#the Alan not taking a deal thing has been living in my head in a post-apocalyptic AU for weeks now so I'm using it here
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oldsargasso · 7 months ago
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WinnerDean spy AU?
thank youuuu I love you 🥺 sorry for taking days to answer lol I have been. so sick.
five VERY LONG facts...honestly this is just a story outline at this point. TW for violence
the first time they meet it's because Dean's been sent on his first solo mission, instead of Babe or Way getting it done. and he's so proud of himself - finally Alan has recognised how hard he's been working! sure it's not like Babe (currently holed up at home with a broken leg) or Way (currently undercover as a high-end ~companion) could have been sent anyway...still. Dean was the one Alan pulled from the team and sent out into the field all on his own. and he's going a great job---bypasses all the security measures, is in the CEO's office with his password being cracked as Dean pokes around the desk drawers---when the door opens and the number 1 ranked agent at X Hunter's rival agency saunters in.
2. Winner had incredible scores throughout his stint at the academy. But X Hunter has some more avant garde recruitment practices and Winner's not bitter about it at all. Working at RDR means he stays number one, big fish in a small pond kind of thing. His talents are being wasted looking after the very lucrative contract Tony's hired them on for; officially it's "locating and correcting weaknesses in the security framework" but it's really corporate espionage. and it's boring as hell. Winner hates it. why become a spy if not to go around guns blazing and driving dangerously and seducing hot targets? turns out there's a lot more paperwork and sending phishing emails and standing around waiting for people to leave their office in actuality. that is, until Winner makes the usual midnight loop around the top-floor offices and finds something very interesting. (Winner's a little miffed that X Hunter didn't even bother sending their top agent for this job.)
3. Tony offers Alan a deal: give Tony Babe, and Dean gets released with nary a scratch.
Alan doesn't take the deal.
Winner doesn't care, about the deal or Babe or the way Tony's aide keeps hovering around like he wants to say something and definitely not about the pretty agent he captured. But he DOES care that Tony has his own guys doing the interrogation. Like why even hire Winner and his agency if not for something exactly like this? So he hacks into the security feed and finds Tony's guys aren't even asking questions. It's like they're just ...playing almost, landing blows all over the agent's body while his arms are held so he can't protect himself, both eyes blackened and blood dripping to the floor from his torn-up mouth. And Winner notices someone else in the system too. They've covered their tracks very well---unfortunately for North there's only a handful of people that can cover their tracks like that. It pisses Winner off: any good agency would have gotten their guy out, or at least gotten him a bullet---instead X Hunter is just watching? Listening to the sounds of Dean gasping for breath after another interminable minute of being held underwater? Winner kicks North out of the system and patches the weak point and decides to cater to his own particular moral code.
4. Dean doesn't break. He doesn't talk. He clings to the hope of getting out (and then he hopes for it to end). He repeats to himself that Alan wouldn't have left him here if he didn't think Dean could handle it. Alan has faith in Dean so Dean will have faith in Alan. And he manages to keep it up for a few days, or maybe a week---the only way of tracking time is the comings and goings of Tony's guys, and Dean's not sure they have a set schedule. He hurts all over. There's no position he can sleep in that doesn't have his ribs screaming at him, and the comments from Tony's men have started to get very pointed in a way that has his skin crawling. Dean knows the protocol, and he should have gotten at least a message by now. It's easier then, to give up a little, and let his anger and bitterness turn to apathy and carry him through.
5. Winner's favourite thing about being a spy? The vast array of beautiful guns he has access to. He was top of his class when it came to shooting, and taking out five guys before any of them manage to fire back is barely enough to spark any satisfaction. Dean doesn't answer when Winner asks if he can walk, so Winner just slings him over one shoulder and makes his leisurely way out. He's planted enough explosives around Tony's estate that every man is going to be completely occupied elsewhere.
He does run into Kenta on his way to the exit---Winner doesn't shoot, because the guy is armed with a knife and that's not a fair fight---and Kenta just nods at him, like. with approval. Weird guy, but probably has to be to have worked for Tony for so long.
And then when Winner makes it to the garage North and Sonic are waiting there? with a guy Winner distinctly remembers seeing tied up in Tony's office a few weeks ago. And they just take Dean from him and drive away??
So Winner goes back inside and shoots a few more people. He finds Tony's body, and Kenta kneeled next to it, and is like "well I have an empty seat in my car now..." and then they drive away.
(bonus fun fact is that Babe and Charlie are having a whole Mr and Mrs Smith AU thing going on in the background)
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chickenkurage · 19 days ago
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CHAPTER 9..... OOOOOOOOOHHHHHHHHHHH CHAPTER 9, THIS ONE HAS A LOT MORE TO TAKE IN THIS TIME-
FIRST OF ALL WOAH- THEY ACTUALLY REUNITED!!! LET'S GOOOOOOOOOOOOOOOOOOOOOOO!!! ALAN ACTUALLY FINDING OUT THAT THE OTHERS KNEW ABOUT DJ SO HE ASKED VICTIM ABOUT WHERE DJ IS TO SEE HIM AFTER ALL THIS TIME!!! THIS IS LIKE THEY ALMOST FORMED AN ECLIPSE BY NOT CHASING EACH OTHER NOW AFTER SEEING EACH OTHER, BUT IT WENT BACK TO THAT WHEN ALAN FLEW AWAY FROM DJ, THE AWKWARD MOMENT THEY HAD UNDER TREE DOES SEEM RELATABLE CONSIDERING HOW IT'S BEEN SO LONG TO THE POINT YOU DON'T KNOW HOW THE OTHER VIEWS YOU AS, DJ THINKS LOWER OF HIMSELF AND ALAN THINKING HE'S STILL WORTHLESS ALL THIS TIME, MEANWHILE ALAN POSSIBLY STILL THINKS DJ HATES HIM FOR WHAT HE HAS SAID SO LONG AGO AND THINKING WHY HE INTERACTED WITH DJ THAT WAY WHEN HE LEFT, AAAAAAAAAAAAAAAAAAAAAAAA THESE TWO TALK IT OUT OH MY GOSH- AND YEAH VICTIM UH- YOU'LL PROBABLY NEED TO KNOW ABOUT ALA- NOOGAI AND DJ'S RELATIONSHIP MUCH MORE LATER ON, OR JUST KNOWING THE FULL STORY ABOUT THEM LATER ON IN THE CHAPTERS BECAUSE IT'S SO MUCH TO BARE I'LL SAY- AND OOOOOOOOOHHHHHHHHHHH SATIN... OOOOOOOOOHHHHHHHHHHH I HATE HER ALREADY HONESTLY- I HATE HER VIBES I'M ALREADY HATING WHAT SHE'S SAYING TO DJ AND I HATE HER JUST TOUCHING HIM OUT OF NOWHERE- OH HECK NAH THIS IS DEFINITELY HALO 2.0 FRICK NO- BUT NOOOOOOOOOOO DJ THINKING ABOUT BRINGING BACK HIS FAMILY COULD POSSIBLY MAKE HIM THINK THAT ALAN WILL FIND HIM WORTHY AGAIN FOR ACTUALLY DOING SOMETHING- OH DJ.... DJ.... AND NOT THE FLASHBACK WITH DJ TELLING THE STORY ABOUT THE SUN AND MOON BEING SIBLINGS AND THEM LITERALLY ACTING LIKE SIBLINGS BY DJ CLINGING ONTO ALAN, OH GOSH THEY LOOKED SO HAPPY BEFORE WHAT WENT WRONGGGGGGGG- WELL APPARENTLY THE FAMILY WAS KILLED DUE TO RACISM BUT STILL THAT'S EXTREMELY TOO FAR LIKE WHAT THE F*CK??? GEEZ IT REALLY WAS A LOT OF THAT BACK IN THEIR DAYS.... SO THE OTHER DID EVENTUALLY WENT BACK TO THEIR CREATOR WHICH IS A GOOD THING BUT THAT MAKES DJ GO BACK TO HIS OLD ROUTINE BUT WAITING FOR ALAN AFTER HIS VISIT AND STILL THINKING ABOUT SATINS OFFER, WHAT IN THE WORLD IS SHE THINKING??? LIKE WHAT- FOR SOME REASON I'M ALREADY IMAGINING HER AS THE CYAN STICK ALAN HAD BEATEN UP A LONG TIME AGO IDK WHY- OKAY BUT ESPECIALLY DJ'S THOUGHTS HERE.... OH MY GOSH THAT'S A LOT OF DARK AND F*CKED UP THOUGHTS- EVEN WHERE BEFORE ALAN FLEW OFF HE WAS ALREADY THINKING A LOT ABOUT WHAT ALAN WOULD DO TO HIM AND ALL!!! LIKE WHY CAN I EVEN IMAGINE DJ THINKING ABOUT KNEELING IN FRONT OF ALAN WITH A SHARP WEAPON LIKE A KNIFE ON HIS FOREHEAD AND WAITS FOR ALAN TO FINISH HIM OFF JUST LIKE THAT- WHAT IN THE WORLD IS GONNA HAPPEN WHAAAAAAAAAAAAA-
NOW ATG ALAN AND DJ IS REMINDING ME OF THIS AUDIO- "moon tell me if I could, send up my heart to you? So when I die which I must do could it shineeeeee down here with you?" AAAAAAAAAAAAAAAAAAAAAAAA THEY'RE SICK-
Okay! Let's start Yapping! Yippee!!
There is so many misunderstandings in this chapter, and it's absolutely just...sad. They had each other at arm's length but refused to reach out. DJ did reach out, but Alan wasn't sure on how to react, perhaps in his head he thought DJ was about to punch the living lights out of him and Alan was waiting for that.
Alan was definitely waiting for DJ to burst into anger, that's why he's incredibly quiet, he was waiting for DJ to be angry at him, to hurt him.
Victim most likely would not know right away what Noogai and DJ's deal with each other was, but he might have some theories or some suspicion about them knowing each other or perhaps more than that. As for Satin, Satin is already making a move towards DJ. And her unnerving way of trying to touch DJ, is just utterly disgusting. But she knew she already had him hooked with the promise of revival, the temptation of trying to get who you love back into the land of the living.
And as for the sun and moon, it was utterly just heartbreaking hearing the legend of the Sun and Moon where both of them we're actually siblings and not lovers as some says. And they forever chase each other in the sky.
While the original take on it was, they chase each other for fun, DJ found it sad because forever chasing someone you love is painful for him, that's why he felt incredibly just sad about the story while Alan isn't so interested in it.
Yes, Alan's family was killed by racism, since Alan's wife and his kids are not the same kind as Alan, they were shunned, especially Alan for marrying a different stick than his kind. Because in their time, it is important to note that you can only marry your own kind. (It is almost the same with some religion that they can only marry the person with the same religion)
DJ really does have a pretty fucked up thoughts, and I really can't say anymore to that. The whole fanfic is a pretty heavy baggage for having a summary that is so silly.
DJ has always liked to imagine how Alan would react if he were to die, and he loves doing that to pass time. And I don't know if I should laugh at that or cry.
The quote really does remind me of ATG Alan and DJ, they are honestly sick. That even if I saw doodles of them looking happy, it just makes me sad because that isn't the same thing I'm seeing right now XD - S
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theirmadness · 6 months ago
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alright, folks. time for a serious conversation.
it's just been brough to my attention that some people are under the impression my samantha winchester portrayal in particular is transphobic because she's a genderbent version of a canon character. there's a couple of things that i want to clarify: first of all, this is something i fully intended on adding as a section in my rules because i know this is a hot topic in the rp community, i just haven't gotten around to it because as stated in my rules, this blog is very low effort and most of the time when people interact with samantha, i will go through the two separate aus i have with them privately.
now, i'm not gonna get into my skin in the game for this because, honestly? it's just gonna cause a stir because people can't respect when people have different perspectives on sensitive topics.
but, i want to clarify something: i only use "genderbent" potrayals of canon characters in universes where the multiverse is a canon thing. both in supernatural and in the marvel universe, you have different versions of canon characters that exist in different universes. sometimes the only thing they share in common with the "canon" version of that character you're familiar with is their name and their connections. the only exception to this would be alana bloom, but the same argument can be made that she is so far removed from the canon alan bloom that she's her own different character.
that being said, i absolutely will not accept the argument that my portrayals of toni stark and at the present moment, samantha winchester are transphobic. you might disagree with me on that, and gb portrayals might be icky for you for your own perspective and beliefs, and that's absolutely okay. i'm not gonna sit here and try to argue this and change your mind because i can absolutely respect everyone is entitled to have their own POV on things. my interpretation and my idea of the gender spectrum can be so very different from yours and that's just that.
i have never, and will never force anything on anyone. it's why my blog is dead dove. it's why i have so many warnings saying that i will write things that are upsetting, triggering, etc.
now: samantha's main verse is that she's from a separate timeline and universe where she does not throw lucifer back into the cage, and she shares her body with him in an apocalypse croatoan virus universe. it's one of the many separate and alternate universes/timelines that chuck has created. he has admitted to creating an universe where people have dog noses. so yeah, i'm fully supportive of the idea he plays around with the genders of his main characters in different universes. but the important thing to note is that samantha isn't canon sam, and i didn't just take canon male sam and turn him into a cis woman. she is, like alan bloom, her own separate entity and character, who happens to share the same name, a similar backstory and same connections as this one canon character.
the second verse for her is that she's sam's twin sister who has either (also separate from main canon) been raised with the boys or just been separated from them from birth for whatever reason best fits the plot and is now back into their lives.
now i'm only making this post and making this distinction because it's both important to the character's portrayal for the future but also i don't want to have to deal with folks throwing around "transphobic" when it comes to me when that's so far from who i am and what i believe in. are there instances that gb is done in a harmful way? absolutely. most of the time from my experience in the rpc, it is that way. it's why i ABSOLUTELY understand that people aren't willing to interact with gb portrayals. for the most part, i never interacted or had gb portrayals. but this version of the character has been living in my head for MONTHS and i just had to let her out. i am never one to hold back on my creativity and this isn't any different. but since i do write alana and toni, i felt like it was worth mentioning my take on this as a whole in case i add any other characters from marvel like this.
i normally don't feel like i have to explain myself on anything that i do because if people don't agree/like what i do, blocking and not interacting with me is an option you have and even if we have mutuals, you can blacklist me and never have to see anything i post. just because we have different opinions doesn't mean i'm a bigot, or that i'm not allowed to exist with my creative ideas in the same space as you do.
thank you for those who have read this unnecessarily long post lol. know it's a bit long winded. i do tend to overexplain myself because of my adhd. but also it was important to get some of the info on sam's verses out here. i will be making a separate post for this information to make this easier for folks AND to avoid any kinda misunderstanding in the future, BUT i just wanted to do a lil' thing in the meantime. to those who interact with me and sam and any of my controversial muses: thank you! and for those who don't or for example for folks who don't like incest but still follow/interact with me, thank you, too! i appreciate every single one of you that understand that we're not all gonna be into the same things but understand that everything here is about open and mature communication, and just being able to curate your space and experience.
kisses. ❤
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brainsforbabyjesus · 2 years ago
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The Jurassic World Dominion movie that lives in my head:
Dinosaurs invade an Ambiguous National Park. Owen has been hired on to help the park rangers adjust to this/keep people and dinosaur altercations to a minimum. Owen can go be the Dinosaur Cowboy Man we all know he wants to be.
Meanwhile, Claire has rebranded the Dinosaur Protection Group to basically be the dinosaur version of Bear Aware. They still advocate for dinosaur protection but their more public face is teaching people how to live alongside dinosaurs. Claire goes to Maisie’s school and does a Get To Know Your Dinosaurs presentation.
We get a few glimpses of Blue from a distance. She is in the park.
The ambiguous national park is surrounded by farm land, privately owned forest land, and several small towns ranging in size from blink and you miss it to very small.
A Bad Thing Happens that causes conflict between the dinosaurs and humans. Whatever it is Owen blames himself for not having prevented it because he missed some Obvious Detail that led to the bad thing.
Conflict ensues.
The park rangers, the townsfolk, the farmers, the hunters, the park goers, and the rebranded DPG, all draw various lines in the sand. There are three main groups:
All Dinosaurs Must Go
Some Dinosaurs Must Go
The Dinosaurs Should Stay
Each group has various sub factions within, and they are not always what you think they might be. All Dinosaurs Must Go ranges from they are an invasive species to be removed to they are a danger to humans and/or livestock. Some Dinosaurs Must Go mostly doesn’t want predators that may attack humans/livestock but some herbivores are also on the must go list depending on who you ask. The Dinosaurs Should Stay ranges from they should be a protected species to hunting tourism would go through the roof.
Anyway, everyone has their reasons for what they want. Claire and Owen have to deal with the problem that if they win the dinosaurs should stay fight they may have to live with the dinosaurs can stay and be hunted.
There are more glimpses of Blue in the park. This time we find out that our glimpses are via Owen’s binoculars. He knows she’s in the park but keeps it quiet because he knows telling people a raptor is in the park is just going to make people scared. He hasn’t sited her anywhere near people anyway so no big deal, right?
The Ambiguous National Park becomes the iconic symbol of what the fuck do we do with the dinosaurs? A media circus ensues.
For reasons Alan, Ellie, and Ian can come and be expert witnesses who come down on various sides of the debate. Also, Dr. Wu shows up because I want him to.
Maisie mostly does kid stuff without the whole genetic disease storyline, she’s just a regular clone girl doing regular clone girl stuff, like taking care of injured dinosaurs. Also, she goes to school and makes friends and enemies and campaigns for dinosaur rights.
There are a bunch of town hall style debates scattered throughout various lowkey action sequences which are mostly Owen and the townsfolk deal with dinosaurs in unusual places. Once it is Maisie and the school children deal with dinosaurs in unusual places.
We find out that the Bad Thing happened because of Evil Dinosaur Poachers! People then change some of their arguments to see? the dinosaurs didn’t do the bad thing while others point out that if they have dinosaurs here more Evil Poachers will come.
Evil Poachers are arrested but in the chaos of their arrest it becomes publicly known that a) Blue is in the park and b) that Owen knew and never told anyone. The Evil Poachers are not super relevant to the plot after this. No insane global kidnapping plot happens. What becomes relevant to the plot is that Owen’s expert status is called into question since he was hiding information about a dangerous dinosaur. He’s promptly uninvited to the debates though he keeps his job by virtue of being Dinosaur Cowboy Man. Although he loses the trust of some of the townsfolk.
Claire has an awkward conversation with him about how he should have said something because now her expert status is also being called into question. They kind of really/fake break up for a bit so that Claire’s reputation and by extension the Dinosaur Protection Group don’t go down in flames with Owen.
They don’t really break up.
They still have a dramatic getting back together sequence.
The story ends with the Dinosaurs Should Stay side winning but with some stipulations about safety and a promise of a multi year study on whether hunting is an option. There is a sizable chunk of townsfolk who are not happy about this for a variety of reasons. Owen and Claire have to get ready to start a new fight for dinosaur safety in the long term. The dinosaurs go on doing dinosaur things in the Ambiguous National Park.
