#but i do have thoughts about the other characters

[the-knight-of-the-stars]

Are we gonna talk about how that finale entirely erased any conversation about class divisions or are we too focused on ships?

Are we gonna talk about how Caitlyn for a good chunk of the season willingly enforces violence and opression against the lowest class, no doubt directly causing more deaths and suffering, and she is forgiven by the narrative without any meaningful reflecting?

Her great moment getting together with Vi is right after she JUST had a conversation with Jinx where we see she STILL doesn't recognize any class bias she clearly has, insted making it about HER.

Her and the other enforcers are treated like noble heroes in the final battle, all the blame put on Ambesa. Vi's happy ending is getting into a relationship with the exact type of person who perpetuated all the suffering she endured as a child.

Are we gonna talk about how Jayce never leaves his privilege pedestal, never actually reflects on how he was also enforcing violence to the people of the undercity and living on his bliss of progress at THEIR expense?

Jayce, who got help on every step of the way to get to where he is, who wasn't disabled, who never lived the kind of poverty or class obstacles Viktor did, who never recognized the harm he enabled and was complicit to, HE was the one to tell Viktor "People build their own destiny." and "There is beauty in imperfection" ?????

Not to mention the whole bit where he implies Viktor did all that because he wanted to "eradicate what he thought was weakness"??? Didn't we stablished Viktor wanted to HELP THE PEOPLE FROM THE UNDERCITY TO HAVE BETTER LIFE CONDITIONS?? don't try to gaslight me.

I know this is just a TV show, but I need to remind everyone that what perpetuates opressive, discriminatory and violent systems as long and as deeply as they do is indiference. Is turning your head and enabling others to stay ignorant.

Edit: You guys are misunderstanding me. And I admit it is probably my fault, I wrote this high with emotion I wasn't as eloquent.

Jayce's exact choice of words or his time living in the alternate world is nowhere near my point.

My point is, that the narrative is establishing that the privileged character, is the one that has to show (and is quite literally, textually, always the one to show) the underprivileged character that "he was looking at life the wrong way." Forgetting that Viktor's journey of feeling powerless was greatly influenced by the fact he was poor and from the undercity.

That's what I meant by it erasing the part of the plot about class systems. In the end, the story only requires Jayce to understand Viktor's struggle on a superficial level, but the text never recognizes that it as the product of a deeply rooted SYSTEMIC ISSUE. One Jayce and even Viktor on some level, benefited from and perpetuated.

Understanding Viktor still doesn't give him any moral ground, and nobody ever challenges him on that because the story isn't interested in that anymore.

And the same with Caitlyn. She knows what she did what's wrong, fine, she feels bad. Like I said, she still has a class bias, and no character challenges her on it again because the story derails to magic and fighting and whatnot.

The plot just forgets (or ignores) that layer of the story despite it being so prominent up until now.

And ignoring the class discussion does a disservice to every single character because they were initially built on it. You can see it in how they lose the essence they had on s1.

I know y'all love the characters and want to empathize with all their motivations, okay? But the fundamental issue is that characters also represent things, and more so in a story as political as this one. We also have the right to point out that the show told us they represented something and then abandoned that narrative.

What do I think they could have done differently? If I tell you scene by scene we could be here for an entire year. The gist of it is: I think they should have stuck to the character themes they already had established.

Vi as someone fiercely loyal to the undercity beyond her relationship with Powder/Jinx, and being "cursed" by the role of the older sister. Jayce as someone with good intentions but who is ultimately limited by his blind idealism. Mel as a cunning politician who thinks she is on the right path because she isn't violent like her mother, not realizing she is still perpetuating it. Caitlyn as someone kind and compassionate who realizes the institutions she believed in are fundamentally flawed, and because of the way they are built will never be on the side of kindness. Etc, etc.

None of that gets any meaningful resolution.

I am glad if you liked it, or got something from it, you are entitled to your opinion.

I wanted to say this because I was angry, and still am. Because there was so much incredible potential, and honestly, to me, it feels like the writers chickened out on actually saying something in the end.

That's all I have to say about that.

[jane-asmo]

Why I think Caitlyn didn’t ask Vi for forgiveness

(Thank 'anons' for your messages. I’ll try to respond to you through this text: )

The importance of Caitlyn’s “I know”

A key moment in Caitlyn’s character narrative is her “I know”—both its content and delivery.

The content: When Caitlyn says, “I know,” it doesn’t just mean “You’re right.” It means, “I’ve taken the time to think about this.” And thinking is what Caitlyn does best. Her “I know” conveys that she has already had this conversation with herself, over and over in her head. She’s thought about it constantly, she’s already told herself these things, and she’s already blamed herself for them.

The delivery: She screams it with violence, and we can see this represented by the boat falling apart. It’s not just that she has thought about it; it’s tormenting her. Her “I know” is incredibly powerful because it’s filled with suffering.

To me, this is as valid as an apology because asking for forgiveness is outward-facing—focused on the other person. "Asking for forgiveness" says, “Whether I’ve forgiven myself or not, whether I feel guilty or not, it’s on you to decide to forgive me.”

But here, Caitlyn’s “I know” is inward-facing. It means, “I’m not asking you to forgive me because I can’t even forgive myself.”

She knows everything you’re saying, and it torments her.

This is followed by:

"I didn’t even have time to think before they hauled her off."

This line is so telling. Everything about Caitlyn is tied to thinking and reflection.

Being a sniper means aiming and shooting. Aiming is the equivalent of thinking, and shooting is the equivalent of speaking. Everything Caitlyn does is deliberate and thought through.

This is why some people dislike her: as I’ve said before, unlike other characters, Caitlyn’s actions can’t be forgiven easily because she doesn’t do anything by accident.

Then we get to:

"We can’t erase our mistakes. None of us."

Caitlyn speak in “we.”

In the prison scene with Jinx:

"No amount of good deeds can undo our crimes."

This scene mirrors the rage she felt when she threw the boat. In this moment, she’s speaking to Jinx, but also to herself.

Caitlyn and Jinx are paralleled so many times throughout the show. Caitlyn quickly realized that, in some ways, she had become like Jinx. And so, in order to forgive Jinx, she would first have to forgive herself.

At this point in the episode, the person Caitlyn hates the most is herself.

But she no longer has the "energy" to hate, neither Jinx nor herself.

Energy comes from fuel. What she perceives as a lack of strength to keep fighting is simply the fact that the fuel that powered her hatred has disappeared. And when you stop feeding a fire, it eventually dies out. She has no energy left; she has no fuel to sustain her hatred.

It's a particular way of saying, I don’t hate you anymore, and I don’t want to hate myself anymore either, because in the end, that hatred corrupts us/everything .

In her own unique way, Jinx also says, I didn’t know your mother was there, even if it wouldn’t have changed anything. And this too is a strange way of taking a step toward the other.

We have two brilliant and intelligent women who express their emotions in unconventional ways. ----------

There’s also a whole analysis that could be done about her concept of justice and rules, "but I don’t have the energy" to dive into that here. Still, it would only lead back to the fact that Caitlyn doesn’t see herself as the right person to free Jinx (and therefore to forgive her) because she believes she herself is beyond forgiveness.

[felassan]

David Gaider on Zevran, under a cut for length:

"I was going to skip over Zevran, honestly, as I felt like I didn't have a lot to tell in the way of stories about him... but I know he still has some (ardent) fans. Plus, on reflection, I thought maybe I DO have a few things to say. 😅 Sooo we'll see how this goes. Zevran came along much later in the DAO process, as we were trying to round out the cast of party members. Alistair and Morrigan were well underway (as "main" characters, they were concepted very early) and I'd just started to consider who our Rogue followers might be when... things changed, a bit. See, BioWare had released a game not long beforehand called Jade Empire. It had included some same-sex options in its romances - not obscured like the way Juhani's "romance" had been hinted at in KotOR, but explicit. To this day, I have no idea who on the Jade Empire team was behind it, or why. More to the point, the same-sex options had received a lot of attention and praise - almost universal praise, in fact. In 2005, everyone was just pleasantly surprised. And I don't recall if I went to James and asked about it or if he came to me to suggest DAO should include it. The latter, I think."

"You might ask "Aren't you gay, Dave? Weren't you already pushing for this?" And the answer to that is, emphatically, "no, not at all". It might seem odd looking through the lens of 2024, but there was no talk of 'representation' or 'diversity'. Not at any level where we were aware of it, anyhow. Today, fans argue about how MUCH representation to include and whether it's done well enough... the idea that, less than twenty years ago, it being included *at all* was very much in doubt feels so far away. But, back then, I'd always assumed my private life and my work in games would never meet. So I think it was James who brought it up, because I remember being startled. Pleasantly so, of course. Now I had to look at our two rogues and figure out how this would apply. I sketched out the female of the two (who was taken on by Sheryl Chee) and then looked at the male - he who became Zevran. I'd been reading about the CIA and one thing that stuck with me was how they'd (allegedly) recruit gay men as assassins because they rarely had familial ties. Zevran wasn't going to be gay (bisexuality wasn't a question of representation, but a cost-benefit compromise) but that was the inspiration."

"Then there was the question of how "flamboyantly" I was writing this character, whether that might be too stereotypical? I don't remember how it arose, but I had too many "flamboyant" friends to do anything other than double down. This character was gonna be Zorro the goddamn Gay Blade, that's what. So that's how Zevran happened. Fun, a bit nihilistic, maybe a bit too overtly flirty for today's audience but very confidently *sexual*. Everything I'm not, so I'll admit it was an interesting exploration to dig down and find that voice somewhere inside. He was the anti-Alistair, and I needed that. Casting him was difficult. Caroline always tried to go for authentic accents, when we could, but for some reason this was getting us nowhere. I think back, and I suspect it's because I hadn't yet learned the lesson to not use terms in casting descriptions I thought were universal... but were not. What do I mean by that? Well, there was one write-up that said "drow elf". Now, I know what a drow elf is. It wasn't even important to the description, but the director saw the word "elf", and you know what we got back? A Keebler elf. Like a leprachaun, high and sweet and cutsie. Can you imagine?"

"In this case, I think it was the use of the word "assassin". Combine that with the sorts of roles many Hispanic actors in LA probably are asked to play, and all the auditions we were getting were 150% dark, mean, and gritty. 🫠 So we widened the casting call a bit, and this led us to Jon Curry. I knew Jon wasn't Hispanic, but what I wasn't prepared for when I flew down to meet the DAO actors was that he's this extremely tall, extremely Nordic looking dude who just happened to do the most amazing Antonio Banderas impression. Watching THAT man channel Zevran was... more than a bit surreal. 😅 And he had fun with it. As soon as we gave him the go ahead to play the fun and flirtiness to the hilt, that's exactly what he did. Over the few days where we found Zevran's voice, it totally supplied me with something I could hold in my head when I went back to Edmonton and finished writing him. Zevran was funny enough that the fans liked him. The only part of the reception I thought odd was the occasional comment by a male player who felt "tricked" into having sex with Zevran. "You mean... that part where he invites you to his tent for a sensual massage?" "Yes! I was expecting a massage!" "He literally says the massage is sensual." "Well he wasn't clear enough!" This is where I first came to the conclusion that a certain number of our players just don't know how to people. And that maybe an adjustment to the way we approached the messaging (or massaging lol) of romance was in order. If I could go back, would I change anything? Maybe I'd remind the systems team Zevran should really be able to pick a lock. And maybe not allow him to die. We had no idea we'd need to import these choices into the future - we kinda thought DAO was "one and done". Not so much, as it turned out. 😁"

[source thread]

David Gaider: "there's something to be said about how Zevran flirted and even had sex with you because he thought that's all he had to offer... not just you, but anyone. And when he realized you wanted something deeper, suddenly he was on unsteady ground and it truly unsettled him. It was fun to explore." [source]

User: "So David - besides loving the fact that the third image you picked is a gay sex scene - what happened in DA2(DAE - come on) with Zevrans design?" David Gaider: "Check the ALT text. It wasn’t a custom sculpt, so that’s as close as they could get it. Which… was not close." [source]

User: "Just to make sure I fully understand: the director (was it the voice director?) saw the word "elf" and thought you were looking for someone high, sweet, and cutesie?" David Gaider: "Yeah, this was from back before we managed VO in-house. The voice director in this case just didn’t have an association with “elf” like some familiar with fantasy would." [source]

[threeacttragedy]

Entry 12: The One Where We Start Laying the Yellow Brick Road to Italy

I realized the other day that, even though I like to bounce around from place to place in the Lukola timeline, I probably needed to start tightening things up on the ship if I ever wanted to get to the end of the story. And, yes, dammit, this story better have a finale at some point because there’s nothing more annoying than an open-ended ending, particularly in the romance genre.

