well as her own helps the world-ending threat, a shapeshifting eldritch being that absorbs people into itself so it can become someone other than itself but is never satisfied with the new faces it obtains, to accept itself and stop trying to steal people's souls in order to find one that would make it love itself. I haven't made it because I worry if it would come across weirdly to the average viewer, as it deals with gender dysphoria as a subject in a very atypical manner.

[waitineedaname]

I finished the second season of heaven official's blessing! is good 👍

[queenie-avenue]

A Rich Man's World.

💌 ⤻ THE CEO, ADRIAN HOUDE

—> let him spoil you.

⤻ reader is a female (wearing a dress), yandere behaviour, possessive behaviour, thoughts of killing, financial abuse, obsessive behaviour, suggestive themes, age gap, power imbalance (you're an intern, he's the CEO, of course there's bound to be power imbalances)

notes: thank you for being so patient with me while waiting for a new post! classes have been killing me, but I swear ill try and find a good schedule for myself to balance alongside projects and also writing my novel. speaking of which, please follow my tiktok account queenie_avenue

💌 ⤻ archives.

You had no idea why you were here.

Well, technically you did know, you just weren't sure why Adrian Houde — the CEO of your company — had brought you here. You were an intern, someone meant to go under the wing of some of the other designers under the company. But just a few weeks ago, Adrian had become oddly interested in you and your designs.

He found them innovative and it was like he had fallen for your creative soul, even offering to introduce you to a few investors who might like your designs and want to invest in your future fashion brand, should you want to open it.

Of course, Adrian would prefer it if after you graduated you continued to stay under him at his company as a designer. He'd promote you to head creative lead without shame if you wanted to, but he knew you'd prefer to earn that place out of your own merit.

Still, in a few weeks' time, he would keep his promise and show you off to a few investors.

He almost drooled at the idea but he had to keep his obsession under wraps. He was a gentleman, after all. It was unseemly for him to let a lady know of his true inner thoughts. He eyed you in the mirror with an intense gaze, fingers trailing over the documents he held in his hands, his attention on them abandoned long ago since you tried on the first dress.

He had personally driven you to a boutique belonging to the company just so you could get a dress that would look the best on you.

He had offered to ask some designers to make a custom dress but you had fervently opposed the idea, refusing to be in debt to him financially as well as socially now that he was helping you advance your career.

His eyes raked over this dress you had worn. What was this dress, the sixth one? Yet he never got tired of you standing in front of the mirror, your rear facing him. He recited all the words his grandmother told him in his head, to try and restrain himself from pouncing at you like some kind of wild animal.

"Would you mind giving me a twirl, Miss [y/n]?" He asked, his tone as saccharine as ever, hypnotising you to comply with his demands as you twirled. "Hm," He nodded once you did.

The dress was red, the colour of lust. A colour he didn't like on you. He already looked at you with such lust and he did not need a wicked colour like that to remind him of how he wanted you sprawled over his desk like a feast for him. You haunted his dreams and his nights alone with just his hand, he did not need a colour to remind him of what he wanted from you. Not only that, the way the slit slid up to your upper thigh and how exposed your cleavage was.

"I like the fabric... but the design..." He sighed as he rubbed his temples, placing the papers in his hands down with a satisfying slap. "Give me something not in red, it clashes with her skin tone." He told the worker, his eyes still fixed on your exposed skin as he gripped his thigh, trying to keep his eyes from wandering too far and his mind from going too deep down the dirty rabbit hole.

He could just imagine how everyone would look at you if you wore that dress out. He didn't like that thought, it made him want to wrap you in the finest fabrics and hide you away from everyone, suffocate you within it to ensure no one else could ever have you.

After a while of deliberating and you awkwardly standing there as your boss ogled you like you were a piece of meat, the employee finally returned with a blue dress, the exact colour of Adrian's eyes.

He smirked at that and nodded as she closed the curtains and began to dress you.

After a few excruciating minutes of him fantasising and being jealous of the woman who got to help you dress beneath the curtain, the curtain was pulled open to reveal you in that blue dress. Adrian shot up from his seat immediately. "Thank you for your help." He smiled at the employee as she took a step away, leaving you and Adrian alone as he took a few slow and deliberate steps up to meet you; like you were some sort of wounded animal he was trying not to scare off.

"You look beautiful, mon ange." He smiled as he slowly reached for your hand. "May I?" The older man asked as he leaned in close to you, looking at the reflection of yourself in the mirror.

You nodded your head hesitantly. Honestly, how could you ever say no to your boss after this, especially with how he helped you at every turn?

He held your hand delicately, with the softness of a child holding onto a pet. "You're so beautiful. I have just a matching suit like this. We should wear it together for the event." He smiled as he began to overstep his boundaries, hands slipping down to your waist as he watched you from the mirror.

His mantra to be a gentleman always seem threatened whenever you were close.

"I can't wait to see everyone." See everyone know that you're mine. The earlier dress was too revealing but this one was just nice; not too low-cut but still sensual. The earlier red dress had slits and cleavage for days, which he disliked. Though, he would still buy it. Perhaps you would wear it for him once you accepted his love.

For now, he would relish in the fact that everyone would know you were his the moment you stepped foot into the event in this blue dress he would buy for you.

He didn't care how much it cost him, the money would go back to him anyway. Plus, it was worth it to claim his mark on you.

Adrian's eyes lingered on your neck for a moment.

It was the only way he could lay a stake on you, for now, anyway.

[bogleech]

I’ve said this in the past I think but as someone so focused on creature design aesthetics, it’s always glaring to me that characters in fiction rarely ever have opinions on how creatures (or even just real animals) look other than maybe a broad “ugly” or “pretty,” and in turn, I notice they don’t have opinions on the finer aesthetic details of ANYTHING. In some media this is actually deliberate because scripts are written before creature designs are even finalized, but it leads to such a bland and empty feeling to me as someone who sees the whole world in its cool and novel little visual details. You never have a fictional character saying “oh nice spaceship love the retro portholes” or “whoa that dragon looks like an axolotl I love axolotls!” I actually remember Misty in the Pokemon dub saying Pineco weirded her out because it looked like a hand grenade. That’s such a minor throwaway line but I remember it clearly because it was that rare for anyone in the show to say anything about a Pokemon’s design. Just like that post about how it’s satisfying to read wiki entries on things you already know, I just want more characters to show that they are in fact seeing what we’re seeing. Is that so much to ask.

[flamebringer0]

[Image ID: Sketches of an original character, numbered from one to ten. He is a Nightwing, a kind of dragon from the Wings of Fire series. Each sketch depicts him posed differently. In the first sketch, he is using his forelegs to hold a spear while using his back legs and wings to walk. In the second, he is looking at his tail through his forelegs. In the third, he is sitting on a deck chair. In the fourth, he is standing normally and displaying the undersides of his wings. In the fifth, he is flying. In the sixth, he is standing on his back legs and looks uncomfortable, like he's about to fall over. In the seventh, he is standing on his forelegs and looks even more uncomfortable. In the eighth, he is laying on his stomach, looking away from the camera. In the ninth, he is standing with his forelegs braced against some kind of barrier, looking over the top of it. In the tenth, he is sitting on his haunches looking away from the camera. /.End ID]

Sketching random poses for practice.

