#that's all the writing i've EVER done

[luckycharms1701]

just thinking about these turtles man

[deoidesign]

For my birthday... read my webcomic! It's literally free! (Unless you want books. Those are not free)

It's beautiful, it's gentle, it's funny, they're canonically t4t and gay... And it's about time traveling vampires solving supernatural mysteries!

I've spent thousands of hours writing and drawing it, and it's really good! I'm not biased!

It's on hiatus right now and coming back in 2 months, so it's the perfect time to get caught up

[sluttyten]

I was working on a new fic that I was really looking forward to, but in light of recent revelations, I'm gonna be taking a step back I think

also i removed him from the member masterlist and all of his fics, excluding things like YIMA and the poly series which I'm considering re-editing to get rid of him

[iwritenarrativesandstuff]

Killua and the Power of Wishes

Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.

As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.

One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.

Let's set the stage with one important piece of info: Killua's birthday.

Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.

Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.

To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.

I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.

Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.

What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.

[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]

This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.

When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.

Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.

[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]

It's such an innocent, simple want.

And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.

In a matter of a few minutes, Illumi breaks down Killua's wish by:

Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."

Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)

Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."

And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!

So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.

10/10 manipulation, Illumi. Fuck you, seriously.

Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.

It's almost like the family has drilled it into him that wishes are dangerous. How interesting.

Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).

"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"

The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.

Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?

Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.

[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]

Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.

And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.

This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.

It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.

[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]

I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.

However, that's not to say that this exact sentiment doesn't come through in their interactions.

Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.

[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]

I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.

But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.

Overhead, a shooting star appears in the sky. A mutual wish is granted.

[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]

Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?

Well, buckle up because this star is going to make you experience so much sadness now.

[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]

Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".

I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.

...holy shit, kid.

[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]

And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(

What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.

In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.

Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.

[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]

Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.

Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.

They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:

As a function of failing to fulfill her requests, of course

Because she, just by existing, threatens the family's status quo

I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.

Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.

The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.

So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.

Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.

It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.

Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.

Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.

[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]

Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.

Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.

Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.

And Alluka tears into him for it.

[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]

You tell him, girl.

Oh hey, this looks a little familiar, huh?

"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.

Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.

And neither should Killua.

[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]

It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.

Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.

And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...

[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]

...she doesn't even have to think about it.

I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.

[icewindandboringhorror]

Pages from trying to keep a little sketchbook-scrapbook type thing going for two weeks lol. I gave myself specific rules in hopes they might all end up more cohesive/consistent seeming, but alas, scribbly chaos reigns, it seems

[commsroom]

the scene at the end of who's there?: eiffel is cut off mid-sentence (addressing minkowski), minkowski calls his name twice, and hera says, "commander... he's not showing up on any of my scans. he's gone." vs. brave new world: eiffel is cut off mid-sentence (addressing hera), minkowski calls his name twice, and hera says, "he's... commander, he's gone." in idle hands, eiffel regaining his autonomy ("hera, it's me. i'm me again.") is described: "there's a SOFT WOOSH, and eiffel's eyes go from spaced out to sharp focus." in brave new world, eiffel losing his memory is described: "there's a SOFT WOOSH, and his eyes go glassy." in mayday, hera's voice is the last one eiffel hears, the last voice in his head trying to keep him from giving up when he's sure he's about to die. in brave new world, eiffel loses his memory mid-thought while addressing hera, and so she was his last memory, the last thing on his mind. whatever. whatever.

[twoheadedoddity]

John Gaius and the Gospel of John

Ok. Here we go. I've spent the last little bit annotating my copies of tlt in detail, and I've been focusing a lot on the biblical references— especially John's confession chapters in NtN. I'm essentially cross-referencing the verses alluded to in the chapter titles with the actual content of the chapters, and recording some thoughts/observations. Not entirely groundbreaking, but I want to be thorough.

I'm building off of posts by @todd-queen here and here; go read these posts because they exploded my brain. The cipher. wow.

Please bear with me and if you read nothing else, read the entry for the final chapter.

Side note: I'm mostly using the New Revised Standard Version (the one I'm most familiar with) and sometimes the New International Version.

John 20:8

"Then the other disciple, who reached the tomb first, also went in, and he saw and believed." (NRSV)

This is the big one—as has been previously pointed out, the fact that Muir got this verse to fit as the first numbers of the cipher AND be so relevant melts my brain. Immediately, connotations of Harrow breaking into the tomb at 10 (the first person to ever so do), seeing Alecto, and wanting to live. She saw and believed.