Today we’re going to take a quick jaunt over to Italy because –

NO! Not because Luke is allegedly filming there. If you’re into real-time stalking, you’re in the wrong blog. But, I’m sure there’s a Discord for that.

It’s because I’ve had several people ask for my opinion about the change in behavior between Luke and Nicola during their Day 1 interviews there. Wait – people are interested in my thoughts? Wow, that’s actually kind of nice. Thank you! Okay, back to what I was saying –

Was there a change in behavior when Luke and Nicola reached Italy? Yeah, actually, there kind of was.

By May 9, we had been gifted with a slew of material from Luke, Nicola, and the Bridgerton cast and, I must admit, those early interviews are some of the most entertaining of the tour. In the very beginning, Nicola appeared as the utmost professional – charming, intelligent, and witty at the right moments – and Luke played her likeable counterpart to “Book Colin” perfection – bouncing between being awkwardly boyish and wickedly roguish, all while looking at Nicola like she had just served him homemade peanut butter crumble.

The two of them together, playing off each other, in my opinion, was better than Bridgerton Season 3 (you cannot beat the World Tour being 99% Luke and Nicola, with only a few random side characters taking up screentime). There was some major “Electric Love” radiating from those two throughout the tour, but it seemed very much heightened in the beginning (probably because they hadn’t yet answered the same question 67 times). By the way, if you haven’t heard that song by Børns, go have a listen. It will, at the very least – hopefully – put you in an upbeat mood for the day.

Now, where was I? Oh, yes – was there a change in behavior between Luke and Nicola when they reached Italy?

Absolutely.

Do I know why?

Absolutely not.

Perhaps Luke was bent because someone spilled his coffee, or Nicola was upset because her stylist made her to wear that little silver bow in her hair. In my opinion, the most intriguing part of Day 1 of the Italy press junket was that Luke and Nicola struggled with answering the question, “What is love?” I swear they both babbled on like two kids in debate class who hadn’t bothered to read the material given to them before taking their respective podiums. They finally seemed to settle on Luke’s “Maybe it’s, like, connection.” Well, they seemed to be missing the “connection” that day.

Honestly, no one can explain their “don’t stand so close to me” vibe during those first day interviews except Luke and Nicola. But, we can at least have some fun and speculate about it with a bird’s eye view. At this point, you should know that I love spreading the puzzle pieces out and seeing how they might all connect. Most people – when putting a puzzle together – start with the side pieces, right? You’ll get my joke in a moment (I hope).

In March 2024 – I don’t know the specific date because my timeline is rather murky going back that far (I was unaware Lukola even existed!) – Luke traveled to Los Angeles for a photo spread with InStyle magazine. I’ve heard two versions of this story. The first being that Luke traveled to Los Angeles with Antonia alone; the second being that he traveled to Los Angeles with his friend group, which included Antonia. I couldn’t tell you which is true, and it really doesn’t matter because it doesn’t necessarily add or take away from today’s story.

Before I get started, I wanted to give a “hurrah” to The-One-Whose-Group-Chat-Fills-in-Lots-of-Missing-Bits-for-Me-Including-the-Part-Where-Video-Footage-of-Antonia-in-Los-Angeles-Seemed-to-Indicate-a-Celebrity-Was-Not-the-Videographer-and-There-Were-So-Many-British-Accents-in-the-Background-One-Would-Fancy-a-Guess-She-was-Traveling-with-a-Group.

Moving along…

On April 7, 2024, Antonia posted a series of photographs and clips to her Instagram grid indicating she had been in Los Angeles, including one where she was laying on a blanket in front of the Griffith Observatory and one where she was sitting at a table marked with the number “95.” On April 14, she posted a second set of photographs, tagging her location as Beverly Hills, California and using “End of Beginning” as her audio (yes, I side-eyed this choice of music so don’t feel bad if you did as well). The second photo dump included her lounging on a rooftop.

I’m not going to delve into posts made by Luke and Nicola during that timeframe. I mean, I’m sure Nicola’s comment, “’Friends’…sure Jan,” on Luke’s April 11 reshared post about Bridgerton Season 3 was only meant to be applicable to Polin. And, if Luke wanted to use yellow and black hearts to represent the colors Nicola and he were wearing in his April 12 post, that’s cool, too. And, I am definitely not going to speculate on Nicola’s April 15 post (for Big Mood) that Luke liked, and she captioned, “I will bite off anything that dangles.”

By April 21, Luke and Nicola were in Australia at the World Premiere of Bridgerton. I am only going to provide a quick overview of Australia instead of a full-fledged recital because, at some point, I will almost certainly dedicate an entry to this country. Let’s start with Luke pulling off the hottest walk-up in Netflix human history (I mean, have you watched it in slow motion?). Then, we had the hard launch of the handholding business (because why again?). And, we had Luke tripping over his words, “We’re very, like, giving…I’m not talking about those scenes…” Oh, and Nicola telling an interviewer that, “[y]ou can’t keep a good girl down,” and, in response, Luke’s lips curling into a wicked-ass Cheshire cat's. We had them in the garden, with Nicola bending down to hug Luke after she had scratched/hit/petted his head. Perhaps I should not mention the possibility of a man’s shirt being visible on a bed behind Nicola (I said possibility not that it was). And, Nicola telling Luke, “You’re the funnier one,” when he was concerned that perhaps Benedict was funnier than Colin. Then we had the “Nicola-in-the-green-dress” day where, as they were going down the steps, Luke seemed to instinctively reach for Nicola’s hand, but she played it cool and took his arm instead. Oh, and that entire “green dress” day in general (I mean, there was so much shit going on that day). And, best we do not forget Nicola saying, “the best foundation for love is friendship,” which mirrored the bracelet “someone…in Australia” gave Luke that read, “Do you believe the best foundation for love is friendship?” Because that’s not suspicious at all. Alright, let’s get the fuck out of Australia – but not before I mention Nicola commenting on Luke’s April 27 Instagram post with “Ready for the next?” and Luke replying, “Absolutely.” Yeah, yeah, yeah, their shenanigans in Australia expanded the USS Lukola tenfold.

Oh, also, let me throw this in here because, if you are a “ring truther,” this fact plays a significant role in the Lukola timeline. If you do not know what a “ring truther” is, that’s perfectly fine. You can catch up by reading Entry 6 (The One Where I Explained the Claddagh Ring to My Dad) of my blog. I mentioned in Entry 6 that some Lukola sleuths have stated the metadata they pulled from the sketches of the Claddagh ring uploaded by Chupi indicate they were done as early as April 26. In other words, it means the Claddagh was likely commissioned between Australia and Italy. In fact, if we are to believe Chupi when it said it took four weeks to make the ring, then it had to have been commissioned by May 9, 2024, at the latest. Oh, lookie there, that’s Day 1 of the Italy interviews.

But, before we get to May 9, let’s pause on April 29. That was the day Luke’s InStyle spread was published – yes, the one I mentioned earlier. Luke has pictures from this photoshoot still on his Instagram grid – in fact, Nicola commented, “Yess dude!!” on them – but those aren’t the pictures I want to talk about. No, I want to talk about the pictures InStyle posted on its Instagram grid that day. These photographs came directly from Luke, which was confirmed by the InStyle article when it said, “…the actor delighted the InStyle team by delivering the polaroid photos he’d taken for this story tucked oh-so-carefully in a little brown bag for safekeeping.” The pictures Luke provided, among others, included one where he was laying on a blanket in front of the Griffith Observatory in Los Angeles; one where he was sitting at a table marked with the number “95;” and one where he is sitting in a lounge chair on a rooftop. If you want to see the pictures, InStyle still has them available – you just need to go through hundreds of posts to find them. Luke did not like this InStyle post, which was kind of odd because he was tagged in it, and they were reportedly his pictures.

Why did these InStyle polaroids seem so familiar?

Oh, that’s right, because they were.

Remember that April 7 post of Antonia’s I mentioned a bit ago? Yeah, the one where Antonia posted a bunch of random pictures from Los Angeles and – only after InStyle posted Luke’s polaroids – fans realized Antonia had preemptively posted her version of some of Luke’s polaroids.

I am not going to speculate too much about these pictures or their implications in this blog post, but these pictures may resurface in future posts because I find myself side-eyeing the fact they even exist. And, we should probably accept that Luke was aware of them before his pictures came out on April 29 because he threw a like on Antonia’s April 7 post. Could it have been a “blind” like? Sure, I guess, but the logical side of my brain says he probably looked through them at the time she posted. Let’s not worry too much about it right now, though.

After trying to write out my “general” opinion about the pictures several times, I finally decided that the best way I could articulate my thoughts was through the conversation I had with my father. Yes, Dear Dad returns again for another insightful Q&A.

I started by showing Luke and Antonia’s three “matchy” pictures to my dad and then asked him to compare them. To be clear, the pictures were their respective Griffith Observatory, Table 95, and Rooftop Lounging pictures.

Me: “So what do you think?”

Dad: “About what?”

Me: “Ugh! Why did Antonia take those pictures?”

Dad: “Well, to show she’s part of the ‘in’ crowd. The only reason I can see them being taken is if she was going to put them on the Internet.”

Me: “Uhh, as a matter of fact, she did put them on the Internet! Approximately three weeks before Luke’s were published.”

Dad: “See! I’m not as dumb as you think.”

Me: “Whatever. So, you really believe that? She took them to show people that she was, like, there?”

Dad: “Yeah. Why else would she take them? They’re not the kind of photos you’d take normally. What’s she going to do, put them in an album and show her friends in five years and say, ‘Look, I sat in Luke’s chair?’ Who does that? Nobody. Plus, Luke’s pictures look like they were taken with a polaroid camera and Antonia took hers with, I guess, a phone. Why use two different cameras? Again, it doesn’t make sense. Seems to me like she knew what pictures he was taking, and she was trying to copy them so she could put them on the Internet.”

Thanks, Dad.

You do not have to accept my father’s thoughts on the photographs. Everyone is entitled to their own opinion. However, I think we can meet in the middle and opine that, at a minimum, Antonia’s pictures caused the weak Lukolas to jump overboard; at most, they gave some people stalker vibes; and somewhere in between, they introduced Antonia's negative influence over the fandom and what some may consider trolling behavior (even if it wasn’t recognized then).

Now, before we land in Italy on May 9, let’s summarize what has happened during the preceding two months.

First, we had Luke traveling to Los Angeles in March with Antonia, either alone or as part of a friend group. Luke had pictures of himself taken while there.

Second, we had Antonia posting pictures in early April that would be linked directly to Luke’s pictures by the end of the month.

Third, throughout the month of April, we had Luke and Nicola traveling together for the World Tour. We have all seen these interviews, and we have all formed independent opinions about them.

Fourth, based on Chupi’s own words, we know the Claddagh ring must have been commissioned no later than May 9.

Okay, now we’ve reached May 9, Day 1 of the Italy press junket.

Besides the press interviews, what happened on that day?

