#that one is the most common character name I come across

[that-girl-glader]

Spot the difference games getting harder and harder....

[jinkiezzsstuff]

In Season

alastor x doe! femreader

no but really this is actually so depraved and smutty i cannot believe myself i hope yall enjoy the feast xx

Summary: You were aquatinted with hell for quite some time and you quickly learned as much as you could about mating season to protect yourself from other deer sinners. Although you came across the hotel and neither you nor Alastor could resist each other, and your instincts.

Warnings: 18+ Minors DNI, female anatomy- no pronouns, no descriptions of bodytype/skin colour/hair type, heavy breeding kink, female masturbation briefly, penetration, squirting, creampie, horrorish aspects predator n prey, ‘in heat’ trope, OOC alastor bc y’know sex, general vulgarity, brief mention of blood, swearing, not proofread, LEMME KNOW WHAT I MISSED

Word count: 5K

You’ve been in Hell several years, and at first it was a little jarring. Especially since you now had hooves, a tail, a black scent-sensitive nose, and soft floppy ears. Honestly it was amusing getting used to your new body while dodging sinners hungry for new meat, you reminisced on your first days of hell often, as they were the most exciting.

But now you were more aware, you’d spent a majority of your time in hell assessing and attempting to understand the whole eternal damnation thing- after all you weren’t much of a believer in hell when alive. You kept atop all the sinners that were of note, the different sectors of the pentagram, the overlords as well as their strengths and weaknesses that coincides with their demonic form, you also paid close attention to all the rings of hell and their sins. You’d even grown interested in the hellbors and imps, never imagining how birth and life things that was supposed to be god's gift, ended up breeding in such a foul place like hell.

Most demons spawned into hell with some sort of form be it an object like a television, a prop like a doll, a toy such as a jack in the box, or more commonly an animal. Most humans found themselves attached to animals anyways which made sense as to why many showed up as one, as well as why it wasn't surprising to see many dogs and cats as a common form in hell. During your investigative research, you ran into a few.. hurdles.

Bucks, mating seasons. It seemed like all animal life here was cursed with some sort of violent mating season. Where all that sinners could think about doing was mating. Bucks had been your biggest issue in hell, you found it pretty simple to ignore mating seasons, focusing your mind anywhere but the burning in your pelvis, but the bucks would storm around looking for the smell of the doe near them.

It’s a pain in the ass and you always had your calendars marked, alarms and reminders set, as to not forget that mating season was coming and you needed to take precautions.

Besides the chase the bucks would give you every year, you had it pretty easy in hell, you published on a blog your findings marketing it to new sinners in hell, kind of like a guide to hell, and that kept your bills paid and your mind occupied.

~

Walking down the road in the pentagram city with the intentions of snapping some pictures of some of the expected violence in hell, you gazed along the different brick walls and shops, shopping with your eye at times. You came by yet another brick wall, this one littered with taped up signs, your paced slowed as your eyes rapidly moved across the words on different pages.

There were varying signs, one for resale value drugs, IMP immediate murder professionals, and Charlie Morningstars Hazbin Hotel. Pausing your stride you went up to the wall getting a closer look at the shitty drawn piece of paper, there was several different… characters, on it very poorly drawn. You recognize Charlie’s name of course, you’d often see her roaming around the pride ring actually, unlike her father who you never saw.

Pulling out your phone you snapped a picture of the sign and decided to take a trip down to that side of the pentagram to check out this hotel. It’s definitely quite the story to be told that’s for sure.

You made left, rights, had to take cover for thirty minutes while some sinners duked it out shooting up a whole block, then you tried to hail down a cab- failed and trudged for the longest time to the hotel. It was so much further than you anticipated but everytime you felt like turning back you told yourself you were almost there which got you to the door of the hotel, by the end of the day however.

Knocking on the giant doors you didn’t know whether to walk in like you would a hotel, or wait for a guide. Tapping your fingers against your thighs you’re suddenly hit with strong arousal that clawed suddenly at your abdomen.

Bringing your phone up from your pocket you checked the date, you knew the season was changing and autumn was here but you didn’t have any issues with buck recently so you didn’t really have to worry. You did confirm mating season was in progress, with the conformations laying within the calendar, but it shouldn’t have been a problem, unless there is a buck inside the hotel.

Suddenly the door flew open and you were pulled away from your contemplation by a high pitched, giddy voice tugging your attention toward it. “Oh my gosh, hi! I’m Charlie! Come in! Are you here for the hotel!” The blonde rambled quickly, tugging you in by your wrist.

The hotel was weirdly homey, you could tell that there were different personalities that occupied the space, different colours of reds decorated, random items littered around the room like stiletto boots by the door, a large pile of needles in a corner, the bar seemed to be its own aesthetic design. It was comfortably warm and smelt like an active fireplace, as well as something so strong and musky it made your legs inadvertently clench.

You attempt to hold your instincts inside but this wasn’t like any other buck you’ve smelt before- it made you ravenous. Pulling yourself together while Charlie spoke about the hotel you pondered what you’d say, you could exactly be like, is there a male buck here because i’m horny as fuck.

No. Smiling to Charlie tiredly, you finally ready yourself to give her the explanation. “This place really is lovely, I didn’t actually come to be a patron but maybe write something about it for the little blog thing i have.” You felt jittering and lightheaded as you spoke, your eyes scanning the room and ears pulled back. “Uhm would it be okay to stay for a night?”

Charlie perked up clasping her hands together nodding eagerly. “Of course to both~!” She sang out happily. “I am so glad some people are interested! Who knows, maybe after a day you’ll wanna stay!” She exclaimed, twirling around happily.

You smiled at her optimism and you were genuinely happy that the princess of hell was such a breath of fresh air in the smog filled hell you all lived in. “Do you want me to show you around? Meet our staff and guests?” Charlie asked, a glimmer of hope and excitement sparkling in her eye. You took a brief moment to ponder before nodding your head. “I think that would be perfect, then though would i be able to rest, the walk fucked my hooves.” You say tapping the tip of your booted hoof against the floor.

Interlocking your elbows Charlie nodded, dragging you toward the bar. “Of course you can, I'll end our tour with your room, but let me begin it with Husk! Our loyal bartender!” Walking toward the bar you’d spotted early on, the cat demon turned his head ever so slightly toward you. “Hi,” The alcoholic said flatly, Charlie laughed nervously, but you didn’t really mind his demeanour you preferred short and to the point.

“Hey Husk, nice to meet you.” The cat grunted at you, and gave you a sorta glare. “Another deer. Course it fuckin is.” Husk muttered to himself bitterly, Charlie scolded him under her breath, before turning to you with a grin and a shrug of the shoulders. “He’s sweet once ya get to know him. Heh, anyways c’mon lets meet Angel!”

After about thirty minutes of running around you met all but one of the members residing within the hotel. As you skipped around the hotel you entirely forgot about the low grade heat buzzing between your legs, you were used to it after all, and you enjoyed yourself a lot, confessing to Charlie that you particularly enjoyed the rambunctious Nifty and flirty Angel.

“Alright, the last person of note is one of the most important. He’s been assisting in the hotel basically since the start, half of it wouldn’t be possible without him.” Charlie explained walking up to a door, on it had two different do not disturb signs. A large wood one nailed right on the door, and a second hanging off the handle.

Charlie picked the sign from its hanging position humming while examining it. “He’s never had these before.” She muttered, voice filled with confusion, however you were lost in a daze. This was the smell you could pick up down stairs, he must’ve been a buck, there wasn’t any other way.

The scent was pungent, nearly knocking you off your heels with arousal, it was musky, something only described as sweaty and primal. The natural hormones of the demon beyond the door were unlike anything you’ve experienced before; it was like he was a starved man, hungrier than ever and more than ready to breed.

It was dirty and you felt embarrassed at the reaction you were having, typically you had a low hum and no real desire to attempt to have sex with one of the many deer demons who came after you so this was a bit of a new experience. And it was nearly painful, you don’t even know the guy and yet it felt like you were being consumed by him.

“Hm, wait here I’ll go ask Nifty! She normally knows the most,” Charlie drifted off tilting her head at you. “You okay there?” She asked nervously, you promptly nod at that, inwardly cursing yourself for not being more controlled. “Yeah,” You quickly clear your throat trying to play off the lust filled tone for a dry throat. “Yes,” You say with more conviction. “Sorry it’s been a long day. Before you head off, would this guy happen to also be a deer?”

Charlie grinned super wide, purely whites on display. “He is! Best for last! I think you two will be happy to have each other haha,” She chuckled a little awkwardly, brushing her hair behind her ear. She shook her head, swiftly bidding you ado and walking off to find Nifty.

You waited a moment listening for anything down the halls, but you didn’t hear anything anywhere, and you couldn’t see anybody around, nor could you see cameras hidden in the corner. Walls crashing down, heart rate naturally kicking up; you unbuttoned your pants, spreading your legs and slipping your hand down your pants.

You whimpered at the contact of your cold fingers to your clit, feeling the sticky sensation of arousal cover the bit of thigh that your underwear didn’t touch. You soaked yourself just by the smell of the deer on the other side of the door. You slipped your middle finger and ring finger down, coating your fingers entirely before slipping them into you, curling them as you did.

You inhaled deeply resting your free arm against the door above your head for you to lean forward on, you didn’t have the intentions of fucking your self in the hall, but one thrust turned into three. Now you’re dripping, gasping for air and trying to keep yourself quiet when all you wanted to do was collapse and beg whoever occupied the other side of the door to please fuck the neediness out of you.

As you quickened your pace, your body quivered from the uncomfortable position, but you halted everything when you heard the unmistakable sound of a radio on the other side of the door. It was a gritty sound, garbled with no real sound coming out of it, just strange static. You tried to catch your breath as you listened closely, checking your left and right speedily ro assure you were still alone.

Suddenly the doorknob shifted the door falling open under your weight. Your legs stuttered attempting to catch your body, hand whipping out from inside you, slick and sticky with your arousal as if you were some whore. Unfortunately you weren’t able to catch yourself fast enough but lessened the brunt of the fall with your knees before your hands came down to finish. You were still in a blitzed out haze, but the room was pitch black, the only sound that could be heard was an ambient sound of nature and the faintest sound of the radio.

The only light that you were blessed with was the hall light from the opened door behind you. You could barely make out deer heads hung on the wall and a red couch before the door snapped shut leaving you alone in the darkness.

You whimpered, clenching your legs and your teeth, you could still hear the radio but it sounded like it was seriously messed up, switching stations, pitches and incorporating sounds you’d never heard from a radio, like growls and deep rumblings.

Your fear mixed with desire and the smell of lust was far more palpable in this room. It was so much harder to ignore the scent and the smell of the buck who was definitely worked up in this room. “What a depraved little doe you are.” You jumped at the voice, nothing like you expected. He sounded wicked, dark, and surprisingly, hornier than you.

You could now hear him in the room with you, his deep pants, the footsteps around, you swear you could’ve heard him accidentally hit his antler against something as well, it was like he just materialised. “What’re you doing out of bed so late? You do know how filthy bucks can be this time of year, don’t you.”

You yelped as two bright red eyes appeared just a few feet in front of you, either this guy was crouched or contorted as you never stood from the floor. As his eyes got closer to you, his being consumed you entirely, as it dawned on you that he was crawling toward you like a goddamn animal.

“Sorry.” You meekly whimpered, tilting your head back ever so slightly, neck on display for him. He let out a baritone chuckle, shocking you slightly, before he replaced that shock with a new-by pouncing on top of you.

He brought his face closer to yours, the crazily dialed eyes of his illuminating your face enough for him to properly see and observe your face. You however only got brief glimpses of a strained yellow smile, and messy red hair that stuck to his face from sweat. You could feel his body heat against you making your own body feel hotter by the second, his right hand sat above your head, his other grabbed ahold of the wrist that moments ago was deep inside you.

One of his knees sat outside of your body by your thigh, while the other knee occupied the inner thigh too close to your core for comfort, or perhaps not close enough. All you knew is this deer was one of the horniest you’ve ever come across, his breath was erratic chest heaving, breath tickling your face and neck, his eyes were blown and obviously a firey red bright enough to add a horror-esque ambience.

You could feel the strain he had against his suit pants, it was hard not to when in the position he took he was straddling one of your thighs. He gripped your hand harder bringing it up to his face, your heart pounding in your ribcage as you watched motionlessly.

He groaned at the sight of your still wet fingers, his smile stretching just slightly as his eyes momentarily closed. Then his mouth opened, as did his eyes, teasingly he opened his mouth bringing your fingers up to him, before he took a hold with his mouth swirling his long tongue around your digits. You whined, closing your eyes at the feeling, the way he did it was not just in an attempt to be pornographic but to properly taste you, coating his taste buds with your arousal. Pulling his mouth away with an exasperated groan, he dragged his sharp teeth along your flesh, leaving tiny cuts that exuded just enough blood to satiate his desire.

He pulled himself away properly, saliva stringing as he did. You peaked your eyes open, as suddenly a feeling of being sucked into the floor consumed you and you felt like screaming. Though it all happened too fast that you weren’t able to squeak anything out; the floor sucked you in and within seconds spit you out. Gently your body bounced against soft velvet comforters on what you assumed was a bed- his bed. Still surrounded by only the blackened room, the buck nowhere you could see, you sat there heart pounding, bewildered, scared and horny, a unique combination to be fair.

“Tell me, my dear doe. When was the last time you gave into such, primal desires?” The man’s voice appeared before he did, sliding up beside you from the shadows. “Never.” You whisper looking into his deepened red eyes. “I am so sorry. I avoid bucks, I came for business- I didn’t- god i’m sorry i couldn’t help myself- you fuckin,” You threw your head back groaning in frustration, feeling embarrassed to admit you were just about willing to do anything he said if it meant he spread you out and bred you.

He chuckled demonically, his hand sticking out to you. ���Alastor, sweetheart, pleasure to meet you, quite, the pleasure.” Alastor’s radio voice lowered and he purred to you so sultry that you clenched your thighs together. Grasping his larger clawed hand that he had stuck out, you shook him tightly enjoying the warmth and contact. “YN, pleasure to meet you too.”

Gently pulling his hand away, Alastor inched his way closer to you, leaning over he placed his hand on the other side of your torso seemingly trying to resume the position he held on the floor. “I could smell you enter the hotel, you know. I keep myself away every season and no other passer by, has been an issue. So what is it that you’ve done my dear,” Alastor questioned accusingly while dragging a claw up your neck and getting back to being on top of you.

Alastor felt like he couldn’t help himself, he felt a yearning for sex he’d not felt ever, sure there’s been the occasional session with his hand on a particularly trying mating season, but never real feral need like this. He wanted to leave his mark on you, and keep all those other foul deer demons that may attempt to take their claim on you in the future.

Growling radio admission and static echoed throughout the room, Alastor promptly closed the inches between your bodies, gently collapsing on top of you. Alastor dragged his tongue up your neck from your collar to your jaw line, ending his travel with an opened mouth kiss. You whimpered at the sensation of his body against you clutching his shirt, as he nipped at your neck with his sharp teeth drawing blood.

His thigh was pressed against your core with the way he leant down on you, and you wondered if he could feel how you were pulsing desperately begging him to fill you. Against your will you jerked up grinding yourself into him, causing him to groan at the own pleasure he got from the friction. Alastor then pulled away entirely looking down at you, then a gentle red light flickered on, then another, and finally a third, lighting the room up with a reddish glow.

