#that. doesnt mean he loved them (this is Very Much implied in the series considering. he collects them like trophies

[mx-paint]

I think some of y'all have different definitions of what the word "realistic" means...

[thornswoggled]

on chises family, "a storm brewing in the east," and future arcs

hello im back from two years of not posting on this sideblog to spitball a theory thats been burning a hole in my brain since i caught up with the manga. all loose speculation, id be extremely interested to hear thoughts on this

now that fumiki is back in the picture, id like to theorize that yuuki hatori will soon follow. for the purpose of this theory im going to skip all the reasons why yori is absolutely fumiki. imo theres no point addressing all the evidence here, but id be happy to summarize if not. more attention being paid to chises life in japan, chise wondering why her father "abandoned his role," and elias expressing curiosity over the circumstances that led her to meet seth are all hints towards yuukis story coming to light

one thing TAMB does that i love is how tertiary characters are facsimiles meant to help us understand our main characters. for example, all the "toxic" pairs we see in season 1 that we are meant to compare and contrast elias and chise to, all in various ways that help us understand the ways their relationship might evolve. these minor characters may seem unimportant, but are preparing us to accept developments in the main cast. i believe there are two characters in the college arc that are prepping us for yuuki hatoris story - seth noel and adam sargent

lets first address fumiki, who ill just call yori. yori seems to have mastery over his eyes, which "have the power to bind [fae]" according to gabriella. this is a power both he and yuuki have, which protects chise and chika for a time. however, chika implies in chapter 19 that he didnt always have this ability, or perhaps didnt have the sight at all until he became involved with her. which is strange, considering yori has a "family business" important enough to require he study abroad to train for:

lets run with the idea that yuuki started off with weak or nonexistent powers. have any other men in this series been booted from their families because they lacked the skill?

its possible that this "family business" (assuming yuuki didnt found it himself, and that yori doesnt just mean the church, which i dont think he does because he seems specialized in exorcism) eventually learned that yuuki acquired his binding powers, as well as a child with the same ability. again, are there are other men who are forcibly dragged back into their family, to the detriment of their young daughters?

theres a few reasons why i think such care and time was put into the backstory of philomelas family. chise has done much of the character growth thats possible for her at this time, and attempts to "fix" philomela as a way of fixing herself. she projects on her, and for good reason too, since we are meant to compare them almost 1:1. i believe that the amount of time sunk into adam sargents story is meant to warm us up to understanding yuukis situation, regardless of whether we are meant to forgive him for his abandonment. seths story, too, introduces us to the idea of magical families booting their unworthy kin. which leads us to:

going back to the screencap for the beginning, lets give yuuki the benefit of the doubt and assume hes being truthful when he promises hell be back for the girls one day. this phrasing is really interesting, and i feel like it implies yuuki knows the place hes going is too dangerous for them. assuming hes returning to his family, or to some sort of organization (which i say because yori is part of the conclave/church), perhaps hes afraid that theyll be taken advantage of. or... maybe he was just lying! there is very little we understand about the church, so there are all manner of reasons why yuuki and yori may have ended up involved with them

so, great, okay. fumiki is here, and yuuki may be coming soon. under what context might he show his face? i have some ideas, but this soon into the arc everything is too subject to change. im also not convinced any of this will be addressed in the fiendbane arc. after all, yori was first introduced at the beginning of the college arc, and is only now becoming relevant. so all of this may only be laying the groundwork for yuuki to return in another arc, if not this one, which appears to have a lot cooking already with the dragon, the new mage, etc. but then again, we get oberons little prophecy:

i think we all understand this is japan, right. like, it has to be. it doesnt seem that oberons phrasing in the JP text matches what the great wall of china is called in japanese, but i dont think we are meant to interpret it any other way. what else could it mean, hadrians wall? cmon

all of this focus on chises family, past, and meeting with seth are perhaps warming us up to these people and places becoming relevant when the storm breaks. and i believe yori and yuuki will be the ones to involve chise in it all. now, at this point its clear yori doesnt know who chise is, and is just as likely to not know he had a sister at all. but i think this guy knows:

now... i double checked, and im almost certain this is not seths bodyguard. they have similar hair and fashion, but seths bodyguard parts his hair to the side. its been so long since yuuki has appeared in the manga that its impossible to know for sure if this is him, and im not confident at all that he is. they share some qualities for sure, but that doesnt mean much in this medium. he certainly has yoris swooping hair, at least, so if hes not yuuki he might still be related to him. in the same family business, perhaps? all we know is that hes been here before, and may have been keeping tabs on them in the same way the church does

the use of "wrest" in the above panel is notable here. to wrest is to forcibly take something, and what kind of "blessing" would they want to seize from elias' possession? maybe a useful slay vega that yuuki failed to disclose? if, IF this is yuuki, his demeanor has changed much over the years, and perhaps he is more willing to put chise to use now that he knows where she is. its possible yuuki is making good on his promise, and really is coming back for his daughter like he said he would. we have, after all, seen in chapter 99 how liam and isaac are both unwilling to return to their homes, and the sudden development of philomela being taken in by the scrimgeours. again, philomela is meant to be a near 1:1 chise dupe, so its compelling that we are just now seeing her spirited away to join another family without warning. again, developments among secondary characters prep us for developments among the main cast

again, too soon to tell, and the next chapter is coming soon, so theres a chance this will all immediately blow up in my face. however, we have already seen chise get scouted by another mage, and elias considers how frightened he is that chise will desire something "he cant provide." so how catastrophic would it be if she was also compelled to rejoin her family, searching for answers and closure in a way elias cannot understand? personally id love to see it, though itll be a long way off

do you think yuuki is coming back? do you think yori is a red herring? let me know. ill leave you with this

[chirpsythismorning]

Realistically do you still think Milvn will breakup in the first couple of episodes? I feel like the fabdom is focusing on fanon so much at this point that they are missing canon and actual narrative on the show. It seems very unlikely to me for Mvln's breakup taking place in first couple of episodes. But the fandom are still stuk in their previous thoughts and cannot seem to think differently at all and never even consider the possibility of mlvn breakup happening way later on in the next season. Most of the Byler's analyses about El's character has turned out to be wrong. El doesnt seem to be done with the relationship. She still loves Mike (or thinks she does) and she drew strength from his monologue. A mildvn breakup right into S5 does not make any sense canon narrative wise. We can argue that the show was different that the script, while i agree with it to an extent i reaaaly think people are trying way too hard to discredit the writers intention and the script here. El was not angry at Mike. She was sad about Max and Hawkins' situation. 🤷‍♀️

What i am saying is that i feel like most Bylers are misinterpetating what is happening with the narrative here and it leads to unrealistic and baseless expectations for the characters and S5 regarding how Mlvn vs Byler will take place. And i am greatly sorry but i dont think Mike lied in his monologue, like at all. And the situation reads like "Mike loved el romantically but they wont be together bc of incompitability". El is not even still over Mike. And people expect her to be like "i breakup with you bye" right into S5. Mike still has underlining feelings for El. Like... all i am saying is people shouldnt base their expectations on headcanons and fanon misinterpretations.

Lastly, while i really would like a more detailed gay coming of age and sexuality storyline for Mike, realistically going by canon i dont think its happening. Sorry. They will mostly focus on Will's sexuality and coming of age it seems like and Mike will mostly have a "realization" arc where he realizes El and him are not fit for each other and then he decides to be with Will.

Based on the show’s trend of doing break-ups (or at least implied break-ups) early in the season, yes I do think it’s likely that the audience will at least have the impression that Mike and El are broken up early in s5.

That’s based on a technique they have done repeatedly, whereas the assumption that they will break-up midseason is based on what exactly? The Duffers saying that s5 is jumping right back into the action?

I mean, if anything shouldn’t that be an indication that the arcs heavily built up in s4, that were left deliberately unresolved, are going to be dealt with in a timely manner, as opposed to being put on pause and then squished into mid s5, when we’re arguably going to have even more stuff the characters are dealing with? Like, them literally fighting for their lives?

When it comes to Mike’s monologue giving El strength according to the script, this is actually really easy to explain and so I will! 

For starters, they did not disclose El's feelings about the monologue in the Piggyback script, bc they released it knowing it would go public, at least two years before s5 is set to actually come out. They would not just throw in a huge spoiler like that, seeing as it was intentionally left unaddressed in s4, with the intention to be addressed in early s5. That’s the whole thing about s4 kind of leaving things so shaky and uncertain, with s5 jumping us right back into that, bc there was just so much set up for all of those dominos to inevitably fall.

To understand Mike’s monologue and its impact on El better, it might help to recall the memory of El’s birth and how her mother’s love is what gave her the strength to defeat Henry the first time in 79’.

I mean look at the lighting of that scene, it’s probably the brightest fucking lighting we’ve ever seen in the entire series (you know what light means... pure, genuine, true love…). And it’s because strength from love is much more powerful than strength from anger. That’s something she is literally throwing back in Henry’s face that day of the massacre, going against what he told her to do and instead using the memory of her mother’s love to beat him. 

During Mike’s monologue, we see El using anger to give her strength to finally break free and stop Vecna, all orchestrated by events that Henry has had a role in impacting, meaning he was actively going up against her this second time, all while knowing that in order to actually beat her, she needed to be vulnerable and unable to use love as strength, with her only option being anger. And so what we see is anger about Mike still woefully misunderstanding what she had tried to explain to him earlier in the season, along with watching her best friend be murdered in front of her. And look at the lighting of that scene, she's literally seeing red. The atmosphere is eerily uncertain at best.

This monologue was SOOO necessary for the narrative in order to keep the public away from considering Byler. Because they already don’t want to consider it as it is, and that monologue gives them an excuse not to. You saw how they reacted to the piggyback script? Like it was this huge sigh of relief for them? Meaning that they were having doubts…

The thing is, I have considered the possibility of a mid-season Milkvan break-up. I’ve talked about how waiting until mid-season, something that would be unprecedented bc they’ve never done it before, would be odd considering we will be dealing with vastly different concerns and conflicts by that point. 

For them to hold off settling a break-up, that was built up all of s4 (arguably since s3), until mid-s5, would fall flat. If anything jumping right into the action means all the major stuff built-up, but left unaddressed in s4, is what we’re jumping back into.

They need to address those things so that they can move on to the aftermath of all of that and then beyond that. 5 episodes of ignoring that, and then 4 episodes of it happening and processing all of it AND dealing with endgame right as the finale is coming to a close, would be hard to juggle and make satisfying.

The reason they like this approach so much, is because it allows the audience to root for the other option in the love triangle. And with Will getting home-wrecker allegations as it is, a milkvan break-up is extremely necessary this time around as well, especially with byler being endgame and them really wanting us to root for them finally. 

How can we do that if the Duffer’s break their own trend of early break-ups and in turn make it difficult for us to root for byler, all while leading on milkvan’s unnecessarily even longer (with no intention of going that route), making it even more unlikely for viewers to accept Byler endgame?

They’ve been building up to this inevitable break-up since s3, with s4 ending in a way that made it sort of obvious El is not happy with Mike and with Mike clearly struggling with something.

Are we just going ignore the implications of the inevitable painting reveal or the fact that Mike called El ‘his’ superhero (the most insulting thing he could do honestly, least of all during a love confession) at the end of s4, and have that confrontation be stretched out? For what? El hasn’t even responded to it or told us her side at all? She told Mike she missed him and that’s it… That’s all we’ve got. Like, let her speak and actually say how she feels about their fight in her room and the events at Surfer Boy and everything leading up to this inevitable moment for them.

While Mike and El didn’t outright break up in s4, there was heavy implications of it, and that was for a reason. They wanted us to watch those Will and Mike scenes throughout the season and see something more. Even though it didn’t end with a kiss between them, nor them officially getting together, they still did it because they wanted us to interpret those scenes as romantic comfortably. That's also why they kept Mike and El seperate at the end of s4, because they wanted us to look at Mike and Will in a way that made us go 🫣🫣🫣 at the very least.

Now, if s5 is leading to Byler endgame, just imagine how much more important it is to make it really clear that Mike and El aren’t happening?

Another even more important reason to have break-ups early in a season in general, is to allow the overall season to have a vibe that is cohesive as it’s own entity. Major stuff happens at the beginning and major stuff happens at the end, with the middle making up the overall vibe and feeling they want us to subscribe to the whole time, with certain pairings being constant that time more than the end/beginning. It makes more sense for us to root for byler most of the season, the whole middle, and for the first time at the end now as well, while letting go of El and Mike early on, even if it’s ambiguous like it was in the previous season. Personally I think the prospects of a dump your ass parallel are high… (can we do something interesting and fun like speculate how the break up would go down? Will it be angsty? Will it be lighthearted? Like I want to see all of those hot takes bc that's actually something that is more fun to think about than the 'when').

I know some people are here because they love romances or love queer romances and just enjoy shipping in general, but I’m genuinely here bc Byler makes sense based on all that stuff you would probably consider to be reaching. That stuff is the best part to me. So, if you don’t like others doing that, then consider muting those that you deem as people ‘misinterpreting the narrative’, again, according to you. 

At the end of the day you can believe whatever you want to believe. 

This idea that it’s okay to tell other people they are wrong and have baseless claims, all while ignoring the actual evidence they are presenting… Like I mean this just comes off like Milkvan’s telling Bylers they’re delusional for considering Mike and Will as being a possibility at all. If you have to constantly use, it’s not that deep as your core argument after being presented with evidence, while only yourself giving maybe one or two reasons at most for why your interpretation makes the most sense, then you’re probably not actually open to considering things based on evidence. You want to believe what you want to believe and you're projecting onto others for not following along with it.

Especially when it comes to the whole Mike having a coming of age story or whatever, where some fans have tried to make the argument that there is nothing to support that, when that actually couldn’t be further from the truth. Bylers have provided heaps of evidence. If all of that is not enough for you, that’s something that you have to contend with at this time. Just like us believing what we believe based on evidence we’ve gathered is our concern and something we have to deal with, not you. No need to apologize! Just try to worry about your own interpretation of things and feeling confident in that, but without having to tear down others' because they don’t subscribe to yours interpretation of things.

Because I feel like it would honestly be a lot more humiliating to insist other peoples theories are wrong and they’re only going to embarrass themselves in the end, only for that person saying that to end up being wrong… Everyone is making theories and everyone is bound to be wrong about some or even most. That's okay. That's natural. That's sort of an unwritten part in the agreement we all agree to by participating in this theorizing in fandom experience.

When it comes to Mike again and his arc, I always say this, but it really comes down to this more than anything.

Finn is 2nd top billed among the kids. He used to be THE top billed among the kids for s1-3, but then he got bumped down behind Millie in s4. There is a major possibility, that Noah is going to be ranked up, with him going from being paired up with Sadie, under Gaten and Caleb, to be bumped up under Finn with them sharing a title card. Though it’s unlikely they would rank Finn down under Noah, who was not even in the opening credits of s1, while he was the first name that season and the following two, meaning Finn's character Mike needs to live up to that top billed spot right behind Millie. He needs to have an arc on his own that is equally as substantial as Will and El's arcs, and separate from them just like theirs will have aspects that are separate from Mike as well.

Because Mike was the protagonist of the first season, he HAS to be important again in a similar vein in the end for the show to work as an overall five part story. When people go back to rewatch after s5, they are going to be met with Mike front and center. That will only be satisfying if we get genuine insight into his character in the final season, beyond the surface level.

Quite honestly, ALL of the kids deserve something deeper than what you are implying for Mike, and so applying that to him, the og protagonist, is just so absurd to me. If anyone is going to come out with a surprising arc we’re not expecting, it’s Mike. The audience is already not expecting Will to actually get the boy, that's the aspect that they aren't prepared for for Will, and so what about Mike's unexpected reveal?

Literally most of the audience doesn’t even think there is the slightest possibility Mike could be queer. You don’t think that warrants some addressing and unpacking…? You know… because he never really unpacked…?

I feel like people hear me say Mike is going to be important in s5 and go oh so you don’t think Will is the main character?? And it’s like?? Honestly my answer is yes and no. I think Will is literally the spine, the heart, or whatever you want to call it. In Finn's own words, he is the reason that everything happens and he is the most important character arguably, because of how important he is in terms of all of these events taking place throughout the series.

However, Mike is at the forefront from the very beginning and we arguably see everything from his eyes in s1 and 2 more than anyone else. But that goes away in s3-4. And that felt extremely intentional based on what is about to go down (byler endgame). You can tell that by doing this, they are trying to lead up to a reveal that brings him back to his original place in the story for the audience to see him as his most authentic self again, and with answers for why we lost that insight in between.

I could count up at least 20 Easter eggs hinting at Mike being in danger/targeted, which goes all the way back to the first episode of the series. 

