#the 1980s every genre there is

[themidnightcircusshow]

@heartofstanding tagged me in this meme months ago and unfortunately it took me this long to get to it because I had a mild crisis over how long it's been since I've read a novel, let alone one that I loved 😅 so this is nine of my favourite novels (not books, because if I included manga/short stories/comics/etc this would be giant)

0The Picture of Dorian Gray -- Oscar Wilde// Pyrrhus-- Mark Merlis//The Scarecrow--Ronald Hugh Morrieson//Unnatural History--Kate Osman//Tunnels of Blood--Darren Shan//The Coffin Dancer--Jeffery Deaver//Hero--Perry Moore//Frankenstein--Mary Shelley//One Flew Over the Cuckoo's Nest-- Ken Kasey

[artbyblastweave]

The Quintessential superhero setting doesn't change much. Regardless of how long it runs, how many fantastic elements are introduced, the shape of the world never bends too far from what's recognizable. Worm and The Venture Brothers are total opposites in how they approach this genre convention.

In Worm this idea of the classic comic book status quo is quickly revealed to be a lie, and a tenuous one; the capes are killing the world by inches, and any sense of normalcy or stability, any gesture in the direction that the superhuman community effectively self-polices or can be held accountable, is cooked up as a PR bandaid over the fact that total collapse is pretty clearly fast approaching from some direction, sometime soon. Small towns keep getting wiped out because someone had a bad day. The economy is collapsing. Superpowered Warlords are springing up in the cracks. This has been happening for thirty years- twice as long as either Marvel or DC's internal timeline's run- and, at story-start, it can't last much longer. Venture Brothers takes the opposite tack. The world changes without changing. Jonas Venture certainly isn't around anymore; the paradigm of the show's present isn't the same as when the setting hewed closer to the GI Joe Idiom in the 1980s or the gentleman adventurer idiom in the 1800s. Capes come and go, the membership of the Council of 13 slides around. But the NBA trades people around too, and we elect a new guy president every four years. The fantastic has been so totally subsumed by the mundane. No flying cars, no cures for cancer, no space station, no teleportation. No bold move towards a new status quo, good or bad, that doesn't fizzle out into something weak and quixotic. The series ends with the Venture Family skyscraper nearly being dropped on Manhattan before being gently set down right back where the series started. Lucy with the football, again and again. Go directly to hell if you were ever dumb enough to think these people in costumes were every really going to change anything. That tension, the aching implausibility of all of this somehow having amounted to nothing in the end- not even something uniquely bad- powers the entire show. The world is unchanging as the first principle, and all that's left is to find a way to scrape out some personal meaning living under the shadow of that truth.

[hotvintagepoll]

Propaganda

Xia Meng, also known as Hsia Moog or Miranda Yang (Sunrise, Bride Hunter)—For those who are familiar with Hong Kong's early cinema, Xia Meng is THE leading woman of an era, the earliest "silver-screen goddess", "The Great Beauty" and "Audrey Hepburn of the East". Xia Meng starred in 38 films in her 17-year career, and famously had rarely any flops, from her first film at the age of 18 to her last at the age of 35. She was a rare all-round actress in Mandarin-language films, acting, singing, and dancing with an enchanting ease in films of diverse genres, from contemporary drama to period operas. She was regarded as the "crown princess" among the "Three Princesses of the Great Wall", the iconic leading stars of the Great Wall Movie Enterprises, which was Hong Kong's leading left-wing studio in the 1950s-60s. At the time, Hong Kong cinema had only just taken off, but Xia Meng's influence had already spread out to China, Singapore, etc. Overseas Chinese-language magazines and newspapers often featured her on their covers. The famous HK wuxia novelist Jin Yong had such a huge crush on her that he made up a whole fake identity as a nobody-screenwriter to join the Great Wall studio just so he can write scripts for her. He famously said, "No one has really seen how beautiful Xi Shi (one of the renowned Four Beauties of ancient China) is, I think she should be just like Xia Meng to live up to her name." In 1980, she returned to the HK film industry by forming the Bluebird Movie Enterprises. As a producer with a heart for the community, she wanted to make a film on the Vietnam War and the many Vietnam War refugees migrating to Hong Kong. She approached director Ann Hui and produced the debut film Boat People (1982), a globally successful movie and landmark feature for Hong Kong New Wave, which won several awards including the best picture and best director in the second Hong Kong Film Award. Years later, Ann Hui looked back on her collaboration with Xia Meng, "I'm very grateful to her for allowing me to make what is probably the best film I've ever made in my life."

Anita Ekberg (War and Peace, La Dolce Vita)— I'm going to be frank with you. Every time I look at this woman, I lose my ability to form sentences.

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Xia Meng:

Anita Ekberg:

“I haven't seen much starring her (YET) but the scene of her in the Fontana di Trevi in La Dolce Vita is some of the most jealous I've ever been of Marcello Mastroianni maybe and that's saying a lot. Cinema history. Historical.”

[the-hottest-band-tournament]

Round 8 of The Hottest 80s Band Tournament

Guns N’Roses 

Defeated opponents: ZZ Top, Pantera, A-Ha, The Go Go’s, Fleetwood Mac, Mötley Crüe, Hanoi Rocks

Formed in: 1985

Genres: Hard rock 

Lineup: Axl Rose- vocals 

Slash- lead guitar

Izzy Stradlin- rhythmic guitar

Duff McKagan- bass

Steven Adler- drums 

Albums from the 80s: 

Appetite for destruction (1987)

G N’ R Lies (1988)

Propaganda: “The sluttiest a man can do is be in the Guns’N Roses’s original lineup” 

“Watch this video and tell me slash doesn't have pretty boy babygirl swag”

“Whoo! Time for more Guns N’ Roses propaganda (and by that I mean an excuse to gush about Steven Adler, one of my favorite drummers/people ever)

First off, look at him. This is, and so cannot stress this enough, one of the cutest people I’ve ever seen. Ever. Look at him! (And also, he’s a drummer so he’s fun-size - he is 5’7 at most and at least some of you reading could pick him up)

And he’s one of the greatest and most fun drummers to ever live. I’ve heard maybe 3 other drummers who are as fun to listen to and who have as good of a feel for matching the actual emotion of a song (harder to explain with drumming, but even though they’re both love songs, wouldn’t do the same solos for Patience and Sweet Child o Mine - it’s the same deal here). The demo for Back Off Bitch runs laps around the full version and half of that is because of him.

Izzy Stradlin himself has said that he gave early Guns N’ Roses their feel and that things got weird and “nothing worked” without him (I swear to god that’s a direct quote). You know how hard it is to get a guitarist or singer to recognize and actually admit that? And he’s never made a bad song or sounded boring, and that’s really rare for 80s-era hard rock drummers. Even Tommy Lee’s had his weird songs and I can’t say the same here.

And some bonus propaganda before I write another five paragraphs”

Queen

Defeated opponents: Green Day, Earth, Wind & Fire, The Psychedelic Furs, R.E.M., Duran Duran, INXS, Depeche Mode

Formed in: 1970

Genres: rock, glam-rock, hard rock, pop-rock, pop, disco

Lineup: Freddie Mercury- vocals 

Brian May- guitar 

John Deacon- bass 

Roger Taylor- drums 

Albums from the 80s: 

The Game (1980)

Hot Space (1982)

Flash Gordon (1982)

The Works (1984)

A Kind Of Magic (1986)

The Miracle (1989)

Propaganda: “HAVE YOU SEEEEN THEMMMM???? these men never lost their looks as they aged. smoking hot 20 somethings to smoking hot 40 somethings. in their own words, "we was glam" and "we were all stunning". all four had impeccable style choices 99% of the time, from leather jackets and wraps to monochrome to undone blazers and ties to brightly coloured /everything/. Deacon changed his hair style every few years and even in just tshirts and booty shorts, never missed. Roger had a sleazy mullet and sunglasses for what felt like forever, hot Persian dad, did not miss. Brian forgot how to fully button shirts. bell bottoms. same hair for 50 years. no misses. even after Freddie got sick and started wearing makeup and had to grow a beard to cover up, MAN NEVER FUCKIN MISSED. he was beautiful to the day he died. and thats not even touching on the leather daddy look from the early 80s.king shit. we love wrinkles and laugh lines in this gd house. if they don't sweep I’m blowing this whole website up we was glam”

“a few years back i was obsessed with these guys and i would find it hard to not have a crush on all of them. in the 80s especially Brian was GORGEOUS.. BEAUTIFUL”

Visual propaganda for Guns N’Roses:

Additional propaganda here and here

Visual propaganda for Queen:

[stairs-feooff]

An Open Letter to White Emo Kids

When I was thirteen years old, I googled ‘how to be emo.’ The music, the aesthetics, the darkness of it all captivated me. There was transgression there, with boys in makeup and girls who weren’t ashamed to be bisexual. The online emo community on google plus (anyone else remember google plus? Just me?) took me in with open arms. I was allowed to be depressed, I didn’t have to hide my burgeoning sexuality or the starts of my struggle with depression, something I now know was caused by intense amounts of dysphoria and life in an abusive and queerphobic household.