Part [1] [2]

Some commentary:

1. Dragons in WOF are often described as moving around while holding objects like spears and scrolls. This usually looks weird to me in the graphic novels, where they mostly end up doing a strange three-legged walk that I imagine would get tiring after a while. There's also a part in The Lost Heir where Anemone apparently walks around with a lance jammed in her armpit... foreleg-pit... whatever. My headcanon is that this three-legged walk doesn't really happen, and instead the way to walk while holding something is to either hold it with your wing, or (as shown here) walk with your wings and hold it with your forefeet. I think this idea might sound weird and therefore not occur to people because they think that the wing is so thin that it must be too flimsy to walk on, but I feel that if it's strong enough to carry a dragon in flight it must be strong enough for this. Maybe. It makes sense to me anyway.

2. Originally this was sort of inspired by the pose at 0:34 in this video (cw for violence). I wasn't really satisfied with how my attempt looked so I changed the head to be doing something else. I still like that pose though and I might try it again.

3. This was inspired by Spyro sleeping on the deck chair in the remake of Spyro 2. I don't know if they have deck chairs in Pyrrhia. My friend told me the chair is about to get impaled and i guess he's correct. Maybe it's made of a very thick fabric.

4. This is how dragons T-pose.

5. What do dragons do with their legs in flight? This question bedevils me. When I was creating my Minecraft skin (this) I changed how the legs are posed during the flight animation several times, and I'm still not sure it really looks right.

6. Before I got into WOF I mostly only drew anthro characters, so something I want to understand better is how to draw a character standing on two legs without making it look like they have a human skeleton. My headcanon is that dragons can learn to stand and even walk like this, but most don't. You can tell an expert from an amateur because an expert will stand all the way up onto their toes, whereas an amateur will keep their heels on the ground. I think the main students of this technique are circus performers. If you do this in public you will be stared at. The only tribe where a lot of dragons can do it is Rainwings, because they think it's funny. The only major non-Rainwing character who can do it is Qibli.

7. Standing on your forelegs isn't really considered harder than standing on your hind legs, but it is considered a more advanced technique because you're much more likely to snap your neck if you fall over.

8. It's really hard for me to draw a tail curling away from the camera like this. I don't exactly understand what I'm doing wrong. The scales look weirdly skewed to me, like a Playstation game where the polygons are touching the edge of the screen. This happens regularly but I haven't figured out what to do about it.

9. Standing on two legs is a lot easier if you brace the other two up against the wall.

10. Wings look silly here. Wings are the hardest part of these sketches to make look naturalistic I think, probably because I conceptualise dragon bodies as like ... a dog with wings, as opposed to a bat with forelegs. Hopefully if I keep doing this I will be able to develop a holistic understanding of the anatomy of a body plan that does not exist. That's my ambition, anyway.

[ladyloveandjustice]

My Top 12 Favorite Anime of 2023 (and more)!

This was a great year for anime, so here's a long list of my top 12 (including some bonus great anime). If you get tired of clicking the review links, check out my anime overview collection for all of them here.  You can also check out my list of favorite manga here!

Some of these are ongoing, so consider those only a review of the first cour-- no official endorsement on the rest because it hasn't aired yet!

Mobile Suit Gundam: The Witch From Mercury (Season 2)

When I listed G-Witch in last year's top anime list, I prayed the show wouldn't betray me. Fortunately, it didn't! Though the final half of the show was a bit rushed, it remained must-see, compelling sci-fi full of exciting twists and turns. And I adore the well developed romance between the robot-piloting protagonist and precious girl, Suletta, and her fierce fiancé, Miorine.  Whether you’re here for starcrossed queer lovers, robots wrecking each other, tense battles between opposing political factions, or morally-horrifying moms on a revenge spree, you’re in for a treat.

See my full review here.

Yuri is my Job!

Hime is roped into working at a cafe where the waitresses playact as students of the fictional all girl’s school from a beloved novel series. However, Hime finds her co-worker, Mitsuki, has an inexplicable grudge against her. Thus begins a tangled web of romance and wounded feelings among the girls in the cafe! Yuri is My Job seems like a fun comedy boasting a cast full of quirky lesbians, but then reveals itself to be a complicated and fascinating examination of performance- as it intersects with queerness, girlhood,  and the desire to be “likeable” and “cute". It's top-tier lesbian drama full of fraught relationships and it's absolutely worth a watch.

See my full review here.

The Apothecary Diaries (still ongoing, review is for the first cour)

Though it's still going, I have to sing the praises of this dazzling anime about a saavy apothecary who uses her medical expertise to solve the many murders and betrayals in the Emperor's palace. MaoMao is a fantastic lead, a poison-obsessed gremlin who's whip-smart, deadpan, and fun to follow. The Apothecary Diaries has intrigue, well-developed characters, and an impeccable atmosphere. It tells a great range of stories, from romantic triumph, to bittersweet tales of recovering from grief, to pure tragedies. I'm totally hooked.

See my full review here.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady

When Euphie is dumped by her fiance at a ball, the oddball princess Anis rescues her.  Euphie becomes Anis' assistant in her quest to develop magical tools. The girls also start to develop feelings for each other, while discovering a conspiracy among the nobility. I'm always desperately in need of cool lesbians having action-packed fantasy adventures, and Magirevo delivers. The characters grow in entertaining ways, we get to see them fight dragons in killer action scenes, and the romantic development is completely satisfying. It's a simple story at its core, but the lovable characters, joyous queerness and jubilant execution make it a great watch.

See my full review here.

Birdie Wing: Golf Girls' Story (Season 2)

In the second season of the anime about girls homoerotically golfing while dealing with the mafia and ludicrous family drama, Birdie Wing remains a bombastically absurd sports anime that is fun all the way through. Please come watch these girls get ridiculous sports  injuries, scream their super golf attacks, experience extremely extra plot twists--and be super gay with each other, of course. The finale didn't go quite as hard as I wanted (and the romance is more subtexual than I wanted), but you need to allow yourself to experience the madness of Birdie Wing.

See full review here.

Skip and Loafer

An endearingly dorky, earnest, and driven girl moves from her small town to Tokyo. While she struggles to adjust, she befriends a nice popular boy who's got some baggage. Skip and Loafer is a show that’s like a warm hug. It's sweet, entertaining and funny. It handles adolescent struggles with tender nuance. There's a emphasis on kindness, connection, and looking past stereotypes and misconceptions. It also includes a trans character who's treated with respect (and is a great character in general!) Let this show touch your heart.

See my full review here.

Undead Murder Farce

An immortal woman has had most of her body stolen by a mysterious man. Reduced to a head carried around by her maid, she teams up with a half-demon man to track the thief down while solving supernatural mysteries all across Victorian England.

