#the alternative version goes hard

[sosadraws]

I promised myself that when december starts I would draw this particular image with mynah and Elster. Then I forgot, then I remembered, and proceeded to speedrun this drawing at work.

Anyways,

🎄✨Season's Greasons~✨🎄

Cooler version and original:

[nach0]

wanted to draw fanart for @remxedmoon's isatscryption au but i realised i didn't actually know the plot yet which. whoops! so i settled for chucking my oc at it

OH YEAH INSCRYPTION IS 60% OFF ATM!! Consider this my official propaganda to go get this game

[gingermaple]

a shot in the dark

[vocaloid-song-of-the-day]

CRaZY (Sekai ver.) by Umetora feat. Vivid BAD SQUAD and Megurine Luka

[babsaros]

chaser? i hardly know her! i’d at least ask her name and safeword before we start predplay!

[pseudophan]

PHANNIE COOKBOOK SIGN-UPS!!

Do you have a really good recipe you think Dan and Phil would enjoy? Consider submitting it to this collaborative phannie cookbook that will be given to DnP at a meet & greet! It will also be available to everyone to download as a PDF.

Family recipes or your favourite dish from your country/culture is a bonus, but it doesn’t have to be that personal. All I ask is that you don’t go rip something random off the Internet right now just to be in the book, I want food you genuinely enjoy!

I’ve decided the most efficient way of doing this is to let you submit up to 3 different options, that way if there are any repeats (and I’m certain there will be) I won’t have to message everyone it concerns to ask if you have any alternatives. Besides, that way I can choose which version gets in based on your other options rather than which one ��sounds better” to me, cause I think that would be a little unfair. I also have no idea how many people will actually participate in this yet, which is currently the biggest hurdle in terms of planning. If only a few sign up there is a chance we’ll end up using multiple recipes by some, and if somehow we get too many I’ll have to pick and choose. I do really want to include as many people as possible, but until I actually see the recipes it’s hard to tell what will end up happening.

The main focus of this will be actual food, but we obviously need to include a few desserts, so feel free to submit those as well just be aware the chances of those getting picked might be lower. The same goes for soups, I assume a lot of people have soup recipes and we might include a couple, but for obvious reasons it's a low priority.

Some key things to keep in mind:

Phil is a bit picky and has some dietary restrictions! He shouldn’t have dairy or chocolate and he doesn’t like cheese or mushrooms, among other things. That doesn’t mean you have to avoid these things entirely, but maybe your grandma’s mac and cheese recipe isn’t the best choice

While neither of them is vegan they do eat a lot of vegan food, so we definitely need some vegan dishes. I also think it would be really great if you suggested vegetarian and/or vegan substitutions you know work well with your recipe! That isn’t a must for every dish, but it’s a nice addition where possible

Tragically, Dan and Phil are British, meaning they won’t necessarily have access to all the same ingredients as you. Luckily they are also rich and live in a major city with a lot of options so they aren’t limited to what they can find at their local Tesco, but since the aim of this book is to encourage them to cook we probably shouldn’t be sending them on a scavenger hunt either. I don’t think this will be a huge issue, but if your recipe calls for something you think might be very niche or local to you it might be worth googling it or asking around

The final book will be using UK measurements, but if your recipe doesn’t then don’t even worry about it for now. We’ll get to that later. You also don’t have to worry about typing out the whole step-by-step in detail in the sign-up form, I just need a list of the ingredients and roughly how to prepare it to gauge whether it’s a good fit.

I promise I’m almost done yapping but lastly, about some of the questions on the form - you don’t need to know exactly how long the dish takes to prepare, that will depend on the person or people making it anyway, but we do need a rough estimate. The difficulty level is obviously quite subjective, but I just want to hear how you personally would rank it, and if there is a specific part of the process you think someone who doesn’t cook a lot might struggle with. As for the last question about photos, I’m asking both if you have the time and opportunity to make the food and if you are able to take a good photo of it. Obviously it doesn’t have to be anything professional, a phone camera is fine, it just needs to be well lit and decent quality.

Okay, I think that’s everything-

Here's the sign-up form

The deadline is in a week, at midnight Thursday to Friday CET :)

(I also made a blog for this @phookbook for information and updates! A lot of it will probably still be on this blog, but I'll try to post/reblog the most important things on there for those who want to keep up with everything but who may not want to deal with all the chaos of pseudophan)

[skzdarlings]

alternate ending ; sharing a bed ; chan

original sharing a bed one-shot with chan.

author's note: i do love the final smut edit (and it's my most popular piece so clearly i was right!) but i always missed this fluff version. the love confession is very cute in this one.

content info: still some suggestive content, the first half of the story is the same and there's some heavy kissing, but this is definitely the fluffy director's cut lol

word count: 1800 words

-

You let yourself into Chan’s room, expecting to find him awake and working despite the hour.   Whenever you sleep over, your friend is more than happy to let you sleep in his bed when you can’t get comfy on the couch.   Many nights have passed that way, nestled under his blankets and falling asleep to his typing and clicking and absent-minded humming.   He likes to work through his nights so you sleep until morning then leave when he turns in.   

He must have been tired tonight.  His laptop is shut, the room dark save for the little flickering lights of his computer station.  Chan is in bed already, laying with his back to you and the blankets tucked around him.  He is sound asleep, so much so that he didn’t even hear your gentle knocks. 

You feel bad for disturbing him now.   Commandeering his bed is a little different when he is already in it.

You turn to leave when the blankets rustle behind you.  Chan’s groggy voice breaks through the silence, a raspy, “Babygirl?  That you?” 