Only, there was one problem. I wasn’t white. 

Certainly, nobody would say they had an issue with me being Latino to my face. Most people in the scene genuinely believed they were not racist. After all, they loved Latino people, they thought the guys in Pierce the Veil were so hot. They appreciated the culture too, sombreros and maracas were the full extent of Mexican culture, right? 

But to be emo, you had to be pale. I remember Onision saying that Black people couldn’t pull off emo, and while everyone I knew talked about how horrible he was for saying that, they all secretly believed it. The emo kids I knew stayed out of the sun, they wore long sleeves to stay whiter and some on the more goth side carried around parasols. It was just part of the gothic, to stay white and dead looking. I hid myself from the sun, my skin tanned quickly and well, we couldn’t have that. 

Every guide on emo aesthetics emphasized stick straight hair. Every emo kid I knew reinforced that idea. I begged my mom for a relaxer, she refused. It was alright, I figured out how to damage my hair well enough on my own. Pete Wentz kept his hair straight, spent his time with a flat iron to press down the curls that made him inpalatable to white suburban teenagers. I could too. The burns, the split ends, the fact that my hair didn’t start to return to its natural texture until I cut several inches off this year, that was the sacrifice kids like me needed to take to come into the scene. If not, you would be made fun of. You’d be compared to Ray Toro, everyone’s favorite ‘princess fro fro.’ He was Puerto Rican, just like me. No one talked about that, beyond whispering it around like a dirty secret. No one acknowledged his pride in his country, mirrored by my own pride instilled in me from my mother. Every piece of him, every feature identifiable as nonwhite was sneered at. His hair, his nose, his lips, the white kids said he was the ugly one because of them. I was too, I suppose. 

That was back in 2014. I remember it vividly, still.

Turn back the clock to the early 1980s. Dischord records has just signed seminal emo group, Rites of Spring. There is change in the humid Washington DC Summer air. A new genre would be born from it, branching from the existing hardcore movement. To say Dischord records created emo would be no exaggeration. Without them, the music all of us in the scene know and love would be nonexistent. Dischord was seminal in the scene, Dischord was also founded by Ian MacKeye, vocalist for Minor Threat and later, Fugazi. 

Minor Threat is not emo in the tradional sense. Musically, it’s similar to punk and hardcore groups of the time, lacking the distinct musical flourishes of MacKeye’s later emo group, Fugazi. Still, Minor Threat helped shape the hardcore scene emo was born from and created the record label that signed Rites of Spring, the first emo band. Fugazi is legendary in first and second wave emo circles, influencing bands like Thursday. MacKeye’s stamp on emo is inescapable, even in the third wave. MacKeye also penned the song: Guilty of Being White. 

Guilty of Being White is a minute of MacKeye complaining about systemic racism - or rather, being blamed for systemic racism. He’s sorry for being white, he’s so so sorry, don’t you feel sorry for him, a white man in the 1980s? Isn’t it horrible that white people are blamed for systemic inequality? Isn’t it horrible that he actually has to put work into allyship with people of color? 

MacKeye says he never meant for the song to seem racist. Surely, the fact that it’s become a favorite of white power groups is a coincidence. 

All that is to say, racism was baked into emo from the very beginning. The label that created the genre was founded by white men with very clear issues with racism, even if they did not see it that way. Pete Wentz flat ironing his Black hair and Tyler Joseph refusing to say he’s influenced by rap aren’t bugs unique to the third wave. Instead, they’re features of the genre. 

Now, I’m not writing this to ‘cancel’ emo. I love emo dearly, I still consider myself emo. It, in every wave, is my favorite genre of music. Rites of Spring, Jawbreaker, My Chemical Romance, these bands have shaped my life like no other. Through emo I have met some of my best friends, white and nonwhite alike. Emo allowed me to express my gender and sexuality freely. Emo changed my life for the better, and it continues to do so. No, I am not writing this to cancel emo, whatever that means. Instead, it is because I love the genre so much that I feel the need to point out its flaws, its shielding and harboring of racism since Dischord herself began. 

They say you should end essays like this with a call to action. Personally, I don’t know what I can say that hasn’t been reiterated a thousand times. Really, what am I supposed to say here? Stop being racist? I, like so many other people of color both in and out of the scene are tired of telling white people to do just that over and over. We are tired of seeing white people stop saying what isn’t acceptable anymore, not due to any sort of active unpacking of white supremacy on their part but simply out of a wish to not be ostracized. I am tired of going to emo spaces outside my friend groups and explaining to white thirty year olds what racism is, over and over and over again ad infinitum. I am tired of seeing white people try and take the lead on discussions of racism, whether it is to rapidly assert ‘im not racist but-‘ or to be on the opposite extreme, to jump the gun and form a dog-eat-dog circus, where the end goal is not to actually form a safe place for people of color but to prove how not racist they are. I am tired of watching white people jump on whatever they can to demonize people of color in the scene. I am tired of watching nuanced conversations about racism and complicitness in racism be overshadowed by people upset their pet white man isn’t going to kiss their other pet white man anymore. I am tired of watching children be called slurs. 

Perhaps my frustration is coming loose. It’s hard to be in the middle of all this and not be frustrated. At this point, I am disillusioned. These conversations are seemingly brought up every month, and yet, there is no systemic change. All I can say is I hope that one day, emo becomes actively hostile to racism and racists. Perhaps being aware that racism has been integral to the scene since the beginning is a good place to start. 

[guidaozongshi]

Sasuke and Japanese Masculinity

There are some Naruto/Sasuke blogs that I generally like and I am in agreement with many of their analysis but one of the ideas perpetuated by them is the idea that Sasuke is the feminine counterpart to Naruto' s masculine one or that he has characteristics typical of a heroine, which I can not agree with.

Let's start with one of the most befuddling claims that I have come across -

You can only come to the above conclusion if your only consumption of Japanese media include post 1980 Shounen or Toukatsu TV.

Theatre/Kabuki were enactment of the existing literature and I can assure you that their protagonists were FAR from the modern Shounen protagonists( I discuss this in detail below ).Almost every character in Kabuki has exaggerated make up and wore bright colour, it's not reserved for the protagonist either.

"The Ideal Japanese Hero"

This is a very broad term in itself that doesn't take into account the time period nor genre.

The character traits typical of a Shounen protagonists that presumably OP is talking about such as being short tempered/rebellious/punkish appears very late in the history of manga. These protagonists exhibited such qualities to be relatable to adolescent boys but they are not the ideal conception of masculinity in Japan and they are often criticised for being immature.

These characteristics are often not found in Seinen/Gekiga works, or any literature that is not targeted at kids.It consists of a very diverse variety of protagonists but they are much closer to the Japanese equivalent of a Byronic hero than a loud troublemaker. Take Blade of the Immortal , Vagabond , Berserk , Vinland Saga etc.

Back to Sasuke : Revenge and Restoring Honour

These are the topics that are so embedded in classical Japanese literature that there is an entire Genre dedicated to it : Jitsuroku

The one that started it all i.e Forty-Seven Ronin tells the story of revenge against a political opponent who caused the death of a Samurai lord by wrongfully framing him. This story and it's themes are embedded deep in Japanese heritage and remains one of the most influential works that would inspire similar stories.

The story of being wronged due to politics, resulting in dishonour and ultimately death and then being avenged by the protagonist who sets out to fulfill his duty of revenge and restoring their honor owing to filial piety or loyalty becomes a staple genre. One of the examples being Tales of Jiraiya, one of the many inspirations for Naruto

And Sasuke is a textbook example of such a character from this genre.