This a fun, campy mystery series starring three asshole weirdo protagonists,  it’s bursting with supernatural creatures and literary references. We've got Sherlock Holmes, The Phantom of the Opera, Carmilla and more...along with a vampire murders and werewolf drama galore. UDM is a wonderful romp with stylish, slick direction... and it’s unexpectedly really gay.  I’m aching to see more of these scrappy misfits and their adventures.

See my full review here.

Migi & Dali

A story of twins who are pretending to be one kid in order to fool their foster parents and find out who killed their mother. It starts out as an utterly absurd comedy becomes a impressive and genuinely tense murder mystery that is incredibly moving at times, all while keeping up it’s signature brand of goofiness. There’s genuine commentary on abuse, the damage you can do to children by forcing perfection on them, the struggle of being a foster kid, grief and recovery and more. There's also some great character development. It's a weird one, but it's absolutely worth sticking with.

See full review here.

Pluto

Somebody is killing the most advanced robots in the  world and murdering humans alongside them. A robot detective is trying to track this killer down, but he might be compromised as well. Pluto is a tense, tense, tightly plotted robot murder mystery that keeps you on the edge of your seat. Through robots, it explores the idea of being a tool in a corrupt system, and tackles subjects like war, imperialism, and the nature of hatred. It's a masterful psychological thriller with stunning animation and a rich story.

See my full review here.

Scott Pilgrim Takes Off

This anime approaches the story of Scott Pilgrim and Ramona's seven evil exes from a brands new angle, and the results are great. We get a exploration of relationships and regrets, the messiness of communication and connection, the trials of becoming an adult, all with the signature goofy video game antics. Characters neglected in previous iterations finally get their due, new facets of the story are explored, queer relationships are delved into more, girls kiss...and it's all accompanied by phenomenal animation and a killer soundtrack.

See my full review here

Soaring Sky! Precure

Sora lives in a world called Skyland and wants to be a great hero. When rescuing the kidnapped baby princess, she falls through a portal to earth. There she meets her fellow magical warriors, and as Precure they protect the princess from the villains!

This vibrant, warm-hearted adventure got me back on the Precure train! This series boasts a lot exciting firsts for the franchise--the first official male cure, the first main cure that's eighteen years old- but above all, it has a lively team of characters with who have an entertaining dynamic and enjoyable individual journeys. It's often very funny, the baby has a surprisingly good character arc, and it's bursting with magical girl (and boy) goodness! It's also not afraid to give you an emotional gutpunch when you've been lured into a false sense of security by all the fun times. If you're new to Precure, this is a great jumping on point, and if you've watched it before, this is a series you won't want to miss.

I'm in Love with the Villainess

Rae is reincarnated as the heroine of her favorite dating sim. But she has no interest in romancing any of the boys- she’s head over heels for Claire Francois, the snooty villainess.

Villainess may not be as polished--storywise or animation-wise-- as these other entries. It's a messy series, it has plenty of problems...but it's also very fun, and it touched my queer little heart like no other. Queer people get to indulge in our imperfect faves too, and the silly shenanigans, blatant lesbian wish fulfillment, honest advocacy for queer people, and the joy and earnestness of the series works for me!

See my full review here.

Some Other Great Anime:

Frieren: Beyond Journey's End (still ongoing, review is for the first cour)

Frieren is a long-lived elf who was once part of an adventuring party that saved the world from the Demon Lord. But now her friends are passing away and the world is moving on. She decides to retrace her old party's journey so she can understand what she's feeling.

Frieren is both an interesting examination of what happens after the hero saves the world, as well as a meditation on mortality, grief,  and the endless march of time. It takes you on a quiet, beautiful and sometimes touching journey though a pastoral fantasy world. There's some breath-taking animation and excellent atmosphere to enjoy.

See my review here.

Spy x Family (Season 3)

Spy x Family is pretty much staying the course from when we last checked in,  though this season gives a lot more attention to Yor, and I love the cruise ship arc and all the ridiculous fights she gets into a lot! That arc contains some of my favorite gags of the series too (like Loid’s  attempts to be a cool dad). Otherwise, Spyfam has settled into a series that intends to be around for the long haul, so don’t expect too much forward plot momentum. And Yuri (the man, not the genre) unfortunately still exists. Overall it was good season and remains a fun  adaptation. Yor, please step on me.

[epickiya722]

"How is Horikoshi going to wrap up everything on five chapters?"

I don't know, you don't know. We just know Horikoshi and his team have a plan and they know how MHA is going to be wrapped up in five chapters.

They got it, they'll handle this. At the end of the day, this is Kohei Horikoshi's story.

Regardless, I feel like this is the case with some of you.

You're afraid of being disappointed. You're afraid of being disappointed because you have these expectations set so high. With that kind of standard, you're never going to be satisfied with anything.

So stuck on "this must satisfy me and only me" that you forget that that story not written by you is a story that is just being shared with you. Not given to you because you're special and you're not.

On top of that, some of you just crave for more, more, more. And more. And more. Even more.

You want nonstop content being pushed out while being impatient about it (looking at you, 'how dare we not get a new chapter this week' folks).

Just because one manga had been going on for longer than another, maybe even came out before that one, doesn't mean every manga is meant to last for a long time. Manga, anime, TV show, comic book, novel series, etc.

Fun fact, Horikoshi's previous works didn't last for ten years. His last one, Oumagadoki Zoo, lasted little less than a year. From July 2010 to April 2011.

Three years it ended before My Hero Academia came into the picture. And I'll be honest, I doubt Horikoshi even planned for MHA to last this long because he didn't have the experience before.

Once it got to a certain point, I doubt he even wants for MHA to go even longer.

Hell, that's something I know all too well as someone who writes. And from what I remember, stories have a beginning, a middle and an end.

Stories aren't meant to keep going on forever. They're meant to be read, to be told, to be understood, to be enjoyed.

Not be graded like some college report and not ongoing like the people who create those stories are damn machines.

Something that it's very clear to me that some of you forgotten that. Or even care, let's be real.

Some of you want perfection so bad and yet can't even write your own damn story.

Who even wants a perfect story anyways? I don't know about the rest of you, but a story with flaws is a story that could be learned from. Stories can guide you, too, in more ways than one.

Horikoshi's writing to me, at least, isn't perfect. It's entertaining. I got into MHA because I was entertained by the concept. I got interested into it because of a meme I saw. You think I wouldn't want to seek it out and see if it will entertain me?

Yes, there are some points of the story where I wanted to pull my hair out and I don't doubt that a future part may make that feeling return.

But at the same time, what if... that's the point? Maybe you were meant to feel that emotion? Maybe that's what the writer was going for?

Are you understanding me?

Maybe, example, with the end we got for Tomura was meant to upset you? Sadden you, anger you even? Stories work like that sometimes!

But I doubt the writer should be condemned for it because at the end of the day, it is just a piece of fiction. My Hero Academia is the same story where a woman can grow to the size of a building and a kid has a speech bubble for a head.

Now does that sound like a story that you should be acting like a complete fool over? Wishing harm towards and arguing with others over? Huh? Does it?

Honestly, after MHA ends, if you choose to move onto the next manga, anime, whatever how about stop expecting so much?