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ulkaralakbarova · 4 months ago
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A single mother and her slacker sister find an unexpected way to turn their lives around in this off-beat dramatic comedy. In order to raise the tuition to send her young son to private school the mom starts an unusual business – a biohazard removal/crime scene clean-up service. Credits: TheMovieDb. Film Cast: Rose Lorkowski: Amy Adams Norah Lorkowski: Emily Blunt Mac: Steve Zahn Joe Lorkowski: Alan Arkin Winston: Clifton Collins Jr. Randy: Eric Christian Olsen Carl Swanson: Kevin Chapman Oscar Lorkowski: Jason Spevack Lynn: Mary Lynn Rajskub Sherm: Paul Dooley Paula Datzman-Mead: Judith Jones Heather: Amy Redford Mrs. Kim: Susie Yip Mrs. Davis: Lois Geary Young Rose: McKenna Hutton Young Norah: Mason Frank Candy Store Girl: Amber Midthunder Girl’s Mother: Angelique Midthunder Gun Shop Owner: Vic Browder Above and Beyond Worker: Ivan Brutsche Fair N Square Owner (uncredited): Kathy Lamkin Film Crew: Director: Christine Jeffs Casting: Avy Kaufman Producer: Marc Turtletaub Producer: Glenn Williamson Producer: Jeb Brody Editor: Heather Persons Producer: Peter Saraf Script Supervisor: Joanna Kennedy Director of Photography: John Toon Stunt Coordinator: Al Goto Co-Producer: Bob Dohrmann Art Direction: Guy Barnes Production Design: Joseph T. Garrity Costume Design: Alix Friedberg Set Decoration: Wendy Ozols-Barnes Makeup Department Head: Tarra D. Day Key Hair Stylist: Debra Clair Key Makeup Artist: Karen McDonald Key Hair Stylist: Mary Hedges Lampert Hair Department Head: Voni Hinkle Second Assistant Director: Chemen A. Ochoa First Assistant Director: Gregory J. Smith Supervising Sound Editor: Tricia Linklater Special Effects Coordinator: Margaret Johnson Stunt Coordinator: John Koyama Stunt Double: Trine Christensen Stunts: Kevin L. Jackson Stunt Double: Jodi Michelle Pynn Gaffer: Dan Delgado Still Photographer: Lacey Terrell Music Supervisor: Susan Jacobs Writer: Megan Holley Original Music Composer: Michael Penn Movie Reviews: DoryDarko: The first thing that went through my head the second Sunshine Cleaning ended, was ‘I could have gone on watching for at least another hour’. Not just because it ended a little abruptly, but mostly because I so thoroughly enjoyed this film, that I was seriously disappointed when it was over. It’s like that book that’s so compelling that you just want to inhale every word, but dread to actually finish. Sunshine Cleaning is about two sisters, who, driven by dire financial straits, decide to start “a biohazard removal/crime scene clean-up service”, cleaning up the houses of people who died gruesome deaths. The premise is fairly simple, but executed in a very lovely, heart-warming way, half tragedy – half comedy. Because of course, this film is not only about cleaning up other people’s mess, but also about cleaning up some of their own baggage along the way, especially when the sisters are confronted with the memory of a death akin to what is now their daily business. Somewhere in between all this they have to deal with their eccentric father, the elder sister’s peculiar son, love, loss, failure and a glimmer of hope. Reading this back now I realise this actually sounds really cheesy and sentimental, but I would have hated it if it was. Trust me. Amy Adams plays Rose, the eldest of the two, and Emily Blunt plays Norah, the rebellious younger sister. Rarely have I seen such great chemistry and energy between a leading pair. These two women make it seem like they’ve been working together for years, and physically they’re a perfect match too, they actually look they could be sisters. Rose is obviously the mature, sensible one, whereas Norah just kind of takes things as they come, not worrying and not taking responsibility for her life. Though they seem to be bound not so much by kinship, but rather by a mutual fate and childhood hardship that has left its mark on both of them, although they deal with it very differently. Rose tries desperately to build a better life for herself and her son, but rarely finds any luck on her path. Norah just wings it and refuses t...
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bob-mcbobbinson · 1 year ago
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The Whale: "my room is my head"
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Hello, and welcome back (or just welcome if you are new to this page) this is my review of Darren Aronofsky's The Whale.
The Whale is a very beautiful movie, you can tell it was done with very much care; from the dialogue to its equally powerful visual language, every single element is intentionally placed and fits with one another really finely. Today I'd like to take you through this movie and why I think it works so well. enjoy :)
The film follows the story of Charlie, an obese, middle-aged man who has lost contact with his family and the rest of the world and lives in almost total isolation in his apartment. Apart from his only friend Liz, nobody enters his house, no one is allowed to. The place crumbles, and folds on itself as it becomes the man’s mind, his inner struggles and thoughts displayed for the viewer. It’s the sad coziness of the living room, the messiness of the kitchen, the stillness of Alan’s room, untouched and crystallized in time.
We're dealing with a character that has been stuck in the same situation for decades; as his body grew larger, his room shredded thinner, encapsulating him completely, as if the flesh and the room were one. He became an inanimate object the day he stopped fighting for himself, for the ones who once loved him, and the ones who still did. The narrow format of the frame contributed to creating this sense of unescapable claustrophobia and helped the viewer get into the protagonist's private existence. You can feel the heavy load of isolation and the weight of the many words unsaid; the light is dim, and the grain of the film falls static in the air, collected like dust.
Before we go on discussing the story and characters I need to clarify that whenever I find myself to particularly like a film on first watch, I always get informed on the criticism it has received, by taking a look at the other extreme of its polarized reception. In this case, I’ve come across many reviews criticizing its confused moralistic messages; the shameful portrayal of “fat people”, in a way that reinforced stereotypes and misconceptions; the uncomfortable abuser/abused relationship of Charlie and Ellie, and how the director seems to have given him way much more kindness and empathy that he actually deserved.
What I’ve noticed throughout the years is that we tend to look at films with merciless scrutiny; we search for the morals and hidden meanings of everything and deem every choice as intentionally thought out to lead to an ultimate purpose. If it’s subtle then it’s ambiguous, if it’s explicit then it’s too preachy, and if it’s preachy it’s either right or wrong, condemned or acclaimed, and to me, that makes little to no sense.
The truth is that we will always find what we set ourselves to look for if we search hard enough and squint our eyes at the minuscule acts that take place on the screen. We tend to look at movies as universal thesis on life, death, and human relationships rather than individual stories, of individual people, examples of humanity in which we may or may not find resonance (or reasoning) with our personal experiences.
In my opinion, this is a story of a man (not the story of a man) whose selfishness and self-hatred lead him to do horrible things to the ones he loved. Selfishness and self-hatred, both of them are necessary to reach a point this low, and I don’t think the author is trying to save him, I don’t think Aronofsky helped him to redeem himself or forced his daughter to forgive him. And as we take our seats at the cinema or in the sad coziness of our living rooms, we are invited to witness the consequences of this man’s actions, we’re not asked to pick a side and root for The Whale, and that’s what makes this film beautiful.
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fandom-imagines-stories · 4 years ago
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If I Go, I’m Goin
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Dr. Spencer Reid x Reader
Words: 1845
Part One
Summary: With the reader’s funeral just days away, the team worries about Reid. Spencer struggles to cope and finds himself going to places he remembers being with you. Inspired by the song If I Go, I’m Goin by Gregory Alan Isakov. 
Notes: I know. I’m mean. 
Warnings: Character death, grief, depression
More Criminal Minds: HERE
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And the photographs know I’m a liar
They laugh as I burn her down
She wasn’t leaving until he opened the door. J.J. knocked again, this time a little louder than the first. She had given him a day to himself, but now she was worried. It had been less than 48 hours since Y/N died. Everyone was dealing with it differently. Prentiss and Morgan went to the shooting range, Hotch buried himself in paperwork, Penelope was running around trying to fix everything, and Rossi was being, well, Rossi. 
Everyone thought it was a good idea to let Reid be alone for a while, but they didn’t know what J.J. knew. They didn’t know what Y/N had told her that day. Of course, everyone had their suspicions, but J.J, and maybe Penelope, were the only ones that knew that Spence just lost the woman he’d loved for at least the past year. 
The door slowly opened just enough for him to look out. From the little sliver that she could see, he didn’t look well. His eyes were sunken and dark and it looked like he hadn’t changed clothes since the hospital. The sight of his despair nearly brought tears to her eyes. 
“Hey J.J.” 
“Spence.” She greeted, her voice quiet and empathetic. “Can I come in?” 
“Uh, I guess. Sure.” He stepped aside and let her walk past him into his living room. It was strangely well put together. She expected things to be discarded on the floor, for the kitchen sink to be full with dishes. But the only thing that seemed out of place was a single chair facing the window. “Why did you come?” 
“I just wanted to see how you were holding up.” 
“Did Hotch tell you to come see me?” 
“Spence-”
“Because I really don’t need a psych evaluation right now.” He sat down in the chair in front of the window. Honestly, it was where he had been for the hours before J.J. got there. He just sat, looking out like he was waiting for Y/N to come down the street. 
“I came here as a friend, Spencer. Not as an agent.” 
“Oh.” She watched as the previous outburst lost its effect on him and he slumped forward, leaning his head on the glass. It was like watching a wounded animal stop fighting. It broke her heart. 
Spencer didn’t say anything else. When J.J. asked him a question, he responded with either a silent nod or a quiet mumble. Eventually, there was nothing else she could say. 
“We’re all here, Spence.” She put a gentle hand on his shoulder. “If you need anything before the funeral…” The last word nearly caught in her throat. Funeral. J.J. kept a steady appearance, leaning over and kissing the top of his head. “Bye Spence.” 
He didn’t say anything as the door closed behind her. He didn’t even look back. Spencer kept his gaze out the window and watched J.J. get in her car and drive away. He must have sat there for a few more hours because by the time he finally moved, it was dark out.  
He forced himself to stand and walk back to his room so he could take a much needed shower. Seeing his still made bed made his stomach twist. His mind conjured the image of a quiet morning, none in particular, where he laid with her. He laid with Y/N in his arms as the sun peeked through the windows. Just as quickly as it had come, the vision left, returning the room to its original empty state. 
Spencer moved through his apartment aimlessly, his body moving before his mind could catch up. His thoughts were far away, trapped in those woods with the constant sound of an arrow cracking through bone. It cracked through his chest, leaving only a painful ache. He stepped into the shower with his clothes still on. 
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This old house, she’s quite the keeper
Quite the keeper of you
He was there before anyone else, sitting in the dim light by himself for nearly an hour. When Hotch quietly trudged to his office, he stopped suddenly, seeing the form sitting at his desk. 
“Reid?” He flipped on the main lights and looked warily at the young agent. While he didn’t show it, Hotch noticed Reid’s disheveled appearance and blank expression. “What are you doing here?” 
“I wanted to do some paperwork,” Reid replied, keeping his eyes trained in front of him. Hotch set his briefcase down. 
“I told the team to take a few days off.”
“You’re here.” 
“I have to deal with…” He trailed off, dreading the report sitting on his desk. Reid nodded, still not entirely paying attention to his supervisor. 
“Right.” He continued to slowly tap his pen against the surface of his desk. Hotch knew that the psych evals weren’t until after everyone came back, but Reid was worrying him. Grabbing his briefcase, he kept a close eye on him as he went to his office. 
Spencer stared at the desk across from him. 
“Come on, there has to be something that you don’t know.” You challenged, chewing absentmindedly on the cap of your pen. Normally he would remark on how many germs were on the average pen, but when you did it, he thought it was cute. 
“Of course there are things I don’t know, I just don’t talk about them because I don’t know them well enough to talk about them.” 
“I bet you can’t name every character in Star Wars.” 
“Alphabetically or in order of appearance.” He smirked smugly. 
He blinked and the memory was gone. Y/N was gone and the emptiness returned. Spencer stood up, wanting to find something that would conjure another image of her. He wandered aimlessly around the office, slowly weaving in between desks. He opened the drawers of her old desk, but they had already been emptied. Her parents must have already cleaned it out. 
Right. Her parents were here. He’d almost forgotten. They were here for the… 
Somehow, he found himself standing in the break room in front of the empty coffee maker. He made himself a pot, not really thinking about his motions as he put the grounds in the filter and poured the water. It wasn’t until he imagined her hand on his arm that he felt anything at all. 
“What are you doing?” He asked, an amused smile playing at his lips. 
“I’m dancing.” You twirled to the other side of him, your playful laugh filling the small room. 
“There isn’t any music playing.” 
“Who said you need music to dance, Spence?” You took his hands and spun into him, giggling relentlessly. “Come on, dance with me.” 
“Are you crazy? We’re at work.” He tried to sound stern, but he just laughed instead. 
“So? Nobody will see us.” You put a hand on his shoulder and moved his arm around your waist. You both swayed to the music in your mind, your hearts somehow playing the same song. For a moment, you forgot where you were. You forgot that there was another horrific case awaiting you in the conference room and all that existed was you and the man that held you. 
“Hey Y/N.”
“Hmm?”
“I love you.” It seemed now that the two of you were swaying to the sounds of your heartbeats. You blinked up at him, surprised at first, but soon a bright smile spread across your face. 
“I love you too.” 
This vision faded slower than the last, Y/N’s face staying until the last possible moment. His arms ached from the emptiness, his feet rocking back and forth like he was dancing all on his own. 
“Reid.” Hotch’s voice halted the music in his mind. His voice was grimmer, almost sadder than it was before. “Are you ready to go?” 
“Go?” He read Hotch’s expression. “Oh. Right. That’s today.” Hotch nodded and stood aside so Reid could pass by. 
“I’ll drive you home so you can change.” 
-
If I go, I’m goin crazy
Let my darlin take me there
It was a perfectly nice day, making him even more sick to his stomach. The sun was out and clouds lazily drifted across the sky. He wished it would have rained. At least then, the world would look like he felt; colorless and dark. 
Y/N’s parents both shared a few words and Penelope did the eulogy. Spencer was sure it was nice, but he couldn’t focus enough to really hear any of the words. Hotch kept a close eye on him, though he tried not to be obvious about it. Spencer felt like everyone was watching him, waiting for his numb exterior to break. He knew they meant well, but he’d appreciate it if they were a little more subtle about it. 
Somehow, the ceremony felt both eternal and over too quickly. Before he had even moved to put his rose on the coffin, it seemed like everyone was leaving. Maybe it was just him; frozen in time until he could bring himself to step forward. It still felt like everyone was staring at him. How many people even knew about him and Y/N? Maybe everyone, at this point. They were profilers after all and he hadn’t been abundantly subtle on that last case. 
That last case. 
Suddenly the rose in his hand was an arrow, bloody and splintered at one end. It fell between his fingers and hit the grass as a flower again. A petal fell off and he held it to his lips. Was he going insane? Was this what it would be like from now on? Everything reminding him of that last moment with her? With the blood and the arrow and the screaming? 
With a slow, shaky hand, he placed the rose on the coffin. Someone put their hand on top of his, but when he turned, there wasn’t anyone there and suddenly, he felt something… peaceful. Something that told him that all he would need to remember were the good things. The smiles. The laughter. The dances in the breakroom. Despite every logical impulse in his mind, every scientific fact he knew by memory, he knew. It was her. Y/N.
Finally, he started to cry. The numbness was gone and allowed for emotion to finally come to light. Sobs shook his body and nearly made his knees buckle, but he made himself stand. He ran his fingers over the gleaming surface of the coffin and cried. 
“I love you. I’ll always love you.” 
He must have stood there like that for at least an hour, if not several, but when he turned around, he found his team- his family- waiting there for him. And they walked away together, always to remember the member that they lost. A friend. A sister. A lover. And Spencer would never forget you, as long as he lived. 
I will go if you ask me to
I will stay if you dare
-
General Tag: @rae-gar-targaryen; @takemepedropascal; @childhood-imagination;  @mylovegoesto; @yellowbadgergirl; @itmejado; @suckmyapplejacks; @kendahl0216​
Requested Tag: @ lolalee24; @ haylaansmi; @ obsssedwithjustaboutanything;
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gumnut-logic · 3 years ago
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G Protocol
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I have finally written another Protocol :D I wanted this to be for Thunderfam, but I’m not sure it lives up to that. There may be a tissue warning, but there may also be a laugh or two. Sorry, my brain stopped working an hour ago.
Many thanks to @janetm74​ and @tsarinatorment​ for their amazing support over the last few hours.
I was determined to finish this and it is now past 3am. Excuse me while I fall on my face.
I hope you enjoy my zombie writing and all hail the caffeine in frozen Coke :D
-o-o-o-
Gordon glared at his oldest brother. “That’s not fair!”
Scott stared back, surprised.
Irrationally, it made Gordon even angrier. “It’s not fair, Scott, and you know it.”
“Life isn’t fair, Gordon. I know you know that.” It was said calmly and with finality. To top it off, his eldest brother turned his back on him and went back to doing important stuff at their father’s desk.
“You know what? Screw you!”
That at least got a frown out of his brother.
But little more.
With a hiss, Gordon spun on his one good foot and as furiously as he could manage, crutched his way over to the stairs and began hopping down them.
“Gordon, what the hell?! Take the elevator!”
“I don’t care!” It was childish and stupid and he really should apologise, but it was a last straw thing. He had had it. He wanted out, off these crutches, into the pool, away from here!
He almost made it worse by stumbling halfway down the stairs. His brother’s freaked out yell did nothing other than make him feel guilty. But he rescued himself and stormed through the kitchen past a wide-eyed Alan and out onto the pool deck.
Only to be faced by the fact he couldn’t go in the pool which was half the problem in itself.
Well, he could, but he couldn’t swim at any stress relief level.
One stupid broken ankle and everything had gone to shit. He had been stuck here for weeks and there were weeks to go and it reminded him of other weeks of his life that were too many and he was just over it.
The breath he drew in was shaky and had far too much emotion in it for comfort.
He hobbled further out onto the decking. All he wanted was out. But all the paths leading away were gravel and not very crutch friendly.
Screw it. That would be his new maxim. To hell with everything. And he took the first steps along the path towards the nearest beach.
It wasn’t easy going at all. The crutches seemed determined to slip on unstable rock. He nearly faceplanted at least twice within the first dozen metres, but Gordon was a Tracy as much as any of his brothers and pissed off enough to spout determination in a fountain of idiocy.
Idiocy which proved itself not two minutes later when one crutch slipped and he couldn’t recover. One moment his driving force was anger, the next it was fear as his brain flash-calculated the damage that was going to result from falling down the steep incline at his feet.
But there was the equally fast realisation that there wasn’t a damned thing he could do about it.
And he fell.
But he didn’t hit the jagged rock or even fall very far. Instead, strong arms grabbed him and scooped him up with a grunt. A familiar grunt and the scent of aftershave and engine grease.
Virgil.
Gravel, along with his crutches, clattered down the path in echo of where Gordon would have ended up if it wasn’t for his big brother - who had obviously followed him down.
“Uh, thanks, Virg.”
“Uh-huh.”
Gordon stared up at his brother who now had him clutched to his chest as if Gordon was his blushing bride...or something.
“You can put me down now.”
“Uh-uh.”
“What?”
And Virgil began carefully walking down the path towards the beach.
“Virgil, put me down.”
“Nope.”
“Why not?”
“G Protocol has been engaged.”
“What?! Why?!”
“Because you have reached your limit.”
“Virgil, I’m fine.”
“You told Scott to get screwed.”
“He wasn’t being fair! Alan got the last of the ice cream last time. It was my turn!”
“Exactly.” Virgil stopped at the edge of a small cliff just before the beach proper. Behind them a set of rockets fired and Gordon looked up to see the space elevator disappear into the mountain. “Aw, hell, you called down John?!”
“G Protocol, Gords. You know the deal.”
Gordon sighed. Did he ever. “Go ahead. Put me out of my misery.”
Virgil smiled at him. “That’s the aim.” And chucked him off the cliff.
For Gordon, flipping into diving form was instinctual and while the cliff was a small one, they had jumped off it enough in fun for him to know exactly how much time it took to hit the water.
And water it was.
It took away the sounds of the world in a rush of bubbles.
He didn’t try to surface immediately. He let his momentum carry him deeper, his arms taking the load of the work since one foot wasn’t functioning. Blue enveloped everything and lifted his heart by its mere presence.
Why hadn’t he come here earlier?
He wasn’t surprised when there was a nearby splash and Virgil, stripped down to a t-shirt and his green swim shorts appeared next to him in a less coordinated and much bigger splash, his frown a glaring one letting Gordon know he had hung underwater too long for his brother’s comfort.
Exhaling, Gordon pushed for the surface just as another body hit the water. A body that belonged to his eldest brother.
Scott threw a flotation ring at Gordon. “Use it.” The tone brooked no argument.
Gordon screwed up his face. He hadn’t used one of these stupid things since…the hydrofoil.
He swore under his breath, but shoved it over his head and under his arms like some stupid little kid who couldn’t swim. Admittedly, it took the strain off his arms and legs, but the pink donut for all its novelty brought back more memories of struggle than he really wanted to face right now.
Maybe Virg was right. Maybe he was at his limit.
He swore again, this time enough to earn himself an arched eyebrow from Virgil treading water quite healthily beside him.
Irrational anger at something as simple as that proved beyond doubt that Gordon had blown himself a gasket.
Virgil must have sensed something on that medic radar of his because he reached out and pulled Gordon closer. “Hey, take a deep breath.”
The wet hair in his brother’s eyes and the seawater on his eyelashes only emphasized his kindness.
Damnit.
Gordon wanted to be angry. He wanted to yell at the sky, scream at the injustice of a simple broken ankle.
It wasn’t fair!
Virgil’s hand caught the back of Gordon’s neck, possibly the closest he could get to a hug with the flotation ring in the way. “It wasn’t your fault. Sometimes things…just happen.”
