#the Lamb exalted

[mybeautifulchristianjourney]

The Scroll with Seven Seals

1 And I saw on the right hand of the One sitting upon the throne a scroll, having been written inside and on the back, having been sealed with seven seals. 2 And I saw a strong angel proclaiming in a loud voice, “Who is worthy to open the scroll, and to break its seals?”

3 And no one in heaven, nor upon the earth, nor under the earth, was able to open the scroll, nor to see it. 4And I was weeping loudly, because no one was found worthy to open the scroll, nor to see it.

The Lamb is Worthy

5 And one of the elders says to me, “Do not weep. Behold, the Lion of the tribe of Judah, the root of David, has overcome to open the scroll and its seven seals.”

6 And I saw in the midst of the throne and of the four living creatures, and in the midst of the elders, a Lamb standing as having been slain, having seven horns and seven eyes, which are the seven Spirits of God having been sent out into all the earth. 7 And He came and took it out of the right hand of the One sitting on the throne.

8 And when He had taken the scroll, the four living creatures and the twenty-four elders fell down before the Lamb, each having a harp, and golden bowls being full of incenses, which are the prayers of the saints. 9 And they are singing a new song, saying,

“Worthy are You to take the scroll and to open its seals, because You were slain, and You purchased to God by Your blood, out of every tribe and tongue and people and nation, 10 and You have made them a kingdom and priests to our God; and they will reigna upon the earth.”

The Lamb Exalted

11 And I looked, and I heard the voice of many angels around the throne, and of the living creatures, and of the elders; and their number was myriads of myriads and thousands of thousands, 12 saying in a loud voice:

“Worthy is the Lamb having been slain, to receive the power and riches and wisdom and strength and honor and glory and blessing!”

13 And I heard every creature which is in heaven, and upon the earth, and under the earth, and on the sea, and everything in them, saying:

“To the One sitting on the throne, and to the Lamb, blessing and honor and glory and might to the ages of the ages.”

14 And the four living creatures kept saying, “Amen.” And the elders fell down and worshiped. — Revelation 5 | Berean Literal Bible (BLB) The Berean Literal Bible © 2016 by Bible Hub and Berean Bible. All rights Reserved. Cross References: Genesis 49:9; Numbers 7:57; Numbers 7:62; 1 Chronicles 29:11; Psalm 33:3; Psalm 40:3; Psalm 141:2; Isaiah 11:1; Isaiah 29:11; Isaiah 53:7; Ezekiel 2:9; Daniel 7:10; John 1:29; Romans 11:36; 1 Corinthians 14:16; Philippians 2:10; Hebrews 12:22; Revelation 1:1; Revelation 1:6; Revelation 3:21; Revelation 4:4; Revelation 4:11; Revelation 10:1; Revelation 18:21

[dol--blathanna]

I've already spoke in length about Orym's self-sacrificial tendencies in my 'Orym is a rabbit' post, but don't think I've forgotten about Miss Horse Girl giving Iphigenia vibes over here I just have some concerns about Imogen, whether willingly or forced, becoming a vessel for Predathos (you know, the same entity that Orym tried to comprehend for a single heartbeat and began screaming uncontrollably, had to be cradled like an infant by the Wildmother while he sobbed, and now something inside of him is irreversibly broken). Like I just think that letting an eldritch monster of hunger and oblivion possess you is maybe not a great idea?

One is a rabbit pushing his head willingly into the snare, the other is an ancient Greek princess about to be sacrificed on the altar so the war may continue, and I am asking them both very nicely to Please Stop That and Not Die 🙏💕

[idylls-of-the-divine-romance]

The King of Kings, chose to be born of a poor girl and to grow up in poverty.

The King of the Universe, chose to die the death of a slave.

Pretty amazing to think that God could've chosen to live life on easy mode, but instead chose solidarity with the meek

[scholartism]

🐏﹐LOVE , DIVINITY , LAMB AND BUNNY THEMED NAMES / PRNS / TITLES ;

names: adorille , amiette , amourine , esme , erasmus , cora , milan , desiree , dear , darlynne , amandine , asta , ansel , diantha , theo , hanita , oona , oan , kori , dolly , mimi , bunette , leveret , arley , lulu , harley , lapin , lapinesse , hop , hopette , loppille

prns: lo / loves , cu / cutes , ki / kiss , chu / chus , de / dears , cor / cores , ado / adores , de / deus , di / divines , ru / rulers , ho / holys , lu / lumens , pra / prays , shi / shines , wi / wings , flu / fluffs , so / softs , plu / plushs , baa / baas , ri / ribbons , pyo / pyons , hop / hops , bun / buns , ca / carrots , pet / pets

titles: [prn] who is adored , [prn] who is loved by all , the beloved one , [prn] who is full of affection , [prn] who is made of pure love , the admirer , the hopeless romantic , [prn] with a loving heart , the darling , the deity , [prn] who resides above , [prn] who watches over all , [prn] who is holy , the exalted one , [prn] with wings , [prn] who is worshipped , [prn] who bestows heavenly light , [prn] who is soft , [prn] who is sweet , the beloved companion , [prn] who follows , the innocent one , [prn] whose heart is pure , [prn] who hops , the cherished cutie , [prn] who is full of whimsy , the hopping one

request 4 anon !

[if-childrenofiona]

DEMO ✧ FORUM

LCOF is a +17 IF with heavy themes of murder, gore, cults, obsessive behavior, etc. Many run to Iona's Temple. Perhaps to escape hunger or the touch of death. You aren't sure why. No one is. All you know is that you're among them.

Play disguised as a Child of Iona, the loyal follower of the moon Goddess, Iona. Kept in the temple by day and let out to serve your duties by night. Navigate the mystical kingdom of Gilhanna. Whether you make rivals or friends, it's up to you. Or risk your life to pursue something more; you swore to remain devoted to Iona and Iona alone. Above all, stay hidden!

Everything was wrong— very wrong. Your father was never one to change his mind. Let alone reveal you to the public eye. And yet, he let you attend the Feast of Xihnir? It was a night of happiness, of celebration. And it'll be a night ingrained in your memory forever.

Especially after witnessing your father slaughtered like a lamb before the Divine Lord of Hexma. Since then, you've learned how deep Xihnir's murderous and twisted fascination with you goes.

Fleeing to the neighboring kingdom, Gilhanna, you find a place to escape the pursuits of your father's killer. Hoping to find peace while masked as a Child of Iona. You've enjoyed seven years of peace now. You're sure more is still to come.

Yet, the sudden appearance of a wounded stranger brings rapid talk of the Divine Lord's armed forces praying upon Gilhannian borders. You can't let yourself be reduced to running, hiding — surviving. Nor will you allow yourself to be caught in Xihnir's crooked grasp. Will you give up the identity of this mysterious stranger to protect your own?

Fully customize MC's appearance, personality, gender identity, and sexuality.

Choose between a variety of given trades to influence your character's nature and story! (i.e., swordsman, musician, scholar, weaver, dancer, or merchant.)

Hone your skills!

Become a genuine follower of Iona or exploit this exalted position for your own gain.

Make meaningful choices that will shape your future and the relationships of people around you.

Forge lasting friendships or begrudging enemies.

Eight ROs total— two secret romances. (one minor, one major)

XHILO ✧ XOLA, HOUSE OF AKTER. Your companion with a short temper and an even shorter attention span. You found them cowering in an alley the night you left and have been hiding from Xihnir's forces together since then. Meek and quiet but sometimes has a lot to say. Extremely suspicious and distrusting of newcomers. You think they may still be a bit wary of you.

SILAS ✧ SHILA, CHILD OF IONA. The mean-spirited shepherd who works with you in the temple. At one point, you both were friends, though you're not sure what made them act so cold towards you. Though, that time is very distant. However, one thing hasn't changed: their love of their flock and slightly awkward disposition around new groups of people.

KNOX ✧ KORA, HOUSE OF YARROW. "Eccentric," as the townspeople like to put it. You've only seen them keep to themselves; they're never seen without a notebook. In daylight, their face is tired and worn. You catch them sneaking over the temple walls at night as if hiding one big secret. Some nights, you catch them singing beautiful melodies before running away after they sense someone's listening.

PRINCE LIROY ✧ PRINCESS LORELAI, THE CROWN HEIR OF GILHANNA. Emperor and Empress Jung's firstborn. They are known throughout the kingdom as the epitome of sophistication and stoicism. You don't know much about the Crowned Heir except their duties to the country come first, and they hold them quite dear. A bit too dear.

PRINCESS DELILAH ✧ PRINCE DION, THE HEIR OF DANCE. The royal Jung's second born. A soft but refined beauty. Most remember them for their carefree and childish behavior. "Iona's dancing muse," some may say. You've only seen them dance once when you first came to Gilhanna. Beautiful, hypnotic. You believe they are everything the people say they are.