How about stop having this entitlement that the story must go your way and your way only?

How about remembering that eventually that story will end?

[sabh0]

What's your opinion on the anime? I find it pretty funny, but I can't say that I am not disappointed to see so many scenes missing.

For exemple, I wanted to see Dazai cry laugh at Chuuya's young mistress act, show that it was a joke shared by both of them, rather than one made to us at the expense of Chuuya. They took a genuinely funny moment and made me cringe SO hard for no reason T^T

God i could go on for hours about how Bones ruined this series. I'm obviously thankful we have an anime adaptation but. Well just compare bsd anime to jjk one or smth and yeah.

I will be complaining more under the cut,,

First the overall writing choices:

-Deleting or changing skk scenes to the point im not even shocked when ppl think these two actually somehow hate each other.

-The way they portrayed Sigma. They deleted half of his personality and backstory. And just speedrunned the Sky Casino arc like if seeing that place was giving them nightmares. No wonder he gets mischaracterized now.

-Tachihara's internal conflict about belonging to either Port Mafia or The Hunting Dogs? Bones never heard about it. It's not like IT'S A VERY IMPORTANT PLOT POINT.

-Akutagawa's whole character in the anime is just 'edgy and angry and bad grr'. In the manga he had some 'kind' or even seelf-reflection moments that were ommited in the anime. Like where he realizes defeating Atsushi didn't satisfy him (ship fight, season 1). Or when he gives files about the orphanage Director to Atsushi and says he won't fight him today because he lost someone impirtant to him. Sskk vs Fukuchi fight?? No scene where Sskk r helping each other walk. Instead we get Akutagwa just pushing Atsushi away. Won't even start on that last smile that looked more like another angry expression.

-THE WAY THEY CHANGED "DAZAI'S ENTRANCE EXAM" INTO SOME CURRENT TIMELINE EPISODES. IT MAKES ME SO ANGRY LIKE. THIS NOVEL WAS SO GOOD. Showing both Dazai and Kunikida's characters and partnership so well. But no. Let's just??? Put Atsushi there. Let's delete the fact this thing happened 2 years ago. And let's delete everything that was actually important about it, too.

-also some changes in the Dark Era arc. Like. Lord. Dazai is so much more emotional in the novel. His expressions r described so well. But the anime either shows him from the back at those moments (him finding out Oda was almost killed by a sniper in Ango's room) or just deletes/changes the thing (Oda dying. This scene is so emotional in the novel. From the description u can tell Dazai was crying/on the verge of it as Odasaku died. But in the anime he looks calm and then we get a far aeay frame and he just. Gets up and that's it yeah.) They also deleted the scene of him visiting Oda's grave.

-The way they rushed seasons 4 and 5. Just to give us an episode that goes further than the manga and has the shittiest writing ever when it comes to skk's plan revelation (im so angry about this u guys have no idea. I sincerely believe that if this episode never came out, the manga would go differently bc there's no way that Asagiri who wrote things like Stormbringer suddenly thought that some dollar store vampire make up will fool a guy who's centuries old and literally lived next to vampires. But well!! Seems like these two speeches Dazai gave weren't important at all and now we can just forget about them yippiee)

I could definitely mention WAYY more examples of that but this is already long af. Like guys. I know u cant fit everything in an animated show. It takes time to make it and all but. Bro. The character's in the anime r so shallow compared to their original versions.

.

Now onto the artstyle of the anime.

Lord. U know? It was actually pretty in the first 2 seasons. The official arts at the time were also really nice to look at.

No idea what happened later. Why did Bones suddenly decide that those ugly turtle smiles r gonna become the main thing in the character design. Why so many fisheyes. Atp sometimes i look at the official art and i go oh lord even i could fix it. It really feels like they draw some characters ugly on purpose now (Chuuya being the main victim for unknown reasons).

Tho i must say they have their moments even now. Some last episodes of season 5 weren't really bad, especially the Meursault part (love them for animating Dazai and Sigma dancing so well. And for that 101 animation. And maybe for the heartattack they gave me with 109 and Chuuya shooting Dazai so many times.)

.

On some other things, i really like the music! Bsd openings and endings never miss,,,

[valentinedagger]

i have a bit of a hot take: "you have to read novels to improve your writing" is technically, literally true insofar as you're talking about, like, prose structure and style. however, if you're already satisfied with your prose itself, i do not think that's true and i think prose writing sincerely benefits from a multidisciplinary approach that one might get from studying writing across art forms other than novels.

comics, film, television, video games, web-based unfiction like ARGs, concept albums, and pretty much any other narrative art i can't think of right now--they're all fertile ground for developing your understanding of character work, framing, pacing, establishing symbolism and other motifs, setting work, pretty much everything i would consider the fundamental building blocks of narrative fiction. you can learn just as much from picking apart the narrative structure and choices in your favorite manga as you can from doing the same with your favorite novel.

more than that, i think taking a multidisciplinary approach to studying fiction can result in better, more interesting novels--breaking away from your medium of choice allows you to think about art using different lenses entirely and examine your own medium in new ways. studying a TV show could give you insight into how serial, episodic writing differs structurally from trad published novels, and could allow you to take a fresh structural approach on writing a series of novels. studying a comic might cause you to think about your choices of visuals and visual framing, and to be intentional about your "directorial style" in-text as much as you are intentional about your prose style. et cetera and so on and so forth!

i do appreciate where the sentiment "you have to read novels to improve your own writing" is coming from--i mean, for one thing, i agree that the best art tends to come from a genuine enthusiasm for the medium you're working in--but quite frankly, narrative fiction is narrative fiction. we're all working with the same basic toolkit, there's just different ways to use those tools based on medium.

full disclosure: i, as an author, am not a huge reader of novels. i get through 2-4 novels a year, on average. i am, however, a voracious enthusiast of multimedia web-based fiction, comics, animation, and television, and i do the vast bulk of my artistic criticism and analysis in those mediums. i do study prose through the novels i read, but on the whole, even my prose improvement tends to come from studying poetry (something that is painfully obvious in my writing at times, and is not to everyone's taste). don't get me wrong--i am not saying i produce outstanding quality work that should be compared to that of lifelong professionals or anything, but my writing is generally acceptable, and i continue to make marked improvements over time--because my course of study is intentional, regardless of medium.

tl;dr: narrative is narrative, if you set out with the intention to understand what makes a narrative tick, it doesn't matter what medium you're studying, you're still learning.

[dazais-guardian-angel]

Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.

When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?

Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?

I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.

I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.

An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.

So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.

Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡

[shadowsphere21]

Written In The Stars (BSSM PC Engine Game 30th Anniversary)

“I’m so excited…the love of my life might come by…”

— Makoto Kino (just before she meets Nephrite for the first time), Bishoujo Senshi Sailor Moon visual novel, made exclusively for PC Engine Game (Turbografx 16), released in 1994.