Maybe it’s the cold floor under your bare feet, maybe it’s the late hour, or maybe it’s the roughness in his voice, but despite how many times Chan has playfully and affectionately called you baby girl, this time a little shiver brushes up your spine. 

You turn back around, wrapping your arms around yourself.   Thanks to the faint light from his work area, you can see Chan clearly even in the dark.  He has rolled onto his back and is rubbing a hand over his face. 

“Sorry, Channie,” you whisper.  “You sleep.  It’s fine.” 

His blanket slips down his bare chest and he drops his arm, looking at you with crinkled, sleepy eyes.  His curly hair is an endearing mess, though your eyes go a little lower when the blanket falls to his waistline.  You quickly lift your gaze from his abdomen to his sleepy eyes.  He squints at you as he adjusts to the darkness.   

“Everything all right?” he asks, still groggy. 

“Yeah, don’t worry,” you say, as if that has ever stopped Chan from worrying anyway. 

He is a little more awake now, his brow pinching as he looks at you.  All at once his face goes slack with realization.  A smile pushes at his dimples. 

“Right,” he says.  “The couch sucks, yeah?  Sorry, wasn’t thinking—”

“Don’t apologize,” you say with a little laugh.  “It’s your bed.” 

“Auuggh,” he says with faux-agony, “I’m such a bad host.” 

You cannot hide your amusement, smiling when he slaps a melodramatic hand over his heart.  As usual, the goofball makes himself giggle with his dumb little theatrics, the sound twinkling in its delight.  Your heart skips a beat.  

“All right,” he says.  “No worries.  Big bed.  You wanna share?” 

It isn’t really a question because he doesn’t wait for an answer, flipping open the covers for you to slide in. 

When you step towards the bed, he throws up a cautionary hand and laughs again.

“Sorry, uh, just wait one second,” he says.  “I’m not, uh, technically decent.”

Your eyes drop again.  The blankets only just reach his hips and when he shifts to get out of bed, it becomes abundently clear that Chan is completely naked under the covers.   You very nearly choke on your own spit, swallowing hard as your frantic eyes dart around his body.  He is seemingly oblivious to your startled state, turning his back to you as he steps out of the bed.  The sheet slips smoothly off his body.

Without thinking, you spin around to give him some privacy.  This plan fails spectacularly as his closet door is a big mirror and you end up looking at him through it. 

He is nonchalant, walking up to his dresser.  Your view is his backside but you have no complaints.  You know you shouldn’t stare, but you do, eyes on the breadth of his shoulders, the definition of his arms, going down his sturdy back to his ass where you linger a beat longer, then diving down his strong thighs until the view is blocked by his bed.   You watch him step into a pair of boxers, doing a little jump before snapping the band around his hips.  He turns around and you quickly close your eyes, grateful he cannot hear your heart going a mile a minute. 

“All right,” he says pleasantly. “All good now.  Come on.” 

He gets in the bed first and holds it open for you.  He is smiling so sweetly and you feel like the world’s nastiest horniest monster, gawping at him as you stumble to the bed.  You try not to think about how Naked Chan was laying between these sheets just moments ago.  

Somehow, you slide into the bed without making a huge fool of yourself.  You even manage to settle down, albeit stiffly.  So stiffly that Chan notices and laughs again, that same bubbly giggle as he reaches out to tweak your nose. 

“Y’okay?” he asks, his bare face so open and sweet that you melt with both affection and embarrassment. 

“Mhm,” you lie.  Your heart skips another beat when your leg brushes his under the covers. 

“C’mere, silly,” he says, wrapping his arm around you and tugging you across the bed.   You go with a squeak of surprise, planting your face in his bare chest.   “Better?” he asks.

“Mmmhf.”

With a little more shuffling, you settle again.   Chan lays on his back with one arm wrapped around you, you on your side just as snuggly holding onto him.  You rest your head on his chest, your fingers bouncing where they rest on his abdomen.   It takes a lot of effort not to start tracing the lines of his body, and even more effort not to drool all over him, but you do manage. 

Your heart is still beating quickly.  You are way too awake to just drift off.   Still, there is something cozy and safe about laying in his arms.  Even though you can’t sleep, you are content to rest in silence.  Your close your eyes and let your breathing follow the same cadence of his chest as it lifts and falls. 

You begin to slip into a drowsy, dream-like state, but you are awake enough that you feel his hand slip down your back.  It doesn’t go lower, but he touches the base of your spine and holds you a little closer to him.

“Baby girl,” he whispers.  “You awake?” 

You are lucky you don’t mewl like an overly amorous kitten.  A few little pets and a whispered name and he almost has you whimpering. 

Not trusting yourself to behave, you pretend you are fully asleep.   He just sighs, his thumb rubbing a little circle on your lower back.  You keep your eyes firmly shut the whole time. 

“I’m so fucking stupid,” he whispers.

He sounds exasperated. You don’t think it’s your fault, because he lovingly tips his head to rest it on yours.  There is another moment of silence, so you assume he was talking to himself about nothing particular, but then he releases a deep breath. 

“I told myself I was gonna talk to you tonight,” he says, still whispering and still exasperated.  “Talk to her when you meet for coffee, Chan.  Buy her favourite tea and tell her.  Tell her now, Chan, while she’s sitting on your couch.  Don’t hide in your room.  She’s hugging you, Chan, tell her now...” 

You try not to get ahead of yourself, but it sounds like your friend is grumbling his way through a love confession.  A grin tugs at the corners of your mouth.

“Does it count if I tell you while you’re sleeping?” he asks.

Yes, you think.  You massive dork.

