#that’s why he speaks so much

[watchyourbuck]

Buck’s been waiting for a man to shut him up with a kiss for seven seasons btw <3

[narwhalsarefalling]

my (cis) brother is using my old license to buy wine and it has the gender marker F on there. so whenever he gets asked he just says “oh i’m trans”. its literally worked every single time.

[lotus-pear]

ok gayboy

[blackhillverse]

rio vidal, you ARE the father.

[shima-draws]

I'm rewatching GF since the whole world seems to be into it right now (thank you Alex and the Book of Bill) and AGHHH I FORGOR about the body swap episode when the twins find the secret room and Stan picks up Ford's glasses and later we see him sitting on the couch looking at them wistfully...

Shut up shut UP that's NOT okay

[luna-loveboop]

I find it funny that Wild, who has basically a couple years ish of full life experience, comes up with the most insane theories for everything

He assumed that the only other explanation to Four being able to split in Four was. That he was quadruplets who'd been hiding this whole time???

Also apparently he believed that his wolf companion Twilight in botw was a diety (and felt very uhh shocked upon finding out that he was not)

Malon made things worse, telling him about her aliens theory

What's even FUNNIER is that every time Wild expresses any sort of confusion at magic stuff that he's never seen before, everyone else in the chain acts like it's crazy for him to be weirded out by it

Honestly maybe Wild's the only one with his head on straight, rather than everyone else who are just like 'it's magic bro' like no he's right this is weird

I appreciate this because it's very considerate of the fact that he woke up with no memories not too long ago, so he doesn't have much experience to explain the stuff that's 'normal' for the chain. Plus the explanations he comes up with are funny.

:)

.

Art and comic and adorable character by Jojo @linkeduniverse au :D

[formulanni]

Franco Colapinto as the Page of Swords:

The page of swords represents someone embarking on a new idea and a mental adventure. Full of enthusiasm and good cheer, this person is eager to share and discuss their thoughts and plans for what can be.

The Page of Swords is someone who never seems to run out of ideas. They are curious, always asking questions, and gifted with a sharp tongue and quick wit to match. Their aptitude for language also makes them an incredible communicator, and with their love of ideas, you may find them always engaged in some passionate debate.

Tag list: @st-leclerc @rubywingsracing @saviour-of-lord @three-days-time @the-wall-is-my-goal @albonoooo @ch3rubd0lls @brawngp2009

[egophiliac]

new chapter 7 installment dropped how we feelin????

YOU DON'T UNDERSTAND

THAT'S HIS DAD

[stealingyourbones]

Out of all of the people The Ghost King Phantom expected to relate to, it definitely wasn’t the scrawny red headed photographer of the Daily Planet. Jimmy Olsen has gotten so many temporary superpowers over his time being Superman’s friend. Hell, he once gained a 4th dimensional being’s reality warping abilities when he was given said dimensional being’s powers during a fight. Sure there’s a dozen or so heroes with the same amount of powers he has, but none as suddenly granted to them as a all powerful god that can relate to a teenager.

[cora-vizsla]

Paz: “Look this shiny guy is a piece of shit. And his kid is weird. And don’t even get me started on this princess bitch. But this guy.. he’s MY piece of shit. And this kid is one of us even tho idk how his weird ass ears are gonna go in a helmet. And this princess.. man i just gave up on my kid and she was like nah bruh let’s climb this mountain.. So let’s fucking go kill some pirates. This is the way.”

[thepandalion]

not seeing enough posts about how jax literally was correct about how caine isn't gonna do anything even if they misbehave during the adventure

like he very much said nothings gonna happen and he was RIGHT because they all got the same score despite pomni flirting with gummygoo instead of taking the gloink queen's order, ragatha being high, and jax clocking off early and putting ragatha in the frier and saying he hates customers and... everything else he did. meanwhile zooble did their job so well and ALSO got a b+ like everyone else

tldr jax was right that they cant face consequences and the fact hes so confident in that probably makes the fact that hes an asshole make significantly more sense bc he has no reason to stop and also he's right that nothing they do in the circus matters. work hard? b+. get high and stop working to sit on the floor and make everyone elses lives harder? also b+

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

[damconcha]

One of my favorite things about the ASL Brothers is the fact that Ace was the one brought out the sake and proposed becoming brothers.