A Jupiter and Nephrite drawing made especially for the 30th Anniversary of the Bishoujo Senshi Sailor Moon PC Engine Game, released in Japan exclusively. It’s a rare game, in the form of a visual novel (one I was able to get and patch) and the story basically is an original based on Season One of the 90s anime. It ties up all the loose ends (basically exploring a storyline that they were not able to get into the anime proper) and provides a satisfying close out to the 90s anime Dark Kingdom arc. The undertaking was such that two original songs were recorded for the game, and the CD itself has a treasure trove of unused cels and sound bites, accessible via a special maneuver with the patch. More information can be found on it here: https://sailormoon.fandom.com/wiki/Bishoujo_Senshi_Sailor_Moon_(PC-Engine) If you want to see the game in action there are several playthroughs currently available on YouTube.

Jupiter and Nephrite, along with Naru and Umino, actually have a pivotal role within the story, and thus I made Jupiter and Nephrite the first couple I drew as part of the anniversary set. I will draw the others as well, given time, because this one took me 3 weeks 😅. It’s the closest thing to an anime look that I have ever gotten while retaining some of my original sketching, coloring and shading style. Hopefully I’ll be able to keep this up, because it wasn’t easy (not to mention I missed using my sketching pen). I guess all that practice with SK8 is paying dividends now 😆.

[formulaorange]

Winter 2024 Anime Review

Solo Leveling - 24 Episodes

This has been and will be my most anticipated series. We've only scratched the surface of the story and people are going nuts. I've been reading the light novel translations for a while now and I'm not even a little ready for when certain things are animated.

Easily one of the best anime adaptations out there. More to look forward to.

Sidenote - A1 is killing the animations considering it's one of their bigger ones in a while.

Also - they did a really solid job with the sound design, a lot of the timing made certain scenes feel just that much more intense.

9/10 - Amazing

Frieren - 28 episodes

Such a unique watching experience.

I think so many shows these days are fast paced, and action oriented, especially within the fantasy genre. This is such a relaxing and enjoyable watch.

The story is moving and the animations are warm and fuzzy.

Not much I'd change about the series.

10/10 - Masterpiece

The Apothecary Diaries - 24 Episodes

The second half of this series kept up with the flow of the first half really well. I feel like that shouldn't be a feat but it really is these days.

I genuinely love watching the subtleties of the romance in this series and the medical mystery cases are just as fun to watch.

The story has so many little bits and pieces working throughout the show and the last episode had me wrecked for reasons I never saw coming.

Just overall a big fan of this series.

9/10 - Amazing

Delicious in Dungeon - 12/24 Episodes

This series has no right to be this much fun.

The animations match the energy of the show so well and I think it's one of the best "entertainment" series of the season.

I was worried it would start to repeat itself but found that the characters become the highlight of the series and I looked forward to every episode.

(This is the series this season that I'm high-key obsessed with.)

8.5/10 - Very Good+

Shangri-La Frontier - 25 Episodes

One of the most fun looking MMORPG animes I've seen. I remember reading the teaser manga a while ago and was stoked to see it animated. Just a genuinely well done gamer oriented series.

They do such a good job at showing exactly the kinds of small things gamers pay attention to and some of the combat learning is stellar.

Not to mention the sound track honestly did not need to go as hard as it did?!

Really hoping they continue on with this for another season.

8/10 - Very Good

Bucchigiri?! - 12 Episodes (Updated)

I haven't seen any coverage for this show for some reason. It's a one shot that Mappa animated. The story felt quite slow but I personally had fun with it, the character design was satisfying - gives a bit of Jojo's and SK8 vibes. After a few weeks I couldn't stop thinking about it and went back - it ends up being a decently satisfying story. It's rare to see single season shows and I think that was really refreshing.

(Opening and ending are both bangers)

7.5/10 - Good+

Mashle - Season 2 - 12 Episodes

I decided to watch this once all the episodes had aired. I found that it's not one you can be in the mood to watch all the time, but when you are it's just as hilarious as the first season.

I've enjoyed the pacing of the story and I'm looking forward to future seasons.

7.5/10 - Good+

Unwanted Undead - 12 Episodes

Another series I read the manga for when it premiered. There's something about this series that gets me hooked. While the animations aren't anything of note, I find the story is oddly unique and I ended up bingeing all the episodes in one go. Definitely one I'm curious to see where it goes.

7/10 - Good

Mr. Villain's Day Off - 12 Episodes

This is purely for my own personal interest in attractive moody villains with alter ego's. It's a lot of fun to watch and it's just so wholesome.

That's it.

7/10 - Good

[kingdomoftyto]

I've started and deleted three drafts now trying to get my thoughts into a coherent recommendation, but there's just so much.

Let's start with the basics: You should read the graphic novel if you're a fan of the original show. You just should. It's new content of your old faves, and I'm telling you now that the art and writing are great and that you should give it a shot based on that alone.

But as for exactly why I'm losing my mind over it this much...?

It... feels like watching the show. But a version of the show unafraid to explore its own worldbuilding. A version of the show where continuity and character growth matter. A version of the show without jokes written by people far too old to understand mid-2000s teens.

And it is actually, honest-to-goodness funny. I went in fully braced for a badly shoehorned "fruit loop" one-liner, and instead I got incredible deadpan asides like this:

The art, too, manages to perfectly ride the line of looking enough like the original style to be convincing, but improving on the expressiveness of the characters' faces and actions to elevate it to something arguably better than the show:

(Like, I'm being so serious when I say the fight scenes are among the best I have ever seen in comic form. I'm the kind of person who tends to go for anime over manga because the fights are harder for me to follow in little sequential snapshots, but I can tell exactly what's happening in these battles AND they still look super cinematic and cool.)

And the story. Man, the STORY.

I won't spoil any of the plot here, but it's... really good. A little winding and goofy toward the beginning, but once things get serious, it really grabs you and refuses to let go til it's done. (Much like the best episodes of the show! Funny how that works.) It has a satisfying conclusion, but it also leaves a massive door open to continue telling more stories in the setting.

And I want more stories in this universe. The threads being dangled here might be even more enticing than those left by the original show. There is potential here for an INCREDIBLE series of comics.

We just have to prove how badly we want it.

If you can't buy the book yourself right now (it's relatively cheap for a graphic novel--I think it was about $15 even with tax from my Barnes & Noble), then please at least let other fans know it exists (I wouldn't have had any idea if not for tumblr) and keep the hype going on social media. I'm stoked to see that DP is trending on tumblr, at least, and I hope the same is true elsewhere. It's a small thing, but it's something corporate decision-makers take note of.

Fingers crossed we get to see more someday. This is one series that deserves to come back from the dead.

But, whether or not we get that continuation: welcome back, Phandom. Congrats and happy release day. 💚

[mostlysignssomeportents]

Naomi Novik's incredible, brilliant, stupendous "Temeraire" series

One of the finest pleasures in life is to discover a complete series of novels as an adult, to devour them right through to the end, and to arrive at that ending to discover that, while you’d have happily inhabited the author’s world for many more volumes, you are eminently satisfied with the series’ conclusion.