He is the typical classical Japanese male protagonist

Despite being a deuteraginist he challenged Naruto's role as a protagonist both in the text and outside of it . During the run of Naruto on Weekly Shounen Jump , Sasuke would occupy the #2 position for the vast majority of times and even beat Naruto at least once to take the #1 spot. His character and story arc was incredibly popular in Japan because it exhibited characteristics of a classical Japanese hero.

He might get mixed reactions in the West but he is beloved in Japan. So much so that some people wanted him to be the protagonist instead of Naruto.

Naruto while a beloved protagonist is considered too naive,and almost childish in his beliefs . While Sasuke is his mature counterpart who is capable of ideological introspection.

Blogs that are in favour of putting the 'heroine' role on Sasuke often use a comment made jokingly by one of the anime directors as Sasuke being the true heroine because he is to be chased and rescued by the protagonist or claim that some Japanese people discuss him as such and I am ????? Are you serious? This is such a superficial way of looking at their relationship and Sasuke's character arc or even what actually transpired between them that I am not even bothering countering it.

If you could browse 2channel back in the day , you would see hundreds of messages in various threads that Sasuke is apparently the true hero of the story or how they want Sasuke to be the protagonist. There would also be comments about how emasculating Naruto's relationship with Sasuke is but that is another can of worms.

It is a common sentiment in Japan that if Naruto was a Seinen manga, Sasuke would undoubtedly be the protagonist.

Instead of being the 'heroine' or 'feminine counterpart', Sasuke exhibits the reserved, graceful and mature masculinity typical of a classical Japanese hero in counter to the open,exuberant and juvenile masculinity of Naruto.

There are people who claim Sasuke being a bishounen and graceful is him being the feminine counterpart because he is the Yin to Naruto' Yang. I highly disagree, Yin-Yang analogy is used throughout the manga to describe contrasting forces especially darkness/hatred and light/love , it is not used to portray outward characteristics. Using Yin-Yang to explain their appearances or behaviour is just extrapolating using the philosophical concept outside of its use of the manga.

While femininity is associated with Yin, I would like people to introspect what 'feminine traits' in the Japanese context constitute. Because the 'feminine traits' that Sasuke apparently exhibits aren't feminine at all.

Sasuke-Naruto are not the only two duos with such outward contrasts anyways , it's predecessor duo and one of the most recognisable rivals (at least in Japan) like Rukawa-Sakuragi from Slam Dunk, which Kishimoto likely took inspiration from has Rukawa who is aloof and desirable vs Sakuragi who is more of a delinquent in both appearance and behaviour . Such contrasting outwardly attributes are present in a lot of Shonen rivalries, you don't need Yin-Yang concepts to explain these.

On this tangent I would actually recommend everyone to read Slam Dunk not only because it is good but to also actually understand how a normal Shonen rivalry between likely straight males works and how much of a deviation Sasuke and Naruto' relationship is. I mentioned before that Kishimoto likely took inspiration from this and I say this because in addition to Rukawa-Sakuragi's rivalry in the sport, there is a love triangle aspect to it. Sakuragi loves Akagi who has a crush on Rukawa, who doesn't care. Here's where the similarity in the dynamics ends. Sakuragi actually really likes the girl ,he only starts playing basketball to impress her and then develops a rivalry with Rukawa. I can go on about their similarities and Kishimoto's subversion but it's a topic for another post.

Getting back on topic.

Sasuke's Desirability and Beauty

One of the most common arguments that is used in favour for Sasuke as a heroine is that he is desired by multiple people in the story and how his beauty is commented and highlighted on, and that these are the features apparently typically given to the female love interest.

This is one of the most ignorant claims I have ever come accross. Japanese literature has a long-standing tradition of exalting the beauty of males and their desirability, often to denote how perfect and/or otherworldly the person is.

One of the seminal works in Japanese literature Tales of Genji had to say this about its protagonist Hikaru Genji : "His appearance tempted men and women alike, as he had smooth white skin, excellent fashion sense, which increased his fame and popularity". His beauty is commented throughout the novel and he is desired by many, this doesn't negate his very masculine character.

It brings me to the next topic:

Bishounen

This is a term with so much history and what tropes it is associated with changes according to what genre it is used in that I am not surprised that some people just use it as a synonym for feminine/homosexual men. But in the contemporary lexicon and usage it just means a pretty boy of any sexuality.

Bishounen serve as love interests in Shoujo, the entire cast in a BL, Antagonist/Rival and sometimes even the protagonist in Shounen and Seinen. It just means a man who looks handsome/beautiful in a androgynous way but at the same time not be mistaken for a girl.

I came across this post and this is what put me over the edge to actually create a proper post because the claims here are completely eregrious

" saying Sasuke is meant to be a typical Japanese ideal of masculinity....... wearing lipstick crazy"

I don't think that the author drawing Sasuke with stage makeup on a cover featuring him as an actor negates the fact that Sasuke is meant to be a typical Japanese ideal of masculinity, I have already discussed it in detail above the reasons he is considered such.

"call Sasuke the Japanese ideal of masculinity... funny... meant to be bishounen"

OP themselves doesn't have any Idea on the Japanese conceptualisation of masculinity nor the term Bishounen, which is fine if they weren't scoffing at an objectively correct reading of a character due to their own ignorance.

Being beautiful, youthful and desirable is well within the form of Japanese masculinity. Being bishounen doesn't negate masculinity, on the contrary validates it.

The sublime masculine Samurai were obsessed with keeping youthful appearances. And there is a reason almost all Japanese male idols/actors/singers strive to look androgynous.

I don't think Sasuke/Sakura shippers refuse to accept that he is Bishounen, that's quite literally one of his appeals,it's a general term not exclusively used to describe homosexual men. The origins of the term definitely contains homoeroticism but as I have said before that in contemporary usage it just means a pretty man and can be found in almost all type of Japanese media.

However if anybody uses the 'Japanese Ideal of masculinity' as an argument against him being attracted to a man, they would be displaying ignorance as these are concepts which can be found in a complementary fashion throughout Japanese literature.

Bishounen also has different tropes associated with it depending on the genre:

Comics for younger boys tend to use arrogant bishōnen in the role of the recurring minor rivals readers love to hate, though their effeminate good looks there, they will often appear older... stronger, and thus in fact more masculine than the commonly shorter and less mature protagonists.

- Manga: The Complete Guide, Del Rey

I think many people cannot let go of their Western sensibilities when analysing the text, especially in relationship to concepts like masculinity which is very dynamic even in Japan. They see two contrasting masculine characters: one being more open and brash and the other being reserved and graceful , and come to the conclusion that the latter is the feminine counterpart , which cannot be further from the truth.

Either that or some people are affected by their bias towards a certain pairing dynamic.

TL;DR Sasuke is the embodiment of classic Japanese masculinity

[argumate]

I was watching Greed, a heavy handed satire of a British high street retail fashion mogul who commits all the cardinal sins of capitalism (leveraged buyouts, foreign sweatshops, being a generally unpleasant man to his employees) and gets mauled to death as a result, and I think like most movies of this genre it points out some genuine issues with society (some people live in absurd luxury while others struggle and die simply due to their place in the world) then completely fumbles the remedy, suggesting that apolitical actions by individuals can fix what is fundamentally a political collective action problem.

it's common to believe that paying too little for something is the root of all evil, but paying too little is only possible in the first place in a society that does not provide basic guarantees of living standards to its occupants; when people are free to reject a bad offer without starving then it's much harder to them pay too little, as they can just walk away.

if as a society we care about tax shelters, we can simply tax them! it's not difficult, we simply don't do this because enough of the political elite have a vested interest in maintaining them; only collective action can solve this.

so much of what passes for social activism ends up being expressed as "tell me what I have to buy -- or not buy -- to solve this problem", as if every issue can be fixed by the adjustment of consumer preferences alone.

part of the fable that we've spun since the 1980s is that collective political action is no longer necessary, and as declining participation in politics leads to diminished returns that might be a self-reinforcing dynamic.

but it would be very difficult to make a movie that challenges this without coming across as genuinely subversive or even dangerous.

