#that really works for dazai

[zukkaoru]

been thinking abt dazai using mirror pronouns recently. they don't really see themself as nonbinary or trans, but they also don't exactly feel cis, and making the identity of the people around them dictate how they're referred to is a way for them to remedy that. it's fun for them. and dazai isn't the one who has to worry about which pronouns to use to refer to herself anyway; that's everyone else's problem. and there's something about the reflective aspect of it, too. dazai doesn't feel particularly human, but maybe if everyone around her is reflecting themselves onto her, she can at least pretend. she can at least be seen as something human-like. dazai sees themself as a reflection of humanity itself; not the real thing, but a rather convincing imitation. they look the part, even if they don't feel it. even if they don't believe they'll ever feel human. if everyone around her reflects their own humanity onto her, she feels a little less like a fake. she feels like she's taking some of their humanity for herself, cloaking herself in snippets of everyone else, but only stealing the bits and pieces she knows they won't miss. dazai becomes human by reflecting those around them, by taking in their love and their kindness and their passion and their humanity and imitating it until it becomes part of who she is. until she can be human too. am i making any sense. do you understand. does this mean anything

[damianito]

Before i decided on the triples i toyed with the idea of skk have one daughter. This are old-ish doodles of it

|COMMISSIONS OPEN!!|

[venelona]

coping with 119

[hesbianyaoi]

thank goodness for bsd wan and the existence of teacher dazai. where would i be without you

based on a real-life conversation that happened with me and my students when i was a kindergarten teacher. very small children are some of the most ruthless and funny people i've ever met. it's an absolutely lawless land in the classroom (they were very sweet though!)

[thornedarrow]

tried out @lotus-pear's dtiys! i've never done one before but it's a neat composition and was fun to do. congrats on 5k!

[dailynakaharachuuya]

Skktober day 23: Clingy

[caelanglang]

Happy Lunar New Year!

here's a lil comic of my skk little prince au i made a while back to greet you all :)) I hope your new year wishes come to fruition and that your year would be a blessed one <3

Anyways,,, new year shrine visit!

[scr4py4rd]

workplace antics or something

[xvxblahhhxvx]

I think Dazai's backstory is really cool in how, despite having more information about it than most other characters, majority of his life is just one giant noodle incident.

Yep, that's the line I'm going with as an introduction to this analysis. Just bear with me.

To start off, for those who don't know, the term "noodle incident" originates from the (amazing) comic Calvin and Hobbes. In it, the whole idea is that Calvin did this unspecified thing in school that involved noodles, but it's never confirmed what exactly happened. It's only referenced in passing, and it is clear that it was not good. Applied to general fiction, the term Noodle Incident refers to an event that is often referenced, but never clearly explained, and what is important is the characters' reactions and feelings towards it. The principle idea behind it is that imagining what said incident could be is way more significant and impactful than anything it would actually be if it was said. It's not the event that's important, but the effects and responses to it are. *for more info, I recommend Overly Sarcastic Productions trope talk video about it*

Now, how this plays into Dazai's life is that, while it is extremely evident that he likely has a horrible, tragic backstory, we never really get to see much of it. The earliest we are introduced to him, he is already suicidal, and he has lost most in hope in existence. These feelings are tempered a bit when he first joins the Port Mafia, but they come back all too quickly. And while you could argue that him being in the Mafia is a large contributor to his depression,the main reasons why he seeks escape clearly transpired before he ever met Mori.

Dazai was already trying to commit suicide at fourteen, which is how he met Mori. Something happened earlier in his life, but we don't know what. Asagiri himself says that he left Dazai's core, the reason he wants to die, vague on purpose. We aren't given many details, and honestly, we aren't given much backstory to it either. The two biggest hints that we get is when he is speaking to Odasaku. First in The Day I Picked Up Dazai, and the second from Dazai and the Dark Era.

We have no idea who or what Dazai is referring to. From all that we have seen, all the backstories and light novels we are given, the only people that we know of whom Dazai actually lost were Ango and Odasaku-for Ango, it was that special friendship, and Odasaku, it was his life. And even so, it isn't much of an explanation, because he was obviously suicidal before he met them, as evident from how he speaks to Odasaku, and losing them wasn't a catalyst for Dazai's depression. (As a matter of fact, it was actually the first step towards improvement, but that's a different analysis).