PRINCESS CLEMENTINE ✧ PRINCE CLEMENT, THE FORGOTTEN HEIR. The youngest of the Jung siblings. You haven't heard about them in all your seven years in Gilhanna. Nor are they mentioned among the people.

[narenohate]

my golden guard! luz au is just kinda funny to me. she's so bad at it that god has to intervene so she stops fucking up.

context blast up there... or down here?

“Through me you go to the grief wracked city; Through me you go to everlasting pain; Through me you go a pass among lost souls. Justice inspired my exalted Creator: I am a creature of the Holiest Power, of Wisdom in the Highest and of Primal Love. Nothing till I was made was made, only eternal beings. And I endure eternally. Surrender as you enter, every hope you have.”

― Dante Alighieri, Inferno

-

Through the red he'd carried her. She remembers it in those minutes. It had just happened, hadn't it?

Why does it feel so long ago, if the pain of the broken rib and the warmth of her own cape still are felt, a residual ghost touch, as if her armor were an amputated limb?

Almost tender was that embrace even as she shook, each breath ripping the fight further and further away from her tight-fisted grip.

Every hair had stood on its end, the buzzing in the air ever-louder as her vision wavered, pain and fear battling for control over her conscious mind.

Each of her captor's steps feels like a stab to her chest.

There's a bloody exhale, preceding a breathless laugh. She feels the underside of his glove, leathery and worn, along her ribs.

She's disgusted by it now, she will forever be disgusted by it. She feels as if she's still in his grasp - she will never not be.

Luz had exhaled then, as she does now, and both times she coughed a mouthful of blood.

"Hush, now. We will be home soon." he told her and it echoes nw. "You had told me once… Your mother knows of medical practices, doesn't she?"

She rasps out;

"Don't bring her into this-" There's an edge of fear to her voice which she loathes, "Leave my mom alone."

"She would like to know her daughter was a hero, wouldn't she?" he asks, and it borders on genuine; "You've made mistakes-"

"Like you!" she regrets it in retrospect- it wouldn't have hurt so much if he hadn't squeezed her ribcage shut again then, to shut her up and hear nothing but her coughing blood.

He walked so slow. Agonizingly so, as if to stretch those last moments for eternity, cradling her somehow even closer, shifting her, knocking out of her lungs every last trace of a breath.

"The Titan greets us to his realm," he said, and against her cheek she felt the bobbing of his Adam's apple, nudging her in that moment to blink the tears from her eyes.

She feels her gaze pulled to it - this horrid doorway before which they linger taunts her for a brief moment, a sea of black tar streaked in deep blues and yellows.

And with a single step, the silence of it swallowed them whole. In the dark now, at least Luz could hear herself breathe-

Yet just as she did then, she smells it now;

Both times did she wheeze, fruitless, in an attempt to clear her sinuses from it. Titan's blood has a powerful, astringent, sulphuric smell.

It clung to her - maybe it is gone in the present because she simply got used to it.

"Clean up, lamb." he said, nudging her. He wanted her to take the edge of his cape, she understood. He made her bleed before - a tooth. The gap of it still stings.

"I hate you." she whispered.

That which surrounded her then was pure black, a realm where his steps slowed even further, dragged down by the brackish tar.

There was a light to guide them. She could not comprehend its source.

"I will help you get over it." he said, his words fading with no echo, as lost as their souls.

She loathed to know how he'd try. Pondered briefly if she'd clamp down on his neck with her teeth.

And then she questioned, to herself; could she even die here?

That which she doesn't know stings her.

A sound of anguish fought its way out of her.

And, though by that point she knows she had realized they were not all alone, Luz came to understand that nothing that heard her had turned to help.

In the dark, something moved. It was the hair standing on end, it was the light coming from nowhere.

She felt Belos move slower and slower. Did her eyes close? Or was the world simply so dark?

"Luz, quiet." she heard, and so still she became, nothing but the beat of her heart did she hear - for he'd sounded terrified.

Suddenly she understood, and it was clearer and brighter than the sun.

She heard it, paws heavy, wingtips dragging along the muck, and she understood it even before the smell of its rotting corpse reached them.

"Run."

That sets it off, alright.

The silence dies with that lonely word, whispered with bloody and bated breath.

It tore through the air and filled up her ears with a high-pitched ringing sound; A roar like she'd never heard before spelled their fate, set off the hammering of the chase;

In the dark, the mud rippled. The smell of rotting flesh and mold made her dizzy, pulled from Belos some sort of angry shout, that which was lost in the cacophony of the chase as soon as he let it out.

She only felt it from how close she was to his throat.

For once he'd obeyed, for once he'd heard a plea from her.

It mattered not.

To the ground they fell, and to her skin it clung, sticky and thick, pungent in smell, so terrible that Luz could taste it as she breathed in with an open mouth.

It slowed down its chase, and catch its breath it did not, though all around her in a circle did she feel its footsteps, rippling along the mud.

Along with their fate, it brought the light.

At first her vision's return was the catalyst for nothing but Belos' hand grasping onto hers, his eyes wide and teary as he pulled her close…

And then pushed her in front of him, almost, as their Lord fell upon shared view.

Luz thought, for a moment, that the sun perched between its horns would be a light shining upon a clean skull - for very clearly did she know what a Titan ought to look like;

And that was nothing of it.

Its skull was at first like shifting sand, but as her eyes focused on that white thing, Luz's mouth fell agape;

God's face was almost fully made of maggots. They blended with god's bones, the same color, separated only by the shadows Its Light cast upon its own visage.

It pushed against her head. It is God. It is the Devil. It is, for a second between her tears, her father in a hospital gown, the tubes coming from his nose like over-engorged, misplaced tapeworms.

Its flesh rippled as it got closer to them, something crawling in it. Clumps of oily black fur, strands clinging to greenish, gangrenous wounds.

Bile rose to the back of her throat just then, as her gaze drifted to the cut which sliced its chest open, and found nothing inside.

She knelt.

it was no conscious choice. She was told, and though she obeyed, never did she hear the order.

She opened her mouth, but instead of pleas, blood was all that flowed.

When the light is cast upon it, the red is all too bright, for the brief moment before Limbo swallows it.

The thing she looked up at was not her mother's God.

Padre Nostro rang in her ears nonetheless, Belos' hoarse voice praying under its rushed breath.

It let her look at him, pushed oh-how-pathetic-is-this-really-all-you-settled-for through her mind; Though he knelt, it was not without struggle.

He fought back, thrashing against the invisible binding which Luz found didn't truly hold her down.

God's understanding of her pushed the brain against the sides of the skull. She knew then that the little barriers between the bone and the skin and the brain were all shaky and jittery.

Out the deepest breath, a shaky hand reached out almost gleeful, and between her fingers she gripped his hair.

Not a word was said. Luz refused to let her eyes shut from the pain, even as it grew, for she had for very long wished for this;

With strength she hadn't known she had, she pushed Belos' head onto the mud.

Bow she did not, when she tasted her blood all over her mouth. She let it stain his cape and his hair.

It dripped and dripped. There came a muffled plea. She knew he told her this would not last. She also knew, without rhyme nor reason to explain it, that he'd remember this.

And yet, she kept pushing.

There was darkness creeping in slowly, overcoming the edges of her vision.

And yet, she kept pushing.

And for an eternity, she held him there. In the dim and the quiet, where it was only their breath and the buzzing of the flies and the smell of rotting flesh, she was reminded, bitter and vengeful, of their shared chambers.

She kept his head under the mud until he stopped thrashing.

Almost against her will, her head tilted up, and she met it eye to eye. Such a solution was hardly even temporary, she knew, and it knew as well, as it stared back.

Its eyes were empty sockets, yet she knew it saw her.

A blind thing could not hold such a hateful gaze.

Oh, what she'd done; Such small revenge for such grandiose malice.

The pressure of its words filled her mouth with copper.

It is dying. Its last breaths are being wasted here, with Its killers.

It is pain and desolation, it is hatred, and it is something too quiet to be wrath as she'd call it.

God knelt. It was Helios before, it was Nhanderu before, it was Kronos as Horus and a thousand other voices in name.

Luz heard screaming. Much louder, much more than just her own, though her throat hurt and she knew she was part of that unseen cacophony.

Her eyes could not shift from the maggots. Closer, closer, came a hypnotic dance as Luz dragged her body on its hands and knees.

For a second she did not understand it; And then, as her face rested against the pale bone of a snout, so cold it stung, it came to be that she knew it; the last shred of its power, the last bite of its plate - The last name of this God.

To know it was the same as her own overwhelmed her with a foreign, resentful grief.

An oversized paw tilted up her head with only its claw.

God held the sun between its horns. She stared transfixed, and laid trembling fingers over its talon, fruitlessly trying to keep its tender, cold touch.