Well, Antonia reposted Luke singing Coldplay’s “Yellow” to her TikTok account.

Uhh… Huh. Interesting.

I mean, it’s possible that this was just a coincidence and she just liked Luke’s version of it. Or, it’s possible Antonia knew that “Yellow” was the Polin wedding song and she anticipated trolling Nicola and/or the fandom with it. But, if we believe she knew “Yellow” was the Polin wedding song, that means either Luke told her, or someone with that knowledge told her (i.e., someone from Luke’s team or family/friend group). We also know that Luke mentioned this song in the May 16, 2022 Netflix Tudum article when Nicola and he were asked about their song choices for Season 3. Luke stated his frontrunner was “Yellow” by Coldplay “because of Penelope’s dresses.” Regardless of why Antonia posted the song, I find it hard to imagine Netflix, Bridgerton, Shondaland, Nicola, or Luke were too impressed by Antonia resharing it on TikTok. I mean, at this point, Netflix & Co. would surely have been aware that Antonia’s “copycat post” went over with the fandom like a wet blanket in December in Canada. I imagine some questions were being asked and Luke may very well have received a hand slap from Corporate – and maybe even from Nicola.

But, that’s not the only thing that happened on May 9.

Luke posted his Homme magazine spread to his Instagram grid on that day, too. He captioned the post, “Chatting through all things S3 with @hommeplusmag [o]ut next week x.” Nicola commented, “Yessss,” and Luke tagged his post with the location of Hackney, London. That last part – about Luke tagging the location in Hackney – apparently sent the fandom into a deep-dive of…Nicola’s backyard. Why? Because Nicola lives in Hackney (Nicola herself confirmed she lived in Hackney in a March 18, 2024 interview with Derry Now), and rumors started to circulate that Luke’s pictures were taken at her home.

Hmm, I didn’t realize May 9 was such a busy day, did you?

So, which came first – the chicken or the egg? Did Antonia repost “Yellow” to her TikTok before Luke posted his Homme in Hackney images to Instagram, or vice versa? I’m sure someone out there has this information. The answer might help shine some light as to why Luke and Nicola seemed “off” in the early part of their Day 1 Italy interviews. But, then again, does the order really matter? Regardless of who posted first, it would seem to me that “Yellow” was a very possible culprit for the different energy on set that day.

That, or Luke really was peeved over someone spilling his coffee.

[catzncoffee]

A little FiddleStan AU I cooked up, more information about the AU below the cut!

I'll probably post a few more characters from this AU later!

Aren't they just the cutest couple? (* ´ ▽ ` *)

BADEND FiddleStan Au

> Welcome to BLIND EYE CO. : Unsee It All!

-To Start us off, Ford sends his postcard over to Stanley a lá Canon, and Stanley immediately drops everything to rush up to Gravity Falls all the way from New Mexico, spending his last dime on gas and driving with as little breaks as possible. At this point in time, Fiddleford has left Stanford and is actively going through a divorce and the process of loosing his mind via mind gun overexposure. Stanford is not doing well, paranoid and extremely sleep deprived, watching for Bill in any eye sockets or triangles that flash in the corner of his eyes. None of them are doing well to sum it up.

- Stanley arrives fresh off a no breaks drive to meet with his estranged brother of 10 years, and while not exactly expecting a warm welcome, a crossbow pointed at his head and a flashlight shone in his eyes certainly didn't help set the tone of the meeting. Or help the spinning in his head. Or the Nausea. Frankly he only caught the tail end of Fords very concerning speech, but at least he knew to follow him down the stairs.

-naturally things devolve from there, Ford demanding Stanley take his research and flee while Stanley grapples with the fact that it's all Ford wanted of him. Spiraling into a physical fight once old grudges are dug up from their graves. A Fight that brands Stanley with a symbol he can't even understand, turning something on he didn't even know the danger of. A singular shove that absolutely wrecked Stanley's world, and the last words "Do Something Stanley!" Haunting the room as the portal that his brother built ate him and imploded.

- Fiddleford notices the gravitational anomalies and panics, going into hiding but terrified for Fords safety against his better judgment.

- Stanley spends the next week desperately trying to peice together both the portal and the journals contents, and his mental health takes an even steeper decline. He sits in the same lab going over whatever books he can find and that stupid journal over and over and over until he works on the portal till the next injury or road block, surviving off of whatever canned food both he and Ford combined had left

- Enter Fiddleford, who couldn't bear not to check on Ford after the gravitational anomalies and continued radio silence. Just a confirmation that he wasn't dead, Fiddleford told himself. Nothing more. Stanford deserved no more from him, after all Fiddleford had given. Just a quick safety check in for the sake of an old friend. A knock on the door, however, brought a slow shuffle towards it and opened to reveal a very tired, very devastated..... not Ford? But also Ford? At least he certainly looked like Ford. But Ford had less muscle mass last time Fiddleford saw him. Less hair too, because Stanford? Have a mullet? What sealed it was the normal, five fingered hands that the Not-Ford rubbed his eyes with when Fiddleford demanded, as politely as possible, to know who he was and where Stanford went.

- Fiddleford is invited in and the two sit on a couch Not-Ford cleared off in this waste zone of a house and explains that his name is Stanley, and he's the estranged brother of Ford. Who also happens to be his identical twin. Ford had called him up to help him by taking his stupid journal and running, the two got in a fight, and Ford got sucked in. Fiddleford felt cold panic settle in his gut, thoughts scattered and memories of what was on the other side coming back in nauseating waves, lapping at his consciousness.

- At first Stanely succeeds in getting Fiddleford to help him with the portal, and he's extatic while Fiddleford is decidedly not. However much to Fiddlefords surprise, he isn't forced into the basement, or working on that devil machine, or even couped up in the study to work nonstop. Instead, Stanley gives him a notebook and pen, and gives a description or photo of the exact thing he needs help with, explains to the best of his, admittedly limited, knowledge what the problem is, and has Fiddleford help. Then, Stanley thanks him profusely and dissapears by himself down to the depths of the lab, laving Fiddleford with the glow of the TV and a warm drink.

And it confuses him.

Greatly.

Because there were very few times Ford mention having a twin; Fiddleford could count them on one hand. But Ford had been angry most of those times, other than the one or two when crying and drunk, saying that Stanley had been 'ruled by emotion' and was 'brash with no tact'. But where Ford had been accusatory and sharp, Stanley had been understanding and toned down. There had been very few times over the last few days Stanley had raised his voice, and it was more out of frustration or picking at a touchy subject than anything. And more than that was the way he would shrink just a bit and apologize with enough self loathing that Fiddleford could taste it, sticky and bitter in the back of his throat. Stanford ignored everything when in a project. Stanley only seemed to ignore himself. Stanley was nothing like Stanford had been, and Fiddleford found himself craving those differences more and more, craving more time spent with Stanley, more conversation, more memories, just more Stanley. A pleasant but confusing change, especially when Stanley's features where so similar to Fords.

- Fiddleford would blame the fact that he didn't notice Stanley's condition until much later into staying back at Fords place on the way his mind was still shifting itself into something usable again, however once he noticed he would never stop cursing himself for how he didn't before. Stanley had collapsed in the kitchen, and it had taken nearly all of Fiddlefords mental power to drag the information on his injuries out of Stanley so he could treat them. The poor man had been walking around with that nasty burn treated the best Stanley could, but improperly the whole time, and infection had begun to set in like a bastard. That wasn't even beginning to speak of the malnutrition, dehydration and multiple other bruises and cuts, some yellowed, faded, crusted over, some fresh, purpled and bloodied all on too pale skin. Scars told of a life that was harder than Fiddleford had ever originally thought to think of, questions popping in his mind as he treated the increasingly more worrying Stanley.

And in this Time, Fiddleford was alone with his thoughts.

Fiddleford was here. Again. In Fords house, trying to save him from himself. Again. And frankly he was tired. He'd pushed past his family in favor of Fords shiny promises and stayed far past when he should have, gave more of his knowledge, more of his friendship, hell, more of his heart than he'd ever thought possible. And Ford still always wanted, Needed, more. Fiddleford had felt all that rage for himself and his life over and over, but feeling it for someone else was new. Yet here he was.

Here Stanley was.

Because really, what kind of man gets a call from a man he hasn't seen in 10 years, basically a stranger, one who never talks about him, and drops absolutely everything to help them? New Mexico was a 20 hour drive from Gravity Falls, and Stanley had driven that with the absolute last of his money, no sleep, just driving. Only for Ford to completely dismiss him for the survival of his research over the world. Fiddleford had no idea what Stanley supposedly 'did' when they were younger, like Stanford had vaguely mentioned and Stanely kept saying in a heartbreakingly familiar tone dripping with guilt and self hatred, but Fiddleford could tell from a mile away it was bullshit. Stanford had no reason to hate Stanley so badly. Stanley had no reason he should have helped Ford after God knows what he went through, but he did anyways. Ford? Fiddleford would bet the last of his sanity just to say that Ford wouldn't return the favour. He never had before.

- Fiddleford spirals deeper and deeper as he treats a heavily feverish Stanley, his hatred for Ford growing into a tangible thing the more he thought. And oh, how much simpler this would have all been if he'd simply met Stanley first. Rougher around the edges but kinder. Sweeter. God the way he was so gentle with Fiddleford even though he had no reason to be. The way he'd taken the existence of the memory gun in stride and stated he'd be here if Fiddleford needed support with it. It would be so much easier if Stanley just agreed to shut the portal down forever. Then they could just live. Together, of course, Fiddleford didn't think he could live without Stanley's gruff support now that he'd had it, but just. Simply live. Without the threat of the world, or demons, or weirdness over top of them.

Without the threat of Ford.

Oh how tempting it was, Fiddleford thought, in the days were Stanley was becoming more lucid while still soft and warm due to his sickness, to just simply erase Ford from Stanley's mind. But that would leave too much of a gap, and as he regains his mind bit by bit, Fiddleford begins to come to the conclusion that the memory gun needed a bit of work, yes, but as long as it wasn't over used then it's intended purpose would be served. Over using included, however, memories that were too big to simply pluck out completely. Its where he'd went wrong with his own treatment, and like hell he would leave Stanley to deal with the consequences of that.

Then, in the last few days where Stanley was beginning to move about in small increments as he shook away the last clawing hands of illness away, Fiddleford realized it. He didn't need to erase Ford completely from Stanley's mind.

Fiddleford just had to erase Stanley's love for Ford.

- So, he was patient. Fiddleford waited until Stanley was well, until he walked with full strength and his laugh was full again, until he was sure that the grown affection Stanley had for him after his illness allowed him close enough.

Fiddleford even made sure his memory gun was freshly updated and tuned to the most perfect he'd ever gotten it, making sure the shot would be clean and accurate for his Stanley's sake. Only the best for that man from now on, Fiddleford swore it.

Then he waited until he'd made sure Stanley was relaxed. Had gone out for the day and convinced him to go out to Greasys with Fiddleford. Had taken Stanley for a walk through the woods and laughed as his eyes sparked in excitement even as he cussed out a gnome. Had curled up together, warm and safe on the couch, watching movies and drinking a couple beers. Fiddleford even managed to persuade Stanley away from another long night in the portal room, asking him to stay to sleep for Fiddlefords sake, which Stanley relented to nearly immediately. It was all just such a perfect day. It all just confirmed to Fiddleford that he was absolutely doing the right thing. He'd be happier. Stanley would be happier. And Ford could stay having his horrific adventures on the other side, just like he had seemed to want so badly.

In the dead quiet of that night, Fiddleford pulled the memory gun silently from underneath his pillow, and smiled at Stanley, sleeping soundly on his chest, and fired it directly at Stanley's temple. The only sound Stanley made was a soft exhale, one that Fiddleford chose to believe was relief.