This chapter consists of John setting up the context for the cryo project, the Earth dying, all that. The main link is how the verse fits with Harrow's story.

John 5:20

"The Father loves the Son and shows him all that he himself is doing; and he will show him greater works than these, so that you will be astonished." (NRSV)

John and his crew are trying to buy time amid the projects getting shut down. Their power gets shut down anyway, and miraculously, the bodies that John touches don't decay. This verse speaks to both the first pieces of John's powers and foreshadows the more drastic "miracles" that will come later.

John 15:23

"Whoever hates me hates my Father also." (NRSV)

The crew realizes the link between John, his eyes changing, and the intact corpses. They try to experiment to see if anything will bring about changes in the bodies. Nothing does. He names them Titania and Ulysses. He moves the corpses' hands from across the room for the first time. Not really much to link the content of the verse to the content of the chapter here if you ask me?

John 5:18

"For this reason they tried all the more to kill him; not only was he breaking the Sabbath, but he was even calling God his own Father, making himself equal with God." (NIV)

The crew wrestles with the implications of what John can do—in a way, the idea that John could be chosen in some capacity, or that John can now play at being God. This is also the chapter where they decide to stream on the internet; so, you could maybe say that the verse foreshadows the ways they'll be targeted due to John's actions.

John 8:1

"While Jesus went to the Mount of Olives." (NRSV)

The verse, in context, comes right before Jesus demonstrates to a group how none of them are without sin, and shows mercy/forgiveness to a woman that others were wanting punished.

As for Jod—his little necromancy twitch streamer gig starts to take off. People start coming to him for help or healing or miracles. His words, he's "playing Jesus." Obvious parallels to the sections (such as the above verse and those that follow it) where Jesus is teaching folks and performing miracles. Interestingly, Cristabel intervenes, telling John he's wearing himself too thin and that he's making the same mistakes as Jesus by never turning people down. So John sets a limit to one hour of miracles a day.

The cult really gets going. The authorities turn up. The choice is get taken down or do something drastic. John chooses something drastic—COW WALL. Cow wall scares everyone into leaving the cult alone for a bit. I think, in a lot of ways, this is the chapter that was foreshadowed by the previous chapter's verse, if we really want to draw parallels that far?

John 19:18

"There they crucified him, and with him two others, one on either side, with Jesus between them." (NRSV)

John mostly talks about the politics of the FTL program—more funding stuff, the way cryo was dropped, the inconcistencies with the program, the trillionaires rushing ahead with stuff. I'll be honest, I only vaguely grasp the corporate-funding-technology-science-and-capitalism side of John's story. But I don't think there's any link here.

John 5:1

"Some time later, Jesus went up to Jerusalem for one of the Jewish festivals." (NIV)

^ He goes up for a festival (the KJV uses the word feast, so I keep rotating that word in my brain too) and in the next verses encounters sick people in a pool. He heals one of them.

John faces no consequences for Cow Wall and other crimes. If nothing else, his influence grows. He and his crew have a barbeque and talk about their plans.

At the barbeque, big bright lights go off in my brain that point to the word feast in the KJV. This literally isn't anything. Like I don't think it's a very meaningful connection to make here. But my brain keeps going "I connected the dots!" I didn't connect shit "I connected them!!"

John gets approached by an important organization and he agrees to help them. So now he's remotely controlling the corpse of a big world leader to fool the world into thinking he's alive, in exchange for a lot of money and a city-destroying weapon. Great. Comparison between Jesus' miracles of healing and John's necromantic reanimation "miracles."

"Could you give him a permanent pulse? Could you make it so he bleeds if he gets hurt? Could you fix any current degradation to his corpse? Could he talk, if we wanted him to?" (NtN 271-272). This is a quote that @/todd-queen pulled from the text, and it fits really well.

John 3:20

"For all that do evil hate the light and do not come to the light, so that their deeds may not be exposed." (NRSV)

More FTL stuff. The nomination for that. John finds out that the plans that were progressing for FTL and the evacuations were dubious at best—just trying to make it look like progress. John is furious, and decides to lean into the necromancer-cult-leader-twitch-streamer act even more, gaining even more sway.

I think something could be said for the verse—being all about evildoers hiding and preventing their deeds from being exposed—can be linked to the trillionaires lying and covering up the ways they are interfering with the FTL project/evacuation plans. And how John tries to expose them. I'd be able to give a more concrete argument if I understood the FTL plotline better but for some reason I struggle so bad with it.