Yet for how much we don't know about Dazai's life, I think it's done in such a way that it doesn't really matter. It's a noodle incident, in that sense. Because it's not about the events that actually transpired, it's about how that affects Dazai and the way we see him. Don't get me wrong, I would love a full, confirmed backstory, but Asagiri doesn't seem to intend to write it, and that makes Dazai's character so beautiful. It's also one of the reasons why the dark era, especially the light novel, is so tragic. Because yes, you can argue that as far as tragic backstories go, losing two friends isn't near the most awful, especially not in this universe (I'm not trying to play the "which character has more trauma" game, but compared to, for example, growing up in an abusive orphanage, it's relatively not as inherently tragic. That doesn't make it any less horrible though). But the point of the backstory isn't just to explain the reasoning why things ended up the way they did, why Dazai left the Mafia, boo hoo his friend died, but Odasaku and Ango represent everything in Dazai's life, everyone from his past we never got to meet and I'm not sure if we're ever going to. They symbolize all the things in his life that mattered to him, everything he never wanted to lose but did. The last scene in the bar, where the three of them meet up for the last time, Ango leaves, the picture with the three of them laughing and smiling, the whole thing is meant to serve as a microcosm for Dazai's life as a whole. That he feels he's always going to lose everything, and that's why he wants to die. We don't get details, we don't know the specific events, but we're left with the emotions that gives us an important glimpse into this character's mind, more than his life, and that's what makes him such an interesting character that's left open to interpretation and analysis. We aren't privy to the tragedy, but the aftereffects of it. And, almost as if to prove the point, Odasaku dies the next day. Right after Dazai says he always loses everyone, further cementing the idea that there's almost a curse surrounding him, a void of loneliness that may never be fulfilled, which is as much as Odasaku tells him when he dies.

Whatever happened in Dazai's life before fourteen was probably something horrible and tragic. Maybe he had a family. Maybe he had other good friends. Perhaps he even believed in the goodness of life and humanity. But what's really cool about the way he's written is that the exact events are not important nor necessary to understanding his character. His life is one big noodle incident, yet because of that, we're able to glean an almost deeper understanding about him, by leaving the details in the dark and exposing only the raw, humane emotions left behind. The most important part about any backstory in fiction isn't about what actually happened, it's about how does this affect the character now? What lasting impact did it leave on them, and how is it evident in the way they interact with the story in the present? This is something that Asagiri nails on the head when it comes to his backstories. And I think the lack of clear information about Dazai's backstory, yet all the information we do end up getting about him, is one of the reasons why Dazai is such an interesting and intriguing character in the series.

Thank you all for you time. You may now return to your procrastination.

[sableeira]

please humor my self-indulgent artwork for the historical AU I mentioned like half a year ago and finally started writing. Detective Dazai and swordsman-for-hire Chuuya teaming up to solve crime cases during the Meiji period ✨

close-up because after a decade on this website I still haven’t figured out how to get images to look sharp

[dreamlydrawsshit]

Boba Date

@monsterswithinme ( ╯'Д`)╯ take it. take your thingy.

lol. this was actually really fun to work on-- thank you for the request!! I think it turned out pretty well :3

[ethereallroses]

no longer human (人間失格)

[sskk-manifesto]

I'm fully convinced that here Dazai was laughing himself off because of Akutagawa's dramatic way with words 😭😭😭

[ukumiii]

so this was my first attempt of ADA!Chuuya

[advluv4life]

I don't want to brag but I've gone from 10 words to 416 and after the past year of a drought I want to express that I am proud of myself. I will get these last two chapters out. I will do it.

[monarchamos]

i bet dazai actually knows russian but he never told fyodor bc he thought his struggling attempts at speaking japanese were hilarious but eventually the jig is up when he accidentally reads aloud a note nikolai wrote in russian and he's just like "YOU TOLD ME YOU ONLY KNEW JAPANESE" to which dazai just stares at fyodor, glances at nikolai, and starts speaking ukranian instead