- In the following years, Fiddleford never regretted that choice. Stanley woke up and immediately broke down to Fiddleford, initially panicking him at first thinking he'd broken Stanley, them realized the man was talking about desperately not wanting to bring Ford back, asking Fiddleford if he thought he was horrible for saying so. After that it had been Fiddlefords pleasure to inform his sweet Stanley that not only did he not hate him, but shared his thoughts and truthfully didn't want to open that portal ever again. Things had moved quicker with Stanley dismantling the cursed thing than building it, and Fiddleford hadn't ever been happier. Clearing out Fords house of anything not safe to research or just plain garbage had been so satisfying too, convincing Stanley with little effort to replace any symbol of Bill with quite literally anything else. The Society of the Blind Eye had been a surprise, after all Fiddleford had never expected a group of people to find his scrapped plans or suggest he ever start them, but it was sweet, professional conman Stanley who had suggested making something more out of it. Afterall, Fidds had wanted his own company once, why not start with this?

- With that, BLIND EYE CO. was born, originally starting as a cover for the Society to do their work, growing into a more legitimate business with Fiddlefords inventions and Stanley's charisma faster than they'd thought possible. Fiddleford even continued the Gravity Falls anomaly research to better understand what could cause what, and which things were better of forgotten. Stanley, however, wanted nothing to do with the research of the journal to help with these findings, stating that nothing Ford had made he would ever want to touch, which suited Fiddleford just fine, in fact it delighted him. With Fiddleford and Stanley as both the owners and CEOs of the company( and the Society not that the town knew) it was no wonder the town quickly came to love them and know them, this large company that gave back to the community and was started right here in sleepy little Gravity Falls! How novel.

- Fiddlefords son, Tate, (now allowed to visit since Fiddleford was 'mentally stable') had taken the change badly at first, seeing his father turn from fine to broken to better than ever before, but warmed up once Stanley showed his soft side to him. Tate seemed to like Stanley better than he ever had Ford, which made Fiddlefords heart absolutely soar with happiness. Stanley and Fiddleford, while it wasn't legal to be married just yet, didn't have a solid relationship with the law anyhow and happily wore matching rings with pride. The memory gun is still in use and is consistently upgraded, with Fiddleford being the main figurehead to use it while Stanley happily sat next to him and did whatever he needed.

- Meanwhile in the nightmare realm, things are absolutely not going how Bill Cipher thought. Seriously how the hell was he to know the hillbilly would come back and steal Mackerel away from fixing the portal?! Stanley should have been getting that portal open to get Fordsy not forgetting he ever even liked sixer! Once again that stupid Specs, always messing up Bills progress. He does, however, get a new idea on how to screw with Ford while he's trapped here.

- Ford is greeted randomly, via Bill, with mirrors into his home dimension, taunting him with what's happening just to screw with him as he survives.

And screw with him it does.

Ford watches helplessly as his closest friend and former partner cuddles up to his frantically overworked brother finally at rest, and puts the memory gun to his head, and sees pure Red.

Ford is now hopping though dimensions with a purpose; subdue Bill, get home, cure Stanley, and Kill Fiddleford. And he won't stop until he does.

- Enter Mabel and Mason(Dipper) Pines, sent to their Grunkle 'Stanford' and his husband for the summer, when Dipper finds a journal that seems to have a page of a diffrent kind of paper hes never seen sticking out. The note holds an incantation written in the same cursive as the journal, and details preforming a spell on a mirror, labelled simply as EMERGENCY CONTACT NEEDED. Upon doing the incantation, the children are met with a shadow in the mirror telling them he's their trapped uncle, he's trying to get back to someone named 'Stanley' Pines, dont make deals with yellow triangles and above all else:

Do NOT Trust FIDDLEFORD

Do NOT Trust 'STANFORD'

TRUST NO ONE

Welcome to Gravity Falls!~☆

[calmenergy]

saw in the tags you asked for a blaze analysis, so I thought I'd do that!

Blaze, being the sol dimensions counterpart to sonic, is also meant to be an opposite of sonic like knuckles (which is probably why there was a small thing with Knuckles and Blaze in one of the IDW annuals). She's the opposite of Sonic in similar ways to knuckles. Her arc in sonic rush is about breaking her out of her lonely mindset of needing to always be alone and she's very dedicated to her duty in protecting the sol emeralds, for instance. While her and knuckles dedication to their duty of protecting their respective emerald(s) is very similar, one thing I do like is how they've got different reasons for being alone. Knuckles is often alone due to necessity, considering angel island, but Blaze is alone for a completely different reason.

Blaze feels like it's only HER duty to do what needs to be done. She doesn't have to be alone, which she realizes at the end of rush, she's choosing to be alone to her own detriment. Compare that to sonic, who is always willing to make a friend with someone and let them help unless they would end up hurt or smth forces him to do it alone.

Some other ways she's the opposite to sonic include her position in her world. Sonic, for all intents and purposes, is homeless and doesn't rwally hold any position of power in his world outside of "the hero that comes in sometimes to save everyone." Compare that to Blaze, who is a princess of a royal family. She has a lot more responsibility and power than sonic does over the workings of her world, which definitely is part of the reason she felt like she had to be completely alone during sonic rush.

Thing is though she's also very similar to sonic in lots of ways as well, like having special connections with their emeralds, having sassier personalities, even if blaze hides hers most of the time (it does shine through in some moments like her dialogue when preparong to fight eggman in rush for the first time, "It seems you like to play with fire... Allow me to light your fingers then!" and her tossing and catching the sol emeralds every time she gets one), and their willingness to do good no matter what.

Blaze is basically Sonic's mirror, not just his opposite. Similar in so many ways, but also distinctly different. Her and Sonic are like their dimensions, two sides of the same coin. Their designs even reflect this as well! There are lots of little details in their designs that show their similarities AND their differences. Hell, their super forms even are opposing, with super sonic having a yellow body and red eyes, and burning blaze having a redder body (closer to pink, but still) and yellow eyes. This image by Due_Lion_2990 on reddit sums it up pretty well in terms of their designs, plus some other things that parallel eachother.

Thus ended up way longer than I was initially intending it to be, but I couldn't help myself, Blaze is my favorite sonic character and I LOVE talking about characters that parallel each other

edit, only just noticed a buncha other ppl also made stuff abt blaze lmao, whoops

[livingsurreal]

More thoughts and theories about our favorite Necromancer

My darlings, I have too many thoughts and my obsession is running wild. (How I missed you, hyperfocus). If you have read my last meta post about our Emmrich, here it is: First Meta Post

That is not a required read however. I am still wondering why anyone is reading my word vomit U_U

Anyway, I love reading other peoples theories, so please, send me yours. <3 And a lot of thanks and love for all you darlings who make this fandom such a beautiful and nice place. Especially to @jaal-ama-daravv - who makes the most beautiful videos, and writes such wonderful character studies.

Warning, from here on there will be spoilers as well as mentions of sex. If you don't want to read about any of that, do not read the rest.

Also pictures and way too many words. This is a ten page word document, save yourself while you can. I tend to go off on a tangent once I start writing. I am also well aware that not everyone will agree. This is just my personal read on Emmrich.

Now, after my first essay I have some more thoughts on Emmrich and Rook and specifically their intimate relationship.

Emmrich is such an interesting and baffling contradiction. On the one hand he is confident, self-assured, all manners and poise. He is smart, and he knows it. He has special gifts, and he knows it.  He is confident without being proud. He likes to teach others without being arrogant. He still likes to learn about new things and is, as far as I’ve seen, never judgmental about different beliefs and ways of life. (Unless someone treats him with disdain or bully him)

He is a man who is confident speaking of his thoughts and feelings and fears. How he just casually drops his thanatophobia is just astonishing. He is honest and open-minded in the best ways.

And then there is the other side of him. The wet kitten side of him. As open and honest as he is about his emotions, when we get to the meat of it, to the scary bit, the real feely bit, he locks up completely. As long as it is surface level (or he can pretend its surface level), everything is up for discussion. But once we reach deeper and touch *love* he gets so scared and refuses to admit and commit to his feelings. And as much *death* scares him, love scares him more.

So how does that influence his intimate relationship with Rook?

According to the banter with Lace “everyone knows about it”. He was rather surprised by that.

That tells us two things:

They were trying to be sneaky or at least keep their private business private.

They failed, massively.

Add to that Laces comment about them moving rather fast (when, where? I would have loved to have seen that. Comments like that just give me the feeling that we should have had some more cutscenes after the dinner date, to show us those two besotted fools).

But back to them moving rather fast. I would guess that they both did a lot of gazing lovingly at each other, blushing, spacing out while watching their darling, stollen kisses in the hallway when they thought no one was watching, stuff like that. Just being to besotted fools.

But moving fast usually includes sex. Lots of needy, sweaty sex. The inability to keep their hands of each other.

That moves us to the question of the day – did they have sex before their coffin time?

Let’s look at what we know about Emmrich. Emmrich is no virgin. That man has experience. He had past lovers. But what he tells us at that sweet diner date – “nothing serious for years.” We know not much else besides his crush on a boy in his youth and his fling with the Orlesian Art Lady. He is not someone to kiss and tell and that is appreciated. That man has class, and we love him for it.

So - nothing SERIOUS for years. If he hadn’t had ANY relationships in the past years, he would have said so. But what he says is that he did, in fact, have UNSERIOUS relationships in the last few years.

I would read that to be somewhere along the “fwb, lovers, affairs, paramours, companions, a fling, a little romance” line. Something not purely, but mainly physically driven. Someone you like and respect, you can go out and have a good time with, have lots of amazing sex with (b/c he is a living being and has his needs). Spending time with people he liked, was sexually attracted too, but nothing as serious as love. A physical relationship. A little thrill, some fluttering, but never that deep.

Not to say that those situationships would not have been romantic. He is (buried under all that resignation) a deeply romantic man. I am pretty sure he went on nice romantic dates with his previous paramours too. That this is something he just enjoys too much. Treating a companion with some quality time, not just in, but also out of the bedroom.

But after he’d given up on his dreams, he did not have any notion of those flings being more than a “enjoy the moment”. There was never the expectation of deeper feelings, beyond friendship, attraction and/or respect. All those romantic gestures were nothing more than a little bit of “play pretend”. To give himself the illusion of true romance, just for a little time.

Take the fact that you can go a “everything you do is creepy but I still flirt with you and I want you to throw me over that tombstone” and his comment on “the attraction of the forbidden”? This is not a relationship born of mutual respect and deeper feelings but out of purely physical attraction. And he is OK with that.

I want to repeat – Emmrich is very much okay with a casual, sexual affair. He does not require love to have a relationship with someone.

And then think about that Johanna calls Rook specifically his “paramour”. Which is a lover, especially an illicit one. This word was very specifically chosen by Johanna. For various reasons, I would think.

For one, I do believe that it is a dig at his dreams of the eternal flame. It’s a dig at him, that Rook is not his love, but his paramour. A lover for a time. To be parted from soon enough. B/c that silly dream of his, as if it ever would become reality.

Second, I think it is a comment on the way his relationships often went, especially in the past years. Those unserious flings of his. Never to amount to anything substantial.

Did he try to have something serious in the past? Oh yes, for sure. But it never worked out. Then he gave up his dream and just let himself have a good time with people he found to be nice and attractive.

To pick up my point of self-sabotage from my last meta post – I’ve come to a point where I believe Emmrich is a kind of chaser. I know someone like that and it’s so fucking tragic.

Emmrich feels deeply and strongly. When he falls in love with someone it’s a lot of emotion. But at that point it’s all dream, want, wish. As soon as someone returns these feelings - those dreams, wants and wishes become reality. And reality is scary. In this wishful dream about the eternal flame, there is no fear. No fights. No loss. But that is not reality. As soon as it becomes reality, he gets scared. Before, his feelings were no threat, because you can’t lose what you don’t have. Once those feelings are returned, there is a clear possibility of losing, of being lost, of being left behind.