You have no idea how one man can be so dweeby and so hot at the same time, but Chan manages it.  His hand covers your hip while his other hand brushes hair out of your face.  Is he staring at you with the same lovestruck goofiness that you looked at him?

You get your answer when he speaks again. 

“Love you, baby girl,” he says, voice gone even softer than his previous whispers.  His hand falls away and he sighs.  “Maybe you’ll, like, internalize it or something, in your sleep, yeah?  Please. ‘Cause I’m crazy about you.  I love you so much.  I’m so fucking stupid.  What am I even doing right now?  Fuck, I’m a fucking idiot.” 

You crack an eye open.  His eyes are closed and he looks incredibly pained by his performance despite thinking you didn’t even hear it.    

Joy is a bubbly thing in your chest, threatening to burst out of you with an explosion of giggles.  You restrain yourself in favour of another manouvre. 

You shift as if moving in your sleep.  Your hand slides up his chest and hooks onto his shoulder while you lift your head.  He must be looking at you because you feel a little puff of breath against your cheek. 

“Channie,” you murmur in a sleepy voice. 

“Yeah, baby, I’m here.  What’s up?” 

You blink your eyes open and hit him with the most tender, wanting expression you can muster.   He visibly swallows. 

You wrap your hand around the back of his neck, your nails scratching the way he likes.  Sometimes he just plops his head in your lap and shoves your hand somewhere up there to tickle and scratch his head.  You know what makes him happy and it causes the usual shiver of pleasure.   Combined with your steady gaze, it makes him effectively pliant.  You easily pull his head closer. 

The once impossible space between you is finally closed.  Your lips come together in a gentle, careful kiss, one that is interrupted by his sharp intake of breath.  You take in a shaky breath of your own. 

“Chan,” you whisper.  “I love you too.” 

“Oh,” he says, staring at your mouth.  “Good.  That’s good.”  He smiles when you giggle, then he brushes his nose against yours.  “Good thing.  Otherwise it would have been really awkward when I do this.” 

He rolls over you, kissing you with such ardor that you feel as if you are melting into his sheets.  You hum sweetly against his lips as he gathers your hands to pin them by your head.  When he licks into your mouth, you arch against him and make him moan. Your knees cradle his hips as he settles against you.  

His head falls to the crook of your neck where he kisses you softly. 

“Chan,” you say, a breathy sound.  You wrap your arms around his neck. 

“Yeah, baby girl,” he says.  He kisses under your jaw, your cheek, then your mouth again.  “I got you,” he says. 

Knowing it’s true, you smile into the next kiss. 

[youhypemeup]

❝ the story of us !

eli moskowitz x reader | cobra kai

synopsis, instagram posts of your relationship with eli through the years

or alternatively, dating eli pre-hawk, he didn’t want his face posted and for anyone to know you were together so you only posted faceless pics without mentioning his name and he never commented. then he becomes hawk and his confidence goes up and he wants everyone to know you’re dating so you post him all the time now and he comments on everything. when he reaches his bully arc, you go through problems and don’t post him on your page anymore, but then he reaches his redemption arc and you make up and start posting him again like nothing happened. but then cobra kai cuts off his mohawk and he loses his confidence so you stop posting him upon his request but then he gains his confidence back and wins the all valley boys division and you’re so proud and everything’s alright for the first time in a while (and hopefully it stays that way).

warnings, fluff, my failed attempt at trying to not let my awkwardness show through the characters

note, made this while finishing my cobra kai rewatch for season 6! i wanted to get my yearly post out in time and i think i did? i also tried to be as inclusive as possible in the pics two and three but it was a little hard finding faceless couple photos that don’t have any super obvious features/characteristics. i’m sorry if they aren’t as inclusive as i wanted them to be 😭 thank you for reading and i hope you enjoy!

kwon jaesung version ・ cobra kai masterlist

[scribefindegil]

Lorraine Baines McFly and Female Autonomy

Hello. I have spent the past month slowly losing my mind about Lorraine Baines McFly, Marty's mom in Back to the Future, so I am finally trying to articulate some of the reasons I'm so feral about her.

There's a quote from Lea Thompson, the actress who played Lorraine, that goes, "The three parts that women usually get to play are virgins, whores, and mothers, and in Back to the Future Part II, I got to play all three." While this is commentary on Hollywood and the limited roles that fictional women get forced into, I think it's also interesting to think about it in terms of how these roles are reflected onto actual women and used to limit their personhood and confine them to a very narrow range of acceptable behaviors . . . and then in turn to think about how the character interacts with these roles on a Watsonian level. They're affecting not just Lorraine the character as she was written, but Lorraine from an in-universe perspective trying to navigate life as a woman in a patriarchal world. Some of the sexism she faces is a deliberate narrative choice and some of it is a result of the writers' blind spots, but for the purpose of this essay I'm less interested in teasing out which threads are which and more in looking at it holistically.

Because the thing about Lorraine is that she's aware of what the acceptable roles and behaviors for women are, and the versions that we see of her across the various timelines alternately fight against and capitulate to these constraints. What is a woman allowed to be? How much is Lorraine willing to break from those restrictions? How much does she allow other women to break from them? Does she resent her role or embrace it? I have a lot of thoughts specifically about how the different iterations of her interact with concepts of female agency and autonomy.

(Putting this under a cut because it is. Long.)

I started thinking about this when I was talking with my partner about 50's Lorraine. She's extremely active and driven and planning to Get What She Wants (in a way that is very scary, if you are Marty) . . . but at the same time she's clearly aware that she isn't supposed to be. A Good Fifties Girl is demure and passive. Lorraine isn't--but she's still trying to toe the line. I think constantly about the scene where she shows up at Doc's garage to be like "I followed you home . . . so that I can ask you to ask me to the dance." The girl can embrace borderline stalking but she draws the line at directly asking a boy out! She's exercising a lot of agency but views doing so as rebellious and subversive--and risky.