This isn't even considering, that another trend they’re likely to bring back in s5, bc if they don’t they’d be breaking a series long trend, is Mike being late. He starts every season late. And so, what is Mike going to be late for this time? Could it have something to do with all of the unknowns about him that are yet to be addressed?

I think that sometimes we say that something isn’t going to happen because we don’t want it to. A lot of this stuff I’m saying happening isn’t based on feelings, it’s based on actual evidence.

If you don’t want certain things to happen because of x, y, z, you can just say that is the case instead of making arguments that there is nothing supporting it, when that’s not actually true?

Like nothing? Nothing at all? Baseless? Like, be serious rn.

ST5 is very likely going to give off s1-2 vibes. While Mike is going to be less in the background compared to s3-4, Will AND El are still going to have equal, if not more attention than him, bc I do believe that their bond is what is going to also be a part of saving Hawkins.

The ending is going to be surprising bc those primary color-coded bitches are the answer to it all. If me saying that upsets anyone because it goes against their interpretation of things, I'm sorry too I guess!

[probably-haven]

after binge reading i have come to a new revelation: I’m not a fan of most Xiaoven fanfics

Don’t get me wrong, I love the ship and its one of my favorite to think about.... but most of the fanfiction for the ship just- doesn’t sit right with me for a number of reasons. 

Disclaimer: these are personal opinions from my own taste and are in no way an attack against any authors out there, because frankly fanfic authors are great and not like i could do better lol. As these are personal opinions, I acknowledge here and now that a number of people disagree and that they are under no obligation to change their opinions in any way as it is not and never will be my intention to tell others what they should be thinking That said- read at your own risk if you want- meh, anyway-

time to share some opinions that have been on my mind lately

The biggest reason.... is how they handle Xiao. And I don’t even mean mischaracterization because Xiao is such a complex and yet simultaneously simple character that as long as you’re somewhere in the range of “Xiao vibes” it’s really hard to write him out of character because of his complexities. What I mean is something that i actually completely agree with as being accurate to his character. In nearly every single fanfic I’ve seen, there is some element of idolization that Xiao has for Venti, or for the sake of reference, Barbatos. He tends to think himself beneath Barbatos and/or indebted to him, whether that be because he’s an archon, because he saved him, or simply because of Xiao’s tendency to dehumanize(yes i see the irony in that word usage) himself.  This by itself isn’t an issue but its often how this trait of his is treated.

Imma just list a few ways I’ve seen this be handled within Xiaoven fics. - It isn’t handled, it’s just there and accepted as a part of who he is in the story - It isn’t handled but his trait is treated as source of humor within the story - Venti(and others) roll with it (finding humor in it, just cant change it, encouraging it, making jokes about it, etc.) - Venti takes advantage of it(whether accidentally or purposely) - it’s actually addressed(by Venti or someone else or the narration- can go a number of ways, but just- even a brief reference to the fact that its not a good mindset fits in here) - savior!Venti(Where venti disagrees with it but the way it’s written gives off “god among mortals” vibes- like he’s just being humble and truly is above him in reality) - its the focus of the story  - not directly addressed but shown to be destructive.  - they chose not to not include this in the story’s characterization of Xiao(just saying that this is valid ahead of time) Theres others but i have a lot already.  Note that I tend to read more ‘serious-toned’(idk if that makes sense) fics so that may skew my perception

Now there’s a few that i have issues with on their own- both instances of it not being handled, Venti(and others) rolling with it, Venti takes advantage of it(purposely(and without good intent)), and savior!Venti. Xiao not only has this trait, but he is unfamiliar with what is normal in relationships or emotions as a result of isolation and inexperience. He is also either not aware of or not concerned with what is considered strictly “healthy.” Combining these makes for a rather dangerous combination and just accepting it as “oh he’s just like that, it’s who he is” or making it out to be something funny- It’s not wrong or bad by any means necessarily, and I could still possibly enjoy it to an extent depending on a series of different factors, but its- not as often.  Even in the case where I do enjoy reading it however, I would still feel uncomfortable sharing it with or recommending it to others because in the first instance it feels like normalizing a destructive and dangerous mindset, and in the second case it does the same while simultaneously making a joke of it. It’s the same deal with Venti or other characters rolling with it, but that’s probably gonna be mentioned later too. Not to say that this is a “wrong” way to handle it, that it makes the fic bad, or that authors even are normalizing anything by doing so, just that in my specific instance- not a fan. 

I’ll get to the others when i talk more about Venti, but for now: It’s the focus of the story. I think I saw like... 2? where the story was like- focused on this and why its a problem which- power to them, address those real world problems like a boss- but also i wouldn’t actively seek it out or anything- like, good job, but doing so just leaves it open neutrally for other factors to decide how good a story i think it is. 

not directly addressed but shown to be destructive. You’d think i wouldn’t like this- but frankly in fanfiction not everyone wants to address every character flaw verbally because it can through off story, narration, dialogue, and general flow to do so. This can be with an event, an action, a dialogue, a mere comment, making it actually fit into the it’s actually addressed category except that its- subtle enough to make its own category. plus i live for show not tell- in everything- its a thing. im- very much a fan of when the fics do this but the subtlety is easy to miss and its not common so- 

It’s actually adressed- doesnt have to be a lot- just mention anywhere or imply anywhere that maybe idolizing someone as a god and savior and being in a relationship with them while having little knowledge of standards, emotions, relationships, or healthy behaviors in general- maybe isnt the smartest idea in the word. (”Call me Venti, not Barbatos” by itself is not enough to fit in this category tho as a note)

-

Now lets talk about Venti...

uh.... those who have followed me for awhile will probably already know this but... I have a lot of opinions on Venti and a pretty- “niche(?)” perception of his characterization that isn’t shared by a lot of others- so I don’t actually read as much Venti fanfic in general as you might expect because I often end up disagreeing with how writers portray him, which again, in no way is their characterization wrong, but- “their perceived truth” conflicts with “my perceived truth” and by extent so does the characterization, though neither is any more correct than the other from an objective point of view, if that makes sense... but anyways now that that’s said, moving on before this becomes a philosophy lecture, as fun as that would be for me.  I’ll try to keep my “perceived truth” out of this for the first bit. 

Venti’s response to this: 

He rolls with it: this depends on the mood of the fanfiction. If they dont put a lot of stress on that trait of Xiao’s it totally fine but if the trait seems to be a major part of Xiao’s character, it seems like normalization once more. (more on this later)

he takes advantage of it purposely: if its an AU or something and Venti’s like a villain(i saw a few) then- villain venti isnt my cup of tea but i have no qualms. If they don’t portray Venti in a negative light while having him take advantage however that’s a bit uncomfortable to read for me because it feels like normalizing taking advantage of that mindset as well as the mindset itself. However, i did see a number of instances of Venti using it as leverage for like- self care- which i definitely have no qualms. Xiao: [insert probably destructive idolizing statement about being indebt] Venti: How bout you pay me back by actually sleeping for once smh or other variations are okay and depending on the vibe are actually a really fun dynamic as long as it doesnt turn into romanticizing or normalizing it, y’know?

Venti accidentally taking advantage of it.... I love angst- and in most of these theres a sense of guilt when he realizes- and i just think thats a lovely way of addressing the dangers of such a mindset for both sides. As long as it doesn’t keep repeating to the point of romanticization its totally cool to read in my eyes(not irl ofc). If Venti never realizes he accidentally took or is taking advantage it feels a bit like normalization, and if he does but just- doesn’t care thats- a rip.

savior!Venti...... i- i hate. the story giving off vibes that Xiao’s mindset is technically correct while Venti oh so humbly tells him to treat him as an equal like the wonderful and charitable person he is.... i just- no. of course thats over dramatizing it- I think the main thing that gives it this vibe is when Venti doesn’t seem either concerned, surprised, uncomfortable, or otherwise have a negative feeling towards Xiao’s mindset. Just- it makes the whole thing weird in my eyes when Venti doesnt really seem to have his own reason to oppose the mindset idk- 

-

fact time!

Venti is the god of freedom. His backstory is freeing Mondstadt from a god’s tyrannical reign. His origin is a windsprite, just another breeze bringing changes for the better. His form is a nameless boy who played an instrument and then died, thus failing at his only dream and only ever accomplishing anything because of the help of others. He slept for a thousand years after the archon war to avoid putting Mond under the rule of yet another tyrannical god. He only even became a god because Andrius chose to let him. He wouldn’t have even had that chance if the nameless bard had survived, he’d remain just another wind while his friend ascended to godhood. Venti sacrifices his own power for his people’s freedom. 

now that I’ve laid out a number of canon facts, time for opinions:

Venti has little to no desire to be seen as a god. He thrives in, comes from, and emphasizes a lack of superiority in quite nearly everything. The first Ragnvindir, who canonically turned his back on Venti after Decarabian’s fall, likely did so because one- he anticipated power would corrupt and Venti would soon become just another tyrannical god, two- he suspected Venti used the nameless bard in an attempt to rise to godhood, or three- idk insert other possibilities to acknowledge again that i could totally be wrong.

Look me in the eyes and tell me Venti wouldnt trade godhood for his friend in an instant. His godhood was only granted to him because his friend died and could easily serve to constantly remind him of what could have been and what he lost. Venti takes no enjoyment from being seen as superior and in my opinion, I feel that it could actually make him largely uncomfortable when his divinity and abilities as an archon get involved-

also self promotion for my favorite posts- check out #archon war era venti if thats interesting to you

so anyway Venti rolling with it or making jokes about it just doesn’t sit right with me.- 

-

Okay! enough talking about that mindset!

idk- i have... a few/lot of other gripes and stuff or just things that kinda throw off the vibe for me but that’s the main one plus my general personal pickiness when it come to Venti fanfics- but this has gotten long enough already- 

idk i just felt like rambling about it and i haven’t done a long post in a while so-

again, I love the ship and its actually one of my favorites- just the fanfic isnt my thing..... that doesn’t mean i don’t still love it and come up with a whole ton of brainrot and ideas on it tho lmao

[quitealotofsodapop]

MvA assorted headcanons

General:

So many years together has made the core monsters inseperable. If something affects one member, it affects the group.

All. The. Monsters. Are. Family.

It takes Susan a while to understand inside jokes and past incidents because of being the most recent addition.

There are Other anomalous creatures kept in Area 5X, but they are either non-sentient and/or are too dangerous to be kept around the more human-friendly monster group.

Area 5X is so gotdang big because they were expecting a lot more kaijus like Insecto to crop up. Sadly not many have surfaced to justify the space.

There’s a hangar in Area 5X full of wrecked UFOs. Some are spacecraft wreckage while others are stuff like weird meteors (Susan’s is in there), and at least one alien creature that got crystallised upon entering Earth’s atmosphere.

There’s significant difference in staff employed at different points throughout the past 50 years. There are far more women on the Area 5X worksheet than back in the 50s, and the guards are generally more sympathetic towards the monsters. Many modern staff members have been reprimanded or let go for failing to uphold secrecy, or for unnecessary cruelty towards the monsters.

Budget cuts were a legitmate concern up until the Battle of Golden Gate Bridge. The facility was far more barebones and sterile before the government had to formally recognise Area 5X’s importance. There have been a lot of redecorating at the facilty since the fat checks started coming in.

Putting individual characters under read due to length.

Susan:

Enjoys many hobbies considered stereotypically feminine; baking, sewing, cosmetics, etc...

Grandparents and extended family are farmers or are atleast connected to the business. Modesto is the agricultural centre of California after all. Her parents were the first of their generation to go against the mold and seek out white-collar careers.

Studied cosmetology in school and was working at a beauty salon to save up for her and Derek’s wedding.

Is very athletic and grew up doing a number of physical extracurriculars like cheerleading, dodgeball, and roller-derby.

Grew up being teased for being the shortest kid in her class/family. They still tease her for it.

Greatly fears causing collateral damage and/or harm to others through her size.

Has issues with anxiety, worsened only by her new job as “savior of earth”. She wishes for a confidant to tell her worries to.

Married life with Derek was doomed to fail. Susan had a plan in place for what came after the marriage, and focusing 100% on Derek’s career was not it. There’s also the line from Derek’s mother about Susan being “the weatherman’s wife”, implying that she was to be the homemaker and not have a career of her own. It’s possible that Susan was planning to settle down and have kids with Derek, but the lack of control she had in moving to Fresno implied that more was going on.

Is currently “taking a break” from love and dating, despite gaining many new admirers.

Tries her best to return to Modesto to visit her family and friends whenever possible, though work often keeps her away for weeks at a time.

If she retains her height-shifting abilities as in the series; Susan goes through really bad “growing” pains.

Link:

Was frozen in his relative late-teens during a cold snap. Got shifted around until he ended up somewhere in Greenland before being discovered by modern humans. Post-thaw he went a bit wild, swimming frantically back south to try and find his old enviroment.

Was one of many scrappy youngsters in his troop, with a number of adoptive parents. The strongest ruled the troop, and Link was fairly weak in comparision to the leaders. He had gotten into a fight the day of his freezing (over something silly in hindsight) and swam away to sulk. When he didn’t return after the cold snap - the troop accepted that he had likely died out on his own.

Likes to freak out humans by making up weird biology facts about his species and ones he’s fought against - like joking about laying eggs or having his tail dettach and regrow like a lizard. However there’s some things he has to ask about, because he doesn’t have medical knowledge or words to describe something.

A lot of his macho behavior came from imitating the guards who kept watch on him. 1950s violent military alpha males aren't a very good role model for someone who doesnt know what societal norms are yet. Link was a lot more insufferable back in the day but chilled out as he began interacting with other walks of life.

Has a high paternal instinct and immediately becomes softer around kids and smaller animals.

Has body language similar to a cat/alligator. Slaps his tail when angry or in deep thought. And yes; Link purrs/rumbles when happy.

Loves monster movies - especially the ones where the monsters “win”. He cried when he saw “Beauty and the Beast” and then immediately booed loudly when the Beast turned human.

Does Not Trust doctors or scientists due to bad past experiences. Will only go to Dr Cockroach and Monger if he ever gets hurt/ill. Gets stressed fast if he has to be in a waiting room or doctors office.

Link had no idea what gender indentities or orientations were until recently - he did come from a pre-human civilization that really didnt mind/care about the schemantics. It took him some time to wrap his head around it. He identifies himself as bisexual after much thought and many hours alone on the computer.

Don't press him about his body. He's built different from humans and cis people. He will punch anyone who doesnt respect his or anyone elses identity.

Has been in love before. It didn’t end well.

Will occasionally wear clothes, but finds it a challenge to find anything that fits him. Will give any shoes he finds to Dr Cockroach and BOB to eat.

The best driver/pilot out of all the monsters.

Dr Cockroach:

True name is Jaques-Yves Herbert. Prefers to just go by "Dr Cockroach" because he dislikes the association with his birth family.

Picks up human languages very easily, although not as quickly as he can understand animals.

Parents were a mixed scientist couple. His father was an aggressive “Strong British Man” that would beat him son down for not following orders or for not meeting his standards for a man. Dr C turned down both chances to attend his parents funerals.

This man isn’t straight. He probably uses old-fashioned slang when asked about romance such as; “I am Uranian” or “I wear a green carnation”. It took Susan a few times to realise what he meant, as she is used to a more open minded enviroment.

Got the idea of transforming into a cockroach from reading Franz Kafkas “The Metamorphosis” as a child. He sympathized with Gregor’s abusive situation, and began considering the possibilties of how one could survive better as a creature like a cockroach.

Studied in biology and entomology in the Uk before moving to the states to follow engineering. Obtained his degree in Dance as a “side gig” in University.

Has been barred from free access to the coffee maker/machine due to overnighters. Once stayed awake so long that he forgot the letter “R”.

Owned a terrarium of Madagascar Hissing Cockroaches throughout college. He mourned each of them when his roommate’s iguana got into the tank.

Was a "beatnik" back in the day and still kinda is. Embraces and encourages modern counterculture as he himself was not given such acceptance in his youth. He has however shamefully eaten his old Lenny Bruce album.

Hasn’t actually aged physically since his transformation. He attributes this to the fact that certain athropods can’t age physically beyond maturity. Link is very jealous.

Has obtained more degrees while in captivity, as Monger allowed him access to research and learning materials. He has however had his allowances revoked for previous escape attempts/doomsday devices.

Does still enjoy human food, but the cockroach instinct of "eat detritus" tends to overrule his eating choices. Can’t cook either.

Ironically a terrible driver. The damages from previous drives has made Monger restrict him from operating even a razor scooter.

BOB:

Pretty much considers himself human. Was created by them, raised by one (Monger), and talks like one. Gets sad when he's reminded that no other humans are blue blobs like him.

Absorbed some dna from the scientists present at his "birth", leading to his eye, speech, and omnivorous diet.

Doesnt actually need to breathe (as he can just absorb oxygen through his mass) but the fact that humans Do means that BOB thinks he has to as well.

