#that one’s much more intimidating

[sourcedecay]

Successfully went to the gym without dying of anxiety 👍

[captainhysunstuff]

22 more images (with some saucy shenanigans and immature "seduction" tactics towards the end) below the cut:

Ryuk makes his grand return and is brought up to speed with Light and L's immoral union. The date seems pretty successful~.

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[ohitslen]

Guess who had a little too much fun with the pathetic reincarnation AU idea :))

To summarize! WW gets reincarnated in a very distant future where humanity is more settled down in the planet. He remembers everything and decides to keep living his life as normally as he is able to. That is until he meets his neighbor when he moved to a new apartment.

(More below the cut)⬇️

He was an absolute weirdo of a guy who looked just like Vash in so many ways yet was so different in many others at the same time.

He pretends that his system isn’t going haywire every time he is around the man, the one that resembles someone he cared for so deeply in a life that wasn’t his but remembers all too well. He decides to pretend he doesn’t know Vash because he really doesn’t, not this one at least.

Meanwhile, Vash is going through a very trippy existential crisis for seeing Wolfwood again after what felt like dozens of centuries. This could clearly not be him however because, well, he knows why. So he pretends not to know him because wouldn’t that be weird if he acted like he did?

They avoid each other like the plague, the beautiful and horrible emotions that swarmed on their insides too much to bear just by the presence of the other. They could slip at any moment so it was better to evade the neighbor.

The thing here is, that life has never gone how they want it since ever.

[front-facing-pokemon]

[anghraine]

It's kind of fascinating to me that towards the end of P&P, Elizabeth has become protective of Darcy and either a) actively tries to insulate him from Situations or b) wishes that she could and gets stressed that she can't.

Darcy deeply loves her and is very ready to do whatever he can to secure her happiness, but narratively, I think the emphasis at the end is very much more on Elizabeth's protectiveness towards him.

It's like:

When Bingley and Darcy first come back to Hertfordshire, Darcy is very quiet and Elizabeth can barely bring herself to say anything—until Mrs Bennet insults Darcy. Then Elizabeth speaks up.

Mrs Bennet enlists Elizabeth to separate Darcy from Bingley with another insult to Darcy. Elizabeth finds this both convenient and enraging.

That day, Elizabeth decides to privately tell Mrs Bennet about her engagement to Darcy, specifically so that Darcy will be spared Mrs Bennet's first unfiltered response.

Elizabeth fiercely defends Darcy's character and love for her, as well as hers for him, to Mr Bennet. She not only says she loves Darcy but that it upsets her to hear Mr Bennet's criticisms of him.

Elizabeth is both relieved by Mrs Bennet's ecstatic reception of the engagement and a bit disappointed by how completely shallow she's being about it, and 100% sure she made the right call in keeping Darcy away.

Elizabeth defends Darcy against Darcy himself, repeatedly.

There's a period where Elizabeth seems to unwind and laugh, but this passes, especially after Charlotte and Mr Collins show up. Darcy manages to stay calm around Mr Collins (I think this is framed as a significant and admirable achievement for him), but Elizabeth does not like him being in a situation where he has to deal with Mr Collins in the first place.

Elizabeth tries to shield Darcy from being noticed by Mrs Phillips and Mrs Bennet, who do seem to make him pretty excruciatingly uncomfortable.

Ultimately, Elizabeth ends up trying to keep Darcy to herself or to shepherd him around to relatives he can handle more easily, and is so stressed at this point that she just wants to get married and escape to Pemberley.

After their marriage, things are actually great at Pemberley and in their married life, despite the occasional complication.

Lydia writes a congratulatory letter to Elizabeth, asking for Darcy to get Wickham a promotion unless Elizabeth would rather not bring it up with him. Elizabeth really does not want Darcy to have to deal with this and handles it by privately setting aside a Lydia fund out of her personal expenses. (IIRC, it's not clear if Darcy even knows about this.)

Elizabeth also is the driving force behind Darcy's reconciliation with Lady Catherine.

