#that teacher at least

[gunthermunch]

Max, sculpts a person:

Teacher: hell nah that looks like shit barely a face do it again bitch

Rochelle, stares at a block:

Teacher: oh ma goodness yes queeeeen you served you ate and you left no crumbs

Ok she sleeping with the teacher got it

i think she would rather commit than sleep with the teacher

[stingrayextraordinaire]

Another year, another group of my delightful ninth graders trying to spell the word "tragedy" for their Romeo and Juliet assignment.

Last year's collection

[draconym]

One of my favorite memories from when I taught art at the community center was when I noticed the youngest kid in my summer camp class (a third grader) sharpening a colored pencil with scissors, and I said quietly, "Hey. Buddy. Are you making a shank? You can't be doing that here."

And all the other kids immediately jumped to his defense to say "No, Miss Short Lady! He isn't. He's not making a shank. It's not a shank. That's a shiv."

[laughterspren-abound]

10 year old me: poor percy, school is so hard :(

23 y/o me, with an education degree: somebody get this kid an IEP. who hired this school’s staff

[waitineedaname]

now that i've finished tgcf i can make memes about all three books! i was tempted to put binghe at the absolute center because he could easily go into any quadrant at different points in his life, and both lwj and hua cheng could swing jock, but i think the most important thing is that wei wuxian is all four at once. somehow.

[hansoeii]

Hullo! I’ve been watching a bunch of your Timelapses and I was wondering how do you always come up with the colours for your pieces? They’re always so cohesive and pleasing to look at (I almost exclusively work in greyscale so if I’m using colour it’s always a lucky guess and it never looks quite right)

Hey there!

I have to be honest that most of the time I don't actually know what I'm doing and that I have no idea how most of my pieces are gonna turn out. My work process is usually based on "Fuck around and find out", haha. I'm happy to know that it apparently doesn't come across that way, though.

A lot of it comes very naturally to me simply because I've been drawing non-stop for so long, but I can give you some small tips that really help me:

1. Have as many references as possible!

Here's what my reference sheet looked like for the Jayvik piece:

It helped me a lot to understand the overall color scheme I wanted to convey. Lots of very cold tones, pinks and very light blues and greens. These colours sorround Jayce and Viktor throughout all of season 2 and I wanted to keep them, especially since in my piece they are lying in the glowing hexcore.

Don't shy away from using references, get as many as you possibly can! Look at other poeple's art too and try to understand how they work with colours.

2. Work with complementary colours!

Since I paint a lot of romantic illustrations I want them to look pleasing and comforting, which I can accomplish by using complementary colours! You see this a lot with couples that are blue and red coded, for example. And I wanted to do the same thing in the Jayvik piece! For that I used the highlights in their hair!

Viktor's highlights are a soft pink hue.

While Jayce's are a soft blue hue.

The colour wheel works perfect for figuring out if two colors compliment each other because they are literally right across from one another!

3. It doesn't have to be true to life.

Pretty self-explanatory, but I thought I'd add it in here anyways. It's important to understand how colour and light works, but you don't always have to follow the rules. Does the rim light look cool but it makes zero sense? Who cares! Keep the cool rim light! Just have fun and fuck around.

4. A little trick to make your life easier!

I'm not excatly the best at colour theory, I still struggle with it quite a bit, but here's a little trick I like to use from time to time:

If you want all your colours to look coherent, take one specific color as your flat colour. Choose a hue that you would like your piece to have. Like this:

Now you choose whatever colours your characters have and paint them in. For example, here are the skin colours I chose for Jayce and Viktor:

Looks off, right? These colours don't fit the overall piece at all. So what do we do?

Turn down the opacity! It's that easy, wahoo!

I went from 100 Opacity to 72 for this specific illustration. And look at that!

It's so much nicer already! Now you know what colours to use as your actual flats! Just repeat this with every other part of your illustration and you'll have a great starting point. :)

I really hope this was helpful! I'm not an actual teacher and I don't have a proper illustration degree, so some things might not be completely accurate, but I thought I'd try my hand at this anyways!

[certainlyathrill]

is this anything beatle people?

[queruloustea]

exploring the abandoned archives

[akq96618]

them......