And I also want to talk about the whole "boy crazy" thing because like . . . society (especially in the fifties) tells women that the most important thing they can possibly do is find a good man and become wives and mothers, that this will define the success or failure of their entire lives (and given how many things were unavailable to single women at the time this is in many ways true) . . . and then relentlessly mocks and punishes anyone who actually takes an interest in pursuing this instead of just sitting back passively and waiting. She is trying to do what society says will make her happy! And even her desire for a white knight is very much based in the reality of her situation! She's getting sexually harassed at school and around town and she's doing exactly what she's supposed to and standing up for herself and saying no and fighting back--and this is not enough. She does need backup! Biff harasses her in the middle of a crowded cafeteria and Marty is the ONLY person who does anything! No fucking wonder she latches onto him as hard as she does! (There's. I promise this is related but there's a BttF parody musical on YouTube where when Strickland comes to break up the lunchroom fight he says, "Now, I can excuse sexual harassment, but LIGHT SHOVING?" and like it's a haha funny joke but also?? Yeah?? That IS how it works. The way Lorraine's being treated is so overlooked and normalized that the authority figure isn't going to step up the way he will when it's a physical altercation between two guys. Screams.) I wonder if part of the reason she stuck with George in the original timeline even though they didn't have a lot in common is that "I have a boyfriend" is a boundary that some people might actually take seriously whereas "I'm not interested" is not.

But. In general 50's Lorraine is very much about grabbing as much agency as she feels she's allowed to . . . and then Twin Pines Lorraine is what happens when she regrets the result of those choices (because while we don't see it, it's pretty obvious that in the original timeline she pursued George as aggressively as she pursues Marty in the new one), and so she decides to deny, not just her own agency, but female agency as a general concept. She leans so heavily on the idea that her relationship was "meant to be" because it absolves her of any culpability in creating a life she's unhappy with. She's rewritten her own past to view herself as a passive participant in something inevitable. (Exactly the view of womanhood that she was fighting so hard against in the 50's!) And she extends this idea of female passivity to the women around her: telling Linda that she should sit back and wait and a relationship will "just happen," actively resenting Jennifer for doing something as simple as calling Marty on the phone. It's a really interesting form of internalized misogyny, perpetuating these sexist ideas as almost a misguided form of self-defense.

And then for Lone Pine Lorraine this is completely flipped! She loves Jennifer for the same reason she disliked her in Twin Pines: because she reminds Lorraine of her younger self. And like . . . this is something of an extrapolation, but while obviously her husband and kids are still very important to her, it also feels like she has interests and friends and other things going on in her life, whereas part of the isolation of Twin Pines is that her life has shrunk down to the point where she's ONLY a wife and mother with nothing else to define herself by. And it also matters that in this timeline she has a partner that supports her, not just in the big dramatic moments (although also that), but you can easily see the dance as a catalyst for George actually learning to listen to her and stand up for her about smaller things as well. George McFly feminism arc. (I'm being slightly facetious but like. George starts off kind of shitty. The spying is actively Bad and I hope Marty chewed him out for it offscreen, but also his reaction to the harassment scene being "I think there's someone else she'd rather go with," implying that he sees what Biff is doing as like. Normal flirting that he expects to work. He doesn't GET it. Unsurprising because he is. A teenage boy in the fifties. But I do believe that saving Lorraine was something of a wakeup call and after that he listened to her about things that make her uncomfortable and gave her the support that she needed. Which would also give her a lot more freedom in this timeline because she has someone with more societal power who has her back!)

And then. Hell Valley.

If Lone Pine is the version of Lorraine who has the most freedom, the most opportunities to make decisions based on what she wants instead of What Is Expected Of A Woman, Hell Valley is the opposite. The things denying her agency in Twin Pines is largely societal forces (and herself); in Hell Valley she is actively being denied autonomy by her evil husband who functions as the personification of a bunch of sexist ideas.

She's been objectified to the point that she doesn't maintain control over her own body; Biff pressures her to get cosmetic surgeries so she can continue to look attractive to him because that's the only value he sees in her. Her physical appearance is entirely tailored to his preferences.

Biff's view of Lorraine is wife-as-possession. He treats her like a prize he's won and her kids like parasites. And he is NOT subtle about this. But Lorraine is still desperately clinging to the idea that she's wife-as-family. She calls Biff "your father" to Marty when he arrives, and talks about "our children" because she wants so so badly for this to be something different than what it is. It's especially terrible because this is a timeline where she got seventeen years of being happy with George, she knows what she's missing, and she keeps trying to force this new relationship into a similar mold even though Biff is openly contemptuous of her and especially her kids. It's been twelve years and she's still trying to pretend. To call back to that Lea Thompson quote: it's obvious where Biff thinks Lorraine fits on the virgin-mother-whore axis, while Lorraine is actively trying to centralize her motherhood partially because the kids really are that important to her and partially as a defense mechanism.