Its wings spread open, a membrane full of holes and veins.

Which of them screamed? She wasn't sure. Everything faded, except for the sun, and the paw which was raised up to it, gripping onto the flame; Though its shape changed, its glow never dimmed. It was sharp and jagged. It was God.

And then, God stabbed the soft spot where spine snaps into skull.

-

Luz Noceda breathes in. That's the first sign that something is terribly, horribly wrong.

The second one? It's not the pain, but instead the fact that she can hear again, see again-

And her god is nowhere to be seen nor found.

She is doubled over. Her skin is opening up. The base of her skull, where God killed itself and killed her too, is on fire.

A whimper slips off with her breath, but with the next inhale, it turns into a cough. Her rib- no. It's further. It's more.

Everything is too much - she is light and defenseless, armor lost somewhere in this battlefield, and she is soft and shaky, hand on her chest, reaching for where it hurts. She knows something clattered to the floor when she awoke.

And then she remembers Belos.

Painfully, she manages to pry her eyes open, and figures that the thing on the floor – clean wood, worn out, its polish long faded – is an Azura figurine.

The cheap plastic meets her grimace with a blank, crooked, off-the-mold smile.

Her ears are buzzing. Did her brain hatch into flies?

"Mija, did you choke?"

At first hardly do those words register. But then, she realizes she had not been sure of whether or not her little stunt killed the emperor.

So she forces her spine to straighten, turns her head to face her mother.

She looks the same as she did a year ago, when she left Luz at the bus station to go to a summer camp- she looks the same as when Luz abandoned her.

The piercing burn of the blade stays, a cloying reminder of the mantle which befell her that day.

Though she is not there, Luz knows, clear as day:

Elsewhere, far away, at this moment, in a throne room occupied by only a grimwalker, sitting at the foot of both his metamorphosis, his death, and the throne of the emperor which he worships, the heart of a Titan with a thousand names stops beating.

[miasudare]

THIS ONE IS IMPORTANT!

This is one of my delusional cotl theories, I worked about a few days for it so don't wait too much. It's very long, just so you know

Today, our subject is the bishops. Though in cult of the lamb wiki's story segment states a few events, no evidence and connection is shown. And considering that wiki pages are written by people, it's not a %100 correct.

Death of bishops

Ever wondered why Narinder is the only bishop you can make a follower before Mystic Sellers appearance? Or why don't the bishops end up with Narinder when they die? Let me tell you.

When we kill a bishop, they don't end in the death realm but end up with Mystic. That's why we can only get them back after being introduced to the seller. They own them.

And Narinder? He already lives in the death realm and if you notice, you don't entirely defeat him until the option segment, his life bar still having a bit of hp. You only hurt with him until he can't fight. When you choose to kill him, he then gets sent to Mystic for us to claim him later on.

Mystic's thoughts

"I recall Leshy. Prior to yourself, he was the last to bargain with me. Adept as he was, he rose quickly to the challenges of Godhood, aided by his siblings. Many were drawn to his chaotic ways."

Mystic Seller seems to observe and know everything that had gone through Leshy's godhood even moments of help from his siblings. Tho, not the first godhood.

"I am not inclined to emotion, the way your kind are. Though if I were, Heket would certainly inspire amusement. She was perhaps the most vicious of them. Wicked beast."

No matter how badly the Mystic Seller spoke of Heket's actions, they seem to find sadistic inspiration in her actions. They do not have characteristics such as emotion, but observation expands their world. Which is weird, because that's probably a look you'd wait for Leshy.

"It did not matter to Kallamar that his ears were lost, for he was never inclined to listen. Foolish though he may have seemed, he wielded the power of his Crown without discrimination."

We all know Kallamar's cowardice. But Mystic does not see this as cowardice and even interprets this fear, which has become a self-protection mechanism, as a strategy. Cause Mystic has no emotions and can't understand fear.

"Shamura and I did not barter much. In truth, they need little from me. Truly, 'twas shame what became of them."

Mystic and Shamura seem to actually talk and have a conversation unlike the other siblings Mystic talks about. And Shamura is the only bishop that Mystic sees higher, thinking that Shamura didn't need them at all.

"A toy for you. Benefactor, comrade, malignant foe... redemption or punishment, 'tis yours to confer as you see fit." Gifts you Narinder as a Follower in his exclusive Follower Form. (Without the immortal trait)

This section is important because Mystic doesn't say anything about Narinder's past. While they normally talk about an event that happened in his siblings' own lives, Narinder doesn't seem to mean much to them. They neither belittle him nor exalt him. Narinder is very unimportant to them.

Now, I'd like to think that Mystic were there. Before the whole argument, it wasn't only the 5 bishops. Mystic saw it, Mystic heard it. Maybe even lived with them. Raised them, even. Mystic Seller, is the creator of them. Yeah. I said it. God of gods. How else can you explain him just replace the very gods you killed and put them back in their purged realms? Or idk, carry the ex god of death by their little tiny winy legs? Literally posses the body of the new god??? Tho, it seems like they are not the same realms anymore as if those places were... Altered.

Shamura. Wanna talk?

Shamura is both refered to as the god of war and god of might, which are quite the opposite of each other.

War, is something that grows from misunderstandings, greed and not thinking straight, which isn't very fit for god of might. And well, that made me think... I think... The bishops didn't/was supposed to have these roles before their fight with Narinder.

"I am not what I once was. Though no longer wise, I am no fool."

Shamura is aware that they are no longer the god of might, yet something another.

So this might mean, before the betrayal, the bishops had opposite godhoods. Or were supposed to have these godhoods.

Kallamar = God of health

Heket = Goddess of abundance

Leshy = God of peace

This makes sense when you consider the people that follow them. Why would someone follow a god who just means nothing but trouble? Even in our cult, we teach people about death and after life, reassure them or teach them. We make sense.

"I introduced him to ideas of change; for my domain is knowledge, and it is ever evolving. An organic state of being for myself, but for him… most unnatural. Death cannot flow backward." -Shamura

This. That green? Yeah that one. That's when Narinder's betrayal happened. Shamura, showed Narinder that there was a way to change things, which Narinder ended up doing so. And what did he do? Death cannot flow backward, he tried to give life. Narinder, the only member in the family that probably ended up with such negative thing as being the god of death, tried to make life.

"Bonds of familial duty, turned instead to chains. Most voracious of appetites, curbed and contained. Most infectious of ideas cut off and cauterised before given chance to rot and spread. Cruel, verily. Alas, what other recourse was given? How does one kill Death? ... Alas. One cannot." -Haro

Haro also seems to confirm this. The infectious ideas said there are, or rather is, Narinder's wish to change. Narinder's idea to change his own godhood. Tho, why would the bishops be so against it?

Notice how Haro has a "fallen" crown? Haro, probably back in the day, was the owner/god of Darkwood at some point. His unused animation also looks a lot like Leshy's transformation animation.

Haro, is possibly the first god that tried to change their godhood. In return, he got punished by loosing his crown and getting expelled from his godhood. This would explain why Leshy is the youngest, because he was a replacement.

"But as millennia wore on, he grew discontent with his role. He began to question. He was gluttonous in his ambition. And in my imprudence I loved him. For it, I lost my mind. For it, he lost his freedom. Can you fathom such betrayal, Lamb?"

Shamura knew what happened to Haro. After showing Narinder that there was a way to change things, they regretted it. Shamura genuinely loved their brother, no matter if it was by blood or by creator. The idea of Narinder might end up like Haro was what made Shamura loose their mind. Killing Narinder wasn't a punishment, it was a way to protect him and the remaining ones. The betrayal Shamura say is not Narinder's hostile acts but rather the way he thinks even tho Shamura had warned him.

Now, i know. I said that Mystic knew it and saw it and blah blah. But Mystic were there after Leshy lost his eye, Heket lost her throat and until Narinder's imprisonment. We can understand this from their dialog of witnessing Leshy and Heket's godhood and them saying "It's a shame what become of them" for Shamura is their disappointment of knowing someone like Shamura have ended up like this (Explained at timeline section)

Haro what do you have to say?

"Eons agone, these lands were rife with gods and their adherents. What befell this pantheon? Alas. 'Tis the nature of beasts to forget, and of Gods to be forgotten. Mayhap they left. Mayhap they slept. Mayhap they devoured and were devoured in turn. Those few who remained spread roots, spun webs, molded this world to meet them and theirs. 'Twere a land of many Gods once. Hundreds. Now..."

(the ones below are theories I can't really prove)

1-Haro, was probably the oldest, along with Shamura, god. He might be one of Mystic's first creation.

2-Haro seems to be talking about fox. Or kinda refers to him. The fox is known for taking Ratau, eating him. So this also makes the fox, or people like the fox known and been around.

3-Hundreds of gods, he says. Currently, we only have 10 (At the bottom) So, there was a class fight.