@/todd-queen also links it with this quote, about how John and his crew hide the nuke, intending to never let it see the light of day. Which is also a good connection imo. "We kept laughing that it came with a manual. I think we were scared of what would happen if we stopped laughing. We pulled up the floor and put a safe beneath the lino and swore we were never going to use it." (NtN 279).

John 9:22

"His parents said this because they were afraid of the Jewish leaders, who already had decided that anyone who acknowledged that Jesus was the Messiah would be put out of the synagogue." (NIV)

John grows in power. People come to join. It becomes an international sort of crisis. The first violent exchange occurs, and John uses the energy burst from the deaths to commit atrocities. One could link the verse to the various authorities coming after John and arresting anyone trying to join his cult. John certainly would. I hate him so much.

John 1:20

"He confessed and did not deny it, but confessed, 'I am not the Messiah.'" (NRSV)

The chapter where everything goes to shit. FTL accelerating their escape attempt to mere days and then hours away. The attempted coup with G1deon and the nuke. John's crew is convinced this is the end; Cassiopeia and Nigella getting married. John reveals that he also has the corpse puppet ready to start a nuclear armageddon, as a backup threat to prevent FTL. Everything goes to shit at the cult compound. Cristabel shoots herself to make John figure out how to work with the soul. Everyone kills everyone else and John starts the apocalypse. Becomes God using the collective souls of the population and that of the earth. Obtains perfect lyctorhood with the earth, creating Alecto. The order of events for the actual nuclear apocalypse are unclear, because John is self-contradicting and a liar.

The actual contents of the chapter are... a lot. All over the place. But it's the most raw and visceral part of John's confession, which kind of fits nicely with this particular verse—given that it's from the section about John's (the Baptist, like, from-the-bible John) confession.

While I haven't covered the alternate ARC chapter numbers, I need to point out that this chapter is John 1:9 in the ARC. "The true light that gives light to everyone was coming into the world." (NIV). Seems pretty fitting for the chapter where he becomes God and begins the process that will become the resurrection, right?

John 5:4

This verse doesn't exist in the NSRV and many other versions, because in recent translations scholars think this verse wasn't part of the original. It is:

"From time to time an angel of the Lord would come down and stir up the waters. The first one into the pool after each such disturbance would be cured of whatever disease they had." (NIV)

The first connection, of course, is John picking and choosing who to bring back. Healing, resurrection. Yeah.

In this chapter John answers some of Harrow's questions. It's hard to tell which bits he lies about, exactly, but Harrow knows that he's full of shit. She decides to find the truth, and find God—probably not John in the end because he's a horrid lying sham—and walks into the River.

Right. Ok. Now back to this verse not being accepted as part of the bible anymore. On one hand, many of the Christian sources explaining its removal talk about how older, more accurate manuscripts do not contain this verse, so it's more accurate for more recent translations to remove it. Interesting. A chapter where Jod is clearly falsifying information being named after a verse that is supposedly not genuine. Tamsyn Muir your game is incredible.

Please direct your attention to this reddit post. The verse could also have been removed to focus attention on Jesus' healing power rather than having an angel also be doing the same thing. The post puts it better than I can, go read it, but essentially: John is trying to focus the attention on himself—the idea that he's the source of the world's power.

Choosing John 5:4 for this final chapter of John's confessional was very, very deliberate. I would like to shake Tamsyn Muir's hand and also ask her oh so many questions.

Final thoughts: I definitely that the main purpose for the choices behind most of the verses were primarily to fit with the cipher. But, where possible, Muir would have wanted them to fit somewhat with the contents of the chapter.

However, where things were very, very deliberate, were the first and last of these chapters—20:8 and 5:4. There is no doubt in my mind that these verses were handpicked for how incredibly relevant they are.

A lot of what I've pointed out has been pointed out by other people as I've mentioned throughout this post. I'm glad to be bringing it all together and freaking out over it, even though I doubt I'm the first to do so.

[edsbacktattoo]

The Tolling Bells - Rated E

"I've always known you."

Here is the beginning, and this is where we are now.