Emmrich is not a chaser because he enjoys the hunt. He is a chaser because being loved by someone is scary. So damn scary. So, he starts to pick fights and is looking for excuses. From being the chaser, he becomes the chased. He is hunted by his fears, and his fight or flight instincts go all flight.

After years of this cycle he gives up. Resigns himself to flings and little romances without even thinking of more. Or so he thinks. Dreams like that don’t die, they just get buried.

And I’d think that there was not many, even of those short term flings, lately. His life revolves around work and Manfred.

Now remember he comments on Rook “showing unexpected interest in a new companion”.

First of all – unexpected.

They are a daring adventurer. He thinks of himself clearly as the more boring one, compared to Rook. He never expected any of those flirts. But he is clearly flattered.

Second – companion.

That was such a weird way of saying “hey do you like me?”. This whole “companion” thing does not scream “I have FEELZ for you/you have FEELZ for me” but rather, “I think you might want to spend some quality time with me”.

The possible answers - dashing good looks, kindness, his way of words.

He feels he is fortunate if Rook thinks him good looking. Hallo, Mr. Professor, sir… Have you looked in the mirror lately? Consider that he is meticulously grooming himself, takes his exercises daily in the morning. That man does not like himself aging. I think it is a reminder of how his pending death is a step closer every day. But it shows, to him, that his efforts of taking care of himself are not in vain. Or maybe it shows him that his age does not matter. Rook finds him attractive despite (or because) of his physical age.

Rooks comment on his very charming way of putting things makes him hope his years behind the lectern have proved useful. Hey *years* behind the lectern. Again, this is a way of saying his age is NOT a problem but a benefit.

If Rook remarks his kindness, he answers “you humble me”. It’s the one answer that does not touch his age/experience/looks. It’s a remark on an innate character trait he possesses. Kindness. His whole demeanor in this option shows he is actually touched. And maybe a bit baffled. He did not expect this, at all. Its like he sees his kindness not as an attractive trait. Which he should. He is nice without TM and its sexy as hell.

The next part is his statement “If your attentions go beyond charming flattery… that would interest me, indeed”. This reads to me not necessarily as “do you have feelings for me” but as “do you just enjoy the flirting, or do you want to do more than flirting?”

And oh boy, does he want to do more than flirting. I want to repeat my earlier statement – this man has given up on love. But some little fling with an exiting young adventure who was constantly, awkwardly flirting with him? Hell, yeah.

(I want to remind you that we were able to have mutually enjoyed flirts with Dorian as fem!Inky. You can flirt with someone and still never want to fuck them. And you are also perfectly able to want more than flirting without having deeper feelings. Like sweet, dump Shepaloo said it so eloquently “Lets bang, okay?”)

Again, I want to pick up a point of my last post, that this is all surface level thoughts. I do believe that their emotional attraction and depth of feelings go deeper, from the start. But how often does it take quite a bit of time to realize one’s own feelings. Especially this wonderful, silly man whose modus operandi is running away.

Now, an interested Rook can answer in an open “lets see where this goes” way. Mirroring his rather open idea of a little romance, a fling, some quality time. Something that does not have to end in an eternal flame, but a simple enjoyment and exploration of the moment.

Rook can also reply with a “I think they do.” – What Rook actually says is “I think they already…”

And conveniently Rooks answer here is cut short by our sweet boy Manfred. They get cut short, no matter what answer you choose, but in this specific case, I am convinced this was very much on purpose. What would the whole sentence have been?

“I think they already go way beyond flattery.” (?!?) Something along those lines. But that goes into danger zone. WAY into danger zone.

If Rook had finished that sentence, at that point in their budding romance? It would have been over before is all started. Too much, too soon. Too much for him, period.

Now we have the hard lock – their sweet romantic moment in the Memorial Gardens. And he is smitten. He fell hook, line, and sinker for his own play pretend. Just a little romance, but that man is falling, fast. (Not that he would admit that to himself).

A beautiful date, all arranged by Emmrich, to spend time with Rook. Because a couple should have a quite moment to get to know each other. I mean there were menu cards with gilded edges, ffs. And, oh yes, they were “lets dig into the feelings”, he said couple. He is falling, falling, falling fast. But it still hasn’t hit him, how deep he has fallen for his darling Rook. Poor Emmrich.

Then a fight, where we really see the wet kitten side of him for the first time. A little wet, feral kitten, hissing at the hand that’s trying to feed it.

Emmrich is lashing out for no good reason (or no good reason for anyone but himself). There is no real confidence there but a desperate act of pretending. An iron (slipping) grip, trying to control himself and the narrative. Shoulders squared, back straight, an arrogant stance, raised chin, turned half-away from Rook, and a condescending way of talking to Rook.

Like I said in my last post – he is working his way up to breaking up with them. And he tells himself it’s like ripping off a bandaid. Be strong and confident and say what you have to say, and they will see the wisdom of that.

It’s only that, they don’t. Because there IS NO wisdom in what he is doing right now. They don’t take his bullshit but throw it back at him. They don’t accept his mock excuses.

Look at him here, how he looks down ON them. I can’t recall any other time he looks down on Rook, despite him being a tall king.

Especially the route where Rook throws it in his face that he DOES in fact love them. Speak what he can’t even think.

“I can’t… At my…”

“I can’t love you. At my age…” Why not? Does he not deserve love, just because he is a bit older? It’s just heartbreaking how he views himself.

And again, he lashes out.

“I am perfectly serious.” So is Rook.

“One of us has to pay attention to these things.” As if Rook is not paying attention. They got to the meat and bones of his problem in just a few seconds.

No matter what route you go here, the gist is the same. He is scared shitless, treats Rook like a child, and goes on how the is the only one thinking the important thoughts.

When Rook in reality way ahead of him. They thought about it and came to the conclusion that being with Emmrich is a really good idea.

Rook knew they were falling for someone older than them. (Even if that age difference is just a decade, with a mid-40s Rook.) They knew it, and still went with it. They are not a child who is too inexperienced and stupid to make decisions about their (love) life.

But now, here, at this moment? Emmrich treats them with disdain. Like a silly little person, who does not think things through. He holds himself above them. Physically and mentally. They are too young, he knows better.

And not once has he done that before. He always treated them as an equal. He follows them into the most dangerous situations ffs. He trusts them with his life in a fight against would-be gods.

All that fear and anger at himself that reaches a new high get redirected at Rook.

The next day they are off to Tearstone Island. That night must have been hell. For both of them. But its going to get much much worse.

In any case, Emmrich seems to have come to some conclusion or realization, because on that island? He apologizes.

They both did react very emotionally, but he came at Rook with superiority and, to a certain degree, dishonesty. All fueled by his fear. So that he is the one to take the first step and apologize to Rook instead of doubling down? An important step. As I said in my last post – he NEEDED to be called out. A sweet and nice counterargument would not have had the impact Rooks raw an honest emotion hat on him.

Emmrich “Rook? Darling? I wanted to say-“

Rook “Yeah, about that argument…”

Emmrich “(Sighs) It’s no time to apologize, is it?”

And here we have the most heartbreaking line, in hindsight. “We’ll talk back home, Emmrich. I promise.”

(Narrator: but they would, in fact, not talk about it back home. Because someone would not go home.)

One fight and weeks of horror later, they find themselves in a private crypt and finally they do more than share a kiss.

Now - to the point I originally wanted to explore with this post – is this in fact their first time? (I am sorry, but my brain is a circle and nothing makes sense)

Let’s look at what evidence we have from the cut-scene.

Rook did not know he is an early riser.

That leaves two possibilities:

They never had sex up until that point.

They did have sex, but never spent the night together.

Now what does that mean?

This depends a lot on your personal Rook and how they feel about sex in general. If Rook wants to wait, or is not ready, he will absolutely accept and respect that.

But for the sake of this analysis lets go with the idea that Rook is not opposed to sex at an earlier date.

They never slept with each other

Why? He clearly was not opposed to casual relationships in the past. What would hold him back now? Especially if you recall Laces comment about them moving fast. Why not jump into the bedroom?

Now my first crack theory is that they get interrupted, like every time. (Rook interrupted The Dread Wolf, and now he cursed them to always be interrupted when they want to have some private time)

But now, in all seriousness, maybe it’s just that part of him DOES realize that this goes beyond a very unserious relationship. That they both have deeper feelings, that spark of something greater, something beautiful.

So, he holds back. He does not give his all. He is charming, he is flirty, he takes Rook on dates. But it’s all very technical. Very performative. Yes, he is a very romantic man, yes he enjoys those moments. But there is always a feeling of control.

Those moments when you see him let go a bit (that kiss beneath the eternal lovers, “I think, sometimes you indulge me”), are so beautiful and you glimpse a bit of the man behind those walls.

He has a tell, you see. (I am telling you about it further down)

But generally, he feels very much in control of himself. And to lie with Rook? To go all the way? Too dangerous. Who knows what happens in that sweet moment after la petit mort? What secrets would his lips spill?

2. They slept together, but did not spent the night together.

They do have sex, but sleep alone in their own beds. Casual sex is fine, but to fall asleep in each other’s arms? Too much. Too real. Sex okay, but sleepy post coitus cuddly? Woah, slow down your horses.

So, they have sex, preferably in Rooks bed. First, does he even have a bed? Second, it’s way easier to leave Rooks bed after the act, than throwing them out afterwards.

Oh, and how many reasons he has. Rook needs their uninterrupted sleep; they are stressed and must have proper rest. He wants to get some reading done before he retires. He needs to look after Manfred.

Oh, he is a bad liar, for sure. He is lying more to himself than to Rook. I would think that (if this is the build up to their fight) Rook realizes that he is giving poor excuses.

And the sex itself? A technical 10/10. He knows his anatomy, after all. But his heart is not really in it. He can’t allow himself to. He holds back, keeps a tight lid on his emotions. They both are well spent afterwards, but like so much else, it’s performative. Technically very well executed, but rarely do you see HIM, the real him, behind all that performance. Whenever something slips through, he reels back and closes up.

And then we are in that crypt. Rook was gone for weeks. The last thing they said that night before were words of anger. Rook called him out on his feelings and from that point on there was no possible way of lying to himself anymore. Those feelings were there. They were real. Rooks feelings were real. And those weeks spent in desperation, trying to  get them back? Those walls came crashing down.

His true face, when all the walls are gone? You see that face when Rook leads him to the coffin. There is no pretense anymore. No performance. Just him, and all his love for Rook. The amount of emotion the animation team packed into those short moments in the cutscene? Mindblowing. Who ever crafted that expression on his face? They are the GOAT. I watch this part of that scene on repeat, and it never gets old.

So, I told you about how he has a tell, yes? Okay, two actually, but we all know surprised pikachu Emmrich. In that last scene it is resolved in the most beautiful way.

He looks down, when something touches him deeply, when he goes into his feels.

A few (way to many) examples:

And the worst wet kitten look? After the fight, when Rook leaves.

Its a look of shame. Of hurt. This man is hurting so badly.

Now here at the end we have that moment when Rook leads him to the coffin. His face turns down, like before. But here he looks up at Rook. He does not turn his eyes away but looks directly at them. Ahhh my heart.

Now, think about the fact that ROOK is leading in that moment?

In those moments where Rook leads or startles him (or is simply annoying enough so that the truth slips out), you see the most emotion from him.

Rooks flirting startles him, and he has a pikachu face reaction every time.

Their first kiss? Rook leans against the monument, and leans up, telling him without words that NOW is the time for a kiss. How can he not go for a second kiss?

That moment when Rook calls Manfred “our son”? He very conveniently ignores the word “OUR” and goes in defense mode over the word “son”. But called out on his feelings for Manfred? How can he deny them? He has tears in his voice when he says how he would not exchange this moment for anything? A real, deep emotion.