A little thing about Narinder and the twins. Heaven and hell, does in fact exist in the cotl universe. You can see it in the ascension and sacrifice rituals. Going above and going below. Fly to heaven and dragged to hell.

Which means dead souls are being sorted. Considering the fact that Narinder is restricted to move anywhere, that job ends up with the twins. Baal, obviously with his kind and respectful attitude, works in heaven. Aym, on the other hand, is very aggressive and intimidating so works in hell.

Timeline

A hundred gods, roamed on realms. For various reasons, they died of or how I like to refer, ended up in Mystic's hands.

Mystic created Shamura, Haro, Kallamar and Narinder. Understood them, talked with them.

Allocer and Astaroth were given to Shamura then to Kallamar, to encourage them into godhood and cult culture.

Heket was created, tho wasn't crowned.

Haro lost his godhood by disobeying, altering. This lead to the creation of Leshy.

After creation of Leshy, Mystic was not there to attend and see Leshy and Heket stepping into godhood.

Shamura took care of his siblings and helped them into godhood. Tho it's questionable on how good they managed that.

Agares and Bathin was given by Shamura to Heket and Leshy, to teach them about the same culture.

Shamura introduced Narinder to idea of change. Narinder refused his role as god of death and tried to be god of life.

Shamura knew what would happen to Narinder if the crown giver, Mystic Seller, learned about this. This caused an argument, most likely because Narinder believed that Haro was judged unfairly. So, there it came "see no evil, say no evil, hear no evil, think no evil"

The siblings lost their original godhoods. "If that's my destiny, you're coming down with me" kind of stuff.

Leshy and Heket stepped into godhood by the help of Shamura and Kallamar to be able to protect themselves. (Their rapid transition to godhood explains why they were defeated more easily than Kallamar and Shamura. They are inexperienced gods. If you notice, after the battle of Heket, Kallamar's battle is actually surprisingly difficult and fast.)

Witnesses hid in respective realms.

Mystic Seller came back. Narinder was not present yet what he left behind was. He saw the other bishops. Mystic Seller knew Heket and Leshy as the gods they were know. Not as what they were supposed to be. 

"Five points to a pentagram, five portents of doom, five siblings stood abreast, five gods and one tomb..." Shamura's summarizing of the whole story. Their family and how it doomed. How the remaining bishops and Mystic had to kill Narinder and trap him in after life, the gateway being his tomb.

Shamura learned about the prophecy after a few centuries or more. That lead to the geno¢ide of sheep.

The gateway/tomb of Narinder before defeating bishops. 5 chains, gray ones belonging to bishops and golden one belonging to Mystic Seller.

A basic classification of the types of deities that we have in cotl:

Mystic Seller: Creator, above gods

Mystic Seller's guards: Deities that exist out time and space and work along Mystic Seller, above gods

Narinder: God of death

Shamura: God of war (formerly god of might)

Kallamar: God of pestilence (formerly health)

Heket: Goddess of famine (formerly abundance)

Leshy: God of chaos (formerly peace)

Aym: Disciple of Narinder, demigod (guider of sinners)

Baal: Disciple of Narinder, demigod (guider of winners)

Haro: Ex god, currently a messenger

Chemach: Eldritch Goddess, One of the oldest remaining Goddess. [She (yes Chemach is a girl) has an Eldritch crown and the crown has eyes. Just like the bishops'. This makes her a god considering her ability to turn living into power, essence and remnant to be used for something else afterwards. (relics)]

Clauneck and Kudaii: Gifted with immortality possibly by their sister, or are gods.

Midas: Golden touch asshole king

The fox: Most likely a demon/god from underworld, considering his soul deals and Haro's dialog.

Ratoo: I can't class him but considering he is living without a whole ass organ and still stays alive, he isn't mortal

Nah, it's just what I think of course also, please check my witness theory and Possession too!

If you want to add to this theory, you can by doing a reblog. I'm preparing a crown theory too, so this is kind of a part one! If this gets popular, I might make a video for it, who knows ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯

[wishingforloushair]

Exalted Amongst Heathens

Pairing: Louis Tomlinson/Harry Styles

Rating: E

WC: 3.5k

Summary:

Louis comes back to confess again, and Harry has an idea of how Louis can show God his devotion. The one where Louis is the altar.

“I don’t like this altar,” Harry repeats, coming to a stop almost directly in front of him. He’s close enough that he can finally smell Harry’s intoxicating smell; a mingling of the myrrh that clings to the fringes of the Church from when it curls its way up from the thurible in thin white smears, and the anointment Harry crosses himself with daily, a muddle of olive oil, the same myrrh used in the thurible, and cinnamon, spicy and woody. It’s a dizzying smell, one he hopes that one day Harry will anoint him with.

“What do you think, lamb?” Harry says, crooking his finger under Louis’ chin and tipping it up slightly. “Do you think God made you to be a perfect altar? To carry his liturgical objects so perfectly for him?”

My submission for Week 3 of @wordplayfics: Carry

Read now on AO3

Part 2 of Stand on Holy Ground

[hana-no-seiiki]

This is 💗 anon, your anon is turned off. Please let me stay anonymous. Anywho, I, uh, need Jing Yuan to just use me any way he wants. He needs to spit in my mouth? My tongue is out waiting for it. He tells me jump, I ask how high. He wants to ruin me in front of his officers who aren't allowed to look at me? I'll do it

That or I power bottom Sampo. Make that submissive little shit worship me

ON A PLATTER

YANDERE! JING YUAN x AMAB! SOLDIER! READER

plus a little Sampo addition (not smut tho) to the end.

hope everyone that pulled for him succeeded!!

©️ art and story belongs to me, character goes to hoyoverse. please do not redistribute, repost, or share my art without credit or permission.

warnings: noncon. spoilers for the jarilo iv storyline. anal seggs.

status: unedited

MINORS DO NOT INTERACT. I BEG OF YOU.

Many exalted the drowsy general’s prowess and leadership across the Xianzhou Alliance. Under his rule, the Luofu Flagship developed into a powerhouse that petrified those who heard its name. An infamous red line that warned against those that sought immortality. A blade that stuck right next your jugular in case you dare so moved in a direction they do not want you to.

This general was hundreds of years your junior but had already accomplished far more than you have. That fact was the second biggest slap to the face.

The actual, most damaging slap was his patronizing attitude towards you.

How were you supposed to rise above your station and prove your worth as a knight when he assigned you as his measly bodyguard? It wasn’t as if it was a quiet career really, the man faced dozens of attempts at his life on a daily. It was moreso the fact that he never let you do your job in the first place.

You spent decades just standing around while he swung his massive sword at intruders before you could even blink. Somehow, the lousy man moved faster when defending you rather than with his own duties. It was as if he was the body guard not you.

Not to mention the perverse stares. You weren’t dense. You could feel his bedroom eyes from miles away, taking off the heavy armor you wore to work and leaving you bare. You felt like a lamb, or a tender piece of steak on a platter — and he, the most insatiable man alive.

Hundreds of years training — wasted, spent on being a trophy for him.

If remaining close to the master that misused you for several decades was bad enough, having to interact with him was like hell on earth. He was a vice, a poison molded into the shape of a man. One that could kill you in a instant, but looked oh so tempting. Only the heavens knew how you were resisted his charms for so long.

“Yes, my general? How may I be of assistance?” Your voice and words held a cordial, cold tone to it. If your employer could not bring a semblance of professionalism into the table, then you would tenfold. If he always closed in the distance between you two, you in turn would step further away in your relationship or whatever one might call this thing between the two of you was.

Despite your frigid temperament, Jing Yuan does not flinch nor back down. His eyes trained on a star-chess piece as he twirled it around. “I think it is about time we quell any sort of . . . resentment you have towards me is all.”

You had to give it to him. Jing Yuan was one of the most attractive people you’ve ever bared witness to. At nights like these where his mane of a hair was let down, giving him a relaxed and playful look, it was hard not to stare. “Pardon, my general?”

“You have no need to give me false face, [Y/N]. I know of your doubts and qualms. You see me unfit to continue being General. That I am incompetent, lazy. That I do not let you do a job you feel you are overqualified to even be in.” He listed off before carefully placing the star-chess piece down. His eyes then abruptly flicked to you, creating eye-contact and in turn, chills.

You are rendered speechless. How had he known? You had been so terribly careful. Never spouting about what you thought. Never even writing down such things. You knew better than to show your treacherous feelings outside of the seat of divine foresight, much less within.

So how, how did this wretched man know?

The General smirked as your hands tightened around your spear. “Why so shy all of a sudden, little warrior? Do not worry. I have a feeling you’ll quite enjoy what I have in store for you.”

“Come here.” He patted his lap.

And you quickly realized what was happening here.