You weren’t focused on how, or where the light came from, but rather the man in front of you. You had no clue it was Alastor, as in thee overlord Alastor, although you should’ve put it together based on all the radio feedback that sounded from out of him. Of course you knew of him from your research but he’d been gone when you came down so you easily forgot him.

Alastor was dishevelled, without a suit coat, just a button up and his suit pants, his hair was a mess as you briefly saw before, but man oh man did he look a wreck. He was sweaty, his antlers were out on full display, his eyes lidded.

“I had no idea you were a deer.” You say eyeing him up and down, he chuckled at that. “So you know of me?” The question, you might almost say, sounded uncertain, perhaps before with the lights off lended the two of you a comfortable anonymity that you don’t have anymore. Nodding your head you can’t help but attempt to gain some friction between your legs. “Darling if you truly want this as much as I, then I'd be more than happy to satiate the hunger for both of us- so long as we see to a date and several others after. I wouldn’t be able to stand seeing you with another deer after me.”

Although this formal speech was out of place for your current predicament you looked past it because you wouldn’t mind this being more than a one time hook up. “Of course, I hate one night stands.” Smiling at him, his smile softened compared to its harsher one before. Alastor moved in, this time you were able to watch him in the dim light, leaning back fully and off your elbows, you got comfortable on the soft pillow that kept you somewhat propped up.

You wanted your hands free to touch him, and hold him. When his face was inches from you, lips barely touching, your hands came up to play with his hair. You go cautiously hearing rumours about the distaste he has for contact he doesn’t initiate, however the moment your hands connect to his hot neck, he moans, pushing himself down to connect to your lips.

He smiled through, as you expected him to, but it was the best kiss you’ve ever had, purely based on how intense he was once he finally got a taste of you. You just barely opened your mouth before his tongue was escaping his mouth to explore yours, it was a searing kiss one that was unique to anything before. His body once again lowered as he relaxed on top of you, most of his weight rested on you, which you loved the feeling of it was like he was encasing you with him.

You could feel the stiff hard on that ached to be freed, and his uneven breaths that expanded his chest further into yours, like a tide your chests pushed and pulled each other in and out. It was erotic, and as your make out session dragged on the messier it got, teeth scraping tongues fighting, saliva glistening on the perimeter of both of your mouths. Your hands dug into his hair occasionally touching his long antlers that were out, and everytime you did he’d moan statically into your mouth.

Alastor cared little about his poise and instead chased his own pleasure as his mouth entangled with yours, you were receptive and as needy as he was, so he felt no shame when he started to hump himself against your core. He took even more pleasure in hearing you whine for more, bucking up into him. You buttons were still undone from earlier which made him feel a sense of anger he couldn’t explain, he wanted to be the one to make you come undone, he wish he could’ve gotten to you before you fucked yourself against his door.

So with a new goal in the demons mind, he snaked his arm in between your bodies, him needing to lift himself a bit to do so, and snuck his hand down you pants straight to your soaking wet core. Gasping at the contact you jerked up into his hand, his fingers sliding down the length of you leaving no area untouched.

“Impatient?” Alastor mocked pulling away finally, although he was in no place to, as even the simplest word came out jagged and out of breath. “Alastor please,” You begged unable to stop the way you jerked up into the warmth of his hand.

With contemplative hum Alastor halted all movement making you groan. It was unbearable to put up with, perhaps the foreplay of it all would be more enjoyable if it wasn’t such a painful lust you were in. Snapping his fingers, cool washed over your body like freezer air, and soon you realized you were left bare.

You jumped curling into yourself afraid of being so suddenly exposed. Looking up you were surprised to find the overlord himself nude with you, the comforter that once laid flat underneath you now pulled up behind him. Leaning forward blanket following in suit behind him, you simply stared at him, the markings on his body, the fact he had two tone skin, and of course the more obvious aspect of his body, the fact he was hung.

Covering the two of you under the safety of the blanket, Alastor pulled your legs apart gently, body slotting back where it’s supposed to be in between your legs. “You’re devine torture my dear. Attempting to be somewhat gentlemenly in a state like this, when you’re so desperate, is absolute torture.” Alastor grit out, his static gone as he struggled against the animalistic urge to dive into you.

Breathing out a breath you had no clue you were holding, you begged him pressing your body up into his. Thoughtlessly you reached down between you two, wrapping your legs around his torso to nudge him closer, and slowly you wrapped your fingers around him making him almost robotically crackle.

Giving him a few awkward strokes, due to your position, you guided him towards your entrance that needed no prep, with how you pulsed aching, and dripped greedily you weren’t too worried about pain.

Alastor barely took your guidance, as once you stroked him a twig snapped, when you lined him up to your entrance, he jerked forward plunging into you rather harshly causing your body to jolt. A heat shot through your body crawling down your pelvis straight to your toes, while your jaw hung open, unable to make the noise. Alastors radio was popping and crackling as he fucked into you, grinding his body against your own, he was pouring himself into you as fast as he could and for him it still wasn’t fast enough.

Meanwhile you were still attempting to catch up, your brain hazily lagging behind as your body jerked along with every thrust. You could feel yourself dripping down the length of him, the wet slapping of skin was just more indication you were practically a faucet. Reaching upward to grab onto his neck, it was your turn to growl viciously, loving the way his eyes and smile looked in this fucked out haze.

Grinning at him you tilted your head back, eyes closed at the insane pace Alastor was attempting. “Fuck Al, just like that please don’t fuckin stop,” You moan spreading your legs further apart so your clit was more exposed to his flesh that came slapping down.

One of his hands grasped your neck lightly squeezing, you clenched in tandem with his choking, absolutely loving the feeling of him having you at his mercy. “Who knew such a sweet face would be so, filthy.” Alastor said through a toothy smile his radio voice was gone only leaving his strained raw vocals.

You let out wails of pleasure as he fucked you into the mattress, before you roughly pulled Alastors head down forcing him to give you a kiss. Your tongues met before your lips did as neither of you were going in for gentle but rather a greedy taste of one another.

Alastor moaned and whimpered more when kissing you seemingly without hesitation, making you feel closer to the edge then before. Arching your body up you clawed Alastors back begging him, tears threatening to spill and the feeling of need. “Please Alastor, please fuck- so good it’s gonna- i’m gonna cum- Al don’t stop,” You cried loudly stumbling over what you wanted to say as you felt hot all over.

Above you Alastor could barely hold on, his forehead rested against you as you cried, wailing for him to fuck you begging for him to make you cum, and he knew from how you cried for him, ge was gonna. He also knew he wasn’t far himself feeling as you clenched and leaked all over the bed, it was disgusting and he loved it. Your skin stuck to his as his body came crashing down on yours legs too shaky to hold him himself up, but his pace didn’t let up all that much still forcing himself deep into you, marking every inch of you.

You screamed, clawing his back wrapping your arms around him as you convulsed. You whined about how it was so good how hard you were coming but it got mixed up in his mind as he focused on the violent gushes of liquid that rushed out of you. It seemed your orgasm kept being pulled out as you continued to gush around him making him bellow out his own praises of how good you felt, how glad he was you were coming on his cock and making a wet mess of his bed.

Alastor was ravenous as he used your cunt to milk him of everything he had trying hard to get himself as deep as possible in you. Meanwhile you continued to moan and whine at him your orgasm still pushing on gushes is liquid squirting out of you as your sentive mating body wanted more, wanted to be bred and was ready to hold out to do so.

And bred it was, Alastor bit onto you as he came, loving the feeling of filling you to the brim, it wasn’t anything he’d done or felt before. You groaned, smiling wickedly and you hungrily kissed up his neck pulling his ear with your teeth, whispering to him about how badly you wanted to be filled with his cum, eyes rolling back as he stilled in you finally.

Your body ceased a bit before his movement ceased, It was all insanely animalistic. Now as Alastor laid on top of you, still inside you, you felt the post nut clarity truly hit you. You were still in a lustful haze, however you’d never been that much with a man, nevermind one you haven’t properly met. Although you didn’t mind, as you dragged your fingers through his sweaty hair you reminded yourself he wanted to see you more, not just use you.

Taking a deep breath, Alastor enjoyed the smell of your skin and the doe pheromones you naturally let off. In the back of his mind twisted questions that he couldn’t bother trying to answer. His head laid under your chin, face between your breasts dazed and staring off into space. You cautiously traced your fingers up his ears, his antlers fell in size back to little sticks. His ears twitched but he made no remark as you gently played with them.

“Do you regret it?” You broke the silence with the nasty feeling of worry in your gut, worry that you messed up, worried you both made a mistake. Alastor let out a long hum, his radio frequencies back in action as he did. “No dear not at all. Lust or not I was certain about my decision. I had the strength to hold back when I heard you on the other side of the door but I didn’t want to.” Alastor admits still a little coy is his delivery.

Although he did a very good job at assuring you because any doubt you had vanished. It was a vulnerable time for the both of you, during mating season, that having the knowledge that he still could’ve kept control, kept himself on the other side of the door but instead choose to claim you, yeah made your heart and mind content.

[creatingblackcharacters]

“Across cultures, darker people suffer most. Why?” Multiethnic and Multicultural Blackness

“Across cultures, darker people suffer most. Why?”- Andre 3000

Tell me what's wrong with this picture.

Hint: This is Miles Morales- from the video game depiction- canonically an Afro-Puerto Rican. Jefferson is Black American; Rio is Puerto Rican.

So why is the Cuban flag on their wall?

This is what happens when no one (with any saying power) in the board room is representative of the group being depicted! And mind you, this was produced under SONY and MARVEL, for the PS5, a product under two brands that combined churn out hundreds of millions in profit! And… No one on any level corrected them until the beta came out and fans saw it. That's how pervasive this sort of ignorance of other cultures can be. How are you writing a story about a character, and you don't even know how he identifies?

Multiethnic & Multicultural Blackness

Realistically, you’ve probably walked past many a biracial, multicultural, or multiethnic Black person before and assumed they were “just Black”. One example: Rae Dawn Chong- known as Mama du Pointe du Lac- is Afro-Chinese, but that Chinese background did not play into the role she played. A more personal example: my recent loctician was also Afro-Chinese, with very dark skin (she made jokes about how her eyes reveal it, but we can’t make those jokes here). I would have never known.

Point is, we reacted to what we saw, and that’s not an accident. Blackness is treated as a monolith, and an indicator of social level whether you realize it or not. You see a ‘Black’ person, and without wondering any further about their identity, you will treat them as you’ve been socialized to treat ‘Black’ people! But every Black person is not the same!

You don't have to write an entire essay with citations mid-story about how you learned so much about the Afro-Chicana or Afro-Iraqi experience for your main character. We didn't ask. But, slipping natural things here and there into the story of a character’s culture helps cement that yes, this character has this multicultural identity and it matters to them; it is who they are, it has an effect on their life and character in some way. It is how you deepen the character and show respect for the culture you are depicting!

I love using Miles as an example, so here’s a good example. In Across The Spiderverse, he goes to a party to celebrate Jefferson’s new position. In that scene, Rio walks through a mix of all his family members. Even when he speaks with his parents in this scene, they managed to incorporate his Afro-Puerto Rican identity without shouting to the rooftops “HEY! HE’S BLACK AND LATINO! SEE HOW I’M TELLING YOU?”

Race vs Ethnicity

The Black experience stretches as far as the African diaspora- worldwide! It's why it's frustrating when people assume "Black people" means "United States" and the West's perception of "Third World Africa" (especially when it comes to existing in media that people have strongly claimed is just White). Latin and Central America? West Europe? East Europe? Southwest Asia and North Africa? The Mediterranean? East Asia? Australia? You will find Black people!! Just because we aren't the majority doesn't mean we aren't there!

But just because we're Black doesn't mean we're all "African-American". Ethnicity is "the quality or fact of belonging to a population group or subgroup made up of people who share a common cultural background or descent." Race is "a categorization of humans based on shared physical or social qualities into groups generally viewed as distinct within a given society."

"But I thought you said Black is an identity!"

It is! Black does not only mean “Black American”. The reason Black Americans identify as just Black (which is why I demand that you show respect by capitalizing it) is due to the loss of our specific heritages from the enslavement meant to scourge us of them, to make us property. To call us by our actual names would be acknowledging our equivalent humanity and culture. In order to enforce slavery without qualm, they had to be violently removed. Black Africans of numerous ethnic groups, now violently forced into this amalgamation, had to come together and forge something new. We had to find a common connection- our Blackness (and that experience as defined by whiteness in this society) was it. It also functions as a reclamation of our identity, of our presence in this world. We are a culture, we are an entire group of people, and we should be acknowledged as such.

Again: all Black people are NOT the same!!! This is like… anti-racism 101, but so many people continue to fall for it, even those ‘well-meaning’. You cannot ask one Black person to represent the ENTIRETY of the world's Black experience. Many other factors will come into play, and this includes their culture.

Keep in mind how being multicultural and/or biracial and Black will put many people at a crossroads that is complex and difficult to traverse. There will always be parts of incomplete acceptance, an extra layer of code-switching based on where you are and who you're with. A Black Kenyan is not a Black American, who is not a Black Greek, who is not a Black Colombian, who is not a Black Filipino. They're different cultures, that will treat each other differently. Society- from strangers to your own family- may try to pull multiethnic Black people one direction or another- are you ‘Black’ enough, are you ‘technically Black’, are you ‘technically’ something else, are you that ethnicity enough?

(I will discuss Black biracial people with whiteness in the next lesson, because I felt like the interracial and biracial White & Black topic needed its own talk, but this is relevant there as well.)

Where- In the world- Is-

Coming back from the opening of this lesson: keep in mind that you need to know specifically WHERE your character is from! For example, just saying they're "Afro-Latino" reveals very little- there's an entire chunk of the planet that falls under the "Latin America" category (as defined by U.S. standards).

A follower of mine- they identify as Caribbean Latine- sent me this in discussion about the topic:

"I wish people actually thought about where their Afro-Latino characters are from. It’s always very vague and it’s so reductive because an Argentinian Afro-Latino is very different from a Puerto Rican Afro-Latino. This is very subjective but I think this issue is pretty blatant in The Owl House. They flash the Dominican flag a couple of times, but when it comes to actually making her Afro-Latino…I don’t think they did a very good job. They barely made her Black in the first place. I don’t want to dog on the voice actors too much because there are a million factors that might have affected this but. When they make a point to have the characters speak Spanish, it’s really noticeable when the accent/dialect doesn’t align with their ethnicity. Dominicans have a really identifiable dialect in Spanish. When the Afro-Latino characters speak in Spanish, it’s the most neutral accent I’ve ever heard. This is such a me-issue, but this is to say that people should actually research where their characters are from instead of vaguely painting them as Afro-Latino. We are all SOOO different. Our dialects vary so much that sometimes an Afro-Mexican and an Afro-Puerto Rican won’t understand each other even though we speak the same language.”

WHO are we talking about? How does that factor into their identity, and the way the world- both in story, and how readers from around the world- will perceive them? Will an Afro-Dominican know that they're supposed to relate to your character if they're vaguely Latino?

Note:

While I was doing my research, I noticed that searching for “Afro-_” doesn’t always offer much, as it does the ubiquitous antiblack experience and roles in politics and resistance. And while I think that’s super cool and mandatory, I think another way to approach this would be to focus on the culture as a whole, and then go from there. So for example, if I wanted my character to be Afro-Mexican- maybe even from a specific location in Mexico, or their family is from that area- it would be easier to look up the cultures and activities of that area itself, and then inform with my knowledge of how Blackness is treated there.