(And it's also such a bleak cautionary tale about how fragile women's stability can be when they're dependent on their husbands; Lorraine was happy with George and had a fair amount of freedom, but he was the only one with an income so when he died she was suddenly forced into a truly horrific situation because she had no other means to support herself and her three young children. Especially given that the Hell Valley universe is also worse in some broader political ways that mean there were probably even fewer social supports available than in real life 1973)

And god. It kills me the way that we see her lash out, the way she's clawing for autonomy when she threatens to leave . . . and then exactly how Biff levels all his axes of control against her. It's very interesting that his first tactic is consumerist (Who will pay for all your things? Who will take care of you?) and that doesn't work even though not being able to support herself is a very real concern. It's only when he threatens her kids that she folds. And then she immediately crumples and pivots to rationalizing Biff's behavior and blaming herself for her own abuse (in a way that is both HEARTBREAKING and also? surprisingly sympathetic and realistic for an 80's movie?). It's similar to the passivity we see in Twin Pines, but here we see exactly where it comes from. She doesn't have any way out so she has to pretend. It's the only way she can keep going. She has these flashes of rage but they're immediately snuffed out by despair and denial.

There's not a lot of talk about Lorraine and what there is tends to reduce her to "well she's Marty's mom" as if she's a boring character who doesn't have a lot going on. But even though most of her role in the movies has to do with her relationships with the various men in her life, those relationships are really interesting if you actually pay attention to them! She's not just (in the 80's) a wife and mother--she's someone who has a complex relationship with marriage and motherhood and the societal expectations surrounding them. She's not just (in the 50's) a vapid boy-crazy girl--she's doing her best to go after what she wants in a world that doesn't want her to (the fact that one of the things she wants turns out to be her time-traveling son from the future is unfortunate but not something she has any way of knowing!). She's stuck in a society that doesn't want women to be people, and she knows this, and because we see her across two different time periods and three different timelines you can watch how sometimes society grinds her down until she gives in and tries not to be a person. And also how, sometimes, she fights back.

[burst-of-iridescent]

i really hate it when people act as though zuko is being selfish or self-serving in some way when he tells aang in the finale that the only choice he has is to kill ozai because a) at this point, zuko is right and b) zuko's brutal honesty here is coming from a place of fear for both aang and the world.

are we all forgetting that unlearning his own idealization of his father and realizing that ozai never had been, and was never going to be, the person zuko thought he was, was a significant part of zuko's own arc? it took him sixteen years to understand that giving ozai any grace or understanding or forgiveness was a mistake, because it would be just another tool for ozai to manipulate him with. and that's not zuko's fault, because he was an abused child growing up in an incredibly damaging environment, but it does make sense that he doesn't want anyone else, especially aang, doing the same thing.

zuko is harsh on aang here because he sees in aang the person that he used to be - the innocent, naive kid who wanted so desperately to believe that ozai wasn't a monster, that there was any shred of humanity within him at all to be appealed to. it's not a coincidence in this show so rife with parallels that aang goes to face ozai at around the same age that zuko has his agni kai. and what did it get zuko, when he threw himself at his father's mercy and counted on ozai's non-existent humanity and compassion to save him?

zuko isn't coming down hard on aang because he's angry that "aang won't do his dirty work for him" or whatever other bullshit version of this argument i've seen zuko antis make - he HAS to impress upon aang how dire this situation is because he knows better than anyone that believing for even a second that ozai can be redeemed is incredibly dangerous. aang cannot give ozai an inch because it will only be used against him (and indeed, this does happen in the final battle when aang turns down the opportunity to redirect lightning at ozai and in return ozai presses his advantage to the point where aang would almost certainly have been killed if not for rock ex-machina).

furthermore, this idea that zuko wanted ozai dead for self-serving reasons doesn't really have much basis either, because if that was the case zuko could have just killed ozai himself during the solstice. he doesn't because at that point, he still had an alternative: aang (and you'll notice his word choices never explicitly refer to what ozai's fate will be; it's only "i'm going to help him defeat you" or "taking you down is the avatar's destiny"). as with many abused children, it's likely that zuko himself didn't really know if he wanted his father dead, but when it came down to the final battle without any other viable options presenting themselves, it was something he had to resign himself - and aang - to.

zuko himself does not lack faith in others (in fact, his whole journey is about understanding that his love for and belief in humanity is a strength, not a weakness) but he's learned the hard way that having this faith in the wrong people can result in devastating consequences, especially when the stakes are so high.

i imagine it terrified zuko to see the echoes of his younger self in aang, knowing he's sending him to face his father at the height of his power. at this point, with no knowledge of energybending or any alternative way to defeat ozai, well aware that a fight with his father can only end in bloodshed, zuko has no choice but to give aang the reality of the situation: kill, or be killed and doom the world alongside you.

[elsa-fogen]

hello lobotomy au - special delivery! PAIN.

it's even more depressing than i expected... shit. it makes ME sad. which, usually, doesn't happen.

this au is really fucking depressing.

"i'm not gonna post about this au any time soon" - she said and immediatelly posted something

okay, so, how this "surgery" affected the Trix

Stormy's now absolutely passive. she doesn't do anything on her own, doesn't talk, doesn't react. she's basically like a ragdoll - except the times when she's not. she has only two conditions now, 1 where you can do anything with her, 2 where you can't move her even with a fucking tank. nothing in between. What is going on in her hed tho is a complete mystery.

Darcy's doing little bit better. just a little bit. she still can talk, can do many things. she just doesn't. she's absolutely apathetic, and without guidence she can just… starve to death, lying on the floor near the full fridge, just because she can't make herself get up and do anything (I wanted to give her memory issues - that she can't make any new memories and wakes up thinking that the last battle with the winx was just yesterday, but i was told that lobotomy doesn't cause memory issues). she also almost doesn't feel any emotions. The only thing she feels - is rage towards people who did this to them, when she sees Icy crying. speaking of her…

Icy is lucky (or unlucky) to be the most functional one of the three. she can still walk, talk and react almost normally to her surroundings. she just has really hard time thinking anout literally anything. it's like her iq dropped from 180 to 40-50, idk. so, yeah, no plans for world domination in this condition can be made. she even has hard time planning her day. And, also, she now can't control her magic at all - anything she touches will be frozen, so she has to wear artifacts that don't let her use magic at all. But not only her magic is out of control, her emotions are as well. In my aus Icy usually doesn't cry at all. In this one tho... in this one she will cry for all her alternative versions, yeah. And, as a bonus, occasional epileptic seizures.

