#that’s why technically hers is my favorite romance in origins

[hauntedgarden95]

just- just don’t ruin Morrigan is all I ask

[utilitycaster]

anyway this is obviously a wild shift in the topic of conversation, but I was talking about it in the group chat last night as a distraction and would like to continue the distraction if I am being honest, so, with the caveat that this is based off of Fandom Osmosis Observations and a few reads of reviews and I have at this time played neither of these games, some thoughts about BG3 vs. Veilguard and what I've seen. many thanks to @captainofthetidesbreath for actually knowing things about video games and answering my many questions.

also just putting this up front with all said caveats: if you disagree that is great, I am very open that this is an outside observation and I could be very wrong but I am going to block people who get hostile without warning, and make this nonrebloggable if too many people get hostile. You are always permitted to disagree but like, I don't really care about your opinion if you're not someone with whom I have a pre-existing rapport unless idk you're like, actually a BG3 or Veilguard official story writer who happens to be on Tumblr. If you're a player? You have all of your own biases and they are not mine. Save it for someone who wants to get in a fight about this; I am not that person.

Essentially, what I've seen in terms of criticism from Veilguard that isn't just rampant transphobia comes down to the following:

why am I not playing my previous character from Inquisition again

why am I limited to a fairly consistent through line for the story

But first, I'm going to talk about BG3. What's funny is I seem like a much more obvious candidate for playing BG3, as a longtime D&D player who has come around on Forgotten Realms as a setting. However, while I looked at it for a while, I eventually lost interest for a couple of reasons. One is that apparently all the characters are WAY too eager to romance you which is like, a fun fantasy for 10 minutes but would probably annoy me in the long run. Another is that everyone who watched early reviews and kept abreast with the game told me that there was a clear favorite companion (Astarion) and that many of the characters had most of their interesting flaws sanded down (eg: Wyll was apparently much cockier originally; Shadowheart even more petulant; and as these are perhaps the two characters I was most intrigued by, reducing them to something blander destroyed much of the appeal). But perhaps the most interesting one is that as a boring goodie two shoes sort of person, my thought back when I was like "yeah, perhaps I will play this" was "oh, I do not want to have a murderous urge within me."

It became very apparent, through watching people play through and post on my dash, that if you didn't specifically play as the Dark Urge, and didn't specifically resist that urge, the story didn't really cohere. I have to admit, I know the premise of BG3 very well (tadpoles), and I know a lot of shipping trends (put a pin in that), and I know some of the more obvious points within it (Astarion is a vampire, Gale and Karlach both have bombs in their chests somehow, Shadowheart bleaches her hair) but I don't really have a great sense of the ending, and I did not avoid spoilers.

It feels like BG3 is designed for people who have one of those massive spreadsheets of D&D characters they haven't had a chance to play that are meticulously kept and thoroughly realized...and don't really leave room for modifying to fit the campaign you will actually be playing in. It feels like an OC sandbox simulator unless you do actually pick the choice the writers actually wrote for (Durge), and while it's not technically playersexual...it kinda is. I mean, I am a big fan of the trend in video games towards making it possible to romance anyone because it conjures up the idea of a world of high-powered bisexuals running around, which is very enjoyable for me, but the criticism of the Mary Sue archetype originally was never "how dare you fantasize about being cool." It was "wow, the characterizations are all warped beyond recognition solely so that everyone is in love with this character, and that makes for a dull and unsatisfying story." If you're everyone's type, and it's for romance and not just sheer lust, then either everyone around you is boring and wants the same thing, or you are sort of bland and inoffensive, or else the story is bashing characters together without a good basis for a compelling romance. This is also compounded by the fact that the companions can't get together with each other if you're playing your own character and not an Origins character.

None of this is to say it's bad to like BG3 and again, I didn't play it; but it is why I ultimately said "you know, given the effort involved to play it for me, a person without a gaming system, it's not worth it."

Veilguard has specifically intrigued me for going against a lot of this. You have a lot of choices in your character build, but they're all fairly thematically consistent: you did something within your faction that was well-intentioned but upset higher-ups and so you need to step away for a while. This establishes a personality for you! We know why you're part of a faction but also something of a free agent at the moment. We know why you're here and why you might be a good candidate for the current mission.

I'm not going to go into detail for the choices because while I'm not avoiding spoilers I don't want to spoil a relatively new game for others, but a lot of choices are fairly parallel, not in an "illusion of choice" way - they have consequences - but in terms of hitting similar themes. You can only save one city and both are places you have seen and places your companions have connections to; while the exact details may differ you are telling a consistent story.

I also think the fact that the companions can romance each other in your absence is important too! They exist even when you're not there. They are not just here to woo you, and indeed, they might be a better match for each other. I've been informed this is true in Inquisition as well, and I think it's a much more rich world if you, as the player, as the person who can ultimately decide the fates of your companions, aren't the center of their personal life. I also think it prevents the ability to sand down companions to be more agreeable to you as a player if you have to make an NPC/NPC romance compelling (and I will freely admit that, in a move that is not at all like me, I was pretty well sold by a potential in-game NPC/NPC romance, which is usually not the thing that gets me into works of fiction).

I'm not the right person to speak to the Inquisitor not being a significant character because I did not play DA:I, and I get that 'well, this is a new game with a new protagonist, as there has been for every Dragon Age game' is still not necessarily an adequate explanation. Nor is "hey, maybe it's good to attract new players" even though as someone who is highly attracted as a new player that is my opinion. However, I want to go back to the point about Resist Durge being the strongest option in BG3 in terms of story by a long shot. When I was trying to learn more, I said "ok, so just like how you're Tav in BG3 and Rook in Veilguard, you're Lavellan in Inquisition, right?" and was told that you are not - that's just the elvish Inquisitor option. Obviously this is anecdotal, but the fact that one option was far and away the most popular and thematically resonant is an indication that perhaps bringing forth the Inquisitor is carrying over some of the limitations of that game, whatever they may be. The true argument is "they are trying to tell a specific story here, and it is about a different POV than the one you previously had."

And that's really my point. I know I'm not an expert here - in fact I'm usually quite hesitant to write meta about things in which I'm not highly steeped, and very critical of those people who do - but I think an outsider perspective is useful here. The thing that is drawing me to video games is a new way to experience a fictional narrative (the other game I have been meaning to play - and even own on Steam- is Disco Elysium). That's not what everyone wants! But it is what I want. And so I want to be put into a developed, thoughtful narrative, and I don't mind if my choices are restricted in order to support it, and if I am playing a person I did not entirely choose. In tech, there is a saying of "make it easy to make the right choice (and hard to make the wrong one)" and so if you need your protagonist to hit certain beats, you should make that the required protagonist.

I think a story is stronger if your choices matter but if there is something of a foregone conclusion because it gives the writers thematic throughlines. This might sound a little silly given that this blog is largely dedicated to Actual Play but the thing is, most actual play does have, if not a foregone conclusion, at least a strongly intended conclusion of "work towards uncovering this mystery and achieving this goal", though the success of said goal is not guaranteed. I would argue that when a campaign lacks that, it tends to suffer in all aspects. RPG video games almost always have a foregone conclusion, but that's its own liability. In actual play, lacking a forgone conclusion means you spin off in any direction and it's anyone's guess if it's coherent. In an RPG, having this conclusion but not supporting it through the rest of the game will make it feel contrived. I feel a lot of Veilguard criticism is focusing on small contrivances early on that really mostly matter to a highly specific subset of potential players that prevent much larger and less forgiveable contrivances later on.

Anyway. Again, I am an outsider here, and I'm not here to say that it's bad to have a more open-world, sandboxy game with a self-insert-y OC type; but I have to be honest, I'd rather explore that in a true sandbox of fanfiction or original fiction, which is significantly cheaper and in which I can actually tell the entire story I want to tell. I don't want to be given more choices if a lot of them will be profoundly unsatisfying as a narrative. I don't want to cut through the world like a hot knife through butter. I want to be affected by it, and that's very hard to do with a character whose only trait is "self-insert whom everyone wants to fuck" or "guy that already carries the baggage of years of personal headcanons and highly variable choices that are hard to account for for every single person who ever played the previous game."

[thee-horny-thicky]

Do you mind if I ask your top 10 favorite characters (can be male or female) from all of the media that you loved (can be anime/manga, books, movies or tv series)? And why do you love them? Sorry if you've answered this question before.....Thanks...

Okay, so, technically, Satoru and Suguru are two different characters, but they're canon parallels to each other, two halves of a duo. When that stopped being the case, a chasm was created and their worlds shifted. Their relationship is a major part of both characters stories, so separating them is difficult.

It isn't hard to guess that I love them. They're complex characters, and both serve as a cornerstone of JJK. It's impossible to imagine the series without either one of them, and their respective ideologies and the reasons behind them can be essay material. (I know because I've written one for school)

Bella Goth is an iconic Sims character. She's a baddie, and has some of the most intriguing lore of the game. I think it's a shame the Sims 4 slacked up on the storylines of the townies, because even though I've never owned the original game or Sims 2, the lore of the first two games is compelling. I have fond memories of her, often revolving me breaking up her marriage, and protecting her from those mean, scary aliens.

I was six when this movie came out, and my mother took my sisters and I to see it in the theater. That first watch is something I'd never forget, and even though I was upset that my older sister stole my snacks, the magic of the movie overrode it all. To see a princess movie set in New Orleans endeared it to my entire family, and the fact that she's the first and only Black princess gives Tiana a special place in my heart. She's hardworking, ambitious, and persistent. Not to mention, she's a baddie.

Her and Naveen's love story is one of my favorites, and I adore the fact she showed you can have a loving husband and a prosperous career. She's an independent woman, but can still accept love.