As I am not a member of these groups, I thought it would be better for me to find resources that better explain, than to try to speak for them myself. Hell, just from doing this research, I learned that I have far more to educate myself on. There are so many good resources out there! People speak on these topics that y’all want to know about, and there are so many books and videos- find them and educate yourselves! This is a long section filled with links, so I'm going to put them under a readmore.

I also could not possibly sit here and name every single ethnic combo because that would be endless. So what I'm going to do is give some broad strokes of a few major groupings, that will hopefully start you on the path of how to conduct your own research!

The African Diaspora

This is such a good resource. There are short chapters going into the details and history of Black people in many regions, all around the globe. I’m honestly in love with how this is set up. It's a good starting point!

Black Africans

This one isn't specifically an example of multiethnicity; I just want to emphasize that there are many ethnicities and cultures within Africa itself! One is still multiethnic if they are Black American and Ivorian, for example! As the birthplace of humanity, there are plenty of ethnic groups in Africa with endlessly rich cultures, and all of them will come with different foods, fashions, languages!

Notable Figures: Nelson Mandela, Tobi Lou, Patrice Lumumba, Tems, Wizkid, Kwame Nkrumah, Chinua Achebe, Chimamanda Ngozi Adichie, Wangarĩ Maathai, Agnes Tirop, Chéri Samba, Sheikh Abdullah Ssekimwanyi

Internalized antiblackness in African countries is due to the long and violent history of western imperialism in Africa. “The Carving Up of Africa” by European nations has long worn on the continent, its resources, and its peoples, and that includes remnants of their beliefs. Another pervasive idea in media is that all African peoples are ‘poor’, ‘living in huts’, and ‘starving’. There are people doing that all over the world, it is not inherent to being Black African. But even if that were the case- and it is not, every African does not live that way- it would still be the fault of aforementioned imperialism. Please do your research, and do not EVER write that if someone is African, they ‘must not be used to food’ or ‘have never seen such magnificent things as [what white character offers]’.

Afro Latinos

Notable figures: Celia Cruz, Frantz Fanon, Zoe Saldaña, Colman Domingo, Lupita Nyongo, Gina Torres, Cardi B, MJ Rodriguez

Notable music styles- Reggaeton? Salsa? Rumba? A lot of the best music of the area has roots in Blackness.

Antiblackness in the Afro-Latino community

Colorism plays a huge role in perception, to the point of putting you into classes of people. From the same Caribbean Latine follower:

Also, they have to do research on racial groupings in LATAM. It’s unavoidable. A Latino that’s considered Black in the USA may not be considered Black in LATAM. This is because of Blanqueamiento. That is a LOT to explain, but TLDR: A big difference between racism in the USA and racism in LATAM is that white people aren’t focused on segregation. It’s racism through imposition. “Blanqueamiento” refers to whitening and it’s the belief that you can cleanse the bloodline by having children with white people. The lineage will get increasingly lighter. That is why whenever a child comes out lighter than their parents, people will praise the parents for “bettering the race” (mejorando la raza). So a light skinned Black person in the USA may have another racial classification in LATAM (prieto, moreno, mulato, etc)."

One example is 'pelo malo' (bad hair)- how afro-textures are deemed unwanted, as a holdover from Spanish colonization and ideas of whiteness being equivalent to purity. Another severe example is of the slur "mayate"- apparently, it means "f*ggot black bug". If you're Black, and someone ever calls you this, know that you are being severely insulted. If you are interested in more Afro-Mexican history, Colonial Blackness by Herman Bennett is a book that follows the stories of enslaved Africans and their descendants in 17th century Mexico, questioning the existing history told that often leaves out their presence.

Afro Indigenous

*Indigenous doesn't just mean "to America", though the links are to the Afro-indigenous experience in the U.S.

Notable Figures: Crispus Attucks, Lucy Parsons, George Henry White, Charlie Patton, Jimi Hendrix, Eartha Kitt, Lena Horne, Ausben Jordan

What’s interesting is that it was much harder for me to find solid evidence of people who are Black Natives, mainly because it seems this history was lost and/or never recorded, or due to Blood Quantum and antiblackness, not acknowledged. That is something worth thinking about, if you are writing an Afro-Native character.

Blood quantum: A system developed by the United States federal government to determine how much “Indian blood” an Indigenous person has and if they are qualified for Tribal enrollment. Blood quantum limits accessibility to citizenship and is designed to decrease enrollment numbers. Today, some tribes still use blood quantum as criteria for Tribal enrollment. As part of their sovereign status, every federally recognized Tribe determines its own criteria for membership and enrollment.

Further reading:

Young, Black Native activists say it's time to appreciate Indigenous diversity

Black Indians: A Hidden Heritage

Blood Politics: Race, Culture, and Identity in the Cherokee Nation of Oklahoma By Circe Sturm (2002)

We Refuse to Forget: A True Story of Black Creeks, American Identity, and Power By Caleb Gayle (2023)

Afro-Arab/SWANA

Notable figures: Bilal ibn Rabah, Fatima Bernawi, Layla F. Saad, Samirah Srur Fadel, Ahmed Osman, Sara El Hassan (known as bsonblast), Ali Jiddah, Maryam Abu Khaled

Here's an amazing resource cataloguing the history of Afro-Palestinians, as well as a timeline of the solidarity between Black Americans, Afro-Palestinians, and Palestinians!

I sat here and tried very hard to come up with a way to summarize this, especially given current events in our world, and I found that at this moment, I lack the skill to do it. Not because there’s nothing to say- God knows there’s plenty- but unraveling the intersections that comes with the SWANA experience would take me far longer than a summary. I think Maryam Abu Khaled can speak on her experience far better than I, anyway:

Afro-AAPI

Notable figures: apl.de.ap, Michael Ealy, H.E.R., Karrueche, Rae Dawn Chong, Naomi Campbell, Naomi Osaka, Chanel Iman, Anderson Paak

Interview from famous R&B artist, guitarist, actress for Belle, and Afro-Filipina: H.E.R.

There is a strain between Black and Asian communities, in the United States and beyond, white supremacy playing a major role. But that does not mean that we cannot move forward together, or have not shown one another solidarity.

One of my biggest pet peeves that happens often in fandom spaces is fans who claim that Asians- East Asians in particular, but Asians in general- don't know what Black people are and what we look like. It's racist to every ethnicity and background involved. Yes, there are Black East Asian and Black South Asian people. Yes, these countries have access to the Internet to look up what we look like. There have been plenty of well-drawn Black people by those artists. Just like every white artist isn't going to draw a caricature, every Asian artist isn't going to. It all comes down to practice, their commitment to their craft, and their commitment to not being racist. Being from these areas is not an excuse for not drawing Black people accurately- the same amount of effort they can be put into depicting a white person (that would also be a minority in these places), can be put into depicting us as well. Knock it off.

Conclusion

Antiblackness is unfortunately ubiquitous, yes, but that doesn’t mean the rest of every Black person’s life experience is going to be. We are everywhere on this planet, which means there’s a planet’s worth of experiences to be had. If you decide that you want to create a Black character with a multiethnic or multicultural background, you need to commit to that! Even by mentioning their music, or their food, or- if you’re going to get into it- how others might treat them due to their Afro-identity. Something that lets us as the viewers know that you didn’t just write a white person and then claim they were “Afro-Blank” for clout. If you mean it, do it, because as always, it’s the thought that counts, but the action that delivers!

[miraculouslbcnreactions]

In Defense of Marinette

I like Marinette. While there are many valid criticisms of her writing, the same can be said for literally every other character and she's actually doing pretty well given that she's the main character. After all, in a show where consistent characterization is an ongoing issue, the one with the most screen time will probably be the one who's the biggest victim of the issue.

This is heavily exacerbated by the rule that supposedly governs Miraculous. Namely that, in each story, Marinette must make a mistake. Or, at least, so says the head writer:

I really do not care what this guy says on Twitter or anywhere else. I only care about what's in the show because, if you have to go outside the text to understand the text, then you have no idea how to tell a good story.

However, unlike many of the tweets that I've seen, this one isn't some BS bit of lore. It's a writing rule and it has substantial backing in the text. It's extremely rare to have an episode where Marinette comes out smelling like roses and that's a problem because Miraculous has over 100 episodes. In other words, to follow this rule, the writers have to come up with over 100 ways for Marinette to be wrong so of course she's going to come across poorly. Why would you do this to your main character?

It's extremely common for kids shows to have a "lesson of the day" element to them. Someone always needs to learn something, but I've never seen a show misunderstand the assignment so badly. Learning a lesson is not the same as doing something wrong.

It's been a while since I watched the 2010 version of My Little Pony, but it really leaned into that whole "lesson of the day" thing and it actually knew what it was doing, so I'm going to talk about it briefly to discuss things that Miraculous should have done.

The first thing to note is that MLP had an unambiguous main character - Twilight Sparkle - but Twilight was not the one who learned all of the lessons. She had a pet dragon and a crew of five friends who would, occasionally, be the ones to learn the lesson because there were lots of lessons that simply didn't fit Twilight's character. Instead of warping Twilight to make the idea work (cough cough Ikari Gozen cough), the writers just let someone else have the spotlight for a bit.

This is an excellent way to build out your cast and Miraculous had plenty of opportunities to do it. For example, Lila should not have been Marinette's issue. The fact that Lila hates Marinette could have certainly stuck around, but the one who takes her down and learns to investigate her sources? That should have been Alya. A liar is the perfect enemy for an investigative journalist, but a poor enemy for someone who shines as a battlefield commander and overthinks when she's given too much time.

Another way that MLP would teach lessons was to have someone other than Twilight or the main crew cause the issue that they then had to deal with. This leads to one of the best moments in children's television:

And, frankly? Marinette deserves a moment like this. That poor girl has been through hell and is never allowed to make the right call when it really matters. The show will even completely rewrite its lore to make her fail (see: Strike Back). That is such an awful thing to do to your lead! Shows about female empowerment should include women feeling powerful and, no, Lila and Chloe don't count!

Also, the show is literally about Gabriel taking advantage of people who are upset. You don't need to have Marinette make a mistake to shoehorn in a life lesson. Akumas are life lesson fodder and season 1 actually seemed to get this. I'm not sure why they switched gears to "Marinette is the star and, therefore, must always be wrong."

The final way that MLP taught lessons was to have Twilight do something wrong because having your main character do something wrong is a totally valid way to teach lessons. It just shouldn't be your only way because you know who is always wrong in children's media?

Villains.

They wrote Marinette like a villain.

And a large part of the fandom hates her for it because of course they do.

You're not supposed to like villains.

[conarcoin]

So Elon bought Twitter. I'm honestly not gonna push away Twitter newcomers, but if you're in the MCYT fandom you need to understand that the social etiquette and expectations and culture here are very different than over on Twitter. So as someone who's been an active part of mcytblr for two years now, I'd like to offer some thoughts and advice!

One: Shipping. MCYT communities on Tumblr have always tended to lean more tolerant towards shipping of roleplay characters due to the idea that this is a space for fans primarily. The creators who visit or actively use Tumblr like Eret and Martyn understand that this is a fan space primarily, and don't bother us for the content we make, and we don't bother them with it.

The number one worst thing you could do is share shipping content with creators who have not asked for it. This is a huge social faux pas here. Secondly, on the other end — writing callout posts for shippers here isn't gonna fly. Even for RPF shippers and people who may ship boundary-breaking pairings, our default is usually to not engage with these people rather than publicly call them out. It makes the space a healthier place for everyone and makes it much less likely that CCs may come across content they are uncomfortable with. It's also considered a social faux pas to ask CCs their opinions and boundaries on shipping, since that's bringing it up when they didn't ask!

Speaking of shipping, people typically don't mind you maintagging ship content so long as you also tag it as shipping so people can filter it. For Hermitcraft the tag is hermitshipping, Life Series has trafficshipping, and the lesser known DSMP tag is dsmpshipping.

Two: Reblogging. This is something a lot of newer users tend to struggle with. There is no algorithm on Tumblr, at least not one that works, so content creators rely on you reblogging their work in order for it to spread. If you see a fic or piece of art you enjoy, please reblog it! I often reblog art for MCYT fandoms I'm not even personally in.

Three: Tagging (again). There are a wide variety of tags you can use for your content! The most common tags you'll want to use are "mcyt" and "mcytblr", and any relevant series, pairing/group or character/CC names. However, please don't use the tag "minecraft"! Minecraft has an entirely separate fanbase on Tumblr that we co-exist with and have some overlap with, but don't necessarily appreciate seeing MCYT content in their tags. Any tag with "minecraft" in it is also a no-no, such as "minecraft youtubers" or "minecraft championships". Please use shorthands!

Four: Opinions on MCYT drama tend to be very different here than they are on Twitter. For instance, you should assume by default that most bloggers here either like or are completely neutral towards "problematic CCs" like Schlatt. But also, we tend to be very against spreading anything originating from leakers, and we also tend to not be fond of making posts "holding CCs accountable" for things they did years ago. Generally, mcytblr prefers to be a more drama-free community, and if you do engage in discourse, many would appreciate you tagging it as such!

Five: CCs do not need you to babysit them.

Generally speaking you will see a lot of jokes and memes on mcytblr that wouldn't fly on Twitter, and it is generally looked down upon to try to speak on behalf of CCs personal boundaries — they are grown adults, and you are a stranger! Calling out or harassing people for "breaking boundaries" is mostly just going to get you looked at strangely, especially if you don't have a source for your claims. Most of us will stop doing something if asked, but we don't need stans to tell us to! CCs can speak for themselves when uncomfortable.

Six: Most mcytblr blogs don't want CC notices. There are quite a few CCs who are active here, but the community is chill with them as they don't tend to talk about us elsewhere and allow us to do our own thing. We do not, however, like encouraging CCs to join Tumblr or to follow us or reblog our posts — many people here actually prefer being out of sight of CCs and many of us consider it rude to seek out attention from CCs outside of sending the occasional ask.

Please treat CCs kindly and don't gawk at them like you just saw a celebrity on the street — the ones who are active here are just Tumblr users like the rest of you! Seeing Eret reblog fanart or respond to an ask isn't something to point out.

While we joke about Twitter users joining, we don't actually have anything against you guys, it's just that we've built a very different community here and ask that you respect it and the etiquette we've come to establish! Thank you, and I hope you enjoy your stay on mcytblr ^_^

[ripplestitchskein]

Today I wanna rant talk about this

Versus

This

A lot, and I mean A LOT of people use these two moments as a way to compare Stolas and Blitzø with Fizz and Asmodeus. Specifically, Asmodeus with Stolas. And I get it, both Tiny Clown Imp with Giant Bird Aristocracy. Both dealing in different ways with the social hierarchy of hell. People keep using it as a “well Stolas HID while Asmodeus declared” and yes, that’s true but I don’t actually think we’re meant to be comparing Stolas and Asmodeus, at least not about this specific thing.

Blitzo doesn’t need someone to declare their love for him, he needs to declare his love for someone else.

People put the “Stolas is ashamed of Blitzo because of his station” on Stolas a lot and it is shown multiple times that it is not a factor for Stolas. He even like…sings about how it’s not an issue? Explicitly. The different stations was an issue for Asmodeus for awhile based on thier convos and the hiding. And it was for Fizz, though for different reasons I’ll get into in another post cause this is already going to be long as fuck. But this social hierarchy, famous person conflict is 100% Blitzo.