And the worst thing is - she DOES realise how much she changed, notices that things she used to do without thinking at all now are taking her way to long to do. And she sees how her sisters changed as well. And she hates herself, she hates the winx, she hates the light rock for doing this to them. But she can't just end her sufferings, although she was thinking about it, her sisters will not survive without her. so she keeps living. for them.

she found a way, she spends her evenings trying to live through the next day and making a plan in her notebook, she sets alarm clock for every step, she sends million delayed reminders to herself. she goes to bed very late, but at least her next day will be a little bit easier.

But... their life has another catch. Obviously, none of them can work, not with such conditions. Icy tried, but got fired in less than an hour. But they are getting only one pension - for Stormy. Why is that? Because Icy and Darcy have huge family savings. But they can't get to them - it's now too difficult of a task to do. Icy can't plan the whole thing through, something will go wrong and she will be lost. And Darcy can't even leave the house before losing last bit of motivtion. Even if she left, she would stop in the proccess without someone who'd tell her to continue. And they can't go together, not without Stormy. And with her it becomes much more complicated. Hell, they can just lose her somewhere. And so they have to just survive with what they got.

The Trix don't have anyone, except for themselves. Who will take care of Darcy and Stormy if something happens? Icy always would answer: I will. But who will take care about you, if something happens to you? Darcy and Stormy will, isn't it obvious?

she never thought, that something can happen to all of them at once.

[apocalypse-shuffle]

MICHAEL MYERS | THE SHAPE (any iteration | any canon timeline idc)

—

Sex w/ Michael Myers (Michael Myers x Fem!Reader)

Headcanons

NSFW, 18+, minors dni, shoddy communication (because Michael), mild dubious consent

Pic Source: Rob Zombie’s Halloween, Halloween II, & Halloween Kills(?)

Michael ain’t easy when it comes to letting you know he’s horny.

Let’s say you’re at your computer desk working when he’s suddenly behind you.

He’s all up on you in seconds, lifting you up, taking your place in the chair, and putting you on his lap.

His rough hands find your breasts shortly after. Michael doesn’t speak as he touches you but with him so close you can hear the small groans that crawl up his throat.

You arch your back against him as he tweaks your nipples. Rubbing the dark nubs between his thumb and forefinger incessantly.

Moaning, you throw your head back on his shoulder to pant out: “What has gotten into you?”

He doesn’t react much to the question, only getting just that much louder groaning in your ear as he starts to rut up against your ass.

No sooner is he rubbing his length against your core through the layers of fabric between y’all and you’re left moaning and wondering when he’ll get impatient (because now you’re turned on too and you’re getting impatient) when he hoists you over his shoulder to reposition you.

Michael isn’t a cock warming type of man but once he gets you on the nearest flat surface he’s stuffing his semi erect dick into you with zero hesitation.

He squeezes your thigh and grunts at you to get a move on until you start milking him to full hardness.

After that it’s all Michael for the next while until he gets off, you cuming when he’s trying to nut is not the goal but if you happen to then that’s nice (initially at least).

Mainly Michael deals with himself first before coming back to finish you off after. He will breed you - every time - if you do not dissuade him from the action.

Regardless of where Michael’s cum, once he’s taken care of himself is when whether or not you came while he was getting off will come into play. If you didn’t then you’ll be well taken care of by relentless, nicely overwhelming precision. If you did, on the other hand, then prepare to be thoroughly punished because Michael is going to give you special attention whether you still want it now or not.

This man will (and revels in it tbh) overstimulate you to tears. You wanted to come so bad well then here you go, he doesn’t care if you're jerking around and sobbing he’s more than strong enough to restrain you.

Any form of aftercare depends on the version of Michael. RZ!Michael is definitely going to try, and with some direction from you he’ll be amazing at it. He wants that softer, less frenzied connection with you after the fact, and aftercare soothes and reassures you as well as him. OG!Michael and Old Man Myers (or Peepaw, as the ladies call him) on the other hand I firmly believe won’t care for aftercare all that much; at most you’ll get some base level rearranging done so that you're on a more comfortable surface and whatever supplies you might need will be easy to find and that’s it.

In general; if you're not in the mood (or are alternatively never in the mood) Michael is more or less easily dissuaded. You kind of have to start the pattern of sex for it to be something he goes looking for from you in the first place. If he can’t let out his sexual frustrations with you though then he has plenty of other fleshy and easily stab-able ways to let that frustration out.

Michael also regularly goes dormant - usually of his own accord - and has periods where he doesn’t kill so it’s pretty safe to assume that the same goes for his sex drive. When he’s in the mood to fuck is harder to track, and more spontaneous, than when he’s about to gear up to unleash his bloodthirst on the world though.

On another note let’s say you’re the one in the mood but Michael’s pretty firmly not. Likely it’s because he’s obsessing over a target for whatever reason. During times like these though, when his stalking and slashing are in high demand, you’ll barely even catch sight of him until he’s satisfied regardless.

NOTES: Hope you enjoyed!