Speaking of....

The original Disney baddie, (argue with your mama), and the first to spark my interest in martial arts. I thought she was so cool, and seeing her growth always puts a smile on my face. When she sat on the top of that pole, I was so proud of her. She started out headstrong and determined, and more honorable than most of the men around her. The crowd bowing to her was exactly what she deserved, and her Father giving her her props was such a sweet moment to me.

As a side note, she deserved better than Li Shang. I fully subscribe to the theory that Li is bisexual and developed an attraction towards Ping. I love the hypothetical queer representation, even if he ends up in a straight relationship. What I don't love is how he left her to die. He tried to pose it as an act of mercy, showing his gratitude for her heroic actions, but he still left her on a freezing mountainside in barely anything. Then, when she escaped and tried to warn him, he refused to give her the time of day. Put short, he was raggedy.

Saiki is one of my favorite anime protagonists. The way the anime pokes fun at tropes is so funny, and Saiki being done with the world around him is a mood, as is his fear of bugs. Anime is riddled with all powerful characters, and a lot of the time, they have a copy and paste personality. Seeing Saiki longing to be normal, (to the point of stalking someone who's scarily average), whilst also being over reliant on his powers and being comedically apathetic is a nice change of pace. It also makes him surprisingly complex. Though this is a theory and not canon, he's great ace representation. He's content with having no romantic partner, and I like how he grows to deal with having friends without having a sudden interest in romance.

Another good example of Ace representation, in my humble bisexual opinion, is Barbie. She shows that friendship and sisterhood can be fulfilling on its own, without any need for a romantic relationship.

Now, I don't think the Barbie movie is as revolutionary as people made it out to be. It was feminism 101, with the core message being the patriarchy oppresses women, and grossly limits men. A message that's still controversial in 2024, but not one we haven't heard before.

Still, it was an incredibly fun movie, and Barbie was a great heroine. The moment she chose the high heel over the Birkenstock, I knew I'd love her, and I was right.

I love Avatar: The Last Airbender. It was so ahead of its time, and is an example of how complex 'kid' shows can be. It's pretty hard for me to pick a favorite character, but if I was forced to choose, I'd say Uncle Iroh.

Long ago, I saw a comment about how if there was a character that embodied the pleasant warmth of a fire place or cackling campfire, it'd be Uncle Iroh. I completely agree. He's the perfect mentor, standing in Zuko's corner no matter what he wanted to do, while subtly guiding him down the right path. He also wasn't blind to his nephew's flaws, but never addressed them in a way that made Zuko feel unwanted. Even after being backstabbed, he was simply sad that Zuko lost his way.

We don't see his character arc on screen, but we know he underwent an incredible transformation, going from a fearsome Fire Nation general, to a humble old man reflective about life, though he can still kick ass if needed.

Leaves From The Vine still makes me feel mushy and teary-eyed. It's bittersweet knowing that losing his son was the catalyst for him to become the character we see, and the reason he's so dedicated to Zuko. He's trying to prevent him from suffering the same fate, and right a wrong that's haunted him for so long. Learning that the tears in Iroh's voice was genuine, because that was one of the final things Mako Iwamatsu recorded before passing, made me want to curl up in bed. He brought the character to life, and is one reason he's so iconic.

Finally, Mr. Shouta Aizawa's fine ass. Now, besides just being fine, I love him for many of the reasons I love Iroh. He's nowhere as cheerful and warm as Uncle Iroh, but he takes his role as a teacher and mentor seriously. He stands in his students corner no matter what, and has shown time and time again that he'd give his life for them. Furthermore, he isn't a hero for fame or recognition, but because he believes it's the right thing to do. He knows the society he lives in is flawed, and tries to right U.A's quirk prejudice system by mentoring Hitoshi.

One might not peg him as it, but he's a very parental character. It's shown with his students, with Hitoshi, and most especially Eri. He's dedicated to guiding the next generation to achieve their fullest potential. Plus, his quirk is cool as hell, and he can throw hands.

Bonus:

Anya Forger and Nezuko, because they make me reconsider my stance on children. They're so cute, and highlights of their respective shows. And I love how Anya is shown to be childishly intelligent. It's due to her powers, but still.

TF141 also gains an honorable mention, especially my baby girl Ghost. Despite being the most secretive character of the task force, we have the most information on his background, and I love his fruity friendship with Johnny. Likewise, I love the mentor relationship Gaz and Price have. On a hornier note, I wish there were more threesome fics with Gaz and Price taking a lucky lady to Pound Town. All and all, these four awful people are my favorite pieces of military propaganda.

[trilobitepunch]

What are some of your favorite character relationships/dynamics in TMNT, and why? Is there anything that you particularly like seeing explored with them in fan works (art, writing, comics, etc)?

Awww I gotta get my brain into answer-questions-mode...

Le's see....

What I really love is the exploration of family bonds, especially in the last two show iterations for 2012 and 2018. The original 198something one didn't really seem to dip too much into it, from what I remember, anyway, and only in hindsight do I realize they didn't really seem very teenagerish either, or at least that aspect just seemed lost to me. It's been a bajillion years and I know I never watched its entirety. Not even touching the comics realm- no idea what's going on there.

I completely missed 2003, but 2012's version was the first one that made it clear that they were- aside from being mutants trained as ninja in the sewers by a rat father- teenagers who loved each other but also could be annoyed at each other and mad at each other, tease and fight but still remember who they are to each other by the end of things. I'll tell you now, I've never been a big romance-oriented person and I don't think those relationships in that show really added much to anything. Funny at times, amusing, yes, but that seemed to be about it. Friendship bonds can be just as strong and meaningful!

Where 2012 dipped into relations between the brothers, 2018 pushed it further. The lads were mostly on their own due to a negligent father, although this new aspect of Splinter was refreshing and I love the idea of all of them basically trying to find their way around things and this nebulous duty bound to their family. I love that April's become more of a big sister to them and still shares some bond even with Splinter, similar to 2012's for the whole master and student angle. I think her relationship with Donnie is a fun one, her go-to for technical issues, for hanging out and homework checks, but she's not afraid to speak her mind and set the boy right when his brain is working too much.

The layers and directions they take with each character just makes it a fun mix when they throw everything together. I love that they don't even outright hate the villains and some of the villains don't even know why they hate the turtles but hey! We'll fight 'em just cuz! Ahaha, these poor kids. I do have to add that I'm also glad that no one's overly lamented about the fact that they've been mutated in this show except for poor Splinter at first, but all the villains basically kinda vibe with it like 'oh, I guess this is how my life is now /shrug'.

I like Raph's self-instated role as the oldest to be the protector, and how he especially looks after Donnie when things get sweaty. Or tries to, anyway, look- his heart's in the right place, even if half the time he ends up smashing his squishy brother by accident. I like the competition that goes on between Mikey and Leo, whether it's just at who's better or who's right, it's a fun dynamic. Of course I love Leo and Donnie antics too, and even though there aren't too many, the implications that they have dove into many a hair-brained scheme is just too funny. ...just going to go through all of them I guess. I'M SORRY, THIS GOT SO LONG AGH Right, Mikey and Donnie, a classic team-up, I love that they support each other so much, and the chaos they can get up to. Even funnier, I love that they actually succeed most of the time. And then Mikey and Raph's little bro vs oldest bro dynamic, which is in a way the same as Leo and Raph in that they can see eye-to-eye and get along, but when they clash, they clash hard. Classic.

...sorry I'm still not done, one more section...!!

When it comes to fanworks, I just like to see more of what was set up in the shows and the movie, but I also like being pleasantly surprised by wild and creative takes now and then. It's like... the reason I RP a character is to get more story, to see how so-and-so goes through and deals with this situation or another, the friends and enemies they might make in a different setting or opportunity. Fanart has glimpses of such things, fanfics and comics explore them in depth. Y'all are amazing, for the record, just saying.

OKAY SHUTTING UP NOW, here's my term paper *hits submit*

[knightotoc]

The beginning and end of Crosshair's arc each address a separate frustration I've had with Star Wars backpedaling on its own drama.

The first is the wishy-washiness of the clones' implanted brain chips. The original concept art from Attack of the Clones shows the clones to be victims of brainwashing. The sterile, science-gone-wrong imagery is inspired by Lucas' debut THX-1138, a bleak film with a tenuous and generally confrontational relationship to Star Wars. AotC, with its forbidden romance and evil fetus-growing laboratories, is the SW movie most similar to THX, and also my favorite.

The AotC concept artists went so far as to speculate that the clones did not have souls, an extreme reaction but certainly a dramatic tabula rasa to build characters upon. RotS briefly shows the Jedi's complete trust in the clones and the clones' ruthless betrayal; the explanation for this shocking behavior is implied through a parallel to Anakin, as is everything else in that movie.

But once the darn cartoon had been on cable for a few years, the writers lost faith in the THX reference and Anakin parallel and decided to replace brainwashing/manipulation with a physical Order 66 chip in the clones' brains. The idea that their characters had become too lovable to ever willingly do something so bad is a fundamental misunderstanding of Star Wars, the operatic genre, and human nature.

Season 7, while knocking it out of the park with the Maul stuff, made this brain chip thing even worse by having Ahsoka break Rex's before he had to kill any Jedi. So even though the clones are innocent, the protagonist clone is even more innocent.

And now he's supposed to lead the clones away from the Empire, but why should they follow someone who can't even relate to their fundamental curse? He's like Galahad, the only knight chaste enough to find the Holy Grail, and they're like Bors, who is technically chaste except for that one time he had sex because he got tricked by a magic spell. Thank God for rigid moral hierarchies beyond earthly control!