Shares some physical characteristics with tomatoes/nightshade plants, as he is technically half tomato. He refuses to eat tomatos for this very reason, considering it cannibalism.

Attracts garden pests looking for a tomato plant. This unwittingly makes BOB a pretty good bug zapper.

Still retains his "mental broadcast" ability from "BOB's Big Break" although at a more subtle level. He tends to parrot the things he accidentally "eavesdropped" on.

Is empathetic, and can tell when others aren't doing ok emotionally. Will flop down on someone who’s really sad to comfort them. No brain, only heart.

Best cook out of the monsters. If he doesn’t forget what he’s making at least.

"Whats a gender? Can I eat it?"

Insectosaurus:

Core body is that of a Japanese Silkmoth, although she ended up being spliced with other animals present on the island during her initial mutation; namely ants and ground squirrels.

Eats over a literal ton of mulberry leaves per day. Also enjoys oranges.

Secretly wishes to be more humanoid.

Was only able to pupate and transform due to physical trauma. It seems that her transformation was like a “power-up” that required her to be in geniune distress for it to activate.

First language is Japanese. She learned it from the intial recovery team, and later developed an understanding of English from years in Area 5X.

Goes into torpor in cold weather. Pretty much impossible to wake her up for missions during Winter, as she needs to “rev up” before becoming mobile.

Still very much Link’s best friend. Still enjoys sports, chicks, and beer.

Monger:

Full name is; Warren Rex Monger.

Is very protective of the monsters and will defend them to the death.

Pretty much raised BOB (as seen when BOB was a baby blob in “Night of the Living Carrots”), and considers him his “freaky gelatinous son”.

Has a reputation of being a “control-freak” due to his aggressive overseeing of the monsters’ containment. This toughness is partly because of incidents that occured without his knowledge. Lets just say some scientists have been wedgied/fired for running experiments on the monsters without Monger’s approval.

Has a very “Ron Swanson” emotional response and view of the world. Crying is acceptable only at funerals and at the Grand Canyon (if he hadn’t lost his tear ducts in the war).

Has been married multiple times. Will not confirm or deny if he is currently seeing anyone.

Invisible Man/TiM:

Legit got out but no one at Area 5X is sure how. He suffered a geniune medical emergency and disappeared after surgery. The other monsters were informed that he died from complications to deter them from getting escape ideas.

Is able to be detected in Infrared light. Dr Cockroach managed to rig up goggles to view TiM in case of injury and to foil pranks.

Was a scientist working on an invisibility potion for the military and used himself as a guinea pig. Hasn’t actually been able to replicate his results since - thinks the effect may have been caused by a genetic abnormality.

Dr Cockroach and him are massive rivals. Both actually met eachother pre-transformation through a CalTech expedition. This makes the pair one of few people that have seen the others human face.

Is 100% naked. Was forced to wear clothing once this was discovered.

A massive prankster and a cynic. Him and Link were a force to be reckoned with.

Has revisted the facility multiple times and has started a number of ghost stories.

Any additions are welcome! I proably have alot more to dump about. Might make one of the alien characters from the series

[hollypunkers]

reasons Mako is really really great and should be appreciated so much for how he raised Bolin coming from just watching Republic City Hustle:

He made robbing people fun. It was a necessity, and clearly a dangerous way to live but their only choice, so he not only clearly picks a target that isn’t a threat but turns it into a game where Bolin can play the Good Guy and fool around, be a hero, and have fun.

In that same vein, with almost every chance he gets he compliments Bolin (“nice grab little brother” etc. a trait he continues until adulthood with people he cares about, it’s stilted and awkward later but clearly Mako’s trying) this is probably why Bolin’s confidence is basically through the roof.

Bolin recognized Toza and calls him his “hero” indicating he has been to pro-bending matches before, later we see them both working at the match while Mako has to remind Bolin he is working too. Mako also doesnt recognize Toza on sight. I think it’s safe to imply Bolin working with Mako is new (some evidence for that later as well) and Mako would normally work while letting Bolin have a fun night watching the matches.

Bolin is sad to see his hero lose, Mako tries to reiterate a lesson that basically boils down to “they wouldnt help us, why should we care?” It’s a lesson that rings true for Mako, the caretaker, but doesn’t for Bolin because Bolin always had Mako and knows what it’s like to be cared for.

When Shady Shin threatens to send them back to the streets Mako’s first instinct is to give Bolin a reassuring pat on the back and tell him not to worry.

While Bolin is doing his antics we always see Mako just behind him, watching and keeping an eye out. The only time he isn’t is when it is implied Mako was doing some work on his own (after Bolin got mad) and Bolin snuck away, after which Mako immediately finds Bolin the moment he’s in danger to save him.

Bolin wants an adorable pet, Mako immediately tells him “No. The last thing we need is one more mouth to feed.” Again, Mako as the parent having to juggle being the good guy and the bad guy, taking all the responsibility of caring for them on his own shoulders. And he has a point. Mako is clearly struggling just to keep Bolin and himself fed (“We didn’t eat anything yesterday.”) and the last thing they need is a pet.

Bolin begs Mako (typical kid stuff wanting a pet “aw he’s so cute!” “Ple-ease??”) and is suprised it doesn’t work and sad when Mako tells him to toughen up. Bolin begging is interesting because it tells us it often probably works, Mako giving Bolin what he asks for; and in this instance Bolin is very much acting like any normal child while once again Mako is the (reasonable) parent.

From what I inferred earlier where Bolin helping with the work being new, Mako has just started to get Bolin into this criminal world with the Triple Threats and is clearly worried Bolin is too soft for it, while at the same time interestingly never brings up how Bolin is five years older than Mako was when Mako started taking care of them. I think one of the arcs of this series was Mako realizing Bolin, because of who he was and how sheltered he’d been, couldn’t survive in the same environment Mako was. Mako has earned the respect of Shady Shin, meanwhile Bolin can’t even handle this one job. (Mako, a pragmatist, realizes by the end that if Bolin stayed in this work he’d have to become more like Mako, and so Mako takes the out Toza offers.)

Bolin. Is. An. Optimist. Bolin grew up living on the streets, hungry and poor, and he’s an optimist. Why? Just jump back to the scene with Shady Shin where the moment things seems scary Mako immediately reassures Bolin. Mako is hypersensitive to Bolin’s emotions, even when chastizing him he falls back to a kind voice and explains why, so it’s no small leap to say Bolin always thinks things are going to turn out okay because that’s what Mako has told him his whole life.

“Maybe I’m not as mean as you! Maybe I just can’t turn my back on people when they’re down!” Bolin calls Mako mean and uncaring, and Mako.... sighs. He doesn’t respond, just takes it in, lets Bolin have his emotions and even say cruel things to him and just internalizes it and leaves it alone.

Mako weirdly knows exactly how to handle a dangerous snake. I don’t know what this means. Either he has experience or it’s pure Mom Instinct where he sees Bolin in trouble and just wrangles a dangerous snake and flings it back into its cage in seconds.

Mako relents on the Pabu business right after Bolin puts himself in danger to save the animal and Bolin gives him puppy dog eyes (also after Bolin called him mean). Maybe he thinks having a pet can teach Bolin responsibility, or maybe he doesn’t want Bolin to think he’s mean, either way, Mako knows it’s not a great idea to have a pet but still gives up, apparently not able to say no to Bolin twice.

Bolin never apologizes or is asked to apologize for calling Mako mean and uncaring. In fact, considering the sequence of events, Mako is the one who apologizes by letting Bolin keep Pabu even though by all accounts Mako was right not to want a pet. When Mako does admonish Bolin it’s only in ways Bolin needs to act in order to survive, otherwise Mako seems unwilling to defend himself or make Bolin change in any way. (Mako models this type of forgiveness despite being the wronged party which interestingly, Bolin shows later throughout LoK and it is something people love about him, but the origins are here, coming from Mako.)

“You really have a habit of getting in stupid situations” Mako tells Bolin, indicating this type of behavior, Bolin getting in trouble and Mako coming to save him, happens a lot. (Even in the end, Mako finds out Bolin bet all their money on a fixed match, like c’mon Bolin.) Bolin just says “I know” and Mako leaves the conversation at that without rubbing it in. A surprising amount of maturity for a fifteen year old.

Bolin can’t keep his mouth shut and gets them in trouble, shouting and excited during the match; as Mako looks embarrassed and worried, another indication that this, Bolin being present with the Triads, is a recent development and a clear indicator Mako was right telling Bolin to toughen up or he wouldn’t survive, as they instantly find themselves running and fighting for their lives.

“Can we, Mako? Mako, can we? Mako, please!” Mako is so explicitly the parent to Bolin it’s sad. He is fifteen, he’s been on his own with Bolin since he was eight and literally witnessed his parents die, and throughout the series we see him comforting Bolin, suppressing his own emotions, and being a parent over and over again. Meanwhile Bolin acts like a child, who had a normalish childhood, who plays games and laughs and is optimistic and confident and wants a pet, so despite everything they went through, and how hard it was, Mako was clearly a very good parent to Bolin.

Shady Shin miscalculates in the end by telling Mako “don’t go soft on me”, the same thing Mako was telling Bolin; which goes all the way back to my earlier point that Mako knows Bolin won’t last as a Triad and needs something else. “I do have to take care of my brother, and I think this is what’s best for him.” There, explicitly, the only reason they become pro-benders is because Mako thinks it’s right for Bolin, ‘what is right for Bolin’ is the basis of all his choices, what is right for Mako isn’t considered because what Mako wants is for Bolin to be happy.

In conclusion, if you hate Mako and love Bolin, I think you need to take a step back and remember who raised Bolin.

[antiloreolympus]

6 Anti LO Asks

1. wasnt there a myth where ares dates demeter? (sometims erinyes instead) and they have a CHILD together? i know RS doesn't really research so it wont come up, but ... how awkward would that family reunion be? "hello, barely-legal version of the teenage girl i tried to mack on, i knocked up your mother"?

2. (Bit of a rant so be warned) I wish that RS had characterized everyone better, I mean I still can’t get over how Apollo was characterized (I got into LO before I fully delved into mythology and once I read on how Apollo really was I didn’t know how to feel about the story). It would’ve been so amazing if she portrayed them differently than they were in the myths in a way that made sense, like Aphrodite given a fully developed personality outside of being a bitch with a pretty face (she was a very loving mother in the myths and very much loved Ares, who adored her as well). And let’s be honest, persephone being a “cinnamon roll that can secretly kill you” trope is kind of getting boring, RS could have had some more fun with her character by portraying her much differently. Another trope that’s getting old is Demeter being an overprotective, controlling mess of a mother towards persephone which sucks once you really think about it (I mean the poor woman lost her daughter in an instant and didn’t know what was going on until she had to go to Helios to find out, she deserves a better portrayal than what RS gave her). Heck my favorite portrayal of Demeter that feels accurate to how she is mother-wise in the myths is from Mythic the Musical (“Mother’s Do What Mother’s Have to Do”). Also don’t get me started on how dirty she did Thetis (I love her design but my god was she done wrong personality and even role wise). I remember when I first started reading this and read through the majority of the comic and I genuinely loved it, not thinking about how weird it was until I read through this blog and it kind of just hit me. Hades is a creep in LO and he could’ve just not been written that way, she didn’t have to write Persephone as a literal 19 year old (even 119 is young for gods but at least that would’ve been a more comfortable number) the baby shower gift thing was gross once I thought about it again. If I had to put my main frustrations with this series I would put these as the main problems: Gods/Goddesses being done dirty in terms of personality and role in the story, Hades being a high key creep, I heard that Chiron is being portrayed as female which defeats one of the purposes of his character (he’s a genuinely kind man which is rare to find in Greek Mythology, he’s awesome), not utilizing other Greek mythological figures to help move the story along or even help persephone (for example, Ganymede who’s story starts off very much like hers or even other figures who were SA by gods), and Persephone not only being a self insert but a major Mary Sue which is a massive yikes when it comes to a serious storyline. Oh and her “erasing” the incest factor of Greek Mythology is hysterical because even with how she changes it up, Hades and Persephone are STILL technically related because Demeter is Hera’s sister, who is married to Zeus (Hades’ brother) still making Hades her uncle by marriage smh. Demeter considers Persephone her daughter so that doesn’t erase the incest completely. At least Percy Jackson made it clear that it was a thing, and they handled it very easily: they’re divine beings that don’t have blood and they’re not mortals, despite that Percy and the other demigods express obvious disgust at the topic. Done and done. At the end of the day I’m still not sure how I feel about LO and maybe I’ll continue reading it for the hell of it or just give it up since from what I’ve heard, the story has gone off the rails

3. i like how just off that timeline, we're supposed to feel like "aw look both hades and persephone had traumatic childhoods and important life changes at 19!" instead of being like yooooo this seven year beat the shit out of his dad and took him out? why would i care about hades' teen angst and then late 20s man pain whi lusts after a 9 year old when a goddamn second grader can kick ass? also yeah depending on this timeline theyre all pedos and zeus is actually a vicim 🤷🏼‍♀️

4. Okay, I could be misremembering things but, didn't Hera have a file on Persephone (which listed her under the TGOEM program) that she made for "possible suitors" purposes? And she included Hermes and Ares and Hades?

Again, I could be misremembering this but doesnt the TGOEM require the goddesses to, not be in relationships? Romantic or otherwise? And if thats the case, then why the f*ck was Hera making a "compatibility chart" of possible husbands for Persephone?

Was it because she noticed that Persephone and Hades had a thing for each other? Even though she was potentially still having an affair with Hades at the time And knowing he was having an off and on again relationship with Minthe?

Also isnt Persephone in college on the TGOEM scholarship? So wouldn't Hera want to like, talk to Athena + Hestia about that? And be like "Hey so I know Kore is in your program, but.... I want her to marry Hades" And I know Hera is technically Queen of the gods but wouldn't she still check with them?

Also, I had a seperate thought. So I know Hades says something like "I thought we agreed not to (see each other) back in the 80's" - now it feels like because Hera is/was having an off-and-on againa affair with her brother in law that her putting Hades and Persephone together and setting them up as a couple is an excuse for her to cover up her affair.

(Like if Zeus ever got wind of Hera's affair with Hades and he was upset she could just try to side sweep it by being like "oh, no thats not what was happening. I was really checking to see if Hades is a good match for Persephone and he is!" So she doesnt get in trouble for having an affair).

5. okay, legitimate question: if artemis having a ton of uber-devoted female followers is enough to make her a lesbian ... why is ares not gay? because like ... not only were soldiers/male athletes famously homosexual, a lot of them basically ritually gave themselves to ares. it's heavily implied that this means that they considered themselves spiritually his eromenos'. the whole practice's bad implics aside ... ares should be SUPER gay? oiled up gym-rats wrestling nude levels of gay.

6. Okay so normally I don't care and or don't want to know, but - in this case I am a bit curious - is Persephone just RS's self insert character / Mary sue? Because if she is then that means that all the other male characters simping over Persephone (Hades, Hermes, Ares, Apollo, etc) gets a lot more concerning.

[sadhaa]

ok. okay. Okay. OKAY. THOUGHT

Fic idea: Death Song of Uther Pendragon. BUT REVOLVING AROUND MERLIN.

Like the potential for this is amazing. ANGST. ROMANCE. MAGIC REVEAL. IDIOTS IN LOVE. WE HAVE IT ALL(Note: I had this thought in the shower where all great thoughts come from. dont judge)

Ok lets set the scene:

1. Lancelot is alive bc yes

2. Arthur let Gwen go to be with Lance bc he realizes it was mean of him to hold her back from someone she loved. 

3. Arthur has feelings for Merlin. Like love. yike. scary. 

4. Merlin over the years has a few pieces of parchment where he has written down all his “crimes”, or times he uses magic. He has another piece of parchment where he writes a letter to Arthur about why he didnt tell him and how sorry he was. Merlin did this cause he felt guilty and needed to find someway to cope. 

OK ON TO THE THOUGHT:

So, beginning starts the same with the almost burning and getting the horn. check. done. 

They go back, Arthur broods, hides the idea from Merlin.

they go off on their little adventure, he talks to Uther

NOW HERES WHERE THINGS GET SPICY

AND NOT IN THE SEXY WAY

Uther knows about Merlin’s magic bc he sees everything over Camelot right? He knew about the knights (and in canon he knew about Gwen) So this man has to know about Merlin’s magic considering this dumb little magic twink has ZERO self preservation instinct. and Uther. is. pissed.

So he says “you let common men become knights, there is magic in the heart of Camelot!” much angry. very dick. so Uther.  

Arthur: shock and sad. Who could it be?

commence the looking back and shit show that Arthur is about to cause.

CAMPING SCENE! but Arthur doesn’t tell Merlin about the magic comment bc he doesn’t want Merlin to worry and if Merlin found out, he may become a target.