Your whole career was a waiting game really. Each day you could only pray that the General had enough self-control not to take you. It seemed that today was the day all restraints were taken off.

Now, you could only pray for things to be swiftly over, or heavens forbid for him to not enjoy it so that it won’t happen again in the future.

Jing Yuan had long planned for this moment. What order he’d take off each piece of armor, how he’d do it, and every step following that. He was more meticulous in the way he’d have his time with you than anything else in his life.

Never did he put this much effort into anything. Not his studies nor training. He had to give it to you. You were right. He didn’t fully devote himself into playing General. How could he when he was already fully devoting himself to you?

“Perhaps little warrior was a wrong title for me to give you. With how drenched these are, wouldn’t little whore be better, hm?” Your skin, no matter what imperfections it may have, looked immaculate to his eyes. It was something Jing Yuan daydreamed about for hours on end and you did not disappoint. He should have done this sooner, he thought. Too bad it had to take a certain trigger for all his control to diminish.

His wasted no time when grabbing your cock. It was semi soft, though you didn’t want him this way your hormones said otherwise. He doesn’t falter for one second even after knowing so, predicting that its state would change once he began stimulating it. “My General, please — ngh — cease this at one.”

You legs kept moving around, either in pleasure or in a last ditch attempt at resisting, you didn’t know. Your body was moving on sheer instinct. Flight or fight mixing with euphoria. Fear and relief clashing against one another. It had been months since you last touched yourself. As a being close to a thousand years of age, your libido had long fizzled out. Or so you thought.

“You really are in need of a wake up call.”

Jing Yuan remained silent for the couple of minutes it took you to finally ejaculate. As the thick white liquid left your member, so did the remaining will to resist.

“I am your ruler.”

Jing Yuan suddenly stood up, causing you to fall forward unto his desk. Your chrysanthemum presented itself for him.

“My word is law.”

His left hands slid from your lower back to your shoulder as his right aligned his cock. You dare not look back to witness his size.

You hear the sound of a bottle being opened and of squelching while Jing Yuan covered himself in lubricant. He almost spends an entire minute just touching himself to your naked back. A sight he thought would only remain a mirage, a phantasm he will never see come to light.

“My desire will be met.”

But alas, you are here. Though he could easily reach climax just masturbating to this magnificent view, a taste was what this entire endeavor’s reason for occurring.

“And long have I waited for this moment to have you in my hands, Senior.”

He enters. Not gentle in the slightest. And to both your surprise he cums right there, not even lasting a second within you. Regardless of the surprise and sudden intrusion, you do not miss the way he addressed you.

A flood of memories fills your mind. “Xiao Yuan . . ?”

You do not get to think too much about it however, as Jing Yuan quickly regained his erection and began fucking your hole. Groaning loudly at your tightness which came as a result of your surprise. He picks you up by your arms and pressed your back to his chest.

“You finally remembered me, have you? But alas, catching up will have to wait. We have an audience waiting for the real show to begin.” He tilted his head away and looked beyond your form.

The guards — those who thought were your friends — that were stationed there weren’t dismissed. They were watching the whole time you were being jerked off and reached climax. Their eyes were glued to how Jing Yuan’s cock would disappear into your little hole, ears peeled to the lewd sounds of squelching, slapping and mewling, you bet that behind those helmets they were drooling over your misery.

But you didn’t feel an inch of anger at them at all, only at the man that forced you into this wicked situation in the first place.

“You lunatic—“ You yelled, but you do not move away, thrash or form any attempts at escape.

“Lunatic? No no, just authoritarian. A leader needs to assert himself in the face of . . . those who daringly gaze at my belonging. All while they’re stripped bare for me to partake in. If anything those lowly soldiers are the perverts are they not?” He paused from his thrusts, and you are ashamed to know that you made a small whine of disappointment at his lack of movement. He chuckled at your response before his face turned cold.

Golden eyes dripped in apathy as he commanded to everyone else in the room. “Helmets off.”

“Yes, general!” They all nodded in unison. No hesitation whatsoever.

“Look straight into their eyes, little warrior.” But who were you to judge when all you do to his commands were to follow blindly as well? You faced your comrades, you’re almost thankful for your arousal clouding your brain and stopping it from feeling too much shame and disgust. They stare right back. Eyes burning with lust and excitement.

Once he is assured of your eye-contact, Jing Yuan began pounding your ass again, this time he was somehow much more harsh than he was at the beginning. “Ngh — !”

“See all of them? These people would kill to be in my place right now. They’d beg for just a drop of your essence. And here you are, taking my cock like the good little warrior you are. Milking me for all I’m worth. Aren’t you greedy for me? Hahaha!” It doesn’t take Jing Yuan long to get jealous. Just several seconds later he shoves you forward and back unto his desk, forcing you to face somewhere else and your attention back to only the way his cock rearranged your insides and hiding the way your hole took him. His hand running itself through your hair, tugging once or twice every minute.

He leaned forward, thus allowing his voice to reach your ears and your ears alone, and his member to reach even further inside you. “Want more of my cum, [Y/N]? Tell me. Order me.”

“Give me - ah - more of your cum, you - ah - bastard!” You screamed, grabbing ahold of one of his scrolls and unintentionally breaking via the strength of your grip.

Your wish is his command.

Jing Yuan doesn’t slow down or stop as his cum filled you up. He wanted to make sure every corner of your hole was covered with him, that every spurt of his seed would decorate your rectum and make it its home.

“Satisfied with your general now, soldier?” He asked, his hips now slowly stuttered to a stop.

You do not reply, only panting in exhaustion. He does not part with you for a moment when he gave his command.

“Qingzu. Send this recording to Tingyun, then execute the rest.”

Your shock and terror overshadowed the doom of all your friends.

“Yes, my General.”

You only realized the weight of it all when he turned you around for an embrace. His genital already ‘recovering’ and almost ready for another round.

“How would you like their eyes served to you, hm? In preserve jars . . .

Or on a platter?”

Inside the void of space. Of the stars, the planets. The cradle of creation and dreams. You hear the sly voice of a man you once knew.

“What a pervert you are, reading a smutty story of that General from Xianzhou.”

What was his name again? Sam . . . Samuel . . . ?

“Sooo ~ did you enjoy it? Did you have fun?”

Sampo. Sampo Koski.

“ . . . What ?”

Yes, Sampo, your fellow actor. How could you forget? The support to your lead. The guy who always had your back.

“Oh my, you seem a little disoriented.“

In the cold embrace of the void, Sampo’s hands almost felt hot when he placed it upon your cheeks.

“Not to worry, dear friend! I’ll fix you right back up again. Can’t have our main actor ill-prepared for their next show, do we?”

And the curtain opens, revealing a sea of white.

[ TRANSLATION ]

chrysanthemum - lit. it’s a pretty flower ya’ll. slang wise it means anus.

xiao - lit. little. it’s a chinese diminutive, basically added to the name to make it sound cute. like little yun or little [y/n].

©️ hana.no.seiiki - yun | 2023

[piltover-sharpshooter]

So I have two interpretations of the Ambessa music video, that it's a representation of her life and that it's a representation of a near death experience.

On the first, we see a young Ambessa holding a lamb (as a symbol of innocence), while at the same time we see her fighting against Pantheon (Who as the aspect of War, represents War itself). Each time she is beaten down, she gains new scars and she is bloodied, but she stands back up stronger, while at the same time the innocent side loses more and more of itself. In the end, an Older Ambessa stands beside War as an equal, a ruthless warlord, with no innocence left. It's also why Swain and Katarina are there, as fellow Noxians forged from war. It's about how Ambessa became who she is.

The second is even more metaphorical. As she lays dying, the Wolf side of the Kindred approaches her. In this version, the fights with Pantheon are the fights against Wolf, the raging against the dying of the light. While the sacrificing of the Lamb is the rejection of a peaceful death, and as Ambessa chooses the path of the Wolf, she is exalted as a proper Noxian, fighting even in death.

What's interesting is that in both versions we see Mel intervines to bring Ambessa back, which depending on your read, either means that she saved her mother's life before she died...or she ruined her life, as that perfect warlord seems to stumble and struggle at the end, the perfect visage cracked by a baby.

Interesting stuff!

[marsprincess889]

NAKSHATRAS AS GODDESSES

3/27

🔪KRITTIKA🔥

DISCLAIMER: This is based solely on my research and the patterns that I saw. I can't promise that I'm gonna be sure in all the coorelations, but I'm going to attribute each nakshatra a goddess that I think fits it the closest. If you're dissapointed, to make up for it, I'm going to list some other deities in the end that I think also fit the nakshatra. Don't come for me if you think I'm wrong, be respectful in the comments if you think so and have fun 🤍

This was easy and almost immidiate. The associations between this goddess and Krittika are so apparent I didn't hesitate for a second. Look out for other deities similar to her in the end.