The only other clones who can't relate to the chip curse are the Bad Batch, since their mutated brains made them immune to it. But while the goodies don't hurt a fly, Crosshair uses his special gift of free will to shoot at a cute little Padawan. And not just any Padawan, but one of the most beloved Jedi to ever do it, the future Kanan Jarrus.

So in a bent around way, Crosshair punches through this annoying loophole the cartoon writers made in one of the movies' darkest scenes. He's not matchy-matchy, but he is still genuinely brainwashed, which makes him the only clone who still follows their original violent vision.

So, the twist at the beginning of Crosshair's arc course-corrects a decision made in a spin-off about the motivations for background characters -- but the end of his arc addresses a much bigger problem, one that affects the greatest scenes and biggest characters in the whole story: amputation.

Luke's spiritual pain from learning the truth about his father is accompanied by the physical pain of amputation. Obi-Wan demonstrates his unexpected badassery through amputation. Luke demonstrates his burgeoning badassery by Force-pulling his lightsaber toward him...shortly followed by amputation. Anakin's repeated carelessness for his weapon and life leads to him stupidly running right into amputation. Kreia proves her twisted devotion by amputation. Cay Qel-Droma becomes dependent on his brother because of amputation. Obi-Wan will not kill Anakin, but he will amputate him.

And these scenes are scary and intense, in the moment. But they do not have consequences. All of these amputees are either alien villains who we never hear from again, or Force-wielders supported by a wealthy institution which instantly provides a perfect prosthetic. Only Kreia runs around with an actual stump, but her signature move is telekinetically spinning three purple lightsabers.

There are several heart-stirring images, such as Anakin's robotic hand holding Padmé's at their wedding, or Luke's hand revealing gizmos instead of blood when he's shot on Jabba's yacht, but these images have more to do with Lucas' problematic theme of "nature > technology" than the theme of disability.

But Crosshair does not have the Force, and he certainly doesn't have the support of any institution. Most dramatically of all, his amputation is not the tragic finale of his battle, but only the penultimate act.

As a fantastically skilled sniper, Crosshair relies more upon his hands than any other SW character I know. His astounding precision is demonstrated most memorably in this scene from an earlier season, in which the music stops to allow his laser fire to ricochet off a spinning disk, down a hallway, and right into his clanker target's head:

This isn't the Force. This isn't believing in something you can't see. This is deliberate!

Throughout the last season, Crosshair has a tremor in his dominant hand which significantly affects his aim. This comes to a terrible head when he misses the shot meant to attach a tracking device to the ship kidnapping his sister Omega (again). After years of doing wrong, he finally wants to do right, and he fails because of his humiliating and unprepared-for disability.

This disability continues throughout the long journey to track her down by their wits, until he is finally captured himself. Just as escape seems close, the Imperials cut off his dominant hand to punish him. In all the other cases of amputation in Star Wars, it takes a guy completely out of the fight. But Crosshair can't afford to lose, yet. He has to keep going.

In the final battle scene, the villain is hand-cuffed to Omega on the other end of a bridge (with no hand rails of course), and Crosshair has to shoot the hand-cuffs off so the badguy can fall without dragging down Omega. Crosshair has to lean his rifle on his brother Hunter's shoulder, balance with his stump, and pull the trigger with his non-dominant hand.

The first Star Wars movie is actually unique among the franchise for having a purely satisfying victory -- the other ones all pile on some tragedy or irony -- but I think that Crosshair's victory is the most satisfying of all.

[c0zyrainfall]

I was thinking about it, and I started wondering what exactly is so appealing about damianya.

Twiyor is equally well written, I think, but I actually prefer the former (though I love both!). That's just because of preference and my appreciation for enemies to lovers. HOWEVER I have decided to draft up an analysis pinpointing why damianya is so enticing, because I write my own original material, and I think you can gain a lot of valuable insight by reverse engineering good writing.

First of all: What is the definition of a good romantic relationship?

I will use the following guidelines:

1) Based off of genuine friendship

2) Both are willing to sacrifice for the other and

3) Both parties make the other a better person.

The first guideline I outlined is big here. Because they are kids, they obviously should not be in a full on romantic relationship now. As a matter of fact, they will probably be waiting AT LEAST eight years. At least.

This means they have eight years to develop a true and wholesome friendship. A friendship with no romantic ulterior motives. They just get to enjoy being kids and growing up with one another. Because of this, they will see each other's high AND low points, rather than viewing the other with rose tinted lenses. Yes, maybe one of them (cough Damian) gets butterflies and feels flustered every time they see the other. But for now, it is very innocent and immature, a childish crush. By framing the goal for this relationship as FRIENDSHIP rather than ROMANCE, the two are able to develop a deeper understanding and a more complete picture of each other before they take anything to the next level.

Does the second point even need to be addressed? Anya is willing to take a tonitrus bolt for him. She is willing to stand up for him (well, technically for the "mission" but we'll get to that later). Damian is willing to take a hit for her, whether it be a dodgeball or a literal bomb. He gives her his share of the macaron (which he believes could help him with his intelligence.) He spends time he could be using to study to locate the finest teacakes in the world so he can give them to her.

Now to the third point.

When we first meet Damian, we don't like him. He is a classist jerk. So karma hits him (literally) in the form of Cupid's arrow. By developing a crush on Anya, he is learning that he should not treat others differently because they have less money. He becomes a better person by learning that "commoners" are the same as all the rich students at Eden.

Side tangent: while I relate more to Damian academic wise, aka pushing myself probably too far to get good grades, I'm sure we can all personally relate to Anya. She tries a lot of things. She fails at almost all of them. Thus, by seeing someone who is academically accomplished and rich be infatuated with her just for being herself, we start to realize that those things don't matter as much as we sometimes feel. Therefore, we want Damian to like her, because it is sweet. It is sweet that someone who places value on things like high academics is able to see past that and appreciate someone else for different good qualities, rather than the ones society deems most important. ~

When Anya first meets Damian, we cannot fault her for disliking him. He is rude to her because she is in a lower social class than him. She is rude to him because he is mean to her. This is perfectly reasonable. In the beginning, it would not make her a better person to be friends with him; as a matter of fact, avoiding him would probably be the high road in this situation. If I were her, I would not have wanted to be friends with him at all.

Side tangent 2:

If you like damianya, you are probably fond of Anya. And of Damian. This is true for me. He's my favorite sxf character. The reason WHY we are fond of him is because we know his backstory. We know he is actually a sweet little guy who just wants to be loved. So we also want him to succeed in his friendship with Anya.

However, though she may have picked up bits and pieces through her mind reading, Anya does not know this. And even if she did, she likely wouldn't understand the levity of it. She's only 4 or 5. ~

Damian and Anya have developed since they first met. They ARE friends (or close to it, anyways). So while at first it wouldn't have made Anya a better person to genuinely care about Damian, now it would.

Because we know Damian and care about him, we also want Anya to care about him. We want her to understand why he acts the way he does. We want her to understand that he actually cares about her.

While Damian is terrible at proving he cares through his words, he is really good at SHOWING her. If she understands he has a different method for showing care, Anya grows. She is able to develop a greater understanding of other people, rather than shaping the world through her own perspective. Framing Damian as the mission makes a lot of sense. She wants her parents to stay together and not get rid of her, and she wants world peace. Of course Anya is not bad for wanting these things. But she will be BETTER when she learns to see things from Damian's pov. She will see the world is not all black and white. She will see that he is not just a mission, and that he is actually as important to her as Yor is to Twilight.

So, conclusively, those are some reasons Damianya is a well written and popular ship. I could also go into detail about how it subverts expectations, likely has future plot relevance (in relation to the story as a whole rather than just a side plot), and is a generally unique and well executed idea. However, for now, I'll leave it at this. I tried to nail down the psychology of what makes it appealing to us, but if anyone has further insights, please feel free to let me know :) Hope you all have a great day

[phantasmiafxndom]

Out of all the animes you’ve watch what ones are your favorites

...you know what, you get the serious answer. I used to track my anime watching, so out of the 450+ completed ones on my list, here are some of my top recommendations! (In terms of quality, more so than what I've spent the most time dwelling on.)

. . .

One Piece — I haven't technically watched all of this one, but after falling back into the fandom after an 8-ish year break, I really can't understate the quality. One Piece's story is amazing, and I'm consistently impressed by the author's characters/worldbuilding.

Dominion Tank Police (1988) — I have FEELINGS about the villain in this one... Overall, 80s sci-fi vibes mix with themes of ethical responsibility and societal peacekeeping, and the "don't you just want to go apeshit? :)" protagonist (who's also extremely aromantic-coded) is a hilarious, yet wonderfully earnest little menace!

Kyousougiga — I've been rewatching this one recently, and the sheer detail in every scene is STUNNING. I keep having to pause to mentally scream about the symbolism, and tbh, knowing the plot from my original watch is only improving the experience.

Tekkon Kinkreet — This one's a movie, not a series, but SKLJKHS IT HAUNTS ME. Absolutely chilling, by the time the big plot twists roll around... Beyond that, the overall aesthetic/vibe is impeccable, and the exaggerated, messy art style only adds to that.

Kemonozume — Monster/human forbidden romance with stunning art and a great soundtrack. The plot started out a bit confusing, but all of the scattered story elements came together nicely in the end!

The Tatami Galaxy — The "get your shit together and start enjoying your life" anime. It's plenty good as just a story, but I got some excellent life lessons out of it too. Solid mix of comedy, drama, and charismatic-yet-extremely-bizarre characters interacting.

Monster — Excellent slow-paced, psychological horror packed with ethical dilemmas, traumatic backstories, and so many Extremely Depressed Men. In other words, there's a very good reason why Johan Liebert used to end up on so many "best anime villains" lists.