Back in Camelot everything is fine until it isnt. cause its Camelot. and nothing is ever fine there.

BUT. NOW. 

the ghosting that Uther is doing is now solely directed at Merlin.

candelabra doesnt fall on the table. It fucking gets yeeted at Merlin. M nearly gets crushed under that thing and the knights all freak out.

cause we all know that the knights adopted Merlin at this point

M gets taken to Gaius and he concludes that M is bruised and lightly concussed. (i dont want my boy too hurt)

Next the axe. M helps some of the knights with their armor and as he is the last one, he cleans up a bit. suddenly axe yeets itself and M gets a scratch all down his arm

sad and in pain Merlin

Now, M thinks A did something sus

u can tell I played alot of Among Us lately

also how does one spell suspicicious?

he confronts him, A brushes him off. bc he love his daddy. But A looks kinda like longingly and concerned for M bc he knows that M gets hurt quite a bit, but never like this.

M leaves and cue the torches and fire sequence.

*insert pic of Edna with fire in her goggles* *Uther is Edna, but more evil*

Gwen is walking down the hall when she notices the smoke and call for help.

our OG6 come running and find M, unconscious, bleeding and suffocating.

A freaks the hell out. 

M’s room: he is on the bed and everyone, including OG6 and Gwen are in there with Gaius and M.

Main Q: Why would Uther try to kill M when he appointed M in the first place!

Gaius realizes. Lance realizes. oh shit. He knows

Lance and Gaius tell them and there are some mixed reactions.

Leon, kinda suspected it from the beginning but he didn’t have enough evidence to back it up

Absolute shock to Gwaine, Elyan, Percival and Gwen

ARTHUR IS FUCKING DEVASTATED. He has been lied to and cue the betrayal and manpain.

Suddenly the attacks on M make more sense

candelabra: being buried alive, asphyxiation.

ok i am borrowing this idea from the author of the amazing fic These Breaths We Breathe series where Uther finds out about M and buries him alive

yall should read it. 

author is kayura_sanada

Axe: beheading

torches: the pyre

the symbolism here is prob the smartest thing I have ever done. like y couldn’t i think of this back in soph year english? 

Uther was threatening M and trying to kill him

Arthur is conflicted so Gaius gives him Merlin’s list of “crimes” and the letter. All of the others leave and Gwaine implies that he would fight A for M. 

Cue emotional transformation and realization.

Arthur flashes back to Isolde and Tristan and realizes that letting Gwen go wasn’t that bad, but losing M? that would fucking kill him. He can imagine a future without Gwen. But M? Nah man. They are two sides of the same coin. two halves of a whole idiot. two braincells of the same dumbass brain. they love each other. A needs M. A loves M.

So he plans to confront his father

he gets the gang and they all set out to find Uther. 

They all tell him how they are accepting of M and why and that A should tell M he loves him when this is over.

A is touched and is glad that M has this family who loves him so much

now fighting Uther

right before he blows the horn, Uther says “Merlin has Magic!” and A goes “Yeah, I know and I love him” and yeets him back to Narnia (or where ever these ghost people go) 

M wakes up to everyone knowing, breaksdown crying and feels loved

jump ahead a week: A hasn’t told M how he feels. He is doing something else instead and it is a surprise.

Leon walks in during that week and asks what hes doing. Arthur freaks out, hides the thing and blurts out “I’m writing Poetry”

Leon has never heard such bs in his life. But he gives up and walks away.

2 weeks later, A tells M he loves him by repealing Magic ban. and they live happily ever after.

yay. 

Can someone write this pls? Like im still planning to write the long fic idea i had from my last post, but can someone write this? I would love them forever. 

Bonus: Ygraine freaking WHOOPS Uther’s ass and loves M alot.

tl;dr: death song of U Pendragon with M, magic reveal, angst and Leon deserving a raise.

[faerielleart]

GIRL GGFJFJVGDJD OK UMMM let me see... what do you like about levihan? or do you have any unpopular opinions? or headcanons!

oh boi i hope i won’t rant too much, i don’t want this answer to be a thousand miles long i don’t want to seem boring-

OKAY let’s start

What i like about levihan: i have to start with a lil background a say that levihan is my longest ship i’ve ever had, it’s the only one who survived time and the only ship i have never stopped shipping/lost interest into, which is kinda rare for me since i switch interests a lot and go through hyper-fixations, so i tend to lose interest quickly in something once i’ve found something else to pay attention to

this, however has never happened with levihan: started shipping them when i was 12, still trash 7 years later skdjdjfjf i didnt start shipping them for special reasons tho, at the time aot was my first ever still on air anime and i was completel new to the community, plus i didnt really speak english well and the first episodes i watched confused me A LOT. However, amidst all that confusion and trying to remember names and plot points, episode 9 came, i got introduced to this character who apparently is named levi, the first information the scene gives the watcher is “this guy is a grump” based on his reaction to the crowd, the second information the scene gives to the watcher is “this person next to him, despite him being a grump, isn’t afraid to tease the shit out of him and we still don’t even know their name” which i found ??? Cool??? I immediately paid attention to this lil dynamic, then the next scene was the hairgrab scene and,,,,,, yeah my 12 year old braincells went into overdrive and i was completely sold

i just needed them to interact once and BOOM

but OBJECTIVELY i still find extremely telling, years later, how these were the first informations of these characters. In a narrative, character’s introduction is absolutely crucial to the story, you can understand millions of things just by the way a character is presented and says their first lines and honestly choosing to introduce levi and hanji together was imho very, very telling of what role they’d play in the story/what role they play in each other’s lives.

isn’t it strange that the very first infirmation we get of these two is that the grumpy one is okay with this person teasing him? that means there’s gotta be a level of familiarity among them, right? and the hairgrab? requested by isayama himself? in the official book of season one it also says that the scene was added to “show their relationship”??? i mean 2+2 is 4 where i’m from 👁👄👁✨

so yeah my dumb 12 year old brain had FORESIGHT apparently-

as i picked up the manga and read through the uprising (and got older and my english got better) i noticed more and more things about them and i just really freaking fell in love with their relationship okay it wasn’t “oh cool grumpy and sunshine who teases him”, more like “holy fuck grumpy has a sad backstory, seems unapproachable but is the kindest person ever, just wants to be a hero and save everyone, has the most tender heart, sunshine is a multi dimensional character who has fears and doubts and they work so well together despite being polar opposites but at the same time their oppositeness results in somehow them being completely in sync with each other and almost thinking with the same brain as if they were one person split in half”.

since they’re grown adults and they’re so close, their relationship has something that i always seek and almost never find in other ships, which is emotional maturity. You never see them purposely tearing each other down just to hurt the other, they work out their problems and C O M M U N I C A T E ✨ they don’t act childishly around each other, they tease and bicker but it’s completely different than full blown arguments where both parts disrespect the other just to prove their point. They are willing to listen to what the other has to say and their judgment is precious and welcomed, since the basis of their relationship is complete trust. levi is rough with words, but he means something else entirely despite what he conveys, as seen during the aftermath of eren’s first hardening experiments, and hanji totally understands what he wants to say, which is why they never reprimand him or take offense to what he says.

what i’m trying to say, i believe in a way that nothing is half-assed about how they were written in the story as a pair, despite how i disagree with certain narrative choices *ahem*; as much as i would have wanted them to have more screentime and more interactions, i believe it wouldn’t have been “in character”, lemme explain because i realize it sounds weird and my wording probably doesn’t help: their relationship is subtle and as such it should remain subtle and in the subtext, simply because it is none of our business as readers. Show, not tell, but show in a way that it is evident only if you pay attention. levi is blunt when he speaks, but at the same time his words have another meaning than what he conveys and his actions are subtle.

isn’t it obvious with how often it was remarked that the only person who is able to understand levi completely is hanji? and this is where chapter 132 comes into play with this amazing analysis post that i’m sure we all read a thousand times and screamed over it

all this “ambiguity”, all this subtlety, all this subtext, all this wordplay, words that have more than one meaning, i believe are all indicators of one thing: us readers are not able to understand comple what levi wants to say and his words result ambiguous to us and not 100% clear, simply because the readers are not hanji. but fortunately, i believe that hanji understood that levi too wants to “stay in the forest”. this is not the reaction of someone who is confused by a sentence, this is the face of someone who finally had a realization:

what kind of realization? it’s not up to us to know (tho we know *wink wink*), because we’re not hanji and we can’t understand what levi says.

plus, 心臓を捧げよ, “dedicate your heart”, can hold a million different meanings. 心臓 is heart, を is a particle that denotes the object, 捧げよ is the verb “to offer, dedicate, devote, sacrifice”, there are no adjectives that indicate possession as you can see; levi using his own left (not right) fist and placing it on hanji’s chest instead of just taking hanji’s hand and placing it on their chest is ambiguous too. i interpet it in different ways but the conclusion is one, and i can’t honestly see it in any other way. one of the interpretations i like the most is that levi is implying that they both share the same heart, which is why he used his own left hand, meaning that both of them are dedicating their hearts in that moment to humanity, because they are actively choosing to put their desires aside to live a peaceful life away from everything (as jean too has wished in chapter 127, as hanji has expressed in 126 but in 127 too and jean seems taken aback by their confession) since they’re soldiers and duty comes first.

so yeah if i have to choose something i love the most about levihan, it’s gotta be the subtlety and the ambiguity that at the end of the day, is absolutely not ambiguous at all. everything is expressed for a reason, if an author actively chooses ambiguity, in this specific case of a relationship, he intends the result not to be ambiguous. it sounds like a brain fart but i blame it on my inability to articulate my thoughts well, i hope what i want to say can be understood 😭 and in a way, this can be considered as an unpopular opinion i think?

meaning that i get that commonly someone might want an explicit declaration that leaves no room to doubt and I honestly wish for it too, but I don’t think it would be in character, and the ambiguity (if we can call it that, i’m calling it that just to avoid backlash and controversy jshfsjdjmd) in this case speaks enough volumes to me considering both of the characters we’re dealing with, the story as a whole, the interactions with other characters.

ALSO going back to their bond, i want to copypaste something i posted on twitter regarding chapter 126 and the blush: it doesn't make sense, character-wise, for Hanji to feel in any way embarassed around Levi. They have no filters whatsoever around each other. They are close, closer than anyone in the series, the author hasn't shown any embarassment between them. Back in Uprising, when Hanji was hesitant and wanted out, Levi was the one who encouraged them. So, this thing has in a way already happened, since back then they admitted to wanting to abandon responsibilities to Levi's face and didn't blush. So, in 126's context, it doesn't really make sense for Hanji to blush "only because they were embarassed at being caught wanting to run away". It happened once already and there was no blush. So yeah, the blush means something else. And that something else is definitely much, much, MUCH deeper than "embarassment". 🙌

since smartpass stories can absolutely be taken as part of the canon universe as they’re supervised and approved by isayama and published with the manga, i am adding the rain story as further proof of what kind of relationship they have. also levi being a 30 year old tsundere is adorable but movING ON

SO YEAH MY FINAL TWO CENTS ARE : i love everything about levihan and there isn’t a single thing i would change, because wanting aot to be a huge slice of life of them doing the most random things just to watch them interact doesnt count sjdjfjdjdjfjsmdm, my unpopular opinion is that i find the subtlety and the ambiguity KEY to doing justice to what they have because it’s none of us readers’ business because only they are able to understand each other and i fucking LOVE that, my headcanon is that they totally kissed once during the timeskip, maybe on the first anniversary of the battle of shiganshina, i see them not being able to sleep alone and finding comfort in each other and in a moment of weakness and vulnerability they kiss, but pretend it never happened because things are messy and they can’t afford to get involved because again, duty first, but the YEARNING™️ and the PINING™️ only intensifies after that, but they manage not to make things awkward and they are close as ever.

my GOD i rewrote the odyssey, sorry 😭

[twilightofthe]

What was your opinion of the Clovis arc? People I know either love it or hate it, no in between. I generally liked it but found it waayyy ooc.

Hey anon, thanks for the ask!!!!

AHSJFLSLALK OK SO UH. Wow. Clovis arc. Yiiiiiiikes ok so. I totally agree with you on the fandom divide and I also totally agree that everyone involved in it is rather OOC for my taste. That being said, that case of OOC is exactly why I personally do not like the arc that much at all.

(Please note that my following words are MY PERSONAL OPINIONS, and that anyone is free to disagree, in fact I welcome the discussion, and even if this is your favorite arc, please consider yourself welcome on my blog I hold nothing against those who might like it)

Part of me was gonna make a short and sweet point about how I don’t like that TCW has had both of its main female characters have unwanted kisses forced on them, and instead of teaching young girls watching to tell those kinds of people to fuck off and respect their bodies, we get: 1. Just let it happen, you both must kinda like each other anyway or 2. Stay still then sit back while your boyfriend beats him half to death

But actually turns out I wanted to spend all day writing an essay so now you get this. So far I’m gonna hit four points:

the show’s constant need for Vader foreshadowing sometimes tending to completely override Anakin’s current mindset and personality he should have at this point in the timeline as well as his preestablished characterization

the way TCW gave Anakin a giant dosage of toxic masculinity to try and please the pissy movie critics who didn’t like that he cried

the role of Padmé and how TCW tries to portray her as a “strong woman” by just having her constantly be irritated by and sometimes even look like she actively dislikes her husband while simultaneously have her act OOC so they can blame HER and her actions for Anakin’s reactions and anger and overall Fall

How I think this arc is not irredeemable and that with some fixes it could be done decently— decently, not well, because a lot of this arc’s problems are also due to preexisting writing choices throughout the show

(Ok whoops this turned into a half Clovis arc rant half entire TCW Anidala commentary)

So firstly I wanna start that yes, I am fully aware that TCW is meant to fill in the gaps between AOTC and ROTS and help explain why Anakin’s mindset in the final movie is what it is and justify his Fall. Of course we need to show some Vader foreshadowing throughout the series, and in some places it is executed very well, notably the Mortis arc, the Bad Batch arc, the Wrong Jedi arc, as well as others that I can’t cite off the top of my head currently because I might have a mild touch of heat exhaustion wooo I need to get off the beach.

But it also has some rather hamfisted Vader foreshadowing stuff too. Like, y’all know the fandom joke where it’s like “Anakin: *Accidentally Leaves The Toilet Seat Up*. The Background Music: *BLASTS the Imperial March*” but like, they actually really do that. Like the time where they have Anakin take out a terrorist about to blow up an entire ship full of people and then play the Imperial March afterwards and imply he’s a “cold-blooded killer” just to defend the moral purity of the two people who were gonna stand there and let the ship blow in the name of idealism.

I’m getting off topic but yeah, sometimes the show’s Vader foreshadowing makes sense, sometimes it’s pretty forced, and the Clovis arc DEFINITELY leans towards the forced side, and when they try to force more of Darth Vader into Anakin at a point where he shouldn’t quite be there yet, it screws with his entire character.

This is particularly shown in the majority of the show’s takes on Anakin’s relationship with Padmé. Namely, they tend to forget nearly the entirety of AOTC with the exception of the Tusken murder scene, then forget even more of ROTS up until the point where Anakin strangles her on Mustafar. Basically, they take the truth that it was Anakin’s unhealthy attachment to Padmé that sparked his Fall, but then they decide to run with it where almost every single interaction he has with her in the damn show is him being a toxic overbearing dick to her and her acting like she mildly tolerates him at most and definitely doesnt respect him as like, I guess a way of showing what happened on Mustafar is in character for them???? Ugh, I’ll explain further.

So with Anakin’s aggressive possessiveness towards her. We know Anakin has possession and attachment issues. We know he’s a clingy needy whiny anxious mess who’s constantly afraid of losing or driving away the few people he has pinned his entire happiness on. We know he leans unhealthily on Padmé to provide the majority of his emotional support. We know he’s convinced himself he can’t live without her. But never, NEVER is it seen in the movies where his possessiveness turns into outward aggression towards her or this douchey pushiness. Never does he treat her like his property, like she belongs to him.

Not until Mustafar.

Not until he’s raving, half out of his mind with the warring emotions over the atrocities he’s just committed, until he’s begging her to understand where he was coming from, begging her and the child to stay with him and justify his decision, until he sees Obi Wan and sees her backing away from him, leaving him, and he PANICS because oh no no no you can’t abandon me, I need you, doN’T YOU WALK AWAY FROM ME. And he lashes out and tries to force her to stay, punish her for leaving and doubting him, and he puts that hand around her throat.

And that is supposed to be when we know he’s crossed the line, when we’re supposed to be horrified, where we know he’s lost himself, because he has NEVER ACTED LIKE THAT BEFORE.

Now how does Anakin act before? In the movies? He’s deferential to Padmé in almost every other scene they’re in together.