In their fight Emmrich is again all technical, all performance, so logical (or what he sells himself as logic). But Rook wrestles that moment from him and takes lead, calls him out on his bullshit.

In the crypt Rook pulls him up into a kiss and then leads him to the coffin, guiding him, taking him with them.

Most of the other times he takes the lead, very much in control. But the most emotions you get from him, are those times Rooks leads, when he lets go of this tight control over himself, or he is startled in to a reaction. For all the age difference that is played up in their relationship, in the important moments Rook is the one who guides. And he follows where they lead.

Those little moans he makes? If they did have sex before, I bet he did not make those sounds then. Where they did have some incredible sex, now they are making love. Open, vulnerable. He gives in.

And then they fall asleep together. Skin to skin, arms and legs intertwined. Their hands caressing, no sound but that of their heartbeats and soft breaths. Pure and utter contentment. In that moment nothing exists but them. Can you imagine that moment he woke up? The amount of emotions he must have felt then? This need to speak those little words? Those huge little words. He does not say them, not yet. But he is almost ready.  

Finally, they stand there, on the battlefield of Elgar’nans madness. And he tells Rook. The last wall falls. Gives the most precious thing he can give to anyone.

“I love you.”

[authorpanda15]

SLIDE

(various mha boys reacting to their s/o doing the *usher slide)

↳ denki kaminari x reader, eijirou kirishima x reader, hanta sero x reader, izuku midoriya x reader, katsuki bakugou x reader

a/n: this came to me while I was folding my laundry. also, holy woah, a multi-character work!!!

DENKI KAMINARI

he’s mad that you did it before he could.

when he saw usher was trending, and his fyp started to fill with videos of friends/couples doing this to each other, he knew— he had to do this.

unfortunately, he forgot about it; he only remembered his plan after you surprised him.

the day he decides to get you back, he miscalculates when to slide and accidentally takes you down.

“BABE, I’M SO SORRY! SPEAK TO ME!!”

EIJIRŌ KIRISHIMA

panics for a millisecond when you head to the floor— thinking you had tripped— but when he sees you hold onto his legs with such passion (his words) and start to sing, he just... stands there.

you look up when you don’t hear a significant answer. to your shock, there’s tears in his eyes! when you frantically asked him what’s wrong, eijirou clenched his fist before saying,

“...that’s such a manly way to greet your boyfriend!”

HANTA SERO

he catches onto your plan the second before your knees hit the ground.

he starts cracking up when he hears you humming the tune of “there goes my baby.”

sero finds it hilarious... if you do this in the privacy of your home. in PUBLIC, HOWEVER—

sero’s boisterous laughter is instead flustered giggling as he tries to pry you off the floor.

“...babe, babe– there’s people staring; get up.”

IZUKU MIDORIYA

beyond confused as he almost topples over.

like kirishima, he thought you tripped for a second and instinctively reached out to grab you.

has never seen/heard of the meme, which leaves you feeling a bit embarrassed.

“usher? the american singer? what does he have to do with...? WAIT, DON’T GO! EXPLAIN IT TO ME—!”

KATSUKI BAKUG��

he nearly kicks you when he feels you grab him by the legs (training instinct).

at first, he thinks you’re trying to pull a wrestling move on him. but, when he hears you humming, he’s just confused.

yells at you as he tries to pry you off his legs.

“WHAT THE HELL ARE YOU DOING?! GET OFF ME!!”

*the “usher slide,” for those who might not know:

[xx-reverie-xx]

can you do vi headcannons in a similar way to the sevika one?

♥️Vi HCs♥️

broken up into categories for general, romantic, and nsfw headcanons respectively.

safe for bisexual women, trans, and enby lesbians :)!

lower case is on purpose. not beta read, sorry for any typos.

men dni minors dni men dni minors dni men dni minors dni

general

her carabiner is on the left. it has the basics and a couple of cute handmade charms courtesy of her sister.

if she wasn’t an enforcer, she would be a professional boxer/pit fighter AFTER fighting becomes less of a coping mechanism for her.

i am not the first person to think of this but … she plays the guitar. she would be self taught.

she can sing pretty well too. used to sing powder lullabies their mom would sing.

LOOOOVESSSS HORROR MOVIES!!! she could probably go on a long rant about the history of horror as a genre, especially slasher films.

dog person. asks to pet almost every dog she sees on a walk.

she apologizes first after almost any argument she’s in.

it takes her 10-15 minutes TOPS to get ready, usually less than that.

smells like old spice and just her natural scent. very plain, but very comforting.

gives the best, most comforting hugs

sends streaks on snap.

romantic

and the world's best kisser award goes to…

seriously, she’s like a kissing god. gives the kind of kisses that have you weak in the knees. you get butterflies at the thought of kissing her.

every day before she leaves for work she kisses you SILLY!! like, you will be thinking about that kiss ALL day.

her giving and receiving love language is physical touch. no questions asked. she is constantly seeking your warmth.

she’s almost always touching you; an arm around your waist or shoulder, pinkies intertwined, hands brushing, holding hands.

if you aren’t keen on physical touch, don’t worry! she would be willing to set boundaries with you.

she isn’t very good at drawing but she loves to draw you in the margins of notebooks. tries her best to remember what your smile looks like and how your eyes are shaped, even for low effort doodles.

she is such a sweetheart. goes out of her way to get you flowers or chocolates, even when it isn’t valentine’s day.

will call you sooo many petnames. her favorites to use would be honey, baby, and sweetheart.

loves spooning. she looooves to be little spoon!! please let her be little spoon at least twice a week!!!

nsfw

She is almost exclusively a top, and she prefers it that way. However, for the right person, she might bottom once in a blue moon.

when it comes to dominance or submission, she mostly follows your lead. she's usually okay with either but will have moments where she prefers one over the other.

when she's feeling more dom, she lets you know immediately.

she has big hands and let’s just say she knows exactly how to use them.

sit on her face. just do it, please sit on her face or else she will die. sit on her face!!!!!

vocal!! in like, every way you can imagine! has the prettiest moans and tells you the sweetest things.

even when shes feeling controlling or dominant, she takes care to be gentle with you.

buuuut if you get her riled up enough she has no issue with a little man handling.

very experimental!!! down to try almost anything once.

hello dear anon! if you’re reading this, i hope you enjoyed. i had a lot more ideas for vi than i thought i would. i’d love to know if we have any common headcanons ^^!♥️🎠

my inbox is open for requests! i’ll write for any arcane character and have lots of other fandoms i write for too. ♥️🎠

[nightguide]

...

suitable knack of the role is presumably now after the events happened, it is all Sarah J. Maas events of popular culture being rewritten in books (call it what you want but women have a type)

so notably speaking

Maestro is song based.

now looking at music theory (i have done in a long time for notably how far my blog goes in what i know (you knew), i take this honour as now Brendon Urie being Chord (a man with no guess) later appearing as Rhysand resurrecting Feyre from the dead (as far as the book goes so does SJM knows by intuition that Feyre gets a dead man arc through her course of life following Hybern in the beginning middle and end)

the doctor who would have made the end and beginning scene open to the role to take on to make sense would have none other have been the eleventh doctor

his character by demurity is portrayed as a cynic growing affairs in mid-timeline with the impossible astronaut (where River's death does not make sense is how she could have been caught anyway was her innocence of it all (the end times); so 11th makes a counter-intuitive act in facing Chord if knowing how it was going to end, so Chord makes Feyre up as he goes along for his hand (Song River) to meet the end of his storybook (avoiding Toymaker's gum drop)

Amy Pond makes avail to the events after knowing a cruel end with the weeping angels earlier on (she would have made a comeback by the beginning telling her younger self it's okay to live on which would have made Virtuoso feel good about her appearance as herself in real time (never meant to become the villain)

Clara would have been found with Rogue (visible scene only to the viewer to catch evidence of the German party Winston Churchill did not do is how Linna Riaz is blamed for what never happened to what actually happened if she never met a Nazi in real life (who she knew a Susan was to her was her intuitive motion making sense with her role in the army linking it to her narrative displayed as one of the most terrifying women of all time (notable by Matt Smith himself accorded to the viewer to believe in her) so what happens next if you caught a thought of 11th telling the story of Linna in real time is real to you by wonder of who she truly is and attained to if not anything (viewer's hope)

[sunfairiess]

𝐦𝐲 𝐡𝐞𝐚𝐫𝐭 𝐬𝐮𝐫𝐫𝐞𝐧𝐝𝐞𝐫𝐞𝐝 || 𝐣𝐣 𝐦𝐚𝐲𝐛𝐚𝐧𝐤

pairing: jj maybank x fem!routledge!reader

tropes: 3rd person narration | sarah cameron’s pov | childhood best friends to lovers | brother’s best friend | best friend’s sister | fluff | soft boy jj

synopsis: sarah cameron meets her boyfriend’s sister for the first time, and understands what being soulmates means.

warnings: cursing, slightly mention of violence

wc: 2.9k

it’s my first time writing a character x reader (and actually writing a ff in years lmao) so i really hope this turned out well! also, i apologize for any typos or grammar errors but english is not my first language <3

song rec: about you - the 1975 ♡

“c’mon guys, time to go back. it’s starting to freeze out here.” pope said, placing his fishing rod by his side before getting up and walking towards the helm of the boat, kiara following him to keep him some company. he was right: the temperature had started to drop, and honestly he didn’t even know why the pogues decided to go fishing at the end of november.

they were all there, except for the pogue princess as they liked to call her. she was john b’s younger sister, just by one year; and even though she was definitely a pogue down to her core, she actually almost looked like a kook: she was always composed, never drank too much, never even touched a cigarette or a joint, and she worked her ass off every afternoon at the country club to help john b with the bills and to afford a few of the things she liked.

she was smart, kind, the type of girl to lighten up a room with the sound of her laughter. she was also one of the reasons why the ‘no pogue-on-pogue macking‘ rule was made: everyone kind of had a thing for her, and jj maybank was the first in line.

“i seriously regret coming, i think i’m going into hypothermia.” jj said, shuddering a little bit. yes, it was cold, but it wasn’t that cold. jj just liked to be dramatic.

“gosh, you’re such a pussy.” john b laughed, smacking his best friend behind the head. they’ve know each other for more than ten years now. they weren’t friends anymore, they were brothers. they loved and cared for each other very deeply, even if they were acting like jerks most of the time.

as pope started the engine of the hms pogue, ready to go back to the château, john b took his sweatshirt off to pass it to sarah, his new girlfriend. she was a kook, but she was different. she didn’t care about how dissimilar their lives were, she loved spending time with the pogues because they were real. they were amazing friends, they were funny and smart, and the kind of people you could have a serious conversation with. they weren’t superficial like the kooks, and she loved them for this.

she felt a little tap on her leg, catching with her vision her boyfriend’s sweater. she gave john b a smile and slid the blue piece of clothing on. “so, i’m meeting your sister for the first time today, uh. big step.” sarah joked, slightly pushing his arm.

since the first moment they started dating, john b had always talked about how he wanted her to meet his sister. she was the most important person in his life, especially after his dad went missing at sea during a storm. he actually wanted sarah to meet her right away, but she asked him to wait a couple of months, just to see if they were solid about this relationship. “yup, and trust me you’re gonna love her. she’s like a little ball of sunshine, she wouldn’t even hurt a fly.” he said, smiling at the thought how of sweet his sister was with everyone.

“he’s right. i don’t think i’ve even ever seen her mad.” jj stated, shifting his seat from john b’s right to sarah’s left.