This could read as an unsettling, unbalanced dynamic and a very odd ending point for the arc of a woman like Elizabeth, but in the context of the overall novel, it doesn't feel that way. Or maybe I'd see it more that way if I interpreted Darcy (and for that matter, Elizabeth) + their arcs differently? But as it is, I do think that by this point in the story they are genuinely doing the best they can, independently and for each other, and they've both come a long way. They shine in different contexts and support each other as much as they can in the circumstances that do arise.

It seems very them, in terms of their temperament and abilities, that Elizabeth would put all this effort into shielding Darcy, while at the same time, Darcy completely cuts off Lady Catherine for insulting Elizabeth and only ever speaks to her again because Elizabeth wants him to.

[taimanzano]

First time in months that I just doodle fanart for the fun of it and it’s because I’m obsessed??? with A Ballad of Scarlet and Wine and in the new chapter the wonderful author did some awesome art for Gato and Lobo’s designs and I fell in love!!!!!!! If it’s your thing you have to read it! 

So... I had to doodle them!

Also I’ve been playing Bloodborne daily and my hunter has the Cainhurst Knights attire and... I love side capes. In all cultures, I love side capes. Love them. 

[ixkhor-and-ambroxia]

Hey #GreekMythology tumblr, I want ya’lls help on something :).

So, I’ve been thinking about starting this massive project. Like, would take years and years work of writing and research and sheerly finding the time and motivation for. And as I was thinking about the specifics, I thought: why not bring others into it as well? Because as much as I am interested in a lot of Greek Mythology, there are things that are simply not my interests and might cause writers block and my goal for the project would to be as fun as possible. So, here we are.

What is the project exactly? Well, hopefully, it’ll be a long Ao3 series/fic focusing on the individual perspectives of various figures/events in Greek Mythology arranged in (semi/good enough) chronological order. I personally intend to write for Poseidon in his/my version of the Titanomachy and (maybe) some events that follow, if you want a little bit of an idea on what I’m talking about.

The limits on this are almost completely free, all that I ask are that each of your submissions are one POV only (and by that I mean your main subject’s POV). Why do I say this? I say this because that is what I want this project to look like. It doesn’t matter if it’s First, Second, or Third POV along with all the other variants of those three, my main focus is on the individual experiences of these individuals. Kind of like character studies, if you know what I mean. I’m intending for it to be mostly formal but I will absolutely accept crack admissions that I will probably put into its own series to Separate the Vibes for whoever comes by :).

Ultimately, this is a completely open-ended project that has absolutely no deadline. I’m about to go to bed so I can’t go into too much detail, but if you want to DM me or send any asks, I am completely okay with that and we’ll all flesh out the specifics we go :).

What is my overall purpose? Not only is this project made for my own individual purposes of learning more about the gods and other Greek Mythology writers, but it’s also the chance to spread the word of other writers. I know how hard it is to get specific audiences, especially when you’re shy, so this is a chance for your work to be stumbled upon. Each post on the eventual Ao3 fic will include your socials, how to find you, and your other general works on either ao3, tumblr, wattpad, or other :)

Can you participate even without socials or a tumblr page? Yes you absolutely can :). My asks will always be open to anons and I will do my best to give credit when I eventually post everything :). If you want to post multiple submissions or simply just want a trackable (between works) name to your writing, just sign something at the end. It could be a name, it could be a potential username, I don’t mind at all :)).

How do I submit things? Well, the best way would be to DM me :). I have a personal writing email separate from most things that would be perfect to either share a google docs with or to just send a copy-and-pasted copy of it. Otherwise, I take asks. None of them will be posted unless asked or we’re ready to so it’ll be safe to just drop them off in! It’s also where I take questions :).