Brigid

Pantheon: Celtic (Irish)

Name meaning: "the exalted one", "strength"

Associations: fire, spring, poetry and inspiration, healing and herbalism, smithcraft, agriculture, cattle and sheep.

Symbols: Brigid's cross, holy wells, eternal flame.

Brigid is one of the most highly- revered and widely worshipped Celtic goddesses. She'a triple goddess, representing the maiden, the mother and the crone. As a Maiden, she rules over poetry, music and ispiration. As a Mother, she's presiding over healing. As a Crone, she's the goddess of fire and smithcraft.

Frequently depicted with fiery red hair, she is no simple goddess, also ruling over waters and serenity. She's a protector of women and children, presiding over childbirth and motherhood. Also frequengly depicted with lambs and sheep (krittika's yoni animal) and swans. She's closely connected to agriculture and farm animals.

Brigid, also being connected to wells and rivers, has many landmarks in Ireland with a body of water. The most famous one is a well in Kildare, Ireland. Water from that well is said to have healing properties.

Her father was Dagda (good, great god), leader of the Irish tribe Tuatha Dé Danann ("people of goddess Danu"), which consisted of Irish deities who lived there before the ancestors of the modern Irish had arrived. Dagda was a wise man, an all-father and a Druid. Brigid married Bres, another member of that tribe and together they had three children. One of them, Ruadán, died and Brigid mourned him with profound and painful sadness. She's very devoted to protecting children and this might be a reason why.

In honor of her, there's a sacred fire lit in Kildare and is guarded by the Sisters of St. Brigid. There has been a fire in Kildare since the time Brigid was worshipped. It has been put out several times, but has been re-lit and is still burning. This suggests that the worship of Brigid has endured as she she survived and was made a Catholic saint when Christianity came to Europe.

I want to talk about why I chose her for Krittika while comparing her to very similar goddesses.

First one is the Roman Vesta. Virgins were chosen to keep the fire of vesta burning and it was said that if even one of them gave their virginity, the fire would burn out. In those instances when fire burned out by itself, the poor Vestal Virgins were to blame. Vesta is also the Roman Equivalent of the Greek Hestia, both being goddesses of the hearth, fire and home.

Krittika is the nakshatra that burns impurities through being precise and cutting away all that is not nessecary, hence a sharp object and a flame being its symbols. Bridging the signs of Aries and Taurus, it's often fiery and passionate but also feminine and nurturing.

An Indian deity ruling over Krittika is Agni_ God of fire. An Indian goddess that is coorelated to Krittika (and also Purva Phalguni) is Tripura Sundari, meaning "the most beautiful in three worlds". This three world- triple goddess coorelation is apparent to me, besides the obvious fire associations, as well as nurturing, fertility and agriculture.

In the lunar mansion of Krittika, there's a constellation called the Pleiades, often called "the seven sisters". This is another confirmation of Krittika's very feminine nature, despite also representing the birth of the cosmic man and being very fiery and passionate in general.

Some other deities that I'd coorelate with Krittika:

Hestia- another virginal goddess of fire, also associated with home and hearth

Tripura Sundari- Indian goddess, "the most beautiful in the worlds"

Vesta- Roman goddess of fire and virgins

Bel- Celtic sun and fire god, also associated with healing, thunder and purification.

That's it! I hope you enjoyed reading about Brigid. This is a very condensed post but I said pretty much everything I wanted to say. I hope you understood Brigid's energy and made the coorelation between her and Krittika. If you're Krittika, even if you're not, COMMENT, like and reblog. Love u, take care ❤🔥

[youremyheaven]

butterfly motif 🦋& vedic astrology

ive wanted to exclusively dedicate a post towards the use of the butterfly motif in pop culture, so here it is!! i think butterflies have had a re-emergence in fashion in the last few years and im here for it!!

🦋 as i've mentioned in many other posts, the nakshatras closely tied to using this motif repeatedly are the pisces rashi nakshatras of ubp and revati along with punarvasu nakshatra.

Revati moon, Rihanna wearing butterfly eye lashes.

Venus exalts in Pisces and ive noticed that these natives are often drawn to Venusian aesthetics and imagery.

Rihanna at a Savage x Fenty show. You cannot tell me this isn't reminiscent of the Birth of Venus and the colour scheme is super Venus coded as well.

UBP sun Lady Gaga wearing butterfly face paint. she has often gravitated towards this motif over the years.

here she is in a blue butterfly dress

idk about you but when i see wings, i think butterfly 🦋. hence why this look is here 🤭😌

yet another lady gaga butterfly lewk

2. bella hadid for Swarovski. bella has ketu in ubp and girlie is obsessed with butterflies 😍

3. kendall jenner, ubp moon wearing a butterfly print dress

4. emrata, also ubp moon wearing a butterfly print dress

5. urfi javed, an indian entertainer who has ubp ketu wearing an outfit with a butterfly motif

6. dua lipa, punarvasu moon and known for her butterfly obsession wearing a blumarine butterfly head to toe lewk

7.brie larson ubp asc wearing a winged dress

8. sarah jessica parker is ubp sun & venus with revati mercury atmakaraka and this is a vvv iconic look from sex and the city

9.bella hadid had an nft thingie and the teaser(?) for it depicted her as a cyborg in a pool of water with butterflies. couldn't get more pisces coded than that tbh

10. queen latifah, ubp sun with those butterfly tats. ive noticed a lot of pisces girlies specifically choosing blue butterflies over any other type👀

11. halsey, punarvasu moon and has a butterfly tattoo!!

12. mariah carey, i mean we all know the OG iconic butterfly top moment but here's an underrated lewk from this punarvasu queen who also has an album titled Butterfly

she also has a perfume line called Lollipop Bling that's packaged like this:

13. Kendrick Lamar's to pimp a butterfly

he has mercury and mars in punarvasu. jup in revati atmakaraka and ubp rahu. lamar has implied that the title alludes to the nature of celebrity and how something free spirited and beautiful can be so violently controlled. again, VERY pisces coded.

14. brand new eyes by paramore

hayley williams, who is the lead singer has revati mars amatyakaraka.

15. dolly parton has a very very famous song called love is like a butterfly, she has punarvasu mars conjunct saturn. look at the lyrics of the song, only a cancer girlie would go so soft like this 🥺

Love is like a butterfly

As soft and gentle as a sigh

The multicolored moods of love are like its satin wings

Love makes your heart feel strange inside

It flutters like soft wings in flight

Love is like a butterfly, a rare and gentle thing

Dolly also has a perfume called "Tennessee Sunset" and its packaged like this:

16. alexander mcqueen, the fashion designer had ubp sun and used lots of winged imagery in his work

17. vincent van gogh, revati sun ubp venus and mars and punarvasu rising has a series of paintings called butterflies. i personally associate whimsical art with both pisces rashi and punarvasu. ill make another post some day but the impressionist movement and even the surrealist movement were vvv influenced by these two placements.

18. Papillon 1973

its based on the true story of henri charriere, who is played by steve mcqueen in the movie. not only is the movie called papillon (french for butterfly) the character also has a butterfly chest tattoo and steve mqueen has ubp sun, revati venus atmakaraka and punarvasu rising

19. silence of the lambs<3

one of the most iconic movie posters of all time features a moth. this moth also plays a key role in the movie and is a major motif.

the book on which the movie was based was written by thomas harris, who has a revati stellium (sun, jupiter & ketu)

20. SPOILER ALERT!!

in the movie corpse bride, the titular character dissolves into a bunch of butterflies at the end of the movie

corpse bride is played by helena bonham carter who has ubp saturn and ketu in revati

21. Kali Uchis, punarvasu sun often uses butterfly imagery

This photoshoot was conceptualised and shot by the South Korean photographer Choi Gi Seok who has purvabhadrapada moon (0 degrees pisces)

His work heavily features butterfly imagery ;

XxxxxxX

my own take is that, since pisces is the final rashi and the point of "absolution" it represents the end of chrysalis, when all elements have come together to create transformation; in pisces there is nothing left to do, but seek liberation from these cycles (its purpose is moksha,after all) and dissolve entirely into the cosmic ocean.

a butterfly is a beautiful symbol, representing not only the death of the creature that inhabited the cocoon but also reminding us that that death is necessary because only then can something as beautiful as a butterfly emerge from within that womb. the womb is the source of creation but you're not meant to stay there forever, that's not just stagnancy, that's death. birth is a painful process because you're leaving behind the only place you've ever known but you have no other option so you must be brave enough to face it.

this brings us to the connection of punarvasu nakshatra to butterflies. punarvasu's deity is goddess Aditi who is creation itself; she is the cosmic mother, she created this universe. in pisces, you seek liberation from the cycles of life but in punarvasu, life, the universe, creation itself takes place. thus it represents the butterfly emerging from the cocoon to claim its identity as a butterfly because the life it led before that was a non-life, it wasn't yet a butterfly, it was a non-being. goddess Aditi embodies infinite space and primordial vastness. what better way to represent the cosmic abundance than with a symbol like a butterfly? 🦋you cannot ask who created you because you are your own creation

“Once upon a time, I dreamt I was a butterfly, fluttering hither and thither, to all intents and purposes a butterfly. I was conscious only of my happiness as a butterfly, unaware that I was myself. Soon I awaked, and there I was, veritably myself again. Now I do not know whether I was then a man dreaming I was a butterfly, or whether I am now a butterfly, dreaming I am a man.”- Zhuangzi

xxxxxxx

that's it for now but i'll keep updating as i find more examples💛i hope this was interesting<3

[idylls-of-the-divine-romance]

So @prosphoramuncher asked me to write about why I say the make-up industry is demonic.