Blitzø is the only person who should be interpreting Stolas hiding his face as being because of the social disparity because that is a hangup of his. We, the audience, should know better because we’ve been shown the truth, or the reality of the situation in the scope of the show, MULTIPLE times. Blitzø is the one who harps on the class disparity, he’s the one who has the perception that Stolas is only looking for a fetishcentric fuck with the common rabble. The audience is supposed to see Blitzø’s reaction and know he is wrong, that this interpretation is because of one of his character flaws of feeling not good enough, and being compared to people, not because of the reality, because we have proof otherwise. Including the canon song where Stolas fucking says it outright.

There is a lot of talk about the “solution to Stolitz” being Stolas loudly and publicly declaring their relationship ala Asmodeus. But…Stolas already did his big public declaration at the BEGINNING way BEFORE Asmodeus. Stolas did it in The Circus flashback. He reinforced it at the Harvest Moon festival. He reinforced it at Ozzie’s.

His initial public declaration was following up a Imp leaving his bedroom in front of the Ars Goetia yelling “Sorry I fucked your husband” after a big aristocratic party by coming out well fucked and loudly screaming he was getting a FUCKing DIVORCE and ripping a banner in front of some of the most socially influential people in Hell. He then publicly thirsts over Blitzø at the Harvest Moon festival, multiple times and by name AND species. He takes Blitzo’s hand, and goes on a public romantic date with him, even reminding the doorman of who he was and who he was with and THEN when all eyes are still on them after the song at Ozzie’s, despite everything said, reaches out to him across the table and then gets up and leaves with him even taking his car home when he has the ability to just portal. No one who converses with him about Blitzø is left with any ambiguity that they are involved, not Stella, not Striker, not Octavia, he loudly declares he is into the imp to anyone who will listen, often in front of Blitzø, which he cringes away from and insists is just a transactional fucking.

The contrast to be drawn between Asmodeus making a public declaration shouldn’t be on Stolas but BLITZØ. He’s the one who needs to declare it, Stolas already has, repeatedly and out loud, and in public already.

Blitzø is the one who can’t say it out loud. He’s the one who shies away from conversations about it and dismisses it when anyone brings it up. He uses the excuses of social class and it being only for sex to justify his own inability to own it. There’s a reason all his exes are massively famous people who got famous after he destroyed the relationship. With Verosika it’s pretty clear she was super into him and he dipped. It’s not clear if it was because she was getting famous, that might be revealed, but the hints we have (her tattoo, his stealing her credit cards and disappearing) is that the end of that relationship was all Blitzø. When people find out he was in a relationship with her he is uncomfortable with the fact that she is famous, he goes out of his way to separate himself from her fame. Because people react exactly as he expected them to, incredulous someone famous could be into nobody Blitzø.

Somewhat ditto with Fizz, at least at first. Fizz was shown to be already pretty well known by the end of their friendship. Because of Blitzø’s self worth issues he doesn’t believe someone like Fizz could reciprocate his feelings, he sees him surrounded by people and doesn’t feel worthy to be one of them so he turns away and accidentally burns down a circus doing so. While a confession from Fizz first, if he felt the same way, might have prevented the catastrophe we have no way of knowing if Blitzø would have done the same thing to Fizz he did to Verosika and let his self worth issues eventually destroy their relationship too, especially after he signs on with Mammon. A big theme of their comments to each other before their reconciliation are about the disparity in fame, Fizz is also an imp so it’s not social class, but that Fizz is a beloved, famous figure and Blitzø failed at becoming one.

The Circus illustrates this so well, Blitzø is the failure who keeps trying his hardest and Fizz is the one who steps in and just kind of naturally does it. Blitzø’s dad makes no secret of the fact that Fizz is the more desired one. We also see Stolas appreciating Blitzø for who he is. Laughing against the crowd, just like during the sitcom taping, he doesn’t care about the public’s reaction to Blitzø, it doesn’t lessen Blitzø in his eyes at all.

We have also seen Blitzø be told very publicly a person loved him already as well and it STILL wasn’t what he needed. Verosika has it literally tattooed in a prominent place on her body, out there for everyone to see.

He doesn’t want a public declaration, he fears making one of his own and being compared to the one he declared for. “That guy is with THEM?!” It happens when Verosika steals his parking space and everyone realizes they dated, and it happens when the crazy fan goes after Fizz. People dismiss Blitzø in favor of the famous person he is with.

Hearing that, again, would invite the scrutiny that would just further validate that he’s not good enough, that he’s lesser and lower. That’s been his experience so far. Stolas declaring it would just put the spotlight on him once more, and I think it would actually make things worse for him mentally and emotionally. His reaction to Ozzie outing Stolas as his date to the crowd shows us this. I believe it’s why he split up with Verosika, the more famous she got the more eyes on him that could find him lacking. He’d be in the spotlight and his act wouldn’t be able to measure up to hers.

Just like at the circus with Fizz when they were kids, or during the sitcom, when eyes are on Blitzø he fails. Stolas gave him a bit more confidence each time. Not by loudly yelling “Hey, I like him!”to sway the audience, but just by quietly and genuinely laughing at his jokes and appreciating Blitzø for who he is. Stolas I think realizes this consciously, he sings it in Look My Way that the realm doesn’t appreciate what Blitzø is and because of this Blitzø built up walls around himself to protect from that lack of appreciation. Stolas tries to hype Blitzø up, he does so in the Harvest Moon Festival early on in their relationship but it makes Blitzø uncomfortable because the public declarations bring eyes to him. He has like….relationship stage fright in a sense. Imo the last thing Blitzø needs is another loud declaration.

Stolas though, he does NEED it. He has had one romantic partner publicly declare they don’t love him to all who will listen for like well over a decade, and now he needs a partner who will make it really really clear they do and I think preferably out loud where others can hear.

Stolas’s conflict and flaw is his family and his desire for reciprocal love. The shame of being an adulterer, of destroying the idealized family he strived for and the image he projected for so many years. And especially, the loneliness of his “romances” being one sided. With the exception of Octavia all of Stolas’s surrounding family and “friends” don’t give a fuck about him and he knows it. Why would Blitzø be any different? He also needs someone to choose him outside of a business or familial relationship. Stella was an arranged marriage to produce a heir. Blitzø was a sexual transaction for the grimoire. Octavia is his daughter. His relationship with his father shows that he isn’t special to him either. Paimon doesn’t even know his name. Stolas has no one declaring for him.

There’s a reason most of Stolas’s issues are told though “images”. The family portraits, the Sinstagram posts of Blitzø appearing annoyed or disinterested while Stolas does not see the picture Blitzø took, because that is his primary issue, he destroyed the image of himself he was trying to project for a chance at a reciprocal relationship. That image maintenance has nothing to do with Blitzø’s imp status, but more the public lack of perceived reciprocity in his romantic dealings.

He knows he looks like a fool, putting himself out there and not getting a confirmation back. This is why every problem Stolas had with his marriage seemed to come down not to attraction or status but mutual feeling. He doesn’t feel bad for cheating because Stella made it clear she didn’t care about him for him. Stella tells everyone loudly and publicly, even before Stolas cheated, how she feels about him. So as soon as Stolas can he jumps at the chance to say “HEY EVERYONE SOMEONE DOES LIKE ME! HE HAD SEX WITH ME AND EVERYTHING”and yelling out “THE ONLY MAN WHO CAN FUCK ME”. Flirting with Blitzø in front a crowd of people. He desperately wants to be publicly desired, to know he’s loved and for others to know he’s loved too.

I don’t think it matters to Stolas at all that who he cheated with was below him in terms of social hierarchy, or that people know about it, and he hasn’t ever indicated visually or with words that Blitzø being an imp was the root of those issues for him. Stella brings it up because she’s obsessed with status and EVERYONE KNOWS that her husband fucked an imp and is now divorcing her. Asmodeus brings it up because the entire Lust song at Ozzie’s is to distract the audience from his very real love affair with Fizz and maintain the public fiction that what he and Fizz have is just physical.

The whole social hierarchy issue is a deflection, and a misdirection.

This is further emphasized by the fact that Fizz and Asmodeus fucking isn’t even really an issue? People seemed to know they were fucking, like them being walked in on at breakfast and loudly declaring “ we are just banging, we are not in love”. The social hierarchy conflict as an external factor kind of falls apart on that alone but let’s move on. It’s not 100% clear if people outside of the household knew about Fizz and Asmodeus so we can maybe assume the public at large did not. But higher level demons being in a relationship with lower level ones doesn’t appear to be an issue? Like most of the powerful demons we see are actually in relationships with someone from a lower class. Even Mammon surrounds himself with imps and relies on one for his business.

Blitzø sure as fuck brings it up as a justification for why he’s not good enough. But Stolas doesn’t.

He’s even been shown visually and deliberately as forgetting that it’s even a factor, starting with his bowing to Blitzø as a baby owl and then again as an adult. So the comparison of these two moments as being about shame regarding social status for Stolas doesn’t make any sense to me. I don’t think it’s about social status at all really. I think that’s the excuse Blitzø uses to push people away and that’s just as much about social status as it is their fame. I’m not saying it’s not a larger theme of the show, but I think in this instance and for Stolitz it’s a distraction from the larger issues Blitzø has.

Stolas doesn’t need to publicly declare their relationship for an audience to solve their relationship issues because he already did, and I think we’ll see that the reason it’s such a huge plot point for Asmodeus and Fizz (beyond it being tied to their specific roles in Hell as the King of Lust and a public figure) is that it needled to be removed as an obstacle in BLITZØ’S mind.

Blitzø was the one present to witness the public declaration between Asmodeus and Fizz at the competition, not Stolas. If the comparison was between Stolas’s behavior and Asmodeus’s he would BE there, we, the audience, would have him there to connect that conflict in our mind as being rooted in Stolas. But he isn’t, because that conflict is 100% Blitzø. He won’t be able to use the imp versus demon thing as an excuse anymore as there is a very public example of someone even higher than Stolas loving an imp that he personally knows. Not only that but we see no indication in the episodes after Ozzie’s that there was ANY fallout for Stolas or Blitzø having their relationship outted so publicly. We see a big press todo about Stolas going to the hospital but not a single scene of like press asking Blitzø or Stolas about their relationship or the scene at Ozzie’s. Because no one but Blitzø actually cares? Scenes in media show us what’s important and if it was actually important to the larger world of Helluva Boss we’d have scenes to show that. There is no press coverage after the Not Divorced party, none after the Harvest Festival and none after Stolas officially makes moves to divorce Stella. He has assassins follow him around but not press. We DO get those press scenes when Fizzarolli and Asmodeus come out as being in love, because they are big public figures, but the only people who even mention Stolas and Blitzø are contained to Ozzie’s alone, and really it’s just Wally, Fizz and Asmodeus. The rest of the club is just interested in the spectacle.

The point of the hiding Stolas’s face behind the menu was not to tell audience he was ashamed of Blitzø, or that his being with Blitzø is a problem for him socially, but to reinforce Blitzø’s excuses to himself that it is, and highlight Blitzø’s self worth issues. This is further confirmed when Stolas reaches out to him across the table even though they are still in public and then later when he verbally expresses to Blitzø that he’d like to spend time with him without sex, tells him he enjoyed spending time with him outside of the arrangement, makes himself physically uncomfortable in the van just to spend more time with him. All of which Blitzø refuses to believe and dismisses. All of their interactions are shown as Stolas being the one to put himself out there, sometimes to a desperate cringe inducing degree, and Blitzø shutting it down and only expressing that his external protestations are not his true feelings by his avoidant looks, stumbling over his words and excuses, and his “protesting too much”. We as the audience see he’s full of shit through the reactions of others, Millie and Moxxie and Fizz specifically calling Stolas his boyfriend or being skeptical of the bullshit Blitzø spews to diminish the relationship.

For Stolas the song at Ozzie’s was a reminder that he had done something that fucked up his family and frankly his life as he knew it, tarnishing his image as a husband and father, and that fuck up has nothing to do with Blitzø being an imp, everyone knew that already for the most part from the very first time they had sex, but because Blitzø was the catalyst for the risk he took. He used to have the image of his family and his Princely appearance to hide behind and now we’ve shone a spotlight on who he really is, a lonely, soon to be divorcee, on a date with a demon who has acted completely dismissive of him, even outright ignoring him and ghosting at times.

A good way to highlight this issue with image is when Stolas nervously giggles and tries to over the top declare “we are having a perfectly normal date!” to the waitress by playing it off as being okay and trying desperately to get Blitzø to participate. He’s being publicly humiliated again and he tries to play it off and cover it up.

We see it again in his text messages from after Ozzie’s, he is so desperately trying to show Blitzø that it didn’t bother him, but that if it bothered Blitzø he’d like to talk about it. He tries to front it as “I don’t mind jokes about myself, it was pretty funny hahaha” but we as the audience see it for the pathetic attempt at faking it is. Laughing it off and pretending it doesn’t bother him is what Stolas does but he still made an attempt, he still tried. Stolas is from what we see extremely comfortable expressing his feelings, loudly and at length. It when he gets rejected for them that he pretends it’s not how he feels. And once again, he reaches out to Blitzø, gets shut down after putting himself out there and then acts as if everything is fine.

During the song at Ozzie’s , when the spotlight comes to Stolas, Asmodeus starts reminding him he “destroyed” his life, his family, and his image for a dude who does not outwardly appear to return his feelings, who is in fact just fucking him, and not even because he is interested in Stolas, but because he is using Stolas for the book. Every time Stolas tries for more he gets slapped back. He threw everything away for more of what he already had, a loveless business arrangement. He’s not shamed by the fact that Blitzø is an imp but that he ripped apart his picture perfect life for a guy who was acting distracted and ignoring him, who at times is completely turned away from him, and who is sitting across from him visibly uncomfortable at being called out as being on a date with him, and who he cannot get to agree to anything more despite his desperately trying.

Stolas’s part of the Ozzie’s episode opens with Gabriela yelling “Why won’t you LOVE ME ALEJANDRO” and then the man puts a streak in his hair to call back to it and people are still thinking it’s about status for him?

He just watched Blitzø stand up for Moxxie and Millie but when the focus turns to Stolas Blitzø cringes and makes himself small.

Lets break down what actually happens on screen because it is ALL in the visual choices made by the artists and what the song is actually about, lust being more acceptable than love because love is embarrassing and Blitzø hates to be embarrassed:

Moxxie starts singing, and after he sings “I loooove you” the shot jumps to Blitzø who CRINGES and shrinks a bit behind his menu. Publicly declaring your love for someone in public like that? Fucking Yikes. Bro.

Blitzø stands up and defends Moxxie and Millie but not necessarily to support their love, but their sexual relationship. This says a lot about which one Blitzø thinks of as being publicly acceptable.

Fizz turns his attention to Blitzø and the entire call out is about his bad love life, not his social status, and not even necessarily his level of fame but his failures as a romantic partner and the state of his relationships. It’s interesting that the song turns to this lack of love since just a few verses previously they act as though a romantic relationship is anthema to what they are all about. As soon as Fizz starts talking about his LOVE life Blitzø looks nervously at Stolas out of the corner of his eye.

Stolas is shocked as the song starts in on Blitzø but he doesn’t leave or shrink away immediately, he makes this absolutely hysterical face when Verosika is singing.

Blitzø does NOT like that Verosika is singing about their relationship. He crosses his arms and gets very sour pussed.

Then when Verosika starts getting more predatory, and going in on Blitzø physically, Stolas STANDS UP and looks as though he’s going to intervene.