Any other things to note? I’d really appreciate some other moderators and editors :). There’d only be like two or three of each and we’d have to know each other decently well before officially starting, but some help would be appreciated! Also, I’d like to keep a working ‘spreadsheet’ of who’s working on what just for people to see what’s going on :). Maybe some people can collaborate or it’ll encourage those niche writers to write :). A third thing is that most questionable stuff is accepted. I’d personally rather not handle all those things other than posting it so it might be a while until I can officially accept (consensual and/or graphic) ✨spicy stuff✨ but, other than that, I’ll take any of it (also, it’s Greek Mythology, almost all of it already happened). If someone’s willing to take over the ✨spicy stuff✨ then please DM me so we can work out the details and see if it’s a nice fit :)

Honestly, that all should be it. The main point is that I’m trying to start up a long-term project on Tumblr and Ao3 about what is essentially Greek Mythology character studies that not only allows for mass communication across a wide audience, but also (hopefully) gets some recognition for the smaller writers :). Feel free to DM me or send me asks with questions but for now, I shall sleep

Tagging: @bluebellstudio @thirteen-deaths-later @0lympian-c0uncil @happyk44 @h0bg0blin-meat @sworeontheriverstyx @deathlessathanasia @gotstabbedbyapen. Sorry if I tagged you and you want nothing to do with it, I just wanted to get it out there /pos /gen

[yusuke-of-valla]

The thing about mean rivals is that like there's kinda a reason we stop having them the second the plots started getting world-ending in scope and that's because you do not have time to deal with some whiny asshole who you've beaten over and over again's shit when a space chinchilla is about to suffocate everyone in the region

Like if they're a dick to you the entire way through they quickly become all bark and no bite because narratively they're going to keep losing to you, and again progressively destroying the ego of a small child is second to whatever this year's eldritch abomination is (and if they went so far as to help the eldritch abomination it raises questions about why they're friendly enough to battle you in the post game).

So like. It's simpler if they're just nice? And have arcs where the fact that they keep losing to you is the point? Your rival isn't the final boss anymore you don't have to build up to finally being able to defeat them for good (except not really) (I guess Hau in USUM arguably but LBR the final boss is Ultra Necrozma)

Like I guess I get annoyed when people don't acknowledge there's a point to how the rivals have been handled since gen 3. You don't have to like it per se but there's a reason the rivals are like this and it's not just the devs don't want to upset little kids.

The fact that the adults care about your safety on the other hand...

[aalghul]

comics are difficult to get into and the inconsistencies can be annoying/confusing and there is a lot of material to get through if you want to read major characters. but: it’s never so serious that you should let this stuff overwhelm you. just pick stuff up and try to figure out what’s going on. if you have a hard time going through a character’s reading order chronologically, just pick an event and read the issues for that specific story (trade paperbacks will make your life easier here). it’s literally not a commitment, tou can jump around however you like. reading comics isn’t homework, it should be fun

[quirinah]

i! ro! ha! (six years edition)

[hewmitcwaft]

HEY! HEY!!!!!!!!!!!!! TELL ME ABOUT PIXANDRIA!! DO U HAVE ANY BRAIN THOUGHTS ABOUT THE ANTHILL?!

OH BOY DO I !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[reineydraws]

shanks reminds me of jmw turner's paintings so i wanted to put them together 💥

sketch for the painting under the cut!

[bigskydreaming]

The thing that kills me about the Star Wars prequel trilogy and why I will die on my hill that my problem is not that Star Wars is a tragedy, its that its a badly written tragedy, is that Anakin Skywalker was at his closest to being a good Jedi when he was ten years old.

[dawnthefluffyduck]

Request from @bleakoutlo to draw Ralsei weaving a scarf; I had to watch a few videos to understand how weaving worked in order to draw him doing this, which ended up being a really nice way to pass the time during the inclement weather today :D drawing the loom was a ton of fun too once I started to understand how it worked, so I really liked working on this one. Thank you for the request!

[sukugo]

everytime sukugo gets called a crack ship i suffer +10 damage

[skeletoninthemelonland]

So, Graveleaper, he tries to set souls to rest How would he feel about or deal with vengeful spirits like Cassidy who refuse him like they did Old Man Consequences?

You could say it's part of Graveleaper's job to ensure that these spirits will never leave the limbo they're found in.

Some spirits decide not to go, so they can watch over a loved one. Other spirits are simply too afraid of entering this state of "non-existence". Then there are those angry spirits that refuse to die.

If a vengeful spirit isn't ready to move on, Graveleaper can't do much but wait for them to decide on themselves, even if it takes years until that happens. He can try and talk to them, but never actively intervene.

Some spirits learn to circumvent the rules and manifest into the world of the living, a.k.a. possession.