Paranoia Agent — I have nothing but praise for Satoshi Kon's work, in general, and Paranoia Agent has been my favorite of the ones I've seen so far. Compared to his movies, it really benefits from the extra space for plot development, and the big emotional twist hits hard.

Revolutionary Girl Utena — A true classic. <3 There are enough tumblr essays about this tragic yuri masterpiece that I won't go into detail myself, but yes, it's every bit as good as you've heard.

Black Lagoon: Roberta's Blood Trail — The entire Black Lagoon series is excellent, but Roberta is my special girl. Unfortunately, the OAV adaption compresses the manga's version of her arc pretty heavily (and the altered ending is kind of dumb), but I still have to recommend it. Babygirl's breakdown is a REAL mess kjshghs

Claymore — Excellent pseudo-medieval fantasy with badass female characters, lots of body horror, and top-tier monster design. The manga is MUCH better than the anime after a certain point, however.

Kuuchuu Buranko — An episodic series about an eccentric psychiatrist interacting with his troubled patients. The mixed-media animation style and bizarre characters are what sold it for me, along with the exploration of mental health through storytelling tropes.

Cannon Fodder — An artistic short movie that's twenty minutes of aesthetic experience and fascinating worldbuilding implications. I love the vibe, and the "one, long horizontal frame" style is neat.

Flowers of Evil — The art style. The VIBES. The whole thing is incredibly eerie and off-putting, with a plot that's pretty much: "congrats! two shitty teenagers are tearing each other's lives apart!".

[xypheris]

Reader → Writer → Reader-Who-Writes: The Evolution of Your Soul (and sanity)

When you're just a reader:

Books are magic, reading them your favorite part of the day.

You demand:

Flaws in characters (because perfect is boring).

Angst (because why read if your heart doesn’t shatter?).

Villains with original motivations (What hurt you, bestie? ).

Slow burn romances (It’s been 300 pages; when will they kiss?).

Character development arcs that make you believe people can change (even if you, personally, never get your life together).

But you’re blissfully ignorant about pacing structures, how chapters are crafted to leave you on a hook, and whether this author stayed up till 3 a.m. crying over word choice.

When you become a writer:

You pick up your pen (or keyboard) and say, I’m gonna write the book of my dreams. And you do! You Frankenstein together

Every lesson you’ve learned from ALL the books you’ve ever read.

You learn that writing isn’t just about having good ideas. It’s about technical precision. Now you’re suddenly obsessed with:

How to “show, not tell” without overwriting.

Making sure every scene does something—advances the plot, develops characters, or builds tension (or else, out it goes).

Dialogue tags. Is “said” too boring? Is “hissed” too dramatic?

The three-act structure. Is your Act 2 sagging under its own weight?

Planting foreshadowing so subtle you’re practically cackling, “They’ll never see this coming.”

Finding unique metaphors that aren’t “her eyes were like stars” but also aren’t so weird they confuse people.

Suddenly, it’s not just about creating a story—it’s about engineering one.

When you’re a reader AND a writer:

Congrats, you’ve ruined yourself. You’re now incapable of just enjoying a book because:

You're side-eyeing every exposition dump like, “Did they really have to say that here?”

You’re noticing foreshadowing five chapters before the Big Reveal and muttering, “Ah, clever, but not subtle enough.”

You analyze dialogue for subtext and wonder if the author got lazy on this one line.

You obsess over pacing: “Was the subplot resolved too soon? Did this conflict arc lose momentum?”

You spend five minutes dissecting how a metaphor hit just right and then cry over the brilliance.

The opening line? You scrutinize it. Did it hook you? Was it memorable? How many versions did the author rewrite before settling on it?

You compare POV choices: “This story wouldn’t work in third person omniscient, but I bet it would’ve slapped in first person present.”

Adverbs. You’re counting every single one, and instead of enjoying the action scene, you’re like, “Hmm, a bit too many ‘quickly’s in here, don’t you think?”

Reading for fun? Gone. Now you read like you’re studying for finals. Every book is a masterclass, whether it’s good or bad.

What’s left of your soul:

You love books more than ever but now from a different perspective. You can’t unsee the machinery of storytelling. You read with equal parts awe and despair, thinking, “Wow, this is genius. I’ll never be this good,” and “Oh god, this is terrible, but I get why they made these choices.”

Being a writer has fundamentally altered your relationship with stories. And yet… you still crack open books because no matter how you read them, you love them—flaws, angst, and all.

[theopolis]

hello!! im sure youve gotten this question before but im having a Harry Moment and want to get Even Weirder about it SO !! i was wondering if you have a recommendation for approaching the original comics, where to start, which runs you think are the best reads for capturing his story, stuff like that!! your blogs a joy to browse, thanks so much!!!

Hello fellow Harold enthusiast!! I have in fact gotten this question before but I'm actually quite happy to receive it again as I've long been meaning to create a Harry reading list that would (hopefully) allow people to follow his entire story up to his death

In this chronological guide I've attempted to capture Harry's journey as a character, narrowed down from my own 616 reading experience.

I tried to stay focused on Harry-centric storylines and issues, but I couldn't resist adding some casual appearances particularly during the Silver Age because 1) I think of it as foundational to just about everything that matters in Spider-Man comics and 2) Harry-centric storylines tend to show him at his most distressed. They're important and often brilliant, but reading only those issues feels like a disservice to his kind and loving qualities. It's important to experience the smaller, calmer moments with him as well to truly understand his character.

Personal favorites are bolded, if you care for my bias.

Due to the numerous Spider-Man mags that were at times running simultaneously and ping-ponging storylines between one another, titles will be abbreviated as follows;

The Amazing Spider-Man (1963) = TASM63

The Spectacular Spider-Man (1976) = TSSM76

Web of Spider-Man (1985) = WOSM85

Now let's get into it!

Harry Osborn Reading List

Flashbacks

These were published more recently, but take place before Harry's first appearance in the comics

Short about Harry's childhood and Norman's failings as a father. One of the best depictions of their relationship, in my opinion

Nice Things from Amazing Spider-Man Extra! #3

Gwen-centric miniseries set during her time in high school and giving some insight on her and Harry's longlasting friendship

Giant Size Gwen Stacy

From introduction to deathbed

Watch Harry evolve from goofy background character to Peter's most important narrative foil!

First establishing of Harry's character and his dynamics with other key personages such as Peter and Norman

TASM63 #31, #34, #39, #40

Further development of all aforementioned things. The highs and lows of Peter and Harry's life as roommates. Daddy issues. Romantic drama. Drug addiction subplot. Anything you could ask

TASM63 #46, #47, #53, #54, #57, #59, #60, #61, #62, #63, #66, #74, #82, #95, #96, #98, #105, #110, #118

The storyline that changed everything

TASM63 #119, #120, #121, #122

Harry grows increasingly suspicious and paranoid around Peter following his father's death

TASM63 #123, #124, #126, #127, #129, #134, #135

Now... here's a disclaimer for the following issues: Despite the aforementioned buildup being very well executed, the result is not exactly so and has more to do with giving the Goblin as a concept another hurrah, rather than delving into Harry's character. In fact I'd even argue they're out of character for Harry, as his behavior in them is just cartoonishly diabolical and in stark contrast to both his previously established personality and subsequent depictions of his Goblin. So yeah, these issues are technically important to the grander picture of what is happening with Harry and why, but don't expect insight lol

TASM63 #136, #137

Harry's back and his friends are more than happy to welcome him. He even moves in with Flash

TASM63 #151, #152, #153

Harry and Liz Allan enter a romance and quickly move on to engagement. He is also seen seeking psychiatric treatment

TASM63 #156, #157, #163, #166, #167

The happiness was not to last: Liz' stepbrother, Mark Raxton aka the Molten Man stirs up trouble, and she leaves the city in the aftermath. Harry seeks fault within himself and appears to be on his way to going green again – but is all as it seems?

TASM63 #172, #173, #174, #175, #179, #180

Harry and Liz have settled into the suburbs. In come more Molten Man and more insecurities!

TSSM76 #63

A mysterious foe known as the Hobgoblin has been attacking the company Harry inherited from his father and even blackmailing him with Norman's secret identity. During this troubled time, Liz and Harry are also having a baby

TASM63 #239, #244, TSSM76 #85, TASM63 #249, #250, #251, #260, #261, #263, TSSM76 #146, WOSM85 #47, TASM63 #312, TSSM76 #147

Molten Man, take three – this time with a wholesome twist

WOSM85 #61, #62

Harry briefly attempts to turn the Green Goblin into a superhero

WOSM85 #66, #67

The final Green Goblin Jr Saga – an absolute Must Read. If I could recommend just one Harry storyline, it would definitely be this one

TSSM76 #178, #179, #180, #181, #182, #183, #184, #189, #200

Post OMD Revival/"Clone Harry"

Full disclosure, I don't read much Post OMD Spider-Man. One day I might venture into it despite my gripes and add more to this section. Until then: I'd sort of be amiss not to include these two at the very least in a Harry Osborn reading list, even if recent nonsensical twists have revealed Post OMD Harry to have been a clone all along

Harry and Peter's reunion

Amazing Spider-Man Family #4

Harry cutting ties with his father. While I think this story could have been improved in numerous ways, watching Harry leave Norman behind is still pretty satisfying and I enjoy the way his relationship with Peter is portrayed in this

TASM63 #595, #596, #597, #598, #599

[the-bloody-sadist]

If you don't mind, can I ask, what are your top 10 (or top 7) favorite media (can be books/ manga/ anime/movies/tv series)? Why do you love them? Sorry if you've answered this question before......Thanks....

Thank you for asking! I had one person who sent me an ask related to this and then deleted it before I could answer (I think I scared them away yelling at other people in my asks 😂).