Not Luffy or Sabo but Ace.

Ace, who believes he is unlovable, Ace who believes that his blood is dirty, Ace who believes that he didn’t deserve to be born, Ace who thinks that his life is worthless, Ace who believes that his mere existence is a crime.

And yet Ace saw these two boys and approached them without apprehension or fear of rejection even though he was proposing something as irrevocable, something as bonding as brotherhood

[astralzeraphias]

“he was mentally ill. this monster was a- was a sick fantasy. a product of his dementia.”

“…i saw it too. does that make me disturbed? demented? does… that make me sick too?”

[lucaanis]

『😈』 — "WE HAD. A DEAL. HE'LL LISTEN. TO YOU. TELL HIM! MAKE HIM!"

[qiu-yan]

MDZS and asshole victims: thoughts on the second siege of the burial mounds scene

this post is not about morality judgments. this post is about reader sympathies only.

one rather clever rhetorical trick MDZS employs is putting all the more background "surviving victims of wei wuxian's actions" into one big angry mob at the second siege of the burial mounds, instead of letting them crop up anywhere else in the story. it's easy for a first-time reader to write off the guy who lost a leg at nightless city, or the guy whose parents died at nightless city, because both of those guys are being dicks. they're part of an angry mob baying for wei wuxian's blood--unfairly baying for wei wuxian's blood, because this time he didn't even do the thing they're saying he did. by putting these two victims into a mob of not just fellow victims but also unaffected individuals (ie. sect leader yao, who just showed up for kicks), the story can effectively equate these victims' grievances (ie. "you killed my parents") with unreasonable mob rule--even if these two things might not actually be equivalent.

the effect of this rhetorical trick, then, is that the reader can at once perceive the themes about mob mentality MXTX wishes to convey, and also effectively write off the victims' complaints. "yes, i did that to you, but i literally died already, what more do you want me to do? shall i walk on my knees repenting?" becomes easier for the reader to accept. and more importantly--wei wuxian's likability as a moral and just protagonist is not impacted.

ngl tho. it would be a bit more difficult for the reader to write off these victims' complaints if, instead of meeting said victims in an angry mob, the reader instead met these victims almost anywhere else. imagine if, instead of meeting mr. "you killed my parents" at the second siege of the burial mounds, we instead met him getting smashed at the local bar and crying about how his parents are dead. imagine if, instead of meeting mr. "you chopped off my leg" as a member of an angry mob, we instead met him begging for alms on the side of the road because his disability rendered him unable to work in a wuxia-esque setting. or imagine--if either of these background characters, overcome with survivor's guilt and trauma from nightless city, hung himself in his bedroom, and the next day his body was discovered by his 15-year-old daughter.

all of these scenarios are entirely plausible. you could easily include any of them into the story without changing the main plot at all. but suddenly shit just got a lot more depressing.

however, no such scene would ever be included in MDZS. the reason is that, as a work of fiction, MDZS's single most ardent goal is for us the readers to conclude not just that "we like wei wuxian as a character," but also that "wei wuxian is ultimately a morally righteous person." when the narrative focus shifts onto the people who were actually helped by wei wuxian's actions (mianmian and her family, lan sizhui, the few months of dignity the wen remnants were afforded) this becomes much easier for us to conclude; wei wuxian does indeed look like a hero. but the more narrative focus is given to the negative impacts of wei wuxian's actions--the more the "victims of wei wuxian" (whether actual victims or not) are given a face, instead of abstracted away by broad summaries--the more the reader might side-eye wei wuxian instead. every new victim given a name, given narrative attention that isn't just focused on making them look like an asshole, arouses the reader's sympathies in the opposite direction--and thus increases the risk that the reader might ultimately disagree with the novel's conclusion of "wei wuxian is a righteous person."

tbh, this does not seem like a risk MXTX particularly wants to take. instead, she's mastered the art of writing Asshole Victims.

which is an entirely valid writing decision, because imo basically every work of genre fiction out there does this to some extent.