Acute wingman senses. Damn them. Screw everything.
“I’m fine!” He kicked himself away with one pathetic leg.
And got nowhere.
Virgil had let go of his neck, but had a firm hand on the ring. “Virgil, let me go.”
“No.”
“Virgil, I’m warning you.”
“About what?”
“Goddamnit, let go!”
“No.”
He gave his brother’s arm a shove and might as well have tried to move the Island.
So Gordon did what he needed to do and let himself slip below the surface, out of the ring, and away from Virgil.
He didn’t get very far.
He had more than one brother, and while Virgil tended to be a little on the slow side underwater, their eldest brother was fast no matter the medium.
Scott swooped in before Gordon could gain any momentum and caught him around the waist.
But Gordon was a fish and Scott only a bird. Long honed reflexes had his big brother blowing bubbles and Gordon wriggling out of his grip.
Only to have Virgil clamp down on his wrist and yank him back to the surface.
Whereas Gordon had no problem with thumping Scott – they shared military training and a sparring mat on many an occasion – there was something ultimately wrong about raising a fist to Virgil. Almost as bad as doing similar to Allie. He just couldn’t, no matter how pissed.
But he could shove and scream and yell and curse and get grabbed again by Scott and pushed back under the water. With Scott he was free to fight and fight he did. But all Scott did was defend himself, and Gordon was reduced to flailing with more emotion than sense, honestly not wanting to hurt his brother, but just needing to fight against the unfairness.
Eventually, Scott grabbed a wrist, much like Virgil did earlier and dragged him back up for much needed oxygen.
By then there was more saltwater than just seawater on Gordon’s face. Less fight and more need than anything else.
And, of course, Virgil was there.
Again he was grabbed by strong arms, but this time he had no energy to resist. If anything, he welcomed them. Perhaps they could take the weight and the guilt.
If he was sobbing on his brother’s shoulder, he wasn’t going to admit it.
Fingers stroked through wet hair and Virgil repeated over and over again that it hadn’t been his fault. That he had done everything he could. That sometimes shit just happened and this time, unfortunately, it happened to that little girl.
The mention of the one he couldn’t save no matter what he did only had him sobbing harder
She had been so young.
He had tried so hard. Made the sacrifices. Fought for her life.
And lost.
It wasn’t fair.
The sea had claimed her anyway.
Part of him was horrified at his own weakness. Horrified he needed an old protocol that proved he was off his head. Horrified he was crying in his brother’s arms. Horrified that all his military training hadn’t given him enough spine to shake this off by himself.
“It isn’t fair.”
“I know.” Virgil’s voice was ever so soft in his ear.
Gordon swallowed and gathered himself together, trying to align what he felt with what was logical and sensible.
It was like trying to scale a crumbling mountain. It was hard and exhausting and it hurt.
What was meant to be was meant to be. He had to believe that. It was the only way.
Despite the need to wail against the injustice.
Virgil still had his fingers in Gordon’s hair.
He pulled away gently from his brother, looking up into those worried dark eyes. Virgil was hanging onto the flotation ring with one arm. It was the only thing keeping both of them afloat.
Gordon wiped his face with one wet hand and let out a breath.
Off to his left, a slightly bruised cheekbone supported equally worried blue eyes as Scott trod water like he was hovering.
Which he was.
Gordon squeezed Virgil’s arm gently before slipping out of his grip and paddling over to Scott.
A wordless moment and then he was hugging his biggest brother with everything he had.
Scott hugged back even tighter.
Gordon squeezed his eyes shut and clung.
“Hey, Gordo! Johnny’s got something for ya!” Alan’s voice echoed across the caldera like a warning siren.
Gordon let go of Scott and backed off. A glance at both of his brothers before he dove under the water.
He swam down deep into the basin of the caldera, skipping just over the coral edifices. A moment to settle his mind and rebuild himself.
The silence of the deep and the familiarity of his home were a balm.
He knew his time was limited by the worry warts on the surface, so he didn’t dawdle, but he did take the time he needed.
Ocean washed away all the signs of his emotional turmoil.
By the time he resurfaced, whatever was left had been shoved back into its box.
And just as well, because Alan and John stood at the top of the cliff with their arms full of pool toys. A giant pink flamingo, a huge duck, a red rocket ship – where the hell had they bought that from? A green turtle and a pile of pool noodles.
A blink and all the flotation devices were in the water, followed by a bomb by the name of Alan.
Seawater rained over all of them.
The flamingo was washed over towards Gordon and whacked him on the head.
John, dressed in a full body wetsuit providing his necessary gravity support, followed Alan in, but with much more elegance. John was almost as much fish as Gordon, after all.
Gordon grabbed onto the flamingo to save himself the energy of trying the keep afloat. He was suddenly very, very tired.
Alan, being the ball of teen-energy he was, flapped his way over and gave Gordon a hug. “Feeling better now you are in the water?” Innocent blue eyes that truly were far from innocent anymore stared up at him in hope.
“You still stole my ice cream.”
“I’ll buy you some more.”
Gordon narrowed his eyes a little. “Promise.”
“Tracy’s honour. Next time we’re in Aotearoa.”
“How about tomorrow? You and me, Auckland CBD. I’ll even take the hoverchair.”
“Really?”
“If you buy me ice cream.”
“Cool. Can we visit the game arcade?”
“I’ll consider it.” Wouldn’t want to make it too easy for his little brother.
“Mind if I join you?”
Gordon blinked as John appeared beside them.
“You want to spend time with the two of us?” Gordon may have pointed at himself and Alan with a lot of disbelief.
John wasn’t fazed at all. “Sure. Haven’t had a go an arcade for a while. Need to keep my reflexes strong.”
Alan frowned. “You’ll get us kicked out again. There is such a thing as being too good at a thing. Or something.”
Yay for Alan and English. “What he said. But you are welcome. If I can have the flamingo.”
John’s lips curled up at the edges. “It’s yours.”
“And I get the rocket!”
John snorted. “No, that’s Scott’s. You get the pool noodles.”
“What?! Why?!”
“Because you stole Gordon’s ice cream.” With that John turned and dove, disappearing long enough for Gordon to lose his location.
“Hey! That’s not fair.”
Gordon grimaced as he glanced at Scott and Virgil. “Life isn’t fair, Allie.”
“Not fair at all.”
-o-o-o-
FIN.
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jedivszombie · 4 years ago
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Okay gang, since there are a bunch of anons going fucking wild across the dash tonight about some joking posts about Mark Webber and Ann Neal - that were someone’s shocked reaction to the age difference between them. I thought it would be interesting to go on a little journey together. 
This little journey is the story of how Ann and Mark met, and will hopefully give you guys some insight as to why the ‘sexism’ and ‘ageism’ arguments you are currently using are bullshit - and why using these words in such a buzzword way actually is not the kind of critical thinking you think it is. And why this situation is more akin to a student and teacher starting a relationship - which I think we can all agree is not advisable, even if you don’t know why.
Below the cut is going to be a little discussion of Mark and Ann the early days; the reason the age difference is iffy at best and fucked up at worst; and, a little discussion about how these situations require nuance and the ways in which f1blr often likes to blow situations out of proportion. 
I have split it into three parts:
Mark and Ann: The Early Days (1994-1997)
Nuance, my old friend. Anon hate, my enemy. (tw: for racism here, be careful)
The pitfalls of discourse and the importance of looking after yourself.
A little disclaimer for you guys: I do not pretend to know anything about this relationship, other than what is readily available to learn about it from what they themselves have put out about it. I am just providing a timeline and some facts. Whatever conclusions you draw from it are your own.
Feel free to come for me if you so desire. 
Mark and Ann: The Early Days (1994-1997)
We start our story in Australia in February, 1994. Mark is competing in Australian Formula Ford Championship and Ann Neal is the new media and PR officer for the category. This is their first meeting. Just so we know what’s up here Mark was 17 at the time, and Ann was absolutely an adult (apparently there is a 13 year age gap, which may not sound like much but we will get onto that later, which makes her roughly 30 when they first met). 
Some key things to be aware of from this first meeting: 
Mark is 17, Ann is about 30. Mark is a young racer, Ann is the media and PR officer for the category he races in. 
In an excerpt from Aussie Grit, p. 57 to be exact, we get to find out what Ann had to say about the first time they met: 
“She thought I was a bit of a smart-arse when we first met. ‘But I liked how bold and cheeky he was,’ she says, ‘and how mature he seemed. When I asked someone how old he was, I was shocked when they said 17 – he was confident beyond his years.’”
In another excerpt from Aussie Grit, p. 61, Mark tells us other things Ann remembers about their first meeting:
“Ann remembers our first meeting and my opening remark about her being so important. She can even remember what I was wearing – a stripey green and red top, one of those United Colors of Benetton things – so that was pretty prophetic, as things turned out!” 
Now this may sound extremely cute to some of you, like they’re just having a normal ‘aww remember how we met’ moment. But let me please re-direct your attention back to the fact that Mark is 17 (and still not an adult yet if this is what you are gonna nitpick about) and Ann is very much an adult, in a position of power. 
So, a teenager makes a quip about how important you are and you commit to memory what he was wearing the day it happened? 
Now let’s bring in the first quote I put up there where Ann herself was recalling the first time they met. I would like to draw your attention to the following sentence: ‘and how mature he seemed. When I asked someone how old he was, I was shocked when they said 17 – he was confident beyond his years.’
Hmmmm, where have we all heard language like this used before? If, like me, you have some experience of adults trying to start inappropriate relationships with you as a teenager then you will be very familiar to this sort of language. The emphasis is on how mature he seemed, is what’s sticking out for me here tbh.
Now, if this had been a fleeting meeting, and they had met again a few years later, I would be more on board for whatever justification some of the anons have been trying to use. However, it wasn’t. 
Again from Aussie Grit, p.61:
“After that first meeting we kept in touch. My family sometimes met up with Ann and Luke for weekend get-togethers, and I ensured she got her motor-sport fixes by dragging all my old F1 tapes out. By way of revenge she would bring down all her British Formula Ford tapes for me.”
Oh cool, so she gained the trust of his family and Mark was hanging out with her son. This is so sweet Alexa, play Chosen Family by Rina Sawayama. Real talk though, again if this is how it had ended - with them just being family friends - then we would not be having this conversation. 
BUT, we all know how this little story ends so onwards we march. We shoot forward to late 1994, Mark has done okay in Formula Ford but his Dad is no longer able to fund him. SO, he turns to their old pal - the ever present and super helpful Ann, bless her heart - to try and drum up some sponsorship for Mark so he can race. 
Little background on why Ann was chosen to try and help with this, I’ll give you 3 guesses and only one of them is correct. Yes, that’s right, it’s her experience - which she has managed to get by being 30 and having a background in motorsports. She started out as a motorsport journo and ended up dealing with press and PR for Paul Warwick (Derek Warwick’s brother). In 1986 she started dealing with Johnny Herbert’s media before working for Formula Ford in Europe in 1991. 
Ann begrudgingly accepts and draws up plans with Mark, which leads him to a Yellow Pages sponsorship for his next season in Formula Ford, and beyond - how sweet, how nice, they are #winning! We stan teamwork besties! And Ann started working with Mark and his family to further his career. 
Ann had a plan for Mark, as outlined in Aussie Grit, p.69-70:
“By the end of 1995 Annie told me, in no uncertain terms, that – and I quote – I had to get my arse out of there. She didn’t just mean Australian Formula Ford, either: she meant Australia. She thought it was time for me to go and have a crack at some of the big guys, and she proposed to help me go about it in a serious, business-like way.
‘How the f#*k are you going to get to Formula 1 coming from Queanbeyan?’ Anyone who wants to trace my journey should start with a piece of paper that Ann drew up on 6 July 1995.”
So, now Ann has outlined her hopes for Mark and a glimmering career in motorsport. I would like us to know that at this point in time Mark was the ripe old age of 18, going on 19. 
In 1996 Ann and Mark moved properly to the UK so Mark could drive in the British Formula Ford Championship - at this point Mark is still 19. At this point he is living in the UK with Ann and her mother, and Ann’s son. 
So this is probably sounding pretty okay so far and sure it’s just a business relationship with a business set up, like no real cause for concern. But then we discover that this business relationship had turned into a relationship-relationship pretty damn fast. 
From the horses mouth himself, Aussie Grit, p.87:
“Back in England, Ann and I moved house to Aylesbury in Buckinghamshire, on the edge of motor sport’s equivalent of Silicon Valley. We had started out as teammates and friends on a mission but over time our friendship had deepened into something else. I enjoyed spending time with her and we felt entirely comfortable in each other’s company. Moving to England was a huge step for me and I think it was a case of us needing one another and that’s how the relationship was formed.”
Okay, okay, okay so I know at this point Mark is 19/20 he’s an adult right? He can make his own choices. But, can we please admit that at best it’s an iffy situation because of the position of power and authority she was in? In his life? For his career? 
There are a few other excerpts I found particularly interesting, about Mark’s family’s reaction (all from Aussie Grit, chapter 3):
“My parents came over to the UK in the English summer of 1997. While they were thrilled about how things were developing for me in racing, they’d been less thrilled by the romantic relationship that was developing between Annie and me....”  “...Annie was bitterly disappointed at my behaviour. Her plan to take me to the highest level of motor sport was starting to go horribly wrong, so she left Australia earlier than planned and headed back to Europe. My family arranged for Alan Docking to collect my belongings from the house we had been sharing and the one and only car Annie and I had at that stage...Campese Management told her that they had been instructed by the Webber family to terminate her role as my manager and that Campese Management would be taking over all aspects of my career, including the negotiation of my driving contracts.“
“While I knew Annie provided the support and guidance I needed in my racing career, I was missing her in so many other ways too. We were such a dynamic force in every sense; we could make things happen when we were together. We were teammates, soul mates, call it what you want.“
“As to Mum’s concern about our age difference, that has never been a factor for us. When we began to be more open about being together, perhaps the top end of the age gap shocked a few people. In those days people were less accepting of a big age difference between partners, especially when it’s our way round. It’s not such a big deal nowadays and it makes us laugh when so-called celebrities reveal they’re dating an older woman or younger man!“
While the Daily Mail is trash, the beginning of this video is very revealing to me - particularly Jackie Stewart’s comments from 00:12.
Obviously you can make up your own conclusions from all of this information, and I would once again like to point out that none of us - not me, not the anons, not you - actually know the nature of their relationship. They have been together for 24 years - good for them! Whatever they have going has obviously worked for them, this is not me trying to shit on that or anything, and I’m gonna be real I’m not the biggest Mark Webber fan. 
Nuance, my old friend. Anon hate, my enemy.
All I want to do is add some nuance to the conversation, an overview of the timeline, an understanding of what the facts are. So that some of those cowardly anons (or anon) can hop off their self-built thrones and get a grip. The sexism and ageism argument literally does not apply here, for all of the evidence and reasons listed above - if the situation was flipped we would still be calling it out. The only difference is you guys would probably be on board with it being called out. 
So Ann is a woman? So, what? Do you think she’s above reproach? You think one person’s 50 note post on this site is gonna rock the foundation of a relationship that has been 26 years in making? If you have answered yes to any of these questions then you are either: a) Mark Webber himself, or b) delusional as hell. You really think that responding by sending anon hate to a teenager, who btw only made a post calling out the age difference because she was shocked and had just discovered it, is the right way to go? 
You really think that sending me this message, attacking other people in such a vile and racist manner is okay?
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So you don’t like Nehir and Sera? Good for you, go block them, if you follow them, unfollow them. Those options are free and readily available to you. 
For me, it’s so funny to see you hiding behind that little Anon mask spewing this vile shit. The commitment you have to proving that you are just a cowardly person with nothing better to do than rag on a bunch of different people for reblogging a post, that in the long run is not going to reach the people it’s about, is outstanding. I really hope you pat yourself on the back for this one. 
The pitfalls of discourse and the importance of looking after yourself.
There has definitely been a spate of ‘conversations’ that have been happening recently that have very much been straying into the land of discourse, over very small comments or posts. I think that some people need to remember that we’re all here for our own entertainment and as soon as it stops being fun - you are allowed to log off; you are allowed to block people; you are allowed to unfollow people. 
Sending anon hate is so counterproductive to whatever conversation you think you are starting or having with a person. Also guys, sometimes it’s not that deep - sometimes jokes are just jokes, sometimes someone finds out something they didn’t know about a driver or an ex-driver and they make a joke post about it. That does not give you the right to send them hate, or to make racist comments in other people’s asks. 
Sometimes these discussions require a debate and sometimes discourse can be good - but honestly? I’m worried about some of you guys, it is not healthy to get so angry at other people for the things they post on their blogs that you are not obligated to follow or interact with at all. 
I am also worried about people who turn every little thing into something discoursey. There are causes and issues to care about in this sport and community, for sure. But sometimes you also have to pick your battles - especially when I know a lot people in this community have fragile mental health. I do not say this to patronise any of you but to just provide a reminder that you do not need to engage with everything that makes your blood boil, and furthering some of these conversations sometimes is not doing you guys any good. Burnout is real. 
Please take some time to take care of yourselves, the pandemic is doing a number on all of us and I know being online gives you a gateway to being connected to people, but sometimes you just have to walk away from a discussion. Sometimes you have to just go and reblog something unrelated, or stare at a photo of your favourite driver, or listen to some angry music. Anything else to process your knee jerk reaction, to give yourself time to figure out how you feel about something and whether it’s worth engaging in or not. 
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arrowflier · 4 years ago
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One of the Girls (Ficlet)
Daily Speedwrite #8.  The struggle is real today; I spent longer than I meant to at work and haven’t done a single productive thing since I got back.  But now I locked myself in my study with a gin and juice and my computer, so let’s see what happens before I need a refill.  
When Ian told Mickey that girls wouldn’t want to hear about their sex life, he had no idea just how wrong he was.
He had been on his way down to the laundry room of their new apartment complex when he ran into Jill and her friends, holding a pile of stained bedsheets and boxers discreetly wrapped in a plastic bag.  One of these days he’d convince Mickey that they needed a basket, but for now this would have to do.  
They were wandering down the hall just in front of him, and he assumed they were heading out since they weren’t holding anything of their own, but to his dismay they turned into the laundry room before he did.
“I’m telling you,” one of Jill’s friends was saying, “you have to spice things up a little!”
Another woman laughed.  “Have you even met Alan?” she asked.  “I don’t think he’s up for spicy, Kelly.”
Jill gave them both a soft whack on the arm as she made for one of the machines, glaring back at them when she bent down to open it.  “Shut up,” she groused.  “We’re doing just fine.”
Ian hovered in the doorway a moment before sliding through quietly, hoping to avoid notice by taking the machine closest to the entry.  He set his bag down and started to rustle through it, wincing inwardly at the not-so-discreet sound of the plastic.
Just as he pulled the first item free, he was spotted.
“Ian!” Jill greeted, a little too eagerly.  She shushed her friends, clearly glad to have a distraction, and leaned forward to rest her arms on the top of her machine.  “This is Kelly,” she introduced, pointing to the blonde that had tried to give her advice, “and this is Ricky.”
They both gave short waves, Kelly looking him up and down in a way that made the back of his neck go red. 
“What are you doing down here?” Jill asked, going back to pulling her clothes from the washer.  She passed a few wet items to Ricky, who bent to throw them into a dryer across the narrow room.  “I thought Mickey did the laundry.”
Ian choked on a sudden laugh, and then schooled his expression when he saw Jill’s eyes widen.  “Uh, yeah,” he said.  “But he keeps bringing back the wrong stuff, so...”
“Oh yeah,” Jill realized.  “Alan went on forever about that damn shirt, even though you returned it.”  She shrugged.  “Oh well.  I’m sure Mickey is happy to pass off some chores anyway.”
Ian felt his eyebrows rise.  Just how often was Mickey down here, anyway?
“So,” Kelly started, moving forward to crowd Ian against the wall.  “You got a roommate?  That’s cute.”  She flashed white teeth at him, and he moved sideways until he was stopped by the washer he had claimed.
“Something like that,” he replied cautiously.
“Kelly, back off,” Jill said with an inelegant snort.  “He’s married.”  When her friend just looked at her, she added, “to Mickey.”
Kelly pouted, but backed away.  “Too bad,” she said, then, “I guess now I know what the big deal is.”
Confused, Ian just turned back to his task, letting Jill wrangle her friends.  He just wanted to get the laundry done and get back upstairs to his husband, who was impatiently awaiting the clean sheets.  Someday they’d have to get a spare set.