I won’t say this was my best work, but I can only fuck around with a post for so long and I think a year was more than long enough for this to be ruminating in my drafts.

btw: if you’d like to leave a comment I’d very much appreciate it! this is a sideblog tho so I won’t respond.

[puzzlevision-official]

GEMINI PIECES !!!!! ★★★★★

oh this isn ‘ t my BEST work of them but i ‘ ll cook more with them soon because MY GOD !!! ARE THEY SILLY !!!!!! RTV / Reality TV ! Mr . Puzzles AU belongs to @4thwallbreakerdraws2 !! my stars am i going to yap about them SO HARD

context for art above LMFAO

ANYWAYS !!

their basic relationship and duo concept is strictly based off of roleplays that have been going on since JUNE OF THIS YEAR . yeah ,, they have very brotherly chemistry trust me . If you have NOT heard about the Reality TV AU , it is a reality where Mr . Puzzles initially won in the first PUZZLEVISION movie back in March . He successfully got his five stars , and wants access to the real world and his audience , that being . well . us !!

During the period of roleplay , the CANON Mr . Puzzles comes across this alternate version of himself , and finds him very fascinating ! He ‘ s actually proud that RTV!Puzzles had even won in the first place and congratulates him for such an achievement ! .. RTV does NOT feel the same . In fact , RTV feels the opposite way ! The CANON version of Puzzles is meant to be the failed reality , and someone that he ‘ s entirely ashamed of . Their relationship is VERY difficult to handle . i actually have a sort of chart listing their differences for them . grins .

short reminder that it is partially based off of headcanons ! ^_^

ohh , but yes . they ‘ re literally causing each other to go through literal hell and back . slightly literally if you want to count THE VOID /insidejoke

yeah . this is why they have a very brother like relationship if you recall a post of Animsays ! Reason why ? Most of the time , they ‘ re both at each others throats . If the other dies or goes through something horrible ? There ‘ s a slight chance of sympathy but they ‘ ll brush off their brothers ‘ pain like literally after 10 seconds . Other times .. they MIGHT get along and cause trouble together , which is something to fear ….. 💔

nodnod .. the gemini pieces brainrot … IT ‘ S VERY STRONG ….. TRUST ME 🙏🙏🙏 EXPECT SOME POSTS OF THEM SOONER OR LATER !!!! i usually forget to post on tumblr due to school and such but IT ‘ S ALRIGHT >o<

[mask-of-prime]

MTLK: The Parents

We recently got some full design reveals for both Scar's and Mufasa's biological parents for the upcoming Mufasa movie. If you know me, I love a good character design opportunity.

((Disclaimer: This is merely a design challenge and not an attempt to blend the two TLK universes together. As far as I know, the CGI movies are meant to tell a different story from the original 2D animated works. It's presumed that in the 2D movies, Mufasa and Scar are biological brothers from a more traditional, established bloodline of royal lions, while the CGI movies tell the story of a new pride from Mufasa's generation being formed at what is now known as the Pridelands.

ALSO IMPORTANT: I understand some may have gotten special viewings of the movie, heard the entire soundtrack, and may have read the novelization if that came out at all yet, but please be courteous and don't comment any spoilers of the film, not without a warning on top of your comment.))

Design Process Below:

Masego: I took the first noticeable traits that jumped out at me and exaggerated them to fit the original 2D style. He kinda looked like a mix of Mufasa and Simba to me. The bright red patterns on his mane are based on the distinctive gray patches in Keith David's hair (I can't believe Keith David never occurred to me as a voice for a lion who would father Mufasa, that casting goes so hard ngl)

Afia: When I first saw Afia, I noticed how much she looks like her grandson, Simba. I decided to have her greatly resemble Simba's 2D counterpart as a nod to that. I modeled her eye shape after Tiana's eyes as an allusion to her voice actress, Anika Noni Rose.

Obasi: First thing I noticed about Obasi was how much he resembled the classic Yellow Ahadi model, so I mostly followed that. I struggled so much with his color scheme. I have alternate color schemes below the description.

Eshe: Eshe is very clearly where Scar got his slender face shape from in the CGI-verse. She also has a very obvious brown pelt that could easily be adapted into the 2D style. She was the most difficult for me to design as she already had a kinda cartoony appearance in her original CGI depiction, so I had trouble doing it justice.

It's just so funny that Scar's parents ended up looking like that common Yellow Ahadi model and Brown Uru models, while Mufasa's bio parents ended up looking like the less common Brown Ahadi and Yellow Uru models, lol.

Alternative Obasi Colors:

EDIT: Tweaked Eshe's design, here's the previous version:

[suzukiblu]

excerpt from the one where Tim Drake goes to an alternate reality and decides to get his other self laid via the local Kon's bisexual awakening:

"Hey, remember when you saved my life earlier?" Tim asks. 

"Yeah, kinda," Kon replies in amusement. "Seeing as it was about two point five seconds after you rigged the evil alien robot army to self-destruct and helped save our entire literal reality's life, so I was definitely paying attention." 

"Flatterer," Tim says with a smirk even as he waves him off. The self-destruct function wasn't even that hard to hack, comparatively. That time he'd downloaded Lex Luthor's active IP files from his personal office while the asshole had been on his damn computer–now that'd been tricky. Interdimensional alien invaders barely compare. And the Brainiac incident still gives him stress migraines when he thinks about it for too long. 

Metropolis sucks and Tim frankly has no idea how his own Kon can stand the place.

But like, getting off-topic here. 

"Well, I was gonna say you should let me pay you back for that," he continues. "But since you bring it up I'll also accept a show of gratitude on behalf of your reality, whichever gets you off harder.” 