The Wally Whackford yells “Are you sleeping with an Imp?” And Stolas remains standing, in the spotlight for several seconds. He doesn’t even start to move away to get out of it until Asmodeus comes up into his space and the scrutiny is all on him. He still doesn’t hide his face nor does it look necessarily shamed, it looks surprised and scared with where this is going and to have the attention on him but he does not look shamed. In fact, he doesn’t react to the imp comment at all, he is just as shocked and surprised as before Wally yelled as he is after. He keeps making this same shocked and scared face the whole time. We continue to see the crowd throughout all this and the scene is from a wide shot. It’s from the main POV, which is largely Blitzø’s.

The POV then switches to ONLY Stolas’s, we are seeing THROUGH his eyes and what HE sees is his family turning away from him and then they shove Blitzø in a chair, make him the center of Stolas’s vision and he’s left with Blitzø’s embarrassed, cringing face. The crowd, the club, everything else is painted out. From Stolas’s POV he doesn’t see or register the public, he sees and registers his family and Blitzø. They are center of his vision and the club and its patrons aren’t even present in the shot. If the issue was the social status we would have no need to remind the audience of Stella and Octavia by projecting their images and then having a sequence where they turn, walk away and burst into flames. Wally’s comment would be enough to establish it. The crowd would be visible because they would be what matters to Stolas. But it isn’t, we have to dive into Stolas’s POV, get a visual reminder of his family and see how Blitzo looks from Stolas’s POV.

We pull back to the outside POV and Stolas sits and stares for an entire beat after the POV shift (a technique used to tell the audience THIS was how Stolas saw the situation, now we’re back to the main POV), Blitzø is still shrinking away from him and THEN after Asmodeus says “you sold your life for a thrust” is when he hides his face. Yes, I did slow down the animation to actually see the sequence shot for shot and yes, it is a sign I have lost my mind.

But it’s important! This technique is really common in literature and media, you introduce one character’s conflict or flaw and then, to show that it contrasts with another character’s situation you jump into their POV, this is to remind the audience that there is a difference between them, that they are seeing this situation from two different places. The shots are wide for the social status implication that speaks to Blitzø’s issues with public declarations and his own self worth and we jump into Stolas’s just to remind the audience HEY, THIS IS ISNT WHAT STOLAS IS THINKING IN CASE YOU FORGOT ABOUT THE MAIN REASON THEY ARE NOT ON THE SAME PAGE, and then we just jump back to wide shots and bringing Blitzø back as the character whose flaw is being depicted.

The rest of the shots are from main POV and show Blitzo reacting to that. A deliberate contrast is set between what Stolas perceived and what Blitzø did. They present this direct visual contrast using a POV switch to show it. From Stolas’s POV he is being shamed not by the public, who didn’t factor into his POV at all, but by the loss or strain of his familial relationships and by Blitzø presenting himself completely differently when the focus is on HIS relationship with Stolas versus how he reacted to Moxxie/Millie and even Verosika.

From Stolas’s perspective and the audiences Blitzø was relatively okay up until Verosika pushed him, then we see Stolas’s reaction to that. That’s when Blitzø’s entire demeanor changes. He wilts, he shrinks, he makes himself small. Before that he winced a little but mostly he seemed annoyed. Until it gets turned on his date with Stolas. And we see this confirmed through Stolas’s POV, that we are seeing Blitzø how Stolas is seeing him looking sheepish and unhappy right in the center of the shot.

You sold your life for a thrust” is so important in this sequence, Blitzo just basically confirmed from his contrasting reactions and body language throughout the song that what they have is just sex, and we know from Stolas asking Asmodeus about the crystal and following up on it that he is really focusing on the transactional aspect of it and the situation he put an unwilling (at least in his mind) Blitzø in. This is just another bad arrangement like his marriage.

We don’t have onscreen confirmation, so this is more speculation but I imagine Stolas is probably comparing himself to Paimon a bit. His father purchased an unwilling imp to play with him as a child, the imp pretended to be into him to use him for the family treasure and now he’s essentially purchasing the same imp and that same imp appears to once again just be tolerating him for material gain.

Anyway, enough thoughts that depress the fuck out of me.

When we switch back to Blitzø after M&M finish their song we see the public again through their clapping and see his reaction. Now the issue at large is firmly back to the inferiority complex. Blitzø started shrinking and cringing away as soon as the famousness of his date was revealed, as soon as the crowd does exactly what he fears, comparing him to his partner and finding him lacking. Then we have Stolas reaching out, with no regard for the crowd who is back around them in the shots until the hand close up, and Blitzø shuts him down. Again. Once more we have Stolas visibly reaching out and trying to give Blitzø what Blitzø is outwardly projecting he wants (just like Stolas does with the dirty talk), and Blitzø being the one to say something annoyed or dismiss it. There is literally nothing Stolas can do to resolve this, because it’s an internal issue for Blitzø. Stolas externally declaring to every realm in hell won’t fix Blitzø needing to believe it and declare it for himself.

The conversation at Stolas’s house after reinforces everything, that Stolas is trying to do what Blitzø is projecting he wants. Blitzø appears to have an issue with their relationship being just about sex, the same person who goes out of his way to force all his non-familial relationships to be just about sex (even Moxxie and Millie, and when he turns a heartfelt reconciliation sexual with Fizz by asking to make out) and Stolas offers him multiple options for more of a romantic or comforting evening, because it’s what he wants as well, and Blitzø ignores that entirely, just outright refuses to acknowledge it. In the hospital we see Stolas tried AGAIN after Ozzie’s via text to work it out, and talk it out, but when Blitzø shuts it down again and when his initial approach didn’t work, Stolas tries just brushing it off and putting up that happy EVERYTHING IS OKAY image again.

So all this billion words and unhinged analysis to say that Stolas is not Asmodeus, he isn’t the one who needs to make the declaration, that won’t actually solve Blitzø’s problem and he already has put himself out there multiple times. Stolas is Fizz, obsessed with putting on a show.

Blitzø’s issues are internal and multiple people have tried to show him in external ways they love him and he either relates it back to sex, dismisses it entirely or physically removes himself from their lives. This is understandable considering when he does put himself out there he gets rejected, (circus audience, Barbie, his various gigs before I.M.P, Loona sometimes) or people act incredulous that someone could be with him. So the only way for him to complete this character journey is to internally reconcile and externally express.

Stolas is much more external about his issues, he tries putting on a happy face, laughing things off, trying to have a perfect day at LooLoo Land with a disinterested daughter, flirting outrageously with a disinterested partner, he wants the external situation to reflect what he feels inside but those around him don’t give that to him. He tries to have a perfect marriage, he gets a partner who throws obnoxious parties for what appears to be the chance to ridicule him publicly. He tries to have a perfect day at LooLoo Land to recapture happier times and accidentally alienates his daughter. He talks about how much he wants to bone Blitzø because that’s how Blitzø approached him and what he seems to be into in his relationships and is the only way he allows Stolas into his life at all, and in return he gets annoyed looks and insults.

“Or Is it Me?” In Look My Way makes me tear up every goddamn time because Stolas believes there is some internal problem within himself, that he cannot give Blitzø what he needs because he’s BEEN TRYING to be what Blitzø seems to want and gets nothing back no matter what approach he takes. No one will externally acknowledge him. Stolas doesn’t have an internal problem accepting his feelings and who they are for, regardless of status or consequences, he clearly says this in Look My Way and shows it before that with his over the top behavior, he needs someone from outside himself to acknowledge and reciprocate it.

So yeah, I disagree with the idea that Blitzø is the one who needs a public declaration. He might need a private one to take away his excuses but I don’t think he needs Stolas to do what Asmodeus did. What Blitzø seems to need is to be brave enough to declare his feelings for once and not shy away from the attention that comes with that. To accept himself as he is, like Stolas accepts him, and that realize he is just as worthy of love as the other people in his life. Stolas needs a declaration to validate his internal feelings, ease some of his loneliness with confirmed reciprocity and to have outwardly what he wants inwardly.

Thanks for reading if you did. I am sorry for being the way I am.

[tavina-writes]

Why Is the Unclean Realm Called That?

Okay so, I was salty yesterday but I am calm! Today!

Let's talk about the name of the Qinghe Nie Sect Seat and why it's translated as "The Unclean Realm" and what thematic implications this name ties into.

The Chinese characters for Unclean Realm is 不净世 (bujingshi), and translating this as "unclean realm" is not inherently a bad translation at all! It gets the idea across and it's short and pity, like Nightless City for 不夜天城 (Buyetiancheng) or Cloud Recesses for 云深不知处 (yunshenbuzhichu). Unfortunately English words tend to have more syllables in them than Chinese words and the other unfortunate thing about like, translation especially for subtitles is that you have to get the translation across in the same amount as it takes for the characters to talk because most casual viewers are not pausing their screens to read translator notes especially when the thing in question is actually just, far more complicated to explain than just a sentence.

Now, to get into 不净世 (bujingshi) and what it actually means, we do have to look at the concept it comes from: 不净观(bujingguan)/asubhabhāvanā, which is a Theravāda Buddhism concept that focuses on the contemplation of defects (also on occasion translated as the contemplation of the foul/decay) especially in the sense of contemplating one's own physical decay as a meditative exercise that reminds practioners to let go of the world/worldly desires bc of the commonality of like "yeah all life in the world will eventually become a corpse and decay, so while we're here don't be too fussed about wealth and glory and power and having objects"

So, in that sense, the Bujingshi is "the realm where we let go of physical desires because eventually we all become one with the world through decay and there is no reason to contemplate wealth and material objects." Does this. Sound like someone's philosophy. Does this remind you of that line from the book that says Nie Mingjue does not care for money, women, wine, or glory.

Does it perhaps also ironically tie into his fierce corpse or Nie Huaisang contemplating decay as a state of being throughout the second life? Perhaps!

But really this is a very clever and philosophical name that ties into so much of the Nie Sect's whole deal, and seeing it being treated as kind of a haha funny thing or a totally mysterious weird thing to be called is kind of. Depressing at times.

[japanwords]

桜梅桃李 (o-bai-to-ri) “never compare yourself to others”

This yo-ji-juku-go (Japanese 4-character idiom) is comprised of 4 beloved Japanese trees. They are:

桜 = cherry (sakura)

梅 = apricot (ume)

桃 = peach (momo)

李 = plum (sumomo)

Each of these iconic trees blossoms in its own time and in its own unique way.

桜 (sakura) are of course the cherry blossom trees famous for blooming spectacularly and incredibly briefly once a year, usually in April. Sakura trees in full bloom is an annual event, and people go to their local park to see them, take photos, and have picnics underneath them. It's such a big deal that it's reported on the weather forecast, with reporters commenting on how quickly the "sakura front" is moving northwards across the country.

梅 (ume) is the "ume" in umeshu! This is a sweet liqueur which is made from soaking ume in sake. It tastes amazing, and is one of the things I miss most about Japan. Japanese learners will no doubt recognise "ume" as usually being translated as "plum", however it is technically closer to the Western apricot.

桃 (momo) is one of the best-loved fruits in Japan. There is even a fairy story called "Momo-taro" about a little boy who comes from inside a peach. He grows up to be a great hero, of course, and saves everyone from a demon. "Momo" is also a fairly common girls' name.

李 (sumomo) are known as "Japanese plums" or "Asian plums". The trees are famous for their delicate white flowers. They usually bloom just before the sakura. Whilst not as famous or as showy as sakura, they are well-loved for their elegance, and for being a sign of spring.

This one-off calligraphy artwork is available on my Etsy shop here:

[darkficsyouneveraskedfor]

Daddy Lessons 1

Warnings: non/dubcon, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Characters: Rafe Cameron

Summary: You agree to tutor for the Cameron's, but find your student less than cooperative.

Part of the Backwoods AU

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging.

There aren’t many summer jobs in Hammer Ford, but you promised your parents you would find something. Without any response from the grocery store, cafe, or library, your search is hopeless. That’s until you ran into Rose Cameron.

“Weren’t you valedictorian?” She asked.

The scene plays over in your head as you step off your bike to walk it up the hill. What luck that she found you picking out flowers with your mother. Almost as if she’d been looking for you.

“Uh, yeah, last year,” you smiled. 

It’s been a year since high school ended, since then you’d spent two semesters outside the hamlet. In the city, people don’t just come up to you for no reason, and rarely a good one. Nor do they know you by name. Your home town seems more quaint the longer you’re away from campus.

“Great, I need a tutor,” she tutted, “how’s fifty an hour?”

You shake your head as you straddle your bike again. It’s an offer you really can’t pass up, even if the Camerons weren’t the most friendly family in Hammer Ford. It doesn’t matter as long as you can tell your parents you have a job.

You pedal east towards the house on the hill. You’ve never been up there. Not even in high school when everyone was going on about the ragers at the Cameron ranch. It was never really your scene. That and you weren’t invited.

You slow as you approach the low fence, breathless as you stop by the closed gate. Do you let yourself in? There’s a gold bell mounted on the post. You ring it and it sends a thunderous toll through the air. 

You wait, looking around, though you don’t know if anyone’s coming. Someone appears across the field. You recognise Ward Cameron as he nears, waving a gloved hand as he does.

“Hi, Mr. Cameron, um…” you hold onto your handlebars and dismount, “Rose, uh, asked me to drop by.”

“Sure thing,” he unhooks the inside of the gate, “I was just brushing Juliet.”

“Oh, okay,” you smile.

“You can work in the dining room if that works, or the back porch? It’s pretty nice out,” he lets you through the gate and secures it before he points you towards the house. “Really glad you could come out. We went to an agency in the city but they wanted us to go to them.”

“Um, yeah, sure, no problem,” you peer over at a foal and its mother in a pen, “nice place.”

“You think so? Does it look different in the day?”

“What do you mean?”

“Oh, I know about the parties,” he chortles, “it’s fine.”

“Well, I never…” you rub the back of your neck, “anyway, I guess we can study where Sarah wants.”

“Sarah?”

“Oh, erm, Wheezie?” You wonder.

“Did Rose not… explain?”

“I… assumed, well, she just said you needed a tutor so I thought…” You blink and chew your lip, “Rafe?”

He laughs again, “the one and only. We’re tryna get him back in good graces. He has a conditional offer in the city but he has to take an entrance exam.”

“Right,” you try not to show your discomfort. 

Rafe is a year older than you. Even so, he never failed to knock your books out of your hands or laugh in your direction. When he graduated, the student populace sighed in relief but he only made it through one semester in college before he flunked out.

“He’s not the kind for ranch work,” Ward says as he gestures you up the front steps, “frankly, I don’t know what he’s cut out for but a degree will at least give him some prospects.”

“Mhmm,” you drone nervously. If Rose had said so, you may not have been so eager. You just assumed it would be one of the two Wards still enrolled in school.

“He should be around–” he pulls open the front door and lets you in first.

You step aside to slip your shoes off as he hollers for Rafe. You glance out the screen door and wonder if you can come up with a good excuse. Your mind is racing but you come up with nothing. 

“What?” Rafe snarls as he traipses in through a broad archway.

“Tutor’s here,” Ward says.

“Tutor?” Rafe mutters.

“I told you,” he chides, “go get your books.”

“Dad, I told you, I’ll write the damn test–”

“And you’ll pass,” Ward insists, “books. Now.”

Rafe huffs and stomps upstairs. You turn around to watch him go. Ward shakes his head and beckons you onwards. You marvel at the neat interior. It’s all a lot more modern than the rest of Hammer Ford. A rustic contemporary mix of sleek white and faded pine.