I just had this experience and I am still basking in the warm glow of having had such a thoroughly fulfilling imaginary demi-life for half a year. I’m speaking of the nine volumes in Naomi Novik’s Temeraire series, which reimagines the Napoleonic Wars in a world that humans share with enormous, powerful, intelligent dragons.

https://www.naominovik.com/temeraire/

If you are like me, this may not sound like your kind of thing, but please, read on! Novik is a gifted, brilliant storyteller, and even if you, like me, had never read a tale of naval or aerial battles that didn’t bore you to tears, you should absolutely read these books, because I have never been so gripped by action sequences as I was by Novik’s massive military set-pieces.

Likewise, if you’re not a fan of dragon fiction — I’m not, though I do enjoy some heroic fantasy — or talking animal stories (ditto), you owe it to yourself to read these books! Novik’s dragons straddle the line between fantasy and sf, with decidedly nonmagical, bioscience- and physics-grounded characteristics. In the hands of a lesser writer, this can be deadly, yielding an imaginary creature that is neither fantastic nor believable.

But Novik’s deft handling of her dragons — variegated in biological characteristics, sociological arrangements, and umwelt — renders them as creatures both majestic and relatable, decidedly inhuman in outlook but also intensely likeable characters that you root for (or facepalm over, or sometimes both — a delicious sweet-sour cocktail of emotions!).

Finally, if you’re not a fan of historical fiction — again, as I am not! — you should absolutely get these books. Novik is an exhaustive researcher with a gift for rendering the people and circumstances of the past simultaneously comprehensible and unmistakably different, making the past “a different country” indeed, but nevertheless a place whose contours can be firmly grasped and inhabited.

In other words, Novik has written a work of historical-military fiction with dragons in it that I enjoyed, despite having almost no interest in historical fiction, military fiction, or high fantasy. She did this by means of the simple trick of being consistently and variously brilliant in her execution.

First, she is brilliant in the themes that run through these nine volumes: the themes of honor, duty and love, and the impossible dilemmas that arise from trying to be true to yourself and others. Captain William Laurence — the sea captain who finds himself abruptly moved into the dragon corps — is a profoundly honorable man, bound by the strictest of mores. Nominally, Laurence’s moral code is shared by his fellow gentlemen and officers, but where most of the world — all the way up to the Lords of the Admiralty — pays lip service to this code, Laurence truly believes in it.

But there is something of Godel’s Incompleteness in Laurence’s Georgian morality, in that to be completely true to his ethics, Laurence must — again and again, in ways large and small — also violate his ethics, often with the most extreme consequences imaginable at stake. Novik spends nine volumes destruction-testing Laurence’s morality, in a series of hypotheticals of the sort that you could easily spend years arguing over in a philosophy of ethics seminar — but these aren’t dry academic questions, they’re the stuff of fabulous adventure, great battles, hair’s-breadth escapes, and daring rescues.

Next, there is Novik’s historicalness, which is broad, deep, and also brilliantly speculative. Novik has painstakingly researched the historical circumstances of all parts of Napoleonic Europe, but also the Inca empire, colonial Africa, settler Australia, late-Qing China, and Meiji Japan.

It would be one thing if Novik merely brought these places and times to life with perfect verisimilitude, but Novik goes further. She has reimagined how all of these societies would have developed in the presence of massive, powerful, intelligent dragons — how their power structures would relate to dragons, and how the dragons would have related to colonial conquest.

The result is both a stage that is set for a Napoleonic War that is recognizable but utterly transformed, a set of social and strategic speculations that would make for a brilliant West Point grad seminar or tabletop military strategy game or an anticolonial retelling of imperial conquest, but is, instead, the backdrop for nine exciting, world-spanning novels.

Next, there’s Novik’s action staging. I have the world’s worst sense of direction and geometry. I can stay in a hotel for a week and still get lost every time I try to find my room. I can’t read maps. I can’t visualize 3D objects or solve jigsaw puzzles. Hell, I can barely see. Nevertheless, I was able to follow every twist and turn of Novik’s intricate naval/aerial/infantry battles, often with casts of thousands. Not just follow them! I was utterly captivated by them.

Next, there’s Novik’s ability to juggle her characters. While these novels follow two main characters — William Laurence and the dragon Temeraire — they are joined by hundreds of other named characters, from Chinese emperors to the Sapa Inca to Wellington to Napoleon, to say nothing of the dragons, the sea captains, the Japanese lords, the drunken sailors, the brave midshipmen, and so on and so on. Each one of these people is distinct, sharply drawn, necessary to the tale, and strongly individuated. I am in awe (and not a little jealous). Wow. Just wow.

Finally, there’s Novik’s language: the tale is told primarily through Laurence’s point of view, which is rendered in mannered, early 19th century English. Again, this is the kind of thing I usually find either difficult or irritatingly precious or both — but again, it turns out that I just hadn’t read anyone who was really good at this sort of thing. Novik is really, really good at it.

At the end of one summer, years ago, I ran into Vernor Vinge at a conference and asked him how he was doing. He lit up and told me he’d just had one of the best summers of his adult life, because he’d started it by reading the first Terry Pratchett Discworld novel, and had discovered, stretching before him, dozens more in the series. It was an experience he hadn’t enjoyed since he was a boy, discovering the writers that preceded him.

As I read the Temeraire books, I kept returning to that conversation with Vinge. I listened to the Temeraire books as audiobooks, downloading them from Libro.fm and listening to them on my underwater MP3 player as I swam my daily laps. Simon Vance’s narration truly did the series justice, and I could only imagine how complex it must have been for Vance and his director to juggle all the character voices, but they pulled it off beautifully.

I normally read pretty widely, but almost always within a band of themes, settings and modes that I’ve specialized in. This can be a very satisfying experience, of course. Last year, I read dozens of fantastic books that were in my wheelhouse, for all that that wheelhouse is an extremely large one:

https://pluralistic.net/2022/12/01/bookishness/#2022-in-review

But reading against type, outside of one’s comfort zone, yields new and distinct delights. The Temeraire series joins the very short list of heroic fantasy novels that I count among my all-time favorites, along with such marvels as Steven Brust’s Vlad Taltos/Jhereg series:

https://memex.craphound.com/2017/10/17/listen-up-you-really-owe-it-to-yourself-to-read-15-vlad-taltos-novels-seriously/

Brust is tremblingly close to finishing the Vlad books, which I started reading as a 13 year old and have been devouring ever since. I can’t wait for the final volumes to come out, so I can binge-read the whole series from beginning to end.

There are so many good new books coming out every month, and it can feel like a disservice to those writers to indulge in backlist reading, but there is a lot to be said for revisiting beloved works of decades gone by. I am so glad to have read Temeraire at last — I haven’t been this excited to read something I missed the first time around since I read Red Mars 12 years after its initial publication:

https://memex.craphound.com/2004/05/28/red-mars-a-very-belated-appreciation/

[Image ID: A grid showing the Penguin Random House covers of the first eight Temeraire novels by Naomi Novik.]

[ladyloveandjustice]

Fall 2023 Anime Overview: I'm in Love with the Villainess

Premise: Rae is reincarnated as the heroine of her favorite dating sim. But she has no interest in romancing any of the boys- she's head over heels for Claire Francois, the villainess of the game. Claire is horrified to find the major target of her bullying suddenly enjoys it, often pleading "step on me harder". But Rae isn't just here to flirt with Claire- she has a plan to save her beloved from a horrible fate.