But as he pulled them from the bag, a pair of underwear fell free onto the floor, and all hope of avoiding further conversation was lost.
“Whoa, what happened to those?” Ricky asked from across the room.
Ian looked down, expecting a few awkward stains or something, and instead found Mickey’s boxer briefs, torn clear apart at the side seam with frayed threads visible against the tiled floor.
“Um,” he said.  “Nothing?”  He moved his tongue in his mouth, paranoidly checking for fabric in his teeth and thanking any deity that would listen when he found none.
“That,” Kelly said with a raised brow, “is not nothing, my new gay friend.”
Even Jill seemed curious, and they all came closer.  Ian glanced toward the open door, but it was as good as a mile away with the three women standing in front of it.
“Tell us everything,” Ricky demanded.
---------
Almost an hour later, Mickey wandered down to the laundry room in one of Ian’s old hoodies and a pair of too-large boxers, wondering what the hell was taking him so long.  Did he not know how to use the fucking machines or something?  Mickey did their laundry all the time, it wasn’t that complicated.
He heard the raucous laughter from halfway down the hall, and sped up when he recognized Ian’s voice among it.
“Moral of the story, ladies,” his husband was saying, “don’t add hot sauce to your food before you--”
“Ian!” he yelped from the doorway, taking in the sight of the redhead leaning casually against a dryer, surrounded by women who appeared to be completely enraptured by his story.
Ian cut off, and they turned to look at him as one.  “Mickey!” they all cheered, and he finally noticed the empty bottle of wine balanced precariously on a pile of clean clothes in Jill’s laundry basket.
Ian looked away first, confused, and asked “Wait, how do you guys know Mickey?”  Jill gave him a look, and he added, “Not you, Jill, shut up.”
Oh good, so his lightweight of a spouse had been drinking too.  Mickey sighed.
Jill answered anyway.  “Mickey’s in here all the time, isn’t that right girls?”
Kelly and Ricky nodded enthusiastically.  “He has the best stories,” Kelly gushed.  “Talks about his husband all the time,” she added slyly, and Mickey wanted to deck her when a smug smile blossomed on Ian’s face.  
“Okay, okay,” he interrupted.  “Hate to disrupt this love fest, but grab the sheets and let’s go, Firecrotch.”
“That’s what he always calls you!” Ricky chortled.
“Ooh, doing sheets again already?” Kelly added.  “Talk about keeping things spicy.” She waggled her eyebrows, and Mickey knew his own eyebrow was twitching. 
“No, no,” Ian said, “we just talked about that, spicy is bad!”
Then they were off again, until Mickey dragged Ian up by the arm and steered him to the door.
“That’s enough, man,” he complained.  “Stop tellin’ everyone our business.”
“But you tell them our business, Mick,” Ian said plaintively.  “Why is okay for you to do it?”
“I do not,” Mickey denied, but he was immediately undermined by Jill calling out, “See you next week, Mickey!  Bring a new story!” as they walked away.
“Damn women,” he grumbled as he shoved Ian ahead.  “Can’t keep a fuckin’ secret to save their lives.”
“Aw, don’t worry Mick,” Ian said as he slowed, making Mickey run into his back so he could get an arm up and around his neck.  “I think it’s cute that you’re one of the girls.”
Mickey shrugged out of the awkward hold, only to get up next to Ian and wrap an arm around his waist instead.  “You’re one to talk, Gallagher,” he said.  “Getting white girl wasted on laundry day, Jesus.”
Ian stopped again, mouth a perfect O, and slapped Mickey in the chest.  “Mick, we forgot the sheets!”
Mickey groaned, then turned around to face the music again.  Of course they fucking did.
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watchingspnagain · 3 years ago
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Rewatching Children Shouldn’t Play with Dead Things
Welcome to “Accidentally Amazing: A Supernatural Rewatch Blog” with Lor and Mace!
 Up today, s2e4: Children Shouldn’t Play with Dead Things.
  Sammy wants to visit their mom’s grave, and Dean is not about it. He grumpily tags along, but he comes up with a mystery in the graveyard. Convenient—avoid those feelings! Sam thinks that’s *exactly* what Dean is doing, and it takes a bit for him to get on board. But weirdly recurring dead plants, sightings of someone who should be dead, and strangely connected deaths eventually convince him. The boys discover some pretty skeezy necromancy nonsense from a college boy resurrecting the girl he loved and along the way meet a humanities professor who must have made a demon deal for that office and yell at each other about their feelings some. In the end, as they are leaving town, Dean pulls Baby off the side of the road, and the boys perch on her hood while Dean tearfully confesses to Sam that he’s sure John sacrificed himself so Dean could live and that he can’t bear it.
 Below is a log of our real-time reactions as we watched. Remember that there may be spoilers for any part of SPN’s 15-season run here. Note also that the nature of our conversation is adult and thus it may contain adult language and themes.
 [and we begin:]
  Mace:
 "I'm dealing with dad's death!" and then cut to him power sawing a dude's head off
  Lor:
 ooof YEP
so your laugh for today: I picked up the remote and turned on the TV and then I set it down somewhere and COULD NOT FIND IT. just me, spinning around in the living room doing a head tilt like "I JUST HAD IT"
 Mace:
 HAHAHA if it was actually in your hand, then BEEN THERE
  Lor:
 LOLOL
I do that with my phone ALL THE TIME
 Mace:
 I once spent an entire conversation on the phone with my mom quietly...looking for my phone
 HAHAHAHA OMG
  Lor:
 lololololololol
 the remote was just... wait for it: on the arm of the couch
SO HARD TO SEE
 Mace:
 oh sure 
  Lor:
 mmmm Baby rumble
 Mace:
 YAS
  Lor:
 WHO IS THIS UNCLE
 Mace:
 right?!
  Lor:
 WHY DID HE NOT CHECK ON HIS NEPHEWS
 Mace:
 exactly
 you've never been awkward at small talk, Dean, like, ever
  Lor:
 these two honestly had the WORST male relatives
 LOL
 Mace:
 YUP
 Sammy, dude, bury that a little more maybe?
  Lor:
 lol
 Mace:
 Dean's v-neck and his rolled-up sleeves...
  Lor:
 YES
 ope, feelings HANG ON A MYSTERY. whew. saved
 Mace:
 HAHAHAH YAS
 Also? Dean would never have walked into a dead circle like that unwittingly
  Lor:
 NOPE
 and what is that other necklace he's wearing?
 Mace:
 what other necklace?
  Lor:
 he had like a chain in that other scene
 Mace:
 oh wait i see it now
  Lor:
 oh you can JUST see it here
yeah
 Mace:
 if only we could just hook a finger underneath it and pull it out...
  Lor:
 IF ONLY
 Mace:
 (just kilt myself)
  Lor:
 (lololol)
 Mace:
 oh right, the "professor of Greek Studies" who has a ginormous office
  Lor:
 SNORK
 Mace:
 most unlikely thing that ever happens on this show, hands down
  Lor:
 YEP
 Sammy's "come on, Dean" face
 Mace:
 vampires? sure. demons? okay. Lucifer as a hoot? no problem. a well-appointed Classics office? I draw the line.
  Lor:
 CORRECT
 Mace:
 YES to Sam's face
and I love his shirt
  Lor:
 for me it's when they draw blood by putting a needle not in a vein
 Mace:
 and his stupid messy hair
  Lor:
 YAS
 Mace:
 nope, still more possible than a well-budgeted humanities department
  Lor:
 hahahahahahah fair
  Lor:
 look, Sam, you aren't wrong, but also? a perfect circle of dead grass?
 Mace:
 Sammy's tendency toward counseling shining through here
 HAHAHA YEP
  Lor:
 omg Sammy's soft voice when he says "Dean, where you going?"
 Mace:
 YES
 OH. I just remembered what this ep is about. ick.
  Lor:
 yeeeah
 Mace:
 she's not also the woman who plays whatsherbucket, is she?
Lisa? Linda?
  Lor:
 Lisa? I don't think so but the resemblance is WILD
 Mace:
 "waiwaiwaiwait"
I love it when Dean does that
  Lor:
 YES
  Lor:
 aw, Alan Stanwyck, you're so cute
 Mace:
 RIGHT?!
 "great."
HAHAHA
  Lor:
 the handing the tissue hahahahahaha
 Mace:
 YES
Sammy would be so much better at this
 Lor:
 lol he would
omg Dean's face. it's so DUMB I LOVE IT
 Mace:
OMG LOR I WAS JUST THINKING THAT
 Mace:
 his stupid perfect lower lip
  Lor:
 LOLOL OMG YAS US
 YES
 the face he made at Sam when he came in
 Mace:
 YES
  Lor:
 this is why Sam interrupts him and Cas. payback
 Mace:
 HAAAAHAHAHAHA OMG
  Lor:
 Matt was the only douche fratboy dudebro in history with a bunch of plants in his apartment
 Mace:
 SNORK YES
  Lor:
 the things Dean quotes
 Mace:
 yeah
  Lor:
 omg these two
 Mace:
 I looked that one up recently and it's not whence I thought it would be
i was disappointed
  Lor:
 their brother banter. I luff
 Mace:
 YES
  Lor:
 is this the one we all think is Shakespeare and it's not?
 that's probably fine
 Mace:
 yeah. I thought it was a reference to Medea and lots of people think it's Shakespeare but it's Congreve, I guess
 Mace:
 "what are these" NOT GREEK
  Lor:
 ah. well. Congreve. of course
 LOLOLOLOLOL
  Lor:
 take a breath, Dean, honey
 Mace:
 oh DEAN
  Lor:
 "what's dead should stay dead" huh?
 Mace:
 two times over he thinks he doesn't deserve it
  Lor:
 YEP
 Mace:
 which time coming back from the dead does he kind of give this up? I mean I know never actually, but it stops being a main spoken theme at some point
  Lor:
 poor Prof Mason. does he ever find out what was going on with the poor guy who was having some kind of strange breakdown in his living room?
who is calmed by plants?
 Mace:
 HAHAHAHA yeah
  Lor:
 omg his swallowing
 Mace:
 YES and Sam's DIMPLE
  Lor:
 "I hear you. I’m being an ass. I'm sorry" I need some people to put that on a card and remember they can say it sometimes
 Mace:
 "our lives are weird, man"
  Lor:
 YES
 Mace:
 YES
  Lor:
 oo, good question back there
he certainly does not have that attitude by the time Mary comes back
 Mace:
 I mean mostly about himself yeah?
  Lor:
 mmm yeah
  Lor:
 "feed their hearts to wild dogs. that's my personal favorite"
 Mace:
 SNORK!
 DUCKY LOVE OMG DEAN WINCHESTER
  Lor:
 lololol
 Mace:
 He loves Pretty in Pink
  Lor:
 is that… a Sixteen Candles ref
 Mace:
 I'm pretty sure it's PiP
  Lor:
 okay. whichever one is it, OMG DEAN
 Mace:
 (just looked, it's PiP)
 AND YES
  Lor:
 there is no media he will not watch and I LOVE THAT
 Mace:
 YUP
 "it takes two to..." HAHAHA
  Lor:
 it is such a cool little character thing and it makes sense given how much time he probably spent as a kid in a motel room with nothing to do but watch whatever was on the tv
 lolol
 Mace:
 oh AGREED
and I suspect that it's unintentional - just funny clever references the writers slipped in - but yes it makes Dean that much more layered
  Lor:
 (Dean watches Hallmark Christmas movies. all December. definitely)
 YEP
so much of the show is like that
accidentally amazing
 Mace:
 (ABSOLUTELY)
 agreed.
 "your girlfriend's past her expiration date"
  Lor:
 "past their expiration date"
 Mace:
 HAHAHA
  Lor:
 YES
 Mace:
 HAHAHA
  Lor:
 boy John sure fucked Dean up
 Mace:
 YUP
that's the show
  Lor:
 LOL
YES
“They fuck you up your mom and dad, they don't mean to but they do...”
course John didn't so much not mean to as just... not think about anything ever
 Mace:
 think Dean reads Larkin?
  Lor:
 absolutely
 Mace:
 prolly
  Lor:
 there's a second false button in Baby's trunk that not even Sam knows about and it's just all of Dean's books
 Mace:
HAHAHAHA YES
 Mace:
 Every time they visit Bobby, Bobby manages somehow to sneak a new volume in there for Dean. Neither ever speak of it.
  Lor:
 OMG YES
 Mace:
 Ope, buhbye, Neal
  Lor:
 LOLOLOL
don't let your creepy necromancy hit you on the way out
 Mace:
 SNORK
 Mace:
 Warren (Buffy) is still WAAAY worse
  Lor:
 YEP
 Mace:
 the...bodily sounds in this ep are extra ew
  Lor:
 they really are
 Mace:
 omg the knee slide
  Lor:
 omg Dean's slide into the grave
 Mace:
 HAHAHA YAS
  Lor:
 YES
 oh Dean, honey
 Mace:
 YUP
 Mace:
 "pretty sharp"
  Lor:
 YES
 you weren't actually dead, baby. it's okay
 Mace:
 (not yet at least)
  Lor:
 (yeah)
 Mace:
 the way he looks away from Mary's grave and walks head half down to the car
GAH
  Lor:
 YES
 the way this particular episode is bookended by Mary's grave is really interesting when you know that she’s gonna come back later
 Mace:
 oh YES great point!
  Lor:
 accidentally amazing
 Mace:
 HAHAHA YES
  Lor:
 omg DEEEEEAN
 Mace:
 YESYESYES
  Lor:
 there's his DUMB FACE again
 Mace:
 DO NOT CRY, DEAN DO NOT
I CANNOT TAKE IT
  Lor:
 RIGHT?
  Lor:
 if Dean and Willow cried in front of me at the same time, I would in fact cease to exist
 Mace:
 CORRECT
  Lor:
 "you wanted to know how I was feeling. well, that's it. what could you possibly say to me to make that all right?"
 Mace:
 the way Sam looks at him, SO CONCERNED because this isn't NORMAL for Dean
  Lor:
 diiiiiiies
 YES
 Mace:
 YES
  Lor:
 and the way he knows it from the MOMENT he pulls the car over
and it just gets worse and worse
holds them both
 Mace:
 YES
 also: his way of paying respect to his mom is to work the case and Sam's is to talk to her
  Lor:
 YES
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popculturebuffet · 4 years ago
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Static Shock: Shock to the System and Aftershock Review
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“You know what? 13 years ago, me and some friends sat in a restaurant all night and daydreamed about the kinds of stories we would tell if we had the chance. We wanted to expand the concept of superhero to include characters that kind of looked like us, who had some of the same background, experiences and dreams as we did. We wanted to create something fun that a new generation would respond to the same way we responded to our childhood heroes -and damn if we didn't succeed beyond my wildest dreams. Today, Static Shock is a household name with millions of fans of all ages (Is there stuff I'd do differently? Yeah, almost all of season four but why nitpick?) Static is the most successful thing I've ever helped create and I'm both proud and gratified that people have taken it into their hearts. “ 
Dwayne McDuffie, Co-Creator of Static and Writer for Static Shock
This review is dedicated to Dwayne McDuffie and Robert L. Washington III.                                                        Rest In Power Static Shock is awesome. I grew up with the show watching it both first run on the WB and second run on Cartoon Network and loved it as much as I did other large parts of my childhood courtsey of DC like Batman the Animated Series, Teen Titans and both Justice League Shows. What makes this unique among the DC Properties is that Static wasn’t really a big name when he got a show. He wasn’t even part of the DC Universe. 
See as I had no idea for probably a good decade, Static actually came from Milestone Comics, a company ran by and focused on african americans. The goal was understandable: While black heroes existed at the time, and there were some fantastic ones like Storm, Jim Rhodes and Steel... these guys weren’t the center of their universes. The big faces of the big  companies, Spider-Man, Wolverine, Hulk, Iron Man, Superman, Batman, Wonder Woman, The Flash.. were white. So milestone was a shakeup of that with the main teams and heroes all being black, from Icon, an alien who’d lived among man but rather than end up in kansas like say superman ended up imprinting on a slave woman centuries ago and has been with us since, who was encouraged by an energetic teenager named Rocket to put on a costume and do something with his powers and his community, Hardware, a tech genius who had his work stolen by a white asshole and wanted to fight back and BLood Syndicate, a group of gang members all caught in the “The Big Bang”, a huge fight between all of Dakota, the midwest city where the comics take place, that ended when the police released a bunch of experimental gas that gave them all super powers. 
As most of you who have watched the show already know, this is where Static comes from. Static was the company making their own Spider-Man, i.e. a nerdy teenager who suddenly gets super powers, in this case Virgil Hawkins who at the prodding of a friend took a gun to The Big Bang to get revenge on a bully. .but ultimately couldn’t go through with it, decided it wasn’t him and got rid of the gun and ran.. and still ended up in it, becoming Static, a young hero dedicated to using his powers to fight other “Bang Babies”.. a term that dosen’t really sound that great and they really should’ve thought through. But Phrasing aside the character was great and I look forward to reading more and only haven’t because I have to buy the issues gradually, but DC is currently re-releasing the individual issues of Static, Icon, and Hardware weekly in anticipation of a reboot of Milestone Coming in May digitally on Comixology at only 2 bucks a pop, and rereleased the original print collections that were long out of print for 10 bucks each, though i’m getting static on it’s own since i’ts really not that much less expensive as it only collects four issues while Icon and Hardware both collect 8, so I can wait a bit there on Hardware and already own Icon: A Hero’s Welcome.. and really need to review it at some point. 
While Milestone’s output was good, at least from the two books i’ve read, with Robert Washinton III, who sadly not only ahs also passed but was fucking homeless for a while  in the 2000′s.. what the actual hell, writing Static alongside Dwayne McDuffie, whose later moved onto animation writing tons of Static episodes all of them classics including the school shooting episode, the first three rubberbandman episodes and both Anasazi episodes. Point is it had good writers and artists and even had a distrbution deal with DC, so they had a leg up on the glut of other comic book companies.. but happened to start at the start of the comic book crash, a huge downturn in sales in the 90′s as the speculator boom, i.e. a bunch of people assuming every number one would be worth golden and silver age money, forgetting a character has to BUILD INTREST and this stuff takes time, and whose attempts to sell fast flooded the market with comics no one wanted,, caused the roof to cave in and with a bunch of assholes pegging milestone as a “Company for black people” rather than you know, a company trying to add fucking diversity and represntation to the comics industry, and that simply wanted a unvierse that was centered around people of color instead of white guys. The company eventually had to shut down, and was left to lisencing.  This is where the show comes in. Producers HAD been trying to make shows based on Milestone for a while, as far back as the mid-90s and the company was was all for it but the closest it got was an x-men style team series using various characters whose first draft was terrible and whose second draft by Alan Burnett, a producer on various DC Animated shows who’d go on to produce Static Shock, that McDuffie and others really liked but sadly did not get picked up. eventually though with presistance Static ended up getting a series and as I said McDuffie went on to write for it though he did not develop it. Some changes went into place naturally to make it work for an early 2000′s kids show and while i’ll probably miss so since again, only read one issue as we go. But due to Milestone coming back my intrest was peaking, hence finally reading the copy of Icon I had to buy from the library years ago due to keeping it overdue but am now EXTREMLEY glad I own as i’ts incredibly rare and really damn good, and wanting to read static, doing so lately since it’s finally on digtiial and again not too expensive. So join me as I give you a shock to the system and revisit this hell of a series to see if it holds up.. which just to cut that short it does and i’m only holding off binging MORE because I want the first two eps to be fresh enough in my head to review properly.. and also go over the various voice actors because that’s a thing with me now and charcter co-creator dwayne mcduffie because he’s awesome. 
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As I like to do when covering a series first episodes, let’s run down the voice cast. 
First up is an UTTER LEGEND, and I use the term voice acting legend a lot, and mean it every time and have good reason to use it when I say it, and Phil LaMarr is a GOD in the buisness, having done a metric ton of voice acting roles, and being easily the most proflific black voice actor in animation. He’s also done some acting work, mostly in pulp fiction which I have not seen, but his true staying power and talent is in animation so here’s just the roles I feel are most notable or may not be very notable but i’m bringing up anyway because it’s my list. 
