#that's the last thing I wanna be

[distant--shadow]

Can you share a little bit about your art process? I'm curious to know about how you use references and how you figure out compositions. Your pieces are always so nice to look at and I love how you post a full piece and then a close up, and both of those look really nice on their own.

Love your art <3

(hooo this is long. sorry I love 2 chat.)

well it's multiple factors; in regards to being able to crop a close up and having that work as its own image, that's thanks to the scale the digital medium allows with ease; if these were traditional pencil drawings they would have to be pretty fucking big to have that much detailing on the face, and that in turn would make the drawing process different as you'd be having to step back often, but it's a lot easier digitally to just zoom in back and forth, check things are working from zoomed in and out, flip the image to see things with fresh eyes and make sure things are looking alright etc. I've been drawing on paper for years, and mostly draw/paint in a completely different style to how I do for my fanart, so coming in to digital and seeing it as a hugely different beast actually kinda helps in that sense (tho I'd say most of the time the digital thing really hinders me).

on that digital vs traditional note though, I take pretty much all of my inspiration from traditional artists, so when I'm drawing fanart I'm thinking about how I want the drawing to give me the feeling and sorta composition that those pieces I admire have, whether it's more modern queer and fetish art or old masters and book illustrators. it's having an awareness that the human brain wants to focus in on a face or find eyes, getting as much emotion across in that area but also being conscious and having fun of the potential narrative telling of other details and what the body is doing, sewing in your own symbolism.

for figuring out poses, I have a visual mind, I can see compositions pretty well in my head, so for example; if someone who is commissioning something states the details they would like in a piece, I can usually tell without beggining the sketching stage that, for example, maybe they wouldn't be able to see the hand they want doing something specific if characters were interacting that way and we were seeing their faces as well, or you wouldn't be able to see one of their faces, and if you value seeing their expressions maybe let's chose what you prioritise in terms of what the viewer sees. idk what to give in terms of advice for that, I'm lucky I've got a photographic brain when it comes to stuff like drawing or other boons it grants me irl (but I'm useless with numbers and words so, it balances out).

as for reference I feel like I've touched on this a few times: reference is great! it's important if you're doing the style of drawing I'm doing here (but I also really love work that is more stylised as well, i love folk art and goofy and expressive things) at this point for the likes of Imogen and laudna (and I'm getting there with fearne) - I've drawn them so many times that I just reference myself, and if there's a specific expression I'm needing then I keep a shaving mirror near by and look at myself, same with hands, they're right there, draw straight from em or take a photograph (saying this I am not good at hands lol). other than that yes I will often look for reference of something that roughllly resembles what I wish to draw in terms of posing, and then it's a mixture of kinda treating the reference images like a frankenstein paper doll with metal pin joints and arranging them how I need, but as I've also said before I like to not have a 1:1 reference and duplicate because i want to get my own hand in there, figuring out angles and limbs with lines gives a little bit of movement, proportions being a little off shows what the maker wishes to exaggerate or minimise, these are all enjoyable things to me, I'm not tryna make something photo realistic. so yeah, reference good, reference teach, but your own hand is very important too.

in summary I use a combination of photo/painting/screen cap reference and just my intuition from years of drawing and looking at people for the bodies, and my own drawings and a mirror for the faces. sketching it all out takes quite a bit of time, and I often won't realise until near "the end" (after spending hours colouring caus idk the proper digital ways to do it) that I'm not happy with a thing or two. sometimes I try to "fix" this, sometimes I say "fuck it, it's an excercise and is what it is". people who have commissioned work from me might have had this happen where I've said I'm sending the drawing over and then been like actually can u wait a while I need to tweak some things and spend an hour doing so, caus part of my process is sending the image from my laptop to my phone, and not only is the colour different from my phone to my laptop, but once again it's like seeing it with a new set of eyes and pretty much always reveals a bunch of "mistakes" I've made. the phone thing also goes back to what I said earlier and what you brought up, of that intuition to look at an image both zoomed out in it's full composition, but also pushes our intuition to tap and zoom in (I'm sure there's essays on this shit about viewing art digitally and specifically on phones vs irl) this can be used to your advantage! maybe you have a style that suggests detail but when zoomed in it's very satisfying certain wide strokes of colour, or yeah you can pack in tiny details made with a finer point that you can't see zoomed out. one of the things that sucks about the style I do for my fanart is it's way more obvious when something is wrong. when it's stylised to you it's never gonna be wrong, yknow? uh. anyway. I hope this sorta answers your question. I'm happy to talk about making all day long, I always think what's best is to find what works for you. for me being inspired by things outside of the space youre making things for is really important, and plays part in us all not making similar end results. keep putting your own hand and brain to it and have fun.

thank you❣️

[gongyussy]

j… jesus oppa ;____;

[bixels]

Scary Sunset.

I'm concepting things way outta order in this story, but I'm sure you can piece things together. Context is for a storybeat where, after defeating and capturing Adagio (thus having all three sirens in her possession), Sunset enacts her revenge plot to release the sirens on Canterlot as Thea discovers she's been manipulated. In a confrontation, the two scuffle and fight over the siren orbs while Sunset struggles with her conflicting wants and emotions.

[hurlyburlytopsyturvy]

when you get engulfed by a space-time anomaly and it forces you into therapy for the greater good

[hollytree33]

Hi so I might’ve made a painting of my Inquisitor while trying to mimic Solas’s style so I can pretend he made it

[ruoyeming]

Zombie apocalypse AU hualian designs for my fanfic that I WILL finish.. for real guys...

[idontmindifuforgetme]

[delicourse]

Another year, Another lesbian pride gown moment🌸

[bacchuschucklefuck]

they licensed his ass

my finished piece of the FWMS (official name definitely 100%) thing we started a few days ago! I had fun I hope folks had and/or continue to have fun with the sketch as well.

[petricorah]

quick zukka <3333 [id in fanart]

[vault81]

I've finished my Fallout OC Character Sheet! this is my first time making something like this, but I like how it turned out!

PSD below cut!

Compressed Version!

[pencilscratchins]

if there’s one wisdom i can leave you with its smoke weed, eat local, and fuck often

[venelona]

I polished my gif of how I envision reunion happening

(referenced from a gif from 'beyond the boundary')

[hootyhoowoo]

A little 15 min doodle but first post of the year has to be Bingqiu!

[velvetwyrme]

MORE TITAN AU!!! of the cityspeaker rodimus variety <3

extra context for these:

this is inspired by the concept of the city/internals of Megatron changing colour in response to heat- something Rodimus has plenty of! (as mentioned in asks here and here)

in this AU Megatron rarely speaks to/acknowledges his cityspeakers, so Rodimus is trying to get a rise out of him the entire time :]

majority of the dialogue is by @callsign-relic whos blog this au lives on! the first section of dialogue is from one of the first titan au posts :]

check out the #titan au tag over on Relic's blog for more Thoughts about this au and its many offshoots!!

[kate-bot]

a few more little pizza animations!!! they're a little rough around the edges but they were a lot of fun to make!!