“Feel free to help yourself to some water, or there’s a Keurig,” Ward offers, “I’d get you some myself but…” he holds up his gloved hands, “I doubt you like the taste of horse hair.”

You smile and nod as you slip your bag off your shoulder. 

“Thanks, uh, I’m good,” you say.

“Don’t let him get to you. I know how he can be. He gives you any trouble, I’ll deal with him.”

“Sure, uh, no, shouldn’t be an issue,” you shrug, though you sound less than convincing.

“I’ll be around,” he says and taps the door frame as he leaves.

You sit as he goes and you open your laptop on the table. Your parents bought the used model for your first year of college. It’s a bit slow but it works. You’ll just need the wifi.

A sudden slam makes you yipe and jolts the table. You look up as Rafe stands across from you, scowling. Behind your laptop, there’s several textbooks and a notebook with curling pages. You try to smile but your lips only tremble.

“Oh, hey,” you eke out, “uh, so… we can start on comprehensive literature–”

“Fuck off, dork,” he drops into the chair. 

“Well I… your dad–”

“My dad wants me to sit here and waste his money, sure thing,” he crosses his arms and rolls his eyes, “but i’m not takin’ no lessons from you.”

“Right, well, I…” you don’t know what to say. “Can I have the wifi at least?”

He doesn’t acknowledge your question as he pulls out his phone. You think he’s looking it up but he just sits and scrolls, his floppy hair drooping down his forehead. You fidget and flutter your fingers listlessly over the keyboard.

You should just go but you need the money. You close the laptop and reach for one of the textbooks. You open it and smooth the pages with your hand.

“Right, rules of grammar,” you begin, “nouns, pronouns, verbs–”

“Fucking dweeb,” he drops his phone and stands up, “for someone so smart, you sure are fucking dumb.”

“Identifying sentences…” you focus on the page as he paces.

“You think you’re so fucking clever,” he startles you as he pulls out the chair next to you, sitting in it as his elbow hits the table.

“Read the following and underline–” you angle the book towards him, silence by a jarring squeeze on your throat.

You recoil as his hand closes on the front of your neck and you push yourself back in the chair. You grab his wrist and choke, wiggling in your seat. What is he doing?

“What–”

“Shhhhh,” he puts his finger to his lips then presses it to yours, “you talk too much.”

You stare at him, wide-eyed, pulling helplessly on his arm. He smirks as he leans forward, pulling you towards him.

“You think you’re better than me?” He snarls, “let’s see about that.”

[dovesdreaming]

౨ৎI want to wear his initial on a chain round my neck౨ৎ

Hi I hope this is good! I found getting jacks character hard and when I first imagined this it was a lot fluffier than what it turned into! But I would be happy to right a fluffier version of anyone would like that!! 1.3k words

Needs editing!!

Warnings: suggestive

Requested:@fuck-i-burnt-the-tea

Jack had never been a sentimental person. He was a pirate, they couldn’t care for anyone but themselves. Jack was widely known for that, not even having loyalties to his crew. There were very few things Jack cared about in this world. The first being his compass he kept it by his side at all times and never let it out of his sight and the second was a recent development. He had developed feelings for you. He didn’t know how it happened it went from you joking around with each other to him actually confiding in you, what was happening to him. Jack thought he could get rid of these feelings by pushing you away but the distance only made his heart want to be in your presence more. Jack didn’t understand feelings and he’d be damned if he let them get in the way of finding his recent treasure interest. There was a slight issue with this though as his compass would point in the direction of the treasure but then make a ticking motion towards wherever you were. He debated throwing you overboard or getting rid of you somehow so that he could finally get back to his pirate life yet he just couldn’t bring himself to do it.

His crew had also become attached to you, it was impossible not to. You had a way of drawing everyone and making them feel comfortable. The men aboard also didn’t mind a woman on ship but they all respected you and would protect you if needed but after they had seen you fight a rival pirate ship they decided they more than likely would never be needed.

Gibbs had noticed a change in jacks behaviour, how could he not he was the only other person than you that was close to him.

He had suspicions but never brought it up because he knew that the Jack sparrow would never admit to having feelings for someone.

Jack was always a flirtatious person and when he noticed his feelings for you develop he cranked his flirting up to the point he would flirt with a mop if it looked like a woman to rid himself of thoughts about you. He needed you out of his head and this lead him to have multiple one night stands every time the ship docked somewhere, sometimes even several a night. He thought it was working but in reality it only made him crave you more.

You had feelings for Jack sparrow before you even joined his crew. His name was whispered throughout the pirate community with many mixed comments about him. From some of the stories you had heard he sounded like just your type of man. You however ended up on his ship by accident you had been looking for a permanent crew to join and this had been the only ship accepting new crew mates. You and Jack found common ground straight away and from there you only grew closer. You never thought much of your relationship until you felt you stomach bubble with a mix of anger and sadness every night when you saw Jack take another woman to bed. Inside you knew you were jealous but you weren’t ready to admit that to yourself yet, especially when he takes a new woman every night.

One night when you and Jack were hanging out at the bar you both had a few two many drinks. Most of the words coming out of your mouths now didn’t make sense to anyone, it was just drunk babbling. Jack had been eyeing up a few women that were across the bar all night and this had deepened the feeling in your gut. You were nearly blind drunk and jealous which were not good combinations. You became touchy with Jack, reaching your hands out to touch his hair and rub his shoulders. You also stared directly into his eyes making Jack question what had gotten into you. You launched yourself at him, grabbing his face in your hands and smashing you lips into his. He hesitated before his drunk haze of want took over and he kissed you back. The kiss got deeper and deeper before he lead you away and you became another woman he took into the night with him.

You woke up in an unfamiliar bed and you looked around to see clothes strewn across the room. The vague memory of last night was at the forefront of your mind yet the face of who you left with was a blur until you turned your head to find no other than your captain. Realisation hit you like a wave and you were frozen in panic. Your mind raced with thoughts and as you saw Jack stir from his sleep all your mind could come up with was to pretend you were asleep til he left, leaving all decisions to him.

Jack awoke and collected his clothes like he did every morning after his nightly activities. It was routine at this point and he usually didn’t bother to even spare a glance to the person in bed with him. He couldn’t remember any of their faces if he tried. Yet as he was walking toward the door he stopped dead in his tracks as he recognised the article of clothing on the floor. It was your average dress yet it sparked an image in his mind and that’s when his memory flooded back. He saw images of the night before with a woman under him. The face of the woman slowly came into focus and it was you. His head snapped to the figure in bed still and sure enough he saw your face just peeking from the covers still asleep.

He panicked and ran out the door slightly slamming it in his hastily exit.

Your relationship was slightly strained from this point on both wanting the other yet feeling as though the other didn’t feel the same. Jack was also still struggling to allow himself to have feelings like this. He wanted to make a gesture to show he cared for you. He was just waiting the perfect thing to present itself to him.

He had found what he thought might do the trick. He found a necklace within the chest that the crew had been looking for the past couple of weeks. It was a chain necklace embroidered with jewels and conveniently a j engraved into it. It was like his compass had led him here all along, knowing his heart wanted to give you himself. He snatched it from the chest before anyone else saw and stuffed it into his pocket for safekeeping.

Jack had been going back and forth about giving you the necklace. He couldn’t decide whether it was too big of a gesture or too small of one. He just wanted to show you that he cared about you.

He had called you into his quarters and sat down on his desk. You were left standing in front of him, questioning why he had brought you in here. He stared at the ground before reaching into his pocket. You saw the necklace shimmer in the sunlight from the window behind, it casted spots of sunlight across the room. This made you even more confused. He twirled the necklace in his hands before speaking “this is for you”. He leant his arm out with the necklace in. You took the necklace carefully into your hands, taking every detail of it in. You heart jumped when you saw the j engraved and ran you thumb over it. You looked up to him questioningly, what did this mean? He looked away and said he wanted to show his fondness for you (jacks code word for something along the lines of love you guessed). You walked over to him and asked him to put it on for you. As he clasped his initial round your neck you didn’t feel owned by Jack, you felt he knew you. This necklace was the silent acknowledgement that you both liked one another and wanted more. It was a silent agreement that you were each others and no one else’s.

Thank you for reading! And again if anyone wants a fluffier version I have a good idea for it!!

[cryptidclaw]

Whisperingclan Year 1!

Introducing Whisperingclan! my very haunted clangen clan with a terrible leader!!

I drew these guys MONTHS ago so this art is kinda old now T-T I finally am posting them tho...

I kinda want to draw more yearly updates but I may not draw every cat... it depends on how im feeling and how much time I have :P

...

Whisperingclan lives in the mountains next to the territory of their origin clan Roaringclan. Many of the clan founders were a part of a coup in Roearingclan to make Tempeststar, at the time Tempestwhorl, deputy or leader... they were instead defeated and banished.

The founders wandered together through the territories outside of the clans... as they drew nearer to the mountains they began to hear strange whispers on the wind. Following these whispers they found themselves deep in the mountains in a cave filled with crystals that seemed to whisper with a chorus of their Starclan ancestors.

That night they slept in the cave, and in her dreams Tempeststar was named a leader of a new clan, Whisperingclan, by Starclan themselves. The new clan now calls themself the clan closest to Starclan, and they have made their camp within the Whispering Cave claiming that they are its protectors and the only cats who can be trusted with it's power.

...

I am now continuing this clan's story with updates for each moon!

First Update HERE!

...

Below is each cat from the lineup + a description of their character and what they have done in the clan's first year!

Tempeststar!

Tempest is a very cold and cruel cat who acts purely for her own gain and power, she HATES when others undermine her or disagree with her. She uses the fact that Starclan spirits guided her clan to the Whispering cave as proof that her new clan, and her as it's leader, is the most close to Starclan and must not be questioned no matter what. She doesn't truthfully care much about Starclan, beyond what they can do for her, but she likes to but on a devout follower act to get what she wants and come across as holier than thou.

So far Tempeststar's leadership has been filled with her "teaching" cats who stand up to her lessons by attacking them and forcing others to help her. These common demonstrations have lead to her almost always having injuries and the death of two clanmates. Ravenblur was the first to die, he had followed Tempest's orders in attacking his previous apprentice but succumbed to the injuries he sustained. Jaggedlark, the cat Raven had attacked, died next, her determination to call out Tempest needed to be stopped.

Tempest likes to find cats who she can manipulate and use to do her bidding, her original cat she used for this was Ravenblur, who was happy how maim and kill for Tempest. Now it is the ex-kittypet Creekslip (who was the one to kill Jagged) who is less enthusiastic about her unspoken job as attacker and executioner

Tempeststar also became mates with her deputy Blizzardchase and is now expecting their first litter! They are both very evil so their children will be very messed up im sure <3

Blizzardchase!

Blizzard is a cocky cat, she is well aware of how strong and skilled she is and she is not afraid to make that known. She deeply respects Tempest and was one of the first cats to join her coup. Along with respecting Tempeststar, Blizzard also has big gay feelings for her and was NOT afraid to share this, she decided that evil woman would be her mate and she wooed her (probably with evilness) until she got Tempest to fall for her lol.

Blizzard hasn't been up to much this year other than normal deputy duties and being in love with her evil wife... she trained Mossleaf but managed to impart none of her attitude and outlook on life to the young cat. Blizzard is currently doting on her mate and is very exited to see her kits next moon.

Bramblespeck!

Bramblespeck was not always a healer, she was a warrior in Roaringclan, but she joined Tempest's rebellion as she had always looked up to her... She was banished alongside everyone else and was the first cat to begin to hear the whispering, she was the one to lead the way to the cave and through this she realized she had been chosen to be the clan's healer.

Bramble has found her new job difficult as she only had warrior training, but luckily Frostfleck had plenty of healing knowledge that he could share with her. Frost has really been her saving grace this year as he always takes over for her when she gets injured, which seems to be quite often, she's so accident prone. Bramble is also super relieved that Whiskers joined the clan since they really needed another healer...

Whiskers!

Whiskers is a cooky lady with a fascination for the stars and herbs. She began to hear the cave's whispers while wandering alone and followed them straight to a Whisperingclan patrol... after hearing of clan life she decided that being a healer would be the perfect role for her in life and asked to join the clan. The clan is wary towards letting in too many non-clan cats but they need more members and healers so they reluctantly agreed.

Whiskers can often be found staring wide eyed straight into the cave's crystals, studying the movements of the stars, or telling cats off for not properly respecting their ancestors.

Creekslip!

The resident blorbo, absolute soggy sad beast... she is going to cat hell unless she stops this shit lmaooo

Creekslip has extreme abandonment issues and a fear of not being excepted, and left behind. Her twolegs abandoned her in the woods and left her to learn how to survive on her own, she's strong now, but she is desperate for a home. Creekslip joined Whisperingclan on their third moon, she felt a pull to this place after wandering the woods close to the mountains, she now questions every choice that brought her here, but she cant leave... she cant handle being alone again.

A moon into being in the clan Creekslip was given an apprentice, Sunpaw, as a chance to prove herself, but she became ill soon after, and Tempeststar took on much of Sunpaw's training. Creek could feel Tempest's judgement towards her... she failed at the first task she was given, and she was determined to prove herself to the clan and the leader. Tempest could sence this desparation and she saw the potential in it...

When Jaggedlark once again stood up to Tempeststar and Tempest called on Creek to aid her in teaching the young cat a lesson... Creek was desperate for a chance to prove herself and went through with it, she had too... Jagged died later due to the injuries Creek delt her... this haunts her. Despite this however Creek continues to be Tempest's new cat to call on to beat fear and submission into the clan. Creek is to fearful to stop, but she hates what she has now done, and continues to do.

Anyways I love her she keeps committing crimes but she is so sad :(

Frostfleck!

He has Whitestorm vibes, but like if Whitestorm was a part time healer.

Frostfleck was a loner and joined Tempest's group before they found the cave and became a clan. He isn't into all the bad vibes of the clan but he likes the idea of being in a clan and having community, plus there are plenty of good folks in the clan and he choses to stick close to them. Frost has lots of knowledge in healing though he enjoys warrior duties more, he is an unofficial part time healer, and he takes over whenever they need more help in the healer den! (in game I make him a healer when i need more healers , these cats hurt themselves so often T-T)

Skipspot!

My kind transboy, i love himb , I feel like he just joined the clan to make friends and have community.

he has barely done anything because he just joined the clan, but he has already befriended Sunmane and gave her advice on telling Mossleaf how she feels... ig I can thank this man for finally getting Sun to confess to Moss lol.

Butterflyfreckle!

Butterfly is like the opposite of Creekslip, she was a kittypet but she chose to leave her home for adventure! She is confident in herself and is great at making friends, she keeps away from the bad parts of the clan and just enjoys herself. She has done pretty much nothing this year though hehe.

Weedpatch!

Weedpatch was Tempeststar's apprentice and she convinced him to join her coup through this, he did so mostly out of fear and also because his cousin Jaggedpaw and her mentor had agreed to join as well... Weed always looked up to Jagged.

Both Weed and Jagged regretted their choices to follow Tempest, but it was too late, and they were facing the conciquences of decisions they made as dumb kids. Jagged became angry after the banishment, but Weed just became... quiet. He doesn't like to get involved in any of the clan conflicts, he stays by himself as much as he can with Tempest having been his mentor. He used to spend most of his time with Jaggedlark, she was his best friend, but then she was killed, he doesn't like to talk about Jagged anymore. These days, Weedpatch, living up to his name, copes with his trauma by being high on catmint half the time.

Mossleaf!