“she seems really nice, but i’m not worried about me liking her, because, by what you guys always say about her, i already do. i’m just worried she won’t like me, you know because of the whole pogue-kook thing.”

everyone bursted out laughing at sarah’s words, her face more confused than ever. “what? what did I say?” kiara left pope at the helm of the boat, and went to sit in front of her, crossing her legs together. “you don’t need to worry about that, she doesn’t give a shit about the rivalry. trust me, she looks like she walked out of a cruise brochure. the only thing she wants is to see her brother with someone who makes him happy, which you do, so she’s totally gonna be fine with it.” sarah smiled at her words, feeling a bit more relieved now.

even though pope wasn’t seating next to them, he could still perfectly hear their conversation and see sarah’s tensed body. that’s why he decided to lighten up a bit the discussion. “you know, one time she made jj dress up as a reindeer.” he said getting out a chuckle at the memory of jj dressed as one of santa claus’s reindeers.

kiara followed him with a loud laughter “oh my god it’s true, i almost forgot it.”

sarah gave them an amazed look. she was enjoying this too much to not say anything. “okay, this is actually the funniest thing i’ve ever heard. did you had a red nose like little rudolph, too?” she said with a smirk, turning her head towards jj’s.

“oh shut up, all of you. i only did it because she asked. besides, she looked so happy when i changed into that costume. i would honestly do it again.” jj let out an involontary smile at the thought of y/n. it was like this all the time: wether he wanted it or not, the only thought of y/n made him feel like he was the happiest man on earth, even if he wasn’t. she just had that effect on him.

“god, it’s sickening how whipped you are for my sister.” john b said, mimicking a gag reflex.

jj rolled his eyes at his words. sarah switching her gaze between the two boys sitting one to her left, and the other to her right. she then stopped to look at jj. “wait- you like y/n?”

“like? hell, he loves that girl. he’s been in love with her since he was six. the random hook ups he has? that’s all for show. he only does it to not draw suspicion, since the only girl he’d like to fuck— and sorry john b— is y/n.” pope said, fully exposing his friend’s feelings.

not that jj cared anyway. everyone knew how he felt about her, he didn’t even try to deny it anymore.

“and you’re completely fine with it?“ sarah asked john b, knowing how protective he was when it came to his sister.

“i wasn’t always. first time he told me he loved her? i punched him. not my finest moment but i was kinda mad.” john b replied, slightly chuckling, reminiscing his right fist hitting jj’s jawbone. “i mean, the day before he tells me he sees her as a little sister and then that he wants to sleep with her? hell nah, i wasn’t having that.”

“and what changed your mind?”

“because it’s jj. i know my best friend, and i know how much he cares for her. i knew he was never going to hurt her, i’m actually pretty sure he would die for her.”

sarah nodded along. the look on jj’s face confirming that what john b had just said was a hundred percent true. in that moment a thought crossed her mind, making her think about how what jj and y/n must’ve been something truly special.

“bubba, we’re home.” john b shouted, as he opened the château’s door. the house was silent, except for a light melody coming from the bathroom and the sound of the shower running. “shower! be right there!” sarah heard y/n shout back, as every one of the pogues sat on the couch: her ending up between her boyfriend and kiara, next to who was seated pope; and a bit far away from them jj. she figured he left the space empty for y/n.

about ten minutes later, while the pogues were having a conversation about an upcoming party at the boneyard, a sixteen year old girl came out of the bathroom, wearing a pink sweater and long white sweatpants. white socks at her feet and long wet hair cascading down her back. she walked up to them, bending slightly to place a kiss on her brother’s cheek, and proceeding to do the same with all the others.

she then retraced her steps and stopped in front of sarah. “so you’re the reason why my brother stopped being a cranky old lady.” she smiled, offering her her right hand. “i’m y/n, it’s so nice to finally meet you.”

“sarah. it’s a pleasure to meet you too, john b’s always talking about you.” sarah replied, shaking her hand. y/n let out a small laugh, as she walked towards the end of the couch were jj was seated.

she plopped down next to him, tucking her legs under her bottom and leaning into him. he wrapped his arm around her, pulling her closer and gently leaving a kiss to the side of her head. “he’s always talking about you too. i swear the other night he woke me up around 3am just to tell me how amazing your date was. which, don’t get me wrong, i was very happy to hear about.”

“you literally throw a pillow in my face.” john b said.

“duh, because you woke me at 3 fucking a.m. i love you bird, but for gods sakes let a girl sleep.” she replied, making everyone laugh at her comment.

the conversation resumed pretty quickly, this time through with jj paying way less attention to it, more focused on the girl next to him.

the entire evening, between laughters and bottles of beers, sarah observed how jj and y/n were always caught up in their whole world. jj’s hands being constantly on her body, wether it was a arm around her shoulders or his hand on her leg. they were glued to each other, sometimes even whispering between them words only they could catch.

for the second time that day, sarah thought about how jj and y/n’s bond was special, going beyond simple friendship.

it was almost two a.m. when kie and pope left, both returning to their respective houses to avoid their parents storming out on them. sarah instead was going to spend the night there, so since jj and john b were on the front porch smoking a joint, obviously a jj’s idea, she and y/n were the only two people moving around the living room, cleaning up the mess of empty beer bottles and pizza boxes.

the whole night she noticed how jj and y/n acted around each other, so since they were now alone, she just felt like she had to ask. “so what’s the deal between you and jj?”

“there’s no deal, we’re friends.” y/n said calmly.

“bullshit, i noticed the way you look at him and how he looks at you. that’s the look of love, sweetie.” sarah decided not to mention how jj actually felt about her. it wasn’t her place to say tell the truth.

“nah, jj would never go for someone like me. he only sees me as a little sister, besides i’m not even his type.” she replied, giving her a kind smile, even though she felt like a lump was stuck right down her throat. y/n always knew she wasn’t the kind of girl jj would want, the were total polar opposites, and truthfully she never even considered herself that much beautiful to have a chance with him.

“since when jj has a type? doesn’t he hits on every breathing human being?” sarah knew this probably wasn’t the right thing to say, but sometimes people needed a little push to blurt out their feelings. to her surprise though, y/n laughed, most likely because she knew how their friend had a habit of flirting with almost every girl he met. it didn’t matter if they were pogues or tourons, or hell even kooks sometimes. a pretty girl is a pretty girl, doesn’t matter where she comes from.

“kinda, but he always hooks up with victoria-secreys-models type of girls, if you get what i mean. and apart from that, we want different things. he doesn’t do relationships and i don’t do random hook ups. not to mention how the possibility of me and jj being together would probably give an aneurysm to my brother.”

“eh, i wouldn’t be so sure about that, ya know. either way though, you like him, don’t you?“ sarah said, remembering the conversation she and the other guys had on the boat.

busted. y/n stayed silent, sailing her lips in a thin, straight line. she then closed her eyes and took a deep breath, getting ready to spill everything out. she figured it was time to tell the truth anyway, since sarah clearly figured everything out.

“i met jj when i was four, we were in kindergarten and some older boys were picking on me. i was smaller and basically on the edge of tears, until i saw this blonde boy running towards me and putting himself between us. even if he was younger than them he still took my defense. after that he walked me home and told me he was a friend of john b’s. since that day, i don’t think i’ve ever liked someone that wasn’t him.“

she took a small pause, just to catch her breath. but she was so caught up in narrating the whole story, that she didn’t notice john b and jj leaning against the doorframe.

jj’s eyes almost bursting out of his face at her words, not expecting to hear her confession. john b, very aware of how his best friend was going to lose his shit any minute now, he places his finger against his mouth, mimicking him to shut up.

“as we grew older the roles kinda reversed and i started to look out for him: when he would come here bruised because of his father i would hug him and clean him up; even if younger than him i helped him study, you know just avoiding he would fail some subjects. at night, dad used to let him sleep next to me or john b because he didn’t want to be alone, thing that of course dad prohibited when i turned twelve. that didn’t stop him though: he would sneak out as soon as john b would fall asleep and come under the covers with me.”

she let out a laugh. “would sir. freud love this? probably yes, but it doesn’t matter. he deserves someone that cares for him, everyone does. and it’s not pity or mercy, i genuinely want to be there for him, because he deserves the best. yet, because of his father he’s convinced he’s worthless, but he’s not. gosh, he’s so funny and smart, which i know sounds weird but he is. he would die for his friends and cares so much for us. and i’m sure he could make it out of obx if only he wanted to. and he’s always so supportive and gen-“

she could’ve kept going on, but she suddenly noticed the two boys staring right up at her. jj’s eyes were watery, like he was going to cry any second now. he didn’t cry much, only when really fucked up things happened in his life, but for the first time he felt like crying not because he was sad and tired but because he was happy. because finally he could’ve had something great going on in his life. he could’ve had her.

without saying anything he launched himself into y/n’s arms, letting her stumble back due to the rushed impact between their bodies. he hold her tight, his arms around her waist and hers around his neck. his face placed in the space between her shoulder and her neck, breathing in the smell of the coconut soap she always used. he didn’t care about sarah and john b still being in the room, he wouldn’t even care if a freaking zebra walked in the house. she was the only thing that mattered. she was his whole universe.

“you shouldn’t eavesdrop, maybank.” she said with a smirk, putting a bit of distance between their bodies so she could look at him in the face, but still managing to play with the of hair at the nape of his neck.

“did you actually mean it? like for real?”

“every word, jay. you know me, i would never lie to you.”

jj maybank was impulsive. half of the time he never thought before acting, which pretty much resulted in him dealing with the aftermath of his stupid decisions. that’s why he didn’t think twice in grabbing y/n’s face with his hands, pressing his lips against hers.

at first he felt her stiffening, probably surprised by his gesture, and for a moment he really thought he had just screwed everything up. but then her hands went to his shirt, yanking him even closer if possible, and he sensed her relaxing, her lips moving against his.

after what seemed like hours, he pulled back, only because they both needed air. if it was up to him, he would’ve spent hours kissing her without getting a break.

“i’ve been loving you for a long time, princess.” she smiled, her cheeks almost hurting because of all the happiness she was feeling.

“well, you’re very lucky then, because i’ve been loving you for a long time too.”

“i can’t watch this, i think i’m gonna throw up.”

sarah nudged her elbow into her boyfriend stomach, giving him a look that said ‘shut the fuck up or i’m killing you’. john b raised his hands in the air, admitting defeat.

and, as they watched jj starting to kiss y/n again, sarah thought of how her own relationship was truly amazing. but in her opinion? what y/n and jj had was the true definition of soulmates.

[dorabellingham]

Kissing in the rain

warning: none

characters: jude x reader

summary: when in the middle of the night he shows up at your house to confess his feelings

may contain spelling and translation errors!

That rainy night, the typical English rain was punishing the city with intensity. You were at home, trying to drown your thoughts in some reading, but Jude's name persisted in every line. He dominated your mind in a way you couldn't understand, and the thought that he might not see you in the same way made you anxious. Trying to push these emotions away, you went up to your room and lay down, listening to the rain beating against the window, imagining that the sound of it might be your only companion on that lonely night.

Meanwhile, on the other side of the city, Jude was anxiously waiting in the passenger seat of a taxi, ignoring the heavy rain that obscured his view. The conversation with Bukayo had touched him deeply. Knowing that you liked him the same way he liked you made his heart beat faster, and he couldn't wait to tell you and finally show you how he felt. He stared at the wet sidewalks, deciding that nothing — not even the storm — would stop him from seeing you.

Finally, Jude’s taxi pulled up in front of your grandparents’ house. The house lights were still on, indicating that someone was awake. He took a deep breath, feeling his heart racing, and headed for the door, quickly getting wet by the heavy rain, but not caring about it. Before he even knocked, he saw your silhouette through the glass of the door. You seemed surprised to see him, and for a moment, you hesitated to open it. But then, as if something prompted you, you turned the handle and unlocked the door.

—Jude, what are you doing here? With all this rain…

You began, surprised and confused, your voice low and almost hesitant. Your hair slightly messed up by the wind and your look between relief and anxiety revealed that perhaps you were happier to see him than you wanted to admit.