His roles besides Virgil include Lester Payton the Texas Ranger who showed up for one very good episode of king of the hill to be badass and show up the hickish, stupid and very punchable local Sheriff, Gearld’s obnoxious older brother Jamie O on Hey Arnold, Hermes Conrad from futurama, Carver from the Weekenders (PUT IT ON PLUS DISNEY), Axel Foley for exactly one bit in Clerks the Animated Series, but anyone whose seen it will know exactly which one, Micheal on the Proud Family, Black Vulcan on Harvey Birdman (In His Pants), Hector Con Carne and Dracula on Grim Adventures of Billy and Mandy and Evil Con Carne, Jack on Samurai Jack something I didn’t know for decades (and I didn’t know about the carver thing till today though i’ts obvious in hindsight), John Motherfucking Stewart on Justice League and later Steel and Adult Static in the Unlimited seasons, Osmosis Jones on Ozzy and Drix, Bolbi Strogofski on Jimmy Neutron (And yes i’m just as shocked as you are.), Wilt on Foster’s Home for Imaginary Friends, Marcus on Life and Times of Juniper Lee, Bull Sharkowski on My Gym Partner is A Monkey and Also a Sociopath Please Help God My Life is a waking nightmare..... okay the rest of that title is implied but we all watched the same show, we all know in our hearts that was the title
Moving on, he was also, and yes there’s MORE: Maxie Zeus on The Batman, Philly Phil on Class of 3000, Both Robertsons AND Fancy Dan on the Spectacular Spider-Man, Jazz on Transformers Animated, Kit Fisto and Bail Organa on Star Wars the Clone Wars, Gambit and Bolivar Trask on Wolverine and the X-Men, Aquaman I, L-Ron and Green Beetle on Young Justice, J.A.R.V.I.S. and Wonder Man (Simon Williams) In Avengers: Earth’s Mightiest Heroes, Gabe and Carny on Kaijudo: Rise of the Duel Masters (Really miss that game and have been snapping up what cards I can get lately), Baxter Stockman in the 2012 Teenage Mutant Ninja Turtles (And there’s also an awesome photo of him with 2003 Baxter... the two best together in one place. I got chills), Dormammu (I’ve come to bargin) in various Marvel Shows, Noville in Mighty Magiswords, Zach’s dad Marcus in Milo Muprhy’s Law, Craig’s Douchey Brother Benard on Craig of the Creek, showing he’s clearly come full circle, And Mr. Scully on the Casagrndes. And given It took about two paragraphs to cover all of this, yeah, I MEANT legend. 
Next we have Kevin Micheal Richardson as Virgil’s Dad Robert, and it’s the first time since I started introducing Voice Actors on a show that i’ve overlapped. I already covered him during the second episode of legend of the three caballeros, but for the short version he’s also very acomplished, very damn good and I somehow missed he played the old blind guy in hey arnold> Needless to say the dude is awesome. 
Virgil’s Sister Sharon is played by Michele Morgan who was in the rap group BWP and did some smaller roles outside of this the one exception being Juicy on the PJ’s, which I have not watched much of but REALLY do not like, though i’ll at least give it credit for being a decently long lasted black claymation sitcom at at time when there were, and hoenstly still aren’t, many black animated shows. 
Back to long casting sheets, next up is Jason Marsden, who is one of my faviorites as i’ve realized recently as Ritchie. As I also found out only recently he started on the Sitcom Step By Step and while that show is .. ehhhhhhhhh, he is great in it because he’s great in everything. He also apparently has his own internet variety show which I have to watch now. His roles include Max Goof, ironically given I was just talking about that role a few days ago, Haku in the english dub of Spirted Away, Micheal, the kid being yelled at by a bunch of 80′s cartoons characters not to take drugs in Cartoon All-Stars to the Rescue!, Nermal in the DTV Garfield movies and The Garfield Show, Tino on the Weekenders (SERIOUSLY DISNEY), Snapper Carr on Justice League, Rikochet on Mucha Lucha! for the last season (Why I do not knkow and while I love the guy he was not the right choice), Felix on Kim Possible, Chase Young on Xiaolin Showdown (WHich I did not realize was him and now I do easily his best role and I REALLY should’ve), Red Star and Billy Numerous on Teen Titans, Speedy on Batman Brave and the Bold, Impulse/Kid Flash II on Young Justice, and Fingers on Kaijudo. He hasn’t done as much lately which is a shame but hopefully i’tll pick up again. 
Next up is Hotstreak, Virgil’s brutal bully turned unhinted pyromancer played by DANIEL COOKSY, another actor i’m happy to talk about and another faviorite I haven’t seen much of lately. Daniel was an actor from childhood, playing Budnick on Salute Your Shorts, but he quickly gained a long and storied catalogue of VA Work: His first big roll was as Montana Max on Tiny Toon Adventures and if there is a god he’ll be back for the reboot, Stoop Kid on Hey Arnold, the incomprable Jack Spicer on Xiaolin Showdown, far and away his best role and part of why Chronicles sucked so bad was he was he didn’t get to reprise the role, The titular Dave the Barbarian, Django of the Dead on El Tigre (Had no idea), Kicks utterly insufferable big Brother Brad on Kick Buttowski and apparently he’s back at it again after laying low for a bit as he’s voicing Snag in Long Gone Gultch.. which I already really needed to watch but hot damn, I missed him. Sign me up. 
Frieda, Virgil’s crush and close friend who in the comics was his main confidante and love intrest but here is eventually pushed aside, is voiced by Danica Mckeller whose work didn’t seem all that familiar.. until I found out she was Ms. Martian on Young Justice. Hello, Megan. Very talented and she did get a major role in a dc show eventually so good for her. Can’t wait for season 4. 
So with our major players out of the way,  let’s talk about Dwayne. McDuffie is an AWESOME man and my respect has grown for him more and more with time. A writer and editor at Marvel, McDuffie has a decent resume doing smaller but awesome books, which I got most of for free last year when Marvel was giving out free digital collections due to the lock down, like Damage Control, a sitcom set in the marvel universe about the company that picks up after superhero battles and the logistics and antics that insue and Dethlok, about a pacfist trapped inside a cyborg zombie. He was as mentioned one of Milestone’s founders, and wrote Icon, Hardware and co-wrote the first few issues of Static. He’d go on to a pretty stacked career in animation, writing on this show and Justice League before becoming  story editor and show runner for Unlimited , even making a return to comics as a result writing the Marvel miniseries beyond and an arc of Fantastic Four in which Black Panther and Storm filled in for Reed and Sue while the two of them worked on their marriage after Reed did.. pretty much everything he did in Civil War. He also became head writer and show runner for Ben 10: Alien Force and Ultimate Alien, revamping the franchise a bit, and Alien Force, at least the first two seasons are awesome and I feel people overreacted on the changes. Ultimate Alien is okay, but has it’s problems but the finale was awesome and left the man’s legacy on a high note.. as he sadly passed in 2011 due to heart complications. He is truly missed and produced some utterly amazing stuff whlie he was alive. So on that melacholy note let’s see what happens when his creation hits the tv screen shall we?
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Shock to the System:
This episode is written by Christopher Simmons, who is apparently a huge art designer guy.. but i’m not sure that’s the same chirsptoher simmons. Much more notable is the writer of the episode after this Stan Berkowitz, who was showrunner for season 1 and has done a LOT of DCAU work and is suprising talent, having written a lot of awesome Justice League episodes including Secret Society and The Royal Flush One. Point is we’re in first class hands.  Before the episode itself I want to talk about the intro and how it’s unique among DCAU shows. Like most Western Animation the intros for DCAU shows didn’t change much over the seasons with the most I can see is JLU changing up the footage to preview the current episode and later adding Hawkgirl to the intro after her return to the team. I THINK superman the animated series changed some of it’s footage too, but I can’t confrim it and may of just been imagining it. As i’ve talked about on my blog it’s normally a pet peeve of mine, mostly because shows you know, change after season 1, characters get added some one shot characters used for the intro never return, and after a while it can feel dated especially in more recent shows where the status quo is not at all set in stone and things change quite a bit. But sometimes it can be good enough that either the dated elements don’t matter or general enough that you don’t need to change it and i’ts just that good.. and given Batman the Animated Series has both in spades, you can see why i’ts probably my golden standard for intros and after superman the animated series DC mostly followed suit. But being part of the teen superhero boom of the 2000′s Static is unique in that it splits the diffrence: It’s intro gets the character across perfectly like a good intro should starting with Virgil getting out of bed and running a comb across his head before showing off to his sister to bug her and literally running into his dad who hand shim his bag and smiles, silently showing off his family. He then runs to school and runs into some trouble.. and said trouble changes for each intro, with Rubberband Man for season 1, Kanga (Whose name I only know because I happened to run across it) for season 2 and your guess is as good as mine for seasons 3 and 4, though Hotstreak is a constant. They still save some money for seasons 1 and 2 by recycling some animation.. but that’s alright with mea s it was good animation, and the improtant thing is cycling out old villians for new ones, while Season 3 is the only out and out redo to show off Richie taking on the Gear identity, adding about 10 seconds of intro to let him show off.  Seriously it’s an utterly great intro and like the other DCAU intros outside of superman, stuck in my brain. 
The other change that’s ENTIRELY diffrent from the rest of htem is that the music changes each time. The first two have the same formula just with a difrent vocalist and backing track: a superhero theme but with some hip hop beat boxing over it. The first intro is fine enough, not specattcular but stilll god. The second song.. is eh. Not really great and feels like a marked downgrade from season 1 and just dosen’t blend an ocrehstiral superhero theme with the beatbox elements NEARLY as well. The third song though is my faviorite.. even if I HATED Little Romeo as a  kid because I really did not like his nick show, it’s more a straight up rap song, but it has a faster beat that fits the intro better, and Romeo’s bragging fits Virgil’s character and penchant for Spidey quips perfectly. I also find it ironic that the theme that blends in with the dcau the most, the first season’s, is the one from BEFORE they decided to put it in the same universe. Still this season’s intro slaps, I just like the LIttle Romeo one a bit more.  The opening scene is picture perfect. Some masked crooks looting a warehouse are loading some stolen TV’s into a van when suddenly the lights come on one by one above one of the crooks before his tv switches to various channels before going haywire. Cue our heroes’ entrance. Let’s tak ea good look at him
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Static’s Costume is awesome. While I prefer the season 3 redesign, and clearly DC agrees as the redeisgn was used for both pre and post new-52 when they used him, and while he’s getting a fresh design for the reboot, said design takes a lot of cures from said outfit. As for how the outfit differs from the comics itself  this is the design he had in the comics
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It didn’t change much from the first issue, with the exception of his now iconic big puffy jacket which was added pretty early into the character’s history but I was unaware of that and just assumed he had the bodysuit the whole time. The more you know. But as you can see outside of the cool puffy jacket over a costume the two couldn’t be more diffrent. While the Dakotaverse outfit is more a standard superhero outfit, with some regular clothes touches on top the first cartoon outfit comes off more realistic, looking fantastic, but still coming off as something two teenagers could realistically have thrown together with what clothes they could buy, while still looking awesomely superheroy. IN short it’s perfect and only topped by the season 3 onward look...
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But the slicker look, with an even cooler jakcet and the new colors all fitting the lighting ascetic better, but fits: not only has Virgil come along farther since he started, but with Richie now having a genius brain as Gear, he can provide a far slicker, far more professional superhero outfit on the budget the two have.  This show is just great  at costume design. 
So getting back to the episode at hand, Static puts up a huge sign in elecrticy saying “Bad guys here”, PFFFT, and then hides away and narrates that a few days ago he’d be the last person anyone would’ve expected to be a hero. Cue Flashback. 
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We meet Virgil Hawkins on an average day: rapping into his razor, getting into a petty argument with his older sister Sharon, as a younger brother myself I relate to this, and talking to his dad who tries to get them to cut that out. We find out his mom has passed via his sister making really terrible eggs and saying that’s how mom made them. Exposition! Though we do get a great bit through this as when his sister gets distracted by her boyfriend calling, he uses the opportunity of her leaving the room to dump the eggs.. after having earlier jokingly prayed to his mom for a way out of breakfast. “Thanks for looking out for me mom” That’s both very sweet and very hilarious. 
This is a change from the comics it turns out as I was utterly flored to find Virgil’s mom alive and well when reading the first issue of Static. Turns out this was a change made during development and one Dwane McDuffie admitted in the interview I got the tribute quote from to not liking as he had a good reason for having Virgil have a nuclear family, as most black families in media at the time were just one single parent and a kid or two with the other having either left or died. He wasn’t too bothered by it as while he preferred what he came up with in the first place, the show DID get some really good stories out of her being gone and didn’t just have her be absent because shut up. Virgil is still working over her death and the way HOW she died ends up playing an important role in this episode and gives Virgil a dislike of guns, as she died to gang violence. So the change wasn’t for stupid or racist reasons, but likely both to keep the character count down while giving them something to work with for storylines. Or it could’ve been for stupid reasons and the writers simpily made lemonade out of that very dumb lemon, either way it ended up working.  Virgil also plans to ask his friend Frieda out. Frieda was a bigger deal in the comics, being Virgil’s friend and confidante as well as his ocasional love intrest, but here while she was inteded to at least be his love intrest here, that sorta fizzled out. As for the best friend role we meet her replacement in Richie, which McDuffie conceded was the kind of change a studio would make swapping out a female character for a male one. That being said the crew made the best of it and Richie is awesome, a bit of an overcompensating dipstick at times, but a good sounding board and pal for virgil and funny as hell too. He was also gay, something only revealed post series by McDuffie.. but unlike say Dumbledore, it’s a bit easier to swallow here: The early 2000′s were an even worse time for gay characters in tv let alone cartoons, and if they couldn’t kiss or have sex scenes on regular tv, there was no way we were getting any representation in a children’s show. So it was largely just hinted at by Richie overcompensating in how “into girls” he was and i’m once again fine with this being word of god as it was literally the best they could do and his counterpart in the comics was also gay, if not as relevant.  Ritch encourages Virgil to work on his opening to ask her out as it’s awkward as heck, hits a bit close to home.. but I do appricate the show just .. having him try and ask her out from the first episode. They likely would’ve drug thigns out a bit granted had they used Frieda more, i’m not blind to the convetions of the time. .but as someone who got the very wrong idea from tv that just waiting around meant a girl would like you eventually, when no you need to actually try even if rejection happens, I honestly wish we had more of this in media than the other garbage morals at the time. 
So he prepares to , not helped by her mentioning guy after guy is asking her out.... but before he can F-Stop, the future hotstreak, shows up.  F-STOP
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That being said...... it’s not as bad as the original gangster name for the comic’s version, Biz Money B. Yes BIZ MONEY B
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So yeah while F-Stop is no more intimidating, it at least means I can stop laughing. Francis, because I can’t type F-Stop without laughing and this review is already behind, shoves Virgil out of the way and agressively hits on Frieda, even saying “you smell good”, the international sign your a douchebag and also to call the police. Virgil steps up to the guy and gets PAINFULLY slammed into the lockers, something I give the animation team a lot of credit for, as you can FEEL how fucking painful that was. Virgil is saved by Wade, another local gangbanger who in the comics was a close friend of Virgils but here saves him seemingly just because.. seemingly. 
On the way home though Virg’s problems don’t end as naturally, the giant sized asshole with nothing better to do has his goons corner virgil before VIOLENTLY beating him.. off screen but the noises, and the clear brusies including a black eye, on virgil afterwords.. just holy damn i’m suprsied they got away with this but it shows just how horrifing it was and that this is a step above regular bullying, which make no mistake is absoluttley terrible and the series would later do an episode on it and school shootings, into straight up gang violence. Wade shows up again and gets the bastards to flee.. but also makes it clear he can’t keep doing this.. and forces Virgil to meet him at his base under the bridge. And it’s a tense sequence, with Virgil KNOWING this is a bad idea but having no real choice and Wade making it abundantly clear that he wants Virgil to join his crew, and makes a chilling point: while Virgils dad RIGHTFULLY dosen’t want his son to join a gang as Virgil points out.. he can’t be there for him all the time and eventually one of those times, Francis will be around. And he may not surivive that. Virgil nods noncomittaly.  At home it gets even more grim as he dosen’t open up to his family, understandably as his dad would jsut say to call the police and well.. we’ve seen how the police treat black people. At best they’d just try and use Virgil as an informant and that likely wouldn’t end fucking well for Virgil. Ritchie points out he can’t join a gang, virgil’s mom died that way.. see told you it’d be important to the plot.. but I like how the story dosen’t offer an easy answer.. well okay he gets electric powers soon enough but without the fantastic element this is just an innocent kid caught between either joining the very thing his mom hated or hoping a system not built to protect him will keep him alive. It’s utterly saddening and chilling and holy shit is it amazing a cartoon in the early 2000′s was able to get away with.. ANY OF THIS, and they handle it great, paired down a bit from the comics but even then it’s still incredibly balsy they got THIS much in. 
Naturally Wade calls in his favor and our hero is forced to come running.. and soon finds out Wade’s brought him in for a massive gang war. Welcome to the big bang, baby. He hands Virgil a gun as things get started and Virgil.. drops the thing and tries to escape, in a harrowing sequence.. and runs into Francis because god apparently REALLY hates this kid today. As if to prove that the police show up and while that prevents a beating, they demand they disassemble. then release untested gas on them because of course they do. 
As a result the big bang truly begins, with the various gang members getting mutated.. and naturally so does virgil. Though he wakes up the next day seemingly fine. How’d he get home? Does his dad know where he was?
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I don’t know and we’re not getting any answers, but Virgil soon finds weird stuff happening like his clock shorting out, change being attracted to him and his razor going wild. It’s only once he get sback to his room he gets an inkling of what’s going on and calls Ritchie to meet him at the Junk yard.. though it is a bit of a dick move as he dosen’t you know, tell him anything about Wade or Francis right away. He does at the yard though.. and that he has powers, having finally figured out how to use them to a point. And the series does provide a decent justification later as to why he’d get this so quickly: Virgil is a smart kid, gets great grades at school and apparnetly there’s even an episode later where he gets a scholarship to a fancy genius school. So him getting how elctromagntisim works or being a quick study on it makes perfect sense. 
Richie suggest the obvious.. to become a superhero. And the thought.. hadn’t occured to Virgil. It’s honestly a nice twist on the old trope. That he hadn’t thought of it, not because he’s selfish or any of that or needs to learn a hard lesson, those have been done.. simply because the rush of getting his powers, and implicitly of having a way out of his current predciament, a way to keep Francis off his back and keep Wade from pulling him in further. His own path. But once i’ts brought up.. he jumps on it. Part of it is being a nerd like you or I, of course he wants to.. and being a good intetioned one, he knows this is the right thing to do. It’s waht makes a superhero a hero: Anyone can get powers in a universe like this, esepcailly the dcau, but it takes true courage and heart to use them selflessly and knowing you’ll be in danger. It’s why I love surperheroes: they often didn’t ask for this but they do it anyway because somebody’s gotta. We also get an intresting wrinkle is superman is, at least I think in this episode I could’ve missed it or misremembered things, mentioned as a fictional character. That’s because originally like the comics this wasn’t part of the DCAU.. but eventually the crew decided it shared staff from it, shared a network, both first run and on reruns, why not just make it part of the DCAU proper. I fully support this decisionf: While i’m midly annoyed unlimited never really used anything from static shock outside of Static himself in the time travel episode, despite you know Static and Gear having BEEN to the tower and not being much younger than Kara and defintely older than Courtney, I chalk it up to weird rights issues or something like that. But having Batman, Batman Beyond, Superman, Green Lantern and the Justice League itself all guest star was a good idea, and expanded both static’s universe and gave the DCAU something differnt as most heroes in it were older and more experinced in contrast to the up and coming virgil. Again really would’ve been nice if he and gear could’ve been a part of the expanded league but production might of just been too far ahead or, given he had his own series, they might just have wanted to stick to toher characters. Also begs the question why Icon or Hardware wasn’t adapted for the expanded League but hey, questions for later and the tricky logisitics of the milestone rights might’ve been the issue. I don’t know I wasn’t in the room. 
So we get a costume montage, including Black Vulcan from Superfriends, who again ironically would be voiced by Lamarr not too long after this, though weirdly they DON’T use his outfit from the comics for this montage. I mean why not? It fits the gag and would’ve been a good second to last choice.But what could’ve been aside we get our winner and cut back to present day...
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Thanks boys. Static finds out one of the things in the warehouse is a shipment of computers for the school and can’t help but show off, showing up to the school, where Frieda and Richie are setting up for the dance, and dropping off the computers, and even saying his catchphrase for the first time “I’ll put a shock to your system” (Which Richie chimes in with awesome line and I agree, great catcphrase), before helping set up and flirting with frieda. 