I'm allowed to have a problematic gay fave. In fact, I would call it my right as a lesbian. And I enjoy I'm in Love with a Villainess a lot, despite some bumps in the road. It's tropey as all get out and a story that shows signs of having an inexperienced author, but it has real heart to it, it's full of joy, and connects with me in surprising way.

I'll try not to ramble too much, since I'm planning on writing a longer article on this series-- so keep your eyes peeled.

I'm in Love with the Villainess might not always be polished or expertly crafted, but it is very fun and entertaining. Rae ignoring all the male love interests to stan for her mean girl fave is ultra relatable to me, and her gremlin energy is off the charts. Claire is also a super fun character-- if you love ridiculous ojou-sama characters, she is max ojou sama. But she's also hiding a lot of insecurity and of course, a secret soft side-- her character arc over the course of the series is really satisfying.

However, Rae's pushiness might be a sticking point for some. Her worst moments are mostly contained to episode 2 where she does inexcusable things like ogling Claire while she's changing (against Claire's wishes) after having wriggled her way into a position as her maid (against Claire's wishes, though Rae does have secret noble reasons for that one). This is her worst moment and she calms down a bit from there as the story starts to find itself. Her pushiness remains, but gets a bit less uncomfortable as it becomes clear Claire likes her too.

This pushiness clashes a bit with a really interesting thing ILTV does--which is engage bluntly and honestly with homophobia and stereotypes. There's a great moment in episode three where the series. Rae is asked point blank if she's gay, she responds yes. When Claire moves away from her in response, it's pointed out to her that's a form of homophobia, and it's pointed out how screwed up it is to believe anyone who's gay is automatically going to creep on every girl they see. Rae also gently corrects someone who gives her the common "she just happened to be a woman, you're just falling in love with the person right? Your love just transcends gender?" line, (which is a common line that's used to avoid talking about queerness directly in manga and anime) with "no, I'm a lesbian, I only fall in love with women."

And yes, homophobes got big mad at this scene. How dare a yuri anime be gay! I'm in Love with the Villainess does not let homophobic yuri fans feel safe.

It's really refreshing to see a silly isekai series directly engage with stereotypes and lesbian issues like this, and it was a very pleasant surprise when I read the novels.

However, this message is a little muddled by the fact Rae did harass Claire, so Claire has every right to feel uncomfortable around her. The show does acknowledge this. The story makes it clear it knows Claire has a right to distrust Rae and it's her responding badly specifically to Rae saying she's gay is the problem. But it's still very weird to simultaneously have a "gay people aren't automatically predators!!!" coupled with "well also our gay main character does commit a little sexual harassment sometimes".

(Some of this weirdness could have been rectified if the story had character besides Claire act badly to Rae saying she was gay, and have them get the lecture, since the point was supposed to be that gay people don't hit on every member of the same gender they meet...but again, that point falls flat if the lecture recipient is Claire, since Rae has already been hitting on her).

I don't really begrudge the author this- Inori was obviously just engaging in the unfortunately typical anime tropes, but also decided to also use her story to passionately educate about and defend gay people and couldn't quite reconcile the dissonance. However, it is very "have your cake and eat it too".

But ILTV does do a very interesting thing with the common anime trope of the overly demonstrative lesbian character who does wacky hijinks and declares her love in a "funny" way. Rae reveals she's so used to being treated badly and rejected by friends and crushes for being gay that she treats her feelings as big joke as a defense mechanism. Because she’s so used to being rejected for her sexuality, she’s given up on earnestly pursuing Claire from the beginning. She doesn’t think she has a shot and she doesn’t want to risk being rejected. However, if she’s loud and obnoxious about her love for Claire, the inevitable rejection doesn’t hurt so much.

She makes it so Claire’s rejecting her for being a weirdo, not because she’s gay. If it's a joke, then when everyone laughs at it and dismisses it, it doesn’t hurt…and she can still be honest about and open about being gay. She can fool even herself and stay around Claire without any of that heartbreak and awkwardness that destroyed relationships the other times she confessed her love.

Rae's arc throughout the show is overcoming her assumption that Claire would be happier with a man and there's no point in earnestly courting her. She's so used to being degraded, she thinks it's impossible she could give Claire a good life and impossible that her real feelings will be accepted.

It doesn't excuse Rae's actions, but it does make her a very interesting character, and one that's meaningful to me as a lesbian. It adds surprising depth to a usually tired trope.

There's also some other interesting aspects of the anime, like how Rae simps for Claire but doesn't simp for her classism. She often gently challenges her on it, and the "commoner uprising" plot, while pretty weirdly paced and (temporarily) resolved, does treat the commoners sympathetically. Considering how other kinds of isekai regularly excuse shit like buying slaves, it's nice to see one that very much sympathizes with marginalized.

Though the commoner uprising plot does lead us to the other huge caveat with the anime- incest. Yeesh. There's a plot twist where it's revealed that side characters are in an incestuous relationship, and they're treated as tragic and sympathetic, they have a love that cannot be accepted, etc. The anime makes this worse by having Rae say "homosexuality isn't the only kind of forbidden love", which (unintentionally?) equates queerness and incest, which is something homophobes often do too. (The novels aren't innocent either, Rae laments "Why can't people be free to love who they want" at one point in a way that less explicitly equates the two things). However I was able to stand this because it's mainly executed as a plot twist. We don't get any details about the character's relationships, we barely see them even stand next to each other, and they're out of the plot fairly quickly. I can absolutely see this being a deal breaker for someone less numb to anime bullshit through.

And finally, a character comes in who acts fairly manipulative and skeezy towards Rae herself, though the drama she does stoke is great stuff.

So yes, I mean it when I say it has problems! But I find the fun shenanigans, blatant lesbian wish fulfillment, honest advocation for queer people, and the joy and earnestness of the series worth it enough I can grit my teeth through it all. It should also be noted that Inori, the author, is a trans lesbian, and that's another big reason why this is so special to many people-- it's a lot easier to forgive a new author for some uneven writing when she has a stake in telling queer stories.

The anime is obviously one that doesn't have a lot of resources (and I missed some of Rae's interior monologue, which gets more into what a nerd girl she is) but it does a decent job with what it had (though I would have liked it to condense or cut some of the magic duels and Rae doing harassment to focus more on the stories strengths, but alas). I have my fingers crossed for a second season, but the yuri don't tend to get those, so I'm not holding my breath.

Is ILTV's pacing sometimes weird? Yes, the commoner uprising doesn't get as much attention as it should. Is it sometimes clumsy? Oh yes. Do I still get a joy like no other when Rae kicks aside the screen prompting her to choose a male interest to yell for Claire instead, or when she fantasizes about herself and Claire being warriors together? Hell yes.