[motorghost]

I have to rant about this part of A Study in Scarlet because... it seems to me that Holmes didn't just discover the hemoglobin test at the moment Stamford and Watson walked in. It seems more like he seized the first opportunity to tell ANYONE. Like he simply couldn't contain his joy and desperately needed to share it with an audience. He actually BOWS after giving Watson a demonstration.

Also... "I found it!" are the first words Watson hears from Holmes. He may as well mean "it" to be Watson. He's found IT: his audience, his best friend, his soul mate. His path in life.

This first interaction sets the pattern for their entire relationship: Holmes performing for the best and most high-value audience one could hope for while Watson gets front row tickets to the greatest show on earth. Five stars.

[nostradamvs]

I feel like soo many people don't understand the aesthetic potential Severus Snape has. Like this man it's described looking like a giant bat, wearing all black and long flowy capes, and moving like a spider. Speaks in a low, soft voice but it's very sarcastic and quite cruel. He spends most of his time in a dungeon in front of a cauldron, has mind-reading like powers and a fascination for the Dark Arts.

He's literally an old fashioned Disney villain, the Addams Family distant wizard cousin, a goth mad scientist straight up from a Burton movie.

[starscream-is-my-wife]

Continuation of my other post here, the autobots have come close to figuring out that Optimus is the sire but Optimus is way too moral to spark up an subordinate so they don’t look into it more

Skywarp stole the evidence, Ratchet doesn’t notice cause he and Optimus are too busy with the baby for any fun private parties

[razzafrazzle]

human marzi!! almost got the whole main cast designed now :o]

[image description: a page of drawings for a human design of marzipan from homestar runner, where she is depicted as a chubby woman with two prosthetic legs that is wearing a long corduroy purple skirt, a matching cardigan, and sandals. next to a fullbody drawing of her is a drawing of her original design, a drawing of her in a long purple dress, and a drawing of her in her sultry buttons costume, where she has black hair and sunglasses. end id]

[aloonaram]

This artwork (link below) is giving me sooo many ideas for jayvik x hp crossovers, especially post s2 …. I used to be SUCH A FIEND for harry potter crossover fics (still a fiend for crossover fics in gen) and it would be so cool if like after jayvik get zapped away by the stone they come out the other side in the hp universe and then have to learn how to navigate this world where magic exists?? But in a different form from the arcane and its revered in a way?? and an entire secret society and school exists just to teach kids magic?? And in this school theres no tech, no engineering?? Plus not to mention all the political bs as well omg

And how would they get involved with the school in first place…maybe they pop right into the school? I wish i remembered more from the books bc i feel like theres totally an event i could use but I just can’t remember much outside from like the first two books 😭

If anyone wants to brainstorm with me feel free bc like i said i loooooveee crossovers and now that im finally on break (and i have adderall now) I think i might actually start some fics

Art is here btw

[lotus-pear]

i think you guys are onto smth..

i unironically got invested in this HELP

[seiwas]

sellllllll it's meeeeee. hehehehehehehehehhehe

so for ur writing exercises.... deku + light? please? pretty please?

:3c

heheh heheh hehe niku. this will be the death of me. me writing izuku for the first time 🥲 i will only do this for you </3

contains: established relationship, spoilers for the end of the manga, aged up deku but sometime in between the final outcome (he doesn't get the h*** s*** from bakugo yet), mentions of sex and scars

deku + light

izuku only sleeps with the lights off.

it isn't uncommon; many people you know can't sleep with even just a sliver of light turned on somewhere in the room. but the difference with izuku, you learn, is not that he's unable to stand the light―it's that he refuses to.

you quickly pick up on it the first few times he sleeps over.

he fidgets in bed, pretty badly, actually. the nightlight you sleep with glows a warm yellow, illuminating the side of your face and coating him in its afterglow. you chalk it up to nerves, how he pulls at his sleeves and adjusts his position constantly; he is, after all, one of the most anxious people you know.

and this relationship―it's new. heck, even you feel a little jittery with his arm wrapped around you.

the rhythmic tapping on your hip only increases pace. you don't think he realizes it, so your hand gently reaches for his, intertwining your fingers as you turn around in his arms.

he's close, nearly touching you nose-to-nose; the proximity leaves you fuzzy, a little ticklish, so you giggle, a soft "oops," as the freckles dusting his face almost glisten under the warm light.

"hi," you whisper, meeting his eyes; they stare back at you wide in surprise, "can't sleep?"

he looks almost guilty at your question, as if you’ve caught him with the one thing he's been trying to keep from you.