So here we go, a compiled overview of my TOP TEN FAVORITE MEDIA!! Some will be current that could change (like songs, ever changing) and others will be permanent (like shows).

NBC's Hannibal [Show]: It shouldn't come as a surprise that this is my top favorite piece of media of all time. Not to do the whole 'I liked it before it was mainstream' but I FOUND IT WHEN IT WAS STILL RELATIVELY CULT-LOVED AND GOT INTO IT WHEN IT WAS ON AMAZON PRIME VIDEO. THE FANDOM FELT TINY ❗️ Anyway, I'm so glad to see how far it's come and how the fandom has grown. This remains one of the only series that was cancelled that I couldn't tell was actually cancelled because it still wrapped up so nicely in the last-aired season. I'm endlessly impressed with the character arcs, the dynamics, the PSYCHOLOGY (a huge deal for me), and especially the dialogue. I mean, I could list literally every element of this show and how tastefully it was used, but the main highlights are how artfully the gore is shown - giving great perspective of the killers whose eyes we mainly see through - and the dialogue. There's a surrealist tone to it, and so many of the lines are subtle poetry without being the hamfisted one-liners of so many other shows that try to do the same. The actors are incredible, the scenes are precisely paced, and just overall you can tell this was a work of the heart. I mean, more superficially, the homoerotic nature of Hannibal and Will's relationship appealed to me as soon as it was introduced, because GODS is it miles higher in chemistry than like ACTUAL EXISTING so-called LGBT romance shows. (I'm glaring FLAMING DAGGERS at the garbage Interview With a Vampire show in which they ruined everything but most of all the chemistry that the original story did so well.) In any case, please watch it! It's one of the best things I've ever seen.

Last Night in Soho [Film]: Directed by my favorite director, Edgar Wright, who has the most fantastic habit of matching musical beats to visuals (a particular love of mine), this film is GORGEOUS, for one. The colors and scenery, the editing, the lights, the creative shots, the effects, the MIRRORS! Don't get me started on the mirrors. I love mirrors. One of my favorite things about characters - although ONLY when done well - is the contrast of duality. Some of the best portrayals besides this one are in Tokyo Ghoul and Moon Knight, off the top of my head. It's hard to find portrayals I like, but this one shines above them all. There are technicalities on the actual character being dual, but I wouldn't spoil it for you. It's the journey of both a past and present woman, one struggling to find her place in the fashion industry, and one struggling to escape the sex industry before it devours her. I heavily related to certain themes in this one and was viscerally enthralled in the choices and character arcs made in certain scenes. It's cathartic, it's overwhelming, it's PURE ART. You're missing out if you never see this one.

HBO's Sharp Objects [Show]: On so many levels, this one speaks to my wounded little heart. Dealing with heavy topics like childhood trauma, parental abuse, self harm, child murders, the bad sides of southern/small-town culture, and mental illness, I don't know if there's another character that I feel quite as connected to as Amy Adams' portrayal of Camille Preaker. The outstanding detail of this one for me, personally, is Camille's mother, Adora. I can confidently say that there IS no other mother that resembles how my childhood felt than Adora, and because of that this show was a painful sort of catharsis. But I love feeling emotions to a dangerous degree, and I'll just say the finale of this one wiped me the fuck out. I'm currently rewatching it for the first time with my close friends, and I'm so scared to get to that finale again. Lmao. But in a good way. In any case, other than Adora, I also identified with the accurate and visceral portrayals of self harm and PTSD. The way that they show flashbacks and visually jumpscare the viewer WITHOUT the presence of blasting music was the show's shining glory. You have literal ASMR wind and crickets over shots of a dead child's missing teeth, blood hitting pavement, pornography on a cabin door, and then a hanged corpse in the corner of the bedroom, right there with Camille in the shot. It is...SO accurate to the feelings of PTSD. It's just so good. I would recommend the show for that alone, and yet everything else is so perfect, too. Along with the gripping plot of a murder case, the intense shame that follows Camille wherever she goes makes for such good conflict and friction with her surroundings. Everything is personal because it takes place in her hometown. Anyway, I can't keep rambling my mind out of its skull over this one. It's beautiful, it's perfect, it's fascinating. Please see it. I beg of you. For me, it represented so much of how it felt to grow up with family dynamics like Camille's. If you relate to it, you'll either love the catharsis or hate the memories it revives.

No Longer Human [Novel]: Pretty sure I've already rambled my ass off about this one when I made the 10 Characters 10 Fandoms post since Yozo is one of the most relatable characters I've ever read about and thus one of my faves! But yeah, this novel is everything to me. I want so many quotes on my wall from it but honestly the one that I constantly think about is still that first line: "Mine has been a life of much shame." It's well known, but that doesn't make it any less impactful for me. I still tear up sometimes when I think about it. Yozo's thought process is just so...accurate. And knowing all about Dazai Osamu and his life as the writer and how closely it's tied to it? I don't think it will ever move from its spot as my top novel of all time.

The Vampire Armand by Anne Rice [Novel]: Lol so the gif isn't from this story specifically but I need gifs for happy brain so I have one related to the story. Probably one of my favorite romances of all time, mostly because it's a very reserved romance, in the sense that it can't exactly be labelled "romance" except in sub-context. (I mean they do have sex but it's like a story about vampires first, if that makes sense? The romance is sort of a subplot to Armand's vampire adventures.) Anne Rice is a favorite writer of mine, and this book was a masterpiece to me. The language she uses and the scenes of vampirism fascinated me, and I wish that vampire media was better at bringing Anne's true style to life. They make it so goofy nowadays, and no other vampire stories apart from some anime portrayals are ever interesting to me. Not to mention the new Interview With A Vampire series as aforementioned is SO BAD and I hate it. Anne could handle that excessive grace of a man who's lived for centuries and the intelligence gained along the way without ruining their humanity, and knew how to portray the loneliness of such a life without making her characters sound like the emo piss babies of Twilight. She has such a grasp on the poetry of words and breadth of experience, and I'll never get over just how exciting it was to read this book for the first time. Truly felt like I was discovering vampires for the first time, and how they would realistically operate if they existed.

Tokyo Ghoul [Manga]: I believe everyone knows quite enough about Tokyo Ghoul, so I promise not to ramble on this one! But in short, as a psychological thriller lover PLUS horror lover PLUS dual-personality-when-done-right-and-realistically lover PLUS cannibalism-exlored-and-the-terrifying-effects lover I MEAN THIS IS JUST THE STORY FOR ME OBVIOUSLY. Kaneki has and always will be fascinating to me no matter how mainstream or over-talked about he is. He is amazing. Did the anime leave out most of the good stuff from the manga? Yeah, but Kaneki was there. The torture scenes were great. Is the manga better? WORLDS BETTER. But I still enjoyed the anime and got into it through there. I respect the anime's attempt to capture what was a sincerely tragic and deep emotional story. But man, reading the manga is something else, entirely. I haven't had the chance to read every single volume, and I may have skipped around a bit in search of the best parts to invest my time in, but boy I never regretted it. Kaneki's arc, getting to see into his head and experience his trauma and eventual decline into madness was SO SO SO SO SO FUCKING GORGEOUS. Nothing will beat it for a descent into madness story for me, I don't think. Plus ghouls as a whole and the art of the manga are just so *claws the wall* I wish I could draw like that.

The Phantom of the Opera [Score]: What's this?? Het media on Sadist's list?? Okay. I'm a huuuuge music fanatic. I grew up with multiple instruments in the house and played to escape, wrote to express, blah blah blah you get it, I NEEDED music to survive. When I discovered this soundtrack, as someone who despises musicals (and still does, but a few have made it through to my heart), I was ENTHRALLED, I tell you. ENCHANTED! Never before or since have I heard such riveting, mysterious, ethereal music, much less in a musical. Every single fucking song on this soundtrack is evocative and perfect and EVERYTHING. And the STORY! AUGH! I've always adored the story. One of my main quarrels with het 'romance' media is that so many of the "greats" (AKA The Notebook, 50 Shades, Twilight, After, etc.) have these fucking...WALKING RED FLAGS that are presented to be the most romantic things ever. Like the movie itself is gaslighting the audience into believing the emotionally manipulative man dangling off of a ferris wheel and threatening to kill himself if the girl doesn't go out on a date with him is adorable. I don't find it cute I find it reminiscent of every bad partner I've ever had, and I can't watch the movies because NOBODY in them ever acknowledges or is affected negatively in any way by these glaring, abusive behaviors. In Phantom of the Opera, Eric (the phantom) is obsessive, stalkerish, possessive, etc. - many things that other media presents as love WITHOUT understanding how it's also terrifying. The movie (though a little goofy at times and dramatic, I'll admit - which is why the score and not the film is on my tops list LMAO) presents these factors as they SHOULD be presented - scary. The music is ominous, the songs are obsessive and enchanting, and it's not presented as cutesy romance. That's why I love it so much. If you want a toxic love interest, please go right ahead and make one! You guys know me, that's literally what I write about. So I hope I've made myself clear about this topic and what I mean - just present the actual abuse as ACTUAL ABUSE, and scary and horrible, even if the protagonist is falling in love with that. Because reality can be like that. It's tough. But in Phantom, Christine goes with the healthy love interest in the end, Raoul, and I've always thought the ending was beautiful for that, because the Phantom still learned love in the end by letting her go. ANYWAY! Enough of that, good grief lmao. Tumblr with no word limits is so dangerous for me.