Mossleaf was a kit in Roearingclan, the banished cats literally just stole her, she is actually the Roaringclan leader's daughter, hence the stealing, they wanted some vengeance. Roaringclan think Moss is dead but nope! She's just in the spooky cave cult!

Mossleaf is very aloof and strange, she likes to listen to the Whispers, and while most cant decipher them it seems like Moss might actually be able to hold a conversation with them. Bramblefleck thought Moss should become a healer but Tempest promised to give Blizzardchase the next apprentice available, despite this Moss doesn't seem to mind being a warrior though.

Moss became very close to the other apprentice at the time, Sunpaw and they became so close it seemed one could never be found without the other. They seemed to have crushes on each other from the start and it was no surprise when Sunmane confessed to Moss and they became mates soon after they both became warriors. I love them both sm they r cuties <3 (the not evil gays)

Sunmane!

Sunmane is my favorite design... I love her lion mane and her bangs sm she is so CUTE

Sunmane joined the clan as a kit and before they found the cave. Her grandfather Flowermoon was trying to find a group to support them both, Sun's parents were gone and Flower was getting old... the strange group of cats was the best choice they had at the time.

Sunmane likes to stay positive and tries to lighten the mood with some jokes. Her apprenticeship was tough, and now that she is free from Tempeststar she is staying far away from her. She spends almost all her time chilling with her mate Mossleaf and trying to enjoy her life despite all the things that go down in the clan.

Larkcaw!

Larkcaw is the starclan guide and was the main spirit to guide the cats to the Whispering Cave... she is evil actually, how did she get into Starclan??? I'm pretty sure the only reason she is in the good place is bec she didn't obviously do anything evil... she just plotted.

Lark decided to lead her great granddaughter Tempeststar to the Whispering Cave, she convinced other spirits that a clan living there would be a GREAT idea, despite the fact that it is actually very bad for cats to live in a cave full of that much Starclan energy. It can easily mess with a cat's mind, especially those with a stronger Starclan connection.

Larkcaw really just wanted control over a clan, and what better than making a new clan backed by a powerful Starclan source?

Flowermoon!

Flowermoon is Sunmane's grandfather and became her caretaker after her parents died, he joined the group because he knew he needed cats who could care for Sun and him as well since he was getting old, he is unsure of his decision, Tempeststar is cruel, but he knows Sunmane has found friends and joy in the clan despite it all. Before his death Flowermoon spent much of his time telling stories to the kits and apprentices, he passed away of old age, and now watches over his granddaughter <3

Jaggedlark!

Jaggedlark was Ravenblur's apprentice back in Roaringclan and due to this she had spent much of her apprenticeship around Tempest and her followers. She was convinced that the coup was a good idea and even played a role in convincing her cousin Weedpaw of the same thing. After the coup and subsequent banishment however, Jaggedpaw began to see the truth in what kind of a person Tempest was... she grew to despise the leader. Jagged became a warrior on the clan's first official moon, but Jaggedlark became even more confident in speaking out against Tempeststar's actions after this and this would sadly lead to her demise.

On the same moon that she became a warrior, she angered Tempest by questioning one of her decisions, Tempest called on Jaggedlark's own previous mentor, Ravenblur, to attack Jagged alongside Tempest to teach Jagged a lesson. Jagged would end up wounded from the fight, but not nearly as much as Ravenblur who died of his injuries a moon after... Jagged was devastated, her mentor had attacked and betrayed her trust, but she had killed him, didn't that make her just as bad?

A few moons later Jagged would end up being made an example of again when she began speaking out against Tempest even more than before, even questioning her place as leader... Jagged would die like her mentor, dying a moon later from blood loss.

Ravenblur!

Ravenblur died almost immediately, but i hate him, I sent him the the dark forest >:)

Raven was one of Tempeststar's biggest followers (a Darkstripe to Tigerstar sort), he did anything Tempest asked of him, even attacking his own previous apprentice Jaggedlark. He is VERY mad that Jagged ended up killing him, he feels he deserved more from life... he wanted more power like Tempest and Blizzard, and Jagged took that away from him...

[songoftrillium]

Likes don’t increase visibility to others! Please reblog this to spread the word! 

I think Werewolf is an inherently queer medium

This is all a part of a larger long-term project.

I am trying to hold the World of Darkness to higher standards of inclusivity.

Book 1: Cliath

Meet The Gaians — a chosen people blessed by Gaia of whom among them there are heroes who are born, blessed with the power to Change. They have been charged with the duty of protecting her and her brood, and among them are fellowships from every culture. They are largely comprised of Kinfolk. Vanguards of the earth, they follow the Codes and Creeds of renown in chiminage to the spirits in exchange for favor, protection, and power to strengthen their Fellowships and they form one of several primary factions.

A small number of Gaia’s chosen have been gifted the ability to shapeshift through either bite or birth into animals; warriors joining the fight against the Wyrm. The Gaians have many secret names for these shapeshifters between their cultures, and they range across many animal species and tribes, but the most common among them in these times are Garou.

This sourcebook includes information on First Changes, Rites of Passage, how people become werewolves, and what they're fighting for. Book 1 is effectively a players guide, including enough comprehensive character creation rules for people to create rank 1 Garou.

The World of Darkness is implied to exist just beneath a facade that all others take for granted as simply being a world gone wrong. When the Change happens to a Garou, human or otherwise, the world they once knew ceases to be. The Apocalypse is said to be something happening to everything, everywhere, simultaneously, and on every level. This transcends the concept of everything succumbing to a singular event but many small ones.

In many ways, the Garou themselves are emblematic of this Apocalypse, with these former lives ending and sweeping the cub into something far bigger than themselves. A Call To Action is the theme of Book 1.

Book 1: Cliath goes into warborn, bitten, wolf-born, and human-born lives leading up to the change. It presents a curated depiction of the Garou from the perspective of those who would mentor them. There are not a lot of conflicts, profound lore, or politics so much as 'this is what we are, this is what we do.' Functionally, this can be considered a Players’ Guide, containing your attributes, abilities, advantages, and Merits and Flaws. Gifts and rites will be truncated to rank 1 for the most part. Guidelines for new STs will be found here, including enough powers and enemy stats to keep their troupe of players on their toes. This will also include things like chargen and descriptions of attributes, abilities, and advantages. This will also have many details on packs and the importance of one's packmates. And what better way to introduce new players than to have it happen in an all-new setting for storytellers to introduce their players to the game: the first three chapters of Dead Mountain!

Dead Mountain isn't going anywhere. In fact, it will be used as the foundation for this series. Already-finished parts of the Dead Mountain will be released over the next few months, and a delayed release of the full chronicle will come next spring. The scope of Werewolf: the Essentials will strongly diverge from past game traditions. In past core books and settings, there was an intent to showcase the world at large, written from the perspective of people who had never been to these places. In the end, many details were laughably wrong or mediocre representations that didn’t appeal to the groups they represented. We want the World of Darkness to be HUGE. So, we will be laser-focusing this project to represent the Garou from the Pacific Northwest as an example, with guidelines on how to make your own World of Darkness at your locale HUGE too!

CALLING ALL CHARACHS!

We cannot make this happen without your help.  We are putting out the call for folx from all parts of the queer, lesbian, trans, bisexual, gay, and asexual werewolf fandom looking to help make this the best possible release we can:

Artists

Horror writers

Editors

Consultants

Hype Wolves to help spread the word

Indie TTRPG creators

Working together, we can create a game that is fun, engaging, and genuinely representative of the diverse community of players and fans who love Werewolf. To help us out, click here We look forward to providing you future updates!

UPDATE: Our team has grown huge, and we're grateful to the fandom for rising up and howling with us! We received far more applications than we were able to fully process, but we promise to deliver you the best possible Sourcebook anthology we can! Meet the Writing Team Meet the Art Team Follow our official account for future announcements! To check out a book preview and help us hire cultural consultants click here

Social Media Shout-out! I offer my thanks to @peltofash and @a-boros-named-seamus for supporting me on the Adren and Athro tiers! Your contributions are directly helping make this game more inclusive!

[armoricaroyalty]

Film Grammar for Simmers

What is film grammar?

"Film grammar" refers the unstated "rules" of editing used in movies and TV. Different types of shots have different associations and are used by editors to convey different types of information to the audience. Many of these principles were first described in the early 20th century by Soviet directors, but they're used consistently across genre, medium, and even language: Bollywood musicals, English period dramas, Korean horror movies, and American action blockbusters all use many of the same techniques.

Because these rules are so universal, virtually everyone has some internalized understanding of them. Even if they can’t name the different types of shots or explain how editors use images to construct meaning, the average person can tell when the “rules” are being broken. If you’ve ever thought a movie or episode of TV was confusing without being able to say why, there’s a good chance that there was something off with the editing.

Learning and applying the basics of film grammar can give your story a slicker and more-polished feel, without having to download shaders or spend hours in photoshop. It also has the bonus of enhancing readability by allowing your audience to use their knowledge of film and TV to understand what's happening in your story. You can use it to call attention to significant plot details and avoid introducing confusion through unclear visual language.

Best of all, it doesn't cost a dime.

The basics: types of shots

Shots are the basic building block of film. In Sims storytelling, a single shot is analogous to a single screenshot. In film, different types of shots are distinguished by the position of the camera relative to the subject. There are three big categories of shots, with some variation: long shots (LS), medium shots (MS), and close-ups (CU). This diagram, created by Daniel Chandler and hosted on visual-memory.co.uk illustrates the difference:

Source: The 'Grammar' of Television and Film, Daniel Chandler, visual-memory.co.uk. Link.

In film, scenes typically progress through the different types of shots in sequence: long shot, medium shot, close-up. When a new scene begins and the characters arrive in a new location, we typically begin with a wide establishing shot of the building’s exterior to show the audience where the scene will be taking place. Next comes a long shot of an interior space, which tells the where the characters are positioned relative to one another. The next shot is a medium shot of the characters conversing, and then finally, a close-up as the conversation reaches its emotional or informational climax. Insert shots are used judiciously throughout to establish themes or offer visual exposition.

Here's another visual guide to the different types of shots, illustrated with stills from Disney animated films.

This guide is almost 2,000 words long! To save your dash, I've put the meat of it under the cut.

Long shot and extreme long shots

A long shot (sometimes also called a wide shot) is one where the entire subject (usually a building, person, or group of people) is visible within the frame. The camera is positioned far away from the subject, prioritizing the details of the background over the details of the subject.

One of the most common uses of long shots and extreme long shots are establishing shots. An establishing shot is the first shot in a scene, and it sets the tone for the scene and is intended to give the viewer the information they’ll need to follow the scene: where a scene is taking place, who is in the scene, and where they are positioned in relation to one another. Without an establishing shot, a scene can feel ungrounded or “floaty.” Readers will have a harder time understanding what’s happening in the scene because on some level, they’ll be trying to puzzle out the answers to the who and where questions, distracting them from the most important questions: what is happening and why?

(I actually like to start my scenes with two establishing shots: an environmental shot focusing on the scenery, and then a second shot that establishes the characters and their position within the space.)

Long shots and extreme long shots have other uses, as well. Because the subject is small relative to their surroundings, they have an impersonal effect which can be used for comedy or tragedy.

In Fargo (1996) uses an extreme long shot to visually illustrate the main character’s sense of defeat after failing to secure funding for a business deal.The shot begins with a car in an empty parking lot, and then we see the protagonist make his way up from the bottom of the frame. He is alone in the shot, he is small, and the camera is positioned above him, looking down from a god-like perspective. All of these factors work together to convey his emotional state: he’s small, he’s alone, and in this moment, we are literally looking down on him. This shot effectively conveys how powerless he feels without any dialogue or even showing his face.

The same impersonal effect can also be used for comic purposes. If a character says something stupid or fails to impress other characters, cutting directly from a close-up to a long shot has a visual effect akin to chirping crickets. In this instance, a long shot serves as a visual “wait, what?” and invites the audience to laugh at the character rather than with them.

Medium Shots

Medium shots are “neutral” in filmmaking. Long shots and close-ups convey special meaning in their choice to focus on either the subject or the background, but a medium shot is balanced, giving equal focus to the character and their surroundings. In a medium shot, the character takes up 50% of the frame. They’re typically depicted from the waist-up and the audience can see both their face and hands, allowing the audience to see the character's facial expression and read their body-language, both important for interpreting meaning.

In most movies and TV shows, medium shots are the bread and butter of dialogue-heavy scenes, with close-ups, long shots, and inserts used for punctuation and emphasis. If you’re closely following the conventions of filmmaking, most of your dialogue scenes will be medium shots following the convention of shot-reverse shot:

To keep long conversations from feeling too visually monotonous, consider staging the scene as a walk-and-talk. Having two characters move through a space can add a lot of dynamism and visual interest to a scene that might otherwise feel boring or stiff.

Close Ups

Close-ups are close shots of a character’s face. The camera is positioned relatively near to the subject, showing just their head and shoulders. In a close-up, we don’t see any details of the background or the expressions of other characters.

In film, close-ups are used for emphasis. If a character is experiencing a strong emotion or delivering an important line of dialogue, a close-up underscores the importance of the moment by inviting the audience to focus only on the character and their emotion.

Close-ups don’t necessarily need to focus on the speaker. If the important thing about a line of dialogue is another character’s reaction to it, a close-up of the reaction is more effective than a close-up of the delivery.

One of the most iconic shots in Parasite (2019) is of the protagonist driving his employer around while she sits in the backseat, speaking on the phone. Even though she’s the one speaking, the details of her conversation matter less than the protagonist’s reaction to it. While she chatters obliviously in the background, we focus on the protagonist’s disgruntled, resentful response to her thoughtless words and behavior.

In my opinion, Simblr really overuses close-ups in dialogue. A lot of conversation scenes are framed entirely in close-ups, which has the same effect of highlighting an entire page in a textbook. The reader can’t actually tell what information is important, because the visuals are screaming that everything is important. Overusing close-ups also cuts the viewer off from the character’s body language and prevents them from learning anything about the character via their surroundings.

For example, a scene set in someone’s bedroom is a great opportunity for some subtle characterization—is it tidy or messy? what kind of decor have they chosen? do they have a gaming computer, a guitar, an overflowing bookshelf?—but if the author chooses to use only close-ups, we lose out on a chance to get to know the character via indirect means.

Inserts

An insert shot is when a shot of something other than a character’s face is inserted into a scene. Often, inserts are close-ups of a character’s hands or an object in the background. Insert shots can also be used to show us what a character is looking at or focusing on.

In rom-com The Prince & Me (2004) (see? I don’t just watch crime dramas…) the male lead is in an important meeting. We see him pick up a pen, look down at the papers in front of him, and apparently begin taking notes, but then we cut to an insert shot of his information packet. He’s doodling pictures of sports cars and is entirely disengaged from the conversation. Every other shot in the scene is an establishing shot or a medium shot or a close-up of someone speaking, but this insert gives us insight into the lead’s state of mind: he doesn’t want to be there and he isn’t paying attention.

Insert shots are, in my opinion, also used ineffectively on Simblr. A good insert gives us extra insight into what a character is thinking or focusing on, but a poorly-used insert feels…unfocused. A good insert might focus on pill bottles on a character’s desk to suggest a chemical dependency, on a family picture to suggest duty and loyalty, on a clock to suggest a time constraint, on a pile of dirty laundry or unanswered letters to suggest a character is struggling to keep up with their responsibilities. An ineffective insert shot might focus on the flowers in the background because they’re pretty, on a character’s hands because it seems artsy, on the place settings on a dining table because you spent forever placing each one individually and you’ll be damned if they don’t make it into the scene. These things might be lovely and they might break up a monotonous conversation and they might represent a lot of time and effort, but if they don’t contribute any meaning to a scene, consider cutting or repurposing them.