In AOTC, yeah he stares at her a bit creepily from a distance, he says awkward things and does goofy stuff to impress her, but he does Not get in her face. The few times he does invade her space, she flat out tells him: stand back. Don’t look at me like that. Don’t say that. Don’t interrupt me. And Anakin always, always backs off, respects her wishes. He follows her lead and lets her call the shots both on Naboo when he’s supposed to be protecting her and when she organizes the Geonosis rescue and once they arrive where she flat out tells him “I’m a Senator, I’ll handle this, just back me up”, and he’s all but just “ok yes queen”.

But they aren’t married then. Fine, take ROTS. It’s a movie all about Anakin’s issues but even then, when he’s worried about Padmé dying, he tells her he’s worried and that he can’t lose her, but he still keeps a distance. He doesn’t constantly hover and loom over her. If anything, Padmé, both in ROTS and AOTC is always the one to approach Anakin and close the distance when there’s conflict. When Anakin is upset, he averts his eyes and distances himself, tries to draw in on himself and brood silently, and we’ve seen it in Palpatine sometimes (of course with bad motives but he still does), but Obi Wan and Padmé both especially needing to be the ones to come over, turn his face to them and be like “hey, look at me, I care about you, what’s wrong”. Padmé SAYS in ROTS when he’s feeling specifically conflicted about losing Padmé, “don’t shut me out” and has to come over to him because he’s retreated into a corner of the room to scowl angstily out the window. Anakin does NOT get overbearing and possessive of her or get in her face, not once in the films.

In the fucking show? The Clovis arc, while perhaps the worst offender, isn’t even close to being the first time Anakin has been overly pushy and aggressive with Padmé, or acting like she’s something he owns, From that time in the Senate Hostage ep where he’s bugging her about ditching work and all but acting like incels texting like “awww but babe my dick hurts :(”, from the FIRST Clovis disaster ep where he’s childishly trying to screw up Padmé’s mission, to the Clovis arc in season 6

And this is where they just roll right in with their “oh so Anakin’s an overbearing, entitled douche” bit with the interaction he has with Pads and he’s trying to talk her out of taking the Clovis assignment and he says something along the lines of “as your husband, I demand you don’t do this”.

Hwat. The Fuck.

What kind of caveman-esque, 1800’s-ass man of the house whom my wife must obediently serve kinda entitled-ass BULLSHIT?!?!?!?

Like, I’m sorry, I really am, but that is just completely out of left field and not like Anakin at all. I mean to the point that when he’s an evil Sith Lord trying to talk her into taking over the galaxy with him, EVEN THEN he does not include “Padmé you must join me because I’m your husband and you do as I say” sort of domineering assholerly.

Anakin does not push Padmé around. He does not TRY to assert authority over her or try and force her to do shit. Not only because she doesn’t put up with that kinda shit for a second, but because Anakin respects Padmé; he will treat her with respect. He always has, and sometimes like in this arc it really doesn’t feel like he does.

Now of course Padmé’s response to the “I own you” declaration is “fuck you, asshole, I do what I want” and doubling down on her decision, and then decides to go even harder on the mission if only to spite her douche husband (and we’ll get to Padmé’s characterization in a bit) which is a very different kind of Anidala conversation we see in the show as opposed to the movies (also discussed later).

Now, the reason for Anakin’s overbearing douchery ties directly into an overarching problem in TCW— honestly, one of the very few issues I have with this show, but the problem is that it touches nearly the entire thing —and that is they almost completely reworked Anakin’s personality to be more hyper-masculine alpha male.

This is a topic I’ve discussed on my blog before, but the gist is that in the movies, Anakin was not the typical male heroic protagonist and DEFINITELY not what people expected from Future Darth Vader The Masked Brutish Male Power Fantasy. He was awkward, he was shy, he was soft spoken, he was clumsy around the girl he liked, he was very openly romantic, he liked frolicking in fields and candlelit dinners and snuggling. Two of the most important people in his life were soft, feminine women and he openly loved them very dearly and very gently— and he deferred to them when he felt it was right, as I’ve mentioned before. He CRIED when he was upset and was messy and emotional. And fanboys hated this with a burning passion. They couldn’t project their power fantasy onto this!!!! The Anakin critics were a HUGE part of the mob who crucified the prequels to the point of chasing both Anakin actors practically out of the movie industry in general.

The Clone Wars writers were obviously petrified of this happening again. So their solution, as has always been Star Wars’s solution to hateful fans being upset about an innocent character, is to completely rework them, hide or retcon all the undesirable qualities, and act like everything was all fixed. Now don’t get me wrong, there are aspects of TCW Anakin that I adore. As I’ve also mentioned before, they got his humor, his cleverness, his eagerness to do the right thing, to help people, his relationship with Obi Wan and Ahsoka and his men, they got that all perfectly. But the rest??? TCW’s solution to the criticism of Movie!Anakin was to turn him into an agressive, dominant, violent shadow of everything “soft” he was in the movie

Now, he speaks loudly and more deeply. Now, he’s cocky and overconfident and while yes he was arrogant in the movies, now it’s dialed up to like an 11. He never cries, never even THINKS to show a negative emotion that’s not Manly Rage And Aggression(TM). And then there’s the way he is around the women in his life. No more awkwardness or shyness, now he makes jokes about being a “ladies man” and does whatever the fuck flirting he does with Miraj Scintel even though the Anakin from the movies would have needed like every scrap of his self control just to look at her without insta-murdering her face. And then there’s how he is with Ahsoka and Padmé. He is muuuuch more of a loud brash dudebro around them who pushes his weight and is kind of controlling and their solution is just to have the both of them be Strong Women(TM) who Fight Back whenever he tries it too hard with them.

With Ahsoka, it’s not too bad because it’s a brand new dynamic and she’s a rather agressive firecracker personality herself when we first meet her, so the constant Snips n’ Skyguy snipefest works for them. For Padmé? It just means that in far too many episodes they’re in there’s a point where Anakin says something Eh and Padmé gets mildly irritated to actually annoyed with him for it and she’ll talk down to him and then there’s an argument between them because he’s bullheaded and she’s a Strong Woman. Why do I consider these out of character?

In the movies, despite the flaws, Anidala is a couple who actually tries to communicate. Anakin feels open to speak about his troubles to Padmé and her to him (for the most part, she definitely has a savior complex and a tendency to squash her own shit so she can help deal with both Anakin’s and the galaxy’s at large) when they’re worried or concerned about something and they want to talk it out, so they’ll talk it out!

The problem with Anidala isn’t that they don’t communicate, it’s that they try but also only do it by halves because they hate fighting. They’ll talk, Anakin will say something that Padmé might disagree with— the fascism discussion in the Naboo field in AOTC, the question of whether the Republic is just or not in TPM —and she’ll try and correct him if she feels he’ll listen, but if he doubles down, she’ll go “ok you know what, agree to disagree, let’s not fight” and she subtly changes the subject because she hates fighting with him. If Pads says something Ani doesn’t like— telling Obi Wan about them in ROTS, some emotional advice she tries to give in both movies —he’ll flat out shut down and be like “I don’t want to talk about this, let’s drop it” and then seek out cuddles or affection as a distraction.

And that brings us back to the Clovis arc. The scene where the “as your husband” line occurs. Anakin is trying to talk Padmé out of doing this not because he’s jealous. Maybe he was jealous the first time he met Clovis and saw Padmé being all cute n’ fond with her old flame, but this time it seems almost entirely because last time ended in catastrophe and he’s genuinely worried for Padmé and feels she’s not thinking wisely, that she’s putting herself in danger.

However, Anakin is deciding to voice these concerns in Possessive Dudebro Pushing because of the aforementioned misguided Vader Foreshadowing and Toxic Masculinity. Padmé? Is not even CONSIDERING what he has to say, is just breezing on through and shutting him down at every turn and generally acting like he’s a dumbass who doesn’t have a clue about anything.

Now, it is very in character for Padmé Amidala to be all “I’m right, you’re wrong, fuck you don’t get in my way”. HOWEVER, they aren’t framing this as solely Padmé having a goal and bulldozing her way through the situation. That’s not how they frame this.

They frame this as: Padmé is embarrassed that she misjudged the situation wrong the last time and embarrassed even further that Anakin had to step in and get her out of trouble— which he brings up —and probably remembers that he made fun of her while he did it—

(Timing out to say that THAT scene was also OOC; they once more wanted a Vader parallel what with Anakin’s silhouette when he opens her cell door and the way Padmé’s sleeping pose is identical to Leia’s in ANH. But Anakin basically steps in and gives her this condescending-ass “awww the little wife’s gotten in over her head like I SAID she would, good thing I’m here to rescue her!” bit that’s really just MEAN. It’s not like him and Obi Wan’s/Ahsoka’s teasing snark whenever they have to pull each out of trouble, he’s just kicking her while she’s already down. Really, Anakin’s reaction should have been a lot less humorous and a lot more pissy; she didn’t listen to him, didn’t trust him, and ended up in danger because of it. It’d be a surly and upset “I told you so”, not an amused one.)

—and now it seems much more like Padmé is solely taking this assignment to spite Anakin for being a dick and to pettily prove that she knows what she’s doing rather than any sense or urge to do the right thing. And....... childish pettiness????? Is not Padmé. And yet, she has the entire immature “don’t tell me what to DO, Anakin” attitude this whole arc that amounts to WAY more than just the normal response she would have to his overcontrolling dickishness

And once again, it’s because she, like everyone else in the episode, seems to think the problem Anakin has is that he’s jealous of Clovis. He’s not, not really. He’s insecure, yes, but he also knows Clovis is a bag of dicks as well, and trusts that Padmé knows she’s better than that. His problem isn’t fears he’ll lose Padmé, it is entirely that Padmé isn’t listening to his concerns, doesn’t trust him, is going into a situation they both know is unwise, and he is frustrated he’s not in a position where he can look out for her since he feels she’s not looking out for herself. And, he’s not entirely wrong. Padmé IS being reckless and kind of irrational solely to prove a point. He just goes about it pretty much entirely the wrong way, which is what you can really say is the cause and effect formula for any problem Anakin Skywalker encounters and subsequently makes worse.

And then there’s That Scene. The one where Clovis tries to force a kiss on Padmé and Anakin freaks and almost kills him for it. I’ll start off by quoting another Tumblr user on that very scene by saying in regards to Clovis: “that bitch deserved that”. The almost murder? Maybe not that far, but the initial hitting for disrespecting someone’s “no”? Yep, that was deserved.

My first criticism is that Anakin shouldn’t have even had time to attack him because why the fuck wasn’t Padmé instantly kneeing him in the balls?!?! Like Padmé is not prone to violence immediately, no, but she can will and does defend herself immediately when she needs to— her right punch knocked someone tf out once when she was pissed —and she already gave him a warning that his advances were not welcomed.

Now, I am absolutely not victim blaming. I am NOT saying it is the fault of a woman (I’d be a hypocrite if I did and that’s all I’ll say on THAT), or of anyone when faced with sexual harassment, if they don’t fight back for whatever reason, no matter how capable of doing so they may be. What I’m saying is that considering her previous behavior and personality and the fact that the show NEVER goes deep enough into explaining heavy stuff like why victims might freeze or NOT fight back when faced with harassment, I feel like showing her not attempting to defend herself at all is kinda strange.

Now, Padmé’s utter passiveness to the situation aside, we’re going back into toxic masculinity and misunderstood interpretations of how Anakin displays possession. While I’ll repeat that Clovis deserved consequences for the forced kiss, Anakin going full caveman defending his property jealous rage just. Doesn’t feel right to me. Again, I think Anakin would probs hit him and put the fear of living god into him, maybe even I’d buy the attempted murder if they framed it as Anakin doing it because he hates those who force their will on others and disrespect women, but the whole that’s MY wife and you’re touching her shite just once more feels alpha male aggressive ridiculousness. Like again, I understand Anakin is possessive of Padmé, but not like this. I’m sorry, but I just cannot see that, him fighting over her like she’s a scrap of meat.

Like, I completely think she’s in the right tho to put them on a break after he does it though. That’s well within her right.

But then onto the FINAL part where after Clovis goofs and fucks them all over and then dies, she forgives him and blames herself for everything and apologizes. And like, that part I do see as in canon and character for her and for Anakin. He doesn’t like to admit his mistakes, her mistakes weigh on her and when she fails to fix or save someone, she falls into depression and upset and self-blame.

But the fact that Clovis died because Anakin dropped him? Anakin Skywalker, who scaled an entire elevator shaft carrying two people over his back who combined probs weighed more than Padmé and Clovis. Anakin Skywalker, who’s used the Force to lift tons of debris, who’s used it to hold back explosions, Anakin Skywalker, MOST POWERFUL FORCE USER IN HISTORY WHO TENDS TO RELY ON BRUTE STRENGTH FOR MOST SHIT ANYWAY. That Anakin couldn’t pull two people over a ledge?!?!?!?!? This has always bothered me.

Like to be honest; I feel this entire episode could have been so fixable too. Like keep Anakin’s obsessive worry over Padmé making a mistake, keep the best part of the arc which is his talk with Obi Wan where Obi Wan tries to connect with him and explain that he’s not alone, all Jedi have emotional struggles and have loved, if perhaps he wants to TALK to someone about it, Obi Wan is here for him, like that? That’s okay!

Just ugh ffs, get rid of the nasty Anakin treating Padmé like a naughty dog who won’t obey him and the Padmé purposely acting unwisely to spite Anakin plot. Have the entire conflict be both of them being upset that the other doesn’t trust them, doesn’t believe in their advice, keep Padmé’s speech about how marriages NEED trust and compromise to survive, take all of Anakin’s aggression towards Padmé and transfer it to aggression towards Clovis, like make the conflict him menacing the guy if he hurts Padmé again just because he’s being overprotective and “if you won’t look out for yourself I will” and Anakin getting constantly checked for not being able to control his emotions, Padmé can tell him off for being overprotective instead of overaggressive and his possessiveness can instead show through him arguing that he needs to keep her safe at all costs. THAT can be the argument.

And if they want the Vader foreshadowing? Like real, in-character Vader foreshadowing??? Tbh, drop the Clovis beatdown, drop the machoness towards Padmé, and just have Anakin blatantly DROP the douchebag at the end of the episode instead of his hand slipping. Make him choose to ACTIVELY kill Clovis. Like THAT, Anakin taking the law into his own hands and deciding that he knows best and this guy is dangerous and has fucked up one too many times, there being an opportunity where there’s an chance to save Clovis when they’re alone without Pads, “be a Jedi, Padmé wouldn’t want this, do the right thing” Clovis might say, and we can see Anakin’s face considering, and then he just “Long Live The King”s him and lets him fall and die, THAT is an in-character Vader foreshadowing.

Then at the end of the episode, we can have Anakin lie to her, say Clovis slipped, say it was too late, and Padmé can believe him, thank him for trying. Then there’s the same thing where Padmé apologizes, and we can have a callback to the convo about trust and she adds that she’s sorry that she didn’t trust him, and when she says that, we zoom in on Anakin’s guilty face.

There. That’s how I’d fix these episodes

And THERE, I think I’ve complained about everything, I am SO sorry for the gigantic ass post and response, I’ll add a read more once I’m on my laptop and not on the beach on mobile.

But yeah anon, I hope that satisfies your question xD

Once again, I welcome discussion if y’all either agree with me or if you have any differing opinions, I know my takes are far from hot for several people and I’m curious to see what others think!