Mo Dao Zu Shi [Donghua]: 3 Seasons and I still haven't had enough of it. I just recently rewatched this with my close friends and good gods I was appreciating all the intricacy and character development the second time around. There isn't a single character left un-developed in this donghua like SERIOUSLY. Seriously, big kudos to the fucking author. In anyone else's hands, the magic system and the multiple plot lines and the larger-than-life characters most likely would've been fumbled. But whoever directed this KNEW what they were doing and KNEW their source material. And look, even though I barely know who is who because names are confusing and I barely understand half of the magic going on and why people are fighting, THIS IS THE SINGULAR SHOW THAT EXISTS WHERE IT DOESN'T FUCKING MATTER. I'M STILL TRYING TO UNDERSTAND HOW THAT WORKS. But it does? The emotional capacity of every scene no matter if I know what's happening or why just HITS and I'm always rooting for the characters or crying over them. Like, it's just insane. Okay. Everyone who's into BL should watch it, because it's one of the best. And even if you're not into BL, it's one of the best. The action is INCREDIBLE. apffff moving on.

The Case Study of Vanitas [Anime]: BRUUUUUHHHHH. We all know. We all know. I don't need to say anything. But the two boys, man. Two of my top faves. The show is gorgeous, the character designs are beautiful, the setting is romantic, the boys are gay (they are. they are gay.)...I mean what more can I ask for. Oh yeah also vampires! They're vampires. And I love vampires that are like, actually cool. Thank you for making actually cool vampires within a really interesting magic system. I would kiss the author but she made Vanitas straight so no kisses. ONE OF MY FAVORITE COUPLE OF CLIMAX EPISODES OF ALL TIME BTW.

A Silent Voice [Anime Film]: :(...I can't really talk about this one. I relate to it so much. Social anxiety, depression, attempted suicide. It's a really beautiful and painful movie. I cry every time I watch it. The end, that's all. The imagery and the meaning behind so many shots is just...UWEGH.

To Your Eternity [Anime]: *furiously points* LOOK AT THE BABY. OH MY GODS LOOK AT HIM. You guys, you guys. You guys. If you haven't seen this, and you like crying, and you need to cry really hard, and you need the most fascinating and heart wrenching story of all time, this is the one. Fushi, also? Hot. The Beholder, his daddy? Hot. Kenjiro Tsuda? Hot. Sorry, besides the point. This is the best written "you're supposed to cry" story I've ever seen. Nothing beats it. You know what they're going to do to you but yet they somehow subvert your expectations of HOW every fucking time, and MAN??? It hurts. But it hurts so good. And Fushi should be real so I can kidnap him, that's all.

I did 11 things, I'm so sorry. I do this every time. BUT I SURE HOPE YOU FOUND THOSE INTERESTING AND POSSIBLY FOUND A NEW THING TO ADD TO YOUR LIST IF YOU HAVEN'T SEEN/HEARD/READ BEFORE. Thanks anon for the ask!

Oh yeah and as extra I wanted to throw in my favorite song right now because IT'S REALLY PRETTY.

[plushietoon]

Also, just saw your pinned; hit me with the sweet Kat & Ana takes

N'aww, you think my takes are sweet? I'm flattered! I hope I don't let you down! ...also so sorry this ended up being a REALLY long post. The twins be a hyper fixation, I feel awful about it. So um...maybe get a snack or something while reading...idk...thank you for reading and supporting my thoughts if you do.

send me a character and i’ll list:

favorite thing about them

They are baby but they can kick your ass.

Individually, Kat has ADHD vibes and as a person with ADHD, I feel we both just forget to pause and have taken things seriously. Also she is protective of Ana and I relate. Plus there's something charming about Kat trying to act like the grown up between her and Ana.

I'm a bloody sensitive crybaby and had projected that onto many favorite characters much to my current shame. I'm trying not to push that trait onto other characters now. But to know that Ana's an actual crybaby resonates with me and thus I get to write sob stories with her as I please. Horrible, I know. But I do adore that she is childlike but observant, sort of mature.

least favorite thing about them

The original voices. Ok, I can't diss on those ladies too much, they were doing silly voices for a bit. It is frustrating that most of the twins' voice stuff then and now are not separated in files. I want to animate them saying stuff dangit.

Anyways, I love and hate that Kat is a bit of a bully to Ana because like, why would you be mean to your baby sister, but at the same time, siblings tend to fight. It creates interesting situations. IDK, her saying that Ana is hopeless resonates with me as in yeah I been in Ana's shoes, but also I shamefully take any chance to pity characters I love. Woobiefication been a thing for my whole life, unfortunately.

I'm not a big fan of Fryda and probably the newer games' writers and voice director making Ana more loud and energetic in GiT and Move It. It makes her less distinguishable from Kat who's always been the energetic loud twin. Ana has always been portrayed and described as the timid, quiet, cautious sibling and to see the newer games muddle that trait makes me annoyed. Ana's portrayal in Gold is perfect, though I will not lie some newer voice lines are still cute.

favorite line

Kat - "I need a nap!"

Ana - "I've never been readier!"

...what? I like it when the twins' actual age show up.

brOTP

If you spend like 5 seconds on any of my active plushietoon accounts, you'll easily find that I adore Lulu and Ana being besties. Stemmed from throwing the two together in roleplay, and seeing Ana kinda latching onto Lulu whenever Kat's away cuz Lulu is like...brash and confident like Kat. But Lulu also likes frilly things that Kat can't stand. I feel Lulu is also a bigger fan of cuddles. But both Lulu and Kat will protect Ana...though technically all of WarioWare would protect each other.

Can't forget that technically Kat and Ana are also BrOTP too, cuz they're siblings. Best siblings perhaps. But most certainly they are like each others' best friend. Kat can be outspoken and speaks a lot for herself, she's also one to speak up for Ana too...though maybe sometimes too much. Ana is a bit different from Kat so there are some differences in needs, and like Kat can assume incorrectly and overstep boundaries. But generally Kat is pretty good at guessing what her sister needs. On the other hand, Ana is scarily good at knowing what Kat wants and needs in general. She is observant and cautious...though isn't above following Kat's childish/reckless antics...sometimes.

OTP

Debatedly Lulu and Ana but, they're baby. It's too soon to tell. Plus I love platonic stuff. I have mixed feelings about romance in general due to...past experiences. People be taking (romantic) shipping too seriously sometimes. IDK, I'm one to say that Lulu and Ana end up having a very deep intimate connection that doesn't surpass the twins' familial love for each other, but is plenty close enough with snuggles. It's the kinda bond that makes one think "is that romantic?" when they're older but the true answer is a mystery because love comes in all shapes and forms. But that's a me logic.

Kat x ninjutsu #1 ship though. Nothing beats that in regards to the twins besides the twins' love for each other. Life long love, baby!

nOTP

Aside from me saying "i do not care what you create or consume but please keep the non platonic ships involving the girls with anyone who are teenagers and adults when the girls are kindergartners away from me", I'm iffy about shipping Kat and Ana with the Volt boys. They're currently at different developmental levels. I get it could get romantic when they're older, but it's not my cup of tea. Plus, it's probs a me thing but, imagining the twins and volts dating each other simultaneously feels weird. It's hard to pinpoint why for me but I won't be dissing anyone who ships them.

Also I sometimes consider myself Leo x Ana's biggest hater. I mean...I'm ok with it, and very much support the idea of Leo having a crush on her. It's just that he's like a bully to the ninja twins, and probs punched below the metaphorical belt even when trying to figure out that lovey feeling. People shouldn't be rewarded for being a dick to those they have a crush on (or love). But again, do what you want, it's fiction. I get the enemies to lovers thing and people change as they grow. Fans probably ship the two because they aren't shown to be glaring at each other in the GiT gallery. I've thought of Ana and Leo like the Anya x Damien thing from SPY x FAMILY. But I know there are folks who ship Kat x Leo, and that's coo too. And that's waaaay more fitting of the enemies to lovers dynamic.

random headcanon

I could go on all day about what brainworms I have about the twins, but here are the ones I said on this account so I don't repeat myself. And now for two more.

Kat fractures her (left) leg at some point in her life, possibly around the current 'ware period, or older. Definitely from a fight with some baddie (or training gone wrong). Has some agony over "no fighting, training, or rough play for awhile" for about a week. But she recovers quickly enough from it in that time thanks to cartoon logic and the Crygors' help. Based off the fact that my first Kat sticker from Sweet Cosplay Sisters lost her leg. Also she's reckless, and battle happy.

Ana is sensitive to touch and affection. Does not like it when a stranger or person (she doesn't trust) touches or holds her and can cry from it. But being gentle and familiar is comforting and can ease upset feelings or overstimulation. Will often take hugs from Kat and some of the crew, though Kat isn't a big cuddle bug. Ana's the one who initiates most of the affection between herself and Kat.

Seriously, please ask me about the twins, it makes my day. Y'all may also ask questions to the Ana ask blog I made (@/cautiouslittleninja). It'll be like asking Ana herself...kinda...it's unofficial for sure. I want to return to it and all the WarioWare fanfics, comics, and whatnot that's brewing in my brain. But i'm terrified of the fandom. ;w;

unpopular opinion

Repeating what I said earlier, I do not ship Ana and Leo romantically. It seems like shipping the younger twin and the lion boy is popular. I've written and drawn Leo into situations where he's dealing with (an) Ana who doesn't reciprocates his feelings.

Also this is mostly a me thing but I don't like it when people forget the fact that the twins are kindergartners. Like yes the twins are badass, but they aren't teenagers, let them be silly like-KAT NO DON'T POKE THE BEEHIVE.