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Though as Richtie says he’s a natural. He’s not wrong as he can work a crowd. .but back it up too as his first run out had him easily taking out the crooks, and as many teen superheros and fans of heroes of hte type, myself included will tell you, getting it right in one is not easy. Not even Miles MOrales was immune. All Static needs now is a villian. 
And the end of the episode provides one as we see, in horrifc and once again damn suprising detail most of hte new metas aren’t doing so good and are melting and other stuff and we catch up with Francis whose burning up.. and naturally given that hair, though given he named himself F-Stop it’s the least of his problems, he’s got fire powers and escapes to “Have me some fun”
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So with that we end episode 1. And it’s excellent, a great way to introduce the hero and while the warehouse opening is a bit superflous, it is a decent addition, showing our heroes first outing in costume and giving us a bit of an action scene to get us through the very heavy rest of the episode. But the rest of the episode is no less grippping, telling the tale of a teen caught in an unwinnable scenario who suddenly finds a way out. And speaking of which waht of Wade? Will we see him again? Is he perhaps Ebon, the series big bad as I thought when I was a kid? What comes of the man who directly caused static’s origin?
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Yeahhh that’s the one mistep I think the pilot makes. Frieda is understandable as that was likely a simple change in creative direction. This though? Why build this guy up if your not going to bring him back. I mean where he went was probably the grave, as he probably did due to his mutation, but it’s still VERY weird to spend a whole episode focusing on this guy, building him up as a big personal threat to our hero.. and NOT have him become the series big bad. And maybe he WAS supposed to be ebon and they just changed their mind. I don’t know but it bothers me it bothers me a lot. Otherwise though flawless. ONe more to go. 
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Aftershock: We open outside an electronics store, as our heroes watch the news reacap what happened in the first episode, with the media dubbing it the Big Bang and revealing their could be hundreds of “Metahumans”, as Virgil dubs after deciding the media’s term “Mutant” dosen’t fit, a nice wink to the fact that that’s the term used in dc comics and I believe milestone but could be wrong there. Me I like the term, has a nice ring to it. 
At the store while Richie mulls over waht this means Static finds out he’s a human CD player.... this was before mp3 players and streaming on your phone made them horribly obsolete mind you and if you don’t know what one is congradualtions you live in some sort of bubble and you made me feel really old junior. 
Frieda happens to be there and Virgil quips “What’s the matter they run out of britney cds”. Dude she’s not bad. Also be careful what you wish for man. Nickeback returned the year after this. You have not truly suffered through bad music yet my young friend. They spot a kid looking feverish, and he soon turns into a purple werewolf, as you do. It’s a bang baby.. those are richie’s exact word and you may not want to start a panic there bud. Just saying your best friend is one. THeir not all like this. Our heroes book it only to run into Francis who naturally refuses to let them leave and only doesn’t try to beat up Virgil because Virgil points otu the werewolf and nonplussed, he goes to fight it, scarring it off by revealing his own powers. He’s now dubbed himself Hotstreak which points for getting an actually good name kid. No points for what happens next as unsuprisingly getting powers did NOT mak ehim a better person and he attacks Virgil who blocks with a garbage can lid and thankfully is blasted into an ally. Richie tries to guard frieda for damn obvious reasons but gets hsi shirt burnt up because shut up Thankfully Static shows up, and we get our firsdt full on superhuman fight as both fight each other with aplomb, and it’s a damn good fight.. and one that goes pear shaped for Virg as he’s caught off guard when he finds out Hotstreak can use his powers to fly, and tackles him and his previous trauma causes him to freeze up. Thankfully , as Frieda put in a call earlier, the fire department arrive and HOt streak has to retreat, though Virgil is bummed that he “Choked”. And I love this as it not only shows Virgil’s inepxerince, as this is his first time fighting a bad guy but that just because he HAS power now dosen’t mean trauma and his previous fear of Hotstreak goes away or you won’t freeze up from time to time. It dosen’t make him weak or anything like some assholes would call it .. it makes him human. Humans make mistakes, and it makes him all the more relatable that he’s not pefect and that he did freeze up as I know I certainly would at last once in the circumstances. 
Things don’t get better at dinner as Sharon and Pops argue over the bang babies with Pops calling them a meance and Sharon pointing out Static exists so they can’t all be bad. See assuming a group of superhumans are bad because a handful of them ar edick sis why the x-men had to get their own island nation. You can only save an ungreatful populous so many times before you say “fuck it i’m getting my own island, pay me for life saving drugs, save your damn selves and stop doing genocides on us. Kay thanks”. But he does bring up a valid point that rattles his son: We don’t know anything about the Bang Babies or their biological structures and it’s likely they might further mutate into monsters, Static included. 
Virgil, understandably, wants to check this and thus he and richie compare blood samples in science, to no real conclusion. She he checks out with his doctor who assumes he’s sexually active in a great getting crap past the radar bit and a bit of realisim, but he agrees to the test though if something came up he would have to tell Virgil’s dsad and is up front about this. Nice dose of realisim.
That night City Council has a meeting and the Mayor TRIES to deflect Papa Hawkins questions about the bang babies which again, while being a judgmental ass as not every person hit was a gang member (Virgil, and as we discover later some others), and not every gang member is there by choice, some by circumstnace some, like virgil almost was, because they HAD no other option. Again years of reading x-men may of just made me a bit touchy on assholes admitely assuming superpower people bad. But it’s clear the public is upset and while she says an investigation is underway... Virgil and Richie are not only not convinced, but figure she’s actively covering it up. And unlike everyone else there who probably suspects the same, they can do something about it and tail her.  It’s during this, and cleverly as I didn’t realie till writing this using similar skills to his human cd player act, Virgil listens in and discovers whose behind it: Edwin Alva, whose apparently richer than bill gates and a beloved phinarophist Alva, as it turns out, was actually the arch enemy of Hardware in the comics, taking advantage of the guy in his civiliian idtentiy and thus casuing him to launch a war on the asshole. He does transition into this series well though, being the one behind the gas that caused it and with the mayor agreeing to back off, planning to simply dump the info about the big bang on a disc then destroy everything for now till the heat dies down. Yup sounds like a corprate douchebag. 
Static tails him, finds the lab and infiltrates it, stealing the disc.. but getting caught by Alva’s goon, and trapped in a glass prison, forced to use ALL his power to escape and barely getting out alive, but not before bouncing off alva’s car. Still he now has the proof.. and meanwhile Hotstreak, who I was wrong did get captured, is forced to take pill sbut spits them out once the orderly is gone. Dude.. WHY DIDN’T YOU WATCH HIM. Make sure he swallows that shit especially since, as he has no powers right now and can’t harm you. 
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Hotstreak escapes off screen and our heroes discuss the disc before he shows up, and we get a REALLY fucking amazing scene: Virgil ducks into an Alleway and ritchie is worried.. and Virgil disarms him with just one word responses Ritchie: Virg you can’t take him.  Virgil: Gotta. Ritchie: Well at least wait for the fire department Virgil: Can’t.  It’s simpile but it gets the point across: This is his fight, he can’t wait for help, and people need him. And this is what makes a true hero: It’s easy to be a hero when everythings going well.. but it’s the true ones who stick it out against the odds and fight anyway. And he’s going to.  So we get one hell of a fight, though naturally Hotstreak burns up the disc. And I do like this as it dosen’t feel contrived.. yes Static could’ve left it with ritchie.. but he wasn’t thinking in the moment and dind’t really have time to think abotu the disc, only that people were being hurt and he was all they had between them and Hotstreak. It was no choice at all. Still that pisses Virgil off that the last night’s work is now worthless, and he fully charges up and curbstomps francis who retreats into a clearing. Hostreak brags when static follows, as even he’s figured out Static needs to be around metal, as he’s usually on his disc or the street, and in the park there suppodsidly isn’t any. But he’s not THAT smart as Virgil points out two things: one, he hoped to do this on PURPOSE so they wouldn’t be around people and no on e would get hurt and 2).. this is a city, there’s metal everywhere.. and he awesomely and cleverly proves it by unlodging a sewage pipe with his powers and dousing his foe, winning and proving his stuff. I love this solution, it’s a clever spider-man type way to disarm him, using smarts and the einvroment instead of just brute forcing it. Though the sewage part wasn’t intetional our hero still won and gets praise from the people dumb enough to follow the fight. 
However at home Virgil points out it was  Pyrrhic Victory and shows off his smarts by telling the tale behind it, which I didn’t know,because tv tropes didn’t exist yet: king pyrhus fought the romans and WON.. but had so little armies left that he still lost overall. That’s what this feels like to Virgil: he beat hotstreak but any chance at a cure for Bang Babies and Alva going to jail for causing them is gone. His mood does get a boost though as the doctor calls and reveals he’s fine, he just has a bit too much elctrolytes and just needs to lay off teh salt. He celebrates, we get a quick gag and the episode ends
Aftershock is another stellar episoe, giving us Virgil’s first super foe and a personal one at that, while showing some growth. As richie tells him he’s not virgil anymore he’s static and he can’t let his past get to him.. and he does’nt going from cowering in fear to easily beating his foe with simple logic. It’s a good followup that answers questions you may have from the first ep, like what does this do to virgil’s body, who supplied the gas, and why has no one done anything about this, and sets up another villian for Static in Alva. Great stuff. I highly recommend these episodes and the show as a whole: it’s fast paced, grounded and enjoyable, having just enough levity to not be too dour but just enough tension and stakes to be intresting. A throughly fantastic superhero show and one that i’d certainly love to revisit on this blog If you have an episode of static or the dcau in general you’d want me to cover, my comissions are open and details are on a tab on my blog or can be gotten simply by asking me via ask or dm. Tommorow we’re going deeper underground, there’s too much damage in this town as the Lena Retrospective continues. So expect gay ducks, straight ducks and some terrfirmains. See you next rainbow. 
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Ouroboros (S2, E8)
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The hiatus almost killed me. So glad we have new content <3
As usual, my time-stamped thoughts for this episode are below. As always I reference Malcolm’s mental health. A lot. So if that’s going to be a trigger for you, don’t keep reading.
SPOILERS AHEAD:
0:04 - That scarf is so extra.
0:26 - OH LOOK THE FIRST SUNSHINE SIGHTING OF SEASON TWO!!! It only took 8 episodes. *insert eyeroll*
0:40 - Ugh. This montage makes me hate Hoxley. He embodies the type of human I abhor: self-important, egotistic, obsessed with appearance.
1:19 - “No I didn’t.” LMAO. Mr. David is so done with Martin’s bullshit.
1:36 - That makeshift shiv in the dude’s arm.....that’s Daryl’s shiv from a few episodes ago right? Am I going crazy?
 2:25 - Sooooo Birdie hasn’t left New York? She’s moved into the Milton’s “Murrayville Building”. Huh. Wait. Was Birdie in the house when Malcolm and Ainsley fought? Do you think she heard?!? Birdie might become a problem for the Whitly’s later this season....I hope?
2:43 - Jessica doesn’t know about the contents of the fight. Interesting. How long has it been since the end of 2x7? 
2:58 - “I’ll be there at 8.” hahaha OMG. I swear Malcolm was a terror during his ‘rebellious teenager’ phase.
3:38 - Yep. This fog horn reinforces the fact that I believe Hoxley is a dick. 
3:40 - Awww.... the way Malcolm jumps/flinches at the fog horn is both hilarious and adorable.
3:58 - “And who the hell are you?” YES GIL. YES. Don’t let him talk like that to Malcolm <3
4:04 - Duuuuude. Gil looks pissed and scared. He does not like Europol snooping around his crimes. ALSO I’m like 95% sure that Gil knows (or at least has a hunch) that Malcolm is somehow involved with Endicott’s murder. I’m pretty sure Gil is scared that this dude is going to try and arrest Malcolm. 
4:07 - OMG. JT is adorable. “You’re that guy. The mind sleuth.” Personal headcanon: JT read Hoxley’s book to try and understand Malcolm better. 
4:22 - DANI IS MY QUEEN. SHE IS MY ICON. I LOVE HER SO FREAKING MUCH. “No.” This girl is fierce. <3
4:23 - <3 <3 Malcolm’s heart eyes, head tilt, and visible pride is so so so precious. THIS is why he’s attracted to Dani. She’s not afraid to assert herself. 
4:31 - “And then took in his son.” ....Okay, so this infuriated me. Nothing Hoxley is saying is untrue. BUT something about the way he’s saying it just gets under my skin. 
4:45 - I think Hoxley is pissing me off so much because he’s psychoanalyzing Malcolm in front three of the people Malcolm trusts and loves most in the world (3 out of a very very short list of people). He’s trying to humiliate Malcolm and I hate it. I hate that Dani, JT, and Gil haven’t told Hoxley to shut up. I hate that Hoxley is trying to drive stakes of doubt into the three people whose opinion Malcolm treasures. 
5:25 - “Aim a little lower, Whitly.” and and and.....then Hoxley looks to the team as though he wants them to laugh. I’m furious. 
5:32 - THANK YOU GIL. STEER THE CONVERSATION AWAY FROM MALCOLM
6:04 - Malcolm is so obvious. There’s no way that the team doesn’t know that he was involved with Endicott’s murder. If they didn’t before this episode - they HAVE to know now. Right? They’re detectives. Malcolm is a terrible liar. 
7:00 - Oh. So now Ainsley cares about the crime. Now it’s “how much trouble are we in”. And let’s be real. Ainsley doesn’t even seem very worried or scared. She’s concerned that the crime will get out - she’s not sorry she committed the crime. She’s not sorry that her big brother tried to take the fall for her. 
7:15 - “We said no more secrets.” ...when. When did you two say that? Was there a ‘fight part 2 - the tentative truce’ that we didn’t get to see?
7:33 - A mention of Sophie Sanders. Finally. I still hope she comes out of the woodwork and takes the fall for this. I want more closure on her. Did the team ever find out that Malcolm found her? How did the Eddie murder finally get resolved (I’m not satisfied with the “not every case gets solved” line)?
7:42 - Yo. I don’t care about the time constraint of a 45 minute episode. I don’t care that it was required to move the plot along. The fact that Ainsley starts typing frantically into the computer at about 7:42, stops typing at 7:47ish and has found at least 4 different articles relating to murdered random people (who apparently helped hide Endicott’s body?) is SO UNREALISTIC. I just can’t. I can’t suspend my disbelief on this one. The article headlines say nothing about ‘couriers’. It’s stuff like ‘Local fisherman found dead’. HOW THE HELL WOULD AINSLEY KNOW THEY WERE HELPING MALCOLM IN LESS THAN 10 SECONDS OF GOOGLING?!? Nope. I can’t justify this one. Fedak - you dropped the ball.
8:40 - Poor Malcolm looks terrified. :( 
9:04 - My first impression of Natalie was that she’s a beautiful young lady who seems really sweet and a little socially awkward. Kudos to the actress.
9:41 - Another mention of Sophie. God - I hope she becomes a twist in this season’s storyline. I’m not content with how her story arc ended. 
10:21 - “I didn’t have anything to do with Endicott’s death and neither did Jessica.” Yep. Gil definitely knows (or at least suspects) that Ainsley and Malcolm are somehow involved with Endicott’s murder. It’s killing me that we’re not getting the big “team and/or Gil find out and/or confront Malcolm about it” moment. 
10:31 - OMG. Alan Cumming’s eyebrow wag here. hahahahaha
10:35 - Look at how pissed off Gil is as soon as Hoxley suggests that he and Jessica have a romantic history. 1) Gil still has it bad for Jessica (and is hurt that she rejected him again 2) Gil’s a pretty private dude and probably doesn’t like his personal business being speculated upon by a total stranger with ill intent 3) Gil is also getting protective of the Whitly’s. Not just Jessica but Malcolm (and maybe Ainsley) too. 
10:58 - Europol agents aren’t allowed to make arrests?!? THEN WTF IS THE POINT OF HOXLEY’S CHARACTER?!? TO DRIVE DOUBT INTO THE MINDS OF THE TEAM WITH REGARDS TO MALCOLM?!? FOR REAL. WHY?! TO FORCE GIL TO ARREST MALCOLM AND AINSLEY?!?!
11:08 - “To watch you put the cuffs on Mr.Endicott’s killer. Deal?” “Deal.” oooooooohhhhhh no. I do not like the foreshadowing here. If Gil has to arrest Ainsley and/or Malcolm.....idek. Part of me wants to watch it for the emotional whump (of all parties - including Jessica). Part of me wants to ugly cry at the thought of it though.
11:39 - “How do you know so much about yachts?” ....THANK YOU JT. DANI HAS A STRANGE AMOUNT OF NAVAL KNOWLEDGE IN THIS EPISODE AND WE ALL KNOW “I watch a lot of Below Deck” IS UTTER HORSE CRAP. Ugh. I want to know more about Dani and JT’s personal lives. So. Badly. 
11:44 - <3 <3 <3 The look Malcolm and JT exchange when Dani claims that she watches a lot of Below Deck is absolutely precious. It’s like they’re best friends and/or brothers. They both knew Dani was lying. <3
11:54 - “At least he’s the real deal.” Ouch. I honestly can’t tell if JT is just teasing Malcolm here or if JT genuinely believes this. ....Is this JT’s way to letting Malcolm know that he has suspicions about his involvement with Endicott’s death?
12:06 - “Says the guy who bought his book.” HA. Dani is on fire this episode. The snark queen. Look at how pleased Malcolm is that Dani is defending him. <3 Warms my cold dead heart.
12:09 - annnnndd now JT is definitely teasing Malcolm. “What our boy Bright needs is a moniker.” hahaha watching Dani and JT come up with stupid profiler monikers was so cute. I love it when the team gangs up to (lovingly) tease Malcolm.
12:30 - “No. Nothing yet.” Again - Malcolm is a terrible liar. The team must know that he’s involved with this thing. They’re detectives. 
12:59 - Martin’s physical reaction to Malcolm saying, “No. That woman does not deserve to die.” Is HILARIOUS. Martin is so freaking desperate for Malcolm to become a serial killer that he doesn’t even care the Ainsley has already murdered someone. 
13:19 - “He has a perfect track record.”.....what? So does that mean he’s solved every case he’s ever worked on? Taken credit for solving every case he’s ever work on? Hand picked the cases he works on so he knows he can solve them? Probably a combination of the above. Sometime about Hoxley reminds me of Gilderoy Lockhart from Harry Potter. You feel me?
13:23 - The fact that Tom Payne (a Brit) is being told that Hoxley has “perfect teeth. For a Brit” by a Welsh man is hilarious.
13:34 - Does this fish packing joint have no security?!? Like Malcolm didn’t have to pick a lock or anything. He just walked right in (and he’s not being quiet).
13:51 - “I can think ruthless. I don’t know if I can be ruthless.” THIS. THIS is Malcolm in a nutshell. Think about Nicky Covington. Malcolm wanted to act ruthless but he couldn’t. He ended up saving Nicky because he couldn’t go through with his ruthless plan. That’s the difference between Malcolm and (quite frankly) the rest of his family. Jessica, Martin, and Ainsley can all be ruthless. All of them. Jessica on a lesser degree but Martin and Ainsley are confidently ruthless. Often.
13:57 - Ok. For real though. HOW HAS NO ONE OVERHEARD THESE PHONE CALLS BETWEEN MARTIN AND MALCOLM. THE PHONES HAVE TO BE TAPPED RIGHT?!? IN A SECURE MENTAL INSTITUTION FOR MURDERERS?!? and I stg that Mr. David knows things. That man is not a moron and he’s pieced stuff together (not from this scene obviously, but still).
14:13. - “Why don’t I break out.” The fact that Malcolm hasn’t mentioned that Martin wants to escape to anyone (since 2x4) is really stressing me out. I know Martin’s going to break out - the promos have made that very obvious but I’m still anxious about it. Mostly I’m worried for the health and safety of Malcolm (and Gil, Jessica, Dani, JT, Edrisa...).
14:17 - “We all go on the run together.” Martin is delusional. He thinks that the whole family will go on the run with him?!?!?  He might be able to convince Ainsley. He might be able to blackmail or threaten Malcolm. BUT Jessica? She’s not going willingly. Hell - she might kill him herself if Martin escapes and tries to come near her (which.....I would actually kind of like to see).
14:48 - The fact that Malcolm apologizes to a corps is so precious. Really reinforces the fact that Malcolm is not a killer. 