I want to emphasize: insert shots aren’t bad, but they should be carefully chosen to ensure they’re enhancing the meaning of the scene. Haphazard insert shots are distracting and can interfere with your reader’s ability to understand what is happening and why.

Putting it all together

One of the most basic principles of film theory is the Kuleshov effect, the idea that meaning in film comes from the interaction of two shots in sequence, and not from any single shot by itself. In the prototypical example, cutting from a close-up of a person’s neutral expression to a bowl of soup, children playing, or soldiers in a field suggests hunger, worry, or fear, respectively.

The Kuleshov effect is the essence of visual storytelling in a medium like Simblr. You can elevate your storytelling by thinking not only about each individual shot, but about the way they’ll interact and flow into one another.

Mastering the basics of film grammar is a great (free!) way to take your storytelling to the next level. To learn more, you can find tons of guides and explainers about film grammar for free online, and your local library doubtless has books that explain the same principles and offers additional analysis.

Happy simming!

[hardwareabstractionlayer]

(the post editor malfunctioned and after a series of unfortunate events the original ask post is gone, so I had to make this screenshot mockup of the ask, sorry)

Thank you for prodding me to finish up a draft that's been sitting there for an inexplicably long time.

I will divide puns into exact homophones, which are pronounced exactly the same, and near homophones, which consist of the same phonemes with different tones. Though exact homophones are much punnier in speech, Internet jokes rely heavily upon text input and most people use phonetic-based Chinese input systems, meaning their autocompletes will often suggest near homophones and people will use them if they're funny enough.

To make this slightly statistically sound and not just me making up random puns, I grabbed 700k viewer comments from the years NiF was available on Youku, 2015 to 2020 (courtesy of danmu box). These danmu/弹幕 comments are timed to a particular moment in the show so they splash across the screen while you watch.

Let's start with the heavy hitters:

Xie Yu/谢玉 is an exact homophone of xièyù/泄欲, literally discharging desire, which means satisfying one’s lust or orgasming. Xie Yu's name occurs 5000+ times in the comments versus almost 900 orgasms.

Prince Yu/誉王 is an exact homophone of yùwáng/欲王, meaning prince of lust, and a near homophone, of yùwàng/欲望, which means desire (or the chaotic evil penis). The latter is far more likely to be autocompleted and shows up 1500+ times versus 200+ for the prince of lust.

Yùjīn/豫津 is a near homophone of yùjìn, 欲禁, or forbidden lust/abstinence. Because bath towel/浴巾 is an exact homophone and again far more likely to come up first in autocomplete, people overwhelmingly refer to him as the towel. In the comments, bath towel is used nearly 7000 times, 10x more frequently than his actual name, which is made up of two not-super-common characters.

Mei Changsu is often addressed as Su-xiong/苏兄 by Jingrui and Yujin in canon, which is an exact homophone of sūxiōng/酥胸, a literary term for supple and beautiful breasts that might have the same old-fashioned connotation as heaving bosom does in English. I'm going to call him gorgeous tits because he does bear a striking resemblance to the azure tit:

I've seen Chinese MCS fans note this resemblance before, but these birds don't have titillating names in Chinese so you can have this bonus joke for English speakers. Anyways, gorgeous tits are invoked in nearly 6000 comments versus almost 1200 for Su-xiong itself.

Now you can enjoy one of the comments from the above screenshot exclaiming over these names:

浴巾裹着酥胸，泄欲，这都什么什么 a bath towel (yujin) wrapped around gorgeous tits (su-xiong), orgasming (xie yu), what is all this

And the following off-color joke retold many times throughout the episodes:

Why is Mei Changsu called Su-xiong and not Mei-xiong? Because he has gorgeous tits, not tiny ones (Méi-xiōng/梅兄 is an exact homophone of flat-chested/没胸).

Here are some rarer-but-still-good puns:

Gōng Yǔ/宫羽 is a near homophone of gòngyù/共浴, bathing together (cue viewer comments about how she and bath towel belong with each other).

Níhuáng/霓凰 is a near homophone of nǐhuáng/你黄, slang meaning you’re perverted.

The emperor lives in Yǎngjū Hall/养居殿, a near homophone of penis hall since yángjù/阳具 is the yang implement, though it's most popularly punned with pigpen (I wrote about this here if you scroll to the end).

The travelogue Mei Changsu wrote annotations in, 翔地记, is an exact homophone of xiángdìjì/降帝记, or records of subduing the emperor (which I can only interpret as MCS’s Dom Diaries on how to conquer Jingyan).

To conclude, here’s a stacked area chart of the four horsemen of punny NiF names and how often they're spammed:

[pro-sipper]

"Dead Dove: Do Not Eat"

About the tag, the origin, and why I think no one on either side of the fandom divide knows how to use it

First of all, I'm crosstagging because I think it's a general issue, not just something for pro or anti shippers. I see the tag get misused on both sides and I just wanted to throw my two cents in

So, where did the term originate? Like all culturally significant things online, it started as a meme. More specifically, a meme from the television show Arrested Development. Character A has put a dead dove into a brown paper bag to store in the family's fridge. On the bag, he has taped a sign that reads, in big bold letters, "DEAD DOVE. Do Not Eat!"

Character B comes across the bag, reads the warning, and opens it anyway. When he's met with, you guessed it, a dead dove, he proclaims "I don't know what I expected".

This is an example of (and has since basically become the spiritual successor to) the "Exactly What It Says On The Tin" trope.

If you want to check out the full history and countless examples of the trope, please check out the page on tvtropes. But for a slightly shorter history - it originated in a British commercial for Ronseal's Quick Drying Woodstain, which the tin claimed "dried quickly". And in the commercial they told you "It does exactly what it says on the tin!" So, the tin says what the product does, then the product does it. You get the idea.

In fandom spaces, the trope just means that the title of Thing (be it movie, show, fanfic, etc) tells you exactly what happens IN Thing. If a show is called "Buffy The Vampire Slayer", you already know it's about a girl named Buffy who slays vampires. If the movie is called "Cocaine Bear", you can bet a bear will get into some cocaine at some point. If there's a fanfic called "Fluttershy Has Tea With Jesus"... you get the idea.

While both tags started out with the same intentions and meaning, I don't think it's any wonder that "dead dove do not eat" has been so easy to misinterpret. For one, "exactly what it says on the tin" sounds more straightforward. You don't have to understand the specific reference to infer it means to check the label (in this case, tags) before purchasing (opening) the product (fanfic)

But dead dove is harder to understand if you don't know the reference. And at a glance, it sounds much darker. Doves have symbolism in multiple religions, and are seen as a symbol of peace. A dead dove evokes images of gore, violence, general unpleasantness. It must only apply to something sinister, right?

The thing about "exactly what it says on the tin" is that the tin needs to say something. You can't point at a blank label and say "here's what you can expect". People would be much less likely to engage with your product if that were the case

In the same vein, slapping "dead dove do not eat" on a fic with no other tags can lead to confusion. In this tag's case, it's a warning. But what are you warning about if you don't also put it in the tags? It leaves people's minds to conjure up only grim and upsetting images of what might be in your fic. Especially when, as it's also common to do, the tag gets shortened to simply "dead dove".

And while, yes, the tag is most likely to get slapped onto fics with dark or upsetting subject matter, that means something different for everyone who comes across it.

Most people seem to think it only applies to inappropriate relationships (age gap, incest, etc). But I've seen it applied to a variety of things, from potentially triggering material (like suicide) to things that simply may not be everyone's cup of tea (like excessive gross-out toilet humor).

In the end, "dead dove do not eat" is a tag that, in my opinion, should not be used as a descriptor as to what type of content your story contains. But rather, a gentle warning to say "hey, I'm specifically telling you what you're about to encounter, so whatever happens next is up to you".

After all, if you read the warning and still open the bag to find something you don't like...

I don't know what you were expecting.

[ghoulpiled]

ʟᴏꜱ ᴀɢᴇʟᴇꜱꜱ || Teaser

𝙷𝚘𝚠 𝚌𝚘𝚞𝚕𝚍 𝚊𝚗𝚢𝚋𝚘𝚍𝚢 𝚑𝚊𝚟𝚎 𝚢𝚘𝚞? 𝙷𝚘𝚠 𝚌𝚘𝚞𝚕𝚍 𝚊𝚗𝚢𝚋𝚘𝚍𝚢 𝚑𝚊𝚟𝚎 𝚢𝚘𝚞 𝚊𝚗𝚍 𝚕𝚘𝚜𝚎 𝚢𝚘𝚞? 𝙷𝚘𝚠 𝚌𝚘𝚞𝚕𝚍 𝚊𝚗𝚢𝚋𝚘𝚍𝚢 𝚑𝚊𝚟𝚎 𝚢𝚘𝚞 𝚊𝚗𝚍 𝚕𝚘𝚜𝚎 𝚢𝚘𝚞 𝚊𝚗𝚍 𝚗𝚘𝚝 𝚕𝚘𝚜𝚎 𝚝𝚑𝚎𝚒𝚛 𝚖𝚒𝚗𝚍𝚜 𝚝𝚘𝚘?

❧𝐏𝐚𝐢𝐫𝐢𝐧𝐠: Pre-War!Cooper Howard x fem!Reader

❧𝐑𝐚𝐭𝐢𝐧g: E / MATURE! Minors, DO NOT interact!

❧ᴄᴏɴᴛᴇɴᴛ: nothing yet but it will get really explicit

❧𝐋𝐞𝐧𝐠𝐭𝐡: ~1200 words

❧𝐒𝐮𝐦𝐦𝐚𝐫𝐲: You're an up and coming actress and he's America's sweetheart. (WIP summary)

❧ɴᴏᴛᴇ: This is my current WIP but be prepared for it to be so much longer and juicer and drama filled. I just wanted to get this out so y'all can see I am indeed COOKING !!! Also, A Man and His Dog was based off of A Boy and His Dog so that is what I based it off of!

You have been in the acting game for far too long. Originally you were advertising royalty. Your mom first put you into commercial gigs at the young age of five. Luckily for your mom, BlamCo Mac & Cheese was looking for the new poster child. Your face was plastered on billboards all around Hollywood. “Nothing says dinner like BlamCo Mac & Cheese. Bring the family together for a dish everyone will enjoy.” This phrase will forever be etched into the grooves of your brain. But as all gigs go, you outgrew BlamCo. Once you hit age ten, you couldn’t be the cutesy little kid telling families to eat the most disgusting mac and cheese known to man. Like many gigs will do, you were dropped from the gig. It paid well. Well, it paid your mom well.

She would go on lavish vacations without you. Only leaving you with a babysitter. This babysitter ended up raising you. Your mom would also buy herself expensive dresses and handbags. What would you get? Hand Me downs of whatever wardrobe on commercials could give you. This was a common theme early on in your career. The money you made was promised to you once you hit eighteen. Enough money to go to college and make a name for yourself professionally. After the BlamCo gig, you hit a dry spell. No one wanted a kid going through puberty as the face of their brand. With money getting tight, your mom signed you up for every and any background character role in a film and TV show she could. That’s where Nuka Cola noticed you.

Upon hitting sixteen, Nuka Cola representatives came up to your mom offering you a four year contract to be the face of Nuka Cola. It paid insanely well. So you did it. Another gig with your face plastered everywhere. From highway billboards to full body cut outs of you in Red Rockets across the country, you were back in the limelight. But those four years went by quickly. Once the contract ended, you were eighteen. You were excited to throw your acting career away. Child stardom was too damn much. College was going to be a fresh start for you! To no one’s surprise, you never got your money. To make it worse, your mom kicked you out of the house. She didn’t see you as profitable anymore. Mainly because you are old enough to go your own way.

Due to all these gigs, you never had time to make friends. So you took to crashing on random old co-star’s couches. You were back to background gigs. Which paid okay but not enough to help pay for college. Sadly, that was a dream you could never catch. It took three years for you to finally get your foot back in the door with big acting gigs. That gig being A Man and His Dog. A film in which you play the main female character who is supposed to seduce the main lead. It wasn’t really a film expected to go anywhere. The lead was a man straight out of the Sino-American War who had never acted a day in his life. This was also your first big gig, you’re not one to talk. Unknown to you, that man would become western movie royalty. A young and disgruntled Cooper Howard.

First day on set was odd. No one really talked to you. Not even the director. There was no way you were to know if you were doing the role justice. They had you in a wedding dress with white face paint. It was embarrassing. You stand near your trailer, lighting up a cigarette during lunch. Rent was due that night and you had no money to pay it. If this gig didn’t make a lot of money, you’re screwed. With a shaky breath, you look down at the ground. You’re getting cigarette ash all over this dress. Wardrobe is going to kill you.

“Now what’s a pretty thing like you doing out here all alone?”

The southern voice takes you out of your thoughts as you look up. You rub your eyes, messing up the makeup you have on. Now your hand is stained white. Great. Cooper walks over to you before leaning against your trailer. He takes out a cigarette of his own and begins to smoke with you. This is the first person to speak with you and it's the lead of the film. You try to act natural but you’re smitten. There is some charm he holds. Maybe it’s the fact you’re playing weird lovers in the film or the fact you have never been in contact with such a gorgeous man before. This moment right now makes you realize you’ve never had your first kiss. Your life has been acting gig after acting gig. No time for personal relationships.

“Are ya just gon’ stare at me?” He chuckles, voice smooth like whiskey.

You clear your throat and shake your head.

“Sorry, I’m not used to small talk.” Is all you can truly muster.

He offers you a kind smile. One that feels like sickly sweet honey on a hot day. It makes your stomach flutter with butterflies. He already has you wrapped around his finger. Maybe it’s the southern drawl that burns like a good bourbon. He is one hell of a charmer.

“Ain’t small talk unless you want it to be.” He takes a long drag from his cigarette, licking his bottom lip.

“You’re killing it by the way. The director is- pardon my language- a dick.” Cooper scoffs, shaking his head. He flicks his cigarette onto the ground and stomps on it which causes you to do it to your own.

You can’t help but chuckle at that.

“You can tell me that.” You turn to face him, leaning against your own trailer.

Maybe this set wouldn’t be as bad as you thought.

-

During set, you would crash at Cooper’s apartment. A tiny place near filming. You ended up getting evicted because you couldn’t afford rent. It was only logical you still find somewhere to crash. You’re lucky you became close with Cooper. He’s a gentleman. Made you feel at home. You opened up about your childhood and he opened up about war.

War. It was a scary thing. His stories kept you on the edge of your seat. Here you were, thinking you had a tough past. Almost all of Cooper’s friends are dead because of the war. You could only comfort him.

-

After filming wrapped, you were thrusted into the world of press. The press tour with Cooper was something else. The director wanted you two to lean into a facade. He wanted the both of you to act like lovers. This was to sell the film, lean into that romance your two characters had. You couldn’t flirt for shit without a script. Cooper, however, was a complete natural.

You followed Cooper’s lead. You know it was all an act but you were falling for him. Hard. He was the first man to ever give you the time of day. You knew it was fake flirting but every blush that he caused was real. The film ended up being big enough to push both Cooper and you into the spotlight. Now you’re landing gigs like crazy as well as him.

You both play lovers again in another western B-film. This one didn’t have the same success as the prior film but it was still another film you did with Cooper.

Part One