Gladly hehehe.

So this idea is rooted pretty firmly in the Book of the Revelation and so first thing to understand is I am an idealist: I do not believe it is just for the first century, or just for the last one; nor do I think the historicist perspective makes much sense either. But rather I believe the Book of Revelation is using symbols and archetypal language to talk about the spiritual meaning and significance of the rise and falls of powers in the world. It is about the ongoing cosmic conflict between God and the forces of darkness.

That said, there are some radical idealists (*agressively side eyes Brian*) that reduce the symbols to just being internal and about personal sin and whatnot. I do not hold to this and refer to this as "abstracting". It's taking "the Cup of God's Wrath" from Jeremiah and making it about hell when you die instead of about God allowing his people to be trampled by Babylon. That's dangerous, don't do that.

With all that out of the way, let's start talking about the beast.

There are 2 Beasts in the Revelation are the Beast from the Sea and the Beast from the Land.

The Beast from the Sea is a state or human kingdom that is in opposition to God and conquers through violence. So yes the Roman Empire. But also Greece and Persia and Babylon and Assyria and Egypt and etc etc etc. The British Empire, Germany, The United States, I mean just look for a military power in history or in modern times that has set itself in opposition to God and his will. Spoilers: it's just almost if not all of them.

The second one, the Beast from the Land, is an economic machine that exalts it's power as divine, looking like God but having the voice of the Adversary. It exists for the purpose of promoting the authority of the military state and for performing great signs. It is a liar and a deceiver that denies the kingship of the Anointed One (anti-Christ, "against the anointed one"). It demands that people worship the nation-state or be killed and ordains that all people must give their allegiance via their thoughts and actions.

Both are powered by the Dragon, who is the Serpent of Old (Genesis 3) who is called both "the Slanderer" and "the Adversary", who is the deceiver of the whole world but is defeated by the death of the Lamb.

So, I mean, do I even need to spell it out?

The make up industry, at least in modern times, is an industry that sustains itself through exploiting the insecurities of young women.

That's demonic. That is freaking demonic it is literally a servant of the Beast from the Land are you even kidding me!?

Now, I wish to make something quite clear: I am

Not saying that the people at the heads of make-up industries are worshiping with demons. I am not a charismatic for goodness' sake.

I am also not saying that by buying and wearing make-up that you are opening yourself to demons. Again: I am not a charismatic T-T. My little sister wears make up, not because she's insecure, but because she's a little kid who likes to play dress up all the time lol.

What I am saying is this: that we, as the Church, the Body and Bride of the Lamb, can NOT blindly support such industries without even thinking about it. Taking the Mark of the Beast is not getting a freaking vaccine or a chip implant; it is when we thoughtlessly contribute to, benefit from, and refuse to even become aware of these systems of oppression and violence.

So, to anyone reading this, young or old, man or woman, whatever: if you like make up keep wearing it. But if you think you need make up, do not wear it. You are being taken advantage of not only by an industry but also by the Adversary who wishes to destroy your body and your mind. Do not let anyone feed on your insecurities. You are a human image of God, do not let anyone tell you otherwise.

Keep fighting Babylon, family. Till His kingdom comes.

[ride-thedragon]

NETTLES AND THE IDEA OF INNOCENCE

Innocence, especially for women in asoiaf has a particular place in their perception.

Innocence in our world holds a very similar place.

When a character is innocent, you want better for them because any turmoil they go through is undeserved, and by the rules of both societies, it should allow them to be exalted from hardships.

So when it comes to such a small character like Nettles the idea of her innocence is perpetuated past the character we have because she is exalted from the concequence of what she is accused of in the narrative and is redeemed from all the hardship she faces towards the beginning when she claims a dragon.

But I don't think that's fair or correct so I want to go over some things we know and hear about her that people use to defend this idea of innocence and come to the conclusion that even though she is innocent it's not in the way typically attributed to her.

1. Nettles and Sheep:

Her relationship to this animal is a fun metaphor to understand her. Nettles trades sheep to gain her dragon Sheepstealer. Nettles trades innocence for power.

"Lambs have always been sacrificial animals. From the Ancient Greeks and Romans to Christians and even later civilizations, lambs were used for sacrifice to a higher purpose. In most cases, it was the sacrifice to Gods.These are the qualities that make lambs so symbolic. "

"They are a sign of innocence, purity, vulnerability, and sacrifice. Many of these symbols overlap with the symbolism of youth."

The idea of innocence is something that her taming Sheepstealer inherently corrupts. She slaughters sheep every day to get close enough to establish a bond to him. It's a continued effort to trade innocence for power, and because dragons make Targaryens closer to gods than men, the idea is that she's offering a sacrifice to a 'god' to gain power.

I'll link my post about this parallel she has to sheep further.

Another thing is that she's young, and that plays a part in what she is absolved from in the narrative because of the nativity and ability to grow with the potential of youth.

2. Nettles and The Cost of Power:

The regression of this trade for power comes after Driftmark is sacked and burned. In the war effort that Nettles largely contributed to, she loses her friend and her home. We are told her reaction to the loss is crying through the soot on her face so hard it leaves streaks. As with what happens consistently in mythology, the protagonist reaps benefits and consequences in the quest for power. The cost of gaining that power was fighting in the war, something she knew would happen. The fact that it came at the cost of her closest known relationship at the time as well as the place she grew up and had to leave behind to join the war effort is conceivable but not predictable for anyone to know. Especially not a 16 year old girl.

3. Nettles and King's Landing:

A while back, I drew attention to the fact that in the book, we have no real evidence that Nettles had any of the promises made to the Dragon Claimers kept to her. No marriages, lands, or knighthood equivalents are given to her in the wake of the fight. A lot of people use this as a way to say she's innocent because she believes in a cause and is sticking by it. That doesn't seem accurate towards the situation. King's Landing is the capital at that moment for punishing treason. She's a young, grieving girl, experiencing the price of power in a place where her refusal to fight or her running away will be met with a death warrant. Nettles has a nose scar for stealing allegedly. She's one of the characters we know understands the cost of disobedience in this world. She is a cost they'd be willing to pay. Even with her dragon adding to her necessity during the war, they're executing Noble men at that time. Nettles' entire life in juxtaposition to their's is incredibly small. Whether or not she cared about gaining anything (I like to think they gave her money), it's very clear that it's a weary time with major consequences for defiance or treason.

4. Nettles and Daemon:

This is the one people use this idea of innocence the most frequently for. "Nettles was innocent of the accusation made against her (sleeping with Daemon, not witchcraft), and Rhaenyra was influenced and turned against her."

Nettles doesn't need to be innocent for what Rhaenyra did to be wrong. The men who defend Nettles against the decree say that Nettles is wrong but young and shouldn't be killed for that. They conceded that the idea of treason is fair, but the idea surrounding it with the spell implications is simply incorrect and will make Daemon kill them if executed. Daemon is the sole person who puts her in danger and saves her in this narrative for his own character arc. Nettles isn't innocent, but she is young. She has her life ahead of her and has done everything that is expected of her. She isn't punished for love by the narrative. It saves her life and allows her to escape the trapping of power altogether, something she never returns to traditionally.

She does return to it with the burned men, but entirely away from the system, she originally gained that power from.

5. Nettles and Treason:

She did commit treason. That's not an innocent thing. It quite literally required her sleeping with a married prince. Whether or not she's a virgin (we'll get to it) in this world, giving into sex outside of marriage or prostitution as a woman is framed as wrong because of the value of virtue for women. With someone like Nettles, she'd know it's a bad thing and still proceeds with it. While as prince consort and a man Daemon will never dare a lick of concequence for adultery, Nettles would, and treason isn't a far stretch for the crime. Even with the understanding that Daemon would protect her, that they seemingly have, it's not okay. (It is to me. She's completely innocent.)

6. Nettles and Virginity:

Virtue is a currency in this world. Sleeping with a girl and deflowering is seen as a commodity and milestone. Virtue for women is posed as an added value. Without it, as we see in the books, women without maidenheads are seen as a lesser offer often beneath the standard of noble men.