15:00 - Oh look. Another scene for Malcolm’s nightmares. “The time I cut off a dead guy’s thumb to protect my sister”
15:24 - annnndd Malcolm is really close to having a panic attack. Look at that face. :( Someone give this guy a hug. Please.
15:34 - Where the HELL is Edrisa!?!?!?
15:42 - Malcolm, you utter moron. What possessed your stupid ass to show up at a crime scene with a soaking wet arm and draw attention to your arm by shaking it?!?! WHEN THE BODY WAS JUST DRAGGED OUT OF A VAT OF WATER. AND YOU TAMPERED WITH THE BODY?!!? YOU DUMBASS. 
15:52 - This is Gil - terrified. He’s scared because 1) he knows Malcolm is lying , 2) he’s concerned for Malcolm’s mental health and 3) he’s starting to think that either a) Malcolm killed this guy, b) Malcolm knows who killed this guy and is obstructing justice, or c) Hoxley is going to pin this on Malcolm and Gil won’t be able to save him.
16:14 - “I’m never buying frozen fish again.” hahaha Dani is killing it this episode. <3
16:23 - Check out how Gil is staring at Malcolm. Gil totally thinks Malcolm has the thumb.
16:50 - “Older model” Shit. Seriously? Are finger print scanners on phones old?!? My phone isn’t that old......I got it 6 years ago? 
17:16 - MALCOLM IS A TERRIBLE LIAR. Honestly, the pure terror on his face throughout most of this episode screams “I KNOW SOMETHING ABOUT THE MURDER.” If the team hasn’t pieced this together yet they’re not worthy of being detectives.
17:29 - I’m not going to lie. I had to fast forward through the Martin/Capshaw scenes for the rewatch. I find them so upsetting to watch. I just can’t do it more than once. Their whole dynamic is gross, creepy, and just ugh. 
20:00 - Jessica and Hoxley talking about Endicott’s death is so satisfying. 
20:35 - “Jessica Whitly. Played for a fool. Yet. Again.” Ok Hoxley. You are not allowed to disrespect my girl Jessica like that. 
21:10 - The biggest problem with Jessica and Gil’s “mock interrogations” by Hoxley is that neither of them mention Ainsley or Malcolm. It’s super suspicious. They mention other people by name. People who should be connected to Ainsley and/or Malcolm given the context of the sentence. Hoxley is a moron for not nailing Ainsley and Malcolm for the crime during this episode. It’s so so so obvious.
21:19 - hahahahahahahaha Jessica grabbing the martini out of Hoxley’s hands. hahahahaha I stan.
21:35 - annnnnd Jessica is a terrible liar as well. Seriously - why doesn’t she just say “ENDICOTT WAS KILLED OVER HERE!!”. Another parallel between her and Malcolm though. Malcolm + Jessica can’t lie well. Ainsley + Martin are expert liars.
22:54 - Again. Ainsley is intrigued at the fact that Malcolm has a thumb in his freezer. Much like Martin would be if he knew. Jessica on the other hand shares Malcolm’s fear and disgust about the situation.
23:00- “We”?!!?!? AINSLEY YOU HAVEN’T DONE ANYTHING. MALCOLM HAS BEEN COVERING FOR YOUR ASS. YOU JUST HAVEN’T TURNED YOURSELF IN AFTER YOU REMEMBERED. THAT’S YOUR ONLY CONTRIBUTION TO THE “KEEPING ENDICOTT’S MURDER A SECRET” SITUATION. 
23:07 - “Do you even see what you are doing to him.” This line both terrified and delighted me. On one hand - I’m grateful that Jessica can see how much emotional pain Malcolm is in because of this situation. One the other hand - Ainsley looks pissed that Jessica is blaming her for Malcolm’s general brokenness. If Ainsley goes full serial killer - Malcolm is going to be on her list. “The brother that overshadowed her.” “The favourite child” “The reason she had to be a perfect daughter” “The reason she was ignored”
23:32 - “Got it.” Damn. Ainsley is bitter. She wants to control this situation. She doesn’t like taking orders from Malcolm. 
25:00 - MR.DAVID IS RIGHT THERE. IF HE DOESN’T BLOW THE WHISTLE ON THIS I’M GOING TO BE SO DISAPPOINTED. 
25:12 -”The Brain Fart” hahahahaha OMG. 
25:53 - “You’re being rude Hoxley.” ......Martin being the nice guy? I’m genuinely disgusted.
26:26 - “Your son Malcolm.” THIS. THIS is why Ainsley is so pissed off. Everyone has always thought Malcolm would turn out like Martin. Ever since they were kids. She’s pissed off that no one considers her to be a threat. They’re all concerned for and scared of Malcolm. Not her. She’s invisible. Why do you think she became a TV reporter? To force people to see her. 
26:50 - I’ve never wanted to Martin to kill anyone more than I have in this moment. I do find Martin’s protective love for Malcolm interesting though. 
27:37 - How long was that phone in water before Malcolm grabbed it?!? Anyone ever drop a phone in water? I don’t care how much rice you have. It’s toast 90% of the time. 
27:44 - Malcolm explaining murder to Sunshine is so cute. 
28:22 - And my heart rate has skyrocketed. 
29:10 - “To protect your sister.” Huh. I find it interesting that Hoxley has considered that Malcolm may have killed Endicott to protect Ainsley. It suggests that he thinks Endicott was a threat to Ainsley alive. Makes me wonder about what happened to Ainsley before Malcolm got back to the house in 1x20.
29:16 - “You all had something to gain.” Did they though? Martin had something to gain - keeping his cushy Claremont cell. Ainsley had something to gain - “A news story.” Jessica had something to gain - “safety”. But Malcolm? He didn’t personally have anything to gain. He wanted his Mom and sister safe but he never thought about himself. 
30:11 - “Perhaps the murder weapon is still among your mother’s silver.” I find it interesting Hoxley has pieced that together. I also find it highly unbelievable but that’s just me. 
30:15 - Hoxely, rich people don’t carve their own Christmas roasts. The Whitly’s have staff for that. 
30:24 - “You’re still just a scared little boy. Hungry for daddy’s love.” Ouch. It’s true but it still hurts. This is not helping Malcolm’s mental state. At all. Istg if we don’t get a Malcolm mental health crisis soon I’m going to have my own mental health crisis. Seriously. I want to see this boy lose it. I’m a monster. I know. I want ugly crying. I want panic attacks. I want him to go catatonic. I want someone to comfort him. 
32:35 - Nat’s a good liar. Very convincing. Too bad Malcolm’s a good profiler. 
33:53 - Check out Spider Monkey Malcolm. <3 
34:14 - Earlier this episode when Malcolm said he can think ruthless but not be ruthless? This is the proof. He could’ve sat back and let Natalie kill Hoxley. In some ways - it would be good for Malcolm. But Malcolm’s not ruthless. He values human life. He’s an A+ dude. For better or for worse he tries to help people.
34:26 - Really Hoxley? Do you plan on stabbing Malcolm?!? (FYI - this scene is very reminiscent of Lockhart pulling his wand on Harry and Ron in the Chamber of Secrets #justsaying).
34:45 - “I’m going to be killed by a millennial. What a twist.” hahahhahahahahhaa
35:22 - “I’m British.” hahaha I love this scene so much.
37:14 - FINALLY THE PAPA!GIL CONTENT WE”VE BEEN WAITING FOR. (it’s weak but I’ll take it)
37:39 - AHHHH the fact that Gil and Malcolm are both non-verbally communicating that Natalie didn’t kill Endicott is killing me. Does Malcolm think that Gil hates him? Does Gil really think Malcolm killed Endicott? Or just that Malcolm covered it up? I NEED TO KNOW.
37:46 - Concerned!Gil and a hand on Malcolm’s shoulder. <3 <3 <3 My icy heart has melted. 
37:54 - annnnnd Hoxley ruins the moment.
39:39 - I’m not content with this ending. It’s all too convenient. Hoxley still thinks Ainsley and Malcolm did it. Mark my words. This isn’t over.
39:53 - Ainsley is so smug here. I want to slap her. She’s elated that she’s getting away with murder. She doesn’t care about how it’s hurting her family. 
40:00 - Did they really do the interview inside Jessica’s house?!?! Gross. 
40:17- I might be the only one but I love that polo on Malcolm. Something about it is adorable. 
40:22 - ......is Ainsley really trying to take credit for “putting this Endicott mess behind us”?!?! Because - she didn’t. OMG. She absolutely didn’t. Even if she did - she’s the reason they’re in the mess to being with!!!!!!! I can’t. I just....can’t. 
40:45 - The episode ends right here for me. I know Capshaw and Martin kiss. It makes me want to hurl and I refuse to watch it again. I also know that Capshaw takes the scissors away from Martin. I think their whole dynamic is upsetting and creepy. I’m like 95% sure that Capshaw is a serial killer on the DL. Or at least some sort of psychopath. Martin and Capshaw are both manipulating each other and it’s too stressful to watch. 
I didn’t love this episode. It was a bit all over the place. If you stuck around this long - thank you. I’ll see you guys next week. <3
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witchybluedeity · 3 years ago
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Not Like This Part One
I blame @godsliltippy, @tsarinatorment, @gumnut-logic and @flyboytracy this entire idea.
John appearing mid-Pendergast marathon made Gordon jump way more than it should have, and the smirk on Scott's face proved the pilot had seen it. "John! It was getting to the good part!"
"We have a situation."
That got his attention. Within seconds Gordon and Scott both switched from casual brothers to International Rescue operatives, a skill they learned in WASP and the Air Force. "What's up John?"
"There's a whale beached on a sandbank off of Tasmania's West Coast, the caller said its name is… Gatsby?"
"You're kidding!”
John shook his head, bringing up the image of the beached whale. "Nope."
Gordon grinned and stood up. “I'm on my way!”
“Gordon, we don't rescue animals-”
“Scott, you don't get it! This is Gatsby! He's a research whale! He helps scientists and marine biologists monitor how much marine life take care of the ocean! They've already learned how whales are essentially the hearts of the ocean. They're a key participant in making sure the ocean's biological carbon pump is working efficiently by absorbing the dissolved atmospheric carbon from the surface and sequestering it to the sea floor. Since they're one of the largest marine animals, they can absorb up to 33 tons of carbon when they reach old age! They're helping the planet!" The aquanaut concluded his speech with a challenging glare towards Scott, who sent back a glare of his own.
"We're not an animal rescue association, Gordon. We rescue humans."
"Humans are animals too, Scott! International Rescue will rescue Gatsby, whether I have to go alone or not!" Gordon raced towards the small aquarium where the flooring concealed his chute, determined to postpone the argument until he wasn't in a hurry.
Scott had other ideas. "You can't be serious!"
"La la la, I can't hear you!" He nearly slammed his hand onto the hidden scanner in the class, impatiently waiting for the walls to surround him and take him to his awaiting 'Bird. "I'm going. And I dare you to try to stop me."
The venom in his brother's voice caused Scott to flinch despite everything, and he let out a heavy sigh, facepalming. Stubborn brothers.
The now-agitated aquanaut folded his arms tightly over his chest before turning to change into his uniform, releasing a heavy sigh. “Goddammit Scott.” Letting his training drop, his excited marine-loving side took over and a smile blossomed on his face. “I’m saving the Gatsby! Nothing could go wrong!” 
The mechanical arms helped him finish suiting up, and soon Gordon was taking a deep breath and diving into Four’s tank with eagerness he usually reserved for ocean swims. Thunderbird Four’s airlock opened for her pilot the moment he hit the water, and as always he patted her outer hull in thanks before pulling himself in. 
“Get ready girl.” He grinned as he positioned himself in the seat, flipping into the control room. “We’re saving one of the most famous whales.” Starting up her systems was mandatory, but it sent a ripple of calmness through him, as though she was reassuring him. As though she could sense his nervousness prior to every mission. 
One of the many reasons he loved her. 
“Thanks girl.” With a smile, Gordon patted her dash, watching the tank door slide open to reveal the ocean surrounding Tracy Island. “Thunderbird 4 is go.” 
“F.A.B Thunderbird 4. Professor Shikund is going to meet you there.”
“Professor Shikund?! No way!” Gordon couldn’t help bouncing in his seat a little, drawing a smile from his older brother. “You can tell him I’ll be right there!”
“Your ETA is half an hour.” 
Gordon fell still as he considered the time frames, biting his lip in worry. “How long has Gatsby been out of water John?” The other end was quiet for a moment.
“The Professor wants to talk to you personally. Should I-?”
“Patch him in John! Patch him in!” So what if he was fanboying? He’d read everything about the Professor, and had dreamt of meeting him.
Not even thirty seconds later, a new voice filled the cabin. “International rescue?”
Gordon nearly squealed, grin splitting his face in two. “Professor Shikund!!”
The Professor chuckled softly, shaking his head fondly. “I’m guessing you the marine expert of the team?”
“I wouldn’t say expert-” The aquanaut flushed lightly, rubbing the back of his neck. “I just have a great interest in what happens below sea level.”
“That’s an understatement” John piped up, his hologram still active next to the Professor’s.
Shikund’s lips quirked into a small grin. “As much as I’d like to have a conversation with you, I currently have a beached whale waiting for rescue.”
Gordon’s eyes widened slightly in remembrance. In his excitement to talk to the Professor, he’d forgotten about the reason he was headed to the sandbank. How had he forgotten about that? “Right, right! Gatsby. How long has he been out of the water for? I’m twenty minutes out.”
“Gatsby’s been out here for approximately two hours and thirty-four minutes. He can only be out for another fifty-three before he perishes.”
“Right, okay.” Gordon reached up above the viewing glass and flicked a few switches, narrowing his eyes slightly. “If I push it I can be there in thirteen minutes. Four won’t like it, but a life is a life, and we save them.” With a flick of his wrist, the aquanaut swiped John away when the red-head opened his mouth to comment.
He’d known his brother long enough to recognize John was going to verbalize something similar to Scott. He didn’t need unnecessary comments.
“That’ll give us forty minutes to get him back into the ocean.” The professor didn’t like it, and neither did Gordon. It was barely any time, and he only had Thunderbird Four’s gear. They would have to improvise.
“Then we’ll save him in thirty.” Determination filled his voice as the aquanaut pushed his ‘Bird’s engines, plans already being formulated. One thing he knew he could try was using the robotic arms to either dig away the sand or gently pull the whale back into the water.
A frown appeared at the thought. Both options could be dangerous towards Gatsby’s health, which was something Gordon wanted to avoid at all costs, but they didn’t have many options. Thunderbird Four wasn’t geared up like her sisters. “What equipment do you have with you now?”
“I don’t have much that’ll be useful I’m afraid, I only came out here to check up on Gatsby.”
A heavy sigh left Gordon at the confession, one hand leaving the controls to run through blond hair. “This won’t be easy.” But then again, nothing they ever did was. Even the easiest missions sometimes took a turn for the worst.
Scott at home while his brothers were all out on missions proved that.
“But can we do it?”
Gordon felt his heart stop. What if they couldn’t do it? What if he couldn’t do it? He’d come out unprepared, carrying only the minimal gear. Something an IR operative never did. Something an ex-WASP Lieutenant never did.
But he knew someone he could depend on. Leaving the professor’s question unanswered for the moment, the aquanaut touched the IR symbol on his baldric. “Thunderbird Four to Thunderbird Two, are you there?”
It was quiet for a moment before his brother responded. “This better be important Gordon, I’m en-route to a hospital with injured victims in cargo.”
Wincing slightly, phantom pain momentarily spiked through his back. He’d known Virgil had been sent to a damaged ship in the South Atlantic, but he’d opted to stay behind. It was a busy day, and Gordon knew his brother could handle it, especially since the GDF had also been dispatched to help out. “Anything bad?”
“Nothing that’ll keep them hospitalized for long. What do you need?” 
He chuckled, shaking his head with a stage-whispered “Lucky bastards” that would earn him a scolding if Grandma heard. “Those pods still functional? Might need one.” 
“Dear brother mine, I’m not heavy-handed. I’ll be ten minutes dropping these guys off, then I’ll join you. What’s your position?”
“One time! One time! And I’m headed to the West Coast of Tasmania, twenty minute fly from your location.” He wasn’t mentioning how he’d worked with Scott to keep on eye on their brothers. “Forty minute time slot already, gonna need a land pod but keep it watertight, it might get a bit wet.” Narrowing his eyes, Gordon could see the seafloor beneath him slowly rising, a sign he was nearing land. 
“What’s the situation?” 
“Beached science whale, he’s an important one Virg.” The hesitance in Virgil’s response sent a wave of irritation through his veins. A life was a life! 
“Scott’ll have your hide.”
“He can go choke on Grandma’s food for all I care.” And right now, he really didn’t. Scott was wrong, they did save animal lives. They’d never specified what lives they saved in all the years International Rescue had been operating, so why suddenly start now? ‘Because Scott is already riled up from being grounded’ was the answer in the back of his mind, but Gordon ignored it. 
“Ouch Gords.”  Virgil’s sigh was audible over the comms, reaching up to flick switches above the visual, a sure sign he was changing altitude. “Don’t chew him out, he’s just aggravated.” 
“Oh, and I’m not? You try dealing with his grumpy ass while everyone else is out for a good six hours and see how aggravated you are.”  The fact the two brothers had grown up dealing with each other while he, John and Alan had strayed to their own paths passed over him.
“Brother issues?” The professor queried, amusement clear in her expression when Gordon startled for the second time that day, not that he’d admit it to anyone still. “I know how you feel.” 
Gordon frowned, head cocking to one side. “You do?” 
“Veterinarian Harley Shikund-” 
“He’s your brother?! Do you realize how many injured animals I’ve taken to him?!” He could hear Virgil snickering beside Shikund, but Gordon paid no attention. 
“Oh I’m aware, he’s always mentioning an International Rescue operative bringing in injured animals for him to check over. Says it keeps him wondering what you’re going to bring him next.” 
Virgil’s hologram blinked out, and Gordon bounced in his seat. 
“When I saw Gatsby in trouble, that’s why I called. I knew this animal loving operative could help.” Shikund smiled, patting something behind her, most likely the beached Gatsby. The soft clicks that sounded through the comm unit confirmed it was the distressed whale. 
Gordon nearly melted at the communication, and his determination to help Gatsby grew just that bit more. “Tell Gatsby I’ll be there in three minutes. Then we can get started helping back into the ocean.” 
“You got it. Don’t get too close though, or you’ll be needing a tow. The sandbank rises fast.” 
“F.A.B Professor, see you soon.” Cutting the connection, Gordon allowed himself a deep, happy sigh. First the Pendergasts, now Harley and Professor Shikund. He was meeting all his idols in this line of work. Sitting up with a big smile, he decreased his speed in preparation. It’d take Thunderbird Four one minute longer to get there, but he didn’t exactly want to get her beached alongside Gatsby. 
That’d be fun to explain to Virgil.
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thefanficmonster · 4 years ago
Text
Death’s Tales
The Curator (The Dark Pictures Anthology) x Reader (Female)
Warnings: None (Maybe slight spoilers and slight mentions of death)
Genre: Dark Theme, slight Angst
Summary: This isn’t Y/N’s first visit to the Curator’s repository. She’s visited two times so far and deep down she knows she’ll keep coming back. Stories have a way of trapping you in the place where they live. But then again, it’s nice to have some good company for when you are introduced to those stories. Someone to laugh with during all the humorous parts. And also someone to offer you tissues when you are going through the thick of the lives written on the pages of the many books.
Requested by Anon! Hi there! Thank you so much for your request! Sorry it took so long to write, though I hope the fic makes up for the wait. I hope I captured what you had in mind. Please, enjoy. Love, Vy ❤❤❤
“Hello? You here?!“ Y/N calls out as she walks into familiar room. She immediately gets the feeling that she’s in the presence of a more intense power than she could explain - the power of all the timeless stories currently surrounding her. This is by no means her first tango with the deathless death turned into words written on thin, delicate pages for people to enjoy. She has always had an odd connection to each and every story she reads, so this place was the ultimate trap when she first wandered in, expectations low and head held high. She underestimated the repository, however, it didn’t take long for it to turn the tables on her with all it has to offer. In less than an hour, she had her nose buried in a book, her expectations exceeded by miles and her mind transported to a different place and time.
“Where else would I be?” The distinct voice she’s gotten so used to hearing replies from somewhere near by, “You know I rarely leave this place.”
 “If I didn’t know any better, I’d say that’s a sad way to be spending your time. But man, if I could stay here all my life I would.“ She struts into the room where the reply came from.