...You'd think the new voices would help, but people just insist that the twins should only be badasses, no room for kiddy stuff. But I get where they're coming from because the food loving trait is being pushed a lot. It did give me a tragic headcanon that pushes that the twins aren't well off so any chance of eating is treasured. Wait they did canonically state that they had to pay for kindergarten AND THEY LIVE IN A PARK. But yeah, the twins can be badasses and baby. The powerpuff girls did it, so why can't these girls do that too? Actually were the WarioWare writers inspired by the PPG? It's a mystery.

song i associate with them

Barring the excellent Split Screen tune that perfectly encapsulate the twins vibe and the amazing Patchwork title music lovingly played by the twins on recorder, gonna go with Oshiete Yo by Hyorotto Danshi. It's partially due to Gold moving to a more cutesy (chubby) aesthetic for the twins to the point I keep imagining them, Red, Lulu, and Pyoro dancing that animation. But the lyrics fit them and Lulu with the childhood whimsy. I do have a playlist for the twins but I'm not completely sure if it fits completely anymore. Though if I were to remake it, the Baby Shark, Bluey, and Sago Mini (and maybe Pororo) songs stay. I feel the twins got some silly preschooler bones in their bodies.

favorite picture of them

The babies are eepy.

Sorry I've been calling the twins baby a lot. I'm 99% sure Kat hates it. She's a big girl y'all. But the twins are kids, children, sometimes toddlers and littlies. I just find baby easier to say.

[marine-indie-gal]

I have recently watched the Most Messiest Fairy Tale Crossover Adaptation in all of its Existence made by the Same Company who did their Adaptation of My Recent Favorite German Franchise called "The Magic Riddle" and despite the film's huge wasted potential of going back and forth every single time, all of its Characters are the Only Ones that I liked about the Movie (even some of them can be a bit Annoying) but my god, was this film such an Interesting Acid Trip.

So while this Film's Target comparison has always been "Shrek" because of the idea of Fairy Tale crossovers, though one thing's for sure is how that this Movie came out 1 Year after the Original Shrek book (which in the Original Story behind one of the Most Successful franchises that we all know as of Today, the Real Shrek was never really a Fairy Tale crossover in the First Place as The Magic Riddle had its own Fairy Tale story despite mostly being its own Cinderella adaptation within a Crossover before "Happily N'Ever After" did it).

Technically, I don't blatantly understand why this Film gets compared to Shrek a whole lot, when there had already been Fairy Tale Crossovers or Ones that took place in a Modern setting, way long before Shrek was even born (I mean, "Into The Woods" or the 70s Donkeyskin Adaptation, anyone?). Still doesn't help the fact that a whole lot of people seem to keep forgetting Into The Woods' existence that the DreamWorks' Shrek actually took the inspiration from (Not putting my own Hate towards the DreamWorks Franchise nor the Book, I'm just showing my own personal stance).

So yeah, because despite this Film's Gigantic Clusterfuck of a Messy Plot that feels so much like Shakespeare's "A Midsummer Night's Dream" but with Fairy Tales, I will admit that this film could've had a much better plot convenience if it wasn't so confusing with its Beautiful Foreign Traditional Animation coming from the same Company behind Famous Australian Kids shows based off of Old Children's Books, this Movie did try its own best but at least it's still a cult classic much of its own.

But I gotta admit one thing, despite this Mashup Adaptation of the Cinderella Fairy Tale being a Confusing Mess, this version of their Cinderella character is really Pretty (both Her Design and her Style is Really Adorable) & since I just couldn’t get enough of her Gorgeous style, I’ve decided to create my own personal re-interpretation of her Ballroom dress from the Movie because I didn’t like on how so cheap and lazy it was all for a simple *Insert Fairy Tale Joke Reference Here*, despite Cindy and her Prince’s Romance being Bland, I really really WISH the Movie could've handled their own Relationship much better and not have them fall in love quick.

So I’ve decided to make her own Ballroom dress a Flower themed while also making it close to how I would view the Real Cinderella’s ballroom dress from the Fairy Tale. Had to do a lot of Changing but it was kinda hard to interpret this but then I finally managed to get it over with as I liked how it turned out to be. Especially for a Pretty Interesting Lead Character in a Bad/Neutral Fairy Tale Movie.

But also of note, I feel like this Movie kinda deserves a Huge Fanbase with Big Rewrites like with Disney’s Wish.

Cindy © Flying Bark Productions (since it’s former title was “Yoram Gross Film Studios”)

[annegirl13]

Jacquet I’m a Lover Challenge

You’ll notice somebody very important missing from the Jacquet family photo. Denise died at the very last minute of this last round. She was 70 days old. She definitely made an impact.

I changed the challenge for these guys as well. Originally again, I think they were some kind of random occurrence scenario based challenge, but then I found the I’m a lover challenge. It’s perfect for these guys.

Denise counts as the founder. She was married to her husband Yves until his untimely death, which obviously happens before the premade story starts. Yves owned the bakery and, thanks to the challenge, Denise wrote romance novels. I think it became more of a passion for her after he died. I also think she was a little embarrassed, because she definitely wrote bodice rippers.

Gilbert grew up seeing his parents passionately in love and really wanted that for himself. Because he’s a romance, Sim, I imagine he dated a lot in high school in college. He was looking for that spark. He didn’t exactly find the spark he wanted with Brianna (although I absolutely adore her and she’s one of my favorites, and I put them together on purpose) but she ended up getting pregnant and Denise had old-fashioned ideas. They currently have three kids: Roman the teenager and twins Yvette and Nicole.

Technically, the challenge rules just say that Gilbert has to get divorced. They do not say any reason why. However, I’m thinking that the death of his mother is going to send him spiraling, looking for that spark, that he still feels like he doesn’t have, into the arms of another Sim…

[rotten-hearts-sharp-teeth]

Building off of one of your tags, what is your favourite werewolf lore that you've incorporated, the one you love but couldn't use? And finally, the million dollar question: why didn't Millenium make more werewolves?

Do you suppose the curse wasn't contagious in the Hellsing Universe? The slim chance they couldn't get Hans to turn anyone into a werewolf? Or maybe Doc couldn't replicate it, despite being able to replicate vampirism?

Thank you for the ask! I've been meaning to write something for the werewolf lore in my AU but haven't had the motivation before now. Get ready, because we are about to deep dive into something I put entirely too much thought and effort into.

My favorite lore that I incorporated was actually the base for my story. As a paranormal romance reader, I enjoy the Fated Mates/ Mate Mark werewolf trope. There is something poetic and beautiful about being magically bound to the person you love for eternity. Unfortunately, I am also a horror media enthusiast :) I wondered how that would work if the werewolf you were bound to was actually the horror movie version. Bad boys in those types of stories always end up with a heart of gold, but what if they were not a good person? What if the monster was actually a monster?

An American Werewolf in London, Wolfenstein and Hellsing gave me my answer. Enter: Hans. Because there is no worse monster that I can think of than a n*zi werewolf.

One detail about werewolves that I absolutely love but wasn't able to use, is the brutal transformation sequence. I love skin ripping, bones snapping, graphic and gory transformations. I love the imagery of the beastly feral side literally ripping through the human visage. I couldn't use a damn bit of it though because HIRANO already set the canon for werewolves in the Hellsing universe 😒 but anyway. Mist shifting is nice too. I guess.

Ok! Now on to the big question. I would like to state that I am in no way bashing anyone who uses curse werewolves for their Hellsing AU. All werewolves are valid.

For me personally, I could not figure out why the third reich would go through all the trouble of making an army of artificial vampires when they had a perfectly good werewolf already under their control. If it was a curse or virus or something contagious, why only use one? It made no sense to me. Feral werewolves could have been dropped on the battlefield like ghouls. Virginal requirements (like vampires need) wouldn't have been an issue since they literally raised children to be soldiers. So, with those questions in mind, I decided to make my werewolves a different species. In my AU werewolves can only be born. They are not created and have never been human. That's why they are almost extinct and that's why my version of Hans behaves the way he does.

Now for some Midian history.

My werewolves are descended from an ancient species of shapeshifter that took the form of two apex predators during its time: dire wolves and early humans. This species went extinct of course, but their descendants spread out and became regional subspecies.

Hans is the last Werewulf. His species comes from the Black Forest of Germany and is where the legends originated. Werewulfs developed away from humanity, so they didn't need to appear that human up close. It's why Hans has such an inhuman mouth and lacks the ability to speak. He looks human enough from far away, but up close it is obvious that he is not. I have a long, extensive backstory on what happened to his pack and why he joined the war, but I think I'll save that for another time.

I will note that werewulfs cannot breed with humans. They are too far apart genetically.

Sabine is a Loup Garou and her genetics are a little more confusing. Loups developed closer to humanity and are more human passing than their German counterparts. Sabine's grandmother was a werewolf. Her grandfather was technically human, but carried a recessive werewolf gene that he passed on to her mother. Sabine's father was human, but Sabine ended up a very unlikely recessive werewolf. Her werewolf nature remained dormant until the ritual that bound her to Hans awakened that part of her. Sabine, like her grandmother, could only have reproduced with another werewolf or someone who carried the recessive gene.

So to sum it up, I do think the n*zis tried to make more werewolves. Once they found out it wasn't contagious, they formed the first breeding program. When that ended badly, they gave up on werewolves and focused their energy on something that they knew WAS transferable to human soldiers. Vampirism and the production of ghouls. The end.

[landoscaring]

fic writer interview ty to the wonderful @volantium for tagging me on this! reading yours was fascinating, so tysm for giving us a glimpse into your fic-brain. i cannot promise that mine will be anywhere near as interesting, but oh well.

how many works do you have on AO3? 26

What's your total AO3 word count? 129,499

What are your top 5 fics by kudos?

secret's a blinking light (lando/oscar) (formula one rpf)

i see the way (betty/jughead) (riverdale)

see it through my eyes (love me like no other) (betty/jughead) (riverdale)

new romance (ILYSFM) (lando/oscar) (formula one rpf)

kisses (lando/oscar) (formula one rpf)

Do you respond to comments? Why or why not? i try to! sometimes i get overwhelmed when i get comments on fics i haven't updated (ehem, new romance and never break the chain) because they make me feel like, i can't reply until i have an update? weird guilt thing, i know. but i do love replying to comments and i've even met some really cool pals through them!