[qilingxiong]

九龍城寨之圍城 | Twilight of the Warriors: Walled In (2024)

I've rewatched this movie more than once, since seeing it in theatres back in August, and each time was just as good as the first if not better. Given that, I now have many thoughts so I'm subjecting y'all to listening to why you should watch it:

Twilight of the Warriors: Walled In (九龍城寨之圍城 or gau2 lung4 sing4 zaai6 zi1 wai4 sing4) is a martial arts action/crime film directed by Soi Cheang. It is an adaptation of the manhua City of Darkness by Andy Seto, and its source novel of the same name by Yuyi. The film's cast has established Hong Kong names folded in with newer-generation actors, starring Raymond Lam, Louis Koo, Sammo Hung, Richie Jen, Terrance Lau, Philip Ng, German Cheung, and Tony Wu (Aaron Kwok gets a cameo role, too).

At a broad glance, the movie follows several major triads in 1980s Hong Kong and their power struggle to control the Kowloon Walled City (a densely populated urban enclave, which for decades evaded direct governance by either the British colonial or Chinese powers in the area). We're introduced to the KWC and the triads' major players through the eyes of Chan Lok-Kwan (Raymond Lam), a man fleeing Vietnam and attempting to make a life for himself in HK. He winds up seeking refuge in the KWC, and comes to call both the city and the people he meets in it a home worth defending.

The narrative itself is not the most complex, but if you enjoy '80s Hong Kong films in these genres, it's solid fare and a harkening back to that decade. All the major themes like brotherhood (and brotherhood vs blood), vengeance, and struggle with conflicting loyalties are there, alongside an internal search for identity and belonging within Hong Kong. But the highlight in it is that the plot connects feast after feast of utterly stunning fight choreography, made all the more impressive by the fact that, according to Louis Koo, quite a few major cast members had never filmed this kind of action before. All their training was done just for TotW, and oh, does it pay off. I can't make good gifs, so you'll have to watch and see for yourself. It's not action for action's sake, either; listening to the head stunt choreographer discuss how different characters' fighting styles were crafted shows off how fight scenes aren't breaks in the story, they tell the story, and deepen our understanding of the characters.

The setting of the Kowloon Walled City truly makes the action in TotW stand out. It's a unique space to stage all these major fights, as the KWC's buildings at the time were packed together close enough to resemble a singular block from the outside. Once inside, it's a stacked, dark maze of uneven paths, stairs, and rickety roofs, with electrical and television cabling snaking over/around/through everything. Fight scenes in these streets feel thrillingly claustrophobic, with lots of acrobatics and near-dodges as characters navigate these tight alleys of the KWC. Each impact as a character goes flying into a wall, or is launched down a flight of stairs or onto a roof, is wonderfully visceral to watch.

All credit and hopefully awards are due to the production and set design teams for their work, in crafting this environment for the story and its fights. The visual/spatial representation of the KWC is the film's other glorious highlight, alongside the choreography. Whole streets of the KWC were recreated for this, filled with every mundane, period-accurate detail from the lives of ordinary people who would have lived there. It's impossible to catch all the intricacies put into making the KWC come to life again onscreen, just from watching the film. Shots like the credits sequence offer close-ups of harder-to-see details, and videos like a tour of the KWC set by Terrance Lau, acting as his character Shin, show off things from the drinks in the fridge at the corner store to the scribbled writing on the walls by the public taps. This film was designed with a drive to faithfully represent what the Kowloon Walled City had been like, how it looked when it was lived in, and they achieved it to an incredible degree.

That dedication extends to more than just the sets, though. The emotional core of TotW revolves around the KWC's inhabitants, and how they were the ones who made the city what it was, a home for about 35,000 people at a time. The film doesn't treat the KWC as just an eye-catching location to stage some fights; its characters might be fictional and overloaded with jianghu powers, but it goes out of its way to show how ordinary people might have lived, worked, and socialized within the historic city. It shows off why, despite its (not unwarranted) dark reputation, so many chose to live in a place that was once the densest urban center on the planet.

And this brings us to the acting, because the cast all do a very good job bringing their characters to life as the heart of the KWC. Louis Koo is fucking fantastic and arguably the scene stealer of the film as Cyclone, the triad leader in current charge of the KWC. He's grumpy, magnetic, and dangerous when he must be, but he also cares so very, very deeply about the inhabitants within his jurisdiction. Terrance Lau's Shin acts as his charismatic and capable right hand man, as well as protégé to Cyclone, befriending Chan Lok-Kwan and helping him become accustomed to life in the KWC. These two, along with the snarky Twelfth Master (Tony Wu) and the masked + imposing AV (German Cheung) become a quartet with great chemistry and friendship, the next generation to watch over and protect the Kowloon Walled City. Outside the KWC cast, antagonist figures like Sammo Hung, Philip Ng, and Richie Jen's characters are intimidating and compelling as threats to the city, and the lives people have etched out within its walls.

All of these things put together, and Twilight of the Warriors is a deeply fun, enjoyable, and rewatchable film (so good, in fact, that Hong Kong has submitted it as its nomination for the 2025 Oscars). The movie doesn't lose its emotional throughline in the promise of an action-packed ride it fully delivers on, and it uses its narrative, setting, and choreography to pay tribute to an earlier era of Hong Kong, as well as highlight + humanize a piece of the region's history that might not be quite as well known to some.

(The Kowloon Walled City was demolished and its inhabitants relocated in 1993. The area where it once stood is now a park, with some historic buildings preserved. If you're curious about people in the KWC before demolition, City Of Darkness: Life In Kowloon Walled City (1993) by Greg Girard and Ian Lambot is a collection of photographs and first-hand recountings from residents, recording their lives and stories. I'm in the midst of reading it right now.)

If anything I've said has piqued your interest whatsoever, I say to give Twilight of the Warriors a try, if you have a free two hours to spare. Something in it will be worth it for you. And if I've failed to convince you with any of this, or you need one more push, here's the trailer for the film:

And if I did manage to actually get anyone to seek out this movie, please tell me! I'd love to know your thoughts.

[frogs-mystery-sideblog]

Yk that post about Our Flag Means Death that’s like “every character in this show is experiencing a different genre” ?

Yeah, Dirty Work functions pm the same way lmao

Context under the cut, for anyone who is not familiar with Dirty Work and its messy dynamics:

Ford and Jolene (aka Dirty Work part 1)

Ford and Jolene become friends in college, when Jolene signs up for a scientific study Ford forgot about. The study is on parapsychology, and when nobody answered his “volunteers with experience in the paranormal wanted” poster, he moved on to a different subject. That was in his first year of college, and it’s now his last.

He’s supposed to be finishing up his PH.D and figure out what he wants to do afterwards, so when Jolene calls about the poster, he really should turn her down. But she claims to have weird, psychic experiences, and Ford, being Ford, can’t turn down the opportunity to expose a fake.

Problem is; Jolene herself is not entirely sure she believes in psychic abilities, and even worse, her preminitions are absolutely true. Ford would know; they’re about him. And she doesn’t even know it.

Hilarity ensues!

Fast forward to 1980. Ford and Jolene haven’t spoken except a few holiday cards sent by Jolene, to update Ford on how life is going now that she’s got a better understanding of herself and her “clairs”, thanks to him. But Ford is at a loss in his research. He knows there’s got to be a source out there but he just can’t find it. While digging through his research in hopes of finding *anything* useful, he uncovers his old research notes and interviews he did with Jolene.

Maybe…Just maybe, she could help?

Jolene agrees to join him, and together they strengthen her intuition further, while moving towards Bill (Jolene does not feel good about this, Ford, however is thrilled that they’re making such fast progress)

Fast forward again, it’s 1983 — everything sucks now! Fiddleford has left, and Jolene is very much intending to follow him. Ford is desperate not to be left alone with Bill, but obviously doesn’t want to show that. In a moment of panic, he proposes to Jolene, despite having like 0.5% romantic history with her. He shoots off a bunch of logical reasons they ought to be together, which is all a cover for his actual reason as to why he wants her there.

Jolene, also panicked, says yes. Its all very allegorical and whatnot.

—

Stanley and Jolene:

1983, portal incident occurs. Jolene is…Not home when it happens. There’s a long story there that we need not delve into.

She returns to the shack, aware that something bad has happened. When she finds the portal, and Ford’s belongings strewn about as if there was a struggle, she knows Ford is gone.

So seeing Stanley is a bit of a shock. Stanley, on the other hand, thought Jolene was an intruder and nearly had a heart attack when he bumps into her.