He is indeed there, standing by one of the many shelves, a candleholder with lit handles in one hand, browsing the shelf’s contents with the other. He chuckles at her statement, brushing it off completely, “I was waiting for you. Have a seat, I’ll pick a story for you.”
She gets comfortable, unwrapping her scarf and shrugging off her jacket. Sitting down in one of the leather chairs opposite his desk, she crosses her legs and waits expectantly.
“Ah, there we go. ‘House Of Ashes’, how does that sound to you?” He pulls out a book, holding it under the candlelight for Y/N to see the cover with the title engraved in the, what seems to be, leather surface.
She frowns, scrunching her nose, “You know what, no. I’m tired of these sad and scary stories laced with death. I can’t live knowing I gave those characters a bad fate. I know it’s redo-able, but I can’t help but feel shitty afterwards.” She shifts in her seat, “First all those people left stranded on that boat! Then I was tricked into sympathizing and emotionally investing into characters that were nothing more than the product of a broken mind!” She gives him a glare that’s looking through him more than at him, “I think I deserve a different story this time. Something lighter.”
The older man chuckles. “I was gonna have you choose between this one and this other oldie I have,” he points at the desk where another book is already sitting, “it’s a longer story, I might have mentioned it before.” Y/N reads the title ‘The Impatient’ engraved in the olive green cover of the large book, “But that’s not in any way lighter either. I would even say it’s among the more depressive ones.“ He pauses for a second, returning ‘House Of Ashes’ in its spot, “Perhaps I could find a story of a less melancholic premise.”
“Wait.“ She lifts her hand, putting his actions to a halt, “Why don’t we change it up for once? How about you tell me a story instead of reading me one?“
He’s very clearly taken aback by this. “I’m afraid an old man like myself doesn’t have a lot to share. Especially not when I’ve spent a rather big chunk of my life in this very place, doing this very thing.”
Y/N shakes her head, “Quite the contrary, mister Curator. I believe you have way more stories than all the people my age combined.” She smirks, “Don’t worry, I won’t tattle if you have some dirt on your name. What is it? Robbery? Fraud? Murder?”
“Don’t be ridiculous, Y/N. I am not that interesting.“ He chuckles, settling in his chair. “But I believe I could tell you the story of the only time I helped someone directly rather than through the riddles you hate so much.“
She’s clearly pleased with the outcome of her protest. She gives him a smile, “I’m all ears.“
He can’t help but shake his head at her child-like enthusiasm for something so simple. He’s determined to make it worth her while, so he digs through the contents of his brain, looking for the most interesting memories he has stored there - the ones that would entertain her. Eventually, he comes up with one.
“Have I ever mentioned my dear friend Alan to you, by any chance?“
Y/N thinks for a moment before nodding, “Yeah, but as usual, you were very vague.”
He chuckles, “I know you hate not being given details, so I’m gonna make sure not to leave anything out.” He absentmindedly picks up the pen on his desk, twirling it between his fingers, “Well, a brief introduction to our character Alan: he’s a psychiatrist. A year or two younger than me. He’s from Calgary. I met him in my mid-thirties, when I was still what some would consider young.” He smiles at the pleasant memory.
Y/N fakes shock, placing a hand over her chest, “You mean to tell me there was time when you, the Curator, were young? You can’t be serious. I refuse to believe that.”
“I was. And I was quite handsome, mind you.“ He takes out his wallet, opening it and handing it to Y/N. On the right, covered by a thin layer of clear plastic is a black and white photo of two men in their early to mid forties.
“You’re the one on the left, right?” She asks, staring at the photo wide eyes, looking up at him for confirmation. He nods in response. “Wow, I honestly wouldn’t have recognized you.” 
“Understandably so. Time has really taken a toll on me.“ He actually looks saddened when he says that. She can tell that was less a joke and more the truth.
“I wouldn’t say so.“ She tells him sincerely, a small genuine smile on her lips.
He returns her smile, his eyes becoming a bit livelier. “Him and I are still friends till this day. He’s a walking book of stories, I’m sure you’d like him if you ever get the chance to meet him. You see, he has spoken to me about all his patients, never once naming one of them. Until this on young man had come into his office. He was struggling with issues medicine in and of itself couldn’t completely fix. His name was Joshua. The boy was having a really tough time dealing with the loss of his sisters.” He sighs at the memory, “Alan told me he tried everything. He tried all things his years of practice and work have taught him but the boy was slowly sinking further and further down into the void of his mind.“
His voice is way different from his usual narrator tone. You can hear the weight of the events he’s reciting in every syllable that leaves his lips. She is now an accomplice, exactly like if she were there when it all happened.
“It was troubling my friend to the brink of madness, I couldn’t just stand aside and watch that. Also that kind young man, Joshua, deserved a lot better than what life was giving him. Every branch that poor boy held onto snapped. Everything he ever tried to make of himself crumbled. I admired him for the fact that he kept trying and seeking a way to succeed. What he failed to see was the obvious need for help he had. He was longing for a helping hand but no one noticed, or they simply didn’t care. Except this one girl. Her name was Samantha. She saw right through his act. But he never allowed her helping hand to reach him. He never wanted to be a weight on her shoulders. Never wanted to be nor the bump in her road nor the baggage she carried while walking it. So, I stepped in. I taught him the importance of having someone by your side, and taught her the importance of never giving up on someone who means a lot to you. Luckily for themselves and for Alan and I, they listened.“
“Forget about Alan, I want to meet Joshua and Samantha. I want to meet them and give them a big hug.“ Y/N says, her mind wandering to the images she has compiled. A broken boy and a girl with the strength to carry both her and his world in her arms. She can quite see their face, but she can picture their auras, their energies. They feel so real to her, and all just from the Curator’s words alone.
Soon enough, her eyelids start giving out, her eyes fluttering closed. She’s fighting to the best of her ability to stay awake, see this story to its end, but the Curator’s storytelling and the dark, candlelit room aren’t helping her with the battle. Her mind is drifting further and further into the land where the story she’s being told will keep expanding with elements added by her imagination. She’s certain she’ll dream of this tale.
“Oh you’re already clocking out, huh?“ The Curator chuckles, pausing his story mid-sentence.
“Can’t help it.“ Y/N mumbles, already more than half asleep, “Just tell me how it ends, you’ll fill in the gaps when I wake up.“
“Well, it hasn’t ended yet. I can tell you where it’s at at the moment.“ She hums approvingly, “It’s been five years since I stepped in and now they are happily married. They have a little one on the way. A little girl, I believe.“
A lazy smile forms on her face. “That’s nice.” the words leave her lips in the form of a sleepy sigh moments before she has been dragged into the deepest crevasses of her mind and imagination.
The Curator calmly and quietly gets up, taking his jacket from the coatrack. He drapes it over the girl asleep in the armchair on the other side of his desk. Little does this college student know, he has seen both her past and future. He has met her in several different periods of her life. She’s been like her own personal guardian angel. In her past-lives too.
Guardian angel of death.
He was lucky to have met Alan before that curse was bestowed upon him - making the psychiatrist the only man he could interact with without bringing him a sooner than anticipated and inevitable demise. He wasn’t completely honest with Y/N about the time frame of meeting the other man, but that was not an important piece of information. She could do without it. He used the only hall-pass he had to do his old friend a favor - settle the storms that raged between Joshua and Samantha. And now, he’s locked away from the world, waiting for souls to come to him instead of the other way around.
Nowadays, he just stays hidden from people and only meets with those who wander into his repository. It’s always the same pattern: they come in, not really sure how they ended up there; He coaches them through a story they think they have some sort of impact on; and then they leave and never come back.
Color the man surprised when he saw her walk in the first time. It took him no time to connect the dots, he’d recognize her anywhere. She wasn’t clueless like the others, she actually seemed like she was looking for the place. He spent the next week or so feeling like he had failed the only purpose he had - to keep her safe. That was until she showed up again, even cheerier than the first time. That’s when he knew he shouldn’t fear for her, for she was a phenomenon beyond his understanding. A soul never in death’s reach.
“I hope you never get to see the same fate as everyone else who meets me.“ He whispers, looking down at her sleeping form.
He knows she’s special. After all, he never has never met anyone more than once.
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gumnut-logic · 4 years ago
Note
What do you think the greatest brotrayal of all time would be?
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What?
Somewhat of a challenge, not sure I pulled it off, but I hope you enjoy it anyway :D
Thanks to @janetm74 @scribbles97 @vegetacide and @tsarinatorment for various read throughs and cheerleading :D
Sorry, Scott :D
-o-o-o-
Scott glared at his brothers.
Virgil, John and Gordon stood in a line on the comms room hardwood floor all looking straight ahead as if they were in a military inspection. Which was particularly odd since only one of them had ever been in said military.
Hell, even his grandmother was ramrod straight beside them.
Scott was absolutely beside himself. Still dressed in his uniform, complete with its coating of mud, he had no doubt that his appearance was anything but reassuring to the brothers standing in front of him.
Not that he cared. This was beyond it all.
This was so ludicrous that it was hard to even suspect Gordon as the culprit.
Though he was still the most likely despite his arm being in a sling.
Scott eyed his fish brother. He had a scratch above one eyebrow that hadn’t been there when Scott left this morning.
But then a lot was different on Tracy Island since he left this morning.
The most obvious difference was the Thunderbird stuck at an angle where the pool was supposed to be.
His ‘bird was shining in the late afternoon light, her silver hull gleaming as she sat at a sixty-degree angle just beyond the balcony, her wings gouged into the concrete of the patio.
Virgil shifted where he stood on his crutches and Scott felt the briefest flash of guilt at making him stand there. His engineer brother had been grounded for the last week with a broken ankle, along with Gordon and his broken arm. Which is why Scott had been in Two today with the currently guilt free Alan.
His youngest brother stood off to one side, apparently caught between shock and relief that he wasn’t to blame.
“I’m waiting for an explanation.” For several things.
The room still reeked of burnt furnishings. Whatever had happened in the kitchen had left it black and under a haze of smoke that had infiltrated the villa.
As if to comment, John sneezed suddenly. His space brother sniffed and screwed up his face before he realised Scott was eyeing him. He, too, was standing on crutches, something he wasn’t doing this morning.
And still no-one said anything.
Not even Grandma, and honestly that was a kicker.
“Gordon-“
“What are you looking at me for?”
Scott shot him a flat stare. “History.”
“Hey, the last time I borrowed One, I brought her back in one piece.”
“Complete with Eau de Polecat!”
“That does not automatically put me at fault. Besides this was an emergency.”
Scott blinked. A little progress. “And?”
But Gordon clammed up and went back to staring at the portraits on the far side of the room, every bit the WASP Lieutenant Tracy he actually was.
Scott turned to John, his ever-faithful source of relevant information.
“J-“
“I’m sitting down.” John turned and crutched his way past Scott and into the sunken lounge without another word.
Scott stared after him.
“Honey, are you feeling okay?” His grandmother followed his space brother and began fussing over him and his leg, both completely ignoring Scott.
What the-? “How. Did. This. Happen?!” Okay, so he might be yelling just a little, but the cause was sufficient. He turned to his trusted first. His best friend. His brother. His Virgil.
Said brother was looking rather pale. “Virgil?”
Sad, dark eyes looked up at him. “I wanted to make you popcorn.”
-o-o-o-
Virgil was frustrated. Virgil was always frustrated when he was grounded and today sported no reason to change that attitude.
Worse, he had had to watch Scott take his ‘bird out to a mudslide. His big brother was not a fan of flying Two, but since Virgil had a busted ankle and Gordon an equally busted arm, that was the deal today.
To top it all off, mudslides sucked big time and Scott and Alan would likely come home exhausted, especially since two of their brothers were currently unavailable to assist.
So, to help just that little bit he had spent the last couple of hours hobbling around the kitchen slapping together something that could be considered a relaxing meal for that evening, vetoing any chance of Grandma getting into the kitchen and destroying stomach linings.
It helped that Grandma was in Wellington with Kayo.
To top it off, Virgil had put together an apple pie, Scott’s favourite. He had also made sure there was a bucket of triple chocolate ice cream in the freezer for Alan – one that he had stashed away for emergencies just like this.
The last thing on his list was to make some candy popcorn for the squirt and put some kernels aside ready for popping later so they would be nice and warm for the movie.
He was in the process of heating the oil when Gordon burst into the room as if out of nowhere.
Virgil to dropped a spoon.
Damn sandshoes were silent.
“Hubert’s dying!”
“What?” His back creaked as he picked up the piece of cutlery.
“Hubert, the albatross that collided with the window and broke his wing.”
“What albatross?” The oil began to smoke a little so he turned the heat off. His Gordon radar was at full alert – this would likely take a while.
“Yesterday? Upstairs? How did you not hear that?” A blink. “Okay, it was five am. You don’t exist before ten, I’m sorry.” The sarcasm was dripping and a little caustic. “Regardless, Hubert has gone limp and I think he’s dying, Virg. Help me please.” The accompanying clasped hands reminiscent of either prayers or vigorous begging, complete with a sling that wasn’t doing what it was supposed to, were a little over the top.
“Okay. Fine. Show me the patient.” He reached over and nudged the broken arm back into its sling while Gordon glared him.
“Hurry up.”
Virgil grabbed his crutches and followed Gordon to the stairs before darting sideways and thumbing the elevator doors open.
“Okay, fine, hop-a-long.” Gordon jumped down the last few steps and hurried into the elevator with Virgil.
He bounced on his heels the entire way to the infirmary level.
Virgil watched his agitation and realised that whatever was wrong with this bird, Gordon had invested himself in it, much like every other injured animal he had dragged home since he had learnt to walk.
Gordon ushered Virgil into the infirmary and to his horror,  he found the limp sea bird strapped secure in one of the beds. “Gordon, have you heard of hygiene?”
“It’s fine. The sheets are clean. He’s safe.”
Virgil rolled his eyes.
But Gordon’s whine drew him into examining the bird, which, considering it was avian, did not comply with the human knowledge Virgil possessed.
“I don’t really know, Gords.” Virgil stabbed at the infirmary’s computer interface, interrogating the net for baseline vitals for an albatross. Hell, he didn’t even know which species.
“It’s a Gibson’s Albatross.” Gordon was stroking the unconscious bird gently with his fingers.
This was not the first time, nor was it likely to be the last time Virgil found himself in this situation, though the species did vary. As always, his answer was. “I’m sorry, Gordon. You need a qualified vet.”
“But I set his wing. He should be getting better.” Gordon’s age regressed around animals and tended to break Virgil’s heart in the process.
“I’m sorry, Gordon.”
“For goodness sake, we’re International Rescue!” The plea in his brother’s eyes stabbed right where it hurt.
But then those eyes widened and a light bulb went off above Gordon’s head.
Or it could have been a pre-emptive precursor for the migraine Virgil suddenly knew he was going to end up with.
“No, Gordon.”
“But he’s dying!” Gordon grabbed Virgil by the arm. “It’s our job to save lives.”
“How exactly are we going to get him to the mainland? Neither of us can fly.” Virgil wasn’t going to admit it, but the bird didn’t look like it was going to last long enough for another family member to make it home. “I’m sorry, Gordon.” He was already calculating how to cheer up his little brother.
“No!”
He sighed. It wasn’t as if he wanted the bird to die. Hell, if he was hail and healthy, he would have already put it on Tracy Two and be halfway to Auckland by now. But there was no way he was risking himself or his brother in a plane with a broken limb. Maybe Kayo might get back in time?
But then the inevitable happened. He should have seen it coming.
“We can take Thunderbird One!”
Virgil blinked. “What? No!” God, no, Scott would kill him.
“This is a life, Virgil! What makes a bird’s any less important than a human’s? It’s his life, our house has endangered it, and now we aren’t doing anything to help save it? How is that fair?” Gordon’s fists were now clenched at his sides, the sling yet again ignored. Fiery carnelian glared at Virgil. “I can’t do it with my arm, but Thunderbird One doesn’t require feet to operate.” A flicker of his eyelids. “This is on you.”
Virgil stared at his little brother.
A glance at the limp bird on the bed.
Back to Gordon, ever so fiery and passionate.
Virgil reached down, unfolded Gordon’s fist and pulled the sling back into place.
Ten minutes later he found himself doing what he did every time this kind of situation happened.
Thunderbird One launched with Virgil at the helm and Gordon clutching a desperately ill albatross in the back seat.
-o-o-o-
Scott stared at his second eldest brother, the man with whom he trusted so much. Virgil had literally held Scott’s life in his hands on several occasions.
“You borrowed One to take an injured bird to the vet.”
Virgil shifted where he stood. “It was to save a life.”
Scott turned to the lounge and glared at John. “And you let him fly with a broken ankle?”
John returned the glare with equal strength. “Are you kidding me? This is Virgil we’re talking about. I thought One was safer in his hands than yours.”
“What?!”
“It’s not like he’s going to do anything stupid with your ‘bird, is he?”
There were no words, so Scott just gestured in the direction of the pool.
With both hands.
“Yeah, well, probabilities can’t predict everything.”
The flippant, non-answer went straight to Scott’s head and rattled around in there for a moment or two before he chose to file it for later or risk implosion. John was rubbing at his foot and Scott latched onto it to save his sanity. “How did you hurt yourself?”
“In case you haven’t noticed, the kitchen caught fire. Kayo had already been called out again and I was worried about Grandma.”
“And?”
“I tripped.”
“Over what?”
“My own feet! It’s not every day you see Thunderbird One get stuck in the pool!” John glared at Scott. “Cahelium on concrete is very loud.”
Scott stared at him, not willing to face the image those words inflicted on him.
“Why was the kitchen on fire?”
But then something Virgil had said popped into his mind. He couldn’t help it, he rubbed his face with his hand. “Grandma, why didn’t you wait for Virgil to get home?”
“He left the popcorn on the counter, dear, I was trying to help.” Grandma wasn’t looking at him. John’s leg appeared to need a good rub right at this very moment.
John was wincing.
But with that explained, Scott had no choice but to turn back to Virgil, who was still standing clinging to his crutches.
Why hadn’t he sat down? He was ever so very sorry looking and Scott’s heart melted at the edges.
“Virgil, what happened?”
Brown eyes slowly peered up at him.
God, did he really have to deploy that little brother expression. Thunderbird One was down for the count, stuck in the damned pool and the brother responsible wasn’t even letting him stay angry. Goddamnit! How does a thirty-year-old man regress to six-year-old like that? Those eyes were the same eyes Virgil deployed that time he crashed Scott’s bicycle.
As if in answer, something whacked Scott’s thigh.
Ow! “What the hell?”
Looking down he found an extremely large seagull with a bandaged wing glaring up at him. Their eyes met and it squawked.
Very loudly.
“Hubert! What are you doing down here?” And suddenly, there was a race on around the comms room, Gordon chasing the waddling bird as it methodically thumped everyone with its wings, took out a pot plant and to Scott’s horror, one of Dad’s souvenirs. Both toppled with a crash as Gordon continued to chase Hubert around the room.
Alan joined him a moment later.
Part of Scott wanted to yell the building down, but most of him just wanted to know how the hell his ‘bird had ended up stuck halfway into her launch bay.
So, he turned back to Virgil and asked again, perhaps a little louder over the ruckus as the stupid bird scrambled over John in its eagerness to torture everyone.
He approached his brother carefully and placed a hand on each arm. “Virg, What happened?”
“It was an accident. I’m sorry, Scott.”
“That much is obvious. What malfunctioned?”
Brown eyes were suddenly not looking at him.
“Virgil?”
His brother straightened a little. “You have too many damned levers.”
“What?”
He seemed to be saying that a lot today.
“I pushed the wrong lever, okay? It’s on the left on Two and One has it on the right and I yanked on it to slow and the wings deployed. Wrong lever, sorry, okay?”
Scott stared at Virgil, his jaw slowly dropping as his hands lost their grip on his brother and just hovered mid-air beside him. “You used the wrong lever?”
“Yeah, sorry, my bad.” Virgil was looking at his feet. “Can I sit down now?”
Scott’s mouth was still open and he had to force himself to close it. “Sure.” So his voice was a little bit higher than normal…
Virgil didn’t hesitate, clutching his crutches and hurriedly tapping his way over to the lounge.
Behind Scott there was a sudden crash and the sound of breaking glass as both Alan and a bird squawked at the same time.
Scott didn’t turn to look. He just stood staring at his ‘bird, still gleaming in the late afternoon sun, still sticking out of the pool.
His jaw may have dropped just a little again.
But nothing more was said.
-o-o-o-
FIN.
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