Kon laughs, because he is apparently adorable enough to have assumed that was a joke. Precious little moron, Tim thinks fondly. 

"You know, you're a lot less uptight than our version of you is," Kon says, grinning down at Tim before flashing Tim's other self a smirk. "No offense, Rob. Dude's clearly just doing more yoga than you or something. Maybe drinking more tea? Taking the occasional bubble bath?" 

"Silly me, if only I'd invested in more bath bombs in my life," Tim's other self says dryly. 

"It's probably my sex life, actually," Tim himself puts in with an easy shrug. Turns out when you stop pretending you don't have a ridiculously high libido and actually just indulge the thing, a lot of life's little annoyances become a lot easier to handle. Go figure. "Plus my boyfriend Bernard is really great, just his entire existence does wonders for my mood in general and he also makes me eat real food on occasion and monitors my caffeine intake much more reliably than I'm capable of doing on my own. The man is a living antidepressant and I don't even mean that in a fucked-up way, he's just that good." 

"Boyfriend?" Kon blinks at him, then puts on another grin. It takes, Tim cannot help but notice, exactly two beats longer than his real grin would've. "Ohhhhh, okay, so the problem is just that you're not getting laid hard enough?" 

"It is not," Tim's other self says dubiously, watching Kon just a little bit warily and obviously worried about his potential reaction to the word "boyfriend". Well, Tim never claimed to be emotionally intelligent about Kon, so no surprise his other self is also a dumbass there. 

"It kinda is, actually," he tells his other self. "I was tracking my cortisol levels the last time I went on a solo away mission and let's just say they were . . . concerning? Like really concerning. Like by the time I got back I was kiiiiind of convinced I was going to need to go on anti-anxiety meds again. But then I jumped my Kon in the Titans Tower med bay instead and that pretty much solved the problem." 

Kon . . . pauses, sort of. Tilts his head. Tim's other self looks a lot warier.

"'Jumped'," Kon repeats carefully. "Like . . . what, you dragged him to the gym to spar or something?" 

"Like I blew his back out so hard that when he came his TTK fritzed out and disassembled my recovery bed," Tim clarifies helpfully. "It really helped with the cortisol levels issue." 

Kon blinks. Tim's other self looks pained, but also desperately envious. Tim would also be desperately envious if their situations were reversed and so does not blame him for said envy in the slightest. 

"I thought you said you had a boyfriend?" Kon says after a moment, sounding a little odd in a very telling way. Or at least very telling to Tim, anyway. 

As is the way that he's not looking at Tim's other self at all anymore. 

"Open relationship," Tim says. "Also Bernard thinks you're stupidly hot and really likes hearing about the kind of stuff you let me do to you. I've actually been debating inviting you over for his birthday so he can watch us live for once but I haven't asked you yet." 

"What, so your Kon is the side chick?" Kon jokes, awkwardly putting on another just barely belated grin. 

"More like my kept boy, functionally speaking, but he's having a 'weird about commitment' phase right now so I've just been making a lot of sugar baby jokes to soften him up," Tim replies with a shrug. It's only sort of been working, but it has been working, and he's willing to take his time on it. It's not fair to expect Kon to only be easy, after all. "Long-term goal is to marry Bernard and ideally get Kon to 'live-in boyfriend' status somewhere in there, but that would also require him not being weird about commitment and also figuring out how well he and Bernard get along in the same space, so we'll just have to see how that one goes." 

"Uh," Kon says. "Why?" 

"Because you are incredibly important to me and also look like a very horny Renaissance sculptor made you out of calacatta marble," Tim tells him matter-of-factly, gesturing meaningfully at him. "Frankly it's criminal that you ever put clothes on."

[viccharine]

dance dance! we’re falling apart to halftime!

(reblogs greatly appreciated!!!!)

EDIT: this is now available as a print in my ko-fi shop! link here [x]

alternate versions and commentary under the cut!

about the piece: this is my first time ever attempting to draw a back—and LET ME TELL YOU. I STRUGGLED. took me a solid 2 hours to figure it out—even then I had to go physically put down the iPad and go on a walk three separate times because I was so frustrated. the things I do to make fob fanart. if you’re confused by the pose, I originally meant for the figure to be laying down, but now it’s more intended to be as though the figure is leaning on something (most likely the headboard of a bed????)—although, the pose was kind of an afterthought as I really just needed to make a lot of space to add in the text (which, as always, is hand lettered except for the “dance dance, fall out boy”)

about the song: dance dance is one of my favorite fall out boy songs, if not my favorite fob song, but I think it’s important to acknowledge the slightly misogynistic undertones of the song. im not saying that the song is misogynistic, nor that fall out boy is misogynistic, but rather that the song was released in 2005 and as a society, we’ve grown in terms of how we speak about women in pop culture. a lot of media, specifically songs from the 2000s (ESPECIALLY emo songs, im looking at you “I write sins”) had this kind of borderline misogynistic tone that is not in any way okay (Im not trying to justify it!!) but was unfortunately normalized.

as an afab person, I love this song, I love this LINE specifically (“why don’t you show me the little bit of spine you’ve been saving for his mattress, love?” goes SO HARD for me), and I think my immense enjoyment of the song doesn’t prevent me from talking about how it fits into misogynistic culture (esp of the 2000s) and it does not mean i accept it

(but also, I don’t really listen to the lyrics of the song anyway—everyone say thank you to Patrick Stump’s enunciation)

anyway that’s it k byeeeeeee (and go stream fall out boy!)

p.s. I forgot to add my watermark so for the sake of me not wanting to go back and edit it in pls don’t repost with credit please and thank yew ?????