After the confusion settles, they agree to help each other build the portal to bring Ford back. Its very “While you were sleeping” (or, While you were stuck in an inter-dimensional portal for 30 years)

Hilarity ensues!

[herinsectreflection]

To Live So Close To The Spotlight (The Zeppo)

I have, in essays past, referred to Xander Harris as one of the most controversial characters in Buffy the Vampire Slayer. After spending more time in the current fandom landscape, I need to correct that statement. He’s simply one of the most disliked characters in Buffy the Vampire Slayer. A lot of people hate him, and given his appearances up until now, it’s not entirely difficult to see why. Xander is an archetypical example of what I will call the Mild Nerd Guy; a trope born out of the 1980s and its Revenge Of The Nerds-led championing of geek culture. A trope that unfortunately came to dominate genre television throughout the 1990s and 2000s.

This is a character who is defined in opposition to more typical Dashing Action Hero archetypes. Where the Action Hero is strong and muscle-bound, the Mild Nerd Guy is physically weedy. He is often shy and lacking in self-confidence. He will appear creepy when he means to be charming – but in an innocent way that encourages us to feel sympathy with this helplessly befuddled young man. He has interests coded as “nerdy” – comic books, science, maths, Dungeons and Dragons. He will be unsuccessful with women, and more often than not will concentrate all his sexual energy onto a single desired target: a popular and attractive woman. This woman will - at least at the beginning of the story – neglects his silent pining in favour of clearly undeserving Bad Boys and Popular Jocks. This is where you get is your Scott Pilgrims, your Ross Gellers, your Tom Hansens, your Every Character Anthony Michael Hall Ever Played… and yes, your Xander Harrises. 

In essence, the Mild Nerd Guy is an alternate model of masculinity, one that certain types of men (shy, nerdy, physically weak) may relate to more than the Dashing Action Hero archetype. Unfortunately, while the trope often presents these men as more respectful towards women than their counterparts, the reality is that female autonomy is a secondary concern in both cases. These are competing models that men can use to Earn Women. Neither is actually concerned with the desires and goals of the women involved at all. 

The Mild Nerd Guy has obvious parallels to the sociological concept of the Nice Guy, a term that most in feminist circles should be comfortably au fait with by now. The Nice Guy feels deserving of the attentions of women solely because of his lack of overt hostility towards them, and resents them when this “niceness” is not immediately rewarded with sexual favours. While the two concepts should not be conflated – one is a writing trope while the other is a social phenomenon – they are inextricably linked. Media informs the way we interact with the world, and the world informs the way we interact with media. Male entitlement engorges itself with stories of men winning women through inaction - the implication being that men deserve the attentions of women by default, and should be upset when it is not automatically bestowed upon them.

Meanwhile, women who have firsthand experience of this entitlement and the behaviour it encourages will naturally be fed up with it, and will bring that frustration into their consumption of media. They will take one look at a Scott Pilgrim or Xander Harris and be immediately, justifiably repulsed. While the more fantastical crimes of Angel or Spike can be easily forgiven, everyday crimes cannot. Most women have never met a serial killer. We’ve all met a creepy nerd. 

This is not a criticism of viewers who have reacted in that way. The common accusation of Xander being a “Nice Guy” I believe an inaccurate read on his character and a misuse of a term meant for the analysis of reality and not fiction. However, I can’t blame anyone who makes that instinctive leap. In fact I would say that bringing one’s own experiences to the consumption of media is the only correct way to watch television. And yet, I can’t count myself truly among that crowd. Despite my distaste for the simpering entitlement this trope has encouraged in male nerd circles, and despite the times I have been disgusted by a line Nicholas Brendon has been made to deliver thus far, I can’t say that I don’t like Xander. In fact, I would say I like Xander, and this episode is a big reason why.

Read More

[nevernonline]

✧.* he's all that; lsm mini series

✧.*synopsis: every year the kappa sorority hosted a 'hot or not' greek life pageant show. you've luckily escaped having to bring your own "nottie" to give a makeover to and train in hopes of winning a big prize for the rest of your crew. but, just when you thought your lucky streak was going strong your name get's chosen as a representative and your sisters had just the guy for you to make over.

part of my seventeen movie series. 

paring: seokmin x reader (y/n uses she/her pronouns.) 

genre/s: fluff, strangers2lvrs, neighbors2lvrs or whatever.  

warning/s: alcohol mentions, swearing, cigarette mentions, swearing, some pg-13 jokes. no funny business iykyk. lots of mean girls (rip)

word count: 4.2k

note: im notorious atp for not editing, pls. this edition of nmm is inspired by a true classic she's all that (w/ a bit of greek the tv show/sydney white energy if any of u have ever seen ALSO classics, this was supposed to be one part, BUT! I feel myself getting so carried away so … three parts.) i was going to post my gwag update today but im gonna wait till either tomorrow or Tuesday <3.

beginning ▸ middle ▸ end.

Y/n was dreading the meeting she walked through the front doors of the sorority for this afternoon, the pageant. Kappa and all the other sororities on Greek row participated in what they call ‘Hot or Not’ every year since supposedly the 1980’s something her now head sister Heather claims was started by the legacy that was her mother. Which maybe was true, but y/n could never figure out why it mattered? And while it was fun it was a little bit old school.

“Hey, girls. Everyone settled in? We have a very exciting tradition here at Kappa as you may know.”

The cheers rang through the sitting room, with its white walls, pale pink carpets, and sherpa couches, the cheers and claps of girls hoping Heather draws their name from the glass bowl with her perfectly manicured finger tips.

“Yes. It’s so exciting, we have a few new faces so since you haven’t been a part of this week in past years we left you out of the bowl, but we will have many things for you to participate in this week. Like dine and dash, our famous Good as Gold party, and of course judging the competition at the end of the week. Before we get to the drawing, I wanted to congratulate our last year's winner, Suni. Give it up for her.”

Smiling, y/n clapped along with the other girls, giving Suni her flowers. About to step out behind the two french doors to grab a water or something to drink, when you hear Heather call your name loudly. All of your other sisters and friends spinning around watching her looking like she was attempting to escape the reality of her name being the one chosen after three years of getting out of it.

“y/n! Finally, Come back here, girly.”

Walking through the clapping crown y/n took her place next to the blonde and pretended to smile with excitement as her gut was telling her it was absolutely the worst day of her life.

The only reason y/n was in this sorority was to get extra college credits, that and Heather and her mother met here and have been friends since that very day. Heather was obsessed with being a legacy and clawing her way to the top of the food chain at the university. Y/n was just there for the ride.

“Everyone, you all obviously know my very good friend and our smartest sister, y/n. I personally have been waiting for the day she got chosen out of this bowl. It’s something our moms, co-vp’s of their 1980’s class of Kappas have been talking about for years. So I’m just as excited as I’m sure y/n is to be our guiding light to another victory this year. Anything to say, y/n?”

“Uh, not really, you said it all.”

Another big fake smile appeared on her face. Laughing and giggling at all the congratulations coming her way.

“Girls, before we enjoy our lunch. Don’t forget tonight is dine and dash, please find your dates and bring them to Carol’s Diner at 8pm. See you there.”

Checking the time on your phone you had roughly 45 minutes before your lecture and enough time to take off the gaudy Kappa logo’d sweater you had to put on for what Heather calls “official business.”

“Y/n what are you checking the time for? We have a lot to do today.”

“I have a class in 40 minutes, I have to go back and change.”

“I don’t get why you won't just move back in here with us?”

“I told you, Heather. I can't. I have to focus on getting into Med School and no offense to you or the other girls, but this isn’t exactly the best place for me to focus when I have to study.”

“Med School can wait just one day right? We have to set up the table at Carol’s and set up for the party later. Would you mind going with the new girl Sam to grab the alcohol? And then you can meet me back here and we will go to the diner together. I’m going to have the girls go out and look for some Nottie’s for you today before that whale from Delta picks them all up. “

“No, but-”

“Thank you! Love you!”

“Also her name is not Sam, It’s Soyeon.”

“Okay got it, toodleoo.”

Searching the house for the person and so called new girl, Sam you stumbled upon her sitting out on the back patio writing in her journal.

“Soyeon?”

“Oh, hey y/n.

“Hey, sorry. I didn’t mean to startle you.”