[chikkou]

I'd ask this on your Lisa sideblog but you don't have anon on and I'm shy lol, but do you have any headcanons relating to Lisa the First? Like Lisa's views on religion, her relationship with her mother, if any of the various worlds we see mean anything?

hoh man i didnt even know anon wasnt on LMAO... ill turn it on after i post this!

also fuck YEAH i do holy shit i fucking LOVE lisa the first!! i know its sort of the black sheep of the lisa series, since it is a completely different type of game and was clearly austins first game, but i fucking ADORE it dude. the music - which he made ENTIRELY IN THE FREE TRIAL OF FL STUDIO BY THE WAY - is FANTASTIC, the art direction is actually pretty fucking incredible for an rpgmaker game that uses a good deal of basic assets, and the gameplay.... ok yeah that part is a bit lacking but its a yume nikki-style game be nice it was his first time LMAO

ANYWAY back to ur question. first and foremost, i think this is not even a headcanon so much as straight up canon, but lisa DESPISES christianity. marty is christian, probably catholic given the golden crosses everywhere, and he is a fucking scumbag hypocrite. lisa likely associates all of christianity with this line of thinking, as there is one room in the bile area where the melted martys (although i suppose we can just call them joy mutants now LMAO) simply stand in a circle surrounding one big cross. the role of the melted martys is up for interpretation of course, as is everything, but after playing the painful and seeing them described as “mindless sheep,” i think this is how lisa viewed them. so they likely represent other people that, to lisa, are probably just as sick and disgusting as marty

lisas relationship with her mother... i go back and forth on this one a lot. i can never decide if i prefer the headcanon that lisas mom died in childbirth, and so lisa never met her, or if i prefer that lisas mom was around for a very short time and then either left or died. the fact that she says “i didnt want to leave” at the end of the first leads me to believe that she most likely died. in either case, the memory of her mother was clearly important to lisa, as she wears her pendant through the entire game and its explicitly noted as being a gift from her. in either case, i think that the death/absence of the mother is heavily implied to be the primary cause behind martys descent into alcoholism and lisas abuse, since the white room strongly implies that marty did at one time sincerely love and care for her as a father properly should 

as for the meaning of each of the rooms, i think most of them are fairly self explanatory, but some of them are a bit more vague, so ill break it down in terms of how i see it (and ill put them under the cut because its long as hell):

martys house - this is the most literal one. pretty self-explanatory. the dark, yet vibrant colors and the ear-bleedingly loud tv are pure sensory overload, something lisa probably deals with on a regular basis. when lisa goes outside and it turns into a sky of marty faces, i think this is the transition into the psychological part of the game

the lobby - this is honestly just pure yume nikki ripoff LMAO... but if i had to ascribe a symbolic meaning to it, i think its probably a quiet and safe area for lisa to retreat to in her mind when she needs it, but even that eventually gets sullied as tricky rick makes his way there, too (and tells her hes “just waiting” when she talks to him). the majority of gameplay is lisa searching for items with which to kill tricky rick, who always abuses and disparages her whenever she talks to him, telling her she’ll never forget. as for the reason why... well, take one look at him and its pretty clear whats going on there. (the name is also a reference to richard nixon, whose nickname was... well, you can figure it out!)

the town - the bar area is 100% my favorite from this world; lisa clearly hates alcohol and anyone who drinks it, associating them all with marty, and that music... all i can say is YUCK. the entire section also consists of lisa having to give up something in exchange for what she needs to move on, and usually getting the raw end of the deal out of it (she gives one marty a banana, he gives her a banana peel in return). she does all that while avoiding a marty following her outside who repeatedly tells her “you cant escape,” and upon reaching tricky rick (who is atop a narrow, columnar, PINK mountain), it becomes pretty clear whats happening to her. 

the sea room - fucking marty spiders man. im assuming they represent the sickly feeling of crawling skin she gets when she looks at him or is anywhere near him, but holy GOD they are annoying to deal with. she kills tricky rick with pills here - we dont know what kind of pills these are, but i interpret them as sleeping pills, and given the rumbling music and the rapid cycling marty background, i wonder if he forced her to take these. marty is everywhere here, but the only one she can speak to is seen chilling on a raft of some kind. marty likely spent much of his time recreationally, i.e. drinking, so it makes sense why this would be here

the rope room - theres no symbolism here this is just pure comedy (LMAO). if i HAD to assign some meaning to this area, it would be that lisa likely is so despondent at this point that putting in effort to do anything feels utterly pointless, much like climbing this long-ass rope was

the white room - as i mentioned earlier, i personally believe that this area depicts the previous relationship between marty and lisa (and also has one of my favorite songs in the game). he is shown doing traditional fatherly things - he is no longer wearing sunglasses and is wearing a suit, meaning he was likely employed, and is actually smiling. he also spends time with her in a completely platonic, familial way. when she interacts with him, there is a little heart over his head. after lisa walks through the golden statues (which will reappear later), the entire world becomes filled with bile, and martys appearance returns to that of the other martys, but with an extremely warped, grotesque face. the item she needs in this area to kill tricky rick is found between two golden crosses.

notice that all of the items she kills tricky rick with - a razor, pills, and now a plastic bag - are things that a child could plausibly get their hands on; none of them are explicitly weapons. i think this shows both her age and how often she must have considered using those things against him. 

the bile room - probably my favorite area in the game, and also features what i consider the quintessential lisa song. this area really drives home lisas disgust with marty and with christianity as a whole - it almost certainly has the highest concentration of crosses, and it is also quite literally covered in wall-to-wall bile, dirty water, and disgusting houses. a lot of the most graphic sights, like the melting martys and the pond martys (no idea what to call them LMAO) are here, so i think this is pretty much the lowest circle of hell for lisa. marty gives lisa a freshly cut finger in exchange for a napkin here; im not necessarily sure what that represents, but i think the napkin was used by marty to masturbate (as he says “i needed that” after he takes it), so perhaps the finger is martys?

lisa kills tricky rick here in a cave that is not-so-subtly shaped like a penis, and gets a vhs tape in which he pretty explicitly states what is going on in the game; he even pretends like he doesnt know who lisa is at first, which somehow makes it even more disgusting. the fact that vhs tapes play a role here sort of makes me wonder if marty really WAS filming some of what he was doing, and given that lisa the joyful confirms that brad was forced to somehow participate in lisas abuse, that is.... horrific to think about, honestly

the marty tape - this tape just has the player (as marty) walk up to lisa and suited marty, who are having a tea party with a plastic tea set. they both get hearts over their heads if you talk to them. i think this drives home that he and lisa did once have a normal relationship, and perhaps theres some part of marty who misses that? theres a LOT of ways you can interpret this; having the player become marty really calls a lot into question.

the mansion - the room leading here has a marty staring directly at the player who informs lisa that she needs a sword to progress. unsubtly, the sword must be placed into the crotch of a womans statue. the mansion inside is beautiful and ornate, and easily the most gorgeous area in the game - and it all leads to what appears to be a proto-joy mutant marty, sort of looking like jabba the hutt. i dont doubt that this is intentional, given that jabba the hutt is associated with slave leia, and its not at all a far leap to call lisa martys slave. the golden statues of women, as well as many golden crosses, are everywhere in this area. its actually quite a large space with a lot of thought put into it, so im really upset that i cant figure out more of what it represents LMAO

the final area - lisa seems to go back to her actual house, but upon leaving her room and entering whether the living room would be, the whole area changes. she encounters herself in a blood red room, but when she talks to the other lisa, she turns into marty. i think this represents a clear question - who is lisa without him? IS she anyone? or is she just a vessel for him to do with what he pleases? she encounters a naked marty telling her to give up shortly after, and flees from him, but is followed by voices repeatedly telling her that she must accept her fate. i think this clearly show the mental state of lisas last days. she was tormented, eternally. she truly felt there was no escape from marty. even the background becomes nothing but martys face, over and over again, as the end screen flashes.

at the end text, she finds a video tape, and in the tape sees someone who is ostensibly her mother from behind. she apologizes for not being there for her, but when that figure turns out, its martys face that she sees. the sky turns into marty. the music becomes corrupted and overrun with pretty fucked up laughter. she tries to run, but marty is already everywhere. theres nowhere for her to run. and then the game is over.

note that the video tape comes AFTER the games end screen, which stops not long after the appearance of the naked marty. so i personally believe that the “game over” represents her deciding to take her own life, rather than just give up and accept her fate. by running from him into the blackness, she got away from marty the only way she could have. it is sad and horrible, but that is honestly the best ending that she could have gotten in this game.

the first is definitely not as good as the painful in terms of gameplay, that much i can agree on, but i really think people miss out on a lot by not playing it. i think its really crucial to see lisas life from her own perspective before you can see it from brads - after all, brad may have known more than anyone else about what was going on, but he did not experience it like lisa did. for brad, lisa is a symbol of his own regrets and failures, but lisa was a PERSON (well, in-universe anyway LMAO). she suffered on her own, with pretty much no one to help her, and then she suffered so much that she couldnt take another second of it. 

[donnieluvsthings]

gonna rant about sanders sides plot bc i think about it all the time and need an outlet okay here we go. this got super long so most of it is under the cut.

fyi: i talk a lot about patton and virgil and how theyre doing. i dont think i paint either of them negatively and if i did its not on purpose bc i love them both but just be aware!! also this is just my interpretations/predictions and i wanted to share but its not The Only Acceptable Interpretation and if u disagree then obviously thats fine lol

so i keep thinking about the conflict between virgil and patton. clearly something is weird. i think it probably started when virgil asked patton to stop treating him like “some innocent harmless angel” at the end of LNTAO.

i actually think this was a good interaction—virgil was trying not to hurt patton’s feelings but also was expressing something he was uncomfortable with and he succeeded in my opinion. and patton doesn’t argue, just immediately goes “okay, virgil!” like he says his name, no nickname, no kiddo. he starts trying instantly to check himself and respect virgil’s wishes.

then in embarrassing phases their interactions seem a little more...tense? i’ll list the ones that stick out bc lists are Fun:

patton fakes being scared. virgil: “don’t patronize me” patton: “you mean pantronize” virgil: “whatever!!”

patton corrects himself from saying “bat winged cherub” to “bad....boy” while virgil shoots him a look like we just talked about this

virgil’s talking about how his style is a relic from thomas’ emo phase. patton: “we’re basically style twins!! look out just a couple of cool guys comin thru!” virgil: “okay, patton” patton: “um! sorry...”

virgil seems aggravated, probably bc patton is still treating him like a poor lil anxious baby when the whole point of this episode was virgil showing that they can’t just ignore his role as anxiety. they may be friends now but virgil’s past attitude is still part of him. one could say he doesnt want them to ignore the “dark side” of his presence. wink wink. this could be him maybe building up to revealing that he used to be a dark side, subtly preparing thomas for it.

then SvS. patton and virgil don’t interact directly except at the start and during the trial, but it doesn’t seem as strained. this is probably because theyre both on the same side when it comes to deceit—and i think thats important. in svs, both patton and virgil are anti-deceit, and like patton pointed out in LNTAO, “anxiety and morality are telling you the same thing,” which seems to signal to thomas that he should listen.

also in SvS, janus alludes to the fact that virgil was a dark side and is hiding it:

“so you’ve never been reluctant to share anything with the group?”

“dont.”

“what, i just meant your name!”

“dont.”

“maybe that’s why its so easy for you to see me for what i am! like i said before, it takes a liar to know a liar.”

i’m 90% sure he didn’t just mean virgil’s name. virgil is clearly distraught about where this conversation is headed and that just doesn’t line up with him being hesitant to share his name. his fears over his dark persona and reluctance to share his name have been addressed multiple times, so what does he have to be scared of? unless janus is talking about virgil being a dark side.

moving on! in DWIT, again, theyre both kinda anti-remus. theyre both afraid of him, and as logan points out, theyre both part of why remus is so powerful as intrusive thoughts. they dont argue much; virgil spends most of this ep arguing with logan, actually, which is interesting bc he and logan seem to have one of the closest friendships in the show.

in this episode, there’s a few final pushed that i think lead virgil to confess he was a dark side.

first remus reveals his own name and says “i would never hide anything from you!” and sends virgil a little glance. virgil looks uncomfortable. then, around the 31 minute mark, logan says “you can always talk to someone...subjects who talked about their thoughts often felt better emotionally and physically.” and you can see virgil looking around like he’s realizing something.

and then he reveals himself at the end of this episode. just to thomas, but i’m assuming all the other sides would know as soon as thomas himself does, right? if they didn’t know already. what sticks out to me is that he specifically waits until the others leave. he doesn’t want to say it directly to them. and as for how this connects to the patton-virgil stuff...patton might think virgil doesn’t trust him/doesn’t want to open up to him. and/or virgil actually doesn’t want to open up to patton as much anymore.

then in healthy distractions, we clearly see that something is up between virgil and patton.

patton: “how could he feel b-a-d with his inner d-a-d?” virgil: “i can think of a few ways”

patton: “thomas made his decision and i think we should all just try to settle into it” virgil: “how are you telling me to settle into something right now when you have taken your sweet time to settle into things that you were uncomfortable with in the past”

so honestly i don’t really know what virgil’s talking about?? does he mean the events of moving on and the whole breakup situation?? or maybe he’s calling patton out for taking so long to drop the “angel baby” nicknames/treatment. or its implying that patton didnt know virgil was a dark side and is still coming to terms with it/coming to terms with the fact that virgil didn’t want to tell him & the other sides directly.

or he’s referencing something we don’t know of. either way, their relationship is obviously strained rn and it isn’t entirely clear what the turning point was between DWIT and ATHD.

then we come to the new episode. virgil doesn’t appear in POF at all, not even a cameo. i think thats the first time this has happened since accepting anxiety part 1. the only reference to him is the purple time-clock during the mario sequence and other smaller inclusions in the other video game parts. and then what happens in this episode?

patton realizes selfishness can be good sometimes. he accepts that the world, and thomas’ view of it, are not as black-and-white as he wanted to believe in svs. it wasnt a matter of “callback = bad vs wedding = good” bc thats not how the world works. beyond that, he accepts janus.

and i’m gonna bring up the idea that virgil is super mean and gets away with it. its true that the other sides, especially patton, are hesitant to correct him or reprimand him, which i think is bc theyre afraid of making him think they hate him. this idea could even be in the forefront of their minds if they really are that impacted by virgil not telling them he’s a dark side.

the thing is...virgil IS mean sometimes and he DOES get away with it. often, its just directed at janus or remus, and the other sides don’t WANT to disagree. when its directed at the other sides, i’m not sure its taken entirely to heart, regardless of whether it should be or not.

and we all know how virgil feels about janus. suspicion, anger, and aggression are all things virgil expresses towards janus from the moment he appeared as patton in CLBG.

so this all has been building up to me saying that the virgil-patton conflict has now become a virgil-patton-janus conflict. virgil and janus’ past is going to clash with patton and janus’ new alliance, which will strain the already tense relationship between virgil and patton. even worse, now roman is firmly in the anti-janus field, which will likely feed virgil’s anger, especially if he also blames patton for hurting roman.

and if we DO go to roman’s room next, and janus shows up, and the situation worsens...we might have a full blown “patton & janus vs virgil & roman” level argument on our hands.

i think virgil’s gonna be aggressive towards janus, as he has been, but when thomas and patton don’t dismiss him—when they call him by his NAME, not just “deceit”—we’re gonna get a rehash of “are you seriously siding with deceit?” except this time roman won’t be the one saying “are you seriously so closed minded to think that everything said by someone you dont like is automatically untrue?”

the other sides—or patton and thomas at the very least—are going to see that virgil’s blatant dislike of janus is not entirely warranted. and keep in mind that we still don’t know what happened between virgil and janus to make virgil hate him, so maybe it IS warranted. but its clear now that janus is trying to help (assuming he’s not lying which i rly hope he’s not lol) and i dont think its fair to thomas for virgil to want to disregard everything janus says. thomas and patton will realize this and they’ll have to confront virgil about his treatment of janus. we just haven’t gotten there yet.

its gonna be wild, honestly. i want janus to be fully accepted but it might be a while until we get there, just like patton took a while to understand the whole “grayscale morality” idea, and how its probably gonna take a while for virgil (and janus, tbh) to move on from whatever happened between them in the past.

i also believe this is headed towards a sympathetic everyone ending where theyre all important to thomas, acknowledged by him as important, and all actively working together, no dark sides or light sides, just sides. so yeah

basically, the next few episodes will probably be an explosion of all these char tensions and its probably gonna get worse before it gets better, and thats not even considering logan angst, creativitwins angst, or the orange side. but i think (and hope) it’ll all be fine and im hyped to see where this series goes :p

[cafe-enchante]

ok now im curious about your thoughts on amnesia (・ω・｀) totally ok if you dont want to share though!!

This game is a whole can of worms for me and I actually had to spend some time figuring out how to answer this.

I'm on mobile (havent really had a chance to go home much due to some emergencies at my work keeping me there overnight) so I cant put this under a readmore but..

Also, before I go on my rant I would like to say that I think that the Amnesia series in general actually had some amazing ideas behind it and almost all of my criticism are actually addressed and answered in pretty satisfying ways in the sequel games that... sadly never got localized (which is sad, as I genuinely think they actually improved the games and made the first one less of a dumpster fire)

Also, I havent played the game in years so apologies if I make some mistakes (Ikki and Touya's routes are the ones I remember the best, and if I'm honest i had no desire to load up my vita and replay it)

Anyway,

CONTENT WARNING FOR ELEMENTS OF ABUSE, DOMESTIC ABUSE/VIOLENCE, AND SEXUAL VIOLENCE/ABUSE

Now, Amnesia is a game that in general is fairly controversial and I'm honestly surprised it is as popular as it is though I think this is attributed to the fact the western audience didnt have as many of the genre at the time of it's release and it was full of pretty boys so I think the game got away with a lot more than it deserved.

That said, as a whole I think the game generally glorifies, romantisizes, and fetishizes many forms of domestic abuse, sexual abuse, and manipulation with gaslighting and the general idea that in order to have a happy relationship you have to give up who you are as a person.

(As I said before, the sequel games deal with actually making the above claim not true but they were never localized so I'm only talking about Memories)

The general premise of the game is that the MC loses her memories thanks to a mistake by a magical being and has to hide the fact she has amnesia while also dealing with the hitches this causes in her current relationship.