He barely waited for you to finish your sentence. Without a single word, he took a step towards you, grabbed you by the waist and leaned forward. Before you could question or protest, you felt his lips on yours, in a kiss that carried all the pent-up emotions of the last few months. The initial shock soon dissolved, and you kissed him back, wrapping your arms around his neck, as if you had finally found what you were waiting for.

The rain continued to fall around you, the drops hitting Jude's back and dampening the entrance to the house, but neither of you seemed to care. It was as if the whole world had disappeared, leaving only the two of you, finally sharing that moment that you both wanted so much, but were afraid to admit.

When you finally pulled away, Bellingham smiled, still breathless, and looked at you with an amused glint in his eyes.

—Sorry to show up like this... I just... I couldn't wait any longer.

He confessed, running a hand through his own wet hair, trying to process what had just happened.

You smiled, still a little surprised and breathless, but with your eyes shining.

—I... I thought you only saw me as a friend.

You said, your voice almost a whisper, as if you were still trying to understand everything.

—Just a friend? —He repeated, shaking his head. —Y/n, you are everything to me. I just… I was just stupid enough not to realize that you felt the same.

You smiled, trying to contain the happiness that overflowed in your every expression.

—So, you came here in the rain, just to tell me that?

Jude shrugged, with a playful smile.

—Yes, but it was much better than I imagined. Did you finally believe me, sweetheart?

You nodded, and before you could say anything else, he pulled you in for another kiss, this time slower, full of tenderness. You felt warm and safe in his arms, as if all your fears and insecurities had disappeared.

There, under the English rain, you and Jude gave in to that moment that seemed to have been expected for so long. It was the beginning of something that, deep down, you both already knew would be much more than just a friendship.

[phntxm]

Love Languages hcs n/sfw

} real world, the nsfw part is VERY short y-y characters; mr. gap & mr. scarletella

My beloved aka Mr. Gap

he’s annoying and cute (canon)

likes to surprise you but acts nonchalant about it

no worries about danger in an alley—he always keeps an eye on you, and no one would dare touch you (he scares them away first)

the dev said it’d be funny to make players say something like, "what do you mean you’re kind when you’ve caused so many game overs?" when he helps you and calls himself good/kind.

yeah, he’s silly like that (luv him)

his love languages are gift-giving, quality time, and physical touch

gift-giving: as much as he loves receiving things from you, he loves giving things to you too

quality time: he can appear anywhere, anytime. sometimes, he’ll only spend a short time with you before leaving to prank someone, but at the end of the day, he’ll always come back to you—often in surprising ways (like appearing under your bed or blanket)

physical touch: the moment he reached his arms out to hug the mc, I was screaming—he’s so cute! I thought he’d be the type to dislike being touched, but he reached out first, so yeah

Mr. Scarletella

most of the main characters are born as ghosts, and since they’re born from people’s beliefs (similar to Rise of the Guardians), if people don’t believe in them, they can’t be seen

at first, I headcanoned him as asexual since he’s more of a phenomenon than a person, but this is a romantic horror game, so...

he learns about love by watching human lovers, but he’s still bad at it, and his love is twisted, so his actions aren’t exactly normal

in Japan, it’s common for guys to be shy and for girls to confess their feelings first

the scene where he says "me like you" follows a moment where we give him a gift and he says, "you like me" this can be interpreted as us confessing love to him first

the word "together" (一緒に), if I’m not wrong, can imply romantic feelings. Saying you’re going to do something together can lead someone to think you have feelings for them

physical touch: he imitates what he thinks humans consider romantic���holding hands, staying close to each other, etc.

words of affirmation: honestly, the only thing you’d probably need to say to him is to tell him to stfu already

acts of service & gift-giving: he lures someone with his illusions to lead them to his territory, just so you can hunt them down. he also helps you cover the evidence if needed and offers human prey as a gift for you

quality time: bros been spending his time stalking you since the very beginning

nsfw;

Mr. Gap

dacryphilia

if you being stressed and cry, he'd be worries, but on the bed is other thingggg broo

TEASES A LOT

like both verbally and physically with your body

orgasm denial, he enjoys keeping you on edge

likes to appear at the edge of your bed at night, crawling from your toes up to your body

appear under your blanket to fingering u

bro MIGHT just be really good at fingering

Mr. Scarletella

somnophilia

I think mr. crawling would be into this too but the different is, mr.crawling he lets you know and ensures you both consent, on other hand, mr. scarletella just does it cuz he wants

role play master-servant but he's the servant

into spanking and bl00d play too but he's M not S

[wolfraven80]

I also really want a fandom culture where the relationship between artist and reader is reciprocal, where it feels like a community, and where I get to talk about my fanfic with people.

This! I have definitely written stuff for tiny obscure fandoms just because I had a fit of inspiration and wanted to write it. Lack of comments will absolutely not stop me from writing. But when I'm deciding what I want to keep putting energy on, whether I should invest in writing a long, complicated idea that will require a lot of time, thought, and effort, I do think about how active the community is. I want to be in places where there are other fans to interact with, because I think the great pleasure of fandom is sharing that thing we all love together and getting hear other people's ideas and stories about the characters we love.

There's a genre of post that I see pretty frequently, which can overall be summed up as, "Modern fandom has a culture problem where fanfic authors are treated as content producers instead of community members and their fanfic is treated as a commodity to be consumed instead of a high-effort labor of love that deserves attention and compliments given directly to the author". I agree with 3/4ths of that. I find the part I disagree with very interesting, the same way I find a lot of writeblr interesting, because it's a perspective that I had to work very hard to actually understand.

Because the posts have such a warped view of what writing is and why we post our writing! They say that fanfic fights against the commodified internet we live in, but all they're doing is changing the currency of payment in this attention economy. Another way you can summarize about 70% of these posts is, "My payment for writing and posting my fanfiction is compliments, and if you do not give me those compliments you are not paying. If you give those compliments behind my back, or talk about them privately without giving them to me as well, then you are stealing from me." I don't want to put it like that, but a lot of these posts use words like 'deprive', as if the reader who enjoys the fic without commenting is withholding something from them that they deserve. They use the word engagement, and they do talk about how part of that engagement is just the joy of talking about AUs and ships with other people, but when people say that comments are their motivation to keep writing, what they mean is that validation is their motivation to keep writing. Which is compliments.

I understand that, because I understand that fanfic writers are not immune to the attention economy. But I don't understand how almost every one of these posts talk about how this lack of attention makes them stop writing - that this act of theft is killing their desire to write. I could understand this if they meant 'desire to POST fic' (I don't post fic I think zero people would read.), but they talk about how lack of payment stops them from writing at all.

IMHO, that is what creates a commodity from fic. People want to treat fic as art, but an artist makes art for themself. Art is made because we want to hold parts of skills and ourselves in our hands. If you won't make art if you get no payment, then you have devalued the art completely.

We think of AO3 as this unique site that's born entirely from passion and is filled with fics written for love of the game. But guilt-tripping posts that shame people for not commenting on a fic they enjoy, and that describe how there's no point in writing fic if it's not getting attention, are directly contributing towards the culture of treating fic like a commodity.

I also really want a fandom culture where the relationship between artist and reader is reciprocal, where it feels like a community, and where I get to talk about my fanfic with people. My favorite part of posting fanfic is rambling about it on my blog, because I can talk about my art all day and I love it when people stop and listen. But I love that because I love my own art. If you love your own art, then it'll always have value.

Also Google your username, just trust me, that's how you find The Secret Discussions. Someone made a TikTok fansong of me once. WHAT?

[bumblingbabooshka]

When the only person who might understand what happened- understand. Not sympathize or empathize or comfort you but understand what happened, isn't there anymore. Or: 'A Man Made Me Do Something I Didn't Want To', for when you can't talk about it or look it in the eye [Patreon | Commissions]

[eelclaw]

the protagonists of the broken code. who's rootspring

i am tbc's number 1 hater! negative thoughts below

shadowsight: other characters sometimes acknowledge that he was manipulated by ashfur, but the narrative puts all of the blame for the ashfur situation on him, neglecting that (a) he did exactly what he was supposed to do as a healer (obey and take messages from a starclan cat), and (b) the codebreaker hysteria was far more a product of clan culture than the actions of a single apprentice. he isn't treated like the victim that he is, and it is frustrating and not cathartic.

bristlefrost: what the hell does she even do. what does her spy arc accomplish or contribute (like mother, like daughter). she finds out that bramblestar isn't bramblestar far too early. she's so perfect and she has no flaws and she's so empty. i want her to be worse. how much more interesting would she be if she was sneaky and selfish? if she was loyal to the imposter because she truly believed in what he was saying? not to mention how she reciprocates rootspring's feelings with literally zero warning, and ceases to have what little character she'd had to begin with. i genuinely don't care that she dies, they did nothing to make her an engaging character. miss bristlefrost, i'm sorry they did you so bad.

rootspring: first rootpaw thinks he's weird because of his father. i hate this because i hate tree. later, rootpaw thinks he's weird because he can see ghosts. so they give him this "i just want to be normal" deal, and the clans suddenly pretend that ghosts are silly and not real. sure, rootspring and tree are the first clan cats with this specific power. and i get that the clans have very rigid beliefs, and they are afraid of anything that contradicts those beliefs, and that's interesting! but ghosts have been appearing to clan cats all the way back to tpb. fireheart tries to kill clawface at one point and he senses spottedleaf's spirit beside him, there to avenge her death. so rootspring's issue is stupid and he's nothingburger to me.

bramblestar: the arc really depends on me giving a shit about what happens to him. which i don't.

i think bramblestar is unintentionally a bad person and a great character. he proves himself by rejecting tigerstar, but he's still deeply insecure. he makes mistake after mistake (conspiring with tigerstar; hesitating to save firestar from the fox trap; forsaking his children after finding out they're not biologically his; using his power over squirrelflight as a warrior, deputy, and leader to control her), and for none of these mistakes is he held accountable (no thunderclan cat except leafpool learns that he plotted with tigerstar; he is allowed to remain deputy; his children think he was the best father ever; in every situation, squirrelflight seems to bear the consequences of his actions).

in other words, bramblestar gets chance after chance to redeem himself, and he keeps fucking it up. again, that's interesting! there is a story here about how difficult childhoods affect adults, and how powerful men are not held responsible for hurting people. except that's not how he's written. he's written as a completely good person, a brave and noble leader, and all of the clans respect him and they need to get him back.

there's a crazy amount of bramblestar worship in this arc. even rootspring, a brand new skyclan apprentice, thinks about how important bramblestar, the thunderclan leader, is, and how all the clans wouldn't be the same without him. i can't take it seriously.

graystripe: graystripe also got a crazy amount of worship. i couldn't stand reading every few paragraphs about how great he is.

side note: shadowsight, bristlefrost, and rootspring all want the same thing. they advocate against killing bramblestar's body. wouldn't it be more interesting if the protagonists had different perspectives and opinions? if they wanted different things? for example, it makes sense that shadowsight wouldn't want bramblestar dead. he feels like the only way to make up for his mistake is to recover bramblestar alive. but bristlefrost could be in favor of killing bramblestar, because the only way to make up for her mistake (supporting the imposter) is to get rid of him. putting our protagonists at odds would generate some interesting conflict.

conclusion: i also have problems with ashfur (why does ashfur try to stir up trouble with codebreaking which will certainly get him caught when he could just take over bramblestar's body and live quietly with squirrelflight), tigerheartstar, mothwing, starclan, the dark forest insta-death water, firestar possessing rootspring, the pacing (oh my god! they were debating whether to kill bramblestar for like three books! and for three more books they were running in circles in the dark forest!), etc. but i've already written a lot and i'm out of steam lol.

let me finish by saying these are kids books, and i'm not expecting them to be the cream of the crop, but there are a lot of writing choices which are incredibly misogynistic and/or completely baffling from a narrative standpoint. i still have a soft spot for this series though. dammit. okay bye