Nettles is not ever positioned as a virgin. In this world, it's a logical conclusion to draw that she is not and would've traded sex for food or money. I'm not saying that happened, but if it did, there seems to be a stigma that it makes her lesser character in the story and / or denies her own autonomy by demeaning her. With the way it is presented in the narrative, it's a fair conclusion to draw. It's said to deter the idea that Daemon would sleep with her because she isn't even worth it, and that's my issue with the she should be virtuous reading.

It falls into the temptation of a character doing what she must to survive being a way to demean her. Nettles was surviving every day before the sowing. Her having sex, prostitution or just because she could, should not shroud her character in any world. Nettles can exist as both a critical view of how Westeros treats girls like her and as an autonomous character who chooses whether or not to have sex given her situation without it being demeaning or derogatory towards her as a character.

7. Nettles and Sex Work:

To add on, sex work is often demonized in this world, and because of the poor class of women often in these positions who are quite young and have no real alternative. Nettles as a character would exist in contradiction to the narrative of not only sex workers who die or are brutalized in that life, think book Shae, Show Roz. She'd also be the one who is actively saved by the class of people who often perpetuate this system of abuse they exist in.

Nettles isn't in it anymore or has once been preyed on by the entrapping cycle that brothels perpetuate but escapes and makes her own way. She's foul-mouthed and marred because of it, but she also becomes a dragonrider, and then when she has sex it's because she wants to.

When the narrative tries to condemn her for it, she's saved by the person who puts her in that position, unlike the other girls, like Tysha, Nettles' value isn't placed on her past sexual partners, and she is like the other girls who fall victim to the predatory sex work establishments in ASOIAF, but she escapes and isn't punished in the narrative for sleeping with someone or trying to survive in the first place. Something we don't really see in this world.

Overall,

The overarching angle of innocence pushed on her character is extremely strange and does not benefit her as a character. Innocence in this world is based on patriarchal feudalism that commodifies women into property and places value on them like stock that depreciates with superficial nonsense.

Question this world.

Nettles isn't innocent and shouldn’t have to be to deserve the ending she gets. She can just escape because she learns and grows and is young enough to do it without major consequences for her.

Nettles is innocent however, in the narrative of a poor, homeless girl with nothing, accomplishing a tremendous feat and gaining power from it, being used in wars and fights that have nothing to do with her and having the threat of death looming if she doesn't comply.

In being used as a means to an end in a conflict between the two most powerful people in the realm and escaping without any permanent concequence to her. She's not guilty.

Let girls have fun and be complex characters in their narratives. Innocence isn't a necessity, but even if it was for you to like her, she is, in a sense, innocent.

[mybeautifulchristianjourney]

Do Not Envy Wicked Men

1 Fret not thyself because of evildoers, neither be thou envious against the workers of iniquity. 2 For they shall soon be cut down like the grass, and wither as the green herb. 3 Trust in the LORD and do good; so shalt thou dwell in the land, and verily thou shalt be fed. 4 Delight thyself also in the LORD, and He shall give thee the desires of thine heart. 5 Commit thy way unto the LORD; trust also in Him, and He shall bring it to pass. 6 And He shall bring forth thy righteousness as the light, and thy judgment as the noonday. 7 Rest in the LORD and wait patiently for Him; fret not thyself because of him who prospereth in his way, because of the man who bringeth wicked devices to pass. 8 Cease from anger and forsake wrath; fret not thyself in any wise to do evil. 9 For evildoers shall be cut off; but those that wait upon the LORD, they shall inherit the earth. 10 For yet a little while and the wicked shall not be; yea, thou shalt diligently look for his place, and it shall not be.

11 But the meek shall inherit the earth, and shall delight themselves in the abundance of peace. 12 The wicked plotteth against the just, and gnasheth upon him with his teeth. 13 The Lord shall laugh at him, for He seeth that his day is coming. 14 The wicked have drawn out the sword and have bent their bows to cast down the poor and needy, and to slay such as be of upright manner of living. 15 Their sword shall enter into their own heart, and their bows shall be broken. 16 A little that a righteous man hath is better than the riches of many wicked. 17 For the arms of the wicked shall be broken, but the LORD upholdeth the righteous. 18 The LORD knoweth the days of the upright; and their inheritance shall be for ever. 19 They shall not be ashamed in the evil time, and in the days of famine they shall be satisfied. 20 But the wicked shall perish, and the enemies of the LORD shall be as the fat of lambs: they shall be consumed; into smoke shall they be consumed away.

21 The wicked borroweth and payeth not back, but the righteous showeth mercy and giveth: 22 for such as are blessed by Him shall inherit the earth, but they that are cursed by Him shall be cut off. 23 The steps of a good man are ordered by the LORD, and He delighteth in his way. 24 Though he fall, he shall not be utterly cast down; for the LORD upholdeth him with His hand. 25 I have been young, and now am old; yet have I not seen the righteous forsaken, nor his seed begging for bread. 26 He is ever merciful and lendeth; and his seed is blessed. 27 Depart from evil and do good, and dwell for evermore. 28 For the LORD loveth judgment, and forsaketh not His saints; they are preserved for ever, but the seed of the wicked shall be cut off. 29 The righteous shall inherit the land, and dwell therein for ever. 30 The mouth of the righteous speaketh wisdom, and his tongue talketh of judgment.

31 The law of his God is in his heart; none of his steps shall slide. 32 The wicked watcheth the righteous, and seeketh to slay him. 33 But the LORD will not leave him in his hand, nor condemn him when he is judged. 34 Wait on the LORD and keep His way, and He shall exalt thee to inherit the land; when the wicked are cut off, thou shalt see it. 35 I have seen the wicked in great power, and spreading himself like a green bay tree. 36 Yet he passed away, and lo, he was no more; yea, I sought him, but he could not be found. 37 Mark the perfect man and behold the upright, for the end of that man is peace. 38 But the transgressors shall be destroyed together; the end of the wicked shall be cut off. 39 But the salvation of the righteous is in the LORD; He is their strength in the time of trouble. 40 And the LORD shall help them and deliver them; He shall deliver them from the wicked and save them, because they trust in Him. — Psalm 37 | Third Millennium Bible (TMB) Third Millennium Bible, New Authorized Version, Copyright 1998 by Deuel Enterprises, Inc. All rights reserved. Cross References: Genesis 6:9; Genesis 37:18; Numbers 6:26; Deuteronomy 6:6; Deuteronomy 15:8; Deuteronomy 30:20; 1 Samuel 2:4; 1 Samuel 2:9; 1 Samuel 26:10; Job 5:3; Job 5:20; Job 7:10; Job 11:17; Job 38:5; Psalm 1:4; Psalm 1:6; Psalm 18:21; Psalm 18:37; Psalm 26:10; Psalm 33:5; Psalm 35:10; Psalm 73:3; Psalm 112:5; Psalm 112:10; Proverbs 10:13; Proverbs 10:30-31; Proverbs 15:16; Isaiah 31:5; Jeremiah 12:2; Ezekiel 27:36; Matthew 5:5; Matthew 7:7-8; Matthew 8:12; 2 Corinthians 4:9; Ephesians 4:31; 1 Timothy 4:8; Hebrews 13:5; James 1:11; 1 Peter 5:7; 2 Peter 2:9; 3 John 1:11

Psalm 37: Trusting God in a World Gone Bad

Key Passages of Psalm 37

1. David persuades to patience and confidence in God, 12. by the different estate of the godly and the wicked

[dramarising-replacement]

The Absolute Drama With This Teaser

I legit thought it was a friendly back and forth in a flight rising server I'm in on Discord, just discussing the mystery hand in the latest teaser. Just theories on possible new breed, or maybe a bog with a hidden fourth finger. One user was really up in arms about it being three fingers. I just said maybe there's a fourth finger, and that the rest can be explained with staff inconsistency in player models and NPC art. I didn't go further, while others in the server backed up both ideas. I was chill the whole time, saying I might be wrong, open to other ideas. They kept pushing turtle dragon. I stepped back and thought things were gonna cool off.

They blocked me over it. I know because I had just helped them figure out a scry for one of their dragons in their lair just before the teaser dropped. I could see their lair before, and now I'm not allowed to. By the look of it, they blocked everyone who didn't agree with them on this mystery hand being a new breed (some others came to me asking if I was suddenly not allowed to see their dragons for sale anymore after the debate).

Like I get it. This is the anniversary. This is a big thing, with lots of theories being tossed out with each new teaser. I also know players are 100% allowed to block whoever they want for whatever reason they want to (I've blocked players for renaming a project kid LAMB SAUCE and immediately exalting them like I get it, block for anything). It just seems like a lot to block someone over one of the teasers for the anniversary, especially for a casual mention of staff art and one theory.