Except not because for the most part almost every relationship reveals they were extremely toxic/unhealthy and were likely on the verge of a breakup before the MC lost her memory and prior personality go become a dimwit with no self preservation skills.

This pops up a lot in the routes but especially in Ikki, Kent, and Touya's routes. In Ikki it becomes increasingly clear that a lot of Ikki and the MC's relationship was based on a potential lie and due to his fanbase the MC goes through near constant harassment and is almost killed on a few occasions.

But Ikki cant cut those girls off because it would "be unfair". I also find playboy types like him in general to be annoying, but the fact girls basically throw themselves at him due to his magical eyes and it is quite clear he used this to his advantage at least at one point makes him hard to sympathize with, especially considering he is fully aware how fanatic his fanclub is but doesnt actuall support or help the MC until near the end of his route.

Kent has a solid idea behind him but his route was awful in Memories. Especially because it highlighted how much of an amazing personality the MC had before her amnesia and how the two couldnt properly communicate until she lost her memories and how he actually learns she has no memories and struggles with keeping things as they are or help her get better.

On paper this sounds like an amazing idea until you start to learn just how much the two fought (it's implied they did nothing BUT fight) and it is implied the MC was about to break up with him. It is very clear the two were very much not a good match and were trying to force a relationship that shouldn't have been going on and neither was actually happy until the plot started.

Touya's route is the one that gave me the most difficulty and by that I mean I actually couldn't finish his route.

I had to ask someone else to finish the route for me due to the nature of what happens and his is by far the route that made me hate this game and I had the most problems with outside the True Route (which I feels fetishizes mental illness and physical abuse, but I'm not going into that to deeply because I'd just be repeating what in about to say).

Touya's route is... bad. Now, please understand: I work in the medical field. I've met women and had to protect them from men like Touya whose love was just "to strong" that they needed to protect them. Men that drugged, gas lit, and trapped these poor girls until they mentally broke.

I'll never forget the one girl who couldn't take it anymore and took her own life when her boyfriend tried forcing himself into the clinic to get to her. I held her neck closed with a towel until the doctor got to the room but she ended up passing during surgery.

For me, Touya's Route was seeing what that girl went through. It was a constant reminder of what all those girls that came to the clinic went through. This route made me sick to my stomach and like I said I had to have someone else finish it for me. It didnt help when I saw his bad end and realized he basically turned the MC into a drugged up sex doll which is something that happened to a woman in my area when I was twelve (only reason she was found was because her boyfriend got arrested for something and asked if a police officer could go feed his 'dog'. He didnt even see her as a person anymore)

A lot of the romance in this game was like that, but it was most prominent in this route. The red flags for abuse, the constant "they just feel to strongly" or idea that the Protagonist's former personality was the primary issue.

I think the only route I was generally ok with and kind of liked was Shin's I think.

[honeybee-babe]

How can you excuse all of the abusive things Luther has done to his siblings (especially Klaus) throughout the series? And don't pull the "he was drunk" card. And without implying that Luther locking up Vanya isn't intentionally cruel or intended to hurt her? He has the ability to think logically, unlike Vanya he isn't experiencing a literal psychotic break down.... Please, explain this to me logically. Thanks.

~ wowowowowowow i clenched my jaw all night thinking about this ask~~

Yikes. You’re not asking me why I “excuse his actions” (I don’t), you’re asking why I see him as a human being with flaws and trauma which need to be addressed rather than the literal devil. And why I don’t think he is irredeemable based on a few terrible choices (when he has also made some great ones and showed affection for his siblings in the past). I honestly think people hate Luther because it’s easier to have clearly good characters and clearly bad characters, even in a show that actively and artfully avoids that dichotomy.

Why do you care that I like Luther? I’m not bashing your faves or causing any harm to you? I am not trying to tell you to like him or convince you he is a great character. I know he has flaws. 

But if you really want to know how I “excuse all his actions” (which…. I don’t?), I’ll humor you, but I’m answering the question you’re really asking:

Why Do You Not Despise Luther?:

This response is really longwinded but THIS QUESTION IS REALLY OVER-SIMPLIFYING(!!!) so I feel it’s warranted.

First, I’m gonna address the “abusive things Luther has done to his siblings throughout the series:”

I am not excusing any of the things Luther “does to his siblings,” I’m just saying we should extend the same amount of courtesy to him in sympathizing with him and understanding the motive behind his actions (just like we all do with Vanya). And also consider the fact that he is deeply traumatized and has literally been gaslit his entire life into thinking he has to follow a specific model that was set out for him as “leader.” Literally he has been taught that he is nothing without the UA and being a leader, and I don’t think people release how damaging that is to a person?

But also hot take: I don’t think Luther is abusive towards his siblings at all? Not until the last two episodes for sure. I think he is insensitive towards others’ emotions at times, but he is never cruel just for the sake of being cruel. I honestly think Luther is incapable of picking up on emotional cues to some extent.

I’m re-watching right now, I just finished episode 7 and I have yet to see any signs of him being abusive towards the others, and not Klaus specifically? The choking scene was vile and physically violent but I don’t think it’s abusive because it was a one time thing and abuse is a cycle. Luther isn’t particularly awful to Klaus, he is just dismissive? The only person he ever is really verbally mean to is Diego when they get into fights and Diego is just as bad if not worse, and also intentionally tries to get an emotional rise out of Luther (which is…. just as awful and cruel?).

But yeah I finished episode 7 and no abuse so far… maybe my dumb ass who was abused for my whole life just doesn’t understand what abuse looks like? Okay that’s kind of a joke but I’m actually being serious, my abuse is pretty similar to Luther’s and my body dysmorphia/eating issues are similar to his too which is a lot of why I resonate with him, so I could be missing signs because I’ve probably acted the same way. So please point out to me where specifically he committed an act of abuse, and not a one time act of violence or simply being dismissive of/not picking up on someone’s emotional needs.

Also I honestly think Luther is just in denial of others’ emotional needs because he is in denial of his own emotional needs. He has been taught to push everything down, including the needs of others, with the only goal being completing the mission, and protecting everyone/leading everyone to safety. Also I mean, he hasn’t been around human beings for 4 years (so of course he struggles to relate to them/communicate healthily), and he was always taught not to engage with his siblings but just to lead them because that was his role.

Also Klaus and Diego (especially Diego) are just as dismissive of Luther’s trauma? And like yeah Luther covers it up but it’s pretty freaking obvious…pointing out how big he is specifically.

Diego literally sees Luther shirtless after the chandelier falls on him, sees how self-conscious he clearly is, and then never asks about it or checks on him (yet continues to joke about it – also Klaus makes fun of his muscles when he first sees him which is just insensitive). And in the first episode the way Klaus jokes around during the family meeting about cucumber sandwiches when Luther is trying to plan a memorial service; it’s obvious that Luther is grieving and paranoid (and also that he has been manipulated enough to love Reginald!!!) and Klaus is just making jokes and not addressing this? And then they both just ignore his obvious paranoia over Reginald’s death and just call him crazy and walk away? And don’t use the “he was high” excuse for Klaus being a prick (just like I can’t use the ‘he was drunk’ excuse for Luther, which I never did once btw, y’all just want more justification 2 hate on him).

Also: Yes, Luther tells Diego to stop talking shit about Reginald at the memorial service but like, from his perspective, that is someone bashing the person he was closest to AT HIS FUNERAL!!! He starts the fight with Diego but only after Diego provoked him, clearly intentionally, and Diego continues to fight him and throws a fucking knife at his arm (but physical violence is only not okay when Luther uses it right?).

Also HUGE THING Y'ALL ARE IGNORING: Klaus finds out Luther had nonconsensual sex while drugged out of his mind and congratulates him………. uhhhhhhhhhhhhhh idk about you but I think Klaus has been around the block when it comes to drugs and sex (and consent) and should realize that someone on drugs for the first time losing their virginity is nonconsensual, or even if considered consensual still pretty icky? Like Luther is clearly ashamed and upset and doesn’t want to talk about it and Klaus just laughs abt it. That is so not cool.

And another thing:

Luther is very, very protective of Five which is so so sweet, yet people just completely overlook it because they only want to see the bad things he’s done. When he and Allison run into him in the hallway at the end of Run Boy Run and see him looking distressed Luther asks him in a soft voice, “Are you okay? Can we help?” and reaches out to touch Five’s face. Five grabs his hand to stop him but this was very sweet? Like it’s clear Luther has a soft spot for him because he’s small.

But Diego? After he finds out about Patch he bursts into his apartment and goes to attack Five; Luther has to pick him up to restrain him from beating up their brother who has the body of a 13 year old. All because he blames him for the death of the love of his life (just like Luther is afraid of Vanya after she killed Allison). But in Diego’s case, Patch is already dead; Diego only wants to hurt Five out of vengeance, not because he’s trying to protect Patch. And he doesn’t apologize or anything after????? It’s just never brought up again!

SO IN TERMS OF LUTHER BEING AWFUL TO KLAUS THE WHOLE SEASON: is he? is he really? is he really abusive? and is he really that much worse than his other siblings?

And now I’ll address this nonsense:

“And without implying that Luther locking up Vanya isn’t intentionally cruel or intended to hurt her? He has the ability to think logically, unlike Vanya he isn’t experiencing a literal psychotic break down…. Please, explain this to me logically. Thanks.“

…….sigh.

Luther is absolutely not being intentionally cruel or doing this to “punish” Vanya, he’s doing this because he’s freaking the fuck out and doesn’t have any idea what she might do. Yes it’s a bad idea but we need to keep in mind that he’s not thinking logically, he is emotionally distressed. Yes he could talk to her but Allison had just tried to do that…. and look where the fuck that got her?

Do you seriously believe Luther was mentally stable and thinking logically in this moment? Do you not realize he was literally going through a breakdown and identity crisis of his own?

He just found out maybe two days ago that his entire life was a lie and the person whose approval he sought the most didn’t give a shit about him, found out he was isolated from humanity for no reason (which….. as if being isolated in itself wasn’t traumatic enough), after he was mutilated against his will, and now he has just witnessed the person he loves most almost die and he couldn’t do anything about it. Luther is experiencing a breakdown and I think a big part of it is control: he realizes he’s had no agency his whole life/has never had control, he just lost control/agency over his body on drugs even more and had nonconsensual sex while intoxicated, and then after this he sees Allison dying and he can’t do anything to help her (he can’t even give his blood)!!!! His superstrength and locking up Vanya is the only thing he has control over, he feels it’s all he can do to prevent the apocalypse/protect everyone. 

Not only that but the idea of control as contol over powers: Luther has super strength, he has to be super careful and controlled all the time so he doesn’t accidentally hurt the people he loves… the thought of someone’s powers being out of control is probably the scariest thing in the world to him. And yes, he gets in fights with Diego but he doesnt use his full strength (just like Diego doesn’t either) because if they did then they would actually hurt each other, they have a lot of control over their powers. But Diego can control his powers by just… not throwing things and having temper tantrums. Luther doesn’t need to be angry to fuck up with his powers, we see that in the very first episode when he punches the model airplane. Luther can never escape his powers and has to constantly control them, and the idea of uncontrolled powers is his worst fucking nightmare.

So Vanya tells him, “we got in an argument and things got out of control” … like just imagine what must be racing through Luther’s mind when he hears that!

Yes what he does in this scene is awful but you can’t convince me he is doing it with the intention of hurting her. Literally you can see in his eyes as he is choking her how pained he is by this. And he apologizes to her: why would he apologize to her if he was trying to hurt her? And if that was intention… why wouldn’t he just fucking kill her?

I absolutely don’t agree with his decision here but like…. he absolutely is going through a mental breakdown and it doesn’t just stop during The Day that Was/Wasn’t and to act like he is completely stable and in his right mind when he locks Vanya up is just grossly oversimplifying everything! 

Y’all demonizes him over this but completely overlook some of the awful things his siblings have done (Diego going to beat up Five because he blames him for Patch’s death, Vanya killing a ton of random people because she was locked up)…. Like yes: Luther is insensitive, dismissive, and cruel in this scene but it is not his intention to be cruel, it’s obviously his intention to control Vanya’s out-of-control powers, protect his siblings (esp. Allison), and prevent her from causing the apocalypse. It is awful and yes it is cruel but to act like he just doesn’t give a shit about Vanya and/or is doing it just to hurt her is just….. so beyond what the show is portraying.

And I get that you guys really despise him for this, and if you’re going to hate him, fine: but you completely overlook the terrible things all the other siblings do throughout the whole series and write Luther off as evil, which is not cool. Seriously, y’all portray Luther as the literal devil just so that your faves seem like infallible angels and your headcanons and fanfictions seem nicer and more simple………. and honestly I just can’t reason with you. I think some people just hate on Luther and love everyone else because his abuse situation is more complex and they’re just… literally too lazy to do the mental math, so they stick with stanning everyone else whose trauma is more obvious? Even though Luther covering up his trauma (literally) and refusing to talk about/deal with it is a huge plot point in the show, y’all perceive this as him just not having any trauma, or just overook how his trauma affects his actions.

This show isn’t supposed to be “everyone in the family are wonderful, perfect victims and deals with their trauma like angels EXCEPT LUTHER HE IS STOOPID AND EVIL AND ALSO HIS TRAUMA ISN’T DEEP ENOUGH!!!!!!!!!”…… and if you think this then I think you need to do some soul searching? Or actually do some research into abuse and learn that it comes in many different forms and has many different effects?

Again: I don’t dislike any of the siblings. I used them as examples but I love Diego, Klaus and Vanya!!! I respect and understand them all and view them all as troubled souls who are trying.

This show is complex and it’s designed to be uncomfy, and if you simply write it off as having clear victims and villains (except Reginald, he a dick) then you are not respecting the writing or giving the show justice. 

Gerard Way says he wrote Luther based on his own experience of body dysmorphia, isolation….. the show designers say he has self-harmed before, and Tom Hopper has said Luther has been suicidal in the past…. but you know what, go on portraying his trauma as “having it easy” and using violence/cruelty just for fun, even though the show clearly portrays him as a broken man.

~

[elle-eedee]

dcom daddies: ranked

whats up sluts i’m here to give you the content you did NOT know you needed: a foolproof algorithmic ranking of a mild selection of disney channel dads!

beast (descendants)

hotness scale: extremely tall (over a foot taller than me! this is Very Important to the scale) and he seems to be a mere thread’s width away from Unhinged at all times, which i love. i also think it’s very sexy of him to still have such a monstrous way about himself (what with the roaring and the growling) 20something years post-curse.... makes me wonder very vividly if such energies carry to the b*droom........ *clears throat* 10/10

quality of character scale: it eternally amuses me that beast seems to learn almost Nothing over the course of this trilogy. he’s literally pro-isle the ENTIRE time jsjdndjdjd..... not great considering it puts him directly at odds with his son (and, like, with social progress) but he Does seem to act the way he does with the kingdom’s safety in mind! plus when he’s not accidentally supporting magical fascism he’s super dorky. i love his goofy dance moves 7.5/10

total score: 17.5/20...... with this score alone you can tell this system isnt rigged bc if i had it my way he’d be winning

hades (descendants)

hotness scale: i hate his party city clown wig but i’m a total sucker for guys in makeup (EVEN THOUGH A DECENT SHADE OF LIPSTICK WOULD HAVE BROUGHT HIS ENSEMBLE TOGETHER. WHY DID THEY PROPOSE IT ON THE CHARACTER DESIGN WALL IF THEY WERENT GONNA FOLLOW THROUGH!!!) and i think the fact that hes Very Sleepy and doesnt own a dog makes him my dream guy 9.5/10

quality of character scale: he literally sings a song about how cool he thinks it is that he’s a shitty dad............ but he DOES come through when his kid needs him, so that’s nice i guess. i would have liked to see more of him but i’ll settle for reading and writing intricate fan works that delve into a hypothetical personality for him that’s mainly conjecture 7.25/10

total score: 16.75/20 i wanna see him in some preppy auradon clothes

jafar (descendants)

hotness scale: i wish i had nicer things to say about this man. he just....... bears so little resemblance to the original jafar it makes me :( maybe if he was more gangly, or if he carried himself w the same potent gay energy that og jafar has? itd also help it he wasnt a racist caricature. 4.5/10

quality of character scale: again, very much a racist caricature. jafar doesnt steal!!! why would This be what he chose to do with himself! but he does seem to be, perhaps, the least bad of the core four’s parents, which counts for something i suppose. 3/10

total score: 7.5/20 sorry bud

dr facilier (descendants)

hotness scale: listen. it’s dr facilier. what am i supposed to do, NOT give him a perfect score on the sexy scale? 10/10

quality of character scale: he just loves his daughter and wants to make sure she’s getting what’s hers!!!!! his dynamic with celia makes me really happy they seem so fun! though i guess you could argue it sucks that he’d send his darling babey dohter to do errands for big mean scary hades considering that Everyone on the isle seems to quake at the sight of him. but im sure facilier only does that to ensure that celia can hold her own! 8/10

total score: 18/20 and it’d probably be higher if we’d seen more of him

mr smee (descendants)

hotness scale: not only does this man fuck, judging by the ages of his kids he fucked RECENTLY. get it baby live your truth 7/10

quality of character scale: he seems to be SO kind and sweet to his baby sons..... holding their little hands and such!!! and judging by how nervous the kids are i’d imagine it was primarily smee’s idea for them to go to auradon. extremely noble sacrifice for their benefit even though he’ll miss them 10/10!!!!!