ILTV is often silly, often flawed, but you know what, queer people get to have our silly, flawed, but still occasionally touching stories as well. Straight people have has a monopoly on it too long. It's not a series for everyone, but it's a series that spoke to some struggling queer people regardless, and it's a series that makes me smile, and that's all that matters at the end of the day.

[maboroshi-no]

Hamefura BluRay S1 Vol 1 SS

I will translate the extra novels featured in the extra booklets given with the anime Blu-rays.

This story is in the booklet of Hamefura S1 Vol 1 and it is about Mary.

Series: My Next Life as a Villainess: All Routes Lead to Doom! Title / Character: Mary Source: Anime BluRay S1 Vol 1 Synopsis: Mary is working hard on her schemes to break off Katarina and Geordo's engagement. Translation: maboroshi-no

Translation below ⮟

Mary

Mary: …and it seems like there will be some official matters to attend to as well. Considering these, I am terribly unsuitable for such an important position as prince's consort.

When I, Mary Hunt, stated this with a troubled face, Lady Katarina also lowered her eyebrows in worry.

Katarina: If even you think this, Mary, then it will be even more impossible for me.

Despite making a satisfied smile inside after hearing these words, I still displayed a troubled face and said,

Mary: In that case, let's both break off our engagements and run to some faraway land!

When I took Lady Katarina's hand and said this,

Katarina: Thank you, you really are kind, Mary.

Lady Katarina said this with a happy smile.

While saying "Not at all" and shaking my head, I struck a victory pose in my heart.

Like this, my plan that consisted in planting in Lady Katarina's mind the idea, "Being a prince's consort is hard, I don't want to become one" has been going very well so far.

Since her brother, Lord Keith, and her mother, Lady Millidiana, had also taken an opposing stance to Lady Katarina becoming a prince's consort, at this rate, if things went well, I might be able to break off the engagement between that abominable Geordo Stuart and Lady Katarina.

Still, the enemy was strong, so negligence was taboo.

We would enroll in the Academy of Magic soon and I had no doubt he was planning on marrying her as soon as we graduated. I needed to do something before it happened! I talked even more about the difficulties of a prince's consort to Lady Katarina. 

Katarina: Well~ The more I listen to you, the more it feels like being a prince's consort would be impossible for me. I wonder when Prince Geordo will break off the engagement.

Lady Katarina had said this after hearing my considerable overstatements of the difficulties of a prince's consort. She believed that Prince Geordo would break off their engagement.

When I inquired as to why,  she was brimming with confidence as she replied, "Prince Geordo only considers me a breakwater that keeps women away, so once he meets someone he truly loves, he will break off the engagement right away!"

When I heard this, I could somehow maintain a normal face thanks to the facial muscles I had trained as a lady, but inside, my mouth was agape. Then this retort struck inside me: "No, this will never happen!" Prince Geordo was so hopelessly in love with her that he desired to monopolize her anyhow, it was just unthinkable that he would break off the engagement himself. But Lady Katarina didn't realize it at all.

Despite all the affection he had shown her, she firmly believed she was "just a breakwater keeping women away" and kept talking about absurdities like "Prince Geordo will have a woman he loves soon".

"No, Prince Geordo already has a woman he loves. This is you, Lady Katarina". Despite thinking this inside, I didn't tell Lady Katarina and just watched her.

Because having her not realize his feelings would probably make the breaking off of their engagement easier.

Mary: Let's break off your engagement to Prince Geordo and, if possible, run away to a faraway land.

They were the words that I have been telling Lady Katarina lately.

Lady Katarina seemed to think it was just a joke, but to me, it was very serious.

Prince Geordo might look like that, but he was a lump of monopolizing desire. If he were to marry Lady Katarina, he would likely monopolize her without any intention to let her go. If it came to this, I would mostly be unable to see Lady Katarina. I refused it.

Lady Katarina, whom I had met seven years ago when I was eight, who had changed my cowardly and unconfident self, was to me, Mary Hunt, a very special and important person. Moving forward, I had no desire to be separated from her.

And to that end, I needed her engagement with Prince Geordo to be broken. This was why I had fervently talked to her every day about how difficult it was to be a prince's consort.

Mary: I will take my leave for today. I'll come again.

When I said goodbye like this, Lady Katarina too,

Katarina: Yes, come again, okay?

She replied this with a smile.

I waved my hand to her, got into the Hunt family's carriage, and set out on my way back home.

Today, the nuisances… or should I say the princes couldn't come to the Claes' house because of some business, so I could talk extensively with Lady Katarina. It was such a great day.

Next spring, we would enroll in the Academy of Magic and things would become troublesome in many ways. Until then, I wanted to enjoy such comfortable times a little more.

Then, it would be two years until graduation. During this time, would I be able to break off Lady Katarina and Prince Geordo's engagement? And if I couldn't, would I find a way to somehow prevent him from marrying her immediately? I guess I still needed to investigate a lot of things. And I also needed to use Prince Alan to confirm Prince's Geordo movements. Knowing the enemy's moves was important.

Aaah, but I needed to be careful so Prince Alan wouldn't realize that he loved Lady Katarina. Getting any more rivals would be troublesome.

Oh, that's right! It would probably be a good idea to decide on several candidates for our escape destination after the breaking off of the engagement. Prince Geordo was just so tenacious after all, so once the engagement was broken, he would probably not give up on Lady Katarina so easily. We needed to run to somewhere far away. 

Where would be good? If possible, a quiet place where it would be easy to live would be nice. The Kingdom of Sorcier was a good place and I didn't want to leave it, but as long as we remained in the kingdom, his princely power would be strong. Maybe we should go to a foreign country instead? How about the neighboring country Sharma? We had friendly relations with this country and it was safe, and while the food was considerably different from here, I had heard it was delicious.

Lady Katarina was very fond of eating, so pushing this place to her sounded great.

Alright, I would select several candidates in the same manner and next time, I would have Lady Katarina look at them.  

If I appealed to her with various good aspects, especially their food, Lady Katarina might get excited about them.

But if we were to move to a neighboring country, we would need as much funds as possible. As a lady of good taste, I spent my money moderately, so I did have a decent amount of savings, but once there, there was no guarantee I would find a job immediately, so I needed to save more.

Thinking about this, I had a lot to do. But this was so I could live together with Lady Katarina!

Like this, while I was working out various plans, the carriage had arrived at the Hunt's house.

When I got out of the carriage, my half-sisters were just gathered at the entrance.

My half-sisters seemed to have just returned from the place they had been to as well.

My half-sisters frowned upon seeing me but they didn't particularly say anything, so I just returned to my room.

These last few years, my half-sisters hadn't said anything unpleasant to me or been nasty to me.

I had become so much better than them and people now remembered me better, but more than anything, their unpleasantness and nastiness now didn't affect me in the slightest, so they probably didn't find it worth doing anymore.

Since the day I met Lady Katarina and received those wonderful words from her, since the moment I decided to raise my downcasted face and look forward, I had changed.

The cowardly and crybaby Mary Hunt was no more.

I was now the special and wonderful Mary.

Now, let's immediately write out the plan I thought of earlier.

I needed to investigate the specific regions we could escape to.

I gallantly returned to my room.