"just—" his voice comes out louder than intended, prompting him to chuckle nervously as he readjusts his volume, "just winding down, sorry."

you inch closer, nuzzling his nose lightly, "it's okay."

"did i wake you?" he asks, cheeks flushing pink as his eyebrows furrow in immediate concern. his expression is something caught between stifling a grin and feeling sorry.

you shake your head against the pillow you share, strands of your hair tangling with his. "just winding down," you tease, watching as his gaze turns softer, eyelids drooping heavier.

sometimes, you think, izuku holds the world in his eyes―a deep, dark green, the color of life. most times, they look at you with wonderment, bright and alive; photos from inko tell you they're the eyes of his inner child.

on nights like this one, however, they hide a depth in them weighted by what you can only assume is time, and all that has happened to him in such a short span of it.

you try your best to understand what lies beneath them, knowing full well he'll never tell you outright what truly bothers him.

"is it the light?" you bring up, some time after laying in silence.

"hm?" he clarifies.

"do you have a hard time sleeping with the nightlight?"

his eyes widen briefly once more, as if shocked that you've caught him again. these split second reactions are ones you've learned to be attentive to when it comes to izuku.

"no," he tries to lie, but you know better as you turn to your nightstand and reach for its switch, "you don't–"

"it was hurting my eyes," you quickly make up an excuse, tucking yourself closer under his chin as you cut off his attempt to deny it again.

finding out that the light was the problem was the easy part—

you'd begun to notice much earlier on that izuku was barely rested on the nights he'd spend at your place. it was only when your old nightlight broke that you began to notice him waking up much later than you did, groggily rousing from a deep sleep.

—what was hard, was figuring out why.

at first, you suspected it was his scars.

"s-sorry, it's not—" he'd warned you, right as your hands gripped the hem of his shirt the first time you were about to have sex, "—it's not nice."

you didn't care though; you still don't care, and you've made that abundantly clear to him since. you love izuku and all his parts―all the nicks and jaggedy pieces of skin that make up who he is.

when you eventually ask him about it, with a request that he be honest with you for once, he tells you that it is and it isn't―the reason why he exclusively sleeps with the lights off, that is.

it's an odd, comforting relationship he has with his body—that he is simultaneously grateful and sorry for how its become a canvas, both painted and marred to symbolize japan’s historic last stand.

you find out the real reason when you catch him staring at his hands.

he does it often, when he thinks you aren't looking—his fists bunched up in the same way he used to watch the power of one for all course through his fingertips; the same way he used to prepare them in battle.

there’s a faraway look in his eyes that lingers, you notice—a little wistful if anything.

“do you miss it?” you finally ask. he gives you the same shocked look he does every time, as if he’s been caught with a secret he’s been trying to hide.

he’s learned a fair bit about you now, too, though—lying to you is futile when you’ve perfected reading his truth. he stares at his fists again as you take a seat beside him, moving to give you space. you rest your head on his shoulder gently, waiting.

“sometimes,” he admits, but you know it’s an understatement.

“i think about the vestiges a lot. i miss them the most, i think,” he continues, clenching his fists tightly, “i always try to reach out to them, but i guess it doesn’t work that way.”

“i… i try to replicate the right conditions every night, but…” then he lets go, stretching his fingers out wide. the scars on the surface ripple through his skin, telling its own story.

you hum, acknowledging what he means. silence sits with the two of you as you take his hand in yours, slowly unfurling his fingers until his palm reveals itself to you. it’s rough to the touch, seasoned with hard work and all that he’s been through.

“is that why you prefer the dark?” you ask softly, after some time.

it's not often that you stay up later than izuku does. when you do though, you catch him shifting in bed, moving from side-to-side. you pretend you aren't awake, but you hear him mumble their names, dwindling in volume as he dozes off to sleep.

he stares at his palm for a moment before he admits quietly, "yeah." his brows furrow as if contemplating whether to say more, but he shakes his head, dark green strands swaying to the beat of his embarrassed chuckle, "nevermind, it's silly."

"it's not."

you intertwine your fingers, sandwiching his hand between yours. a slight sheen glosses over his eyes as he tilts his head up to look at you. he draws in a breath, before it spills over.

"it's..." he finds the words, and you squeeze his hand in comfort, "it's easier to believe it was all real when the lights are out, and that maybe it can happen again."