“No, you didn’t. I’m just so used to everyone calling me Sam I forget people know that it’s actually not.”

“Yeah, it took Heather a whole year to not call Suni, Sunny and everyone just kind of follows her suit.”

“I thought you had class? I didn’t know you were still here.”

“I do. It’s just a lecture on the importance of mammograms and breast cancer research so, I guess it’s okay. I can just find it somewhere online.”

“Ready to head out?”

“Would you hate me if we stopped at my dorm? I cannot wear this fucking sweater for more than an hour or I may spontaneously combust.”

“Yeah, I don’t want to be seen with you in public while you’re wearing that.”

“I appreciate your honesty.”

“You should.”

Y/n and Soyeon escaped the general excitement of the rest of the girls by escaping out the outdoor gate and walked viciously together to change the heinous sweater on y/n’s back.

Turning the corner to finally reach the hall her single dorm room lived at the end of, she ran into a tall boy who’s books scattered all across the floor, a boy she had never once run into literally and physically.

“I'm so sorry.”

“No, no I’m sorry, I wasn’t watching where I was going.”

“You’re y/n right?”

“Yes? Why?”

“Oh, no. Nothing like that. I live across the hall from you. I see your name tag on your door all the time and all the photos of you from all your friends. Which now that I’m talking makes me sound like even more of a weirdo? I’m sorry. I’m Seokmin, my friends call me DK or Dokyeom , whatever. And now I’m rambling, please stop me.”

“No, you’re okay. Can we at least just get off the floor now?”

“Yes.”

Seokmin or Dokyeom whatever his real name actually is, crawled off the floor and stuck his hand out to you for assistance pulling your pink colored body off the floor.

“This is my friend, Soyeon.”

“Sorority sisters?”

“Wait. How’d you know? Oh, fuck the sweater. Don’t tell anyone you saw me wearing this, I know where you live.”

“Don’t worry, I never will. But, sorry to uh, cut this meeting short I have to get to class. I’ll see you again, I’m sure. Bye, nice meeting you y/n. And you too, Soyeon.”

“Bye.”

In unison you and Soyeon watched the tall boy walk towards the elevators. Both of you have differing expressions of looks on your face, one of pure enjoyment watching the awkward interaction and one of pure dumbfoundedness.

“He’s cute.”

Soyeon brought you out of staring at the boy walking away and stepping into the elevator, throwing his fingers up waving goodbye while clutching his mounds of books in his hands.

“What?”

“I said he’s cute and he’s your neighbor. Lucky girl.”

“Oh. Yeah, I can’t believe I’ve never met him before.”

“Why don’t you ask him out?”

“We just met. Plus, I’m busy with school and now this stupid pageant. I don’t have time for cute boys.”

“I’m sure you can make it work.”

Unlocking your door and letting Soyeon in before you so you can sneak a peek at his front door in front of yours. Plain, just a few funny messages and cute stickers of tangerines and tigers pasted on his whiteboard. Maybe he already has a girlfriend? But a boy like that with that many books is probably much like you and had no time for dating.

“Wait. Y/N your room is so nice? Maybe I should move out of the house. It’s loud as fuck anyway.”

“Why are you in the sorority? I’m not judging because I was basically dragged into it too. I’m just curious?”

“My mom always wanted me to join. She said it’s a good way to find friends, I always had a hard time making them. So I figured why not?”

“Got it. Makes sense.”

“What about you? You also don’t serve sorority girl to me.”

“Because my mom also got me to join, that’s actually how I know Heather. Our moms were co-captains of the sorority at some point in the 80’s.”

“Oh, so you’ve known her your whole life?”

“Mhm.”

“No offense or anything, but she’s… kind of a bitch.”

“Kind of? It’s only gotten worse since she’s been in charge. She was okay when we were younger, but you know.”

Slipping out of your jeans and sweater, you threw on a black pair of pleated pants and a loose white button down.

“Also you have tattoos and a sick body, stop dressing like an old woman.”

“I could never pull off what you wear? You’re so cool and confident.”

“Promise me. One party this year you’ll let me pick out something to wear?”

“Okay.”

“You’re very trusting.”

“What? You’re going to make me wear a hot pink dress and try to dye my hair blonde too?”

“Hell no.”

“Exactly.”

Hours passed on as you were getting to know Soyeon more, a part of you realized what you had been missing meeting girls outside of your own circle at school.

People who share your interests and enjoy talking about things other than clothes, shoes, and boys.

It was actually the least stressed you’ve been around someone at the sorority in a long time. Almost like a breath of fresh air.

Getting out of the Uber you took filled to the brim with alcohol and snacks, you were back at the big White House at the end of the street. Not a flaw in sight. Almost like it wasn’t a real reality.

“Should we ditch the diner? We could always go see my friend play at the bar across campus instead?”

“I would love nothing more, but Heather will have my head shaved or something.”

“Okay, well when we ditch later we can head there.”

“It’s a date.”

“Ew, you’re so corny. Save it for your new lover boy across the hall.”

“Shut up.”

Soyeon and you laughed, dragging the last box up the stairs into the foyer of the house. Met with the blonde at the bottom of the stairs.

“There you guys are! I was going to send a search and rescue team to come for you if you didn’t show up soon.”

“We got a little distracted. Sorry.”

“No problem. You’re here now, Sam go up and get ready, I’ll help y/n from here.”

“Okay.”

Soyeon or Sam, picked her poison and shoved down Heather still calling her by the wrong name and walked up to her room to change and get ready for the rest of her night. While you were stuck unpacking the boxes.

“Y/n. Don’t forget to look out for the boys everyone brings tonight. We can pick one from the litter for your Nottie.”

“Look, Heather-“

“I know what you’re going to say and don’t even think about asking me if you can drop out of the pageant, okay?”

“I just don’t think it’s worth it or fair anymore, why don’t we just get the other frat guys to do it? Like Mingyu or Wonwoo, Johnny? I don’t know. I don’t want to make anyone feel uncomfortable.”

“You raise a good point. And it gives me an idea.”

“Which is?”

“We have the other frats competing too, we’ll get more payout and the three uglies will be more profitable than ever for us. You’re so smart.”

“That’s not wha-“

“Ah! I’m so lucky to have you. I’ll let everyone know.”

Heather bounced off into the other room, texting rapidly with her manicured hands on her cell phone, making the fire bigger.

With your head spinning around and around you don’t even remember walking your way to the diner waiting for the freshman girls to bring their guys along to the large table set for someone’s embarrassment.

Taking a seat near the end of the table next to Soyeon and Heather on your other side, you sat and sipped at the Diet Coke in front of you, feeling your mix of anxiety and angel swirling in your stomach and begging for something a little stronger.

“Are you feeling okay?”

Soyeon leaned over and whispered into your ear, seeing the look on your face and noticing your obvious quietness.

“I’ll tell you after.”

“Okay, if you want to go early, let me know.”

“I will”

Heather had her vulture eyes on, waiting to see which she would inevitably have embarrassed by the groups around you with no remorse.

She looked into your eyes and signaled to a cute shy boy across the table, sitting and picking at his nails, making it clear she had made her mark.

“Let me use the bathroom first okay?”

“Yeah, of course. You wouldn’t want to miss it.”

“Right.”

Walking briskly into the old blue stalls in the bathroom, which you didn't even really have to use, but just needed an excuse to go somewhere and release your anxiety.

“Y/n? Hey. Y/n?”

Seeing Soyeon’s platform heels under the bottom of the stall door you jumped up and swung your head out of the blue metal.

“What?”

“Remember that guy you met today?”

“Yes, of course why?”

“He’s here.”

“Someone brought him?”

“No. He’s here with his two friends and Heather invited them to the table. One of them is that dude that’s friends with Mingyu with the that acts like a tiger, the hot nerdy one, and the other one is just some hot short buff guy, never seen him before. Anyway, We either have to get out of here right now or stay and hide in here until they're gone.” L

“Why don’t we just go-“

“No. I don’t want him to think you’re a bitch? Are you crazy? You can’t go dunking on nerds in front of three hot dudes?”

“Okay let’s go.”

As the two of you tried to make your exit from the ladies room you heard commotion outside in the dining room, so you both slipped back quickly into the bathroom, locking the door for some reason as you head the chairs scooting and the bell ringing meaning people were slipping out on one of the boys at the table.