total score: 17/20 i want to kiss his hand, if he’ll have me

zevon necrodopolous (zombies)

hotness scale: every time i look at this man i think of this post. he’s the perfect amount of frumpy for my tastes and his voice is so unique!!!!! i’d let his z-band malfunction so he could *** ** ***** * ******* **** 9/10

quality of character scale: really really cares about his kids and wants them to be safe!! he raises his voice once which im not a huge fan of but i suppose it was justified given the circumstances. also that shot of him goofing about with d*le in the end scene shows remarkable capacity for forgiveness after decades of trauma and discrimination! what a guy. 9/10

total score: 18/20 an absolute dilf!!!!!

dale (zombies)

hotness scale: looks like an uncrustable. 0/10

quality of character scale: a fucking cop. die bitch! 0/10

total score: 0/20 get in since you wanna act clown

coach jack bolton (high school musical)

hotness scale: honestly pretty young for my tastes. and i literally Always swipe left on athletes, so..... fine looking, but not for me. 5/10

quality of character scale: obviously he grows as the series progresses but i feel like jack is Always in the way of troy getting what he wants, which sucks. i like that he’s kinda goofy on his off hours with his family exactly as much as i Hate how much he yells when hes on the job. i do wish we lived in the timeline where he and miss darbus actually had that duet about their disagreements, though. 5/10

total score: 10/20 truly an Average dcom daddy

vance evans (high school musical)

hotness scale: due to personal reasons i will be having bad taste. however, this man’s fashion sense in IMPECCABLE. i mean, the colors??? the unbuttoned collar???? come on now. there is also the gratuitous use of the d-word to consider......................... anyways 7.5/10

quality of character scale: it’s hard to tell how much of his interest in furthering troy’s career is out of sincerity and how much of it is sharpay nudging him. but either way the result is a man who supports his daughter unconditionally! he could be nicer to ryan, though (plus he’s an evil capitalist) 6/10

total score: 13.5/20 i feel like he and fulton have had Relations

mr gifford (lemonade mouth)

hotness scale: listen, i’m a simple guy. i see a basic-looking man pursuing age gap romance in the midst of a mid-life crisis, i support him unconditionally. also i am just Really vibing with that oversized denim shirt on him!!! there’s an egregious amount of arm hair poking out that just works. good for him! and this is a small moment but i’m very flustered over his natural Touchy Feely instinct after wen pokes out his eye... however: man has no eyebrows. 8.5/10

quality of character scale: i’m not a child of divorce so i don’t know how this stuff works, but i feel like he springs a lot of major decisions on wen? not ideal. on the other hand, we DO stan that he has sydney move in before they’re married. this is not a christian home!!!! 6/10

total score: 14.5/20 probably my favorite lemonade mouth dad, but mostly because he’s like the only one paid any attention by the narrative

mr banjaree (lemonade mouth)

hotness scale: men really have beautifully sculpted noses and we just let them, huh. i’m definitely overusing the word Handsome in this list, but in this case? i’m justified. mr banjaree’s beard suits him SO well and his hair looks so soft...... and we love the implicit cleanliness of a man who wears socks in the house! 8/10

quality of character scale: i super SUPER dont agree with this man’s Smothering-Adjacent Methods (and also i know firsthand that strict parentage just drives kids to be more rebellious, lmao) but all things considered he really just wants the best for his family PLUS he’s willing to meet mo halfway at the end! :’) 6/10

total score: 14/20 the way i feel about him is the way i feel when i get crushes on pastors in that You Are Complicit In My Trauma But We’re Gonna Kiss About It way

mr delgado (lemonade mouth)

hotness scale: OOOOH GLASSES! 5/10

quality of character scale: it’s sort of implied that the Wacko Energies of charlie’s family are mostly the fault of his mom so it’s cool of this man to distance himself from that. he is, of course, still complicit in Whatever The Hell Her Deal Is unless he is constantly fighting with her offscreen 6/10

total score: 11/20 would have loved to see more of him

mr yamada (lemonade mouth)

hotness scale: another chapter in the saga of unbuttoned collars! doesn’t get a lot of opportunities to show off his strengths but i appreciate that he is not the thinnest dad in town 6.5/10

quality of character scale: WOW fuck this guy. very dismissive of stella’s aspirations!!!!! i don’t like that he feels the need to talk Over her to her mom when he’s asking about her vegetarianism. dude she is right there.... however it’s a lil touching when he holds her guitar up at the end, so... 4/10?

total score: 10.5/20 *thinks about his slightly protruding tummy in his last scene* *thinks about his slightly protruding tummy in his last scene* *thi

bob duncan (good luck charlie: it’s christmas!)

hotness scale: in keeping this Specific to the feature-length xmas special, i will say that bob duncan is QUITE handsome! disappointed that he was wearing a shirt in the scene at the pool.... ill bet if this movie came out post-workout/makeover he’d have been shirtless >:/ i feel robbed... spare tummy, sir? spare tummy? additionally i love a man who rolls up his sleeves AND a man who stans kaiju movies!! also i love that he, quite literally, canonically fucks 8.5/10

quality of character scale: he’s about as charmingly incompetent as he is in the show, but the difference here is that he literally did not do a damn thing wrong! all he wanted to do was be civil with his inlaws and he frankly deserves MUCH better. its clear from his banter with the kids that he loves them very much (also i love how frequently he feels the need to jump/dive for things in this movie. silly slapstick icon) 8.75/10

total score: 17.25/20 this man’s mere presence oozes nostalgia

jerry russo (wizards of waverly place: the movie)

hotness scale: this man was MADE for me. the bottomless collection of hawaiian shirts....... the TWO tummy out scenes..........the fucked up evil thing his voice does when the kids try to steal the spellbook!!! he really has it all. also i love that he is truly just trying to have some beach intercourse 9/10

quality of character scale: i love that even when he doesn’t remember the kids he still maintains a little dadly rapport with them? the instincts...... it’s also incredibly good of him to relive his decision to give up his magic without hesitation once he realizes the severity of the situation :’0 10/10

total score: 19/20 i’ve never seen an episode of the show but im really about to start

neil morris (dadnapped)

hotness scale: handsome....... mr morris makes me feel simultaneously like a sapiosexual AND a morosexual because although he completed enough schooling to become a dentist, he also threw it away for a writing career like an absolute champ. also i find it unbelievably charming how Along For The Ride he is about the idea of being kidnapped. a man after my own heart 8.25/10

quality of character scale: this is a tricky one...... neil DOES show active concern for his daughter’s safety when push comes to shove, but he also has my least favorite type of redemption arc: “you THOUGHT i was neglecting you, but actually i was thinking about you the whole time and just never expressed it! we good?” so like. bleh. but he’s pretty mild mannered which i deeply appreciate in a man! 6.5/10

total score: 14.75/20 maybe talk to your daughter instead of writing a macgyver ripoff, dumbass

major joe mason (princess protection program)

hotness scale: prime dad bod, very believable for his line of work. also he has such a Gentle Way about himself when he’s around princesses....... i love all the hand holding when he’s escorting rosie. absolutely my type 8.75/10

quality of character scale: gosh.... where do i even BEGIN!!! his whole dynamic with carter is so ideal... i was apprehensive at first because his job would require him to be Absent a lot of the time, but upon reflection it’s clear that he’s raised carter well enough that he can totally trust her to be on her own, and also she’s only sad to see him go because she sincerely enjoys his company. everything about his profession is so noble and i love the way he can carry himself as casually or as politely as a given situation calls for. worst thing he does is say “i might have to stop calling you ‘pal’” because his daughter is wearing a pretty dress. i wish he was my dad but i’ll settle for him being my husband 9.75/10

total score: 18.5/20 i almost made a ppp self insert this morning specifically for Him

ted thompson (zapped)

hotness scale: athletes arent sexy!! this guy’s face screams The Only Websites I Know How To Use Are Facebook And Reddit and also he’s a dog person BUT he is sporting quite the tumbey if i do say so myself and for that i shall let him live. 4/10

quality of character scale: ok i know the whole point of this movie is Boys Bad but i hate men who are loud and i hate dads who get Weird about the inherent femininity of their daughters. when he calls zoey “sport” and then cringes like he’s made a mistake? dumb and unnecessary. HOWEVER all of his efforts to bond with zoey are really really sincere. like when he fixes her music box? that has NOTHING to do with the app he just Does It!!!! the movey mightve rubbed off on me a little too much but there are multiple ways to show love and just bc im not used to his way doesnt mean it has no worth! 6/10

total score: 10/20 mr thompson sir im sorry i doubted you at the start of the film

rob adams (radio rebel)

hotness scale: this man dresses 5-10 years younger than he looks and i respect that for him. but i was expecting him to be a bit more of a slimeball considering how tara talks about him in the opening scene... and you guys know how much i love slimeballs. regardless, pretty handsome! 6.5/10

quality of character scale: it’s nice that he goes to such a Public and Corporate effort to connect to his stepdaughter! even if it’s in a way that financially benefits him, it’s pretty clear that he cares about this family and wants to do right by them. nothing exceptional, though 7/10

total score: 13.5/20 i GUESS i’d be down to smash if he asked

ralph bartlett (read it and weep)

hotness scale: ok i was gonna say something mean about the fact that he’s balding but honestly he has really nice arms........ in addition he’s really quirky and optimistic which i am going to admire into my grave!! when he gets excited about having customers during the finale his voice quirks with an almost charlie day-esque charm. handsome. ALSO he calls jamie “princess” which is!!!!!!! something 7.5/10

quality of character scale: the way ralph parents his kids is Very 2000s in that he kinda babies his daughter but gets to pal around with his son, but i guess both dynamics come from a place of love and he could be doing much worse. plus he’s an honest hardworking small business owner! i support him 7/10

total score: 14.5/20 i would definitely go out for pizza with him

dr james hartley (how to build a better boy)

hotness scale: THIS. THIS IS WHAT DCOM DADDIES ARE ALL ABOUT. gosh..... this is truly the Most dad ive ever seen in my life. i love how his hair is always mussed..... how he’s so Desperate to relax that he falls asleep after Fifteen Seconds of smooth jazz..... and also. like. hes a scientist?? hello??? pretty sexy of him. i want to give this man the relaxation he deserves 10/10

quality of character scale: ok so,,,...,, kinda fucked up that he lied to his whole family (with the possible exception of his wife—sidenote, WHY did they make dr hartley married? his wife never comes up except when bart says she’s out of town. let him be single so i can slide into those dms) and EXTRA kinda fucked up that he works for the government? what a scab. BUT it’s very very clear that he cares about his kids (and gabby) and prioritizes their safety above all else! also, did you SEE how happy he was when mae won homecoming queen....... he loves her so so so much! :’0 8.5/10

total score: 18.5/20 i thirst tweeted about this man and roger bart replied ‘Aw, thanks!’ so i dont know where to go from here

[detectivehole]

Go comic feral, i followed this blog for a rEASOn and it's bc i like to hear your random vents and rants and also you reblog cool stuff. But i digress, go comic feral i am hERE for it

fine

PETER PARKER BEING RICH IS STUPID  he didnt even ern what he has himself it was nt even himn he wasnt in his body maybe if i had got to see him start fron nothing to being a cool ceo or whatever id be able to stand it but nooooooo he just GOT is for nothing so it feels stupid like “ha ha what if like tony stark haha” its DUMB and i haven’t read a spider man comic for a long time

deadpool/spiderman crossover comic bad. feels out of character a lot. funny concept and full of funny jokes but as far as characterization its bad in my opinion- was made to capitalize off the hype of the ship and we all know it

don cates should be banned from writing comics bc he fucking sucks and ill never forgive him for what he did/tried to do to venom

deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good dea

the venom movie was a lot of fun but it was very ooc a lot HOWEVER seeing some of the cut scenes and scripts you can see that it used to be actually fairly in character for the comics but a lot of scenes with eddie establishing himself as not actually the most nicest of guys (not that eddie isnt a nice guy deep down but he is a good amount fucked up with a big ol hero complex and a problem with ‘i can do no wrong” mentality sometimes) were cut and considering how the fandom for the movie treats him i can see why the cut those bits out bc i dont think movie goers would have liked him as much wich is a shame bc he is a good guy at the end of the day just fucked up

straight white male comic fans are the worst people in the world and breaking their fingers is a daydream i indulge in 

matt murdock is a himbo

foggy nelson is a good man who deserves better friends

i can tell what deadpool comics someone has read based on how they characterize wade in their fan works and i have a 80% success rate with it. the most common was the daniel way run but now its the spider-man/deadpool crossover series

soulda used miles for the mcu spidey instead of cannibalizing his story for parts like they did. dick move, Disney

mcu bad

i think just the idea of dc’s Red Tool is fucking hilarious but i dont like his character at all

batman and superman should fuck but they wont :/

matt and foggy should to but the comic industry is afraid of making long running characters lgbt bc theyre WEAK

deadpool need a canon bf they cant keep telling us hes pan and not showing us for reals- hell he could just go on one date or be shown having a one night stand or something- something beyond a damn joke

cable gay. no i will not listen to any other opinions.

im excited to read moon knight i have a book waiting i just have to finish my current one

SCUD the disposable assassin is the most underrated comic EVER and i LOVE IT however i think it ended stupid and bad however it went on fucking hiatus for like a decade and then was rapped up really fast so any ending is a godsend

i desperately want a long-form stand alone series abt wanda wilson bc shes the perfect foil for a good Feral Dumbass Woman comic. think abt it; shell sell immediately bc of recognizable brand, and then she can just go on violent stupid adventures without any of the other dp corps. it doenst have to line up with any canon i just want insane lady dp adventure comic. this is an unreasonable dream but mine none the less

i though that agent venom was stupid

tank girl is fucking amazing and i love it i never understand whats going on and i enjoy the confusion

reading early hulk comics feels like watching a weird, poorly produced old black and white sci-fi soap

there needs to be better, more easily accessed, official reading-order guides published and posted on the walls of comic shops everywhere

the 80s and 90s were the best time for marvel comics and no one can tell me otherwise. that was peak comic time

the worst time for comics was the 2000s and early 2010s

sometimes i am shocked by the art that gets the editors pass in comics. some of it is so bad and im not even talking about the disproportionate ladies

the lego marvel and dc movies are way better than the live action movies and im not even being sarcastic

seriously the 2000s made some horrible comics

i feel like committing acts of mass violence every time someone says comics arnt real reading/stories/implies theyre worth less of any value than a novel

i read the first deadpool comic i got so much that the art itself is so ingrained in my mind that people have shown my just the corners of panels and ive identified them correctly

i distinctly remember the first time the woman at the book store stopped asking me for parental permission to buy the comics i was getting (12yos) because i went there so often that she just remembered who i was and that the adult would say its fine

i refuse to talk about comics with people at cons because i am gatekept or flirted with every single time no matter what and there is no in between. and yea its because i have tits. youd think that eventually theyd learn but gross comic men never do and all the others have adopted the same policy as me so the closest i come to positive comic interaction at cons is standing in the same vicinity as another chick, looking at the same section, and the kinda smiling at each other

i think the avengers are boring. really really boring. the x-men are way better

i related to gwenpool too much when she first started and it scared/offended me so i stopped reading for a while until her character developed more and we stooped being so similar

i have spider-man bedding. i picked it out only a few months ago. its good it makes me feel cool in a very uncool way

watching spider-man as a kid made me wanna be a scientist. watching batman as a kid made me want to do martial arts. i ended up failing chemistry and falling on my face a lot instead.

i had a huge venom toy and a huge spiderman toy as a kid and while i did make them fight a lot i also made them hug just as much. i wanted them to be friends

on that note PETER IS MEAN TO THE SYMBIOTE NOW AND HE DONT EVEN HAVE A REASON NO MORE hes just such a dick about criminal reform eddie and the symbiote aint special with this- he says he believes people can be better but he really doesnt show it. he tends to think people are set in their ways and while this makes sense forthe most part considering how much hewas bullied as a kid/adult (that also contributes to his mild “i protect my own” mentality  tho at least he consciously fights that one) it stil pisses me off

i can think way more but i need to sleep i think