What's the fic you've written with the angstiest ending? hmm. i'm not huge on ending a fic on an angsty note, tbh. i like to sandwich my angst (if it exists at all, lol) so we get a happy ending and everyone's smiling. however, i did originally plan to have we might as well be strangers end exactly as it does in chapter 1, with lando regretting not having told oscar he'd loved him back when he had a chance, alone in his bed watching mercedes-oscar's interview. alas, i was peer pressured (lol) into adding more chapters to give them a happy ending, and i have to admit i loved doing that! now that i think about it i did write a varchie (archie/veronica) once where they meet after years of not seeing each other and part ways, so, maybe that?

What's the fic you've written with the happiest ending? all of them???? i mean. i am a sucker for giving people what they want, which in this case is lando and oscar kissing, so. yeah.

Do you write crossovers? nope! not that i'm opposed to doing so, it's just never been something i've been interested in. maybe one day!

Have you ever received hate on a fic? nope, but i did get a really odd comment in my secret's a blinking light fic a few months ago about how the user was "loving the absolute lack of research and angst in this fic". which, fair enough on 50% of the comment because i did tag it as angst and then proceeded to write the fluffiest shit ever? but re: research i did make a note of the fact that i had not researched australian migratory policy at all and did not intend to, so, rude.

Do you write smut? If so, what kind? yes! i don't know what kind is the "tries to make it hot but ends up extremely corny because your honor they love each other!!!!!" type but uh, that one.

Have you ever had a fic stolen? nope (that i know of, so).

Have you ever had a fic translated? not yet! as a bilingual fic writer AND a professional translator i've considered doing it myself a couple times for the sake of adding more landoscar works in spanish to ao3 and allowing people who want to enjoy fic in spanish to do so, as well as just practicing my translation skills which is always fun outside of work, but i've never actually sat down to do it! might.

Have you ever co-written a fic before? technically no, but i have been beta-ed so i guess that counts! i just recently (like yesterday) got my pal élé to beta my landoscar fics for me, which has been AMAZING so far. so, anything i write is half hers now.

What's your all-time favorite ship? ugh, people are gonna cancel me for this one but i am a huge sucker for lily/james, harry/ginny, and sirius/remus. haven't read any of these in a while, though!

What's a WIP that you want to finish but don't think you ever will? none! i plan on finishing my two landoscar wips soon, like, definitely before the end of the year. i don't like the idea of not finishing them at all (i owe it to the fans, of course).

What are your writing strengths? uhhh. hm. well. i have been told i'm good at dialogue? and like, giving my characters authentic voices. i personally pride myself in that, so i'm choosing to believe it's true.

What are your writing weaknesses? i want things to be perfect! and i sometimes get stuck on descriptions, like, i either want to write 4 pages of prose where i describe a window (á lá tolkien, y'know) or i do not want to address a single thing in a room and just want to write dialogue between people, so. that.

What are your thoughts on writing dialogue in other languages in a fic? all good! haven't done it, i don't think, but i don't see a problem with it. if it fits the narrative, sure.

What was the first fandom you wrote for? riverdale! man i was OBSESSED with this show before it crashed and burned. my bughead fics hold a special place in my heart because they were my first attempts at creative writing outside of school/university.

What's a fandom/ship you haven't written for yet but want to? hmm, not sure tbh. i've always wanted to try my hand at harry potter, more as a tribute to my early years of consuming fic than anything else (i am aware of the problematic aspect of it) but i don't think i ever will.

What's your favorite fic you've written? !!!!! unfair question, they're all my babies!!!! but uh, don't tell my other fics but i am a huge sucker for new romance and secret's a blinking light. maybe i'm just obsessed with marrying people off, now that i think about it, lol. but every single thing i've written is so, so special to me and i am proud of what i can come up with. i've mentioned this to multiple people but i do not plan my fics at all (sigh, i know) and sometimes when i read them back i'm like, "wow, i wrote this in 3 hours straight out of the shower? niiiiice" (not bragging, by the way, this is extremely irresponsible writing).

cue me telling everyone that i drafted an (albeit short) outline for a landoscar song of achilles fic, so. do not take advice from me, ever.

i am fairly new to this fandom so i don't have any writer pals to tag (be friends with me, i beg!!!). if you see this in your tl and you wanna jump in, go ahead and tag me so i can peek!

[dynamic-k]

Me me has a quetions :3 when did you start writing and where do your ideas come from?

-BK

Ooh, that's a tough one.

Hmm. Well, I know I started getting a like for writing in the 3rd grade. I'd done some random school two-paragraph assignment and Mrs. Meusen, my lovely teacher whom I still remember to this day, had returned everyone's papers with our grades.

And she liked to write custom messages along with the overall score and stars.

She told me in her little markered note at the top of my paper, that my writing was well structured and I make a good author. Something like that, I don't remember exactly how it was phrased, but it was a compliment to my writing.

I have no memory of what I wrote, though. It wasn't significant.

That was probably the first jump-start encouragement I got, though how it affected me in the future was probably subconscious for the most part. It's not the driving force that I remember on a regular basis as "Ah, yes, this event here is what started it all."

That long ago compliment just came to mind when I really started thinking about what the answer to your inquiry was.

My ideas just spawned into existence from my imagination. I was always the kid that found immense joy in reading books and also staring off into space. The wall. The ceiling. Out a window.

I once got lost in space during my 2nd grade Spanish class, while we were doing TESTS.

And I was lost in space, not really looking at what I was looking at... Well, I was apparently looking at someone else's test, lol. Got scolded. XD

My dreams were often the source of cool ideas also. I had entire MOVIES worth of action and everything. Sleeping was always a well anticipated privilege...

I wonder why. 👉👈

I remember my very first fanfiction was written for a comic series, Mega Man by Ian Flynn.

Cool robots, action, adventure, fights, suspense, a whole assortment of my favorite types of things to enjoy from any media, be it novel, comic, or movie.

It was... really bad. My family tells me it was good for my age at the time. The ONE friend I randomly decided to share the old google Docs with also gives me positive feedback, but... ehhhhhh.

There's reasons I haven't continued it further for years. It was pretty bad, in my eyes. I definitely had so much fun writing it though. It was a self-insert, sort of? But with an OC that had cool characteristics I just liked. Not really me, but a character that was an amalgamation of ninja skills, smarts, and powers. And was very much, as the term goes [that I would learn about just a few years later], a "Mary Sue". An overpowered character.

At least, my character still had a plethora of issues, and as the story progressed, I found ways to insert Nora [the aforementioned OC] into problems and lessen the overpowered aspects a bit.

I learned from that work. A lot.

I guess, if anyone is really interested, I can post the links to the old docs. I don't suppose I mind all that much, though I'm warning you all. I ATTEMPTED ROMANCE.

AND IF YOU ALL KNOW ME AND MY CURRENT HABITS... YOU KNOW I SAY ON A REGULAR BASIS THAT I CAN'T WRITE ROMANCE.

It was written by 13-year-old Scarlett. She doesn't exist anymore.

I think I somehow got off topic, why am I talking about my first fanfic...

Anyway!

I wrote a lot of other stories also.

I had originals.

I had fanfics. [My hyperfixation on Beyblade Metal Fusion remains dormant to this day, but I still remember all the ideas I never wrote down yet]

I had dreams that I attempted to normalize and remove dream-weirdness from for story material.

I had school assignments that were fairly tame as far as action, but I kept the docs anyway.

And then I tried to publish stuff.

[By this, I mean, on the Archive. I had technically posted fanfiction before on fanfiction.net but we don't talk about those abominations...]

I was in a Lego Monkie Kid hyperfixation at the time, and was currently on the cliffhanger of season 4. [Before the special came out, I mean.]

And I had a very very vivid dream scenario one night, where my brain decided to imagination its own ending and wrapped up plot for the cliffhanger of season 4.

I decided to post it. And I still have more ideas that I have yet to sort out and add more chapters to the fic, but that was the first published work on the Archive, I think.

And... it was romantic focused, actually. The one OC was a character that fit well into the series, and wasn't just an annoying rendition of overpowered characteristics. (I TELL YOU. I LEARNED FROM "NORA")

And, well, my dreams are good at imaginating romantic scenes. It's just my brain doesn't know how to make it sound good with words yet.

I'll get there... 😅

To get back to the point I seem to keep deviating from as I reminisce over older works and my author journey as a whole: I have come very far.

My first Alan Becker fanfic, was A Second's Tale. Which, until Super Sticks appeared, remained my most popular fic.

It started so SO simply. All I knew was, "NEW HYPERFIXATION GO BRRR!" and "I wanna write a fanfic and post it"

Then it escalated.

The AVA/AVM fandom is still my all-time favorite, and I think it's honestly going to stay that way forever. It's definitely the longest fixation I've ever had.

All my others are dormant, or active in spurts. I have a list of like, 60? 65? fandoms I'm into, lol.

Uhm, anyways, yeah.

That's the summary.

Man, that's another thing I suck at. Summarization.

Look at this long schpiel of words!!

No one gonna read this. XD

TL;DR

I have come far from the 3rd grade.

I still aim to make a difference. Make someone's day with my weird unique sense of humor. Make others inspired. ;]

And my imagination go brrrr for ideas. Dreams are just the best thing ever.

Thanks for coming to my ted talk--