“You think they're gone?”

“Yeah. I hear the sink running in the men’s room, come on.”

As you walked out of the bathroom in front of you Seokmin was sitting at the table covered in a turkey club sandwich looking at the long tab Heather left for him.

“Hey, what are you doing here?”

“Your ‘sisters’ dumped a sandwich on me and left the tab? Do you guys do this a lot?”

“It’s just some stupid shit Heather came up with when she became president. Me and y/n were hiding in the bathroom so we could come and pay the tab. But, you got to it first.”

“Right.”

Not saying anything and standing in your tracks cold, you watched as Soyeon took the check from his hands and waved you on to help him as she went up to pay.

“She dumped her food on you?”

“Yeah, my friends and I were just coming for takeout. I saw Soyeon so I went to say hi and she wanted to come get you. But the blonde girl,”

“Heather.”

“Yeah, Heather. She told me to sit down for a second and my friends went back to their dorm so they could keep studying and deliver food to some other guys. She was okay at first, but once Soyeon left she dumped her soda and sandwich on me and when I came back they were all gone.”

“I’m so sorry? Let me get you dry cleaning money or something.”

“No, don’t worry about it. I can handle it. I’m glad you two were here though, I don’t have my wallet on me. Are you okay though? Have you been crying?”

“I’m fine, just had a moment.”

The small black haired girl popped back over, tucking her card back into her wallet and smiling at the two of you sitting and talking with Seokmin covered in an orange beverage, a little bit of lettuce stuck in his hair.

“Want to come to a party?”

“If it’s at the sorority then sorry, no thanks.”

“No. It’s just some of my friends from the music department. They’re playing a show at O’Malley’s.”

“I don’t think orange soda is really a good look for a party.”

“That’s okay, y/n has to go change too. You guys just meet me there? I’m going to head out and get us a table.”

“Well I do owe you guys both a drink. So, sure.”

“Oh, and Seokmin?”

“Yeah?”

“Make sure y/n actually comes back out, she’s hard to get her hands on.”

“Of course.”

Walking back to your somewhat shared dorm, you and Seokmin walked in silence past greek row, watching all the girls running around to get ready for a greeting ceremony to the frat houses as escorts to their party.

The boy looked at you up and down, imagining you inside one of those grand houses gossiping and dishing on sister life just trying to figure out why you joined in the first place, your friend included.

Reaching your destination with only smiles and small giggles shared between the two of you on the walk over, you both slid into your dorm rooms and found clothes that were far more suitable for a night out.

You noticed the black tank top Soyeon had pointed out before and slid it on, matching it with a pair of dark ripped jeans and your go-to loafers, sliding back into the hallway, finding Seokmin on the other side of the door waiting for you.

He was somehow on your wavelength wearing an oversized black t-shirt and jeans.

“I figured I should try to match Soyeon's aesthetic somehow.”

“Me too. You look nice, I like your shoes.”

“Thank you.”

“Shall we?”

“Yes. I definitely need a drink.”

“So, y/n what is your drink of choice.”

“Anything strong and not sweet.”

“Oh, so not me then.”

“Shut up.”

Seokmin made you laugh, there was no way a boy like him was not taken or at least could be interested in you.

“Have you and Soyeon been friends for long? You guys seem close.”

“Actually, not really. We hung out for the first time today. I mean, I’ve seen her at parties and stuff, but she’s sort of been like a breath of fresh air for me.”

“Really? I’m surprised by that. Why are you in the sorority anyway? You don’t exactly have the same.. Vibe? Or whatever as the other girls. Especially the ones I met today.”

“My mom. The girl. Heather. Soda spiller, her mom and mine were friends when we were kids, they're legacy members. So I just thought it would be fun, but now.. I don’t feel that way.”

“Can’t you just quit?”

“I guess.”

“Why don’t you want to?”

“I guess I just want to be someone who sees things through. I also can’t offer Heather the satisfaction of knowing I left.”

“She really is that bad huh?”

“Worse. It’s a long story. Can we table it?”

“Of course.”

Reaching the door of the bar, you caught a glimpse of Soyeon’s shoulder tattoo near the stage, through the large crowd of people mingling.

“Go. I’ll order us drinks and meet you there?”

“You sure?”

“You said you needed it right?”

“What about your wallet?”

“Apple pay, y/n. Duh.”

“Your ID?”

“My friend is the bartender, just go.”

“So sassy.”

Walking your way through the crowd by pushing yourself through other bodies you finally reach the girl on the other side and wrap your arm around her waist as a hello.

“What the- Oh my god, you actually came? You look so hot. I’m proud.”

“Sorry. I didn’t mean to scare you.”

“It’s fine. Where’s the puppy?”

“At the bar grabbing drinks.”

“On the leash already? You’re good.”

“No. He’s just nice.”

“True. But, he also likes you.”

“I don’t think it’s like that, but maybe someday you’ll tell me I told you so.”

“I look forward to it. I saved you guys a table.”

“My girl.”

Soyeon gestured her long manicured fingers behind you, noticing the boy making his way with two glasses in his hands and another tall figure following behind him holding a tray with various things on top.

“Hi, Soyeon.”

“Hi, Keom. Thank you for joining us. Who’s the glasses?”

“My friend Wonwoo, he works here, well he just got off. Is it cool if he joins us?”

“Of course.”

“Nice to meet you, Wonwoo. I’m y/n.”

“Hey.”

“So. Since I didn’t get to ask Soyeon what she wanted and I wasn’t entirely sure what you liked. We brought over options. But, we have to finish them all because Wonwoo was nice enough to gift them to us and it’s unfair to not accept gifts.”

“Very charming.”

You made your second flirty comment of the night to Seokmin, even though your sober self normally isn’t entirely as bold as you find yourself being with him now. But, in all fairness you were just trying to catch his vibe. He didn’t respond verbally, but just scrunched his nose in your direction almost as if he was letting you know that he’s interested.

“First, a simple vodka soda, little lemon, then just a couple of beer options, this is a sour, this is just a simple light beer, and an ipa, which ew, but I think Wonwoo likes, some tequila shots and some lemon drop shots, also a whiskey soda and a jack and coke, and then a uh, gin and tonic i think? Right, Woo?”

“Yeah, maybe you should be the bartender, Seokmin.”

“I have other talents.”

All eight of your hands reach every which way around the table and end up with different drinks sat in front of them, you beelined for the vodka and the sour beer, Soyeon went for the whiskey soda and the tequila, Seokmin for the gin and tonic and light beer, and Wonwoo for the jack and coke and the ipa.

“Who wants what shot?”

Soyeon dipped her arm back to the middle of the table covering her eyes with her opposite hand, grabbing a hold of the small glasses very carefully and placing them around the small group.

“There. Decided for you, me and Wonwoo get tequila and you and Seokmin get lemon.”

Smiling widely at your friend next to you, you grabbed a hold of the shot glass and held it up signaling everyone to cheers. Which they all happily obliged.

Soon after the alcohol was going through your bloodstream the band started playing their music that hit you right in the chest, songs about living your life to the fullest and choosing your own path, much to your surprise Soyeon was the one who wrote the music that spoke to your soul.

After the set ended, Wonwoo and Soyeon wanted to stay back and have a few more drinks to congratulate their friends, and enjoy their night, but you were beat thinking about all the work you still had to do over the weekend and dreading the choice of man Heather would embarrass. So you decided to leave with Seokmin walking you back safely to your dorm.

“What are you studying again?”

“Me? Oh, I’m studying to be a veterinarian.”

“Wow really? That’s cool, I didn’t know. You must be busy as hell.”

“I’m sure you’re just as busy, being a doctor for actual humans is way more complicated considering a lot of them are assholes.”

“That’s unfortunately true. But, I love it to be honest. I can understand why people are afraid of the hospital and surgery I guess.”

“That’s good, maybe we should study together sometime? I know it’s not the same exact thing or whatever, but it’s nice to have company?”

“I would love that, tomorrow? I mean if you’re free. We can go to the coffee shop or library or anything really?”

“Yeah, just knock around 10?”

“Okay. Cool. I’ll see you tomorrow??”

“Yes, absolutely. Have a good night, y/n”

“You too, Seok.”

Trying to get comfortable in your bed, some pesky person kept lighting up your phone screen, reaching over to turn on do not disturb you and realized it was Heather. She was asking a bunch of interrogating questions about your new friend Seokmin, begging you to bring him over tomorrow.