In any life. 🌸🧁

[oceans-beloved]

Meme dump yayyy🥳✨️

(off to make more now muhahaha >:3)

[mo-ok]

🤍 the final batch 🤍

🌠

[blackjackkent]

Sunset

Pairing: Jaheira/Khalid Characters: Jaheira, Khalid, Jon Irenicus, Imoen Rating: T Warnings: Major Character Death Descriptors: Angst, Fluff, Tragedy, Bittersweet, Torture, Missing Scene, Backstory, Character Study, Canon-Typical Violence, Flashbacks Word Count: 8.4k Setting: Beginning of Baldur's Gate 2, with flashbacks to pre-BG1, start of BG1, and Siege of Dragonspear Summary:  "I am in no danger of forgetting how my husband died. But I choose to remember how he lived.” The death of Khalid of the Harpers, and the love that brought him strength. read on ao3 | send me fic requests!

For a long, long time, Khalid has only the vague impression of hectic movement. The drug-tipped darts have not given him the mercy of perfect unconsciousness; instead, he exists in a never-ending world of shadow, dimly aware of being bundled head over heels into a cart which dashes off into the night to the sound of thundering hoofbeats. 

Somewhere in that long twilight, he feels himself torn from the cart, placed on another, then another. Then a ship briefly, a different rolling motion punctuated with a brutal chill, and then more carts, each somehow a more violent journey than the last. Every now and then, he feels a gentle prick of pain - at his neck, on his thigh, in the crook of his elbow - and then the shadows deepen for a while and he can see the taunting edge of oblivion. But awareness always creeps back, unrelenting, inescapable, and when he drifts near the surface again, he knows some time has passed, but not how much, nor where he is.

After a while, the movement stops. The drug starts to wear off, the shadows receding bit by bit. Vision returns, and then the sense of lying prostrate on stone, his cheek glued to the floor by a layer of damp and stinking dust.

He attempts to squirm, to roll onto his back. The room spins dramatically around him, sending his stomach in a nauseous scramble up his throat.

"Wh... where..." The muscles of his face feel wooden and stiff from lack of use. "Where..."

He is dimly aware that he should be frightened, even more so than usual. The fear, numbed by the lingering effects of whatever drug kept him sedated all this time, waits to pounce like a muzzled beast at the back of his mind. For the moment, he instead feels only a sort of dazed horror, and the creeping sense that something terrible and irrevocable has happened. 

He makes another fumbling attempt to move, and succeeds in rolling over onto his back. He's in a cage, and not a very large one; trying to shift from his curled position knocks his boot heels against the iron bars. The air is deathly cold, like a tomb.

"You're awake. Good," an icy voice growls from somewhere above him. Khalid squints up into the dimness and can just make out the voice's source - a tall, broad-shouldered man, his eyes obscured by the heavy hood of his cloak. "It is time for the work to begin."

Read More on AO3

[leupagus]

Half of this fic is just me looking for more excuses to put in all the cool women that the show wrote out

Still working on the next chapter for the GOT rewrite from hell, but I had to write a little about how the fuck menstruation works in Westeros (other than "oh you can get married now!" which I refuse to believe is the norm) and also to introduce the Sphinx:

The next morning, Shireen woke up to find blood on her shift and a sharp sort of twist in her stomach, as though she'd swallowed a molten pin. The blood came out easily enough, with frantic scrubbing in the basin, but the pain grew over the course of the morning.

"It's your flowering," said Maester Alleras briskly, when she went to him in a tightly-controlled panic. "How old are you?"

"Fourteen," said Shireen, realizing the date. Her nameday had passed two weeks ago.

"And what do you know of flowering?" he asked, smiling slightly at her blush. "Forgive me, but Northerners have queer ideas of teaching their children about these matters. I do not wish to presume your level of education."

"I know it can last for a week or more," Shireen said, thinking of Mother's cycles, how she would confine herself to her rooms to endure the pain in solitude and prayer. "It's very painful and disgusting, but it allows me to bear my future husband's children and therefore is a gift from the gods."

"Hmm. Well, that is what you were taught, at least," grunted the maester. He got up from his desk, rummaging through the cupboard behind him. He was a tall, skinny young man with the deep brown skin and tightly-coiled hair of a Summer Islander, and shared their fondness for brightly-colored nails: they seemed to dance along the shelves until he plucked out a jar and presented it to her with a flourish. "This will help with the pain, and stop the bleeding after this cycle. People of the North use it a great deal."

"Is it moon tea?" Shireen asked, taking it gingerly and wondering at Maester Alleras's use of the term Northerners, which sounded different from People of the North. Perhaps in the Summer Isles, everyone on Westeros was a Northerner. "Why do they use it so much here?"

"It is," he confirmed, "and as for why..." He shrugged. "I've only just arrived in Winterfell, you understand, and as you may have guessed—" this said with another smile— "I was born elsewhere. But from what I've gathered, they must be careful when they have children. The North can only feed so many."

Shireen thought of Fire & Blood, which Father had read to her as a child. The Winter Wolves had been a company of Northerners, who had answered Lord Cregan's call to fulfill the Pact of Ice and Fire with Rhaenyra Targaryen. They'd been greybeards who had knowingly marched to their deaths, for such was the custom of the North back then: at the start of each winter, the old men of each keep and castle and holdfast would choose amongst themselves who would go out into the snows. Some would return home in the spring, having endured the cold or escaped it to find their fortunes in southron lands; most would not.

"Put a thimbleful of this into whatever tea you like best," Maester Alleras continued, gesturing at the jar, his fingernails catching the light as it streamed into the rookery. "Once a day, and come back when you need more."

"Shouldn't I ask—" Shireen bit her lip.

But the maester caught her meaning; his eyes narrowed. "Shouldn't you ask your parents? Yes, I suppose you should. But they should be here to be asked, and they should have told you the truth."

"What's the truth?" Shireen asked, instead of admitting that Mother and Father had never told her anything about it. She couldn't imagine either of them even mentioning the subject. All her information had come from books, or from Mother's complaints.

"The truth is that if a cycle is painful and lasts for a week or more, that is the sign of an illness, not the will of a god. The truth is that you may well find it disgusting, but it is merely something our bodies do and should never be a source of disgust or shame to you or anyone else." He glared, though it did not seem directed at her. "And as for 'bearing your future husband's children,' the truth is that they are your children, just as much as his — indeed more so, unless he carries them about for the first nine months after their birth. But you will not be a woman grown for at least another two years, and any man who wishes you to bear children until at least that time is unworthy of your hand or your love." He sat back down, his half-dozen maester's links chiming musically. "Now run along, little princess."

Lady Sansa was just outside the door, with her brother beside her. "See, I told you she smelled funny," Rickon said triumphantly.

Shireen scowled at him. "Shut up." It was kind of him, she supposed, to have worked out that something was wrong and to wait for her outside the maester's chambers. But Rickon Stark was the sort of friend who was difficult to be grateful for.

"Yes, please do, Rickon," Lady Sansa said, pressing a businesslike kiss on the crown of Rickon's head before turning him round by the shoulders and pushing him down the corridor. Rickon protested, but went all the same, and Lady Sansa turned back to Shireen. "Moon tea?" she asked, nodding at the jar.

Shireen resisted the impulse to hide it somehow. It is merely something our bodies do and should never be a source of disgust or shame. "Yes, my lady," she said.

"Come along, then," said Lady Sansa. "I have some excellent tea from the Arbor. How does that sound?"

"Could I have a hot water-skin, too?" Shireen asked, as Lady Sansa looped her arm through hers.

"Of course. And the lemon trees in the greenhouse have given up their first fruits — we'll have lemon cakes for lunch instead of venison." She smiled and Shireen thought that even if Sansa Stark never took another husband or had children of her own, she was still all the mother that the North ever would need.

[benevolenterrancy]

if you're not reading the last book of SVSSS right now do you mind me asking what you are reading? I'm just curious!

Definitely! (though I warn you, I'm fundamentally incapable of reading only one thing at a time)

For physical books, I'm currently reading The Warden by Daniel M. Ford, the novelization of My Neighbour Totoro, and trying to keep up on Dracula Daily (i am failing this)

For audiobooks, I've been relistening to The Series of Unfortunate Events (because I never actually read them all when they were originally coming out) and I juuust finished This Census-Taker by China Miéville and Ogres by Adrian Tchaikovsky this weekend. I'm about to start A Closed and Common Orbit by Becky Chambers.

[vlasdygoth]

2024

[fratboykate]

Papi, are you alive? Thunderbolts trailer leaked and we got Hailee back from the dead (and there's the movie with Andrew and Florence and its KYAU coded as fuck) Kate and Yelena content galor this week. PLEASE COME BACK. We've been deprived for a year. It's been jail for too long. Grace us with Kate x Yelena content again. Pretty please.

*taps mic* Is this thing on?

[kit-screams-into-the-future]

re: the last post i reblogged bc i am realizing just how much i yapped in the tags and i do not wish to subject the wider tumblr public to that rant LMAO