Unfortunately for you, you knew her interest in him was about to make your new relationship a very complicated one.

[haveyouseenthismovie-poll]

Here is another data chart post, to celebrate 100 movies receiving majority "yes" votes!

This first chart is a breakdown of decades of the movies Tumblr has voted seen:

As you can see, the top four most popular decades are the 2000s with 38 movies, the 2010s with 23 movies, and the 1980s and 1990s are tied at 15 movies.

The oldest movie that Tumblr has voted seen is The Wizard of Oz (1939,) while the newest is Parasite (2019).

Next, a breakdown of the genres* of the movies that Tumblr has voted seen:

This chart shows that the four most popular genres are adventure with 49 movies, comedy and family are tied at 46 movies, and animation with 39 movies.

*Keep in mind that this chart is based on what Letterboxd defines these movies’ genres as, so you might find that you disagree with how certain films are categorized (for instance, the “music” genre describes films that are about music, not necessarily musicals. There is no “musical” genre on Letterboxd.)

I used to do these chart posts sporadically, but I think from now on I will only make these posts for every fifty movies that receive a majority "yes" vote. Hope that works for you all!

Under the read more is the data from these charts listed in text form. Have a great day, everyone!

Decade breakdown:

1930s - 1

1940s - 1

1960s - 2

1970s - 5

1980s - 15

1990s - 15

2000s - 38

2010s - 23

Genre breakdown:

Action - 26

Adventure - 49

Animation - 39

Comedy - 46

Crime - 6

Drama - 23

Family - 46

Fantasy - 27

History - 1

Horror - 7

Music - 3

Mystery - 3

Romance - 12

Science Fiction - 25

Thriller - 10

TV Movie - 1

War - 1

Western - 1

[kellyvela]

How is Joan? Is it considered successful or not?

I think it is a success.

Comments on Twitter are vastly positive. You can read some here:

The first episode won over the BBC show airing at the same time.

The papers and magazine reviews are vastly positive as well, and even the ones that are negative, about the script for example, praise Sophie's acting despite their critics.

The Daily Mail gave it 5 stars:

Collider praises Sophie with these words:

Given that the real Joan Hannington's reputation was the talk of the time, with her even being nicknamed "The Godmother," this series' mission seems to be showing an alternate side to the woman who made headlines. What was she like when not in the middle of a scheme? The TV drama is able to deliver on this by relying on a compelling performance from Turner. The actress, who has played minor roles in projects like the X-Men franchise and Netflix's Do Revenge, successfully explores multiple facets of her character in this series. Turner captures Joan's vulnerability when it comes to proving herself to social services, her motherly instincts whenever she is granted the right to visit her daughter, and her cleverness when it comes to pulling off high-risk heists.

Turner's level of dedication to the part shines throughout the entire plot of Joan, showing that she is more than capable of embracing any genre, from an action-packed Marvel production to a noir drama like this. If it weren't for the emotions she conveys onscreen beyond her lines, Joan wouldn't successfully have showcased its lead's underlying motivation of fulfilling her dream of being in a picture-perfect family. Although her actions consequently draw her away from her goal, we can believe that Joan becomes immersed in the crime world for a deeper reason.

[...] Yet, the production does function as a testament of Turner's ability to take on meaty lead roles, and the character's stunning wardrobe will surely make you wish you could steal it.

~~~

The Times gave it 4 stars:

Turner’s main achievement in this role is making the multilayered Hannington real, human and believable, not just a one-note “rough diamond with a heart”. Turner is famous for her role as Sansa Stark in Game of Thrones, but this performance is surely a career-best.

You could absolutely believe that Joan was a loving mother of a little girl and quite a hard-faced criminal. You could believe she was a woman used and abused by men, but also willing to make victims of others (wealthy “others”). That she was poor and vulnerable, but also had rhino-hide resilience.

[...] But Turner steals every scene with a magnetic performance, such as when the pervy jewellery shop manager tried it on with her and she cleverly swerved him by pretending she had “the painters in’’, or when she swallowed loose diamonds on impulse and she later retrieved them in the bathroom with the help of, er, a sieve. Let’s not dwell too long on the mechanics of that.

~~~

More from the Sunday Times:

~~~

More praise to Sophie:

As for Turner, I could watch her forever. In part, it’s her face: the cheekbones that make you think of bone-handled knives. Whether from Etam or Harrods, the clobber suits her. And boy, she can act. Hannington was a notorious shape-shifter – a brilliant impersonator – and Turner has a way with voices, layering poshness on top of light cockney just thinly enough for the audience to feel nervous, jeopardy trailing her character like Dior Poison.

She looks to me like she’s having the time of her life, and who can blame her? What a jewel of a role: a diamond as big as the Ritz.

~~~

From The Guardian:

Sophie Turner is spectacular as notorious real-life jewel thief Joan Hannington in this slick 80s-set drama. The six-parter starts with devoted mother Joan reluctantly giving her daughter up to social services after underworld bosses come for her abusive husband. Determined to get her kid back, she uses her glamour, charm and sharp mind to build a new life – starting with taking a job in a jeweller’s that specialises in diamonds.

~~~

From Radio Times, read the last part about Sophie:

~~~

More positive comments:

~~~

From Tatler Magazine:

~~~

From New Zeland Magazine Flicks:

~~~

And the list continues . . . .

[the-hottest-band-tournament]

Round 7 of The Hottest 80s Bands Tournament

Queen

Defeated opponents: Green Day, Earth, Wind & Fire, The Psychedelic Furs, R.E.M., Duran Duran, INXS

Formed in: 1970

Genres: rock, glam-rock, hard rock, pop-rock, pop, disco

Lineup: Freddie Mercury- vocals 

Brian May- guitar 

John Deacon- bass 

Roger Taylor- drums 

Albums from the 80s: 

The Game (1980)

Hot Space (1982)

Flash Gordon (1982)

The Works (1984)

A Kind Of Magic (1986)

The Miracle (1989)

Propaganda: “HAVE YOU SEEEEN THEMMMM???? these men never lost their looks as they aged. smoking hot 20 somethings to smoking hot 40 somethings. in their own words, "we was glam" and "we were all stunning". all four had impeccable style choices 99% of the time, from leather jackets and wraps to monochrome to undone blazers and ties to brightly coloured /everything/. Deacon changed his hair style every few years and even in just tshirts and booty shorts, never missed. Roger had a sleazy mullet and sunglasses for what felt like forever, hot Persian dad, did not miss. Brian forgot how to fully button shirts. bell bottoms. same hair for 50 years. no misses. even after Freddie got sick and started wearing makeup and had to grow a beard to cover up, MAN NEVER FUCKIN MISSED. he was beautiful to the day he died. and thats not even touching on the leather daddy look from the early 80s.king shit. we love wrinkles and laugh lines in this gd house. if they don't sweep I’m blowing this whole website up we was glam”

“a few years back i was obsessed with these guys and i would find it hard to not have a crush on all of them. in the 80s especially Brian was GORGEOUS.. BEAUTIFUL”

Depeche Mode 

Defeated opponents: Anthrax, Bruce Springsteen and the E Street Band, The Kinks, Wham!, Joy Division, Warrant

Formed in: 1980

Genres: Synth-pop, electronic rock, new wave, dark wave, alternative rock

Lineup: Dave Gahan - vocals

Martin Gore - guitar and keyboard

Alan Wilder - drums and keyboard

Andy Fletcher - bass

Albums from the 80s: 

Speak & Spell (1981)

 A Broken Frame (1982)

Construction Time Again (1983)

Some Great Reward (1984)

Black Celebration (1986)

Music for the Masses (1987)

Propaganda: The music. The LOOKS. The voice. (The sexual tension?) And they’re still going strong. My colleague saw them in the UK when they were only starting out and said they were so nervous. I find the juxtaposition of the confidence of their sound (not to mention the black leather) and that anecdote really endearing.

idk how much this counts as propaganda but I feel like it's very important to acknowledge that Depeche Mode specifically makes kinky synth for bisexual sluts. Like that's it, that's the band. They even managed to make their cover of "(Get Your Kicks On) Route 66" sound like it's about selling ass on the interstate. Slutty legends.

Visual propaganda for Queen:

Visual propaganda for Depeche Mode: